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tyrantisterror · 8 years ago

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THE ATOM Create A Kaiju Contest Masterpost

It’s done! After nearly two months, the ATOM Create a Kaiju Contest has finally come to a close! Now it’s time for the part of the contest that actually requires significant effort on my part: picking winners and giving out prizes. This will be an incredibly difficult task because they’re all so fucking good. You guys submitted dozens of original monsters to me, creating a bizarre and wonderful menagerie. I wish they could ALL be winners, but I don’t have time to make 79(!!!) different kaiju files in a timely manner, so we’re gonna have to narrow it down a bit.

Of course, if you remember the rules of the contest, you know that every entry gets a prize by default: a sketch of each kaiju by me, with a few sentences or so of commentary as well. So here, below the cut, are the 79 (!!!) different monsters made for the world of ATOM by viewers like you!

Two special notes before we begin:

First, for the written entries: I tried to interpret everything as faithfully as I could. All the descriptions were wonderfully detailed, but as we all know, two people can read the same description and get two entirely different images in their head. There are more than a few written entries where I wasn’t 100% certain my interpretation was correct - like, where I realized it could mean something very different than what I thought it meant. So apologies if I got your vision a teensy bit wrong - I am a fallible man.

Second, for the illustrated entries: while I mostly tried to preserve your designs as they were presented, every now and then I threw out modifications - whether it was about translating between one artistic style or another, or because the concept you pitched for your monster reminded me of some things I have planned in my little fictional and haven’t thought of yet. In short, any changes made were to make your monsters fit in the ATOM universe just a little better. Again, apologies - I am a fallible man.

@raffleupagus‘s entries:

Engineered by a mad scientist to kill other kaiju with its single, enormous leg, Pogo Tomiyama is one of the weirdest concepts this contest threw out, and as you’ll soon see, that is saying something! Mixing a giant bug with one of the most iconic toys of the 1950′s is such a strange idea, but also totally in line with the aesthetic of ATOM - it’s all about that atom age nostalgia.

Pogo’s nemesis, the heroic Kaerugon, isn’t quite as bizarre, but the fact that a big toad with an even more preposterously long tongue is the “hero” of this tale is still pretty excellent (and fitting, given Pogo’s status as a great big gnat). Kareugon also reminds me, intentionally or not, of the heroic toad from The Magic Serpent, an obscure and weird little fantasy movie from Japan that ends in a pretty decent low budget kaiju battle, so props there.

@bugcthulhu‘s Entries:

Bloated and slimy, Bocagran is a prehistoric amphibian that floats because of his gassy innards. He’s got a nice Rat Fink vibe to him, mixing creepy, pathetic, and cute vibes in a way I absolutely love. His creator mentioned The Giant Claw as an inspiration, and despite one being a giant salamander and the other being a vulture, I can see it - both manage to blend “goofy” and “creepy” together into one lovable package.

A perfect companion to the Writhing Flesh and Pathogen, Dreg plays with the idea of nuclear strikes making kaiju more monstrous in an entirely new way. Having been hit by a nuclear bomb while still in his mother’s womb (well, technically still in the egg that was still in his mother but whateves), Dreg’s kaiju physiology is dangerously and uniquely unstable. He shifts between a pathetic fetal form and a mangy but dangerous fighting form depending on how well fed he is - which means he constantly has to devour flesh to maintain any semblance of power and security as a monster. Monstrous in appearance and deed, but not necessarily by nature, Dreg is as pitable as he is terrifying.

@takingturnsatrandom‘s Entries:

An enormous echinoderm even by kaiju standards (it towers over Tyrantis by 50 feet!), Blasteroid gets around in an ingenious way that would make Godzilla and Gamera proud: it flies via a pressurized jet of water! It’s one of the cooler kaiju powers I’ve ever heard of, and it’s made even cooler by the fact that Blasteroid is unambiguously heroic - continuing the ATOM tradition of non-humanoid monster being sympathetic despite their inhuman appearance.

Looking much like a modern day chupacabra sighting, Sibuan is the second (and far from the last) mangy monster in our list. As you may know, I’m slightly afraid of/repulsed by dogs, so I kinda love that the first canine monster entered into the contest is so scuzzy. Sibuan is definitely a tragic monster, though still a fearsome one with her toothy jaws and bristle-y fur.

Hammerbeak gives me a specific sort of Ultraman monster vibe - like, you can see the base animal (cassowary) in the design, but it goes down a lot of strange paths before it finishes its journey from beast to monster. The long tail tipped with a thagomizer is a particularly fun touch - it’s not often you see a bird monster take after an ankylosaur.

I tried my best not to make Vermamand’s moth look inappropriate, but Planarians work the way they work, you know? Since Planarians literally look like cheap, googly eyed monster toys, using one as a basis for an ATOM-verse monster is pretty ingenious - this fella would fit in well alongside Karamtor and Googora. The ribbon-like body also gives this worm a very distinct visual presence.

There are a lot of ways you could make an arboreal creature like a chameleon into a kaiju, but making their tree-climbing adaptations suited for an aquatic lifestyle has to be one of the nuttier ones. Turning those clasping oven mitts into flippers is such a weird idea, but it works so well!

@cerothenull‘s Entries:

A flying retrosaur that traded speed in flight for the ability to swim as well (and thus becoming triphibian), Aiguan ended up looking like the lovechild of Gamera and Gyaos. I’m not sure if that was intentional or just a lucky accident of how I read the description, but its a point in her favor regardless. I love how this takes retrosaurs - a fairly well explored monster type in ATOM - in an entirely different direction than we’ve seen in the canon monsters.

Osteogre is a strange blend of retrosaur, placoderm, and just a little bit of Creature of the Black Lagoon - ok, maybe more than a little in my rendering, but it couldn’t be helped. As soon as you say “humanoid fish” my brain goes pretty hard on the Gill Man imagery. I like that Osteogre’s chimeric build is left as a mystery - how did such different creatures get crossed together? The world may never know.

