#like at this point it only gets to me in the ‘i have no positive human interaction’ way i dont consciously take what they say to heart

[ceilidho]

take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 19)

masterlist

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A blood-orange sun hangs low in the sky.

You might think it ominous on any other day, but not this one. What more adversity could stand in your way? 

Instead of sharing a saddle with John, you ride the same horse that Graves rode out of town. Days spent on horseback have finally caught up to you, pain radiating up and down your legs, a soreness embedded deep in your inner thighs, the skin positively chafed from the constant friction. At least you no longer have the handcuffs digging painfully into your wrists, the metal cuffs long since unlocked using the key in Graves’ pocket and discarded, now lost some acres back for the coyotes and the hares to prod at and sniff. 

You drift in and out of conscious awareness, coming back into your right mind every mile or so, losing track of time along the way. Sometimes you blink and trees disappear out of sight, already ten miles back. Scouring the landscape for something familiar only to come up empty. 

Recent events lour over your conscience. It’s difficult not to let it get to you. So much has happened in such quick succession that part of you still thinks you’re dreaming in the abandoned shack with Graves sleeping just a few feet away. 

A distinct sound scrapes against the inner recesses of your mind and eardrum. If you were to look behind you, you’d find the source of it wrapped in a shroud and dragged behind John’s horse. Drying blood stains the fabric. The head, obscured under the fabric, jostles from side to side as it passes over rocks and undergrowth. 

It’s beyond you now though, the future shuttling forward at an unfathomable speed and taking you with it, willing or not. The world hurrying on to repeat its past mistakes. 

So you don’t look behind you. 

“Won’t be much longer,” your husband murmurs from beside you, speaking just loud enough for you to hear him over the influx of thoughts in your head, which rapidly empty out at the sound of his voice. 

“We can stop for a break after?” you ask, turning your head enough for your eyes to land on the hard, bristled line of his jaw. He nods. 

“Just gotta get this part out of the way.”

He says it so casually, like a bit of unpleasantness that has to be dealt with; no way around it. Unfortunately, a body isn’t something that can be just swept under the rug. No matter how much your muscles beg for a moment’s reprieve, you won’t get it until all the loose ends are tied up. 

“How do you know the land around here so well?” you ask as John leads the two of you deeper into the plains.

“The boys and I have been out here before. Grew up in this county anyway; been wanderin’ these parts since I was born.”

You can’t imagine John as a young boy, uncertain of his place in the world. He seems like someone who emerged from the womb ready-made, already able to skin a deer and build a bushcraft shelter by hand. But he must have been young at one point. 

Finally, he comes upon a suitable place to bury the body. 

Deep in the wilderness, he digs a shallow grave with the short shovel strapped to his horse, sweating up a storm before the hole is big enough to bury the body. You dismount your horse and wander off while John handles the burial. 

This is the part where you have to turn away and pretend it isn’t happening. You stave off the urge to plug your ears and close your eyes. Dogear any page in your life except this one. This is the only memory that you want to fade into obscurity, pretend that it never happened, that this was some bad dream that you only half-remember twenty years from now. 

You glance back only once to find John breathing heavily at the edge of the hole, having just hauled himself out. Sweat slicks his brow and drips down the side of his face near his temple, a dark flush spreading over his cheeks from exertion. Even his shirt is damp with sweat under the pits and around the collar. 

You force yourself to look away. Now is not the time for your libido to trouble you. 

Graves’ body lands with a dull thump when John rolls it into the makeshift grave. You bite your lip and let your eyelids slide shut. Then he starts the process of covering the body, shoveling the dirt back into the hole. It takes a while. An offer to help hovers on the tip of your tongue, but you can’t quite make yourself say the words. 

A half hour later, it no longer matters, the hole covered until the only thing demarcating the grave is the layer of upturned soil, slightly darker than the dirt in the surrounding area.

“That’s it,” John announces, making his way back to you with the shovel slung over his shoulder. You can smell the ripe scent of sweat wafting off him even from a foot away. “Let’s head out; we’ll wanna make camp before it gets dark.”

You don’t answer. Not verbally anyway. The guilt almost makes it hard to breathe. In all your stupidity and poor decision-making, you’ve inadvertently made John an accomplice in your crimes; forced him, in fact, to commit one as heinous as the one that had started this whole debacle. 

You travel the next mile in relative silence, scouring the landscape for a neat patch of land to set up camp. The sun plummets towards the ground at a faster and faster pace until it’s tugged below the horizon, vanishing with a green flash. Then it’s too dangerous to keep going, the way back far too dark to keep traveling down. 

John builds a small fire after tying up the horses for the night. The temperature drops exponentially as the sky darkens, the cold sinking low to the ground. You help with gathering the kindling, mostly twigs and clumps of dry grass, then take the packs off both horses to use as makeshift seats by the fire, unrolling the sleeping bags as well. 

It comes as a relief to finally sit down after the fire is struck. Rest is a double edged sword though; the longer you sit with Graves’ old pack propping you up, the more the pain has time to sink its claws in deep. 

In the hours since he shot Graves, neither of you have spoken more than a few words to each other. You certainly haven’t brought it up. The memory of Graves revealing the truth of what you’d done back east to John looms over you. It’s inevitable that you’ll talk about it eventually though. It’s heavy in the atmosphere, almost oppressive; the weight of everything said and unsaid. You can’t take back what Graves revealed to John. At some point you’ll have to face it. 

At what point will you have to beg for forgiveness? It sits on the tip of your tongue. 

The small fire crackles in front of you. Red tongues of flames lick at the darkness, the light extending out in a circle around the two of you. You’re grateful for the warmth though, particularly after spending the previous night in the cold.  

“Nothing to eat, m’afraid,” he says apologetically, brow creasing. “I didn’t exactly pack before coming after you.”

You shake your head. “That’s fine. I’m not hungry anyway.”

In a few more hours, you might work up an appetite again, but for now, you couldn’t be further from it. All you want to do is lie down on your bed back home and sleep through to the next day. 

“Yeah,” John sighs. “Me neither.”

He picks up your hand and holds it in his for a time. It’s strange how such a small gesture has become such an immense comfort for you. You wish you could thread your fingers through his and bring his hand up to your lips to kiss all over, but you’re too tired for a gesture of that magnitude. 

When he lets go of your hand, it’s only to transfer it to your face. His thumb runs over your split lip, pulling away when you wince. “Looks like it’s healing on its own.”

“That’s good,” you mumble. “…It hurt a lot more yesterday.”

John’s nostrils flare. The fire reflects off his eyes in such a way that, for a moment, it almost looks like it’s coming from within him. “I’d kill him again if I could.”

Your stomach clenches at the ferocity behind his words. 

“You—you shouldn’t have done it in the first place,” you croak. “Not when he was—” right, you don’t say. Right to haul you out of town by your hair and drag you back to the scene of the crime, back to pay for what you’d done. 

“Now I ain’t gonna hear you go spoutin’ that horseshit,” he growls, clasping you by the back of your neck and tugging you to his side. It’s so sudden that your butt skids across the ground, raking up a small mound of dirt with the weight of your body.

You look away, unable to meet his eyes even as he pulls you forward until you’re nearly nose to nose. “It’s not—”

“Yes, it is, darlin’. That shit weren’t none of your fault. You ain’t done a thing wrong by keeping yourself safe.” 

It’s almost hard to hear. It’s taken you months to scrub the dirt from your soul, which until recently was raw to the touch and pained you to even think back on. And the hopelessness. And the longing, the irreversibility of it; irreversible in the way that you couldn’t turn your pain inside out. You could never go back to the way things were because the only way out was to keep on trudging forward. 

Like rain in a drought, you’ve been missing someone’s mercy. You’ve been waiting for someone to come and forgive you for your sins; someone to absolve you of them. 

You lean forward, burying your face in his neck. Not making much of a sound except for a harsh exhale, your throat quavering with something unsaid. 

Then you grip him by the back of his shirt and pull him to the ground with you. 

Out in the open like this, John doesn’t dare remove your clothes, but he does reach beneath your dress to pull off your underclothes. He’s silent through it all, eyes fixed on yours. Never wavering or dropping your gaze. It’s intoxicating to be stared at with such a fierce intensity. Vaguely overwhelming, the sensation creeping up your chest and lodging in your throat. 

The light of the fire he built for the two of you flickers across his skin, illuminating his face in shades of orange and gold. 

He holds your gaze when he rucks the skirt of your dress up and crawls down the length of your body until his mouth is level with your center, slick already dripping from your sex. Your breathing goes haggard, anticipating his mouth before it’s suddenly there between your thighs, planting a gentle kiss on your inner thigh before dragging his lips over your sensitive skin until they brush your clit. Your mouth opens to a soundless gasp. Electrical impulses travel up your spine, your arching back following their trajectory. 

He pulls back to stare at your dripping hole. “Missed me, my love?” 

You’d answer if you could form words, but then you realize who he’s talking to and your mind goes blank. 

When he runs his tongue up the seam of your pussy, you jolt, legs slung over his shoulders kicking at the air. He eats you out with gusto, with reverence, sighing into your pussy that it’s been too long, that he’d worried himself nearly half to death over you. 

Rough hands hold you by your waist and pull you down onto his face. Long, crude licks of his tongue, rubbing the flat of it over your clit until you’re a roiling, twisting hotbed of pent up arousal. 

The urge to suppress your noises is almost overwhelming. When you twist your head from side to side, there’s nothing but miles of land; trees and shrubbery and a deep, impenetrable darkness. Not another person around for miles. It makes you shiver when you stare out into it. 

“I can’t, I can’t, I can’t—” you gasp, chest getting tighter and tighter until you expect it to burst but it doesn’t. It stays all pent up, all itchy and scratchy and you can feel the sweat slicking the small of your back and the blood furiously rushing to your cheeks, heating you up from the inside out. Sweat-laden and flustered. 

Your toes curl in your boots, throat tightening up the closer it gets. All it takes to push you over the edge is John cupping his hands under your butt to tilt your hips up, licking you from hole to hole. The impertinence and thrill sends a rush through your body, the coil in your belly twisting and releasing, core pulsing around nothing. Your body gives a violent jolt when he gives your clit one last wet, suckling kiss.

“Are you comfortable like this, darlin’, or should I wait until we���re home?” John asks when he positions himself over you again, beard still wet with your desire and a big hand cupping the front of his trousers. You stare down at the hair dusting his knuckles and the bulge straining against his pants. 

The shadows make it seem even larger than usual. Your throat goes dry the longer you stare down at where he fists his length through his trousers.

“Darlin’?” he repeats, drawing your attention back up to his face.

“Oh?” you ask, cheeks heating. “I’m, um…I’m quite comfortable.”

It seems absurd to have such a conversation when your husband’s hand is reaching into his trousers to pull out his cock and fuck you with it, but the nervous tickle in your belly is far from unpleasant. 

