#like i like what i'm doing but i also really hate what i'm doing because this also requires stuff from me that i am simply not good at

[meo-eiru]

Since I'm busy working on a valentines day drawing I thought we could do something different until I'm done with that. Trivia night! I'll be writing what's basically a compilation of fun facts we've already established or haven't learned yet. We will also learn more about their backstories.

For tonight we have Silas

Silas has a mom and dad but isn't close with neither of them

As a child he was quite needy compared to other elven kids

Elves almost never stray too far away from the elven village but Silas liked to play in the depths of the forest

He learned about humans from a story book he found while playing in the forest

He was amazed by the colorful imagery and the familial relationship depicted in the book and wanted to have the same, which kickstarted his human hyperfixation

He's currently the most knowledgeable elf in humans within the village

His house is located quite far away from the village, he can still reach there by walking but it's not somewhere where the other elves can just stumble upon

He likes sweet things like fruits or honey but dislikes the taste of meat so doesn't feed it to you much as well

He, just like the other elves, while natural with most other living things, hates all demonic creatures

He's very nice and sweet with you but wouldn't glance twice at other forest creatures and is actively hostile towards demons

Of course he would never let you see him make that kind of face

He thought of using magic to make you live as long as he does but it feels like tempering with your humanity so if you die he's planning to die with you

He's actually not that good at magic compared to other elves, he just knows the basics and relies on books for the rest

He's average height for an elf

He doesn't like leaving bite marks or hickeys on your body because it feels like dirtying your perfect form

But he really likes it when you mark his skin, whether they are hickeys or wounds

While more compassionate than other elves, Silas does have a bit of a superiority complex like them

For example, unlike other elves he does see the intelligence of humans but would still say elves are smarter

He doesn't have any ill intentions with it, to him it's just like saying a unicorn is be better than a horse

He doesn't like eating carrots because he thinks they look like elf ears

He loves learning more about you but dislikes hearing about your family

He doesn't want you to have pets, only the two of you are allowed inside his house

He does have a bathroom in his house but it's just a replica of what he saw in books and isn't actually that functional

If you want to use the bathroom for your baths instead of the river like he does, he just carries the water from the river to his house then uses magic to make it rain on you like a shower head

Even if you don't allow him inside the bathroom he still watches from the window

He has a diary where he writes everything you do in a day, from what activities you did to how many times you blink on average

If you offered to live in a human city with him he would refuse, while he likes humans you are his utmost priority and it's better for you to be inside his house away from everyone's reach

[divineturtle]

Bothers me when I'm reading a fanfic and they make Doctor Leonard "Bones" McCoy just like. A mean asshole? MY Doctor McCoy introduced Spock to baby talk. MY Doctor McCoy bounces on his toes and has a smile bright as the sun. MY Doctor McCoy knocked Kirk *and* Spock out with a hypo to sacrifice himself for them even though the aliens said he was almost for sure going to die, and the other two would probably live. MY Doctor McCoy was like, hey, sure Spock committed mutiny, but do we really gotta arrest him? Yeah he's grumpy sometimes, but have you considered the fact that he's stuck on a ship in Space with two assholes that literally never listen?

I just watched the Abraham Lincoln episode and I stg it's a miracle McCoy isn't actually a huge asshole, because wym "this planet WAS deadly but Abraham Lincoln says it's cool so we're going" "hey, don't do that, you could beam down into lava and literally DIE" "Ugh shut UP McCoy we're following Abraham Lincoln onto the Lava Planet That WAS ENTIRELY LAVA until two minutes ago" dude I'd be swinging at a mfer. Especially if I was their doctor knowing it was going to be my job to sew them back together. They're absolute menaces to him and he still loves them and is willing to die for them every other episode.

And I don't ever want to see another "ahh he hates Spock" when he so obviously does not. In the last episode, he wasn't even sure that Kirk and Janice had swapped bodies and yet again, he was ready to commit mutiny with Spock and Scotty (why does Spock love mutiny? 🤨) He does like to rib Spock and get reactions out of him, but Spock likes to do it to McCoy just as much. He's been around humans his ENTIRE life, his mom is a human, he's half human, "I have no idea what you mean, Doctor, I'm just a simple little logic machine," you cannot convince me it's not a game.

And every time I feel like McCoy is being hurtful for actually no reason, the next scene is Spock taking action because of whatever McCoy had said and allowing himself to tap into that human part of him. He has a way of speaking Spock. It's not always nice but it's a way that gets through. Do you think asking Spock to use his Vulcan powers to permanently alter his friend and captain's memory so he forgets his grief over this chick he fell desperately for and then also she died in the span of like four hours is a great idea? No, he'd probably have some moral or logical issues with that. but just speech at him about love and feelings and stuff, throw something in there about how great it'd be if he could just forget, and he'll do it himself.

ANOTHER THING. When he's an asshole, he apologizes. He's not an asshole often, but when he is, he apologizes. Leonard McCoy is a lot of things, but he's not really a dick.

I think he deserves to be represented for the guy he is. He has SO many nice and good moments, he's just subtle about them. Remember when Kirk was like, "Bones, why didn't you tell me she was blind?" And he was like, "Idk Jim maybe because that'd be rude? Have you considered it's not your business?" REAL. Honestly, real.

This is a much longer rant than I meant for it to be and somehow I still have more I could say so imma cut myself off right here ❤️ If you read all that, thanks, you're just as weird as I am, even if you don't agree with my lil character analysis. If you didn't read all that, then you're not reading this ✨️

[theodorenmyth]

Little Loveboy

Pairings; Mattheo Riddle x GN!reader

Summary: Mattheo Riddle has been hopelessly in love with you since third year, but he refuses to admit it. He dates around, flirts with random girls, and scoffs whenever his friends bring you up—but he just can't shake his feelings. His jealousy is uncontrollable, and his friends never let him hear the end of it. Eventually, even professors start teasing him, much to his dismay.

A/n : starting from today to the 16th of February, I'm gonna make Valentine themed fanfics so no angst.

Warnings ; none

Word count ; 900+

Mattheo Riddle was, as Theodore put it, fucking doomed.

He had been doomed since third year, when he first saw you absolutely wreck the entire class during a debate with Snape about the properties of Amortentia. The way your eyes gleamed with passion, the way you sat so effortlessly confident, the way you were just so fucking smart—it made his heart do something weird. Like it wanted to jump out of his chest and roll across the floor.

And that? That wasn’t normal.

So, obviously, he did the only logical thing—he ignored it. For years.

Instead of admitting that he found you painfully attractive, he spent his time flirting with girls, dating left and right, pretending like he wasn’t being driven up the wall whenever you smiled at someone else.

But the problem with having a hopelessly obvious crush was that Mattheo’s friends were absolute menaces.

“You’re staring again, Little Loveboy,” Pansy sang, flicking his forehead.

“I’m not staring,” Mattheo grumbled, leaning back in his chair, definitely not still looking at you.

“Right,” Blaise drawled, looking over at where you were sitting by the window, absorbed in a book. “That’s why you’ve been looking at Y/N for the past—what? Fifteen minutes?”

“I don’t like him,” Mattheo snapped, but the moment he said it, he glanced at you again.

And just like that, Theodore fucking grinned.

“Oh, mate,” Theo laughed, shaking his head. “You are so gone.”

Draco, sitting beside him, smirked. “It’s honestly embarrassing at this point.”

“You know what’s embarrassing?” Mattheo scoffed. “The fact that you all have nothing better to do than bother me.”

“You make it too easy,” Lorenzo snickered. “Little Loveboy.”

“I will throw you out the fucking window.”

And then, as if the universe hated Mattheo, you looked up from your book. Your eyes met his for half a second, and you smiled at him—a simple, small thing, but oh my fucking God.

Mattheo nearly choked on his own tongue.

His friends exploded into laughter.

“Oh, he’s red!” Pansy gasped. “He’s actually blushing!”

“Shut the fuck up,” Mattheo hissed, yanking his hood over his face.