Centipedes are generally considered pretty ominous animals, so of course an ATOM-verse centipede monster would be a giant sweet heart. Scutlgor’s description had just enough specific details to set her apart from normal centipedes, allowing her to fit in with the other arthropod monsters in ATOM just fine. I also like that personality-wise she’s basically the experienced nanny to Bobo’s teenaged babysitter - those two would get along really welly.

One of the missed opportunities of ATOM was the inclusion of one Japanese mythology inspired monster in the Japan arc - a King Shisa/Manda equivalent, basically. I tried a couple of designs (both Kappa and Baku inspired kaiju were considered), but nothing gelled. So it’s kind of awesome to see a monster filling that niche pop up here in the contest, and the idea of blending an Oni’s features with a sasquatch’s is pretty inspired. Onigoro’s face was particularly fun to figure out - and yes, I worked just a little bit of Aku in there.

Cerothenull’s final entry also hits upon another monster I briefly considered but dropped from ATOM’s final lineup: the Jersey Devil. The Frankenstein-style origin for Ublen is pretty inspired, and the manic personality caused by his hybrid brain would make for some pretty awesome and scary scenes of kaiju havoc. He also maintains the idea that the scariest monsters in ATOM are also generally pitiable, which is important to me.

@skarmorysilver‘s Entries:

ATOM has been on the internet for over a decade now, albeit under different titles (from “Tyrantis’s Saga” to “The Second Age of Monsters” and on and on), and many kaiju have been added and cut from the story in that long stretch of time. Skarmorysilver chose to take a couple concepts that had been dropped and rework them a bit, and one of the monsters he rescued was this lovely blue sabre tooth cat. I’m surprised there aren’t more sabre tooth cat monsters, honestly - it’s such an iconic prehistoric predator, which you think would make it excellent kaiju fodder. Julkath here is a solid take on the concept, mixing in bits of snow leopard and a hulking, almost bear-like physique as well as a lovably grumpy disposition.

ATOM shares a universe with a few other stories that belong to somewhat different genres, and has made a few winking references to them throughout its 50 canon kaiju files. So it was to be expected that at least a few monsters entered in this contest would continue that idea. Bamutan here, while considered just a weird long fish in ATOM’s modern (well, 1950′s) world, is actually a leviathan, i.e. a big sea serpent that survived the purge of magic in the world (it’s a whole thing, don’t worry about it). Bamutan is specifically descended from the Jasconius breed of leviathans, and thus has a friendly disposition - which makes her sort of the “good” counterpart of Old Meg as far as ATOM’s sea monsters go.

Another monster saved from the scrapheap, Oz is reinvented here as a prehistoric flying marsupial - one with a whole litter of babies (not pictured here) at that! We got a lot of weird Australian kaiju from this contest, and Oz makes for a Aussie good counterpart/foil for Ahuul. Plus she adds another weird monster to the “prehistoric mammal” roster, which is always welcome.

While kaiju are defined as organic beings in ATOM, a lot of entrants tried to push the limits of that definition as much as possible, and Gnashphalt here is a pretty successful example of how far it could stretch. A rotting heap of tar and garbage animated by kaiju-fied bacteria, Gnashphalt is a grisly looking monstrosity driven by an insatiable hunger for both oil and the Yamaneon that powers its fellow kaiju. It is suitably revolting for a Hedorah/Blob expy, an archetype that ATOM doesn’t quite fill on its own.

@dinosaurana‘s Entries:

Karamtor used to have a lot of fellow Venusian monsters to keep her company, but their designs were a little redundant. Barusstrakk avoids that pitfall by being really fuckin’ weird looking, with a body described as looking like a meteor and tons of “craters” that hide little secret tentacles. Its most obvious physical trait, though are its hammer and sickle arms, which give it a sort of USSR vibe. This is particularly appropriate given Barusstrakk’s chief opponent is:

Yeah that’s a rock-robot made out of Mt. Rushmore. While not quite a kaiju per ATOM’s definition, it is powered by yamaneon, and also look at this crazy fucking thing. President Rushmore reminds me of that one episode of Dexter’s Lab where Dexter and Mandark turn the Washington and Lincoln heads into robots to battle it out, only for the Rushmore bots to realize they’re both super honest dudes and bond as friends over it. What a crazy show. What a crazy monster.

@theload‘s Entries:

ATOM’s world is an alternate universe for a lot of reasons, one of which is that its mesozoic era was a lot different than ours - instead of being ruled by prehistoric birds, it was dominated by weird crocodile descendants called retrosaurs. Birds still evolved during this period, but they didn’t dominate the world the way they did in our Mesozoic era. Pengku fleshes out that alternate evolutionary path for birds by presenting a very different sort of ancestral bird than the ones we know existed - specifically one based on very old and outdated ideas on what the ancestral bird may have looked like. Essentially a feathered, flying lizard, Pengku is as adorable as she is intriguing, and helps flesh out the alternate prehistory of ATOM.

Parakon isa Hoogah, i.e. a member of a group of dragon-like reptiles from the more fantasy-inspired part of ATOM’s universe. I hadn’t quite nailed the design philosphy of Hoogahs yet when Parakon was entered in the contest, so I took the liberty of tweaking his design just a tad to better fit with his peers. Like the magical monsters he’s related to, Parakon is sweet natured and friendly. His dimetrodon sail styled wings make him just plausible enough to fit within the sci-fi aesthetic of ATOM, too!

@connorricks‘s Entries:

Dangalar’s entry is absolutely hilarious, as his pitch is basically “what if a giant monster actually looked like a giant marionetter puppet that was poorly composited into reality?” He moves in a strange, jerky fashion, he’s held aloft by string connected to some invisible puppeteer, and no one knows what the hell he’s supposed to be. It’s absolutely eerie and yet also incredibly hilarious - and somehow manages to be even more meta than is usual for ATOM.