He’s so careful with you, cognizant that your muscles are already sore and aching from days of being on the road and the abuse Graves put you through. Gentle hands maneuver your legs around his hips and move your hair from your face. Again your belly flips. 

Your grunt is involuntary when he first pushes in, walls stretching around the head of his cock. It hasn’t been long enough for the blunt intrusion to be painful, but it’s overwhelming all the same. You wince and grimace through it all. 

“Easy does it. You’re alright,” John shushes when you whimper, rough hand cupping your cheek. It sends a thrill down your spine, but doesn’t lessen the intensity. 

He stays like that for a time, hovering over you and stroking a thumb over your cheekbone until you relax around his girth, gradually finding your breath again. In and out; one after the other. When he pulls his hand away, it’s to plant his forearms on the ground beside your head and grind his hips forward, taking your breath away. 

“Oh Lord,” you wheeze, then brace your hands around his neck. 

“You’re doing great, darlin’. Just hold on; I’ve got ya.”

It’s nothing like the times before; your arms link around his neck and your breath goes shallow, hitching with every measured thrust. It’s too much and not enough. You feel windswept and battered, bruises smarting now that you’ve had time to feel them, but still you need more from him. 

He works himself into the wet flex of your pussy with slow, heavy thrusts. Taking his time. Not rushing it just yet because though the threat of you being taken from him still looms over his head, he’s sated his bloodlust. His reassurance now comes in the form of your legs spread to receive him and the fat head of his cock fitting snugly in you. 

The heels of your boots press firm against the flesh above his buttocks. Taking him this way with your clothes still on feels debaucherous, filthier than usual; like you were so desperate to have your husband inside you, that you couldn’t even be bothered to remove your garments. 

He must feel the way that thought heats you up because he rasps, “Need a lil somethin’, love?” 

Before you can even answer, he’s reached a hand down and tucked it between your thighs to strum the tight bundle of nerves at the apex of your sex. 

“John—”

Your fingernails must dig into the back of his neck because he grunts. Serves him right, you think, digging your nails in all the harder when grinds a knuckle against your clit and you briefly see stars. 

You’re splintering down to the root, coming apart in his hands like clay; when he says your name, the darkness fades and for a moment, you’re in the light, a shaft of it haloing your face. Chasing it no matter how fast it runs. A hare in a snare, a shadow captured in the palm of your hand. 

It comes fluttering down from somewhere beyond sight. Gasped out in another voice, a truer voice. From the depths of you, true as stone and air. 

“I love you.”

Give it time and it’ll come naturally. Now, it comes as a gut punch. Even John stills over you when he hears the words, and you can feel the shudder that runs through him under your fingertips. There’s no time to sit and talk about it though, not with the frenzy that comes over him, blue eyes glazed over by a manic glint. 

He braces one hand on the top of your head and surges forward, so rough with you that your teeth clack together, eyes rolling back in your head. 

“Say it again,” John growls, leaning down until his mouth is right next to your ear. 

“I love you, I love you, I love you, I love you, I love you—”

Then it hits you. A wall of heat. Your belly rolling and cheeks burning, walls squeezing around John’s cock, tighter with every thrust. You yelp when he lifts himself off you to yank the skirt of your dress up higher and presses his hands to your inner thighs, spreading your legs wider for him. Bullies his cock into your channel even as you try to squeeze him out, pounding into you until the lurid torrent of words spilling out of his mouth go slurred and his release floods into you, his hips slapping against yours until he’s emptied the last of his spend into your womb. 

It’s a while before either of you can move after that. Your energy melts into the ground like rainwater, purifying the earth. Maybe life is already germinating beneath you, grass seedlings about to burst from the dirt, flower buds curled up in tight coils until they’re ready to bloom. 

Your hands shake when you lift one up to wipe the sweat from your face. 

When he finally pulls out of you, the feeling of his come leaking down your inner thighs makes you fussy. You lift your thighs just enough to let him pull your drawers back up before lying back down, no energy left in you to do more than that. You only scrunch your nose a little at the feeling of your combined juices already wetting the gusset.

Time seems to come apart and then piece back together. You roll over onto your side and nestle up against John’s chest, staring up at him wordlessly. His eyes stay shut for some time until he feels your stare on him and they peel open, the color of his irises barely discernible in the flickering light. 

“Somethin’ on your mind?” he asks in a tone so devoid of accusation or condemnation that you’re almost thrown by it. He says it like it’s just another day, like something horrible and monumental didn’t just happen. 

It takes you a while to find the words. Even when you do, they come out jumbled and disjointed. “How long have you…—when did you find out?”

“‘Bout what happened back East?” he clarifies, blunt as usual. 

The question makes you swallow impulsively, anxiety secreting from you again. “Yes.”

John looks up into the dark sky, quiet for a spell. “Not until recently. The arrest warrant drifted across my desk probably around the time Graves first stopped by. Wasn’t hard to put two and two together after that—you showing up in a tizzy around the same time as the warrant was issued. General description matched as well.”

You feel a bit foolish in retrospect, certain that you were getting away with it all this time. 

“You know my name.”

“I do.”

“My real name.”

“In a manner of speaking. Got yourself a new last name since then though, didn’t you?”

Your lips pull up at the corners involuntarily. “Yes. I guess so.”

You can almost hear it now. The penultimate note of the overture writhing against convalescence like you might stay this way for a second longer. But it isn’t right to keep feeling the same old pain. At some point, it has to heal. 

“Hey,” John says, giving your shoulder a little shake to draw your attention back to him. The look in his eyes is serious. “This is as far as the story goes, alright?”

You stare up at him silently until you nod against his chest. 

“You’re my wife. End of story. The rest ain’t anyone’s business but ours.”

Off in the distance, an owl hoots, and its call hits your ear as a distant evocation to sleep. You press one last kiss to his chest before rolling off him, letting him put the fire out before the two of you turn in for the night, and then drawing a blanket over the both of you. 

And then, you go to sleep.

[phoenixfeathersinfall]

I was intrigued by the idea of Dr. NerdLove and his "advice column for bros" approach, so I decided to check it out and folks....This is so good. Context: In my job, I offer one-on-one coaching to adolescents and young adults who have disabilities to help them meet their goals and transition into adult life/build skills for adulthood. Most of my students right now are young college-aged men (some of whom are in school and some of whom work.) One of the big things I do with them is helping to build and maintain social networks: MAKING FRIENDS!!!! Many of my students are lonely! For some of them, the social networks very much include wanting a partner. They ask me for advice about (usually heterosexual) romantic relationships. As a queer woman who's not much older than them (which is to say, not much relationship experience) I often struggle to know how to answer their questions. I just don't know what it looks like from their point of view. So, I thought something like this might be helpful to point them to. I'm not in the demographic the column is reaching to, but I did grow up in several friend groups where I was one of the only girls, and I had friends who got onto the early stages of that Gamergate/alpha male/incel pipeline. I'm an amateur anthropologist by degree, which means I learned a lot of stuff about how cultures and societies work, how to interview people about complex social problems, and how to make things more equitable for communities that need it. I read and see the same news as the rest of you. I work as a camp counselor for middle and high schoolers in the summers. All of which leads me to reaffirm for you: Our boys are not okay. A scary high number of them are getting exposed to online communities that are misinformed at best and predatory at worst, and they lack the experience to know how to counteract that. The election results are going to be like pouring gasoline on a fire.

Enter Dr. NerdLove. Harris O'Malley tells young men things they need to know and start to internalize, and he does it in a way that is relatable to them, compassionate, and humorous. One of my favorite articles is "What Men Really Need," In it, he talks about the social isolation many men face, how they struggle to get support and connection from their male friends in emotionally fulfilling ways, and how that's devastating for everyone. He also tells them how to be a better friend and change the dynamic.

In other articles, he explains the importance of building confidence, self-care, how to overcome feeling awkward, that looks aren't everything. (again, all in terms a boy who's been lurking around on certain Reddits would understand.) He makes a point to explain what some of the risks of dating and relationships are for women (and how history informs that.)

And yes. He's saying the quiet part out loud (linked text is a news source.)

This is going to help me be better equipped to help my students with something really important to them. I think it's also going to be a protective, positive force for a lot of boys who need it.

I couldn't have said it better myself.

[hockeyboistrash]

not a couples costume | n.h

summary: a mistaken couples costume turns into something more

a/n: so I may have gotten a bit carried away with this 🫣 I didn't mean for it to get this far. sorry it's late coming out I've had technical difficulties and work. can we also appreciate how hot nico looks in this gif

“Oh, we’re not a couple.” You said for what felt like the thousandth time tonight. It was truly a coincidence that you and Nico came to this bar dressed up for Halloween in a couples costume. You didn’t even know he would be here tonight let alone wear something that paired well with your costume. The two of you worked in the Devil’s organisation and have only spoken in passing. Whenever you did though, any train of thought would be gone. You wouldn’t be able to focus on your work for the rest of the day, his smile imprinted in your head. God you love his smile. Nico was the same. He always hoped to see you when he was walking into the arena, feeling a little deflated when he didn’t. 

“You’re enjoying this, aren’t you?” You playfully glared at him. To be honest, you could’ve walked away from him by now and gone back to your friends, you probably should’ve, but you didn’t. You let your eyes roam his body from head to toe, from the tight shirt that hugged his muscles in the right places to his hand holding the neck of his beer bottle firmly as he took a swig of his drink. You were unabashedly checking him out. Nico wasn’t complaining though because he was doing the same thing. He loved the way your ass curved perfectly in your costume. 

“I don’t know what you’re on about.” Nico shrugged, smirking as he took a sip of his drink. 

“No one is going to want to hook up with me tonight if the entire bar thinks we’re a couple.” You pointed out. Nico’s grip tightened and his smirk fell. He hated thinking about a pair of hands roaming your body that weren’t his.

“Is that such a bad thing?” He asked. You hadn't realised how close the two of you were sitting until you felt his warm breath against your ear. “I did save you from some sleazy guy earlier.” How could you forget? That’s how you ended up in this position in the first place. Some guy wouldn’t take no for an answer and Nico swooped in, saving you from the interaction. You still remembered how his fingers felt against the bare skin of your hip, the cold making you shiver slightly. You didn’t mind though. In fact you wish it was still there.

You were brought out of this bubble you and Nico were in by a waitress sliding a jug of some colourful cocktail onto your table. “Oh we didn’t order this.” You told her and she just smiled at you.

“It’s the prize for winning the best couple’s costume.” Was all she said before walking away, picking up empty glasses from tables.

“I should really get going.” You groaned, thinking about how bad of a combination the cocktail jug is with work tomorrow.

“We can’t let this go to waste.” Nico said, pushing the drink between you, a straw facing you both. “Besides, are you going to tell coach that you left me to drink this all by myself and that's why I'm severely hungover.” 

