#like this isn’t to downplay the size of her fanbase but at the end of the day outside of certain parts of Asia

[ujuro]

Lisa’s team really needs to plan her moves more carefully because marketing her like she’s an already established western star that people should know and care about no matter what she does is starting to backfire imo

[petalsmooth]

FYI

KJ’s team agreed for him to star in that particular movie because 1) they know he has no significant audience, unlike Cole, to carry a film on his own 2) He wasn’t getting better offers 3) the Christian market has its own well sustained market that tends to rally around films and projects to decent sized opening. 

The latter doesn’t always happen,  it does happens often it was considered a safe gamble. This way if film is successful for that genre they could claim KJ’s popularity helped deliver that audience to use to entice better offers outside this market. Except sales were already tracking lower than anticipated before COVID hit so really in a way he was lucky because it was looking to be a disappointment. This way they can claim COVID as cause rather than KJ. Make no mistake KJ was NOT good casting for that film. He is not particularly a good actor (which isn’t a deal breaker) but nor did he even bother to pretend for a few months to pretend his values aligned with the target audience and better believe that audience knew it.

Lili’s role was smaller and she certainly was not the lead casting expected to draw audience on her own but it was fine for what the target goal was for her. To allow people to see her outside girl next door, to get a foot in the door to feature films, and she made a decent impression on reviewers/casting directors to encourage further offers. It doesn’t mean she can carry a film property on her own yet, but with established property or good script I could see her given a chance at a lead role.

Cole’s target with FFA was different than either of theirs. I may not have watched because it was a YA film but it seemed a project handled with great care by those involved and received praise for the acting. It was to essentially draw on his long established younger audience and prove to those in industry he would be an asset to their projects at the box office. His film made on a low budget greatly exceeded expectations and end result was before COVID hit had 2 film roles one co-starring with Levi (and who knows what he had to turn down because of Riverdale). No one else in the cast has shown this box office draw or success as a LEAD actor in feature films. 

A lot of Riversdale fans like to pretend they are all on an equal playing field but they downplay just how powerful 28 years in the industry cultivating a coveted younger demographic is and that NO ONE on this cast has had anywhere near the experience or time to create a fanbase to rival it. That is not hyperbole or prejudice favorable to Cole. It is simply fact Cole was put to work as a baby whereas the others weren’t so his career through sheer hard work is a step ahead even counting that he took a break to obtain a degree.

Meaning, Barchies, that no...KJ is not anywhere close to the success Cole is or for that matter Lili. It might do your fanbase good to stop lying and creating fanciful tales. The more brazen the lie, the more determined you are to spread it...will never make it reality.

[anikoku]

Mini-essay: How the narrative of KH3 was damaged by the compulsory heterosexuality and gender norms of Japanese society

Major spoilers of Kingdom Hearts 3 are below. Please don’t look unless you’ve finished the game!

One more disclaimer: this is coming from a Japanese perspective, and it’s not meant as a xenophobic attack on the culture I was raised in.

