#like i would prefer a more explicitly happy ending but i'm taking it as such

[autumnrory]

fic rec

title: And You May Find Yourself author: roguewrld pairing: steve/bucky words: 16442 summary: "There’s two possibilities here. One, I’m right and none of this is real, which makes this morning some pretty elaborate masturbation. Or two, you’re right, all of this is real and you and your Steve Rogers share a life in that apartment. In that case, I’m sure I’m generous enough to share with myself." Steve wakes up in the year 2025, with Bucky beside him in bed and a life that's just a little too good to be true. ao3

[azullumi]

i don't know if this counts as a request or not but i just want to know how do you think thoma, ayato, and tighnari say "i love you" to their s/o without actually saying it? it could be about love languages or anything, you're free to do what you want! i'm just really curious on what you think :) also, i love your writing so so much im in love with it <3

summary — there are many ways to say "i love you" and he has his own ways of saying it.

characters — ayato, tighnari, and thoma (w/ gender neutral reader)

tags — fluff, different love languages; headcanons

word count — 1116

a/n — hooray to the very first request that i have done! please don't hesitate in sending me more requests because ideas are not unlimited inside my head. anyways i hope this was what you wanted anon! ^^ i tried to do the best that i can in executing this idea because god it's hella cute

“What do you want? I'll get it for you.” — Kamisato Ayato

Gift-giving is definitely his love language. He’s the type of man to always spoil you with gifts, ranging from simple to extravagant ones. Even if you have never asked for those things, he always will and I mean what I mean with always when he has a gift for you daily. It can be a bouquet of flowers from another land or just your favorite ones or it can also be an accessory customized only for you. Nevertheless, he always has something to give you whether small or big.

If you ask him for something, he’ll immediately get it for you. Just mention it and you’ll have it at once on the foot of your doorstep. No cans, no ifs, no buts, it’s always a will. He will always find a way to get it even if it’s at the end of the world as long as it will make you happy.

You told him once how you would like to have the heart of a rainbow, an item that doesn’t exist in the continent of Teyvat nor in other lands and you only made up on the spot to see how he would react. But he… He fell into a deep thought and went: “Alright, however, it might take me a long time as that's the first time I have heard of that.” You couldn’t help but panic and explain that it was just a joke and the item actually doesn’t exist.

He remembers everything about you, especially what you like even if you only have mentioned it once in all of your conversations. You’ll suddenly find him giving you something, an item that you said you would like to have from a conversation that happened 4 months ago, and would apologize for only attaining it just now. It just renders you speechless whenever he does that.

Giving you all that you want is just one of the ways he shows his love for you. He has different means of showering you with affection but gift-giving just tops everything. It’s also one way to tell you that he is willing to do anything and give you anything, anything to make you stay, anything to keep you happy.

“You mean so much more to me than you think.” — Tighnari

This statement was an explanation for his actions that he has done and the words he has said. Tighnari might have never explicitly said those three meaningful words in a relationship but he finds ways to say it to you in different forms and would show it through his actions also. After all, saying “I love you” without having any form of base just feels so empty for him like promises that aren’t going to be kept. He prefers proving himself through a variety of words and acts.

He doesn’t mind anything as long as it’s you. He doesn’t mind teaching you everything that he knows as a Forest Ranger as long as it's you. He doesn’t mind accompanying you every time you have the urge to go deeper within the forest—he reasons that it is part of his task and he’s also there to look for some things but honestly, he just wants to be there with you. He also sometimes can’t help but overthink that something might happen to you once you go in alone because what if you encounter a dangerous situation and he’s not there. He just wouldn’t be able to rest easily. If ever he wouldn’t be able to accompany you, he’ll send Collei out with you.

He doesn’t mind doing anything as long as it’s for you. However, it doesn’t mean that he doesn’t have any boundaries that he has set and as long as you respect and understand it, everything is fine. He doesn’t mind having his ears touched as long as it's you though, just ask for permission.

As such, neglect happens to himself especially at times of danger just to keep you safe and away from harm. He reasons that he is used to those things because of his work but seeing that look of worry and sadness on your face made him swear to not do it again.

He worries that you think that he always focuses on his job and would abandon you because of it so he tries his best to show you that you hold so much meaning to him and the thought of losing you has already made him overwhelmed with fear. 

“I always have time for you.” — Thoma

Thoma and his everlasting loyalty and consistency with his actions and words. Despite his busy schedule with his constant running around and assistance, he would always find ways to spend time with you. Even if his day is rough and he’s exhausted, he always finds his way to you and your arms. It just feels like he has an empty slot on his schedule saved just for you. 

One minute, you’ll find him all around Ritou, talking to the shopkeepers and helping them with any issues that they are experiencing, then the next, he’s having a walk with you on your side while holding your hands as he tells you about what he has learned from that day, all the stories and gossips that he got from the citizens that he has helped and gotten close with.

Of course, on his day-offs and breaks, he will always have it dedicated to you. He’ll take you out on his day-offs on a date that he has planned for a long time or he will seek you out on his breaks and invite you to lunch with him. He loves having picnics with you outside while you two are watching the scenery as the sun sets and when he’s free by the evening, you two would often have dinner together and would go on a walk to your favorite spot to watch the stars.

When he’s really exhausted, however, plans are canceled— if there is one—and you two would instead spend your time holding one another in each other’s arms while being lulled to chase after the much-needed rest. Those moments of peace and tranquility are greatly appreciated and are meant to be cherished.

Although, it doesn’t mean that he’s being pressured to always have some time on his day saved just for you. Being a housekeeper of the Kamisato Clan and a well-known “fixer” in Inazuma sounds like a really tough job so you do understand that there are times wherein he gets really busy and you two can’t spend time with one another. You simply love the fact that he always has time for you despite everything.

— navigation | masterlist

[shirefantasies]

Hi Marti! I think I've got a doozy for ya, hope your up for it. How do you think The Company of Thorin Oakenshield would go about trying to set two folks up, like romantically? What's everyone's like technique I guess- who's more straightforward with introducing people to eachother, who's a background guy like manipulating things so the two potential lovebirds end up sharing space at a public event, who's talking up the other person when they aren't around, who's explicitly like 'you and this person would make a cute pair.' and. and and and- most importantly- how does this change if this involves their brothers/relations? I'm grinning so damn hard rn, I believe in you!

I'm absolutely obsessed with this ok??? YES 🅱️LS (also, portraying this like it’s you & another company member hehe)

Warnings: a suggestive joke or two

How Thorin’s Company Would Set You Up With Someone

Balin

✧ Sensible, subtle, simple. His approach will be more along the lines of getting you and his target to spend more time together.

✧ He’ll ask you both to go complete a task like gathering firewood together.

✧ As you two (even if forcibly) are spending more time together, he might start bringing them up more, daring to ask a question about that.

✧ One tell he has is the proud, sly little smile that can sometimes be seen upon his face as you two interact.

✧ When you two actually get together, he makes his grand reveal, smugly telling you both he’s been around long enough to be able to tell when two are right for each other.

Dwalin

✧ Has no clue what he’s doing, frankly, and likely is only doing it because his brother or someone else roped him into it.

✧ Or else he has a really strong protective instinct toward you, the other company member, or both. Then it becomes a matter of greater urgency, more based upon the concept of making sure you are with someone he trusts. Simply put, no one else will do.

✧ Rather than wax poetic, Dwalin prefers putting you in situations that display his target’s skills and worth. If they’re a fighter, he’ll send them in to save you, for example.

✧ Very subtle with the stereotypical ‘wingman’ comments, but they're there. “Looks like you got rescued today, eh?” "You know, if there's anyone I trust for help with that, why it would have to be..."

✧ His eyebrows raise when you actually announce this very soul to the company as your one, but he's the first to clap hands to your shoulders and bring up a shout of celebration.

Thorin

✧ By far the most awkward about it- he can barely process his own feelings, let alone others’.

✧ “I- I just want you to be happy.” Hopes you know what he means by that, but it’s a coin toss honestly.

✧ Relents and assigns you two joint tasks like unsaddling the ponies or gathering firewood, hoping that’s enough to help draw you closer.

✧ If one of you expresses any sort of heavy emotion, he actually does a really good job relating it to the other’s experience and directing you that way, prompting a heart-to-heart.

✧ Smiles widely and pulls you both lightly into his arms at the news, taking it as a sign of continuation and prosperity to come.

Oin

✧ Surprisingly one of the more discreet ones.

✧ Makes a lot of conversation as he patches you up anyway, so teasing questions about who amongst them you fancy most just seem to come with the job.

✧ Little do you know that the moment you spill, Oin turns around and starts teasing the other party about what a catch you are. What? He’s getting older, let him have his fun.

✧ He makes you his nursemaid of sorts to help the next time they get hurt. If you take great issue at such sights he’ll just ask you to keep them company upon being patched up.

✧ “I said it would be a match, and a match it is!” He calls out, fists pumped into the air at your revelation.

Gloin

✧ Physically shoves you in the direction of his intended target under the guise of merriment. Not hard, just enough to get them to turn and look at you and see the moment's right.

✧ Comes up with team games so you two can be on a team against him and whichever friend or brother he's roped in that time.