Nico pouted slightly, his warm chocolate brown eyes giving you puppy dog eyes. He didn’t want tonight to end. Not yet anyway, afraid that this will be the last time you speak. You weren’t particularly close before tonight. “Fine.” You agreed, feigning annoyance. You weren’t annoyed that much. Sure you wanted to go home so you didn’t feel rough the next day at work but Nico wanting you to stay with him made your stomach do flips. “But this is the last drink.” You said and his pout quickly turned into a grin. It was infectious making your lips twist into a grin.

Nico’s tongue caught the stray straw, having a sip of the colourful concoction in front of you, the image giving you impure thoughts making you clench your thighs. You wondered what else his tongue could do. 

The conversation flowed between you as the jug slowly emptied. Nico talked about his summer in Switzerland, coming second in the world championships. You listened intently as  he spoke about things he loves, his lips tugged into a smile the whole time. You could sit here all night and just listen to him talk. It felt like you were making up for lost time from all those missed conversations you had before tonight. 

“Come on.” Nico said, holding his hand out for you once he stood up. You gave him a questioning look as you put your hand into his, wondering where he was taking you. It wasn’t until you stopped at the dancefloor that it clicked in your head making you giggle.

“If you wanted to dance you could’ve just asked.” You shouted into his ear, the halloween playlist filling the bar making it difficult to be heard. 

“Didn’t know if you would have said yes.” Nico admitted, blush creeping onto his cheeks not that you could tell in the dim light. 

The two of you danced, getting lost in the music. Your bodies were pressed against each other, your ass flush against Nico’s crotch, his hands gripping your hips not wanting to lose you in the crowd or to keep you against him. You welcomed it though. It felt like it was just the two of you in here. Nico pressed soft kisses along your collarbone up to your neck and along your jaw before reaching your lips. You turned around, your hands moving to caress the stubble on his jaw as you deepened the kiss. You could feel Nico’s grip loosen, his fingers lightly sliding down to the curve of your ass. It was then that the fog lifted bringing you back to the reality that you were currently in the middle of the bar making out with Nico. Nico who you work with. 

You moved your head to the side, breaking out of the spell that was cast on you. “We can’t do this.” You sighed, gently pushing Nico away making him frown slightly. “We work together.”

“Technically we work for the same organisation, not together. Besides, no one has to find out. This could be our little secret.” He said, his fingers gently tilting your chin so you were looking back at him. “If you can honestly say you don’t want this we can stop now but I think you want this as much as me.”

You bit your lip, looking at him through your eyelashes. You wish you could say that but you couldn’t because you did want this. You wanted Nico’s big hands caressing your thighs as his lips found your sweet spot. “I want this.” You told him. “I want you.”

That was enough for Nico to grab your hand and drag you out of the bar into the cold New Jersey night. The worries from earlier slipping to the back of your mind as you climbed into the Uber, Nico’s hand resting dangerously high on your thigh.

[m00nl1ghts1vt]

Positive - Chris Sturniolo

Pairings - bf!Chris x fem!reader Summary - When the whole house comes down with the flu, you have a hard time recovering which makes Nick jokingly plant the idea of two pink lines in your head. Warnings - established relationship, mentions of abortion, angst, mentions of pregnancy, fluff, crying 🥲 W/c - 1591 A/n - Hey!! Sorry I haven't posted all week 😭 Still working on getting into my inbox, it won't let me see anything on my phone or computer☹️ Also I just want to say thank you sooo much to everyone who has been interacting, I'm almost at 200 followers!!🫣 Masterlist Current Series - City of Love Top Liked - Pierced

Tears prick at your eyes as you look at the pregnancy test in your hands, the word 'pregnant' etched across the little screen. Your chest heaves up and down, and your heart thumps so fast you feel like it could shoot right out of your body. It was nearly two in the morning, your boyfriend was still awake playing a game on his PC, so you knew you had to keep your panic at a minimum.

The last few weeks, the whole house had been fighting off the flu - first Matt, then Nick, finally hitting you and Chris at the same time. Luckily, it cleared up quickly for the boys but not so much for you. Your sore throat and stuffy nose were gone but you could shake the constant state of nausea you were in ever since the seasonal stomach flu took over. Earlier in the day you were telling Nick about how you still felt sick to your stomach, but your other symptoms were gone, and he wittily came back with, “imagine if you’re pregnant.” Nick’s half sarcastic joke made your mind wonder. It wasn’t like you to not keep track of your period, but with the last couple months being jam packed that it slipped your mind. Pulling up your Flo app and noticing you were five days late; you made sure to add a pregnancy test to the weekly grocery order that the boys put you in charge of earlier in the day.

Somewhat in denial, you pushed off the idea of taking the pregnancy test all day, not telling a soul because you were sure it’d come out negative. That’s until the possibility of the test being positive ate away at your brain. 1:48AM and here you were - on the bathroom floor with your knees pulled to your chest, wide eyes, and trembling hands. Squeezing your eyes so tight that you feel a slight burning sensation when you open them. You hold your breath, hoping and praying the test you pinched between your fingers somehow magically changed from positive to negative, but you were wrong. It was positive.

Hot tears stream down your face, a small sob escapes your lips, and you quickly slap a hand over your mouth. You were in the hallway bathroom which was probably the worst place to have a private moment, it was the bathroom all the boys shared. Mentally scolding yourself for not using the half bathroom in the front of the house, you pull yourself to your feet and turn on the sink to splash water in your face. The raw reality smacking you, knowing only you and your baby knew of its existence made your head spin to the point you were dizzy. Despite rarely using protection, pregnancy wasn’t something you and Chris had talked about. He never talked about the future. If you were being completely honest, the dynamic your relationship with Chris had been more of a ‘go with the flow’ type of vibe. The idea of walking in Chris’s bedroom and telling him that you were pregnant with his child made your gut churn. You grip the countertop tight, taking a few more deep breaths in an attempt to fight off the nausea and lightheadedness taking over your body. When the feeling weighs down on you, becoming too much for you to handle, you drop to your knees, flipping the toilet lid up, and emptying your guts once again. You had been puking off sporadically all day long, and you lost count of how many times you had thrown up hours ago.

Continuing to heave violently, you drown out the sounds of Chris calling your name through the bathroom door, “babe? You okay?” And when you don’t answer him, only responding with hurling sounds, he decides to enter the bathroom anyways. Chris’s flu, along with both of his brothers, had been long gone, so it worried him that you weren’t recovering like normal. You look up at him, not fully processing the moment, the positive pregnancy test was sitting on the counter in plain view for him to see. He keeps his eyes locked on you, shutting the door behind him, “we got to take you to the emergency room in the morning, baby.” He shoots you a sympathetic look before hooking his arms around yours and helping you to your feet.

You suck in a breath as he engulfs you in a gentle hug. “Chris,” your voice barely above a whisper, still breathing heavily while your heart thumps violently in your chest. Chris rubs his hand up and down your back, soothing you more than he knew. He plants a kiss on the top of your head, “you need me to get you anything?”

Letting your eyes fall to the test, you let out another soft sob. It makes Chris pull away, confusion etched across his face, “what's wrong?” He asks you, placing each of his hands on your shoulders, concern laced through his voice. You stare into his blue eyes, letting them seize your momentary sadness. You let your eyes fall to the counter, not being able to tear them away from the pregnancy test. Once Chris notices, you can feel his body tense up and his eyes widen like a deer in headlights, “what the fuck is that?”

The harsh reality of his words hit you like a freight train, making you wish he didn't know. You step away, crossing your arms over your chest, and not daring to say a word. “Fuck man,” you watch as he tugs a hand through his hair, picking the test up and squinting in disbelief. “No fucking way!” he spits out in shock, his voice louder than before. Chris tosses the pregnancy test in the sink, placing both hands on the countertop as he leans over. He looked like he just got the worst news of his life.

To you, his actions were confirmation he wanted nothing to do with you or this baby. You panic, pushing past him, slinging open the door, and footing it back to his bedroom. Chris’s feet are quickly in tow behind you once he hears the soft sobs and sniffles you let out while trying to escape his pent-up rage. Finally in his bedroom, you attempt to swing the door shut behind you, but Chris intervenes, pushing it open with his hand. “Y/n,” he sounds quietly, the angry Chris was no longer present, but you didn’t care. His initial reaction had you shook to your core. It’s not like you expected him to be jumping for joy, but you wanted him to be supportive and not flip out like he did.

Now in Chris’s closet, you shove clothes into one of your spare duffle bags, not letting your eyes meet him. He has his body pressed against the door frame, blocking your only exit, “you’re not leaving.” You wipe your tear-stained cheeks and look up at him, “you don’t want me here.”

Chris’s face contorts with a mixture of frustration and empathy, he takes a deep breath before sitting on the floor with you, “I want you here, baby, I do. I'm just- I don't know.” Your face was swollen, and your vision was blurred from crying, but you could make out the pained expression etched across his face. A few tears slip from his eyes, and he wraps an arm around your waist, pulling you closer and planting another kiss on your forehead as he rubs your back in a soothing manner. Anywhere with Chris was your safe place, knowing your boyfriend brought you so much comfort, you didn’t care about breaking down in his arms. You let the sobs erupt from your chest as he hugs you tight, “shhh, we're gonna be okay.”

“I-I’m so sorry Chris,” you choke out through your tears. Chris pressed his cheek to the top of your head, running his fingers through the ends of your hair, “none of this is your fault.” His soft tone relaxes you, helping you push your worries to the back of your head. Chris guides you through deep breaths, wiping the leftover tears from your cheeks once you’re calm enough. Letting his hands drop to your lap, “whatever you want to do, I’m here,” he reassures you. You suck in another scattered breath, nodding a few times before pulling the words from your throat, “I can’t get an abortion, Chris.”

“Then you don’t have to, Y/n,” he eases while rubbing a hand up your thigh, “it doesn’t matter what option you choose, I’m not going anywhere.” Throughout your relationship with Chris, you had never seen him with this much emotion. A few tears slip down his cheeks and his lip bottom quivers before he pulls you into another hug, this time tighter than before. Tangling his hand in your hair, “I love you.” You strangle out a laugh, “I love you," knowing how vulnerable the two of you looked on the floor of his closet, bawling your eyes out at 2AM.

In a way, the revelation broke through a comfort barrier the two of you always held onto so tightly. Chris being scared to commit and you having a hard time with expressing what you actually wanted from him. The thought of starting a family together freaked you and Chris out to no end, but both of you were ready for the blessing placed upon you.

He pulls back abruptly before pressing a kiss to your lips, “we’re gonna be great fucking parents.”

🏷️ - @lvrsturniolo @thepubeburgler @unknvhx @m11rx @ribread03 @emely9274 (if anyone else wants on my tag list just let me know!!)

[7nuh]

CW 𓂃 Yandere!Mr. Silvair, loss of limbs, loss of limbs, general violence, confinement

Mr. Silvair is very interesting to me because he rejects you, but I can definitely see him eventually adoring you like a cute little unruly pet that doesn't know any better.

What made you so interesting to him in the first place is your desperate struggle to hold on to your humanity. Out of all of the unfortunate idiots who made their way here, you survived the longest with your sanity in tact. It's so impressive that Mr. Silvair actually thinks you have a chance of making it back with your mind in one piece.