   Light-and-darkness logic, time travel, and bosses who are giant ships, I’ll ignore. That’s just part of the Kingdom Hearts package, and despite the headache they might give me, I’ve come to accept these wild ideas and take pride in my ability to handle them. But when we stray from the fantasy, it becomes difficult confronting the cultural context that the Kingdom Hearts series is birthed from, and how these ideas have affected key plot points and the characterization of our beloved heroes.   Despite its stunning popularity overseas, the Kingdom Hearts series is still conceived in Japan (by middle-aged Japanese men, no less) for Japanese audiences. I’ve always felt that Square Enix as a company remains disconnected from the input of its non-Japanese audience. Whatever catering is done towards overseas players is limited to game mechanics, not plot. I expect there’s something of a よそはよそ、うちはうち (“That’s fine for them but not for us”) mentality when it comes to structuring the story in a way that may appeal to overseas (specifically Western) fans. The writers do not know how to do this, and they do not wish to. I don’t believe that any culture should have to adjust its creative output to make it more palatable to the outside world, but considering the sheer size of the Kingdom Hearts fanbase, such a blatant refusal to consider modern storytelling trends in the gaming world will—and has—damaged its enduring legacy. Let’s not forget the fact that Japanese society itself is not suspended in time; its younger generation has different ideas about gender, sexuality, and romance.   I’d like to discuss three examples in KH3 where the writers leaned heavily on traditional gender norms and heterosexual romance to the detriment of the plot and the integrity of previous characterization. First, there’s the matter of Subject X, the amnesiac girl who became the reason why Ansem the Wise shut down his experiments. We learn late in the game that she was Lea and Isa’s missing friend, and the reason why they chose to infiltrate the castle and join Organization XIII. Before this piece of knowledge was revealed, Lea and Isa remained the only (human) pair whose friendship existed outside of the boy-girl-boy dynamic that Nomura is so fond of. Like Axel and Roxas prior to Xion’s introduction in 358/2 Days, Subject X was retconned into their friendship, altering their dynamics and diluting the significance of the homosocial relationship. Putting aside shipping perspectives, it is important to be able to portray two men (nevermind the prospect of two women, that’s too much to hope for in this franchise) sharing a strong emotional bond. Falling back on the trio concept not only feels like lazy and tired writing, but seems to speak to a fear that without a female presence, the love and connection between two male characters is simply too homoerotic.   In an interview, Nomura remarked he was surprised by Aqua’s popularity since she did not resemble previous Kingdom Heartes heroines. He and other writers (Masaru Oka and perhaps others) have a clear idea of what femininity means and what role female characters should play, and that was never clearer than the portrayal of Kairi and Aqua in the final half of the game. After being chosen as a Guardian of Light and spending the entirety of the story training with Merlin, after promising Sora that she would be the one to protect him, Kairi’s helplessness in the final battle was appalling to witness. She is depicted as weaponless when Terra-Xehanort charges at her. Sora and the others throw themselves in front of her to protect her, and this leads directly to Donald’s self-sacrifice. Later, she is easily kidnapped by Xemnas and killed by Master Xehanort to fuel Sora’s anger. This act of textbook ‘fridging’ absolutely disregards Kairi’s agency and her wish to fight alongside her friends. She represents the worst depiction of the traditional female role in storytelling: she is an object of desire to be rescued, damaged, and won over. In other words, it’s bullshit. Likewise, although she is one of the three Keyblade Masters present in the story, Aqua is constrained to a passive role. She is first rescued by Sora, then by Ventus, then assisted by Sora once more against two opponents (Terra-Xehanort and Vanitas) she had previously beaten. When confronted by the Demon Tide in the Keyblade Graveyard, Aqua whispers “no” and lets her Keyblade slip out of her hands, defeated. This is not the same Aqua who survived over a decade in the realm of darkness, defined by her bravery and strength of will. In an era with an increasing number of female-led titles and queer, non-traditional characterization, the female characters of Kingdom Hearts are still relegated to the role of nurturer and caretaker. In a game released in 2019, that hurts.   Finally, I’d like to argue that the narrative focus on Sora and Kairi’s romance came at the expense of the friendship between Sora, Riku, and Kairi, something I believed so thematically important to the franchise. The other trios (Axel, Roxas, Xion and Terra, Aqua, Ventus) are depicted as being equally close and connected, yet KH3 does nothing to showcase Riku and Kairi’s bond. Riku is about as affected as Mickey when Kairi is threatened. The two of them never have a private conversation, not even the day before their final confrontation with Master Xehanort. Riku doesn’t volunteer to help Sora search for Kairi at the end of the game, despite him being aware of what damage it could cause Sora. And that is the other piece of the puzzle: Sora and Riku’s relationship has also been severely downplayed. During the events of KH3D, Riku becomes a Dream Eater out of his strong desire to protect Sora. His character arc has always been about “protecting the people who matter most”. Why, then, is he willing to let Sora abuse the Power of Wakening on his own? Why doesn’t he get to have a conversation with Sora before the final battle? Why is he shown racing against Terra and Roxas in the epilogue, while Kairi sits by herself and mourns? The lack of bond isn’t just present on Riku’s side. When Kairi and the others are swallowed by the Demon Tide, Sora falls to his knees and laments that he has no power now that he’s alone. His grief would have been more convincing, had Riku not been right there by his side. With such a strong bond remaining, there’s no reason Sora should have given up there; it was a deliberate narrative decision to highlight Sora and Kairi’s relationship while downplaying Sora and Riku’s. It seems that Riku was forced to take a step back to make room for the game’s heterosexual romance, and I believe the integrity of Sora, Riku, and Kairi as characters suffered because of this.   Many of the reunions in the final portion of the game were an emotional catharsis for me, and I did enjoy aspects of the story. That being said, the storytelling in KH3 makes me fear that Square Enix is either unwilling or unable to adapt to the gaming frontier now led by the West. For now, I’ll submit to the fact that the most satisfying conclusion to the series I’ve followed so long lies in the hands of the fans who are willing to do it justice.

[xxsealitwithakissxx]

“We’re more ghosts than people.”

After around 5 months (I know that’s basically ages these days, but I wanted to take my time... then quarantine happened) and a lot of patience, boah that’s an understatement, I can say it was worth it.

I figured it was fitting to end on the character we started with.

                                         “Vengeance is an idiot's game.”