But the teasing didn’t stop there.

No, it got worse.

Because apparently, his suffering was entertainment to not only his friends, but also his professors.

During one particularly terrible Potions class, Mattheo had spent a good portion of the lesson staring at you. Not that he noticed. It just kept happening..

And Snape, ever the observant bastard, took full advantage of this.

“Mr. Riddle,” Snape drawled, interrupting the entire class, “perhaps you would find this lesson more engaging if you spent less time gazing longingly at Mr. Y/L/N and more time focusing on the assignment?”

The entire class turned to look at him.

Mattheo’s jaw dropped.

Even you looked over, blinking in surprise.

“Oh, fuck me,” Mattheo muttered under his breath as his friends burst out laughing.

“Bloody hell,” Draco wheezed, gripping the edge of the table. “Even Snape’s in on it.”

“I hate all of you,” Mattheo gritted out, slamming his book shut.

Snape smirked. “Detention, Riddle.”

Mattheo groaned.

But it didn’t stop there.

Because McGonagall got involved too.

During Transfiguration, Mattheo had, once again, found himself subconsciously staring at you instead of his assignment.

He was trying—he really was—but you had this habit of biting your lip when you were focused, and it was distracting as fuck.

“Mr. Riddle,” McGonagall said, sighing dramatically, “if you’re quite done swooning over Mr. Y/L/N, perhaps you’d like to contribute to the class?”

The Gryffindors howled with laughter.

Mattheo buried his face in his hands. “I’m actually going to die.”

And, of course, the final nail in the coffin was Hagrid.

It was during Care of Magical Creatures. You were partnered with some random Ravenclaw��too close, too friendly, and Mattheo hated it.

He stood there, arms crossed, glowering at the poor guy.

“Merlin, that’s a death stare if I’ve ever seen one,” Theo muttered.

And then, loudly, Hagrid chuckled, “Oh, don’t be jealous, Mattheo, ‘s not like Y/N’s runnin’ off to marry ‘im.”

You turned to look at Mattheo.

Mattheo, absolutely horrified, turned and ran into the fucking woods.

──── ୨୧ ──────── ୨୧ ────

After that, Mattheo’s denial crumbled like a cheap pastry.

He liked you. He liked you so much it physically hurt.

And after weeks of torment, he finally decided—fuck it.

So, he found you sitting by the Black Lake one afternoon, reading as always, and he sat down beside you.

You glanced up, surprised. “Hey, Mattheo.”

Mattheo almost short-circuited.

Your voice. Your fucking voice.

“Hey,” he muttered, trying to act casual, even though his entire body was buzzing with nerves. “So. Uh. I—uh.”

You raised an eyebrow, amused. “You okay?”

Mattheo exhaled sharply. Just do it, Riddle.

“I like you, okay?” he blurted out.

You blinked. “You—what?”

Mattheo groaned. “I like you. I’ve liked you since third year. I tried to ignore it, but—Merlin, you’re just so fucking cute and smart and perfect and I can’t stop thinking about you.”

Your face slowly turned red.

“Oh,” you said.

Mattheo stared at you, heart pounding. “Oh?”

And then, after several painfully long seconds, you smiled.

Smiled.

“That’s funny,” you murmured, “because I’ve liked you since third year, too.”

Mattheo’s brain broke.

“…You’re kidding.”

You shook your head, biting your lip to suppress a laugh.

And then, without thinking, Mattheo grabbed your face and kissed you.

The moment your lips met, his entire world tilted.

You kissed him back, smiling against his lips, and everything felt right.

When you finally pulled away, Mattheo was breathless, staring at you like you hung the bloody moon.

“Little Loveboy,” you teased.

Mattheo groaned. “Not you, too.”

You just laughed, leaning your head against his shoulder.

And for once, Mattheo didn’t deny it.

[essektheylyss]

idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry

I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.

There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.

First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, and in particular the tension between the outcomes of his poor choices and the better—potentially even good!—person he is trying to be as a result of the Nein's influence, which does strengthen his arc in its own right.

This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.

So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.

I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.

Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.

At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.

I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when new developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.

Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.

This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.

And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.

[bladeafterdark]

You asked I'll deliver a lot of this is gonna be what I wish I had and what I'm hoping for in the future but I am actively working on it now too

Im aromantic but not romance repulsed I wanna have someone (or someones cause I'm also Poly) who I cuddle with who I do kink with platonically who I put before most people simply because we're very close because we're really really good friends and I love them in a queer platonic manner But when I say queer platonic i dont mean a monogamous vanilla relationship (no hate to those that do) I mean Poly I mean Kinky and weird I mean is this a friendship? and most people would tell you no because it's too close to be "Just friends" The societal expectations around "just friends" and the idea of that is so belittling to the way that I love people. if I get to know you and get connected to you it's going to be a queer platonic relationship! I can't just platonically love somebody but I am in no way romantically loving somebody either it's a beautiful mash of the two and something else I cant even explain but I'll try. I'm still going to want to know your medical history to keep you safe know where your spoons are in your kitchen know how to feed your pets and and clean your house sometimes when I'm over because I know where everything is and I know that you're having a rough day and I love you you're my friend that's just what I do I had a friendship that had these elements in it and these 2 were together and neither of them liked mustard but I hung out with them so frequently and was such a good friend with them that they kept mustard in their refrigerator FOR me

I tried to explain it but I don't think either of them ever really understood how much that IS love to me that is the closest I ever want to get to romantic love

And so when we weren't friends anymore even though things had only ever been platonic and then my queer version of platonic it has felt like a breakup

And on the Ace part kink is sex to me genitals don't have to mash for that to be a thing but I would still do that too not because I am feeling sexual attraction but because it's a thing that I think could be fun to do with a person occasionally and or because they would like to not because I'm feeling the attraction about it so as far as I concerned I'm still Ace anyway I hope this is what you meant and I hope this helped but I promise you OP people are out here doing it like that it's fun

Im sorry but being aromantic and/or asexual is such a beautiful, complex identity that opens up almost endless possibilities and interpretations about sex and romance and relationships and struggles within those,

and i will always absolutely LOATHE how both the outside and the aro/ace community itself have boiled these identities down to just "doesnt have sex" and "doesnt date"

[anomaliex]

Collection of headcanons not elaborate enough for own word vomit post:

- I don't think Kristen can swim. She has the vibes of someone who never learned as a kid and now it's too late to bring up without being embarrassed. (Also I thought about what would happen if she fell in water — mechanically she's wearing heavy armor, would Brennan just let her swim since she's in universe only in a tracksuit or would she sink without a sufficient strength check? Idk, but that's how I got to the no swimming conclusion.)

- insanely weird hc to have but i think Fabian shaves his arm hair. Also like legs and arm pits i guess but the way more unusual and therefore notable thing is arms. This guy kills any body and facial hair on sight. Like no one has ever seen him with as much as stubble outside of Cathilda or the Bad Kids when they were sleeping over. Why? Idk he just prefers that, no deeper reason. I do think elves generally have less body hair but here his human genes come through so he has to shave. Or get it lasered away I guess. You can do that right?? He's rich. Maybe he'd do it.

- also Fabian's depth perception is dog shit. Using his crossbow is less impressive because Fandrangor is simply a better weapon and his flourishes and manoeuvres rely on melee combat, I know, but to me it's also just that he's better at hitting things real close to him.

- Riz is the kinda guy to have chronic migraines and think it's fine. "Everyone has headaches sometimes and I do sleep a lot less than I should ahaha" (the amount of coffee he drinks is barely saving him from the horrors.)

- Adaine also gets a lot of migraines in what I think are more. Passive non specific visions? Like a gut feeling that's always correct and also makes her body hate her. The proper visions are comparable to absence seizures I think? Like I don't wanna say it's that because it's magic but the process is kind of the same in the sense that she's out for like ten to thirty seconds and it can really suck

- I also think Adaine has synaesthesia! I can't really put this into words well so I'm not even gonna try, but she perceives certain sounds and/or colours at times where there shouldn't be sounds and/or colours. I think those associations also to an extend help in drawing connections between less specific visions and real life.