✧ Finding out if your feelings are true is in the interest of his betting pool, so Gloin is not above asking you the occasional alluding question, usually a small one like what your type is.

✧ The first to laugh heartily and slap you on the back if you display any sort of flirting behaviors!

✧ Shouts with wild abandon when you come out with it, racking up all his sacks of coins with glee before he grabs you two and gives you an affectionate, proud shake!

Bifur

✧ Silent observers are some of the most deeply perceptive individuals.

✧ Thus, whoever’s end it’s on, Bifur can see feelings blossoming, his head bobbing back and forth between you two with interest at nearly every interaction.

✧ Eagerly employs some rather���unorthodox… methods of seeing you set up. “I can steal his socks and give them to you so you can be the hero who finds them!”

✧ Begins telling both you and his intended match heavily exaggerated stories of each other’s great feats, completely unaware of the separate conversations about them you’ll then have.

✧ Grabs your hands and joins them when he hears the news, nodding and clapping proudly!

Bofur

✧ Can be obvious about it, but still one of the most natural.

✧ Throws an arm around you both, all but dragging you over to the fire to sing and dance with him…and more importantly each other!

✧ He’s often off doing the laundry, so he oh-so-innocently spills something one day and asks his target to surrender their shirt…right in your full view, of course!

✧ Pulls you into more jokes with whoever fancied, teasing them and then calling you out by name to join in: “Isn’t that right?” He winks at you the moment you look at him, the scoundrel!

✧ “See, didn’t I tell ya it was meant to be? Nothing but blessings from me, you two.”

Bombur

✧ Finds himself smiling and clasping his hands whenever you two interact. Maybe he can help it along...

✧ Excuse king. “Say, could you go fetch ‘im for me? …Why? Oh, because I borrowed something the other night.” “Can you sit there? It’s just I’m a bit warm, so I’d like to be further away from the fire if you please.”

✧ Being married himself, he understands some of the best how a good relationship starts, i.e. with a firm friendship. Thus he starts talking to you both and joking around more to make memories that bring you together!

✧ Also gives his targets credit for anything. “Lost one of my gloves the other day ‘n’ you’ll never guess who found it!”

✧ Beams and offers the biggest bear hugs he can when you announce your relationship. Bragging rights who? Bombur just loves love.

Dori

✧ Lives for the drama anyway, but general investment would grow tenfold if that person happened to be one of his little brothers.

✧ The questioning sort, suddenly asking you things like if you’ve ever considered settling down after this is all over and if so, any inklings with what type of person?

✧ Suddenly he can’t speak highly enough of this person even if it’s not one of his siblings, tossing it into your teatime conversations how they’re that strong or this skilled or he hears that family crafts the finest courting beads if he’s one of the dwarves.

✧ It’s enough that you pick up on what he’s doing and tell him that well, if that company member is interested then they’d best just tell you, prompting Dori to rush to them and try to convince them to confess.

✧ Whether they need the push or not, Dori’s target eventually makes a move, leaving the older dwarf to brag like a proud father, uncle, big brother, you name the dynamic he can do it!

Nori

✧ Not shy about any part of the whole affair. Watches you both with a shit eating grin.

✧ “So, if it had to be anyone there, who’d it be? …what, I can’t be the first one to be asking that, can I?”

✧ Heavily contemplates going the jealously route. Barring you getting uncomfortable, Nori starts being far more friendly with you and putting his arm around you more often to see what his target does.

✧ Proceeding, of course, to teasingly confront them about it later. “What, did it bother you? Wonder why. Maybe you oughta take that up with ‘em, then.”

✧ Some company members bought his act a little too well, gazes swiveling between you and your match and Nori himself as if expecting him to now be jealous.

Ori

✧ Surprisingly great at matchmaking- his fear of being discovered keeps him very very discreet, and he has a great sense for love.

✧ “Can you two sit right there? I’d like to get some drawings while we’ve got the time. Thank you! Oh, just a little bit closer. Little bit more. There we go!”

✧ The moment you need help, Ori knows someone who can help you! Sends you right their way with an innocent little smile.

✧ Has made it his business to have a general idea of what everyone likes, which comes quite well in handy pointing out to you that someone else in the company's got a similar interest or hobby. Grins to himself when he sees you actually approach them about it.

✧ Feels no need to come out and announce himself to you once you're together, but he brags about predicting and matchmaking you two endlessly to Dori, who listens with great pride.

Fili

✧ Having the absolute time of his life.

✧ He’s likely gotten up to this due to gaining the knowledge- or else it simply being that obvious- that one of you has feelings for the other or is attracted to them. Thus, teasing abounds!

✧ “Ever thought about it? …what? Why, you two, of course! Everyone else has, after all.”

✧ Leans on his sword or against a tree, giving his best attempt at a smooth pose as he whispers that they like you too. Yes, even if he isn't certain that you like them as well.

✧ "Finally!" He calls out the first time he sees you two kiss. It may earn him a smack, but it's worth it.

Kili

✧ Likely doing this teamed up with Fili and also having the absolute time of his life.

✧ Jokes around any time you two are paired for things. “Well you two make quite the handsome couple, don’t you?”

✧ Plays sides with whoever he's closest to, possibly with his brother falling to the person's other side. "Be honest, who do you think is the best looking of us all? What do you think of that one there?"

✧ "Come on now," he asks you directly if you have any interest in his target, especially if he knows you do, "you can tell me." This, of course, is punctuated with a wink.

✧ He wasn't expecting to actually become your confidant, but when you tell him you trust him with your news and that he's the first to know, he can't help beaming and pulling you into a hug.

Bilbo

✧ Insists to all the other company members that hobbits are the best at matchmaking, thank you. But that, of course, leaves him to prove it.

✧ Step one: food. Food is one of the greatest bonding agents known to hobbits, so Bilbo will task you with bringing your potential interest dinner and thus sitting at their side for the meal.

✧ Step two: common interests. Bilbo himself becomes something of a double agent, talking to one of you and then the other and dropping names at any good opportunity. Perhaps both of you knit. Maybe you need your blades sharpened and they've just done theirs. You could simply just have the same favorite animal and the both of you will know it by the time Bilbo is through.

✧ Step three: strategically moving your bedrolls to be right next to each other. What? It works! That night his target ends up rolling against you in his sleep and you lean up against him.

✧ When you wake up the following morning, shock overtakes you, then shy smiles and a private conversation that has Bilbo smirking to the rest of the company triumphantly.

Taglist: @lokilover476 @fuckyoumakeart @kilibaggins @mossthebogwitch @ibabblealot @joonies-word @stormchaser819 @pirate-lord-of-narnia | Reply/Ask/Message to join!

[miss0atae]

Meet You At The Blossom : Earning Your Happy Ending (EP 11 – 12)

This is the end for Meet You At The Blossom and as I already said it in a previous post, I’m going to miss this series. It was a really nice ride. I believe they did great even though they had a small budget and it was the danmei I’ve always wanted to watch (but never did because danmei are too long to watch and these twelve episodes were the perfect length for me).

I believe these last two episodes were tied to the trope of “earn your happy ending”. Huai En and Xiao Bao still had to go through a lot more hardship, anguish, and sadness until they get their happily-ever-after. Of course, it's understandable that characters in any stories needs to fight to conquer their happiness. There were so many obstacles to Xiao Bao finding his cure to the poison to be able to get his life back. Huai En also had to face his own obstacles to be able to leave his terrible past to finally know what love is with the lover he chose. It would have been easy to give us a miserable ending where both characters never find what they are looking for. I really thought they would find the cure before the last episode. Then, for the remaining time before the end, Xiao Bao and Huai En would find a way of reconnect. Huai En, despite having no real and good image of love, never let Xiao Bao rejection deter him from going back with him. He trusted the love he felt from him and obsessively tried to keep it. Xiao Bao, despite the misunderstandings and hardship, always was fond of Huai En and he cared about him. He became attracted to Huai En from the very beginning and even if this love made him lose everything and be tortured, this love couldn't really disappear. They were clearly meant to be. That's why, I'm so glad we got a happy ending for them.

What is interesting about earning your happy ending is that it shows us that this ending can happen, despite the odds. I've always had a soft spot for happy endings. I find them far superior to miserable endings. I think it's not easy to write a happy ending. Letting people die or suffer after they face many challenges is expected and so it's not very hard to make it happen. However, letting them face these challenges and win over them while making it believable is a different story. It would have been easy to make Xiao Bao die from the poison and Huai En would lose the last bit of humanity and love in his life. One of the other reasons why a happy ending was a good thing is how it gives us hope. Again, it would be so easy to give a miserable ending to Huai En who already was leaving a very sad life deprived of love or to see Xiao Bao being punished for having a fall from grace. However, as we turn to stories to entertain us, we can take heart in endings that show characters overcoming obstacles. It gives us joy to see characters being able to overcome challenges to be able to live a happy life. Furthermore, I believe there is nothing wrong in having a preference for a happy ending for your beloved characters. They suffered enough in the story to deserve their happy ending. Even if they didn't suffer as much as they did, Xiao Bao and Huai En still deserves a happy ending. I'm not saying all stories need to have a happy ending. Let's not forget how the ending must especially serve the story.