If nothing else, this contest made a lot of great friends fro The Writhing Flesh. Normus’s design was inspired by a picture of a half-dressed Godzilla suit actor - human above the waster, dinosaur below. In story, he’s basically what would happen if someone tried to fuse a human with three different retrosaur monsters and kaijufied the result - the kind of mad science that’s horrifyingly common in ATOM’s world. Normus is a pitable monster, but I like to think he’d eventually get used to his situation and find a way to enjoy being a giant freakish retrosaur-man.

@titleknown‘s Entries:

Our first monster designed to be ATOM’s equivalent of Ultraman, Malorel is also the strangest – and again, that’s pretty strange considering how this contest goes. Part of Malorel’s weirdness comes from the fact that she also homages The Monolith Monsters as well as characters from a couple of shows I haven’t watched yet. Like President Rushmore, Malorel isn’t a traditional kaiju, as she is mostly composed of inorganic matter. The bulk of Malorel’s body is made of Yamaneon crystals and a second substance that’s sort of the anti-Yamaneon (implied by titleknown to be Magic), while only the chewy center of the being is made of a flesh and blood human. Said human also directs Malorel’s actions, which is why she ends up fighting kaiju to defend mankind. I took a few liberties with Malorel’s design – Yamaneon crystals have a very distinct shape, and if ATOM-verse Magic were to manifest physically it would be as a gas instead of a solid – but I tried to keep the spirit in tact.

Jimmy Neutron was a pretty fun show. Panku is basically a kaiju-scaled version of the mech-suit wearing egg monsters from it, and since both Jimmy Neutron and ATOM are built on atom age sci-fi tropes, it meshes pretty well.

Based on a famous non-giant monster from the 1950’s, Jan in the Pan from The Brain that Wouldn’t Die, The Head is possibly the most explicitly villainous monster entered in the contest. A megalomaniacal supervillain whose machinations affect the storyline of every monster Titleknown entered in the contest, The Head is a force to be reckoned with even before she kaiju-fies herself. The visual of a big giant floating head battling giant monsters is pretty surreal, and the creepy neck tendrils make for a grisly visual that’s quite appropriate for such a sinister villain.

Javellaro forms an important bridge between the “humanity learns to live with monsters” story of ATOM and the “human hero kills monsters of the week” story of Titleknown’s entries. A pig whose artificial kaijufication was botched by The Head, Javellaro’s healing factor is degraded enough to not work fully, yet powerful enough to keep her going despite how painful her should-be-lethal wounds are. Her pitiable condition draws audience sympathy while still making us comfortable with Malorel putting her down – it’s honestly a mercy in this pig’s case. Tragic and haunting, Javellaro poignantly illustrates how a kaiju can invoke pathos.

A second pseudo-mecha, Playboy Rumble is similar to President Rushmore in that she’s neither a traditional mech nor a true kaiju. Instead, she’s a super powered human piloted a hard light construct (which would probably be called a hologram in ATOM’s time period) via mad science. Her human form was created to be a minion and eventual replacement body for the Head, but, in true mad science fashion, turned against her master and joined with Malorel. Playboy Rumble is also sort of our third Ultraman homage, being a human with a thing in her chest that lets her turn into a giant to fight monsters for a period of time. Also she’s a giant bunny bot, and you gotta love that.

@canadian-tuxedo-mask‘s Entries:

A hybrid of a giant ground sloth and literally the entire audience of a drive in movie theater (or their ghosts?), X-Nertha is another monster that I’m gonna label one of the weirdest ideas submitted to this contest - though, like Pogo, that weirdness is totally in line with ATOM’s aesthetic principles of mixing kaiju with 1950′s nostalgia. X-Nertha’s personality is as unique as its design, as it is a perennial spectator of other kaiju fights, rather than a combatant itself. I did my best to work in 1950′s car elements to the design, though I’m not particularly good at drawing cars in general.

Ok, nothing in Butch’s description said he was a Greaser, but nothing said he wasn’t a Greaser, and his name is Butch, so here we are. Captain Sensation’s supernatural elements aren’t apparent in an isolated black and white sketch - you need color to see the green parts of him and another monster to realize he’s kaiju-sized. I also didn’t realize until re-reading his entry that he’s got a superhero costume I could have drawn instead - look, some part of me just wanted to draw a giant Greaser, ok? Is that ok? I’m pretty fond of Butch. He’s a giant dude who shoots hot sauce (well if you want to get technical it’s just the acid from peppers but shush) out his eyes like a horned lizard and punches monsters to save the world. He’s our second or third (depending on how you count) Ultraman homage, and a damn good one at that.

An homage to the Wasp Woman (one of my favorite 1950′s monster concepts that sadly had a lackluster execution), Malzzang is an insidious Korean crime boss who uses kaiju-fied giant hornets to further her schemes, only to become one of them herself via a strange turn of events! She’s wicked and sinister even before she becomes a monster, and is an excellent “heel” kaiju. Also she gave me an excuse to draw a giant hornet with a woman’s head, and that’s always great.

Lance is another monster that takes its base animal in some weird directions, from his name-worthy pointy snoot to his slug-like eyestalks. He’s also got a dog’s brain, which somehow just makes everything weirder. He’s still got a lot of what makes an oppossum adorable though, and his personality is utterly charming.

This is one of the monsters where I felt I had a good feel of what they were going for until, like, the last sentence of the description that made me doubt the whole thing, but I liked how it turned out anyway. There should probably be a moray eel head in there somewhere - let's say it's hiding behind the seaweed. I love the idea of this giant heap of a sea monster made out of all these disparate parts - he's like the better aspects of Pirates of the Caribbean 2 rolled into one giant monster.

@highly-radioactive-nerd‘s Entries:

It’s a well-known fact that the original Baragon costume – one of the best monster suits ever made in the Showa movies – was used and reused to make so many different monsters that it was barely functional by the time Toho wanted to make Destroy All Monsters. There are so many pseudo-Baragons out there, so it’s only fitting that ATOM got one of its own. It already has a Baragon homage of course, but Blastra here is specifically designed to be a reused Baragon suit, complete with a new head and some extra doodads.