I know most post stuff like this on reddit, but honestly I rarely feel comfortable posting there. I’m not exactly a prolific ‘cowgirl’, what long history I’ve accumulated over the course of many months can possibly be said that hasn’t already resulting in hundreds of upvotes? I mean, I’m happy for those people, it simply makes me all the more nervous. Also, ignore the Compendium. Just.... jesus, I can not. 360 is close enough, imo. Anyway, knowing it’s over feels equally like having a weight lifted and leaving a close friend behind knowing you might not see them again. I was literally a day from getting this on my birthday, lol.

Does that sound exaggerated? Probably. Yes, the game managed to hit me in the feels more than once on certain occasions. Ngl, I imagine my day one horse Sauron was probably in horse-y heaven looking down like ‘fuck all you had to do was leave me in the stables but naw fam, you had to be a hero’. That scene had me pissed more than anything. The fact that we left him there, without a grave or anything just... pffft. That actually made me turn off the game for a bit. That and the Lenny plus Hosea bit. And the Molly bit. And Susan bit. And I may have gone back and burned a rat. But you know what? Let’s move on.

It didn’t help that my dear mother had taken to alternating between watching and helping me make decisions throughout the story (*cough*novel*cough*) and became attached to some of the characters, notably Orthor. I spelled that correctly, I swear. She was on the verge of tears more than once, just don’t tell her I said that. :p

What baffled yet continued to draw me in most is watching the downfall of the charismatic, prideful (c’mon look at that gif), and arguably hypocritical leader Dutch and his loyal fanbase gang. By the third chapter’s ending, shit hit the fan so much I wondered how everyone still alive managed to stay within the group, or be relatively sane enough by the 6th chapter. I had never seen such loyalty in a video game before. Seriously. Mind you, I hadn’t played the first game (I will eventually once my recovery period is over, lol) and still knew some of what happened to the ‘Miltons’, so the ending didn’t hit too hard.

Perhaps it’s just my personal rl issue with the ‘blind leading the blind’, but I had a little gripe with a bunch of... mostly capable adults following this one man by word alone from camp to camp while running from the law and not once questioning if they should wake up tomorrow and go, hey, maybe I’ll try to think for myself today. Granted, they were a makeshift family of sorts, I can understand how they all came to trust Dutch after hearing each individual backstory. It’s teetering on the very edge of CULT LEADER I AM A CULT LEADER, but I can still understand the why’s and how’s that came to be the Van Der Linde gang, jokes aside. He is above all, human, and coupled with his inability to ‘fight nature’ I think that is what makes him so intriguing to watch (Not to mention Benjamin‘s phenomenal voice acting...and the whole cast for that matter). I notice a certain theme that people rarely, if ever seem to speak of in old westerns that is sometimes present. One man strolls into some obscure  town and threatens to take over, be it with violence or by other means, with or without a gang of dunderheads trailing his wake, and the townsfolk willingly surrender. Until of course one unsung hero snatches said villain’s glory of badassary from under him and all is right again.

RDR2 isn’t like that. Not entirely. My point is it has elements of this sprinkled inside its storyline. At least, for the first and second half. It both confused and irritated me that most people were so easily brought back then, maybe it’s still like that now at times with Social Media so present in our lives, but I digress. I’m not writing this to step on toes or tell you what to believe, I just wanted to share this experience. A 120hr (hello fellow completionists) or so journey into a redemption story, a remarkably immense detailed landscape, and its colorful yet very complex characters. Despite some plot holes here and there, which I’d expect for a prequel of this size, I think I identify with John the most. Charles as well. Not trying to downplay his shortcomings, but he never really brought into Dutch’s bullshit plans, not truly anyway. As they say hindsight is 20/20. When listening those early camp dialogues and later ones you can tell just how in depth the writing goes, I’d argue that half the specific lines at camp and reading Arthur’s journal are better than what the cutscenes have to spell out for you.

I won’t linger on what’s been said a hundred times, how much a lot of us love Orthor (I’m sorry I’ll leave) and most of the other members, along with the immersive gameplay. It certainly didn’t become boring as I initially thought. I’m not too big on westerns... Roy Rogers, Bat Masterson, Maverick, and of course the Fist Full of Dollars trilogy suffice really. I actually wonder if R* will be able to top it. Two years later and some people are still in their feelings about it like it came out yesterday. With that type of impact, it will definitely be a challenge.

Now what’s left? Oh, a few stranger missions and some places I haven’t explored fully... Hmm. Or maybe I’ll try out 100% on pc...

Ha. The epitome of my humor ends there because I’d rather be hit by that train. How my hands aren’t broken or severely bruised is anyone’s guess. But really, thanks for reading if you made this far. Stay safe, guys. <3