It leads me to my last point as why I love happy ending in queer stories, especially in historical fantasy/wuxia. Not everywhere in the world, you can feel accepted as a queer person and a happy ending can be a radical act. Since the censorship in China, it's been a while we haven't seen a truly queer story. I'm not saying there hasn't been story where you can feel the “love” between two characters, but it's not explicitly showed in the series. I've heard countless time about the Untamed, despite never found the time to watch it and if the love isn't shown explicitly, it's still here. So in some way, Meet You at the Blossom, felt like a radical act, especially as they have given us a happy ending (it was also probably in the book, but I didn't read it so I will only talk about the series). I don't forget that there were some tough scenes so it may have not been easy to watch for some viewers. However, in the end, Huai En and Xiao Bao got their happy ending where they can be in love. Usually historical fantasy/wuxia stories are set in a fictional world which resembles a period from history, but is not that actual history and you get some fantastic elements. It also means you get all the stigma and prejudices of the period from history that is copied. We don't get a real information about this period in Meet You at the Blossom, but it's clear that it's not exactly queer-friendly (despite having several queer characters) as we've seen several people trying to separate Huai En and Xiao Bao because their love is supposedly not something they should have. For all those reasons, it was really pleasant to see these two get their hard-earned happy ending.

I will miss this story and I hope we’ll get other historical fantasy/wuxia Chinese QL stories that won’t be censored.

[ride-thedragon]

The Lack of Nuance with House Velayron.

I want to establish that the strange relationship to blackness in the show is confusing.

The show runners didn't write black characters. The Velaryons are Valyrian.

The cast is filled with black actors who draw parallels in their interviews to their blackness and this house. Without correction.

In a similar vain to how house Targaryen, house Hightower and house Lannister are all played by white people the Velaryons look black but are not written o be perceived as black in the narrative.

It's not inherently colorblind casting because the intent was to differentiate the Velaryons and Targaryens and to show how obvious Rhaenyra’s adultery is. It does, however, act in the same way. Their blackness isn't supposed to impact the narrative past that extent. Unfortunately, that's not how race works in media. Look at Bridgerton. For example, they knew they wanted to include racial elements to justify their alternate history while imploring colorblind casting and building these characters around their actors.

The biggest issue that comes from this understanding is that because they didn't write the script with black people in mind and just wrote it thematically to reach up to the dance, they end up sidelining and putting black characters into a lot of reductive stereotypes and fulfilling harmful tropes that contribute to the oppression of real world black people.

Laena is the second choice bride for Daemon, a white prince. He spends their marriage, making it known that he'd prefer to be with his other niece while not discounting the fact that they are happy enough for their circumstance.

Laena is a black girl who is passed over twice in the narrative for white women for different reasons. Her husband can't truly love her or their black children to the full extent he would her white counterpart.

Laenor is a gay man who can not do his duty to the realm and, as a result, does not sleep with his wife, causing her to look for a man who will essentially making his successor not from his blood.

Laenor is a black gay man explicitly traumatized during a wedding, not being able to fulfill his duty. His wife finds someone willing to do it during this time and he agrees to take the blame. The kid doesn't look like him. This pattern and behaviour continues because it can cost these kids their life. Rhaenyra actively contributes to the erasure of black succession for this house, choosing instead to sleep with and have kids by a white man.

Certain things work with this change. Corlys saying 'history does not remember blood it remembers names' gives 'I'm not black I'm OJ'.

The perception of success defines him more than the inherent loss of blackness he's pandering, too.

That wasn't the show's intention, though. None of my reading was intended to be placed on the story.

They made Laena into a sapphire who ended her life brutally after thinking it would be lost to childbirth.

The statistical and historical relationship to black women and childbirth was a burden the show runners did not consider.

It gets worse when the writers call it a 'dragon riders death' because it's so much more brutal than the death she endures in the book. A black woman chooses a brutal death as opposed to being helpless in childbirth. That's not imagery that was utilized well.

Laenor rededicating his life to his family after his sisters death only to be replaced by a white man and killed off violently (not really though, he just abandoned his family).

They also casually make him and his dad absent fathers.

With Corlys, they unknowingly employ Uncle Tom tropes with him while making him absent from his family, and next season, a cheater with an outside family.

Vaemond is a black man being gaslit all around him, and when he stands up for what is a real concern to have in his shoes, in a moment where he chooses to be unapologetic and angry he's brutally killed by a white protagonist. They punish the black character who didn't want to assimilate.

Again, this wasn't the writers intention because they are not writing black character. With someone like Nettles, this relationship to the narrative will be clearer. The racism and prejudice she faces in the story are different from the Velaryons because she's perceived as other or black in this world. Like Missandei and Grey Worm, she's a black character in the universe.

However, the imagery that these things invoke can not be avoided just because you don't focus on them. That's even more reckless because you get the diversity points, claim there is a reason behind their blackness, and then utilize reductive tropes and stereotypes.

I truly think they should've utilized the Bridgerton method and attributed the difference to dragonriding and the fact that a lesser dragon riding family would still be better than a rich non dragon riding family and that their ability to have dragon riders now should evaluate their status even though, through the show we see it not shifting their dynamic.

Racism and the stereotypes that come from it aren't based on anything tangible. White hair dragon riders through marriage and people with white hair who inherently can claim a dragon by blood alone is the same nonsense racism is based on. It's not really an important distinction but a necessary one to perpetuate and hold power. It could simply be a prejudice that the Velaryons acknowledged is there and are trying to break through.

This is a good show. It was beautifully done with the source material they had, but consciousness when it comes to perception and duality are so important when it comes to media, especially when writing for marginalized groups.

I would've loved to see Laenor and Rhaenyra have a discussion along the lines of her icing him out of their family unit, replacing him during a hard time. Or him actively acknowledging the burden of his position as heir with Luke and relating to his inability to do his duty and Luke's burden of perceived bastardy.

I'd love to see a Corlys and Vaemond Arguemnt of Corlys' assimilation to the politics of Westeros and the identity of house Velayron being lost as a result.

Laena could've acknowledged her worth to their marriage, calling Daemon out on his complacency to their collective happiness and expecting him to be better would've ate, cleared and devoured.

Imagine that last scene coupled with book Laena's death. I would've secured the Emmy for Nanna.

Not only does this add to the world building, but it sets up future (technically past) relationships between the Velaryons and someone like Nettles. Between them and Targaryens.

I need a cold cigarette. I will end this by saying the framework should they decide to establish this better is already there. It's just unfortunate that we lost three cool people before the nuance would hit.

[ttrpg-smash-pass-vs]

As the year wraps up, I gotta get something off my chest, don't worry I'm not making a habit of this. Even though I know that the people who it's pointed at won't read or care, and the people who do see the resemblance to themselves likely won't be the ones I'm talking to. but I just had to delete multiple asks again, and it's stuff I get all the time, so I'm going to indulge in a little angry rant that you're free to ignore. Because seriously, I LOVE getting asks, I'd turn them off if I didn't. but some of ya'll REALLY don't understand there's a person on the other end of this. ...also, this is explicitly not pointed to the happy anon with the super long slaaaaaaaaaaaaaaad post last night, you're cool. I was just a really tired last night and hit delete on accident.

- Every time a post gets reblogged, it finds more monsterfuckers, but also more non-monsterfuckers. A less monstrous person doing well or winning does not mean you're the only monsterfucker here. don't fill my inbox with multi-paragraph "everyone here's supposed to be a monsterfucker" hate essays every time a monstrous option isn't in a massive lead, take it up with your followers if it matters to you that much. -Some of you are fine always voting against bone devil no matter what, but can't comprehend something auto-losing for a different reason. Like "I hate heat." Or strong smells, or frogs. Sometimes people don't like the option they chose, they just hate it less. I see the merit in near any option I post, even if it's not for me...but seeing why you like it doesn't me I do too, stop asking me to take sides. - Or the opposite, one of the most common tags is "I love both, but I have a core memory or fetish with one so that's my default." Choosing one doesn't mean they hate the other option and you specifically. I'd happily fuck them both, but one indulges a fetish more core to me than some of my organs. - Someone who would fuck a werewolf or manticore or such is a monsterfucker, even if they don't go further. You don't get to say they aren't a REAL monsterfucker because you decided their preferred monsters aren't monstrous enough. Do you to see someone thirsting over a butch and say they're not a REAL lesbian because you decided that's not girly enough? There's no need to be elitist or gatekeep. Especially in an ask, but also in general tbh.

- I'm a basic bitch too sometimes! Just because we like the weird stuff doesn't mean we have to start hating the basic stuff and those who indulge in it. kinkshaming goes both ways, neither of which should be sent to me. You are not the standard by which all is judged, you being relatively more kinky does not make them objectively less kinky. - Seriously, if tumblr is anything, it's the "Labels" site. where people come to learn thier labels, give themselves labels, show off thier labels, surround themselves in similar labels until they forget it's not the only label. Often while saying they hate labels. It's not even the monsterfucker website, Tumblr's just more neutral toward it instead of openly hostile. I get the disappointment, but don't direct it to me. TLDR: That shoggoth or whatever isn't going to become real and fuck you because you flooded my inbox with rants on how "anyone who didn't choose X is fake, and all ya'll aren't TRUE BELIEVERS of the ONE TRUE MONSTERFUCKER GOD." Sarenrae on a bike, It's my blog, and I say everyone's welcome as long as they stay civil. so be civil before I take the anon button away. At least some people have the guts to show their face when insulting anyone who likes ___ over ___

[voxofthevoid]

WAIT LMAO I NEED TO HEAR THE TEA ABOUT SUKUGO NOW! i'm not fond of the ship either, so i'm curious to hear your thoughts

Ngl, I did crack up at how this landed in my inbox a handful of minutes after that post popped out of my queue. Also looping in @zyukan since you wanted to know too. Never change, y'all.