- we know Gorgug has a drumset in his room I think it's electronic. But like not in a normal way like we have them irl it's some insane artificer shit that would justify so much more noise complaints than a regular one and also could probably have its own pyrotechnics idfk. It's fully a safety hazard but it doesn't even rank on the top 10 of worst things to have in your house that is a TREE that the Thistlesprings casually own.

- I think either Fig or Kristen would be the shortest medium creature type Bad Kid. Like obviously Riz is four feet tall max but he's in a whole different category lmao

- Fig sometimes puts little braids in Jawbone's fur and he happily lets her. He only properly adopted Adaine and Fig has more than enough dads, but he does still act as sort of a paternal figure to her (and every other kid ((which in this case includes Ragh but maybe not Aelwyn)) in mordred manor because he's just a caring guy and it's hard not to grow attached) so that's their pseudo daddy-daughter bonding

- Fabian doesn't like, hate Gilear as much as he used to? Like he still has his moments but overall he thinks he's a good guy and absolutely has the "well I can shit on him but I'm gonna kill this other guy who did. How dare you make fun of my Mama's beloved??" mindset. But uhm he tries to make Gilear work out with him so he can "stop being death fodder". Gilear is a commoner and everyone else in Seacaster Manor absolutely is not and like he likes it and he loves these people but he does kind of live in hell. His wife? Could kill him. His step son? Could kill him. The maid? Could kill him. The dog slash motor cycle?? Could kill him. One hit. Also the entire current Seacaster household are dexterity based fighters they're all so graceful and skilled he's fully just a guy that spills every drink ever on himself

- I think the Hangman loves Cathilda because she gives good chin scritchies (hound form obviously lol) Generally he tends to mirror Fabian's attitude towards people anyway so he's always liked her, but once he started being a hound more she started petting him and giving him treats and he is smitten

- Gorgug (and sometimes Ragh or Ayda) play extreme fetch with the Hangman. Like I need to stress that he's not just a big dog he's large enough to be a mount, which means he'd have to be the size of a horse. Maybe a small horse sure but that's still a horse-sized dog. I think his mini looks fairly big but in my heart he's bigger. So yeah fetch with him (which they mainly do because they want him to feel comfortable in both forms because he's so good) is really big sticks. Like not logs or anything but sticks the average person can't huck all that far. Fabian casts enhance ability on himself so he can also do it, lol. The wonders of multiclassing into bard.

- I think the only Bad Kids who never use makeup are Riz and Kristen. Gorgug doesn't do it every day and not that much but he uses eyeliner sometimes. Fig's makeup is the most noticeable and usually very fun.

- Gorgug has kissed Ragh at least twice. So at least one time after the prom thing. I don't mean this in a ship way I mean this in I look at Gorgug and then I look at Ragh and I go yeah these guys have shared at least one tender bro kiss. I mean I think Gorgug is the kinda guy that would kiss all of his friends if they wanted to because it's not that big of a deal to him and he loves them but not everyone is comfortable w/ that lol. He and Kristen kiss each other on the cheek though, I think (this does not mean he wants to see her naked in public please put your clothes back on Kristen??)

[earlysunshines]

secret rhymes - 44. ???

a/n: written part seems a bit short but shits gonna be brewing (i think) also the last name for lauren rhymes with the last name of an evil man i know so like. shit i just make up ppl based on my Enemies omfg…

you shouldn’t be doing this. you should be on your way to hybe right now to tell hanni that yujin solved her “problem” with her girlfriend. you shouldn’t have lied in the first place, really.

still, you’re out your dorm with something slightly presentable because you can’t show up looking like a bum to see the girl who dumped you over a year ago.

fuck. you think as you walk toward the cafe. fuck.

there's a growing worry about whether or not you'll be caught out with her, knowing that there's a bit of attention on you due to your popularity. it doesn't matter, you tell yourself, it'll be over quickly.

you walk in and the cafe is quiet other than the clinks of cups, conversation, and buzz of the espresso machine. scanning the room, there's a familiar figure that sits in the more secluded corner. you order a latte in hopes that it'll give you some good luck.

when the time hits 3:05, you sit in front of lauren, catching her by surprise. she looks more mature now, prettier (as much as you hate to admit), but there's a familiarity that weighs the air with too much left unsaid. you don't let any of it bother you, not yet.

"you look good," she says first, tucking a loose strand of hair behind her ear.

you exhale slowly, offering a polite nod. "thanks."

she hesitates for a moment, fingers tapping against the table before she speaks again. "I missed you."

you grimace. the words hang between you, waiting for something—acknowledgment, maybe. but you only lift your cup to your lips, taking a sip before setting it back down.

"how are you and your boyfriend?" you ask, voice even.

she lets out a soft laugh, shaking her head. "still together."

of course. you nod again, as if it doesn't matter—because it doesn't.

"what do you want? and why are you in seoul?" you ask, tone vicious.

she traces her nail along the rim of her glass. "for work. i do modeling on the side."

the irony hits you, and before you can stop yourself, you let out a laugh.

"what?" she asks, tilting her head.

"that's so fucking ironic. you bashed me for doing music and now you're a model. are you playing with me?" you respond, though it 's not hard to believe that she is a model; she's pretty, it's not hard to see that. hating her guts doesn't erase that either.

she smiles, that same practiced, self-assured curve of her lips. "it's different. modeling is just a side thing for me. I'm still focused on my degree and getting a stable job. you know, something secure." she takes a sip of her drink, keeping eye contact.

it's backhanded, but you don't react. you simply nod.

"right." you say, your tone light.

you don't owe her anything—not a reaction, and definitely not an explanation. whatever this meeting was supposed to be, it's clear now that it isn't for closure. maybe just curiosity on her end. for you? it's just a reminder that some things are better left in the past; you should've seen hanni instead.

lauren places her chin on her palm, giving you the same look that she'd give you before a kiss or something more. you feel your heart sink and there's a strange, uncomfortable churn in your stomach.

"you look really good after all this time. all that fame did you good." she says, smirking. "it's no wonder I spent all that time with you. i really do miss it."

you freeze, unsure of how to respond.

she chuckles and reaches over, tucking a piece of hair behind your ears before sliding her finger down your cheek.

"you're lucky, you know?" she continues, "i can't believe you made it this far. maybe I should've reconsidered."

you scoff. "don't you have a boyfriend? stop acting like this."

"i always liked to tease." she grins, not fighting back when you put your hand on hers to aggressively push it back. "your reactions were always great—cute."

what are you still here for? you groan at her response, narrowing your eyes at her. she seems to be scanning you, looking for every emotion you feel through your eyes and twitch of your features. it's scrutinizing, and it urges you to bring the meeting to a close.

"i don't know what you wanted, or what you gained from this," you begin, standing up. "but if it was to make me feel bad again, then fuck you. and if you really thought you could coax me back into your life—you're a fucking idiot. i honestly don't want to hear from you again, don't contact me or anything."

her reaction consists of a mere chuckle, plus a shit-eating grin. you bite down on your back teeth and scoff again at her before leaving. you've never had a more confusing—and frustrating—interaction with her. what was the point? for her to bash you discretely? you tell yourself not to get worked up by it, but it made your blood boil.

—

masterlist ; previous - next

taglist ! @namojoon @ly-gushka @layonaiguess @artrizzler19 @yerimbrit @sixflame438 @nwjnsloona @saysirhc @nimnia @somedaydream @trovao-penguins @modanisgf @c-yerim @starstruckgoateepuppy @tzuyusdoughnut @kaypanaq @peranoo @haerinkisser @electronicluminarycoffee @yoohtonyy @secretcessy @keiji-jin @awkwardtoafault @syronns @linnnsworld @inybits @ynwrites

[hawkins-batman]

I've gotten some asks about Millie Bobbie Brown lately, so I just want to make one blog addressing them all. Chiefly to say that I will not be participating in any Millie Bobby Brown slander.

