#like all the ‘why didn’t aegon stay sober before going to battle?’

[welcomefortune]

I have so many thoughts as someone who grew up with an alcoholic about Aegon and his relationship to alcohol and how it affects his actions.

[silkygoldmilkweed]

Wine, Inhibitions, drunky Lannisters, Sansa Stark and the Hound

So. I continue to convince myself firmly that alcohol, particularly red wine, is crucial to understanding WTF is the deal with Sansa and Sandor in King’s Landing.

I’ll go over some details herein, but suffice it to say, I think that one or, “worse,” both of them being wine-drunk does what it does with all horny drunk kids everywhere throughout history: disinhibits behavior. (I believe that Sansa’s “outreach” is also amplified by fear and in her dreams when she’s unconscious--unconscious is really Bran is showing us when his eyes go white--but let’s focus on wine herein.) In the specific circumstance of Sansa and Sandor in King’s Landing, with the added aspect of Sansa’s First Men blood and her constantly agitated fight-or-flight response and both of their drinking (him heavily and her infrequently but enough to have an effect), her ad hoc skinchanger connection to the Hound, Sandor Clegane, is strongly amplified.

Very very few skinchangers can do humans, and from what we know it takes tremendous natural talent or great practice or both. Sansa must have some of the first, because she has none of the second. I think the reason Sandor’s consciousness doesn’t outright reject her or go instantly mad or just die, is because (a) he wants/likes/loves her duh (b) his consciousness is that of a fully formed powerful adult male, whereas hers is a confused but also ultimately very good, very kind and very gentle young girl. His consciousness doesn’t perceive it as an attack, as such. I imagine that your mental-emotional soul in this world might be not unlike an immune system: it’s highly evolved to distinguish between like and unlike, friend and stranger. For whatever reason, presumably that the big Hound has unwholesome feelings for the pretty little dire wolf, Sandor’s consciousness does not attack Sansa’s as an invading pathogen, but rather allows her to colonize his mind rather elaborately. She’s a virus, but the genetic material she’s transmitting into his cells is a beneficial mutation. And I suspect that it might be a two-way exchange, but TBD.

ANYWAY WINE:

“Is Joffrey going to kill Sansa’s brother?” “He might.” 

In ep 2x03 “What Is Dead Can Never Die,” Sansa drinks her way through dinner with Cersei and the kids because it’s all lies and next-level imprisonment and abuse etc. She’s wearing a blue dress with a dragonfly necklace.

Awful deleted #SanSan scene? Same dress. She’s crying, just as she should be after Cersei said Joff was going to kill Robb and Sansa would “do her duty.”

She was just thinking about how she’s going to have to fuck Joff. And well, well, well, look who manifests in her hallway: the Hound, and his number one concern? How Joffrey “will be having you soon” and just for good measure, this is where they were going to emphasize that he’s a dog (DOGS ARE THE EASIEST ANIMALS TO WARG, GUYS) and the reason he calls her Little Bird is...because she’s trapped in a cage? IDK IDK they didn’t do so good with the name explanation, but whatever, we know it’s, above all, because he loves her and because she’s his bird.

SUFFICE IT TO SAY, I think he shows up here with the particular concern about Joff’s forthcoming rape of Sansa, because she was drunk and he probably was too, and everything she was afraid of when drunk went straight into his mind. 

The barrier is thin between them to start with, but when she’s drunk she doesn’t withhold and she sends him everything she is feeling. He probably drinks extra when she’s “transmitting” to him, just to try to get the extra voice out of his head. I mean, that sounds like a reasonable plan for self-medication if you ask me.

Their next three interactions are all mostly sober (throne room cloaking, bread riots, “dog doesn’t need courage to chase off rats,”) but I will repeat that the music that plays during the rape rescue sequence in the tunnel is the same music that plays in season one when unconscious Bran is attacked by the cutthroat and Summer appears from nowhere to kill him and save Cat. I think, yes, the Hound’s a basically good guy who cares about her wants to save her, but also she’s screaming in fear in his head and he knows exactly what’s happening and saving her is going to help him as much as her because if he doesn’t stop it, he’ll experience all of her suffering in his head anyway.

“Well done, Clegane.” “I didn’t do it for you.”

And then after that, she dreams of the Bread Riot attack the night before she gets her first period, and lo and behold, who shows up? Sandor Clegane, who is either there on behalf of Cersei, or was summoned to Sansa’s chamber by the overwhelming feeling that she was mortal peril, because when she’s unconscious she can’t even begin to control broadcasting her fears and he has the only satellite receiver tuned to the Sansa Channel.