A part of him wished you had stayed in his lab for longer so he could pick you apart in closer detail, but he knew that would lead him nowhere. What Mr. Silvair needed was progress— for your sanity to deteriorate.

And the change is drastic. You were once a trembling good-for-nothing that would have likely died in two days without Mr. Crawling's help, but now you bite. Now you can twist limbs and tear torsos apart with your bare hands. Now you roam these hallways as the predator searching for prey, and, soon, you'll become another one of the many bloodthirsty residents here.

Not that Mr. Silvair would allow it to get to that point, though, as he proceeds to restrain and detain you in one of his many cells. Why would he allow the perfect test subject to slip away from his fingers so easily? As a token of your short-lived friendship, he even went out of his way and gave you a clean cell! He also arranged occasional visits from Mr. Chopped (but never Mr. Crawling) whenever you stayed docile long enough on the operating table. Nevermind your many escape attempts and increasing hostility, you'll understand soon enough.

In there, you're safe and that's all that matters. It's your temporary abode away while you 'rehabilitate', a safe space where you can't hurt anyone or yourself. You used to be so bothered by the lack of limbs, but you've stopped resisting. He thinks you're starting to learn how inconvenient it is to be in this helpless state— how futile resistance is. You're starting to behave.

Mr. Silvair observes that you now like getting headpats these days. Maybe a few kisses here and there to remind you of your long lost affection for him. Mr. Silvair can't accurately assess whether you hate it or not, though. What happened to the good old days when you used to run to his door for safety whenever you got chased down by something much larger than you? Now you hate this place when it used to be your only space of rest and respite.

As a special treat, he brings you interesting knick knacks that should remind you of your human life. But really, it's a special treat for him because he enjoys watching you pretend it's not making you miserable to be reminded of your past life. Either way, you'll take any positive attention you get from him, no matter how condescending, over the long hours on that wretched table. You can bark and hiss all you want but it doesn't change the fact that you crave any sense of normalcy, even if it comes in the form of his twisted affection for you.

It's cute, almost. Mr. Silvair enjoys being relied upon by something that was once so terrifying. He enjoys reducing you and chipping away at your autonomy, from the physical to the mental. He's at least self-aware enough to acknowledge that it's no longer a research project to him, but a perverse achievement to have you like this.

As interesting as it was to watch your descent into madness, Mr. Silvair wants to break you apart and be the one who puts you back together. It really doesn't matter how many times he has to break your limbs until you've learnt your lesson.

[dukeofankh]

I mean, nothing I said was suggesting that nothing can or should be done. I have a couple things I can think of but people are already rightly pointing out that my experience, like all experiences, isnt universal. Calling out a shallow take isn't something I'm doing because I'm so so wise and I know how to fix everything.

I have heard the take that part of the fix for this will probably be a lot more white men with podcasts, and that is almost definitely *part* of the fix. It is legitimately difficult for young men to find content about random ass basic hobbies that isn't being served to them by low-key fascists. That needs to change. When talking with other progressive men, something that came up a lot was after school programs, especially ones that bring boys in more contact with their communities and expose them to different kinds of people in positive ways. Hate breeds in ignorance and isolation.

You already seem very anti-terf, which is great. That is also part of it. I don't honestly think that women are the cause of this problem but like, in terms of fixing this and convincing men that feminists are on their side, yeah, some small part of it is probably looking at the state of feminism currently and recognizing that it has devolved in many very public online spaces into reactionary gender essentialism and that radical feminism takes up a lot more air than anyone would like to pretend it does. "Sure I wholeheartedly reblogged something that claimed that any man who seems decent is just trying to let women's guards down to make it easier to assault them, something all men are trying to do to women at all times, but that's just venting. Ignore that broadside that me and my friends just unloaded on you and everyone who looks anything like you, if you think that your hurt feelings about that matter, that's on you for not recognizing that our pain justifies saying literally whatever we want" (to call up a random example) is certainly a standard that it is possible to enforce in some more isolated corners of the internet, but there has been a serious breakdown between the personal and the public, which is hell for messaging as a movement. This is no longer drinks with friends, this stuff gets broadcast worldwide to men who are trying to get a sense of what feminism is about. At some level, what is cathartic to say will have to give way to what is tactically wise to announce. The only men who will willingly share space with that sentiment if it is core to this movement are either convinced that they are personally exempt from examining their own privilege, which is its own problem, or men who agree wholeheartedly that all men are evil, them included, and are trying to atone. I've interacted plenty with both in male feminist spaces. It's not a winning team. I am aware how hard that will be. 4B type political lesbianism/lesbian separatism seems to be having a moment (at least as a meme) right now as people process their grief in this moment. That's understandable. But it's not wise.

Considering this is happening in the wake of the US election, and I'm saying this as a Canadian, it's also worth gently and precisely noting that even if the harm is the same, someone who voted for trump didn't necessarily do it because they despise women. If we're just looking at the raw numbers and saying "we're doomed", that's probably not helpful or, luckily, accurate. The project of changing the cultural narrative is huge and depressingly long. The rise of reactionary right wing populism when a society starts failing its young people economically isn't. That is a different, and much easier project. If you don't want people to vote for right wing populism, you need to give them left wing populism, and infiltrating the democratic party and pulling all the same tricks the right did but towards economic policy that will provide the next generation of men with the opportunity to own homes and pull their weight supporting families will do a hell of a lot more in a much shorter time than systematically changing each and every man's heart, especially considering a lot of the people who voted for trump weren't men. This project will outlast us, but MAGA doesn't have to.

If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.

"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.

Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.

Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.

You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."

Problem with that being:

1: Many feminist men also have no friends, see the atomized society above.

2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.

3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.

4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.

I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.

[cevansbrat0007]

https://x.com/auxgod_/status/1854935706742706397?s=46

ari’s reaction if bird tried to walk out the house with this on 👀

Untitled Sweet Renegade Series Ask & Drabble

Please enjoy the Sweet Renegades Series Drabble found after the cut. Warnings include: Mature Themes, Implied Smut, Ari Being a Possessive Menace, Brat!Reader, Manhandling, Crude Language, and Cursing. Minors DNI.

Listen, Ari considers himself to be a rather progressive man. He has two sisters that he respects and adores. And a little niece that fills him with pride. He plans to teach his nephew about the importance of respecting women - of treating them with the utmost reverence and care.

However, the moment Ari laid eyes on his sweet, stubborn little Bird, it was if something in him snapped. It came from somewhere deep. Primal. And the beast in him demanded that he stake his claim. Before her, Ari had never really considered himself to be the possessive type. He just assumed that jealousy wasn't a part of his makeup.

But now? Her smile. Her laugh. Her light. Every delicate inch of her gorgeous curvy body. All of it belongs to him. In the most primal, feral sense.

And he does not like to share.

So, while he wants to encourage Bird as she continues down the path of consistent, healthy body positivity, he's also man enough to admit that that there's no way in hell he'd let her fine ass out of the house wearing a dress like that. And here's why:

"Baby..." He rasps, caging you in as he backs you against the door. "You look fucking stunning." Two thick fingers trail their way down your body, stopping once they reach the valley between your breasts. "But I'm afraid I can't let you leave. Not while you're wearin' that."

"What's wrong with it?" Your words come out as a gasp when you feel a hand wind its way into your curls, holding you still as he continues his assault. The seconds drag on as his head dips, his mouth finding yours.

"Because, sweet Bird." Ari presses, forcing you to take his delicious weight. Making your pulse spike as he grinds his increasingly hard cock against your abdomen.

"B-because?"

"Because..." He draws out the word as he wrenches your head back so that he can whisper maddening little love bites along the curve of your jaw. "This is the kinda dress you wear when you're out with your man." You have a hard time breathing as his free hand skims lower before coming to rest on the swell of your bottom.

"Oh yeah?" You continue to goad - against your better judgement.

To be honest, you'd known what you were risking when you saw the dress hanging on the rack. You had no business playing with fire. But that's part of what made all of this so fun.

"Absolutely." Ari's normally bright blue eyes darken with arousal as he watches your chest heave. Almost as if he's imagining what it might be like to slowly peel the garment off you, piece by piece. "Because these hips and that ass - they're enough to give a man ideas."

His soft lips find their way to your ear, his warm breath making you shiver.

"And when they start wantin' to entertain those ideas," he muses, more to himself than you. "I need to be there as your man to shut 'em down."

"I see." A sharp nip of teeth has you clenching your thighs together.

"Because I am the only man who's allowed to know what it's like to bury myself between those luscious thighs." Using two fingers, he tips up your chin, wordlessly demanding that he look you in the eyes. "And only I get to know what you taste like when you cum on my tongue. Which therefore makes me the only man with exclusive rights to your tight, little pussy."

"Okay Beast." You can't help the giggle that bubbles its way out of your throat. "I think you've made your point."

"Have I, little Bird?" He growls, releasing his grip on your chin to capture your wrists, trapping them above your head. "Or do I need to remind you that I'm not the sharing type?"

The steady tick in his jaw lets you know that you and your dress have once again pushed this man to the edge. But the real question was...

Just what did you plan to do about it?

Batting your lashes up at him, you decide it's time to let the brat in you win out once and for all. Go big or go home, you know?

"Eh, it's been awhile, big guy." You purr, catching your bottom lip between your teeth. "I'm thinkin' you might need to refresh my memory."

END

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[hjornthewizard]

It occurred to me how under-developed piercings are in the elder scrolls, and probably magical fantasy in general.

In elder scrolls games, piercings are there, but theres no shops or mention of them.

What I was really thinking of, however, is enchantment. We can enchant amulets, armor, clothes and rings, but no instances of enchanted piercings. Imagine a mage covered in piercings, each one enchanted to help them in various ways. Oooh, what if they can also enhance local areas? A nose ring that enhances it's user's sense of smell, an eyebrow piercing which sharpens sight, an earing that enhances hearing, etc.

In terms of gameplay, I think this would best be reflected with a a piercing shop, offering a set of piercings similar to the implants in Fallout New Vegas. In NV, you could purchase several implants which provided permanent buffs, with the number of implants being limited to your endurance stat. Same idea, a Piercing Shop which offers top shelf Enchanted Piercings which must be applied precisely and carefully, your character's body can only handle so many constant magical effects coursing through their system (endurance stat check) and provide permanent benefits. Maybe have cheaper ones with draw backs. Maybe have some available during character creation which you can pay to have removed later, some positive and some negative.

I think this shop should also sell mundance piercings and perhaps things like earrings that are just equipable (once your character pays to get their ears pierced) and have minor magical effects.

Some Quick Ideas:

Silver Tongue: A tongue ring which permanently boosts your personality stat by 15 points.

Rod of Magnus: An Industrial Ear Piercing which boosts magicka regen by 30%

[bloggerspam]

A little treat, from the other side of the glass!

===

Steph and Jason stand there in silence after the natural disaster that they just witnessed dipped like bats out of hell.

Steph's mouth is dry, and she feels deprived of a hunt she only just started.

"So, did you hire her because you guys match?" Steph finally says, after watching Jason moon after his new boytoy for a couple seconds to make herself feel better.

Not that Jason keeps boytoys, but really, he should. Danny can be his first.

"What?" Jason blinks at her in confusion, no doubt still suffering the effects of lovesickness. Ugh.

"Val." Steph clarifies, enunciating because she likes the way it sounds on her tongue, "y'know, yay high, hot as sin, hair like—" she twirls a finger towards her own bangs, signifying the two starkly white dreads the other woman had framing her face.

Jason scoffs. "No, she's good. Knows her shit." Jason gives her a look. "I wouldn't hire someone who couldn't do the job."

"Figured," Steph placates, picking up a random nut on the table "She work the weekdays?"

She doesn't know who she's kidding. They both know Steph's panting after Jaybird's new mechanic like a dog eyeing a particularly tasty looking bone.

Two minutes ago, she watched Val suplex Danny in picture perfect 4K, and lost control of her own goddamn mouth.

"Gods, I wish that were me." Steph had said then, out loud.

Thankfully, Jason was too preoccupied watching a basically shirtless Danny pinning Val to the ground and saying "Satan, I wish that were me." to really make fun of her for it.

But Steph's not stupid, and for all the violence and muscle Jason's made up of, that doesn't mean he's stupid either. Or deaf.

They both heard the other, and are pointedly not talking about it.

Who the hell says "Satan" instead of "Gods" anyway? Jason literally worships the ground Wonder Woman struts on, and she's basically a God. Goddess. Whatever.

Power positions shouldn't be gendered. It's all the same.

"She works when she works." Jason finally says, not at all fooled by her innocent demeanor. It hasn't worked for years. Not since she was still dating Tim, but it won't stop her from trying.

She gives up.

"Come on Jaybird, you saw her!" Steph immediately whines.

"I did. And I am not letting my very talented, very valued employee fall into the clutches of a harpy!" Jason throws his hands up, strolling back to her car to get it sorted. He's no doubt under the impression that the faster he fixes it, the sooner she'll leave.

They both know it's a lost hope.

"I am not a harpy," Steph sniffs, ignoring Jason's responding scoff, "And I just wanna get to know her, is all."

"Know like what, her three sizes and what she looks like on a bed?” Jason snarks.

She kicks him in the side. “First of all, crude. What would Alfie say?”

Jason pointedly ignores her, but she’s used to that treatment from him. “Plus, it’s not like you’re any better!” 

Jason stands up abruptly to glare at Steph. “You met Val today. I’ve met Danny a handful of times this week and yeah, I like what I see,” Steph feels a triumphant glee take over her, but Jason shuts her up by pointing a greasy hand at her threateningly, “but I like how he's funny and smart more.”

Steph lets that percolate for a moment, trying to keep a straight face, before a shit-eating grin takes over her face. “And it doesn’t hurt that pretty boy can throw down.” 

Jason rolls his eyes, but he can’t fool Steph. She sees his get a little red as he turns back to sink into the hood of her car. “He made that bike, y’know.” 

That surprises her. “He did? By himself??”

“His friend Tucker tricked it out with him—Danny can code, but his friend’s a certified genius apparently.” Steph feels warmth flood over her as Jason continues to talk about Danny, about the handful of things the two men have talked about during the scant moments Danny’s there waiting to pick up Val. "We're only three years apart, and he's already got a lot goin' on for him."

"Hey, you got this place all on your own, without Bruce's help, and got back on your feet." Steph jabs a threatening finger at him, "You're barely legal to drink, and you have what, 6 employees?"

Jason sniffs, muttering something about college and pit madness. Steph rolls her eyes and promptly tells him where he can shove that kind of talk.

Namely: where the sun don't shine and Gotham smog don't go.

In truth, she’s happy. She’s never seen Jason this relaxed about meeting someone new, though she’s sure it’s not the first time. She and Jay have never been too close, despite the fact that he tolerates her more in casual hangouts than the rest of the bats and birds. 

They trust each other with their lives, of course, but Steph wasn’t exactly there when Red Hood first made his debut, and she’s one of the few in the Batfam that didn’t know Jason before. 

Sometimes she thinks that the only reason he can tolerate her as much as he does. Can't make comparisons to a dead boy if you didn't know the dead boy, after all.

So she listens to him redirect the talk back to Danny, to the shop, and when Jason runs out of things to say they sit together in comfortable, familiar silence. The only noise being the city ambience and Jason tinkering around in the guts of her car.

Steph basks in it, breathing slow and deep, contemplative.

"So. Vigilantes?" Jason finally utters, Steph's eyes snapping open so she can point a finger at him frantically.

"Right!? Phantom?" She asks, watching as Jason turns toward her with a wrench from god knows where.

"Huntress?" Jason counters.

"Cujo????" Steph almost screeches.

There's another silence, as Jason and Steph stare at each other, confused beyond measure. It's the kind of pause that people who've just been through a baffling moment together can commiserate in, a moment that really takes one aback, rare for borne and bred Gothamites like Steph and Jason are.

"Tim?" Steph offers.

"Babs?" Jason pleads.

A long moment, and Steph nods, pulling out her phone.

She pretends not to notice Jason's shoulders slumping in relief as he turns back to her car—probably thinking he's just dodged a bullet on brotherly nosiness. Tim might be able to lie to Batman's face, but he's still a sucker for Dick Grayson's pouty whines.

Jokes on him, last she heard Dick is hanging out with Babs today, so he'll find out anyway.

The second she presses send, she belatedly remembers that she's also probably going to be subjected to the nosy.

Gods damn it all.

Mechanic!Val AU, but make it gay and sapphic.

ya'll can thank the HH discord for this one. Specifically the menace known as @clockwayswrites (and @impyssadobsessions for the art that inspired the damn thing)

Dead on Main and with some future Val/Steph >)

also @belfry-ghost did a doodle for this AU and everyone should go love on his art. Val's so unf.

===

Val’s pretty sure her new boss Jay is actually a crime lord.

She’s pretty sure he’s The Crime Lord, actually. She’s like, 98% sure she works for Red Hood now, and she’s low key mad about it. She squints at the man now, with his white streak and almost imperceptible green sheen to his eyes. 

The problem is that Val did perceive it. Because she used to date a guy whose baby blue eyes changed ever so slightly in the same way. Thinking about Danny makes her even madder.

To be clear, she’s not mad about Red Hood himself. 

She’s just mad that, of all the mechanic shops in all of Crime Alley, she just had to work for her ex-boyfriend’s third place Hall Pass pick. It also makes her miss her friends way more, and Val is hardly what one would call a well-adjusted woman, so she’s mad about it.

She huffs as she lifts the hood of the second car she’s working on today. Being a mechanic wasn’t really on the docket for Val’s life goals, nor was being in Gotham, but she got a full ticket ride on Wayne Foundation scholarships, and honestly? 

Gotham is Amity Park Lite: Gargoyles and Furries Edition. 

Between a full ride to Gotham U and being stuck at Elmerton Community College? The choice was easy. 

So here she is, working for the resident Crime Lord in his civvies. 

Jay pays good, teaches her what she needs to know, and bonus: he sometimes helps with her English Literature class. He’s flexible on hours, and she’s even got rudimentary insurance. 

All in All?  It could be worse—she could still be working for Vlad, after all. 

It's the little things.

[lover-of-mine]

Anna baby we got new stills!! I am very curious why so many of Buck's outfits have been brown. The flannel he's wearing in the loft??? Blue and red and brown??? I'm thinking they tell Buck Maddie is pregnant, and it gets Buck thinking about a family (adding to his already immense longing), add in the pictures on his fridge and he is so close to understanding what he wants! But anyway! What is with the brown????

Hello baby!! So, the brown. I was talking about the brown with @stagefoureddiediaz literally yesterday lol. But current theory is that they are playing with both the stability and growth attached to the color when put in a positive light and the sense of isolation when we put it in a negative light. Buck doesn't wear brown a lot pre-season 7, his neutral color is grey, but ever since he came out he has been in a grey/sepia scale. The only instances me and Kym could come up with at the top of our heads was when Chim kicks Buck out and he has to move back with Maddie and the grocery store fight.

It plays into movements in Buck's life he needs to figure out alone, in a sense. Only Buck can break his own patterns and using a color that's attached to both stability and growth, like who he is for Eddie in 710, and loneliness, the grocery store, is fun because only Buck can allow himself to grow, he needs to do this for himself

Brown was also very attached to Tommy, Buck hasn't worn any brighter colors, like he would do his blues and red in previous seasons, this season yet, except for his costume, and I think it also plays into the way Buck forces himself to be what his partner wants and fails to consider what chipping away pieces of himself will do to him, like the way Tommy doesn't know he doesn't like basketball or the way Buck never complained about the "Evan" thing or the way Buck didn't know Tommy is gay or was engaged before or all the tiny ways they showed us Buck and Tommy didn't really know each other. And that plays into the way Buck was dimming himself while trying to find himself in the relationship, while trying to make dating Tommy something transformative, especially because while doing that, he was negating parts of who he is.

The brown hoodie is the first time we are seeing Buck in plain brown too, he's usually in a pattern or a textured fabric, and the mopping around and the very obvious stress-baking on "faded" colors with Jee in a literal rainbow, probably leading Buck to talk to Maddie and Chim in the red and blue will be interesting if that's the correct sequence of events. Because it will allow Buck to start bringing that color back to his life.

He's back in his self-discovery blue and that red with Buck is attached to emotions, trying to get in the right direction when it comes to his feelings, like trying to let go of Abby, his speech about love, a few moments in 208, Buck, actually as a whole works for Buck to try and figure out his own feelings.

But he's not in the true red, so, as pointed out to me by Kym, it's almost as if he's locking himself. He's not ready to have the revelation yet, But he will be back in blue, that's a good step, he will probably work his way back to his blue, being in it when he's ready for Eddie.

I will taglist this one (interact with this post if you wanna get tagged)

@sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @singitforthegirls @dangerpronebuddie @182daysof @steadfastsaturnsrings @sparklespiff @inell @miles--to--go @jesuisici33 @wolfdeans @lunarsolar1 @joshwritesfics @glasscities @kejfeblintz @stagefoureddiediaz @mosaicstardust @eddiedisasterdiaz @hermioneindisguise @queerprincesseddiediaz @lookforanewangle @becausebuckley @lemotmo @thenainitaldisaster

@dingdongfries @angelcamael

[starlostlix]

ARCANE S2 ACT 1 SPOILERS BELOW as I analyse the scene between Vi, Jinx, Caitlyn and Isha, what it means for them, and the link to Caitlyn's 3-point plan for the strike team.

I don't usually post about Arcane here but I need a place to talk about it without word limits so here we are. Also my comparison between MTP's telling of A scandal in Bohemia and the og will be done at some point I have just been very distracted.