I love this guy because he does something fairly difficult: he makes me interested in duckbilled dinosaurs. Sibelisaurus takes the idea that hadrosaurs had musical horns and runs with it, making a dinosaur whose body is designed to resemble a variety of musical instruments and even has some markings that look like musical notes and rests. It’s a very clever idea that works way better than you’d think, and takes what could have been a plain retrosaur and instead makes it very interesting.

While there are lots of King Kong homages out there, surprisingly few use baboons as a base, which is shame because they’re utterly vicious and weird looking animals. King Solomon takes that savage inspiration and adds an interesting layer of greed to it – he’s not just called King because he’s big and strong, but because he hoards shiny objects. It’s like if King Kong was significantly more literal about his title.

Salagara captures the feel of a 1970’s Hanna Barbara monster perfectly, looking as if he just stepped out of the Godzilla Power Hour or The Herculoids. He’d have good company in that regard, as many of the Beyonders’ monsters were also designed to fit that vibe. His design is simple but effective, and I never tire of aliens with eyestalks.

A mummy, a landshark, AND a retrosaur, Tutandra blends three very different things into one well rounded whole. He pulls in the “archaeology adventure” story that’s also common in atom age sci-fi and mixes it with ATOM’s giant monster narrative, and the result is pretty great. Also, again, this is a giant mummified retrosaur that swims through sand like a shark. What’s not to love?

@glarnboudin‘s Entries:

Salikor is a loose homage to the primary monster of one of my favorite obscure kaiju movies, The Legendof Dinosaurs and Killer Birds. Like the plesiosaur in that film, Salikor emerges from a lake and proceeds to wreak bloody havoc upon the human populace, leaving a trail of blood and carnage in his wake until he finally has a fateful encounter with a flying retrosaur. His design is suitably vicious looking, with lipless crocodile-style exposed teeth and an armored hide.

Terravia emerges around the same time as Salikor, but unlike the monsters that inspired them, the two end up becoming lovers despite being wildly different species. It’s a pretty weird turn for a kaiju story, but not an unheard of one (more than a few lost Godzilla movie projects have similar premises). Terravia mellows Salikor out a bit, and their story has a sort of sweet “make love, not war” theme that fits ATOM well enough.

A lot of people like the idea of making retrosaurs fill niches that dinosaurs eventually filled when they became full on birds, and Tabbaogen here is an answer to the question of what a retrosaur penguin might look like. The answer is “pretty ridiculous and fun.” As his name suggests, he uses his body as a sled, much as penguins do. He’s also a lot more dangerous than he appears, which is always fun – he’d make a good tag team partner for Gorale.

@akitymh‘s Entries:

A vampiric newt from another world, Kabold’s head gives me a nice Wayne Barlowe vibe. It also reminds me a bit of Irys from Gamera 3, which is pretty neat. Its six limbed body is simple while still distinctly alien, and it has a nice collection of little tuber-thingies on its body. I love those little tuber thingies.

King Horn reminds me of all the space gorillas from Silver Age comics despite not actually being a gorilla. He’s very definitely alien, yet also unmistakably ape-y, and that’s pretty cool. Also, like a certain Ultraman monster, his name is slightly misleading, as his horns aren’t particularly prominent. I don’t know if that was intentional, but I like it.

Going with the Ultraman vibe of the last entry, Rampart here feels like a monster who was designed for a specific fight scene. Those two enormous armored plates would make for some very unique battles, with the retrosaur in between them providing just enough normalcy to ground the design. I also like how the taxonomic placement of this guy is unclear in-universe – it’s a nice touch.

I figured I took Martian anatomy about as weird as it could go with Podritak, but Sevarahz here might top that. His phallic head section is wonderfully gross, and his pelvic section, while recognizably Martian, is distorted into a really weird shape. The “tail” should probably have more limited joints since it’s technically a third leg (and Martian legs have a distinct bone structure and all), but it looks better as a serpentine tail, so we’ll let that anatomy slide a bit.

Akitymh’s final entry is Awkwas, and he’s basically a what you see is what you get monster: a great big retrosaur with a bearded dragon style frill, ready to fight other monsters and have a fun rowdy time. He doesn’t have a lot of frills to him, but in a way that’s kind of refreshing – we’ve got a lot of weirdoes in this contest, so it’s nice to have a few simple monsters for contrast.

@quinnred‘s Entries:

The most Ultraman-looking of our Ultraman homages, Odinokiy Soldat still manages to be a very weird and unique take on the “human hero who fights kaiju” concept, with his jet black skin and bone-white armored plates. The turtle-like beak is a particularly wonderful and unsettling touch. I love that, despite his grotesque mad scientist origins, he’s unambiguously a heroic monster, protecting the USSR from kaiju threats just as Tyrantis protects the US. It’s important to me that ATOM doesn’t demonize the USSR, even though a lot of what they did with nuclear testing is great monster origin fuel. I feel Odinokiy Soldat tows that line really well – his origin is horrifying, but at heart he’s a good person who happens to be loyal to his mother country, Russia.

I love plant monsters even though they’re often frustratingly hard to make – it’s so hard not to just make a new flavor of Audrey II, y’know? Papaver Magnus here not only manages to feel entirely unique in design, but also brings an interesting story hook: she intoxicates other kaiju. Sometimes this puts them to sleep, while other times it drives them into a rage. She could be a useful tool for kaiju control, or manage to make a kaiju attack even more violent than normal. A great design with a great story concept!

I didn’t expect to see an homage to my favorite sandsverse vendor in this contest, but here we are. Even if you don’t get the joke, King Bekantan is a great spin on the giant ape monster archetype in his own right. Instead of being a rough and tumble warlord, King Bekantan is a peaceful farmer who cultivates the earth (fruits in particular) and basically tries to protect the environment. There’s something eerie and beautiful about the idea of some giant ape striding the land only to spend all its time farming – it’d be such a beautiful yet surreal sight.

A collection of massive crustaceans that pretend to be islands, the Humarr Petram take the medieval folktale of a living creature that’s mistaken for an island and give it a sinister atomic age spin. These would be one of the scariest kaiju to encounter, and could make for one kickass standalone story in the ATOM universe.

