#like i hope you know everyone's laughing at the absolute buffoonery you bring to her inbox because you don't know how to act normal

[naylor]

i usually don't say anything but i do find it infinitely amusing how some of you go to jamie's blog to be like "well, actually, two weeks ago on thursday at 8:45 CT you said travis and taylor might like chocolate cookies and on the podcast travis just said he likes raisin cookies so you should delete your blog about it" and actually expect jamie to take any of you seriously like you're not acting completely fucking bonkers over something that doesn't even matter just to ruin a poor woman's day because you disagree with her opinions about taylor swift

[mithrilwren]

Movie breakdown number 2 of the day! I just saw Cats! I really enjoyed it! Let’s go!

Ok, so like, I don’t really know how to structure this, so I’m just going to go song by song and bookend it by general thoughts!

Overall, the uncanny valley I was expecting got pretty bearable within the first few minutes. The tail twitches got me at first, but I ended up really liking what they did with the CGI portions of the costumes, particularly the emotive ears (especially on Victoria, who just wins for emotiveness overall). I think the reason it feels strange in the first scene in particular is that we’re still in a relatively... tame setting? Like, we see Victoria flung from a bag into a regular old street, and so we haven’t got that heightened sense of reality yet, the kind that really kicks off as soon as we jump into The Old Gumbie Cat and things get real wack-a-doodle. The film’s commitment to outrageous sets and acting and choreography and ridiculousness really works with the CGI - I don’t think you could do one without the other. Like @paladinical said, you’ve just got to buy in.

Alright, to the songs!

Jellicle Songs for Jellicle Cats - I did not expect to get drawn in so quickly, but as soon as the first strains of this song hit, I was flung backwards in time to being seven and watching the Cats stage movie for the first time. I must confess, I got chills at the line “Do you know how to get to the Heavyside Layer?” It was also pretty clear to me from this song that they actually hired very talented singers, whose vocal quality doesn’t feel out of place in this sort of broadway production (more on that later). Don’t get me wrong, I LOVED Tom Hooper’s Les Mis with all my heart, but if I could name one weakness about that film, it was a lack of vocal cohesion. The actors might have been alright singers in their own right, but they certainly didn’t have tone qualities that blended together nicely (with the exception of Les Amis, who not coincidentally, I think, were primarly made up of theatre actors). I was really impressed with how well everyone matched here. This is also the first time we get to see ‘main cat dude’ (apparently his name is...  Munkustrap????? idk man I don’t remember them mentioning his name). That character has to be able to carry the entire structure of the musical on charisma alone, and man does this actor deliver. Instantly engaging, might be my favourite voice of the whole cast. Definitely a good choice for the part. 

Naming of the Cats - creepy, just as it should be. I was already really happy here with what they chose to do re. Victoria as POV character. Getting to see her reactions - fear morphing into delight - really helps bring the audience along on the journey.

The Old Gumbie Cat - I always find it unfortunate that this is the first big cat song of the musical, because I (personally) find it the least interesting of the whole bunch - I never cared for it in the movie version either. And this is where I come back to vocal cohesion from above - I like Rebel Wilson well enough as an actor, but I found her the weakest vocalist of the movie. Comparatively, her singing sounded thin, and surprisingly pitchy in parts, and I was a little worried going out of this song that that’s what I’d have to expect from the rest of the famous contingent of the cast. Luckily, that turned out not to be true, but it couldn’t rescue this song for me. 

The Rum Tum Tugger - Fun fact, the first time I was ever called a bitch in my memory, it was for telling a girl in high school that Jason DeRulo just Wasn’t That Good. (In hindsight, I deserved it - I was kind of being a dick about it.) Anyways, I actually loved him here! I found his Rum Tum Tugger a little more endearing than the stage film - I got the sense that the other cats weren’t so much swooning/orgasming over him, as just humouring his antics, like any good friends would. He had a really pleasant sound, and his dance movies were great. I also just really enjoyed seeing him in the background of other scenes. That’s another overall comment, I liked how the cast so much felt like a CAST, rather than a bunch of individual actors here to sing their big parts and be done. You got to see these big names playing background in other peoples’ scenes! That was cool!

Gonna skip over Memory for now

Grizabella the Glamour Cat - Not too much to say on this one, other than it was interesting that this film actually gave the rest of the cats a reason to hate her, other than her being ugly and old. She joined with Macavity! Though they must have had a falling out. I do love Victoria as the newcomer, and the bridge who is able to see Grizabella with fresh eyes.