So the scene I'm focusing on starts here when Isha runs up to where Jinx and Vi are fighting, lying between them a pointing a gun at Vi to protect Jinx.

Now Isha is a kid that has accidentally wandered into Jinx's life and gotten attached to her enough to wish to try and save her from danger - a new found family for Jinx alongside Sevika (who gives aunt vibes to me). But not just any kid is going to run into the line of fire like this. If we know anything about Isha now it's that she's brave - really brave - but also shouldn't have to be in this position.

Taking at look at her face, Isha's expressions seem to flick between anger and fear quite quickly. There's the facial muscles around her nose often flaring for that anger, but also a deep fear you can see too.

I think it's how she maintains focus on Jinx whilst the gun is turned away to Vi that's interesting. It's clear that she's afraid of what Vi is doing and is focused mostly on protecting Jinx - so that gun isn't something she necessarily wants to fire. She occasionally kept trying to press the trigger, but her hesitation isn't necessarily that she can't, but that she doesn't want to. She had ample time to take a very clear shot but she doesn't (this is interesting when we think about Caitlyn nearby who is desperate to take a shot even if it's not completely clear - Isha's motive is protection whereas Caitlyn's is revengeful action). And once she is unarmed all she can do is cling to Jinx. Perhaps both for her protection of Jinx or for Jinx to protect her. Like how a child would cling to a mother or father or even a bigger sister. Isha is supposed to play the role of a younger sibling to, in my eyes, mimic that of Vi and Powder that Jinx is desperate to protect.

I wanted to move on to Vi because I think her reactions/expressions are the most interesting. You get to see her face a lot, and once Isha has the gun to her face the main expression is one of fear. Not fear for her own safety, but a fear for Isha's safety, AND a fear of what she's been doing as an enforcer.

When Isha has the gun, all Vi can focus on is this mystery child - who she's never seen before might I add- suddenly appearing to protect Jinx. Even if Isha is scared she's still trying to protect her, trying to help even. Perhaps Vi sees herself here, a kid just trying to protect her loved ones from the enforcers that oppressed them. Perhaps she sees Powder, a kid throwing themselves in harms way just to try to help. Either way, she sees an innocent kid putting themselves in the line of fire to protect their loved ones. Except this time Vi is the dangerous one, rather than the protector role she used to fill.

When the gun is knocked away we see Vi again, frozen in place as she stares at Isha clinging to Jinx. This one feels so much more like a face of realisation - that Jinx still has loved ones left and that Vi has become the problem she swore to destroy. She's become the enforcer who enters Zaun to 'clear stuff up' with no regard for how it affects the people of Zaun. Instead of a protecter, she has become an aggressor.

If you will, remember Caitlyn's 3 goals - 'Locate Jinx, Dismantle Shimmer, and neutralise any agents still loyal to Silco'. I feel that this is where Vi realises that those goals only truly help the people of Piltover rather than anyone in Zaun.

1 - 'Locate Jinx' - this is basically corporate speak for Caitlyn wanting to k!ll Jinx. Originally, Vi was fine with this, seeing Jinx as a 'monster she created' and who 'taints the memory of her sister' Powder. But in doing so, she now realises that she will leave people behind who care for Jinx - Isha in particular. She's seen in her life so many kids left behind after enforcers k!lled their parents/families who then turn to rebellion (INCLUDING HERSELF AND POWDER!!) that she knows if she k!lls Jinx here with Isha as witness that the cycle will only continue - more kids who turn to violence as a result of trauma. If she were to go through with it she'd have become a direct parallel to those enforcers who killed her own parents, and she's already become a parallel to the ones who terrorised her and her family in her childhood with her activities in the Zaun strike team (especially with their usage of the Grey).

2 - 'Dismantle Shimmer' - whilst the removal of this drug is a good thing for pretty much anyone, the way the team go about it creates huge problems. The team are specifically shown to simply burn large quantities of the stuff (in the opening montage to 'Hellfire') - not only does this add more dangerous gasses to the underground areas (which they've already been releasing the Grey into), but it also creates issues for addicts. With access to it simply cut off, a decent portion of the population who are addicted to it will experience pretty dangerous withdrawal symptoms which could even lead to d3ath. With no system in place, addicts are left entirely on their own, so the destruction of Shimmer like this only helps those in Piltover remove a threat to them without actually helping the people. Meanwhile higher-ups in Piltover like Salo can use it recreationally (for his tattoos, even if frowned upon as implied by Mel's conversation with Lest).

3 - 'Neutralise any agents still loyal to Silco' - I'm pretty sure the Chembarons are considered Silco loyalists due to the Zaun strike team's attack on one of Margot's brothels in episode 2. The Chembarons, now down to 3 of them, were heralded as the only leadership of Zaun besides Silco. Their infighting has caused major issues in Zaun, but their elimination will not necessarily help Zaun in the long run. The removal of the Chembarons will leave a power vacuum, much like the one already left by Silco, that others will only step into over time. The removal of leadership in Zaun will only cause more issues as up-and-comers will try to fill the power vacuum and build their own forces, eventually becoming a new threat but not without a long period of chaos as people try to build resources to fill the vacuum. Piltover needs the removal of those with current power and forces to remove any possible threats of attack like the attack on the councillor memorial. It is, again, only for the benefit of Piltover.

Vi had seen becoming an Enforcer as the only way to bring down Jinx (reinforced by Caitlyn's insistence of doing things together and also partly by Maddie talking about what Caitlyn did to get her the job) AND as a way of protecting Caitlyn, but now I feel that she has been able to see the negative affect she's been having on the people of Zaun - her own people. I think this is why Vi switches into doing anything she can to protect Isha and Jinx, her protective side for Powder kicking back in specifically.

Looking back at Jinx, she was so ready to d!e at Vi's hands until Isha appears. Her expression here is the clearest look at her emotions we really see in the sequence - concern and fear. We know she's not afraid of dying or k!lling (especially when she said earlier before the fight that she's not remorseful of orphaning kids as she's 'done it to herself enough'), but she's so visibly afraid of Isha being hurt, and afraid that Vi would be the one to k!ll Isha. She's grown attached to Isha more than she'd like to admit, perhaps even seeing similarities to her and Powder (especially in their desire to help their family).

Once Isha's gun is shot away she clings to Jinx. Jinx at first is trying to claw her off - get her away from the danger, telling her to 'scram', referring to her simply by 'kid' so she leaves and doesn't get hurt. But when Vi is just sitting there looking rather than attacking she brings Isha in closer as a form of protection and looks at Vi. The way she looks at Vi. That's fear. She's afraid of her own sister again. She's afraid her sister will hurt an innocent kid, who's just trying to help, with a punch again. All her face says is 'Don't hurt this kid'.

And it's devastating. Devastating for both Jinx and Vi. Jinx sees her sister as a threat, whereas Vi begins to see a bit of Powder in Jinx again. She sees herself about to repeat a mistake that previously cost her everything - leaving a child alone with no support. This is also part of what turns Vi to protect Jinx and Isha from Caitlyn.

Last but not least, Caitlyn.

Caitlyn's effect on this scene can sometimes be forgotten (I almost didn't include her in this analysis at all) but it's actually bigger than one may think. I mentioned before how her desperation to k!ll Jinx causes her to shoot even when her shot is not clear (and how it contrasts Isha's reluctance to shoot even with a clear shot), but there's also so much more. For one, she shoots at the gun Isha is holding almost without a second thought. She tries to shoot Jinx whilst Isha is clinging on to her almost without a second thought. She shoots Vi's gauntlets when she tries to stop her. She frankly is unhinged at this point, tunnel vision on k!lling Jinx with no regard for anyone else in this situation, not just Isha but Vi also.

Grief is a strange thing. It can create many reactions from people depending on their situation. In Caitlyn's case, her grief has morphed into a desire for revenge and a thirst for violence, strengthening her pre-established prejudices towards Zaunites that she was so adamant in reversing in season 1. In her grief there is one constant - blame for Jinx - that morphs into further prejudices towards Zaunites as a whole to justify her actions in her own mind. She similarly justified her tunnel vision in this fight with the idea that 'she wasn't going to miss' despite missing her shot multiple times already (specifically when she shoots to k!ll Jinx and only hits her middle finger).

Her actions here are what happens when grief takes control and her usual logic and reasoning is not able to intervene as much as usual. Her insistence on not harming innocents (seen early in episode one), her understanding of how Zaunites were treated unfairly (s1 episode 7) - it's all overshadowed by her grief. However, her grief doesn't excuse her actions - she's still making decisions based on her own internalised prejudices that with her grief are projected outwards and drive her actions.

This has all culminated here, where her tunnel vision has led to her hurting Vi and almost caused her to hurt an innocent child. She's this looming threat to the scene, her hextech rifle being probably the most powerful weapon here - and it's in the hands of someone who is vengeful and seemingly trigger-happy and in a position of power she was not ready for. If Vi was a big danger in Jinx and Isha's eyes at first, there's a bigger danger in Caitlyn, one that even Vi notices. And she's only going to get worse next arc.

[There could be more to say but I think this is a great place to end it! I may make more arcane posts as s2 releases but i'll have to see, I just really wanted to talk about this scene in particular it's just so interesting.]

[vigilskeep]

there are so many things in veilguard that have made me go "wait what??? okay i guess i have to totally rethink the character i'm roleplaying now" that it's literally impossible to guess what thing you're referring to as The Thing That Happened. obviously extremely curious to hear what it is once you've detangled it

it’s kind of like that but it’s also less that and more... okay i should probably just say it, i’m being weird and unhelpful and i need to write it out anyway so i can think

MASSIVE SPOILERS UNDER THE CUT for a companion quest, do NOT say i didn’t warn you. also please don’t respond to this if you know more than me i am in distress but i still don’t want spoilers

so i just finished lucanis’ “a murder of crows” quest. and lucanis. first talon. for some reason. (this is the writing choice i’m ??? on. also i’m ??? on lucanis’ whole storyline, frankly. the writing was. well. like i said, we’re not unpicking that right now, i don’t want to get into it at this point, not the conversation i’m having.)

lifelong trauma of being in the crows and fighting to get someone in a talon’s position and keep them there -> the thing that gave sol all their diseases and made them, to be frank, fairly suicidal

viago: ultimately can handle it without them, especially with teia’s backing.

lucanis: CANNOT handle it without them. holy fuck. for like twelve hundred different reasons, unthinkable, completely laughable, that he can handle this. who is going to protect him. the only reason this could be better at keeping sol mentally stable than watching viago’s back is that they will never feel purposeless or need to go looking for an adrenaline rush, because forget crows, an ambitious blackbird could eat that man alive. he can’t scheme. he can’t even SCHEME and the very fact that he trusts sol DE RIVA demonstrates this. sol is a crow! from another house! does he have no memory at all of the fact that his own parents died in crow infighting? sol could have been playing him this whole time, it wouldn’t have even been hard, and if they were that kind of person, then right now the first talon’s house would have just fallen directly in their hands like a gift from the maker, and they can’t even say a part of themself they can’t shut off isn’t thinking about it that way! how is sol supposed to keep someone like that alive?

you see what it’s like trying to sleep while sol is having this discussion in my mind.

ahem. anyway. pathways for sol’s life assuming they indeed make it through the game:

becoming lucanis’ guard dog the way they were for viago, which (even if they could mentally handle that, which they can’t. or can they??) means switching house loyalties which would surely destroy them eventually -> bad

somehow trying to persuade lucanis to give this up, as if that wouldn’t be throwing house dellamorte completely to the dogs, which at least sol can’t imagine any crow is capable of, let alone someone so dedicated to clinging to what remains of his family that he couldn’t even kill a traitor -> bad

going ahead and leaving the crows, but sol now has to leave BOTH viago and lucanis behind and also lucanis is going to die in there because they left him to do this alone -> bad

solution: sol is back on their original “if a blighted dragon eats me by the end of this, i don’t have to experience consequences” train

and maybe they’re right and i should not worry about this because i’m painfully aware it’s VERY bold to start deciding what happens after the game at this point, when they might still get trapped in the fade or turned into paste or something. and admittedly they did know and dread the possibilities from the first moment they felt something for lucanis, which was why they so wanted it to be anyone else, because anyone else in that lighthouse could have given them a different world, and he is the one who regardless of his best or worst intentions can only tie them tighter to a burning building. and SURE, i see the solas/mythal breakup parallels of sol still leaving, i’m looking at them, that doesn’t mean i have to LIKE them

he hasn’t even kissed them. they’re doing all of this unkissed. lucanis dellamorte when i get you

again please absolutely do not respond to any of this with even the vaguest of hints if you know more about the rest of the game than me 🙏 it’s probably best if no-one responds to this at all lmao i am just thinking out loud. you can reply with a “that’s rough buddy”. for sol

[aviyx]

Discussing Caitlyn Kiramman

Caitlyn, especially in the second season, reminds me of Macbeth in all the worst and most concerning ways.

At the start of Macbeth, Macdonwald is a character who had committed treason and was killed by Macbeth, as at that point he still had his morality.

This is similar to how at the start of Arcane, Caitlyn was an enforcer who did her job, and did it well without engaging in any of the corruption that seemed pretty rampant at this point.

Later, Macbeth's wife Lady Macbeth, in a self serving manner, manipulates Macbeth into committing regicide by killing the king. He's obviously hesitant to do this as it goes against his morals, but with the encouragement, he does go through with it on his own accord. Despite having the power of being the Thane of Cawdor and Glamis, he still does this in attempt to get more power. After this, he successfully becomes king.

Now, I don't think Caitlyn is acting how she is in attempt of power, however thats definitely one of the outcomes of her actions. Ambessa, who is who I see in Lady Macbeth's role in this analogy, is also manipulating Caitlyn in order to gain personally, and to encourage war so that hextech weapons are made and she can use them to fight her own battles. Caitlyn has a moral code, yet despite this she does do bad things. She uses the grey as a tool to clear out the streets, when that is a literal war crime. She knows this is wrong, emphasised by her mothers words that go starkly against her actions playing right before the scene. She also takes the position of power Ambessa presents her with despite her in earlier episodes likely being against Ambessa's whole cause, and the war that she's about to start.

Macbeth, before this, has a friend called Banquo, who suspects that he killed Duncan for the throne and power. Macbeth then gets him assassinated.

This is, albeit less so, reminiscent of Vi, and how after being called out on her actions, Caitlyn hits her and leaves.

Considering we only have 3 episodes of season 2, I cant be sure whether this continues progressing, but if it does, there are a few things I am assuming will happen in arc 2 and 3.

I think Caitlyn is going to start hallucinating more. The hallucinations might be of Vi, as Macbeth hallucinates seeing Banquo after causing his death, but they could also be of her mother, Jinx or even Isha, as she could've easily killed either of them had Vi not stopped her.

Now if you have read Macbeth, you'll realize i haven't mentioned one of the main reasons Macbeth turns into a usurper. The witches and their prophecy. And this is honestly because I'm not sure.

I think its entirely possible that the witches could be symbolised through the hextech, as we know the hextech weapons act up sometimes, as shown in episode 3. Its possible they may lead to hallucinations, similar to that of Victor, if they're used repeatedly while acting up, which I can imagine Caitlyn doing.

Otherwise, I think the witches could be symbolised through Jinx, and possibly Sevika and Isha to maintain the symbolism of threes. This is because the 3 of them represent the power Caitlyn wishes she has- the power to avenge her mother.

Either way, I'm hoping that Caitlyn doesn't stay on this path, as Macbeth is a tragedy for a reason.

[vamphorica]

Because I hate being happy for more than two hours at a time, I've been considering to what extent Matt knew that Takada's kidnapping was a suicide mission.

I've been looking at this screenshot while I've been using it as a reference for a drawing and given that the poor boy is only designated sixty-nine seconds of screentime in the anime, I think it is interesting that there's a substantial pause on this specific frame. Matt is surrounded by Takada's bodyguards, unable to get out of the predicament he has found himself in. At this point, he believes there are two possible outcomes: he will either be arrested, or shot dead. You could interpret his expression here as apathetic, as that is how he tends to be characterised, but he sits in his car and looks out towards the row of headlights for about seven seconds. He considers his situation, acknowledging the number of men pointing their guns at him, and then he leaves his car.

The question is, did it occur to him then, or had he known beforehand, that his death was inevitable? Remember – Matt is one of a few characters in Death Note to be killed 'traditionally'. Should we take the Shinigami Eyes into consideration here, we have to assume that Matt is fated to die at this exact moment in time, regardless of circumstance. There is nothing that would have saved him from his demise that day.

However, I do wonder if, at nineteen years old, he is truly apathetic about his own life. I genuinely believe Mello sees his own death as an inevitable sacrifice, but I am not so convinced that Matt actually cares enough about defeating Kira to lay his life down for the cause alone. The manga suggests he leaves his car almost immediately upon being caught, and his final words, sadly, suggest a lack of foresight about the gravity of danger he is in.

Kira's world is not one in which justice prevails as Light envisioned, but rather it is an autocratic reign of terror. There is absolutely no chance in which Matt would be detained in a society in which death is considered the appropriate solution to crime. He is a Wammy's boy, but even if he had not have been associated with the House, Matt would have still been aware that his risk of death is heightened exponentially through his association with Mello alone.

In the anime, when Matt looks out the window of his car, we hear his inner monologue. Nonchalant, there is no fear to be heard in Drew Nelson's performance of the lines, and Matt's awareness of his impending death is presented as being limited. Is it an act? Or is Matt portrayed as lacking self awareness to such an extreme extent? Perhaps to 'justify' Matt's position as the third successor to L, Ohba felt the need to present Matt as ignoring the inevitable, but at least to me, this feels like it greatly undermines his intelligence. He may not be competing against Mello and Near, but that does not negate the fact he was still raised in the same institution that they were. All the children are freakishly smart, that is the whole point.

Did Mello propose the plan to kidnap Takada to Matt with the acknowledgement that they were both likely to be killed? Mello's final thoughts in the manga and anime are asking Matt for forgiveness, his death apparently unanticipated by the former, which feels like a failure in writing the deaths of these two in a manner that reflected who they were.

Matt is, by all accounts, a fandom project rather than a fully developed character within the Death Note canonical universe, but we are aware that Matt was created for Mello. I hardly expect Death Note to explore the intricacies of such themes in the series (particularly given, as much as I hate to admit it, Mello and Matt are not the main characters within the franchise). However, even with the rather minimal source material provided to us by both manga and anime, we are made aware that the two have a very unique relationship. They know each other intimately, and Matt does not fear Mello as many of the other characters in the series do.

Mello does not want Matt to die. He values Matt and while one could attribute the gratitude for him to the popular fan narrative that Matt is the one to look after Mello after the explosion, or indeed the idea that the two are in a relationship, their interactions with one another already set up their alliance as one that appears to transcend the regular boundaries of friendship. Again, I'm pulling a lot from fanon here, I know. Take it up with Ohba.

Narratively, if Mello has to die, so too does Matt. Ohba could not foresee this character that is so dependent on another to live beyond him. Yet I simply refuse to believe that Mello would have placed someone so important to him in a compromising position where the likelihood that he will be killed is almost certain. As much as I believe that Mello's final thoughts being directly addressed to the deceased Matt demonstrates an important ode to their relationship, I cannot understand how Mello would have been shocked to hear of Matt's death, given the risk.

We know Mello was fully aware that he was going to die that night. If he did not die, Near would have, and I think to Mello that would have been the greatest loss he could have suffered in their ongoing conflict. Regardless of whether you believe Mello cared about Near to any extent or not, I genuinely cannot imagine Mello would have been happy to succeed as L had it been attained through Near's 'sacrifice'. I am actually exploring an AU of this very idea in a fanfiction I intend to publish early next year, in case you're interested, haha.

This returns to the question as to when Matt realises he is not surviving this mission. Presumably Mello asked for his cooperation, and in doing so, he would have had to explain the plan to Matt which, quite frankly, reveals Mello's intent to die as soon as it is advantageous to do so. Given that Mello did not want Matt to be killed, did Mello reassure Matt that he had created the plan to guarantee his safety? Did Matt believe him? Was Mello deliberately vague, only telling Matt that he needed to set off the smoke gun, then hit the gas and get away from Takada's security team?

As far as I can tell, there is no reason as to why Mello would have been dishonest with Matt, explaining what he was planning to do and why. Perhaps he even suggested to Matt that he could find someone else to take on his position, given the danger he anticipated they would be in. Matt is, as I think the series makes clear, very loyal to Mello, and so I doubt such a proposal was even considered, but I think it is safe to assume that if Mello knew how this plan would end, so too would Matt, whether Mello explicitly told him or not. He would have figured it out.

When Matt and Mello part ways for the final time, not shown to us in either the manga or the anime, they both know that they are saying their last goodbye to one another. I think Mello hopes that Matt will survive somehow, experience a Kira-free world and move on with his life, but I believe Matt knows, well before he got caught, that there is no escape from the inevitability of his death.

Maybe, when he steps out of the car, confronted by the 'big guns', he holds out a little faith that at least he might see Mello again soon.

[unhingedangstaddict]

Currently working on my own fix-it fic but man this shit is harder than I thought it'd be- I keep crying and then getting distracted reading other fix-it fics. Thought I'd share this snippet to hopefully motivate myself to keep going???

Hen was starting to wonder if maybe Tommy was out for a run when she heard a faint ‘oh shit’ from inside the house. She banged on the door again. “Come on Kinard! I know you’re in there!” She called out. If Tommy’s neighbors thought she was crazy, oh well, too bad. Hen really didn’t care.

Finally the door was opened by Tommy. His hair was a mess- sticking up as though he’d been running his hands through it far too much-, he had deep dark bags under his eyes from lack of sleep, his eyes were puffy from crying, and frankly, he looked like shit. “What do you want, Hen?” Tommy rasped. Whether his voice was hoarse due to dehydration or yelling and/or crying was unclear.

“To talk about what happened last night.” Hen crossed her arms.

“You mean you’re here to yell at me for what I did?" Tommy guessed. He hadn't forgotten the thinly veiled shovel talk from Hen and Karen months back at the medal ceremony- he wasn't surprised Hen was here now. “Trust me I hate myself for it enough. There’s nothing you can say that I haven’t already thought about myself.”

“No. I’m here to try and understand what even happened. According to Eddie, Buck wasn’t making very much sense last night. Eddie would’ve come himself to check on you but he’s got Buck right now. Eddie’s worried about you and frankly, I am too.”

Tommy sighed deeply and stepped aside to let Hen into the house.

Soon they were sitting at Tommy’s kitchen table with mugs of coffee in hand.

“So are you gonna tell me what happened or are you just gonna keep having that staring contest with your coffee?” Hen questioned.

“He asked me to move in with him.” Tommy admitted quietly.

“Okay,” Hen said slowly, waiting for Tommy to explain further why he was upset by it. Beyond the obvious matter of Buck leasing his loft apartment and Tommy owning his house, Hen wasn’t sure what the issue was.

“For a split second, I thought about saying yes.” Tommy confessed. “Then I returned to reality and realized I had to end it.”

“But why?” Hen questioned.

“Even if it was only for a second, Hen, I was ready to, what? Sell my house and more than half my stuff to move in with him? I’m not even mad about that part- I’m upset with myself for considering it. I’ve been in Evan’s position before, first gay relationship, lovesick, you think it’s gonna last forever. And I’ve been the first for guys before too. Like I told Evan last night, I know how it ends. And I guess I’d rather break my own heart than wait around for Evan to do it.”

“If you’ve been so sure all this time that it could never work, why did it take until now for you to call things off?” Hen questioned.

“I think from the start I knew I was playing with fire. After the last guy I was a first for, I told myself I wasn’t going to do it anymore. Then I met Evan, and he was just so magnetic, I couldn’t stay away even if I wanted to. I couldn't say no to him. I think I always knew my heart would get broken, and I guess I was okay with that all this time, until last night when I realized I love him, and I knew I had to cut myself off before I reached a point of no return.” Tommy explained. “I mean, I’m a fucking a mess right now and I was the one who called it off. I don’t know if I would’ve been able to survive him ending it.”

“Did you really just figure out last night that you love him?” Hen asked.

“I guess I sorta loved him from the start but last night was different, Hen. I’m in love with him, like well and truly love him, in a way I’ve never felt before, about anyone.” Tears filled Tommy’s eyes. “And I’m just his first. And as badly as I want it, I know I don’t get to be his last.”

“What makes you so sure you can’t be his last?” Hen wondered.

“Because I’m not the forever guy." Tommy shrugged slightly as a tear finally escaped and slid down his cheek. "At best I’m the close-to-but-never-quite-enough guy."

[hellaarknight]

I promised to protect you

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Genre: Angst

Warnings: swearing and mention of physical and psychological abuse, toxic relationship, mentions of bruises and about laying hands on a partner, some of the content may be triggering.

Author note: I would consider this a heavy fic for some. Do not engage if you think it might be triggering.

Images and art from Pinterest if someone knows the original creators let me know so I can tag them properly

⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️

" Well he's not always this bad, he's ok..."

Your weak attempt to defend your shity boyfriend only made Chuuya angrier. Why would you let yourself be in the company of that awful guy, he could never understand. You were bright and nice, powerful and determined and yet you got yourself a... A leech. No, it was worse but he was being generous while describing that abomination of a man... That guy had deemed your light in the past 6 months he's dated you and Chuuya hates himself for allowing you to get with him in the first place.

"Are you even listening to yourself right now?" Chuuya extended towards you a glass of wine.

"Listen Chuuya, I know he's not the man I've dreamed of and doesn't have all the qualities I've wanted my partner to have, but I also have to compromise on some things."

"Not on your dignity."

Your gaze fell on the floor a deep sight leaving your lips. Chuuya ran a hand through his hair, very frustrated. He didn't want to say it like that, but he had enough of seeing you suffer, seeing you renounce your hobbies because that guy deemed them "childish" or seeing you lose your spark when talking about what brought you joy just because your boyfriend found them boring. He knew you were smart, always talked about how you will never lose yourself in a relationship so he didn't really understand why and how you got to this point. Chuuya fell in love with you, but couldn't tell you because of his mafia position and him being away for missions a lot, or work trips how he called them in front of you. Then, when he decided he had to come forward and let you decide if you wanted to give him a chance with all that it would have entailed, he was a month too late. He returned from one long, painful mission and found you in a relationship, one that he despised wholeheartedly, so he chose to remain your trusted friend.

"Listen, I didn't want to say it like that...."

"No, that's not true, you did want to say it exactly like that". Your voice was on the verge of cracking. Something bottled up was about to spill if you weren't careful enough and Chuuya noticed it. The man groaned and took a sip of his wine. Maybe it was time to be honest about it.

" Fine. It's exactly like that. Since you started dating that douchebag you lost yourself. All the things you promised not to compromise on in a relationship happened. You lost your bright personality, you stopped rambling about books, anime and flowers. Hell, you even stopped gardening and that was your therapy. You asked me to stop bringing you flower bulbs from all over the places I go on my work trips and you stopped hanging out with me or your other friends. You stopped wearing your signature perfume and your red lipstick you were so fond of. So I'm sorry, but you're not in a fucking healty relationship! And you're defending that stupid fuck who doesn't do anything with his life and stays at your place, without paying any fucking bill! You left yourself to be a mat for that guy, what is wrong with you!?"

You looked at Chuuya stunned. It seemed that the red head had a lot bottled up as well. For some reason his words stung and made you feel worse. He was right and you fully knew it, but you just couldn't let him know... You could not put him in danger.

Chuuya was deeply unaware of your internal struggles. He only knew what he was seeing and what you were letting him know lately, which wasn't a lot that's for sure. He felt relieved to have finally spoken his mind. At the same time, guilt was eating him alive. This was the first time he raised his voice at you in a serious manner, but he couldn't control it, his anger towards the entire situation had the best on him. You looked frightened to say at least and he could swear that he saw you flinch when he was using his hands to express his thoughts.

Something about your crunched posture, your fidgeting fingers, the way you looked very exhausted made him open his mouth.

"Does he hit you?"

Why didn't it cross his mind sooner? What if you were in an abusive relationship? Your boyfriend's controlling behavior was concerning enough, but if it was worse than he imagined and all this time he blamed you for not keeping your ground? A pit formed in his stomach, he was going to be sick.

"What?? What, no... Is not really like that." You avoided Chuuya's scrutinizing gaze and forced a smile.

He gently reached for your chin and turned your head to face him. His voice was soft, barely a whisper, his gentleness making your heart flutter. Was his calloused hand always this comforting?

"Please, please if anything don't lie to me, especially with things like this. I promised you that I will protect you no matter what, remember?"

"I can't" you shake your head "If I'm telling you everything you're going to act impulsively. He's going to hurt you, he said you'd be the first one to suffer, I'm sorry, I can't..." At this point your cheeks were stained by your tears, your hand cupping his near your face.

Chuuya's heart broke at the sight. It was pitiful, he blamed himself for it. If only he wasn't a coward when it came to feelings. He swore to himself that he'd keep you safe from the mafia world, but that did not mean that in other circumstances he wouldn't be there for you. With his thumb he wiped your tears away.

" I am not going to get hurt, I promise you. There isn't any chance for him to lay hand on me. Don't hide yourself from me anymore, please. You're hurting and it's killing me to see you like this."

Chuuya felt as close to you as ever. Even if you kept your distance from him in the last few months, even if you tried your best to hide the hell you were going to. So you just broke down crying.

Chuuya was quick to pull you towards his chest, wrapping his hand protectively around you. He caressed your back and gave you space to let it all out. He was hurting with you, he hated to see you cry, let alone seeing how broken and hurt you were. He felt like the wall that rose between the two of you had finally collapsed.

" Is ok, is ok, you're going to be okay. I'm here now, you're safe, no one is going to hurt you here, I'll make sure of it. You are safe sweetheart, you're safe." He kept whispering sweet nothings and encouragement words until you got to calm down a bit. He used his gravity manipulation powers to bring closer the tissues and then handed you one.

" You' sure you're ok?" Your nod made him feel at ease, at least for a moment. Then he just grabbed one of your hands and intertwined his fingers with yours, squeezing lightly, silently encouraging you to talk.

" I want you to pinky promise that you won't do anything stupid." Your glossy eyes made Chuuya chuckle.

" You know very well that I can't promise something like that, doll. I'm gn'a promise that I won't get hurt, that I can do."

Your glare only made him raise his shoulder, but that will have to do.

" He... He may or may not have raised his hands at me. I definitely do have some bruises over my body, but they appeared from what he calls accidents. I tripped, or I fell into the chairs from the kitchen but he pushed me..." Chuuya silently listened, his blood boiling in his veins. He was ready to hunt the bastard down and bring him into the Port Mafia's torture chambers.

" ... and I kept all this to myself because he's a member in the mafia and said that he would put you on their killing list if I said anything to anyone so I was scared..."

" WHAT!?" Chuuya couldn't believe what he was hearing, your boyfriend was a what and did what? It was like his worst nightmare came to life but in a very twisted way. That was not plausible, the members in the mafia know very well the consequences of using their status to commit shit like this. Unless it was about some weakling, a newbie who got the hands on a bit of power and now thought nothing would touch him. What the fuck happened?

" I know, I know, it was very dumb of me to stay in the relationship, but I was really scared for you and for my family..."

" No, no, that's not it. Tell me his name and what he told you about being in the Mafia. That motherfucker is about to lose his head."

"Chuuya, you promised that you're not going to do anything stupid!"

"No, doll. I promised that I won't get hurt. But that isn't why I'm saying it. The guy can't use his mafia status however he pleases. There are certain rules even in the Mafia."

You looked at him confused.

" How would you know?"

Chuuya inhaled deeply. It was time to come clean with everything.

" Because I'm an executive in the Mafia and I can guarantee that the motherfucker you're dating isn't going to go about his day and live to tell the tale. I'm sorry, I'm going to explain everything afterwards, I promise. He's at your apartment?"

You were so confused, not really registering what he was saying so you just nodded.

" You stay right here until I come back. Go take a shower, take a bath, go in my office and read a book or you can find some manga collections that I have previously prepared in case you happened to stay here. You can find pajamas for you in the guest room. I'll be back later."

" Where are you going?"

Chuuya smiled and placed a kiss on your forehead.

" I'm going to show that bastard what it actually means to be in the Mafia."