The tea isn't particularly scalding, just my take on canon events, but negative thoughts/assessment regarding sukugo to follow, so people who like the ship probably shouldn't read further. Unless you're into that, I guess, but then don't come bitching at me. There's also some relatively positive references to satosugu.

Initially, the ship was something I tried out during my exploratory phase in JJK. I thought I might like it but quickly realized I really fucking didn't. Granted, that applied to all non-goyuu Gojou ships because I'm a man with a pattern. Anyway, after that, sukugo was off my radar until the Shinjuku Showdown, at which point I got soured on the entire dynamic.

It's partially the framing, partially the execution, plus how these interact with what makes a dynamic shippable for me. There are moments of levity in the fight, and both parties (well, mostly Gojou if we're considering the explicit text of the fight) are having fun, but I could sense absolutely no connection between them despite the narrative trying to frame it that way. The repetition of Yorozu's words falls flat in that particular fight; it's there in her and even Kashimo's fight against Sukuna—that desire to reach him to fulfill themselves, one way or the other. In Gojou vs. Sukuna, the same is stated by the narrator, but I don't see/feel it. They're both focused entirely on themselves, even as they're enjoying the challenge.

Outside of the narration, whenever we see Gojou's and Sukuna's own thoughts, it's focused on either victory or external factors. The other person isn't anything more than an obstacle. After the fight, Gojou's happy he died a fun death and clearly respects Sukuna for his power and skill, but his focus there is on the fact that he went out the way he wanted. Sukuna praises Gojou immensely, but it's the same kind of praise he gave Jogo after he killed him—not the same extent, since Gojou warrants more respect and admiration, but both the driving factor and manifestation are fundamentally the same.

I'd say the lack of any genuine connection there is best illustrated by how there's no little chitchat between them after Gojou dies, the way there was between Sukuna and Jogo as well as Sukuna and Kashimo. That's explicitly presented as "the rare phenomenon of connecting with a sorcerer during the height of battle," and you'd think Gojou and Sukuna would have that given how much they pushed each other during the fight, but nope, it's just some slice and dice and then buh-bye.

Granted, none of this is a lack of shipping fuel—quite the opposite, given how the ship has taken off after that fight. But it's shipping fuel that's entirely antithetical to what I find appealing in a pairing.

In that linked post, I said I prefer even satosugu to sukugo, and I'd say the salient difference is that satosugu is a ship I was neutral about but ended up disliking due to fandom, while sukugo is a ship I was neutral about but ended up disliking due to canon. The former is ultimately ignorable, but the latter really isn't. Canon does a great job of presenting Gojou and Getou as two people who loved each other, and I enjoy poking at satosugu in my own fics, either when referring to Gojou's past relationships or even as part of Gojou/Yuuji/Getou. With sukugo, even that little spark is not there—I wrote an entire threesome scene with goyuu and sukuita, and Gojou and Sukuna didn't touch except in violence. I love Sukuna as a character while disliking Getou, but when it comes to ships, satosugu is more interesting than sukugo. I'll be avoiding both ships religiously, however.

[ominous-feychild]

Happy Worldbuilding Wednesday! What would you say is the defining trait of any of your settings?

Omg, this is a very difficult question to answer because I do a LOT of worldbuilding, haha. But let's see...

I think, technically, the most defining traits of my settings is how different they are? I hop around the (in-universe) world in each individual story, and each in-universe country is inspired by real world cultures. But mostly drawing inspiration from ancient cultures because I explicitly prefer ancient history to modern. Plus, it's more fun to research. Which--ha--I'm definitely in the minority for feeling this way, I know!

I actually mentioned this recently toward the very end of another post I made recently, but I'll restate it for convenience's sake, haha... and then go into more detail.

Glavnran (tAR) is Slavic (drawing primarily from early Slavic history, while I do my absolute best to figure out what the folklore was like before Christianity got its grubby hands on it. A polytheistic spinoff of Christianity exists in my story, appropriating a lot of its themes and imageries. That religion exists nowhere near Glavnran, so it has no place there. Also I think I've made it clear I dislike Christianity.)

Jhandar (tAR) is Indian (off the top of my head, I can't recall if I was taking from any specific era, but I'm drawing on inspiration from Hinduism and there's a prominent caste system. Jhandar is also an empire, drawing inspiration from Rome and especially the rule of the Qin Dynasty of China. While not exactly thematically relevant, it's fun and helps explain some things I wanted happening in Glavnran/the surrounding countries. Oh, yeah, Glavnran is under the thumb of the Jhandan Empire. It's why there's so much tension between the Glavni and Jhandan peoples.) (Also, the blue-and-red coloration here isn't a "good-and-evil" thing. To anyone who's read anything about my writing, it should be VERY clear that Glavnran isn't a great place and is, in fact, full of crime and -phobias of all sorts. It's based on their temperatures/climate, haha. I would've put Glavnran as orange but that fits other countries better.)

Lynsmouth (SaS) is Western European (the Western World gets a lot of focus in media, so Lynsmouth and the country it takes place in that I've definitely named get to be the Token "West" in my writing. It gets inspiration from all over Western Europe, but I've primarily focused on France and the Netherlands for it. It's also got Italian-style mafias, haha. They have the Christian-adjacent religion where they glorify a single god. It is, however, subtly dying out, because of Lore and immigration of a sort. The "new arrivals" so to speak have their own religions.)

Kihroin (RFtA) is Northern African (as in Islamic. I'm most likely leaning most strongly into Morrocan inspiration for anything "modern", but obviously most strongly leaning toward ancient history. Islam itself obviously won't appear in my writing, as I'm working within a fantasy world with provably real pantheons of gods. I haven't decided how I'll adapt their hyper-religiousness into Kihroin, especially because I'm personally uncomfortable with religion (though I bet you couldn't tell) and yet want to adapt something that major to their modern culture(s) into my writing. Yet another reason RFtA isn't a current project.)

Cirrane (RFtA) is Latin American (given that actual Native American history is incredibly difficult to get our hands on--cough cough THANKS COLONIZERS, THANKS CHRISTIANITY cough cough--it has a lot more modern inspiration(s) than ancient. Howeverrrr... that's not necessarily a "bad" thing considering that Cirrane is a very bad place and I know plenty of people will @ me accusing me of racism for it anyway. Nah, man, it's pretty much everywhere in my writing! It's almost like it makes for a better story! Also my Mexican gf approves of what I'm doing with it, so take THAT, SJWs.) (Oops, I ranted there for a second. Long story short, it takes a lot of inspiration from all over Latin America! That applies to the other two "Latino" countries too, though, haha. Besides that, it's also stolen quite a bit of imagery from Rome. Ah, that must be where the Evil's from. /hj)

Tzakah (RFtA/tCC) is also Latin American (one of my favorite places in all of my worldbuilding!!! Is also extremely tropical. It's a lot more "original" of a culture due to worldbuilding stuff, but it still takes a lot of Latin American Inspiration.)

Minogua (RFtA/tCC/???) is the last Latin American country (explicitly has a previous history of colonization that they've (relatively) recently shaken off through rebellion and ousting the authorities from other countries. Tackles a lot of those issues a lot more directly and has them more modern than the other two. Though it makes sense considering Tzakah was previously part of Cirrane. Regardless! There's lots to possibly tap into, but Minogua so far only has characters originating from there. Well, and minor plots relevant to those characters but y'know. I definitely want to eventually make a story placed there eventually to more directly explore its themes!)

Honorable mentions/speedrun:

Isagnea (tAR, though idk how much it'll show up, and ???) is Italian (not very worked on, but it's the home country of some side characters... hence why it's not really worked on. It'll definitely see more attention if and when it becomes relevant. Most likely, it won't be until if/when I work on another story focused on those characters. Or, y'know, it appears in another story.)

Ilyich (tAR, tho it likely won't show up more than once) is Slavic (country Glavnran was once a part of, before they split off (not peacefully) over religious differences. Methinks a Christian-esque religion might actually be rather hated by the Glavni people...)

Shilyma (tAR, mentioned but not visited) is a Slavic/Asian mix! (so, yknow, likely would take inspo from Mongolia? Not too developed, but is like Tzakah in that its origins are unique.)

Anispe (tAR, end of series, and ???) is Greek (spoilers! 😁 But Jhandar is actively at war with it, trying to get them under its thumb as well! I have Plots to eventually make a story centered on Anispe before it was Anispe, too!)

Shaoraigh (SaS) is Celtic (an oldie but goodie! I did a good bit of worldbuilding here in the past even though it's never appeared in my writing. One of its gods are VERY important in the worldbuilding, however.)

Drønhals (SaS) is Celtic/Norse (Freya's home country, was once part of Shaoraigh (in-universe) but they separated over religious differences!)

Tulidin (tCC) is Chinese (I'm probably changing its name eventually, though. Also has minor worldbuilding and a character originating from there.)

Shoutout to misc unnamed countries that exist, but I've never gotten around to naming them for one reason or another! Like, for example, the Jhandan-Glavni colonies Rieka and Adilzhan are from and the Hawaiian-and-Japanese-inspired country hidden away from the rest of the world. (Wish I could make it Pure Hawaiian, but... you try doing research on Hawaii. Join me in my hatred for Christianity.)

Can you tell I've been writing/working on this world for ten years?

This post has gotten WAY longer than I was expecting (though really I should've figured, smh) so I'll make this last bit quick:

The technology contained within each country/story is very different, both due to wealth gaps and time period jumps! There's... a lot of worldbuilding. The Arcane Rifts takes place approximately 200 years before Sun and Shadow and Rising From the Ashes (which are connected to each other), so that on top of the exploitation from Jhandar means they're not going to have the greatest tech for example. Sorry this was so long! Hope you enjoyed reading!!!

Also, apparently I have more of Western Europe in my worldbuilding than I thought. Now I'm disappointed in myself.

Also-also, I misread this Ask. I thought it was asking for the defining traits in everything... whoops. I made this WAY harder on myself than I needed to.

Tagging those interested!: @the-golden-comet @the-letterbox-archives @honeybewrites @darkandstormydolls @mysticstarlightduck

@urnumber1star @aalinaaaaaa

[butts-bouncing-on-the-beltway]

I have a really hard time on Tumblr sometimes and I have this issue with a lot of people and places so it's hardly tumblr specific, but it's also really hard to describe/convey to others. Let me try to scaffold it out

I spent my entire childhood being called an anxious person, and being forced to keep my anxiety internal, and this is overall really bad for me

The one useful tool I was ever given for BOTH reducing externally visible distress AND total distress is to pair anxious/distressing and "strengths based" thoughts. Whenever I say or think something related to distress, I take a moment to reframe the thought into a pair of thoughts - one non-judgemental observation of the need speaking through my distress/how I might meet it, and one non-judgemental acknowledgement of my feelings. It's energy intensive, and it takes a while to learn how to do it in a way that is clarifying rather than erasive. But it genuinely always makes me feel like I have a better handle on things, like I'm less inclined to spiral or end up with a disrupted mood or function, and also now consistently get **the opposite** commentary about being a very positive person who's good at conveying and opening up that positivity for others (at least in my professional life)

There are some people who take my doing this as an invitation to argue with me about why, actually, the distressing stuff IS VALID AND RIGHT AS A FRAMEWORK rather than understanding why I might be shifting away from it. You'd think this would happen most when I talk to other people and "reframe" something they've said, but actually this happens the most often after I have just finished expressing my own thoughts about a thing and someone seems to decide that "framed in a functional way" is equivalent to "hasn't thought enough about the problem areas" and start going off about all the "bad" or "hard" or whatever parts of a thing.

I cannot argue BACK with these people when they do this, because arguing back is dragging me back into a headspace that directly contributes to my suicidality, however side-stepping the issue by CONTINUING to insist on framing things the way I do often leads to them REPEATING their points in different ways in an attempt to "convince" me or "correct my misunderstanding" and I kinda have to be like. Not a misunderstanding. I know what you said and am simply not sharing that space with you. Why is it so uncomfortable for you that we are on different pages about this thing that you feel the need to force me into a distressing place for me rather than move on now that we've both shared our thoughts on the matter?

I can only spend so much of my time around a person rigidly reinforcing my own protective cognitions before I just. I can't talk to them anymore. I need to leave and do other things in other spaces with people who can talk to me about things from the same strengths-based perspective for a while

A lot of people use this to accuse me of spending time in echo chambers because they LITERALLY CANNOT FATHOM a space in which one can be critical of a thing without explicitly being "negative" about it, and assume that if everyone in a space is coming from a strengths based perspective that they're all uncritical fans or at least don't criticise in that space. This is just an objectively untrue assumption and I actually vastly prefer the constructive criticism of things within those strengths-based spaces

You can't ask people to stop doing this, or make them believe (if they don't already) the impact this might be having on your mental health, and if you try, people take it VERY personally and will start being MORE "negative" about EVERYTHING they say without even realizing it (saying "positive" things about one thing directly by "pulling down" something else, using satirical praise language like "fuck you" or "i can't stand it I'm going to die" or etc to refer to things they are happy with/enjoying/liking/etc, pivoting off your "positives" with immediate "negatives", etc) which makes the dynamic more intensive to cope with for me. Even when I try to convey this stuff to someone or point out examples, it quickly worsens the issue to the point that it's literally better for me to stop doing so and go back to quietly exiting when I'm overwhelmed.

A lot of people, when all this is discussed for them, will say something to the effect of "this is how I enjoy things I love!" And I get that. I do. But why? Why is the only way you are able to enjoy a thing by putting it or something else down? If it were ONE OF THE WAYS you enjoyed things, I'd 100% get that, and have no issue with it! I do wish that it was more common for groups of people to just enjoy things "unironically" tho, because it's a space I have a much easier time existing comfortably in, and those spaces being hard to find and maintain is part of why I struggle to socialize much. It's hard for me (literally, in terms of asking more effort of me, and emotionally in terms of the impact it has on my mood) to be around people whose only access to enjoyment is to insult, belittle, or point out the problems in something. It makes me sad not to spend as much time as I'd like to with people I like because of this incompatibility, and it makes me frustrated that I have never found a way of sharing with others what is happening in this dynamic in a way that has any concrete impact on the outcome. I have sort of learned to just NOT share it with others and instead do all the heavy listing of navigating the issue on other people's behalf and taking breaks when I can no longer do that so that I can keep relationships or spaces or conversations that are important to me.

Tumblr is, to put it mildly, almost nothing but this dynamic. So despite being a system I am most suited to in terms of posting options, conversation topics, access formats, etc, Tumblr is a space I feel best taking regular breaks from.

Tumblr is far from the epitome of this in my life. But it's a space where I see the most. I want to say etiquette? Social "respect" indicators? Built around this kind of behavior/framework. Like. Tumblr is a space of differing social contexts, but a lot of the connected ones across subcultures on the platform are informed by this framework because it is non-ideological and so gets conveyed as a more universalizably etiquette system I think. So there's a lot of like. Expectations of how you interact with others here that default this framework (for very functional reasons I think lol, i just don't know that it was done on purpose rather than sort of stumbled into?) are really normalized in a way that is especially risky for me given how much work I have to put into resisting this framework on a personal level

I often feel very lonely, because I have found a degree of distance that gets built into my dynamics with people. Throughout my life, there have been people who put me up on a pedastal, and people who set me far below them in capacity and cannot fathom my functionality, and of course people who manage both at once in different areas. But it's been hard to build and maintain relationships where I trust I am seen specifically as a peer and where this anxiety/complaint oriented framework is not one of the dominant cultural forces in play socially.

There are gaps in all this still in my brain, but. I dunno, I get tired sometimes. I wish I had a space in my life where I felt fully seen and where I could just sort of sit and build something up with someone for a while.

[goodluckclove]

A Very Very Muppet Christmas Movie Deserves All the Hate it Gets, and Maybe More Actually

Okay so someone said I can talk about this so I'm going to talk about it. Spoilers I guess? For a shitty Muppets movie?

This got long. Fuck.

I have seen, at this point, every Muppets movie aside from Muppets Oz. I couldn't really rate them in order of best to worst like other online sites do. I like The Muppets. Even the movies that didn't touch my heart like Muppets Treasure Island I still found fun and enjoyable. My favorite will always be the original movie from 1979, but I found all of them to be comforting and enjoyable.

Until this one. This one is bad. A Very Very Muppets Christmas Movie was so immediately bad on every level. It is the first movie I've seen in some time that actually made me angry.

A little context for those who haven't seen the movies. Muppets movies fall into two categories that I'll call Muppets Lore and Muppets Theatre. In Muppets Theatre you get a loose retelling of some classic story where the cast is primarily Weird Felt Perverts - think Christmas Carol, Treasure Island, Wizard of Oz. The Great Muppets Caper isn't technically based on source material but I'd put it in this category since they're playing characters.

On the other hand, the Muppets Lore movies focus on the origins/misadventures of the Muppets as an ensemble. Think the original movie, as well as Muppets Take Manhattan, Muppets in Space, and the two reboot films.

Muppets Haunted Mansion is technically both a Muppets Lore and Muppets Theatre film. It's also. I wouldn't say bad, but it - it's weird to talk about. It does canonize that Gonzo's worst fear is dying alone - which, like, yeah. That tracks.

Anyways, A Very Muppet Christmas (I refuse to keep using the full title), though it does heavily draw from It's a Wonderful Life (but badly), is primarily a Muppets Lore movie. The basic plot is that the Muppets, who by now are well-known for producing shows out of their own Muppet Theater, lose their venue. This devastates Kermit, driving him to believe that the lives of his friends would be better if he was never born. He gets to see this alternate reality, realizes it's apparently way worse, and begs to go back. He does, the theater is saved through randomly being declared a historical site, and everyone's happy forever.