Finally, we come to the Slickener, an organic giant monster who may not technically be a kaiju, as its powers seem to have a negative effect on most Yamaneon-rich organisms. While you can identify the different terrestrial animals who inspired its design, the Slickener’s design nonetheless feels incredibly alien and off putting. It’s delightfully unsettling.

@godzillakiryu91‘s Entry:

Rayken takes a monster I’ve wanted to homage for a while - the titular beast from The Giant Gila Monster – and mixes it with the mythological amphisbaena to make a wonderfully lumpy monstrosity. The fact that you could also call this a “Beast with Two Heads” adds to the delightful B-Movie vibe, and that false second head could definitely produce a lot of fun scenes, both with human victims and fellow kaiju. Imagine a human shrieking as they think the monster’s about to eat them, only to realize they were looking at the wrong end! Hilarious.

@bowlofgabe‘s Entries:

A heroic pair of conjoined twin crabs. Hell. Fucking. Yes. Clawdia is the hero kaiju of Mexico, and as far as I’m concerned she’s just as fit for the job as Nastadyne and Tyrantis. Between her light psychic powers and love of luchadores, she has more than enough personality to carry her own series of adventures, and her sisterly bond with herself (Clawdia is technically two monsters in one) provides a nice emotional center for whatever those adventures may be.

Mixing a kaiju story with the darker sides of the space race, Eldritch Ed’s haunting origin story is paired with an oddly touching relationship between him and humankind. Despite being turned into a horrific monstrosity because of a botched experiment with Yamaneon and cosmic radiation, Ed devotes his life to protecting Earth from extraterrestrial threats, turning his accidental exile in earth’s orbit into guard duty. It’s hard to get more heroic than that.

@iamthekaijuking‘s Entries:

Plume is about as “realistic dinosaur”ish as an ATOM kaiju can get, exploiting the loophole within ATOM’s prehistory that states that a small lineage of dinosaurs who were direct ancestors of birds did exist alongside the Retrosaurs. She’s a pretty addition as well, a vibrant songbird of a monster who completes the trio of maternal monsters started by Bobo and Scutlgor.

Baby kaiju are adorable and I would have added more of them to ATOM if I wasn’t worried about their safety. Bubblor is basically an infant of a species very similar to Zillser, and takes everything cute about the later and amps it up a bit. That’s a lot of cute, even in such a big package.

Shēnghuó tǎ (my Godzilla font doesn’t have symbols with the little marks) hails from Ugugular’s planet and inexplicably resembles Chinese architecture, which is pretty rad. It’s the second of a trio of monsters that serve as “good” counterparts to the other Beyonder monsters. They probably defected almost immediately when the Invasion started.

Dhyandogen completes that trio, being a peaceful counterpart to The Great Beyonder and a stoic counterpart to Pleprah. His golden coloration gives him an almost angelic feel, and he makes for a good leader for this trio of extraterrestrial pacifists.

Essentially the Biollante to Tyrantis’s Godzilla, Unit 01 has one of the most tragic backstories of any kaiju submitted to the contest. Created to kill other monsters and then forced into stasis when not in use, her life is even more miserable and battle-heavy than those of the Beyonder’s kaiju, and her story culminates in a vicious rampage that humanity frankly deserves to suffer from.

@virovac’s Entries:

Themed around its power, Artileron is basically a wholly organic dinosaur tank. The heavily armored long necked goliath has head armor that coincidentally resembles a soldier’s helmet and shoots gastroliths at its enemies like tank shells, creating a pretty fun spin on the retrosaur concept. I imagine this guy talking like the Soldier from TF2 and it makes me happy.

A synapsid that evolved to coincidentally resemble paleo tyrant retrosaurs (which in turn are crocodiles that evolved to coincidentally resemble therapod dinosaurs), it’s my head canon that Bajingis is a member of the same species that Dreg’s mother belonged to. The idea of a big furry version of a retrosaur running around is cute, and could cause an interesting bit of confusion for the kaiju-ologists in ATOM’s world. Also, Bajingis is a fun name to say.

This is one where I’m pretty sure I misinterpreted the description, as a friend of mine pointed out that it was probably an homage to the ratbatcrabspider from Angry Red Planet, but I liked what I came up with so I’m sticking with it. Regardless of how off my drawing may be, Pomogitan is a crazy looking monstrosity of a kaiju, and definitely makes the extraterrestrial side of ATOM just a little crazier.

We’ve got more than a few apes in this contest already, but they’re kind of a male dominated archetype, aren’t they? It’s nice to have a lady or two to even things out, and Hagayag’s lumpy, hideous appearance definitely keeps things monstrous in the process. Since she’s described as being close to an orangutan, and since sasquatches are distant descendants of orangutans in ATOM’s world, I gave her a few sasquatch touches as well.

@plebeiantologist‘s Entries:

Mixing the vicious savagery of a hummingbird with the suave charm of a vampire, Nosferatu is an excellent solution to ATOM’s lack of bird monsters, as well as a clever and unexpected homage to Count Dracula. I love the serrated beak that evokes fangs without actually being them, and feel the same about how the interior markings of his wings resemble a scalloped opera cape without actually being one. He’s also not an evil monster – he needs to drink blood, sure, but that’s not lethal to most kaiju (just annoying), and he’s intelligent enough to smooth things over and even make deals with other monsters to get his sustenance. Overall, a cool and clever take on the idea of a kaiju Dracula.

We’ve got a lot of sad stories and a lot of silly stories in the contest so far, but none mix the two together as thoroughly as poor Dromeo here. A normal bee that was kaijufied, Dromeo wants nothing more than to find true love, mate, and die as a result of mating. However, as the only kaijufied bee of his species, he can’t find said mate, which means he lives in a perpetual state of longing. In addition to being extremely relatable, his situation is both hilarious and tragic.