Bustapher Jones - I actually quite like this song, and thought it started strong. Maybe this is just my prior expectations creeping in, but I always liked the idea of Bustapher Jones as this legitimately dignified, if a little stuffy, cat, that the others respect and only affectionately rib at. I’m not sure how I feel about his transformation to absolute buffoonery here - no, that’s a lie. I didn’t like it. I wish they hadn’t gone for the cheap ‘oh he’s fat’ laughs. I think they could have done something more clever with it. _shruggie_

Mungojerrie and Rumpelteazer - I confess, the first part of this song threw me, because it sounded so different to what I remembered. I actually listened to the original soundtrack version on the bus ride home, and was doubly confused to find the two matched pretty well. Finally, I watched the stage movie version, and I saw what the disconnect was. The stage movie had, at least from what I could tell, a fair bit more syncopation, and both the OST and this movie kept the meter straight, which made the two sound slightly less off-kilter than I was expecting. That being said, once I got past the difference, this might be my favourite scene-by-scene shot of all the cat songs. It was just so much fun. I adore the idea of sweet Victoria having genuine fun making trouble with these two screwballs, who as much as they’re working with Macavity at times, don’t seem to have bad hearts past wanting to make mischief. I was smiling the whole way through.

Old Deuteronomy - Aka the song where I fell asleep the first time I watched this movie. I had forgotten Judi Dench was playing the character! She definitely elevated the part for me - solemn but playful, and affectionate in a way that makes me understand why the other cats respect her.

The Jellicle Ball - Man, this choreography was real good. Victoria, again, stands out - her movement quality is just beautiful, so strong and fluid, and charismatic cat dude is back at it again!

Beautiful Ghosts - If we’re going to go back to comparisons between this and Les Mis, I do think this new song fits better into the makeup of the play than Suddenly did there. Victoria has a very sweet voice, and her continually reaching out to Grizabella has to be one of the most emotionally affecting parts of the whole movie. She just wants her to come inside, like she was welcomed inside! It’s so sweet and good!

Gus the Theatre Cat - Speaking of emotionally affecting, Ian McKellan went for it, eh? I didn’t even remember this song existed, but McKellan’s earnestness really shone through and made it something special.

Skimbleshanks - Another song I didn’t remember existing! And will probably forget again come nightfall, but I thought the sound design in the railway tapping sequence was super cool.

Macavity - I didn’t even realize that was Taylor Swift until halfway through the song, so kudos to her! (Another fun fact: I once sang this song for an audition and got totally lambasted by the directors because it apparently shows off nothing about your vocal range or ability. Which, again, fair.) This song is delighfully campy, and it was so fun to finally get to see Macavity out of the shadows. Idris Elba was clearly having fun for this whole film, and I loved watching him be deliciously evil.

Mr. Mistofelees - This is definitely a departure from what I remember from the stage show, which is... nothing. I vaguely remember Mr. Mistofeless sort of being a non-entity in the actual story, as much as I liked his song. They did a better job in this movie of setting him up with an actual presence in other parts of the film, so when we get to this elevated, suddenly-plot-relevant rendition, we actually care about him and want him to succeed.

Memory - I straight up didn’t like this song going in. I’ve never liked it. I found it trite, and boring, and could not comprehend why it was so popular. Congratulations, Jennifer Hudson, for making me start to get it. Mostly, though, the biggest thing that I think made a huge difference in how much more I liked this song here than I have before, is that they made the line “Touch me!” mean something. There’s so much in the language of touch in this film, that’s been firmly established before we get to this song. The cats nuzzle, they dance together, they lie together, they mimic each other. And their refusal to get near Grizabella says so much without needing words. I didn’t shed a tear, but I certainly got emotional when Deuteronomy and Grizabella finally touched foreheads. Acceptance, without words. Really beautiful.

Ok, I think that’s it! Overall, I thought this movie was pretty dang good. I’d put it on again just to watch the choreography. With some minor exceptions, I’d probably listen to the sountrack again too! I think the strongest points for me were definitely the way that the cast of characters felt like an affectionate, cohesive family, and the commitment to the sentimentality of it all. If there’s one thing I can call this film, it’s earnest, and it was so nice to go into something that didn’t reek of cynicism, but of hope, and found family, and second chances. 

@paladinical that got a little longer than I anticipated! Hopefully you enjoy my rambling thoughts, haha.