I don't know where to start with this. Let me break it up.

They Had The Same Message For a Like 30 Years At This Point How Did You Fuck it Up This Badly

So a majority of the Muppets Lore movie focuses on the central theme of chasing your dreams. The main cast are all performers (barring Scooter, who seems to be the entirety of their tech crew. Kermit also directs and writes. I think Doctor Honeydew is a war criminal but no one talks about that.) with aspirations of making a living doing what they love. They make mentions of fame but are pretty loose with what that means. Miss Piggy is the only cast member who explicitly wants mass amounts of stardom.

The rest appear content with being career artists. Rowlf is chill wherever there's a piano. The Electric Mayhem prefer their jam rock but seem fine playing any gig with an audience and also probably a plug for hard drugs. In a lot of Gonzo origin appearances he's actually working a separate day job and just shoots himself out of cannon as a hobby. The major draw in the original depiction of their dreams (for me at least) is that it really does paint them all as people who would be doing their art anyway regardless of whether or not they Hit it Big. They push for fame, they try again and again to find an audience that appreciates them even when most of them don't, and it works out in the end. They get rewarded for the effort their dreams push them commit to - what Real Life, Non-Muppet Artist wouldn't at least acknowledge how that's cool to see?

I think this is why a Lore Muppet movie doesn't really work when it depicts The Muppets already being successful. The reboot worked for me because it took place when they were all major celebrity figures past their prime and mostly forgotten (except for Rowlf who I think was on so much Oxy that he didn't realize they were famous). When the movie focuses on their career the fame is a better goal than a starting point.

It really does make A Muppet Christmas fall apart immediately. They run the risk of losing their theater if they don't make the money to pay rent? They're famous. They're on talk shows. There's a statue dedicated to the joy Kermit brings to the world. I do not accept this to be a universe where they can't get another venue immediately. I wouldn't be able to accept this as a universe where they're both successful performers who sell out every show and also almost broke, if not for the fact that I can think of like four Muppets off the top of my head who probably generate a new court case against them every year. Legal fees.

They had one scene where Kermit calls a bunch of mid 2000s celebrities and none of them want to guest for the Christmas show. That works in the reboot where Kermit does the same thing only to find that most of his old contacts are either retired or dead. In this one? It's nonsense.

No, Really, You Fucked it So Bad

In every Muppet movie that focuses on following your dreams, that message is paired with maddening levels of determination. The Muppets, mainly Kermit, do not give up. All his friends ditch him while he's trying to get their musical produced on stage? He's gonna work a minimum wage job and keep looking for producers so he can get that venue and perform with his friends. His career is kind of over but he runs the risk of losing the studio that served as a landmark for the legacy he made with the people he loves? Fuck it, cross-country road trip to get the band back together.

He's trying to make a name for himself but there's a entrepreneur who runs a frog legs restaurant and, after being unable to hire him as a spokesperson, sends a paid assassin to kill him? That's less important than making the Big Audition in Hollywood!

So when being faced with losing the Muppet Theater in A Muppet Christmas, Kermit stays true to his character by giving up immediately and abandoning his friends to die alone in the snow.

Like I get it, you're doing the It's A Wonderful Life thing but you can't make Kermit do an explicit suicide attempt. But the film establishes he is fully frozen and unresponsive when his Religiously Unspecified Celestial Guardian finds him, and that is WAY more disturbing than having him jump off a bridge in my mind. It's just so bleak holy fuck. And this happens immediately. First fifteen minutes of a movie that inexplicably starts in the middle and Kermit slinks off to die.

It's not earned at all. He didn't fuck up to the extent for this to make sense. We find out later that the money was lost because he gave it to Fozzie to give to the bank and Fozzie loses it. Kermit then becomes convinced that he ruined all of his friends lives because of this.

Like it's a common thread to depict Kermit being the lynchpin that moves the ensemble forward. He's the guy with the plan, so it makes sense story wise to take that character and get him to a point where he's out of ideas. Only we never see him really try anything? He makes no attempts that fail before he falls into despair. He sits on the sideline and when things don't go well he's like "I fucked it" and loses his will to live. When people say Kermit is a boring buzz kill this is the Kermit they must be imagining.

All the Characters are Bad Here

The major crux of the film is seeing how the ensemble would live without Kermit, who inexplicably thinks he ruined their lives in a way I still don't understand (Did he take out a bunch of loans in their name? What happened???). The intention is to show that their lives are better for having him in them. This, for some reason, looks like the following:

Gonzo: talented street singer/musician, maybe implied to be homeless?

Fozzie: pickpocket, apparently. Why? Bullshit

The Electric Mayhem: Irish step dancers I guess

Scooter: go go dancer. Living his best life.

Sam the Eagle: nightclub enthusiast. Seems fine.

Statler and Waldorf: I could be wrong but it did really look like they were depicted as a gay couple

Rizzo: I - actual rat? Rat actor? Non-sentient rat? I don't really understand what was happening there.

Miss Piggy: I thought they were going the path of having her give up on acting and become a crazy cat lady (not good but fits the era) but apparently she's a phone psychic who uses a Jamaican accent and wig. I guess Kermit is the only person keeping her from race baiting - which I can believe.

So my issue with this is that it's fully inconsistent to all of their characters. If you wanted to show how their lives would be worse without Kermit, it's very easy to do so using the aspects of their personality depicted in like 40 years of media. I think the issue comes in the fact that the obvious downfalls aren't really fitting for a kids movie, which is probably why Jim Henson didn't go there. But I will right now! Here is my take:

Fozzie: super bigoted comedian. He doesn't realize his audience are racists and he doesn't really get the jokes but he's happy people are finally laughing

Gonzo: drug mule

Miss Piggy: probably got famous but not though acting and she's trying to pretend like that's just as good

Rizzo: pays Gonzo be his drug mule

The Electric Mayhem: long dead. Either OD or murder-suicide. Maybe Animal lived but he's absolutely in prison.

Statler and Waldorf: divorced because they never got to bond over their mutual hatred of live theater

Scooter: still in technical theater but he gets treated like shit and probably has a drinking problem

Sam the Eagle: full-on Nazi. Obviously.

There's a plot there in showing what the muppet ensemble would be like without their director and biggest cheerleader. It's just that the depiction in the movie we got was so far removed from what they were like in the present reality that it didn't - like, without Kermit, Gonzo would've learned how to play the guitar? Huh? The only thing that's keeping Fozzie Bear from doing petty crime is making vaudeville theater? Fucking how? Based on what?

It doesn't work as a Muppets story and it doesn't work as a Wonderful Life reference because there's really not anything real that proves that Kermit is the thing that kept this from happening. Except for Piggy doing phone blackface. I can see him having to have that conversation with her a lot.

Anyways, it sucks. The framing is bad, the guest stars are weird (Joe Rogan and Matthew Lillard?), and the one song for the film is awful. Kermit's emotional arc is nonsense and the film fails to see that the point of the ensemble is that they're better and happier together, not that they're all useless and miserable without their leader.

Brian Henson did an important thing taking over for The Muppets after his dad died. He did a lot for the way the movies he wasn't involved in production wise - he worked on the rig that allowed Muppets to appear to ride bikes. This is his life and his dads legacy and it's clear - at least at one point - he valued continuing it.

But yeah this movie was awful. Near incoherent. It's like fanfic from someone who's only research was doing a Google image search of The Muppets. Christ.

[bluecatwriter]

⭐ Step into the Light, which deserves way more attention

Thanks so much for the ask! This is one of my fics I'm most proud of. :)

The fic in question: "Some scenes from Quincey Morris's and Jonathan Harker's complicated relationship, from their time in Varna to the end of the novel, told through their alternating points of view."

Spoilers ahead…

-I know that, like most of my fics, this one was inspired by a Tumblr discussion, but I can't remember who started it or exactly what it was about, other than something about being able to surmise a very interesting relationship between Quincey and Jonathan near the end of the book, culminating with Quincey dying in Jonathan's arms. There was just a lot to explore there, and the idea of doing a back-and-forth perspective switch came to mind.

-Figuring out which beats of the story would be from which perspective was a little tricky; this was one of the few fics where I created a rough outline, and some of the perspectives got shuffled one to the other in order to keep them alternating.

-I usually write in third person, but the idea of using first/second person, with Quincey and Jonathan referring to each other as "you" in their respective scenes, got stuck in my head. It gave the story such an interesting intimacy to it, showing how these events are causing their worlds to sort of revolve around each other. To lend a greater sense of immediacy, I made it present tense instead of my usual past tense.

-Writing Jonathan's scenes came fairly naturally, since I've written a lot from his perspective (albeit in third person) and my third-person voice for him isn't that different from his first-person speaking voice. 

-Quincey's scenes were much more of a challenge; I ended up drafting them in my "normal" narrative voice and then went back later to rewrite nearly every sentence, taking into consideration his speaking patterns. Although I don't know anyone from Texas very well, I drew a lot from my extended family who live in the South, trying to capture the vivid phrasing and storytelling sensibility that goes into a lot of their speech. 

-I always have a hard time coming up with titles (which is why half my fics are named things like "Two Men Talking" LOL). But I was pleased with the title from this one, alluding to the lines: "I feel you staring at us like a coyote outside the light of a campfire ring…I wish I could grab your hand the way you grabbed mine just days ago. Draw you into this ring of light, hold your hand till you know you're safe."

-I decided that I wasn't going to explicitly say whose perspective we were in during any given scene, relying on the line breaks and the different in dialect to get it across. I think I succeeded.

-My preferred headcanon of Jonathan during this time is actually a lot less bitter and standoffish, but it was interesting to explore this version of him in this fic. He's running on pure animal instinct at this point, and Quincey is (wisely) treating him as such.

-I got a bit obsessed with the dynamic of Quincey being fully aware that Jonathan would kill him if he ever tried to stake vampire Mina— and him being cool with that. They've each made their promises, and it's Quincey's job to make sure that this clash never has to happen (but to accept the consequences if it does).

-I had to throw in a lil Quincey pining over Jonathan (and vice versa) because I am a big sucker for Yeehawrker. :D

-I am still very happy with the lines, "You'd look good spattered in the blood of a fresh kill. You'd still look good, even if the blood was mine." (Foreshadowing babey)

-Had to let Jonathan have a good cry! I thought this was an important moment, too, because Jonathan being able to not only break down in front of Quincey, but accept his comfort, was a big turning point for the two of them. Live in the moment, Jonno. You got this.

-Originally Quincey's death scene was from Jonathan's perspective, which makes more sense than writing from a guy who's dead, but I actually really like that my back-and-forth formula ended with Quincey's view of his own death; I think it gives the scene an eerie, almost dreamlike feel, and nicely bookends the whole fic through Quincey's eyes. (Present tense to the rescue, too.)

-I decided to draw out Quincey's monologue a bit more, and give Jonathan a couple words, as well as tying back in the imagery of Jonathan covered in Quincey's blood. And of course, we gotta have the final image of Jonathan (metaphorically stepping) into the light, smiling in the light of the sunset. It was a nice image to end with.

I'm enjoying these Director's Commentaries a bit too much! ;) Thanks again for asking!

(Ask game here)

[vulturereyy]

Lurimol time baybeee!!! How do Lurien and Hegemol deal with the beetle breeding season, where stag beetles are essentially filled with the 'I must flip others at all costs' instinct? Ik Heg is a big softie, but if Lurien uses damselfly courting methods, I wonder how Heg might show off how big beetles show they're prime stock

Lurimol time !!! Thank you.... This one got a bit away from me eheheh so I'm sorry it's a bit long.

Hegemol is the biggest softie and is also the world's most repressed idiot, a deadly combination ashtrh. He's very, very happy and truly honored that Lurien invites him to learn damselfly dances, but... hoogh. He was able to repress the urges before and just keep himself rather set away from others when it was Time To Fling, but now that he has an actual person of his desires, and a 'potential partner' he wants to show off to... that's getting a little harder.

He may start trying to invite Lurien to come watch him spar with his other knights, who are all partially confused when The Watcher shows up and just. Does as he does (watches). But when hegemol flips Ogrim, something he really doesn't do, I think it would finally click for Ogrim what's happening as the other beetle in the group ashffh. [SpongeBobgrin.png "You like Lurien, don't you Hegemol.]

I think this would culminate in Hegemol entering and inviting Lurien to a knightly tournament that's being held for the masses, something he's explicitly expressed disinterest in before ("Ah, I'm too old for those games" or "I've no need to win adoration" etc). And coupled with a poster of a beetle hunk as part of the advertising it finally FINALLY clicks for Lurien what is Happening.

And Lurien bless his heart tries to. Help? By saying "You don't need to win my affections this way, you know. I don't even have a preference for strength." Which is intended well but makes Hegemol [deflating balloon noises] internally because sorry Lurien his mind is still in flinging mode and takes that to mean he's not the strongest and may in fact be a pity pick.

Anyway Aedmond the butler comes to the rescue that night while making Lurien his tea and explain that he just accidentally turned down Hegemol's courtship advances, and that the *ritual* of it all is very important. And Lurien's single braincell devoted to social things is like OH.................. thank you Aedmond this is why I hired you above all others.

So he still goes to the tourney and Hegemol immediately perks up upon seeing him from the ring like a goddamn golden retriever of a man and starts fuckin beetle brawling with the utmost intensity. And with every fling he glances up at Lurien in his secluded box seat (with Aedmond) and Lurien makes sure to always appear leaning forward maybe with a hand on his heart or something akin to a taken aback swoon, even if he wouldn't normally.

Hegemol ends up getting into the final match against his own first squire, Gytha, who is my huge Trans Hercules Beetle and she's definitely here to get some bitches. She and Hegemol normally brawl whenever they see each other, it's their tradition, but *normally* Gytha wins. She's younger, more spry, and as his squire knows a lot of his weak points as he's the one that trained her, and she's since developed her own fighting style and methods once she was knighted. She also has the huge Hercules Beetle horns that make it easier for her to grab and fling even huge bugs like Heg. (She is also, notably, the only non-enemy bug Hegemol will ever use his full strength against, because he knows she can take it.)

Their match may even go longer than the preliminaries because when Hegemol actually cares about what losing means (it means nothing to Lurien but yknow, Fling Brain in full swing here), he doesn't just give up on the first grab from Gytha. He squeezes his hands into her horns right before she flips him and wrenches them off of him, he traps her neck between his horns in a move that she's barely able to get out of, all sorts of shit that has the crowd going wild and Lurien now *fully* invested because I don't think he's ever seen Hegemol really display his strength like this. And Aedmond sits there like :> (sipping his drink) because oops my lord has actually fallen for the beetle courtship for real. What a shame, what a shame.

Gytha and Hegemol get to the point where they're both shaking from exhaustion after such a long bout, she can't even heft him to fling if she wanted to, and she's also caught on by the fact that her old mentor keeps looking up at *something* that he, for once, has a stake in this. She goes in for a misplaced grab that she knows will be met with resistance and all but helps to throw her weight into the hurl as Hegemol uses the last of his strength to send her skidding on her back toward the edge of the ring. She'd never tell him she did that on purpose, but also in her mind it's better to have helped her old man get some than to admit she was defeated for real (which she would have been and she knows it).

Crowd goes fucking wild, Lurien finally lets out that breath he's been holding, Aedmon sips his tea and hands Lurien a fan, Hegemol is named this year's beetle brawl champion. And all is well.

He does get a few days off after that because grandpa definitely pushed himself too far but hooogh he's the happiest bug in the world.

And after that, he doesn't super get the urge to join the brawl again once Lurien and he are rather committed to each other. He does still get cycles, but the desire to "prove himself" as a mate fades significantly. He may still toss Ogrim if Lurien happens to be watching, but he's content to know he 'won' his spot at Lurien's side.

[therealbadegg]

ooc/hi, I'm 'you can just say war' anon, I see someone explained some stuff to you, but I'd like to clarify myself. I am not trying to hate on you or bully you or drag out drama, I'd just like to clarify my opinion.first of all, "I don't know if you've ever experienced war in your country" I have, I do right now, I am ukrainian and I say all that from that perspective."it would be really shitty of me to use this situation as a way to further Misha's backstory" I agree that you have the right to not bring up war in your rp, that's fine, but you already do, the only difference is that you're not making it clear which is worse than 'namedropping war' you said it yourself you just don't *explicitly state that the war is happening* also, this is characterization question, but why wouldn't misha want to bring up war. as you said, he has a deep love for his home country. and it's exactly why he would talk about the war. we're talking about Misha "So thank you Canada for killing my mother🖕(talking about chornobyl)" Bachynskyi? Misha "vladimir putin can eat the bag of dicks" Bachynskyi? every ukrainian I know would scream about the war any chance we've got, because it's personal to all of us, "y'know.. stuff" is *less* personal. ukrainians want to not be forgotten and you have no idea how happy I am when, for example, in rtc rps someone acknowledges the war because that means that we're seen. also, I can't at all understand your "if I were roleplaying as a russian" comment, can you explain what you meant?

Hi. I really am sorry for my response, I know I’ve said this before, but I didn’t understand why it was insensitive for me to not mention the war. Thank you so much for explaining your ask further.

Honestly, I can’t fully remember what my thought process was when I put those words, I believe it was something along the lines of “if I were roleplaying as someone on the other side of the war, would I want to portray their character as someone who talks about the war in a positive way or prefer to not mention it.” Looking back on it, that was a really weird conclusion to draw. It was also quite stereotypical of me. I’m aware that as individuals, not all Russian people agree with the war occurring right now. It also didn’t help my case anyways, which was dumb.

In reference to the characterisation, I genuinely did not remember that Putin quote. But yeah, Misha would probably be angry as hell about the war. I’m not entirely confident when portraying characters of different cultures than mine, which is a mistake on my end, and I was basing my words more on how I would behave in that situation. I was trying my best to respond in character as Misha based on my limited knowledge on the war at the time, which was quite thoughtless of me to do at the time as well as double down by defending it in my response.

While I can’t take back my words, I do understand that the circumstances are different for us, since I am not Ukrainian, and my perspective on the war is very different from a Ukrainian’s. Again, I apologise for misrepresenting your culture, especially with something as serious as the war, and I am very thankful that you explained your reasoning, rather than being more aggressive in your response like I was.