I-Am-Fish-Mage’s Entries:

Another entry that plays with some of the more occult parts of ATOM’s universe, Gurt is what would happen if Pathogen used a dog instead of a retrosaur and the naturally occurring vampire virus instead of an artificial hybrid of different degraded strains of it. Or, more simply, a great big vampiric doggo. Gurt has the telltale signs of higher functioning vampirism, from the scar-like neck markings to the growth of bat wings. Very interestingly, Gurt’s kaiju physiology keeps him from fully exploiting the malleable nature of a strigoi vampire – instead of being able to turn into mist, Gurt can only become a sort of vampiric sludge, as his kaiju physiology refuses to transform into a gaseous state (Yamaneon can only exist as a mineral). It’s a really fun and well thought out cross of two very different monster types in ATOM’s universe.

While I haven’t made a file for them yet, between Promythigor’s file and various asks people have cleaned roughly how sasquatches work in ATOM. Ignorilla takes one of the weirder aspects of ATOMverse sasquatches – the fact that they’re mildly psychic and make people forget about them as a defense mechanism – and runs with it. The result is a giant monster that people have trouble seeing or remembering, which proves to be quite the hassle when it accidentally strolls on a collision course with mankind. It’s a great hook for a story, since it makes an otherwise fairly benign monster extremely dangerous through no fault of its own. Ignorilla also has plants growing in its fur, which is a nice nod to some other obscure sasquatch myths.

@bonelessnerd‘s Entries:

I couldn’t resist. Look, it was either this or drawing essentially the same pose as the original sketch – there are only so many ways to pose a hand that keep all of this glorious monstrosity’s anatomical quirks on display. Manoamano not only fills a niche ATOM didn’t manage to cover – i.e. the living body part monster – but does so in a unique and scary way, with the implication being that it’s merely a part of a much larger kaiju drifting out in the cosmos. It’s such a creepy plot that you almost forget it’s basically a giant hand with crab claw fingers and googly eyes. But you don’t, because a giant hand with crab claw fingers and googly eyes is awesome.

Like Humarr Petram, Nogad updates the “this island is secretly a monster” myth, although in this case the twist is a lot more sad than scary. Like the Writhing Flesh, Nogad’s bulk isn’t actually a positive, as the massive kaiju is stuck in a comatose state. It would die if its kaijufied parasites weren’t keeping it alive, and instead spends its life in a state of suspended animation, providing humans the rare opportunity to explore the internal workings of a kaiju without (too much) threat of harm. Nogad is spooky, sad, and intriguing, and would be a marvelously odd addition to ATOM’s kaiju ecosystem.

A size shifting dog with plastic skin, Rizablitz is basically Frankenweenie with an even bigger kaiju twist (and also less racism). The resurrected pupper can size shift from a normal sized dog to a kaiju-sized monster, and together with his owner he protects humanity. It’s a fun take on the “kid and their dog” story, and a nice light counterpoint to the previous two entries.

@polygonfighter‘s Entries:

A kaijufied personification of the La Brea Tar pits, Index is a mass of tar animated by kaijufied bacteria and wearing fossilized bones as armor. Its powers have a vaguely ghostly vibe, and it preys on its fellow kaiju with the aims of decorating its lair with their corpses even as they slowly turn into clusters of Yamaneon. Altogether it has a nice ghoulish vibe – the kind of monster that would make other monsters scared.

Another monster that has a great Hanna Barbara vibe, Volcanus’s bug-like appearance is mixed with some strangely human features to make it extra creepy (and also hard to place taxonomically). While he’s posed as a rival for Index, he definitely isn’t the heroic part of the duo, as Volcanus is noted to hate everyone, kaiju and human alike, with explosive intensity. Creepy and vicious, Volcanus is an excellent antagonist monster.

SirKaijuOfVaudeville’s Entry:

A great big subterranean monster, Torgong’s story is another one that brings in some Archaeological Adventure tropes to ATOM’s universe, providing a villainous contrast to the Reptodites with its society of subterranean mole people (mole in the “they live underground” sense, not the literal sense). Torgong’s owners are wicked race of rock eating cave dwellers who have enslaved another race of more peaceful, slightly insectoid cave dwellers. Torgong is of course their bestial god, and looks nice and freaky as a mole monster should.

@scatha5‘s Entry:

Being a mammal, Cervere brings some diversity to ATOM’s pantheon of monsters basically by default, but his powers are what truly make him shine. Cervere is designed to be a kaiju-repellant, with a scent designed to drive other kaiju away. That’s right: it weaponizes the odorous nature of mammals. Cervere releases this smell through a colored gas emitted by its mouth and ears, providing a nice visual for its power as well. Unfortunately for the lazy cat, the power can attract and repel in equal measure, and sometimes Cervere is forced to fight against monsters it was supposed to scare off. It’s a really clever power that makes ties this punk rock kitty together quite nicely.

@cstalli‘s Entry:

As beautiful as they are alien in appearance, the Trifitan Arum are a gorgeous entry in the contest (make sure to check out the original drawing, which is a lot prettier than anything I can manage). Though they appear humanoid, they’re entirely made of terrestrial (albeit hybridized and heavily mutated) plants. They’re also a swarming monster – weak individually, but strong when collected in a large group, making them sort of a benevolent counterpart to the Heisei Gyaos.

@profcene‘s Entry:

A prehistoric aquartic hyena, Gevlek is yet another monster that feels sort of like a Hanna Barbara design (and that is always a compliment here as far as monsters go). Contrary to stereotypes, Gevlek isn’t a malicious bully or a cowardly predator, but rather a social creature that wants a clan. Like most ATOM-verse monsters, though, he’s also kind of socially awkward, so finding that clan is harder than it seems – especially since he’s the only member of his species around. Still, he’s a clever creature, and, again like many of his peers, he proves a valuable ally once you get past his rough edges.