Firstly, while I do follow along with her social media(s), I don't follow very closely along with what she's doing outside of that. So, I'm not the most informed on her doings. I also just don't put a lot of stock in rumors unless they come from someone I really, really trust.

More importantly, though, I want you to look at this:

This is the current viral tweet going around about Millie.

Lots of fans were pissed that she sat down for her photoshoots and didn't stand up or touch the fans. There are a LOT of vile comments, retweets, and engagement in general with this post in particular, but...

The fan said Millie was sweet to her, hugged her, and signed her wheelchair.

79,000 likes. 2.6K retweets. Hating on Millie over a lie that someone who didn't like her made up because they didn't like her. And people ate that shit up.

Guys, I don't know Millie. I certainly don't follow her as much as I do Noah. But I think we need to be conscious of the fact that this is a woman who has been objectified and treated horridly by the public and the fandom since she was literally 12 years-old.

Let's not be the same people who are tearing Noah apart for breathing. You don't have to like Millie or be her fan. But please treat her graciously with respect and don't spread around unverified rumors or lies.

Especially if you care about Noah, because he cares about her.

[lesbianherald]

Based Jayce take tbh….also I’m gonna confess this on anon but one of my most pretentious takes when it comes to fandom is that everything would be way easier to enjoy if ppl understood story structure a little more. Like Jayce’s arc is a negative arc. He sucked on purpose! If you had bad feelings about him that was intentional and okay (I do think Jayce hate was overblown but I also get why it existed. Like the audience was just picking up on the feelings the show was putting down). But he was definitely Like That for a reason! Usually in good writing, characters are tools for the narrative first you know…you don’t need to justify his actions to like Jayce because he’s fictional and he’s not a real person youre stanning. But also fandom is for fun so I know this take is pretentious but also it’s my truth. My story structure….my characters who are intentionally challenging my theme….my character arc….

NO NO BUT YOU ARE COOKING ON EVERY LEVEL !!!!

(Note: This randomly turned into a very hasty analysis of the shots used in the bridge scene? Because I got on a tangent about how we interpret visual storytelling as well and oops!)

Story structure is so overlooked. The role characters are supposed to play in an overarching narrative is overlooked. So much gets ignored in the way information is presented both in the story structure and visually that sometimes it frightens me and it makes me really bummed! And it's nobody's fault! Most of us live in a society that devalues art and literacy on purpose!

I don't think it's pretentious to wish people better understood the building blocks of the story or at least understood how to take in general arcs. And I think if they did as a whole most fandom spaces would be a lot more interesting and have a lot less bizarre takes/infighting.

I also think that - where arcane's writing can get weird and murky - the visual language will cover it. (Almost to an extreme.)

It makes me think of one of my favorite scenes in the whole show and how misinterpreted it gets and how quick people are to defend jayce here despite how much it is playing on the themes of the show and how clearly he is painted as in the wrong both by the writing and the shots ok fuck -

I think all the time about the imbalance of power represented by that insane low angle on Jayce. You know what fuck it. I'm going to go get it. Fuck. This is about to become a whole thing. Okay.

If I brought an angle like this into a classroom setting, I would be laughed at for it being too obvious. But its one of my favorites because its so visceral. In fact, I've shown this to a lot of friends - the reaction to this shot is usually an audible "Woah!" or even nervous laughter! Because clearly! He's supposed to be intimidating here. This is supposed to be like. Oh. He is not who he used to be. Oh. Oh no. Its so co clearly a representation of power and corruption you may as well stamp it on his forehead.

He's not only Jayce here, he's a representation of piltover as a whole - in its physical and political positions over Zaun. In a position of power over someone he's close with, who just verbally told someone he would "understand." Now we are seeing that he very likely wont. (He will! But right now, we are supposed to be with Viktor in this scene. We are supposed to become convinced he won't right with him!)

Note that the angle we get for Viktor is way less extreme. Way more eye level. And less centered. I could go on about this too. But oooh boy. Like! Clearly we are supposed to be more with him in terms of who we find rational. Clearly he's the voice of reason here. We are level with him. He is at a safe distance. We are seeing how he is looking up at jayce without looking down at him.

In this shot, he is someone we as an audience are level with, who is gathering information, making a decision. He is remaining more measured than I think the audience is supposed to be given the angle we're getting on jayce.

The only time we do get the "reverse" of that Jayce shot on Viktor is when he is quite literally standing out of the frame almost immediately. Whose furious with the position Jayce is putting him in. This is Right after Jayce says, "They're dangerous." He's gathered the information he needs. He sees Jayce for what he is. Somebody he cannot trust. And he refuses to be put in this lower position.

Jayce is not supposed to be the one we are rooting for here. He is the person we are supposed to be disappointed in. We are supposed to question him here. This isn't only dramatically spelled out in the narrative but also in the shot choicesss!

And then we have the apology -

That's why i always question why people are like. Okay but he apologized. When the apology is framed like this! We don't even get to see viktor's face because the damage is done!! JAYCE ISNT EVEN LOOKING AT HIM !!!! It doesn't matter. We don't even get full access to Jayce here! What's at the center of this shot is the barricade that Jayce has ordered!!! This makes the apology, and "I've had a lot on my plate" purposefully look ridiculous in the context of the Narrative here! It's not enough!

Viktor is DYING. And jayce is standing here all prim and proper, with the Talis symbol very visible in that fuckass suit, saying he's had a lot on his plate. We're very clearly not supposed to look at this and go awww! baby boy <3. If this apology was a meaningful moment for either of them that changed either of their minds - it would not be framed like thisssss. These words are empty in the context of it all. Jayce may be genuinely sorry, but he's accidentally revealed way too much about how he views Viktor's people. Even if he didn't mean to. Even if he didn't realize how deeply his biases ran.

And then we have Viktor lying. Viktor knowing he has to go about this alone. And this is the shot. This is the moment of fracture. Viktor looking back at him in disgust with Jayce's barricade in the background. HES ALONE!! JAYCE HAS FAILED HIM !!! This is so critical in understanding Viktor's entire everything moving forward, and it's so so critical for Jayce as well.

People talk a lot about that moment where jayce has his hand on Viktor's lower back because yaoi but that screencap is so hard to get because that moment is almost immediately interrupted by a protestor from zaun throwing a Molotov cocktail in their direction! And the touch, that reluctant familiarity, despite the conflict, gets broken.

Something that I think gets overlooked is Jayce's face after the (Molotov?) gets thrown by a protestor. ITS ANOTHER LOW ANGLE LIKE!!! Once again. Highlighting the power he has here.

We see Jayce in season 1 act 1 really highlighted with a lot of high angles. A lot of doe-eyed wonder. He looks young. Sweet. This is not the same jayce and it is very very clear in the way he is shot. This is the point !!!!!.

There are a lot of scenes i see misinterpreted but this is the big one. And its one of my favorite scenes. Because he's so wrong here! And he doesn't really fully grasp how much so yet.

I love jayce. I love my complex man. Because here's the thing. He needed this low to reach the character highs he does later. Jayce being as loving and determined to make things right as he is in season 2 wouldn't be nearly as compelling or tragic or exciting were he not like this in season 1. It's brutal to watch him get punished by the narrative! But it's also narratively satisfying!

Anyways anon i agree wholeheartedly sorry i made it into a whole thing.

[l1ndseyper3z]

Gallavich headcanons cause I'm tweaking out about them

- mickey loves bands (basically confirmed in 1-07 cause of the radiohead shirt) and the first time he heard I Love You by Fontaines all he could think about was ian so that's basically their song to him

- mickey runs cold, ian runs hot

- I kinda get the vibe that after a while Terry's death actually started fucking with Mickey kinda in the way Monica's death fucked with Ian. it made mickey get kinda clingy but Ian didn't mind

- in s5 when Ian broke up with Mickey. it was 100% self destruction, he'd seen Monica and didn't want to drag Mickey into what he thought he was destined to be

- ian calls mickey baby and anyone who teases mickey about it gets threatened cause mickeys a softie who will never admit it

- although Mama Milkovich canon is unclear, I think she died somewhere in season 1 after being ill for a while. it definitely fucked with mickey and I believe that's why he ended up hooking up with ian. he thought because she was gone he had no reason to live and was just winging life. he was definitely close with her

- some songs that make them think of each other are Arms Length - Sam Fender, Open Wide - Inhaler, The Craving - Twenty One Pilots.

- they're such girl dads this is not up for discussion

- I think they end up having one kid, a girl. mandys the surrogate and she basically ends up being mickey with red hair

- mickeys a big Eminem fan cause I said so and once he has his daughter mockingbird RUINS him

- I imagine the first time Mickey held his daughter he literally just sat there for hours in awe and all the Gallaghers were just like woah ian you've managed to break mickey what the hell

- they're such good dads

- if their kid ended up with bipolar they'd deal with it so well

- honestly they're the ones most likely to break the cycle

- ian is generally clingier but mickey doesn't mind. he actually quite likes it (although he'll never admit that out loud)

- ian fell first, mickey fell infinitely harder

- mickey gets quite emotional sometimes, I mean you saw how much he cried over ian. I think finally coming to terms with all the shit he went through hit him like a truck around the time terry died

- ian is big spoon

- cause they're little domestic bitches one of their favourite things is ian reading a book while mickey naps on him or next to him and ian messes with his hair with his free hand

- people act like they don't engage in pda but they TRADEMARKED pda

- mickeys too possessive to not like pda

- mickey and debbie plus ian and mandy. lethal

- ian loves seeing mickey fit into the family. family's a massive thing for the Gallaghers so seeing mickey blend right in makes ians heart melt

- ALSO seeing mickey do anything domestic like laundry or shit makes ian horny just saying

- mickeys scent 100% grounds ian. it's what he was around at the peak of his bipolar and it brings so much comfort to him

- hence why they share clothes so much

- mickey just likes robbing all ians shit cause why not and ian loves smelling mickey

- going back to if they had a bipolar teenage daughter mickeys literally the best dad ever

- needs a day off school cause shes struggling? absolutely let me call them.

- she feels like shit? come here we'll get comfy on the couch and watch a movie

- doesn't wanna take her medication? talk to me about it, tell me why and I'll explain why you should, we can try new stuff if you need it

- mickey hated ians black hair

- after they banged in prison for the first time they were lay there and mickey just went "why u not a redhead anymore? you look like a fucking idiot"

- part of him being such a good dad is because of terry but also because he's genuinely a gentle person deep down and it just took security and comfort to bring that out. plus he wants to make his mum proud

- everytime ian sees mickey with their daughter he just like falls into a puddle on the floor

- they visit Monica's grave every year. mickey doesn't really like her but he wants to make sure ian stays connected to her

- same with mickeys mum, they visit her a lot

- everytime they go into the Kash n Grab when they're in the southside they just giggle. it's so goofy to them now

- they see Jimmy Steve's dad out somewhere one time and they're both like 😦😦😦

- they're such bad influences

- always up to some dumb shit

- basically they're all of our parents and I love my sillies

[daylighted]

Hii! I really love your stanford!dean drabbles, soooo may I request a stanford dean fic with a shy!reader?? (kinda like nerd x jock dynamic) in which dean is trying to pursue reader but reader isn't sure if he really means it bc of his personality (mostly bc he is really flirty) and all with a bit of angst but also a lot fluff ofc (sorry if it's a bit cliche I'm a whore for this trope😭😭😭)

Btw hbd!!!!💝💝💝

thank u for the happy bday omfg 😭 it's still two months away unfortunately. LMAOFIDKDJ BUT I AM PUTTING THIS IN MY BACK POCKET TO REMEMBER THAT DAY !!!

anyways ahem let me lock in.

it's not that dean didn't have game, it seemed to be that dean had too much game. you didn't like when he leaned against the doorframe you were in, posing in that way that girls liked; ankles crossed, arms crossed, head tilted down to look at you. you didn't like the arm stretch pose over the top of the doorframe either. if he wasn't so attuned to how your face lit up in a blush when he was around, he would have been convinced that you just hated doors or something.

but no, you could talk to your friends just fine, it was just─ him. which is a hard pill to swallow in of itself, but some truths just couldn't be changed.

he'd make effort too, you know. really, desperately, lay it on thick to play the nice guy, the boy next door you seemed to want. it was hard, since that was the role he'd worked so damn hard to break out of, but he'd do it. there was something about the chase that had him coming back to you, even though the game wasn't nearly as fun for you.

dean didn't think, really, was the main point. didn't think about how intense this must have been for you, didn't think about the possibility of you just ─ not liking him back? didn't think at all.

he's outside your dorm to walk you to class. a habit for him, and an irritation for you. you never could get yourself to argue with him about it, though, the words always lodged in your throat. how did you, politely, tell a football guy to get fucked? he'd take it some other way. you knew football guys, and specifically, knew this one.

dean snatches your backpack from your arms before you can shrug it on, carrying it in front of him like a little purse. maybe, you kept him around for that, too. schoolbooks were heavy, okay?

but it's the little twitch in his mouth that seems to break you. "can you just... find someone else already?" you've come to know that smile as his only preliminary warning before he says something that burns your cheeks red and almost makes you believe that this pursuit is genuine, and not just to get in your pants.

dangerous smile. those dimples could just about make anyone's panties drop ─ you'd know, you were a self proclaimed part of that statistic.

dean actually looks taken aback, slowing his steps, and you'd almost feel relieved if you didn't feel so sick that you'd hurt his feelings. and, he had your backpack, so now it was awkward. now you'd have to snatch it back before you could scramble away.

"find someone else?"

in his head, he was breaking down your walls. slowly, but surely. and here was this painstaking reminder that every wall he broke was just replaced by another.

you stare at him for a long few seconds, the halls of your building thankfully empty, except for the two of you and every question hanging in the balance.

"i don't want someone else, sweet girl," he says, his face contorted in a wince like he actually was hurt by the suggestion at all. you recoil, too, but you don't back down. quiet as hell but a viper when you had to be. backed into this conversational corner, you had to be. "hell, you think i've been chasin' you around this whole damn campus because i'm waitin' to get bored of it and start somewhere else?"

he acts like it's an unreasonable suggestion. boys like him didn't go for the girls in the bleachers. boys like him liked short skirts and pom poms. at least, that's what the movies taught you. what was he going to do next, take off your glasses and tell you that you really were beautiful, who would have guessed?

when you don't answer, dean seems to shrink back a little. he shrugs his shoulders to adjust his backpack on his back, and yours that, at some point in these ticking minutes, he had slipped on his front. "believe me, honey, this is torturous for me, too."

"torturous?" you shake your head, internally wincing at how, of all of what he said, that was the thing you latched onto. "so go find─"

"someone else. i heard you the first time." dean shakes his head, clicking his tongue after another strenuous break of silence. "it's torturous," he says slower now, like you're the one who needs to be talked in gentle words to, not him, who's seen more concussions than he's seen his family, "because you are a breath away, and yet you are so damned determined to keep that breath between us. because you seem so weary, and strung up, like at any moment, i'm gonna pull the rug away and tell you that this was some joke, and you're gonna fall on your ass and feel awful."

well. it's not like he was wrong. but now the embarrassment is worn so prominently in the pink of your face, and those awful feelings he brought up are right there, if only because you'd been so convinced that he was a terrible guy without having any sort of evidence to back it up.

dean takes a step forward, not like approaching a wounded animal but rather like he's approaching a feral beast determined to snap at his fingers. "all i want," he breathes, shaking his head, palms up in some miniscule effort of surrender, "is to buy you a coffee."

"coffee," you echo back to him. you can't help it. you glance at his double backpack situation and you have to press your mouth together to keep from laughing. maybe dean wasn't lying about this, or everything else. would someone really willingly make themselves look so silly just to keep up a ruse?

dean nods. "coffee," he says, and he notices, of course he notices, that dazzling smile of yours. he's a strong man, but he can be made into something so weak with nothing but a pair of lips and glimmering eyes. "coffee yes?"

"you have class in ten minutes."

a shrug. two backpacks lift and fall. "conveniently, i've forgotten for the next forty five minutes about that class. whoops."

you have to look away. his eyes are so earnest and he is so surprisingly silly when he's not spouting cheesy pickup lines and doing stupid poses in doorframes that you almost cannot handle to face the full onslaught of his expression. again, he asks, "coffee yes?"

you huff out a laugh. what did you have to lose, really? you'd been planning to drown in classwork for a while at the library. coffee would definitely be needed to survive that.

with an exaggerated sigh, you manage to stutter out a, "coffee yes," if only so you could see that smile on his mouth again. you were weak, too, in that regard.

and so you got coffee with the football boy, and again the next day, and suddenly it wasn't such a scary thought to hold the football boy's hand.

[formylovetodaryldixon]

"You are." Daryl Dixon Imagine.

To Daryl, you are different, you are special, you are everything. But when his jealousy over a "prank" from your friend leads to a misunderstanding you can't resolve, and an incident the next day that nearly costs you your life, it causes Daryl to have a huge revelation about his feelings for you.

@artsynana: heyy dear!! i was wondering if you could ever write something with some soft jealous daryl x reader at the prison era, btw i love the way you write daryl🥰

A/N: Hi love. First, sorry! I didn't know you had left a request :( but thank you so much for doing it. This is a little short and different :( and a little more dramatic, but I really hope you like it♥ And for your words, thank u again! I think I write Daryl a little bit off the character, but I guess it's because I picture him like that hehe

Daryl Dixon is not a possessive person, never, but he is not made of steel either, that’s way he’s unable to stop jealousy from creeping up on him.

The night is ending inside the prison, the heat of the day floating in the air, but the still warm weather seems to hang over Daryl almost in a suffocating way. As he continues to wait for his dinner, he has a panoramic view of you across the dining room, sitting in the long steel chair, elbows on the table, always accompanied by that pretty boy Sean, with his stupid green eyes and that stupid smile, following you ever since Daryl rescued his group from the governor.

And Daryl hates not being able to hate you for the senseless jealousy that you make him feel now, as he thought he did in the past.

Daryl hated ​​you for being a badass, like the afternoon you showed up to save his ass back in Atlanta, like a force of nature, like a fucking storm–sweeping away the little peace he managed to find at the end of the world, shaking his own with your magnetic presence. But he also hated how your strong gaze could rest, turning you into an angel when he could see the tenderness in your soft smile, and your dreamy eyes when things got a little bit better in that grey world.

The secret of his hate was because of your selfishness, your wild and free heart, and that fucking dimple that formed on your left cheek, so yeah, he fell hard for that, he fell hard for you. But no one knew about your relationship, everyone blind to those little displays of affection: the casual brush of your hands, the secret smiles, the way his hand rested on the side of your neck before he kissed you.

“You are like… staring much. Don't you think?" Carol chuckles beside him, making Daryl look away from you as he takes his plate. "Damn, pookie, you are not subtle at all."

She continues with the bland jokes; the same ones she’s been making since Carol caught the way Daryl looked at you.

"Shut up." He hisses, turning his attention back to the food.

But Carol is not ready to give up.

"I once read that when a feeling is silenced, bottled up or imprisoned, the eyes, the lover’s gazes scream everything."

Daryl frowns, confused.

"What the hell are ya talkin’ ‘bout?"

She chuckles, crossing her arms.

"Oh, nothing. I'm just saying that maybe you should start making it clear to everyone that (Y/N) is with you."

He clears his throat, but the heat on his cheeks burns more than the sun on that season.

"Ya knew?"

"No. You just told me." Carol turns around towards the pot to serve herself a plate, Daryl narrowing his eyes at her, even if she isn’t looking at him.

"But, uh... like what?" He asks after a few seconds, hoping that Carol will understand the question without him having to spell it out for her.

She shrugs.

“I don’t know. Maybe approach her not only when you two are alone.”

Carol smiles at Daryl, walking away to leave him with the weight of his thoughts.

Daryl Dixon is a strong man, to survive, to protect, but as a boy who grew tall but is still a boy on the inside, he feels lost with the feelings he keeps inside him, not knowing what to do with them. He had had casual encounters in bars, but was too drunk to even remember, to even care about them. But you are different, you are special, you are everything. That’s why, even with his heart hammering in his chest, Daryl walks over to the last table, eyes fixed on your profile, his sometimes noisy mind disappearing the rest as he sets his plate down on the table before sitting down next to you, ignoring the confused look from Sean, who was silent for a second in shock before resuming his story of a past life on his farm with the rest.

“The lake water is cold during that season…” He keeps talking, oblivious to the way you hold your breath when you feel Daryl's fingers on your lower back.

But out of nowhere, his hand begins to seek out the skin beneath, a light touch over the edge of your black t–shirt until he finds the warmth of your flesh. Your back arches slightly beneath his calloused fingers on your skin, but you try to control your body as your dirty thoughts begin to overflow.

The small group is so wrapped up in the funny anecdote that no one notices the way Daryl leans in close.

"Breathe, peach, ‘fore ya pass out."

His words are the jolt back to reality, and you let out a breath as you squint, your hand darting from your lap to his leg, only to pinch his skin over his pants with your fingers. As a reflex, his leg jumps slightly, but Daryl takes the attack with a smirk that is almost imperceptible to the rest of them, but not to you.

"Isn't that right, (Y/N)?" Sean glances in your direction, catching your gaze and a confused expression that silently prompts him to repeat his question. "You told me you dated a guy who looked like me."

Confused, you clear your throat.

“Yeah. Uh, but we separated long before all this...”

Mary nods, a young woman who came with Sean’s group.

“Wow. He must have been really handsome. But did you love him, (Y/N)?”

Your skin feels cold again when Daryl's hand leaves your body, even if your skin feels boiling hot when the attention falls on you like the midday sun in that stifling season. As if someone had put their hand on your throat until it was blocked from air, your uncomfortable laughter comes out muffled, but you don’t answer before changing topics. But it's sad that after a short while, Daryl stands up to go to his own cell, his thoughts run wild about the jealousy he feels about that guy, thinking that there was someone who made you feel something when, for him, you were his first everything.

When dinner time is over and everyone returns to their cells, you find yourself timidly entering Daryl's cell only because his door was still open, but staying close to it. He’s lying on his back, eyes fixed on the arrow in his hands just to keep himself busy.

“Hey. Uh, can we talk?”

“’bout what?”

His voice is flat, not a single emotion in it.

“About what happened in the dining room with Sean.”

 “What ‘bout it?”

You shrug, even if he isn’t looking at you.

“Don’t know exactly, but I think I made you feel uncomfortable.”

Daryl scoffs.

“Ya didn't make me feel anythin’.”

His words form a lump in your throat, completely silencing the truth you were going to tell, just because your own anxious mind tells you that you don't make him feel anything, at all, like never, and that is painful.

“Okay, uh, I don’t want to force you to talk so… I guess I’m gonna go. Oh, we'll leave early tomorrow for the run, by the way.”

“Yeah, whatever.”

You sigh, walking away.

But jealousy is an irrational force, but a force of nature that resembles a hurricane, or any destructive phenomenon inside a timid and fearful mind: that’s why when the early morning arrives and the first ray of sun shines on the horizon, Daryl decides to switch places with Glenn, just so he wouldn't be stuck with his thoughts of you in a car for hours.

However, the day grows tedious for him, even in the small details like the wind blowing dust into his face, or the way the walkers keep piling up against the fence, taking the place of the lifeless body when Daryl stabs his knife into their skulls. But before his ocean–blue eyes can see the car returning at a worrying speed, his ears can hear the horn, like a desperate call that makes his heart wake up frantically.

“Someone is hurt.” Carol tells him, a second before they start running towards the main fence.

Maggie and Rick are closer and they open the gates, the car raising tornadoes of dust until it stopped inside the prison. Michonne steps out of the passenger seat as Daryl and Carol arrive to meet her, Bob and Glenn following as she begins to narrate the horror story.

“… and one of those men was behind me, (Y/N) shot him but another stabbed her in the abdomen.”

The back door of the car is open, but like a roller coaster of emotions, Daryl’s heart is so up that it threatens to stop because of the fear, as if it stopped pumping blood to replace it with an infinite void. But he refuses to listen to the death whispering in his ear that you won’t make it as he carries you, arms under your shoulders and knees.

“Call Hershel!” He says, to whoever is faster as Daryl starts waking fast, because, even though he wants to run to catch the seconds that seem to slip away, your body feels as fragile as porcelain.

And it’s crazy, it’s wild the way Herself has to perform a surgery to control the bleeding on the same table where the night before your and his playful fingers had teased each other, minutes before ruining it all with your silence and his jealousy. But when it's all over and the madness has cleared like a thick fog, he finds himself sitting on the edge of your bed, taking in the way your closed eyelids make you look like you're just asleep and not unconscious.

“She will make up, Daryl.” Carol says softly, standing close to him. “It’s late, you should rest.”

He shakes his head.

“Nah. I’m stayin’ here with her. Don’ want her to be alone when she does.”

Carol nods, knowing perfectly nothing will change his mind.

“Okay, Pookie, I will come to check on you both in the morning.”

She kisses his forehead, but Daryl is too absent to notice as she leaves the room. The entire prison falls into a deep sleep, and Daryl can hear the almost imperceptible sound of your breathing fighting against the almost deafening silence of his world, telling him without words that you are there, and that you are not going anywhere. But after a while, Daryl lies down on his right side, still close to the edge of the bed to give you all the space you needed, but able to leave only that small space between his body and yours.

“Fuck… now I know I love ya, peach.” He whispers, shy and scared you can hear him even like that. “That seems to be the only answer to why I almost lost ma shit when I saw ya there… bleedin’ out. Jesus, ya would probably laugh if ya saw me here now scared to death like a damn child.” Daryl tries to laugh, a nervous little laugh that falls to a heavy sigh. “Please, wake up, okay? I promise I’ll be better.”

But since there is no answer from the other end, his words hang in the air for the rest of the night, even after Daryl falls asleep. However, as the sun begins to peek through one of the prison's tall windows one more time, your eyelids open slightly, the world in front of you blurring for an instant, until your scattered senses become one and focus on the pain pounding your abdomen.

But still, you turn your head slightly to the side when your peripheral vision catches a body beside yours, smiling weakly at the image before you. Daryl's hair covers part of his closed eyes, but his slight frown reflects his concern, even if you don't know that.

You raise your arm until your hand touches the skin of his face, soft flesh under your fingers.

“Daryl?” Your voice brings him back easily, walking him up from that terrifying dream as he sits up, his hand cupping the side of your face just to feel that you're actually awake.

"Ya okay, peach, ya okay."

“Am I? Since when I’m here?”

Daryl sighs, but he decides to mask his fear with humor, just because he feels like he can spill all his feelings for you in a single second.

“Jus' a day, but ya took yer sweet time to wake up, woman.”

“Sorry.”

You chuckle shyly, but his gaze turns soft.

“Nah. Don’t be, I’m jus’ so glad ya came back.” Concern allows him to smile slightly, before telling you that he's going to go find Hershel.

The examination lasts a few minutes, until you two are left alone, again.

“Daryl…” One more time, your voice pulls his eyes towards yours the moment he sits back down. “Sean was messing with you. You know? I was going to tell you about it that night before all this, but you didn’t want to listen and I didn’t want to push you to.”

Embarrassed, Daryl lowers his head a little bit, watching you through his long hair.

“M’ sorry, peach. I was jealous of ‘em and I ended up sayin’ the wrong shit again.”

Them.

“Daryl, that’s exactly what I was going to tell you that night. There was never another guy, Sean made up that story to get a reaction out of you because even he can see how much you want to kick his ass every time you see him coming." You chuckle. "Besides, he’s gay.”

Daryl blinks, confused like never in his life.

“He is?”

You nod.

“Yep, really gay, but don’t worry, Sean has a crush on Glenn because you look too intimidating for his like.” You want to laugh, but you can see his own shame sinking his heart heavily, feeling the pain and guilt for letting you go alone, because Daryl is a protector: that is in his nature.

And when things went wrong, that weight fell on his shoulders.

"Sorry, I think I screwed this thing between us."

And in a second and with an overwhelming strength, you can see his eyes becoming teary with all the feelings he has inside him.

"No. You didn't, Daryl, unless you want this to end."

But he shakes his head.

"No. I don' want it to ever end."

You nod softly.

"Good." When your hand catches his, Daryl clings to it, but you don't force him to talk because you know better than anyone that it was difficult for him to express himself. "Now come, lie down and try to sleep. Okay?”

He nods, laying down next to you, too overwhelmed to speak his mind at that very moment, his hand still holding yours even after he falls asleep when his mind can no longer carry the full weight of his thoughts. But while he does, you can't help but smile slightly, because now, awake, you are convinced that his voice saying I love you was not just part of the dream you were having, sweet words you hope you can tell him soon.

[sheeple]

Part two to this. This series also has a title now: John has liked your photo! Hope you enjoy this as much as last time. Does it also show how little I know about kissing?

The second time you and John see each other in a cafe in the city centre. This time it's you who suggests meeting up. It made John feel giddy and like a schoolboy again when your text lit up his phone screen.

Your anxiousness made you way too early — as usual. But not too soon after, John appears in the cafe, also way too early. It makes you giggle.

"What is your go-to coffee order?", you ask while waiting in line, eyeing the menu and the delicious-looking pastries.

John hums, his hands clasped behind his back. "I hate to disappoint you, doll, but I'm a black coffee guy. Or tea."

Turning towards him with your eyes wide, not knowing if it is because of the nickname or the confession to drink coffee with nothing in it. "Not even some milk?"

He shakes his head with a smile. "None. If I'm in shipped out I'm happy to get a cuppa so I got used to the stuff raw."

Now you feel stupid for your usual very sweet coffee order. John sees the subtility in your face and he bumps his shoulder against yours. "Well, you are what you eat. So no wonder you're so sweet."

It makes your face heat up and you stumble over your words, not sure how to get out a response.

The line quickly moves along and John orders his black coffee and you your white chocolate mocha. Before he has time to grab his wallet, you've whipped out your phone and paid for it. You give him a daring smile while giving your name.

The two of you go sit in a quiet corner and wait for the coffee to arrive. You are telling some story about what has happened at work this week and halfway your name gets called out. John holds out his hand so you can stay put, and he grabs the order.

"Sorry, go on", he says with a smile when he returns with the coffees, placing yours in front of you with the ear facing your dominant hand.

"So", you say after finishing your story, "we haven't really talked about what we seek. You know... with dating and such." You nervously trace the rim of the glass, glancing up at the man.

John's leaning relaxed back into the chair, his legs spread wide and a comfortable smile on his face. "Gauging the vibe, doll?"

You can't help but feel your cheeks heat up again as you slink slightly down. "Maybe. Wouldn't want to waste your time if you want something completely different than me." You shrug, trying to play it cool.

That makes him lean forward a bit. "You sayin' that your time's less valuable than mine?"

That leaves you gaping like a fish. And it makes John crack a cheeky smile, showing he's teasing you.

"So do I have to worry about crazy exes or something?", he asks with a smile.

You shrug, putting your hair behind your ear. "Don't have to worry about something that's never been there", you say casually, taking a sip of your drink.

John's eyes bulge out of their sockets. Did he hear you correctly? Have you never dated anyone? How could such a wonder as you not have boys and men lined up and down the street, jumping for just a glance from you?

"Do I?", you ask timidly at his wide eyes and no response.

Snapping out of his thoughts, he clears his throat. Now is the time to come clean. "I mean... not like you have to worry about her, but there is my ex-wife."

"Wife?!" You clasp a hand over your mouth as you said that a bit too loud. "A-and for how long are you divorced? If I may ask, at least."

John smiles at your bashfulness. "Almost two years. We were married just short of a year. It was impulsive and I quickly discovered that being married to her wasn't as great as I thought it would be."

Unconsciously, you reach out and take hold of his hand. You can understand how hard it is to admit something like that to practically a stranger. "It must have been hard, going through that time in your life. Never mind the judgement of others."

He nods. "Something like that. It was more of the pitying glances of my family and their comments that got me at first. Their opinions about her and me and our relationship weren't always the kindest. But you get used to it and after a while, you get desensitized."

As you open your mouth to say something, a call of your name makes the two of you turn your heads. "Oh lord", you mumble as your aunt and cousin come walking towards the two of you.

"How are you, dear? " your aunt smiles widely, pulling you up for a hug. "I haven't seen you in a while! How's school? Oh, right. Your mum told me you quit and are working now. How do you like it? And who is this?" She turns her attention towards John.

The man dutiful stands up and offers his hand to your aunt. "John Price, ma'am."

From behind your aunt, you see your cousin lean over and mouth the words, "Who's that?", to you. "Date", you mouth back. She checks him once over and nods in appreciation.

"Oh mum, didn't you say you needed to go to that one store before it closes?", asks your cousin loudly, pulling the attention from your aunt.

"Right! It was lovely meeting you, John. See you next time, dear." Your aunt kisses both your cheeks as a goodbye before pulling her daughter behind her. You just know you'll get a text from her later on to demand the tea.

"I am so sorry", you laugh as you sit back down, hiding your face behind your hands.

John joins you and shakes his hands. "It's fine. Aunts are kinda my speciality."

"Really?"

"No", he smiles.

The rest of the afternoon goes by with smiles and laughs and good conversation until the staff has to, again like last time, kick you out and you're reluctant to say goodbye to John.

He walked to your car. It cracked him up to see the bright yellow car that lights up when you press the unlock button. Oh, how fitting of you to drive such an eyesore.

You hoover by the door, fiddling with your keys. "I had a really good time today, John." You shyly look up, your cheeks radiating heat.

John slowly inches closer, laying a hand on your cheek. "I did too." His eyes flicker between your own and your lips. You can't help but swipe your tongue over your bottom lip before taking it between your teeth.

"I desperately wanted to kiss you all day. Can I kiss you?"

Looking at him, you nod, searching for the right words. Stumbling out a 'yeah', John closes the distance and lightly presses his lips against yours.

Not knowing what to do, you lean into the kiss and close your eyes. John slides his other hand around your middle to pull you flush against his body. Your hands feel awkward so you replicate what you've seen over the years in movies and TV and place them first on his shoulders before sliding to the back of his neck.

A soft grumble comes from deep within his chest before you pull back, feeling like you are going to pass out if you don't. Either from the lack of air or your first-ever kiss.

Smiling wide, John rests his forehead against yours. "How am I to drive away from you now, doll."

You shrug, still slightly out of breath. "I'm wondering that myself." A giggle escapes you, licking your lips. "But I really have to go through... My parents are waiting for me. We're going to my grandma..."

"Those blasted parents of yours", teases John, letting go of you. "But if you have to go. Text me when you get home safe?"

You nod, opening your car door. "Will do. You too?"

John nods with a smile and watches how you drive away. Dear God. Is he crazy that he could envision the rest of his life together with you after the second date?

[essektheylyss]

I do think some of the handwringing I've seen about "hate" is funny because from what I can tell, even on twitter people are being surprisingly civil. The cast hasn't even had to make a big announcement clarifying a situation because everyone misinterpreted something and worked themselves into a furor. It took less than 12 hours after the c2 finale before Matt and Liam were like, "Uh, what do you mean, we literally said on stream Caleb and Essek get together." But there's also been a significant shift online since then to the point where anything short of "the precious baby blorbos were treated so niceys :3" is considered vicious hate, for some reason*, so I can't say I'm really surprised.

[senseearly]

This will probably be the only time I'll speak of this hear but I'm convinced that this whole fandom discourse stuff is less about 'icky' ships that they think no one should support, and more about the hunger for views/clicks that this type of post/content generate.

I've been noticing that over the past years. Participation in fandom isnt about creating fic/art/works for a character/ship/specific franchise. It has to be accompanied with a specific amount of engagement otherwise the participation wasnt worth it.

Of course this is not to say that creators shouldnt expect a like/comment (as a creator, you want your work to be seen/acknowledged) but this creates the incentive for people in fandom to make the next biggest thing. How do I make something that would get me a lot of likes? Comments? You can make the usual positive fanart/fanfic stuff for a specific ship or community. But theres also the other route of hateful content because anger just clicks.

Then again maybe this is also just a symptom of people just becoming jncreasingly online and having a blurred distinction of what should be kept private and what should be kept public - because I see a lot of that stuff too. And when you depend on social media for social interaction, the lines become one. Its okay not to like ships for any reason, but it doesnt have to be yelled at the rooftop. Theres also this trend of looking at your ships/preferred tropes as a definitive marker of your morality, but I think thats because some people have adopted their social media personas as their personality.

Its actually a lot easier now to curate fandom experience because most people have adopted the tagging system (ffnet was a wild west for side ships and tropes). So there really should be no problem for people to filter the ships that they dont want and stuff.

TikTok hetalia fans are so new to fandom cause what do you mean "mass usuk unfollowing" "we are not bringing usuk into 2025 🙏🙏🙏🥶🥶🥶" I don't even ship usuk at all but just because you see them as brothers or father and son does not mean others do mkaayyy this is why Tumblr is better just move here and block the damn tag ohbmy god 💀

[transformers-spike]

I just wanted to ask what you thought TFP Ratchet, Wheeljack, Dreadwing, and Bulkhead were position wise in your mind. Like are they a top, a bottom, or a switch?

To me Dreadwing and Wheeljack are both tops. I fee like they both would really be into doming their partners. Wheeljack is kinky as hell so I can see him being into super freaky shit.

And I can see Dreadwing being a much stricter dom.

I see Ratchet and Bulkhead as switches personally.

Oh man, other than my typical "It depends on the situation" answer, let me think this through. Alright, so fyi I'm going to explain if they're a sub/dom, like being on top/being ridden, and if they enjoy getting their valves filled more than spiking (aka the Top/Bottom bit) Ratchet does enjoy being in control, but he's often pretty exhausted and starving, so it would be nice if you could take the reins without injuring yourself. He has some dom tendencies but is pretty mixed all things considered. He's happy being ridden or pegged in some way - but he's also just as eager to be on top and, if his partner allows it, use their dick/dildo as the world's smallest interface toy Bulkhead is a huge sub in my opinion. He prefers being ridden purely because it means he's less likely to accidentally injure his partner (dude chillll - you're doing fine). He's a lot more likely to let his human do as they please, he can adapt to just about anything. You can penetrate him too, he just doesn't feel as much unless you focus on his anterior node. His valve can take a good pounding, although sadly no human is capable of doing that

Wheeljack is rougher by comparison, a lot more willing to bruise his human in the heat of the moment. He's not afraid to push them to their limits, and he's just as eager to be used up. He's definitely the type to suggest you shove your entire arm in his valve. He doesn't care if he's on top or being ridden, he's going to find a way to be a bastard someway. He's an absolute brat even when he's in the dominant role, someone put him in his place Dreadwing (as I typically interpret him) adapts to his partner's behavior. He's typically more reserved but still capable of assuming a more dominant/strict role as we've seen in the show (channeling his inner squadron commander lol). If his partner's a brat and they like being manhandled, he's happy to do it (although carefully - he would hate to leave a mark). Otherwise, any position works for him - and he enjoys having his valve played with, which is way too sensitive for its own good