[castielsfeatheredballs]

Something I don't see very often in this fandom is a comparison of deancas to deanjo, which is a pity in my opinion, because I think deanjo is actually the most similar relationship Dean has to the one with Cas. It also imho sheds some light on one of thee destiel Problems, which is the Closet Problem.

Now, I only just named it that, but if you are in the destiel fandom you might understand what I mean by that. It's the fact that Dean is not explicitly, verbally out as a queer man and so much of his relationship with Cas is influenced by this fact. People disagree on what Dean's closet looks like, if he's totally repressed an unaware, if he knows and doesn't act on it, if he knows, acts on it but keeps it secret, if he's okay-ish with people knowing but prefers to keep it low-key. Whichever it is, it means that from Dean's end the fact that he never acknowledged that what he had with Cas might be more than a platonic friendship. It follows that a very predominant fandom interpretation is that the only thing standing in the way of destiel from Dean's side is him being in the closet. Like if Dean came out then he would be ready and willing to get into a romantic relationship with Cas.

Now, I'm not saying this is wrong, but I think this take overshadows the fact that Dean has Issues with relationships in general that go beyond the gender of people involved. That's very evident looking at his romantic history with women. Some people interpret this as evidence for Dean being gay, which is fair, but I find it more compelling to interpret Dean as bisexual and just a relationship disaster in general. Which is where Jo comes in.

The thing is, what usually stands between Dean and a successful love life, what Dean himself would say is the problem in his relationships, is hunting. Hunting is what turned Cassie off him, what put Lisa and Ben in danger enough that Lisa had to break things off. That is also ostensibly the reason why Dean doesn't bother trying for something long-term with most of the women he gets with, because hunting life doesn't leave room for love blah blah blah. Jo is actually the first person he meets that challenges that notion, because Jo is also in the life. She's not just in the know, on the sidelines like Cassie and later Lisa, she actively wants to be a hunter. Which means that Dean's excuse is not applicable here. They have mutual attraction an feelings, and in the beginning of their acquaintance Jo seems like she would be down to date Dean. However, he closes himself off. He's the one who keeps them in a weird limbo where they are friends with insane chemistry they never act upon... this sounds familiar, doesn't it.

The thing is, Dean, despite clearly yearning for a meaningful romantic connection, is very very afraid of actually having one. He has big issues with self-worth, for one, and I think because of his childhood he feels like he has to prioritize his original family--Sam--over everybody else. I don't think it's a coincidence that the only two times we see him actually trying for a relationship is when Sam is out of his life. He falls in love with Cassie when Sam is at Stanford and cut off all contact, and he goes back to Lisa when Sam is dead and he has no one else. Soon as Sam's back in his life, Dean seems like he has to preserve the family unit at all costs, and that is why he never allows himself to be with someone else in a meaningful way. I think the relationship he had with Jo tells us a lot about how he is with Cas, too, regardless of the queer issue. And I'm not gonna lie, it does annoy me to no end when people try to idk, sanitize deanjo, saying he never ever saw her as anything more than a sister, because to me it's very evident that the reason they vere never together is not because he lacked interest, but because Dean never could allow himself a chance at happiness.

[melody-hxh-spamblog]

Sometimes I remember Melody was willing to give up her hearing ability to restore her body* and... not gonna lie, I hope she ends up changing her mind about that

(*this line sounds like it could also just mean "I wish none of this ever happened" vs. "I'd actually trade this ability to get my old body back," but the 2011 anime('s translation) explicitly mentions restoring her body no matter what it takes, so I'm inclined to think it's more literal)

Part of me does want her to get her old appearance back, if only because a) I'm curious to see it and b) those teeth must be a pain in the butt lol, especially for a musician - seems like she's managing with the flute somehow though

But also, considering we already have Bisky, who put a lot of effort into looking more conventionally attractive and cute to the point of suppressing some of her strength, I think it'd be nice to have Melody instead become comfortable with her new appearance to the point where she would choose to keep it along with the cool new power

(veering into wild speculation territory here, but the combination of hamsterifying her appearance while granting her an ability that lets her "see under the surface" and read people's emotions is an interesting one. Makes me wonder if she could have been a bit more shallow about looks before, and the sonata was kind of a Learning Moment? Though on the other hand, the leap from "having super good hearing" to "learning how to infer people's emotional states from their heartbeats" doesn't feel like something that necessarily Just Happens - seems like a very personal take on the ability, so maybe she was already quite an empathetic person beforehand)

(a little more half-coherent rambling about Melody, Bisky, & appearances under the cut because this post got long)

I do kind of wonder if Bisky's arc could also be headed in the direction of getting more comfortable with her buff looks (hi Vergei)... Originally I was going to say something like, Bisky's desire to look a certain way feels like an internally-motivated personal choice (which is fine - if she does it just because it makes her happy, then there's no real need to change), while Melody's feels motivated by external factors (so imo it'd be nice to see her overcome that and be more comfortable with herself).

But I'm actually not sure if that's true? We know Bisky hates her muscular body and Melody wants her old body back, but I don't think it's really clear for either of them whether that comes from insecurity, or simply from preferring a particular look (in Melody's case, the way she used to be before something horrible happened to her, which is totally understandable).

But while Bisky seems very confident and self-assured (with good reason), and I don't suuuper get the vibe that her decades-in-the-making choice of appearance is going to be undone by one very fervent simp lol, we did also see how she totally latched on to Kurapika's flattery, so. maybe needing external validation is more of a factor than it seems for her?

(and maybe that's a bit of a moot point anyway - I think external pressures can get pretty closely bound up together with one's own personal desire to look a certain way, something something We Live In A Society)

So maybe Bisky's actually the one who should embrace her true form, while Melody restores her body as a way of healing from the terrible thing that happened to her? Ooor maybe we get buff Bisky and keep hamster Melody and everyone is winning \o/

[starlit-lion]

I posted 7,008 times in 2022

That's 89 more posts than 2021!

7 posts created (0%)

7,001 posts reblogged (100%)

Blogs I reblogged the most:

@docxie

@stampothy

@pikablob

@winter-changeling

@sharkiethedork

I tagged 216 of my posts in 2022

#ellywick - 56 posts

#bellona - 47 posts

#spoilers - 8 posts

#lion's posts - 6 posts

#noel - 6 posts

#lion's art - 5 posts

#artificer alchemist - 3 posts

#dnd oc - 3 posts

#kid cosmic - 3 posts

#amphibia - 2 posts

Longest Tag: 140 characters

#and i'm gonna try to play that as this thing where its just. hard to tell her no. she helped you out and shined your shoes right off the bat

My Top Posts in 2022:

#5

Any OC stuff you wanna share right now? 👀👀👀

I was thinking about something about Ellywick I wanted to ramble about a while back ^^; But one thing about her that never really got stated explicitly or explored in a significant way is that Ellywick is like mildly... Whatever the exact opposite of claustrophobic would be. Aka, she’s uncomfortable in spaces that are too open (the term might be Agoraphobia but I think there's a lot of other fears tied into that too? I'd have to do more research). Being a rock gnome, she grew up in burrows that were sized appropriately for gnomes, and even at the university she attended, I think it was still primarily gnomish and still in a borrow-like arrangement well within Ellywick’s comfort zone. Where the last game I played her in started, she had been messing around in Waterdeep for a while prior to the events of the campaign, so she wasn't totally unused to being in larger spaces. But I definitely had her make some quips about everything being 'too big' in the city, and act in a way really consistent with preferring darker, more enclosed spaces. Like, she would prefer to crawl under a table if the party was hanging out in a tavern for any length of time. And whenever sewer encounters came up, I always had her revel in it while the other party members complained. Because despite the smell (which let’s be honest she’s breathing in toxic Alchemical fumes all the time I wonder if she has any sense of smell at all at this point) she was actually just really happy to be underground again. She also just really consistently avoided sleeping in beds, since beds are too large for her and make her feel exposed. At the party's home base she slept under her desk (though that was also swept up in a joke about her being a workaholic). In inns and stuff if she was sharing a room with another party member and it got mentioned, I would usually say that she slept under the bed or some other piece of furniture. I even wanted her to live in the basement of the party's home base, but she ended up taking the attic and shuttering all the windows because the rest of the party wanted the basement to be a wine cellar (and then later a place to hide 500k gold pieces we stole by putting the 'heist' in Waterdeep Dragon heist lol). I worry a lot things got dismissed as ‘just Elly being wacky again!!’ but I actually do have a consistent logic to a lot of her actions when I play her :p

5 notes - Posted January 27, 2022

#4

A weird little alchemist with her weird little lab assistant

8 notes - Posted May 21, 2022

#3

Fanart of Percy de Rolo from @pikablob‘s crossover AU and fic The Coldest Equation! I had a lot of fun helping with this design and drawing it! :D

8 notes - Posted April 19, 2022

#2

Ellywick ‘Asbestos’ Wormwise, Gnome Alchemist

8 notes - Posted February 24, 2022

My #1 post of 2022

My Alchemist’s Homunculus Servant. His name is Silly :)

23 notes - Posted May 21, 2022

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