@ask-drakos‘s Entries:

There were far less birds than I was expecting in this contest, but on the plus side the ones we have are all varied and solid designs. Okhalee is a victim of quick kaijufication, much like the Myrmidants and Girtabane, which means he resembles a normal animal with some sudden and extreme mutations. Most notably, he takes the vocalizations that make songbirds so interesting and weaponizes them into a sonic scream – a power that’s strangely absent from ATOM’s lineup of kaiju given how prevalent it is in kaiju media. Kinda fills a couple missing niches at once, huh?

We end with Crab Voltron. Well, ok, technically Crustacean Voltron since they’re not all crabs, but Crab Voltron is more fun to write. It’s an appropriately weird idea to end with, I think, and like so many lunatic things in ATOM, this one is the fault of a mad scientist. And y’know what? It’s honestly not the weirdest thing mad scientists have done in this world. In fact, Crab Voltron is almost a logical response, and I love that.

And that’s it! That’s all 79 entries! I cannot overstate my satisfaction with the results of this contest. The amount of creativity on display her is astounding, and I absolutely adore how game you guys were for playing with my little monster story. Make sure to check out the originals, as linked to in this post, and stay tuned for the announcement of the winners and the presentation of prizes and all that! It should take me… oh, maybe a week or two?

“Why so long?” you ask. Well… look, this contest got roughly 4 times as many entries as I expected, and all of them are so high quality. I can’t limit myself to five winners - there have to be more, which means more work for me, which means I need some time to pull it off. So savor these sketches while you wait, because this might take a while.

#ATOM Create a Kaiju Contest #Atomic Time of Monsters #kaiju #giant monsters

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ethanalter · 7 years ago

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MVPs of Horror: 'World War Z' mastermind Max Brooks rates the best zombies in pop culture

Zombies on the march in Dawn of the Dead (Photo: Everett Collection)

Once upon a time, kids were introduced to the wild, wonderful world of horror through slender volumes like the immortally terrifying Scary Stories to Tell in the Dark (the version with the original Stephen Gammell artwork — not the significantly toned-down drawings glimpsed in contemporary copies). These days, they’re more likely to get their early scares from immersive experiences like Minecraft, the ubiquitous multiplatform video game that’s been a sensation since it first launched in 2009. While it may seem like an innocent adventure on the surface, there’s plenty of scary stuff to mine in Minecraft, from rivers of lava to skittering spiders to slow-moving, but still-deadly zombies.

The latter element particularly appealed to zombie expert — should we call him, zombert? — Max Brooks, who literally wrote the book on the walking dead in the form of The Zombie Survival Guide and World War Z. The author recently expanded Minecraft‘s trans-media footprint by penning Minecraft: The Island, its first officially-licensed tie-in novel. Adopting a first-person perspective, the book, like the game’s Survival mode, drops the reader onto an island where they confront strange creatures, creeping starvation and the body horror that comes with suddenly being transformed into a figure made entirely of square boxes.

“There’s an element of fear to Minecraft, definitely,” Brooks tells Yahoo Entertainment. “That comes from the first time I played the game. There I was all alone, trying to survive. At first it was kind of cool, and then the sun went down and the zombies came out. I was like, ‘Great, I’m right back to where I started!'” We chatted with Brooks about the art of writing zombie horror for kids, his favorite zombie movies and where he stands on the movie version of World War Z.

Yahoo: Minecraft: The Island could be a gateway into horror fiction for a lot of kids. Did you have that in mind as you were writing it? Max Brooks: Oh yeah. I was trying to create that feeling of being vulnerable, of being physically mortal, which is something I got in touch with earlier being a neurotic human being. I hear other people talk about the invincibility of youth, but I never had that. I think I jumped right into middle age at the age of 8. [Laughs] What I love about Minecraft is that when you play on Survival mode, there’s an element of horror that I think reflects the real world. It doesn’t matter how witty and cute and awesome you think you are: the zombies are coming for you and you’d better protect yourself. You’re also going to starve if you don’t get up off your square butt and get some food. What a great metaphor for life! What a book allows you to do is present all the sense that a video game doesn’t. Basically, all I had to do was take the horrifying scenarios of the video game and bring a more sensory experience to it.

Author and zombie expert, Max Brooks (Photo: Getty Images)

What were the first horror stories you were exposed to? For me, being dyslexic, I came to reading later in life. I wasn’t one of those young kids curled up in the corner with a Judy Blume book. That was one of the reasons I felt vulnerable; all the other kids could just sit down and do something, and I couldn’t. I grew up during the golden age of horror movies in the late ’70s and early ’80s when even the trailers were scary. I remember the trailers for movies like Jaws 2 and Silent Scream. I also remember all the faux-documentaries. Talk about fake news — we had fake news: we had In Search Of…! When Leonard Nimoy tells you that the Loch Ness monster is real, you believe him. I would get together with my friends and go, ‘Did you see In Search Of… last night? You can really spontaneously combust!'”

How about your earliest memory of seeing a zombie? I was about 12 or 13, and I was doing what all 12 or 13 boys did in the mid-’80s: trying to find boobs on TV. My parents [Hollywood legends Mel Brooks and Anne Bancroft] had cable [in their bedroom] and when they would go out for dinner, I would sneak in and wait to find something. I remember seeing this movie with ridiculously gorgeous woman who was way naked, and I thought, “This was the greatest thing that ever happened to me.” What I didn’t realize is that I had accidentally wandered into an Italian cannibal zombie movie! Not even a George Romero-style zombie movie. It was hardcore, with people being torn apart and a dead woman in a wheelchair with a cat jumping out of her stomach. If that doesn’t mess you up when you’re 12 or 13, I don’t know what will. The irony is that when I saw Night of the Living Dead a few years later, that actually gave me hope. Because Romeo set down rules: those zombies aren’t invincible and you’re not guaranteed to die. There are ways to defeat them and survive — the challenge is figuring out those ways.