Which brings us to “Blackwater,” and Cersei’s drunk ass pouring cup after cup after cup of red wine for Sansa, who has no tolerance for alcohol whatsoever, while scaring the shit out of her about the outcome of the war, rape generally and the horrifying truth about her forthcoming marriage to Joffrey in particular.

Sandor begins the night of the battle already sauced. “Oh, there’s women in the ground. Put some there myself.” I’ve never understood this scene and it’s always bothered me as “off” in some way that I can’t put my finger on, but one interpretation is that they are illustrating the transition between Sandor early in the battle, who gives zero fucks about anyone, women and children included, to Sandor after a long of night of fire, drinking, killing, and above all, feeling a little girl’s fears about everything, transitioning to being like “Hey you wanna get out of here? We could go somewhere quiet, maybe have a coffee or something?”

Look, enter “the King,” a cunt who names his sword, and the Warrior personified, who ends the night covered in blood because he’s single-handedly fighting Joff’s war for him. Sansa knows what’s up. 

ANYWAY, this whole scene is a riot. We see Joff for the sniveling empty talker that he is, and Sansa is at her very sassiest. She’s starts out pretty strong and so does Sandor. 

But anyway, I think the whole point of this scene in the throne room and the Hound’s presence therein is so we compare the Hound and Joffrey side-by-side, again. Because why? Because it’s love triangle ripped right out of the pages of the most romantic/tragic love story in Westerosi history: the legend of Queen Naerys, her horrible brother-husband King Aegon the Unworthy and her other brother, the great and honorable and self-sacrificing Aemon the Dragonknight. See also Gwenivere, Arthur and Lancelot, but eh. 

“Your king rides forth to battle.” LOL. I bet Sandor was dying inside.

DRINK 1 feat. SER ILYN, who executed Ned Stark and has frightened Sansa from the first. What’s he doing here? “He’s here to defend us...guards we pay. Should the city fall, they’ll be the first ones out of the doors.” Sansa’s internally monologue would be: Gosh I sure which I had someone on my side who’s even stronger than Ser Ilyn and would fight for me without being paid. Or maybe it would be I wonder if paid guard Sandor Clegane would leave King’s Landing if the city fell. Maybe I could leave too? (I know we have Sansa’s inner monologue of this scene in the books, but books and show are different beasts.)

“Here. Sit. Drink...no, not like that. Drink girl.”

DRINK 2 feat. “Tears aren’t a woman’s only weapon. The best one’s between your legs. Learn to use it. Drink...if the city falls, these fine women should be in for a bit of a rape. Half of them will have bastards in their bellies come the morning.”

She’s just plain frightened.

And then the line that I think is the direct reason she refuses Sandor’s offer of rescue in favor of waiting for Stannis. “When a man’s blood is up, anything with tits looks good. A precious thing like you will look very, very good. A slice of cake just waiting to be eaten.” (Well, this and Shae literally saying, “Stannis won’t hurt you.”)

Meanwhile, the Hound is out at the war, cutting people in two (literally) and generally fighting like the beast that he is and then shortly thereafter having a total nervous breakdown because (a) fire, (b) Sansa’s fucking his head.

What’s the cure? "Fuck the water, bring me wine.” Wine, I think, just serves to make him even more emo and less able to deny his feelings for Sansa and their inexplicable connection.

“Dog, I command you to go out there and fight!” Sandor, totally defeated already, would be having this sort of internal monologue: “But why? So you can stay king and start raping my soulmate, your prisoner whose father you already killed for no reason? 

“Fuck the Kingsguard.” (they’re mean to Sansa)

“Fuck the city.” (the people of this city were mean to Sansa)

“Fuck the King.” (mean to Sansa and not good enough for her anyway)

This part, where she stands a little taller and says, “You won’t hurt me.” She is 100 percent inside his head at that moment, reading his feelings as easily you read these words right here.

BUT WAIT, there’s more. I think this scene is a little bit about the writers, at least, tipping that there’s something we need to know about Sansa and alcohol, and maybe skinchanging or enchanting men, too? Maybe she’s even starting to intuit that inebriated men are even more susceptible to her than usual? 

“Ale?” “I’ll have some.” “Do you like the taste?” “I don’t see what all the fuss is about. Why do men love it so much?” “It gives some men courage.” “Does it give you courage?” (5x02, “The House of Black and White”)

And then here. She’s drinking and he’s drinking AND there’s the touching. She convinces him to fight for Winterfell. He does not want to, but she convinces him. I’m not saying that this is magic because the dire wolf and wolf-dragon connection is very likely just normal human kinship, but it might be, at least in part. 

IN CONCLUSION, IF SANSA AND SANDOR ARE NEAR EACH OTHER AND DRINKING IN SEASON 8, WATCH OUT.