What’s sort of crazy is, with the exception of burning at dawn, the Minecraft zombies are a lot closer to the classic version of zombies than are in a lot of other zombie media now. What scares me about the George Romero zombies is that they’re relentless. Every other creature in Minecraft give up on chasing you after a while, but the zombies will never stop. And those are the zombies I’ve always been afraid of. Thirty years after seeing my first zombie and 10 years after writing World War Z here they are again, except they’re square. [Laughs]

(Photo: Penguin House)

If Minecraft and Minecraft: The Island proves to be a child’s first brush with zombies, where would you recommend them going next? It depends. If you’re a little kid, like 10 years old, don’t go anywhere near anything else. When you become an adolescent, I would recommend Night of the Living Dead and then jump right to Shaun of the Dead. Then, in their 20s, they should go to the original Dawn of the Dead, which is easily the greatest zombie movie ever made. The film’s social commentary is shockingly profound. It’s very rare that any artist in any time in any medium can encapsulate their entire generation journey in to one work of art, and Romero did that. As a baby boomer, he took his entire generation and encapsulated the death of their ideals and their surrender to materialism in one single movie. That fact that we could look around in the ’70s and watch the dream of the ’60s die and put that in a movie is beyond brilliant — it’s profound. I’ve always said that Dawn of the Dead should be released in a box set with Easy Rider, and it should be called: Baby Boomers: The Beginning and the End.

Is there any contemporary zombie movie that you’d put on that level in terms of social relevance? Shaun of the Dead is brilliant. What it did was encapsulate the British Gen-X culture in terms of, “What now?” Britain had centuries of empire, which then came crashing down and then they had this sort of slow, fake renaissance in the form of the swinging ’60s. They were like, “We don’t need the empire! We’ll just have free love!” It was all bull crap and they knew it, so 10 years later, they had something genuine, which was the angry punk movement. Then you had this right-wing renaissance with Thatcher, and when that went away it was the ’90s and there was this giant shrug that set in. Edgar Wright and Simon Pegg took that and put it into a zombie movie. Here’s a whole generation of young Britons who have survived all these revolutions, and they’re like, “Where do we go from here?” That was Shaun of the Dead.

Simon Pegg in Shaun of the Dead (Photo: Everett Collection)

Even that film is over 10 years old at this point. Has there been an even more recent zombie movie that rises to the level of Dawn of the Dead for you. What happened after Romero is that we got a lot of hangers-on who are not ambitious enough to try and do anything intelligent with their zombie movies. They just focus on heads being blown off. I’m hoping there’s somebody out there who is trying to do something smarter, but I haven’t seen it yet. People are just riding the wave and making a buck because zombies are popular. And that’s just the way these things work. Someone comes along with a genuine vision, and then the people who aren’t as talented and ambitious pick up on that and go, “There’s some nice coattails I can ride.” You saw that in the ’70s and ’80s. The Italian cannibal zombie movie that I saw as a kid was a coattail rider; it was literally just boobs and blood. What I worry about is that the zombie genre is so saturated, a genuine vision will get lost in the flood. It may have already happened! I’m the world’s biggest zombie fan and I literally don’t have the time or patience to wade through all the mediocrity. There may be an unbelievably brilliant piece of zombie literature or comic book or film that happened and I missed it.

Where do you stand on the eternal “slow zombies vs. fast zombies” debate? The movie version of World War Z went with the former, while your book features the latter. I’m a slow zombie guy. But then again, I’m also the world’s worst businessman! If I had any notion of how capitalism works, I’d be writing World War Z Part 2, 3, 4 and 5. I appreciate the financial incentive of the fast zombies. Let’s be honest: they’re more attractive. If you’re going to make a $300 million zombie movie that plays around the world, young people don’t have the patience to sit there and watch slow creeping dread. They want action, excitement and thrills. I don’t write for that, so fast zombies don’t do anything for me. If you’re attacked by a fast zombie, you’ll be dead before you know it. It’s having the time to imagine and worry about your death that does it for me.

Are you kept up to date on what’s going on with the World War Z sequel? I know what I see on Yahoo and that’s about it! [Laughs]

Is it hard ceding control of something you’ve created like that? It’s never easy, but at the same time you have to be a grown-up about it. The truth is that I made a conscious choice, and when I make a choice I have to accept the consequences. If I have a problem with how the movie turned out, that’s my problem, not theirs.

Did you like the movie version overall? I liked it, because it had nothing to do with my book! People always ask, “Did they ruin your book?” And I say, “No they didn’t ruin my book, they ignored it!” As a writer it was easier to watch a movie that was a complete departure versus a movie that was close, but not quite. It was actually harder for me to watch The Hobbit, because those movies were still The Hobbit, but they weren’t. It was the same characters and basic story, but the changed enough to change the basic theme and message of it. With the World War Z movie, I didn’t invent Gerry Lane [played by Brad Pitt]; he’s not my character, so he can do whatever he wants as far as I’m concerned. Once the title sequence went by, I was just watching 28 Days Later on crack.

Brad Pitt and Mireille Enos in World War Z (Photo: Everett Collection)

They did one thing in the movie that I thought was brilliant, and I wish I had thought of for the book, and that’s when that scientist accidentally shoots himself. I’m pretty familiar with firearms and firearm safety, and when it comes to the gun debate, that’s a very big deal. We don’t talk about the amount of accidental shootings in this country [that happen] because people don’t treat guns with the same respect they treat their cars. So to have this brilliant scientist accidentally keeps his finger on the trigger and shoot himself I thought was brilliant and true.

If a studio decides to use The Island as a basis for a Minecraft movie, do you hope they adapt it faithfully? When you make a conscious choice to play in someone else’s sandbox, you also have to make a conscious choice to be okay with whatever happens. I already consider myself phenomenally lucky because the game company, Mojang, didn’t mess with the book. They would have been within their legal rights to change anything they wanted, and I would have to have been okay with that. But the book you’re reading is pretty much the story I wanted to tell. So if for some reason this becomes a movie or some other medium, at least I got this right. I also made a conscious decision to stay true to the game, so I don’t see how they would mess with their own game. If they did that, they’d have bigger problems than upsetting me!

Minecraft: The Island is now available from online and retail booksellers. World War Z is available to rent or purchase on Amazon, iTunes, and YouTube.

Watch the trailer for World War Z: