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dogsliampaynedoesntinstagram · 4 years ago

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The Laura snapes tweet made me had a range of reactions. The first was, why assume they’re straight and not think they’re queer and that’s why there’s queer subtext? Then I thought well I probably wouldn’t say that as a journalist with access to celebrities. Then I thought, but is it right to not acknowledge the existence of the closet? Then, but should this conversation not happen at all then, that feels wrong.

I was just watching the Longpond Sessions the other day, which brought me back to this ask.

Laura Snapes has deleted her twitter, so I can’t find the original tweet, but I’ve thought about it loads. It was something like: ‘With so many mainstream pop artists putting queer subtext in their work, does that reinforce the idea to young fans that queerness is something that should be hidden and obscured’.

The first reply was: ‘She’s gay your honour’ (The timing made the connection with Taylor obvious, although I can’t remember why). And in general the discussion was very good (Harry was also explicitly mentioned), but I found that my thoughts were kind of going off in completely different angles.

Because my first thought was - perhaps it’s the hiddenness of queerness that people are responding to.

More than anything else it made me think of a Happiest Season review that really bothered me. I haven’t seen Happiest Season (I’m now watching whole series of half hour shows, but I’m still not up to movies), but one of the reviews really stuck with me. It opened by covering the promo that Kristen Stewart and Clea Duvall had done in the lead up to the film. In particular, how they both talked about identifying with MacKenzie Davis’s character and having felt like that was role they’d had to play because of their careers. The writer then proceeded to absolutely trash the movie and particularly how terribly MacKenzie Davis’s character had navigaged the closet and treated Kristen Stewart’s character.

I’m not suggesting the reviewers assessment was wrong or unreasonable. But it seemed to me a pretty horrific thing to do to take quotes where the creative team making a movie talked about how much they identified with this particular way of navigating oppression, and then tear into the fictionalised version. I think if you’re going to write about what people have said about the way they navigate oppression in the context of art they’ve made, you don’t have to like the art, but you do need to treat their lives with compassion.

I think there’s something more going on. I think there is an experiential gulf, between queer people who write about culture, and queer people who make certain types of culture. The way homophobia operates in many places is changing, most notable the closet is not a necessity to navigate many workplaces now. While queer people writing about culture will have a whole range of experiences of homophobia - it’s not necessarily a common experience to be told that being open about your sexuality will do a huge amount of harm to your career. Whereas actors and singers (and directors and writers who were actors or singers), that is still an incredibly central part of their experience of their sexuality.

I thought about this more when I learned that Robbie Rogers, Greg Berlanti’s partner and one of the producers on My Policeman, had been an out football player. I’ve seen the idea that we’ve had ‘enough’ sad queer stories, mentioned over and over again. Robbie Rogers called My Policeman a passion project; Harry Styles seems to have put quite a lot on the line to play Tom. It seems like My Policeman is story that resonates with people who have experienced the idea that their ability to do what they loved would be destroyed by being open with their sexuality. And I think there’s something slightly obscene about people who are unlikely to have experienced that, to somehow call enough of sadness or depictions of oppression. (To be clear, there’s nothing wrong with not liking particular kind of stories, but lots of people go beyond that and suggest that therefore those stories should not exist - and I think that’s very loaded).

Clea DuVall and Kristen Stewart acted professionally before they were 20. All professional football players have to be serious in their teen years. Harry Styles, became a public figure when he was 16. Their experience of their sexuality is going to be very different from their peers. In some ways easier, money always helps. But that specific dynamic of being very successful at doing something you love, and being surrounded by people who tell you everything would be at risk if you came out - that’s a different set of threats than those a lot of other queer people experience.

In this context, I think there’s something quite grotesque at looking at artists who have been teen celebrities and saying ‘make happier queer art’.

For those of us who want more queer joy in popular culture - I think there are two choices. Make it ourselves, or fight for a better world where nobody feels like they have to make it. As long as there's queer pain in the world, there must be space for it in art.

#I am pretty much always against #the idea that certain stories shouldn't be told #or have been told enough #there are so many different things that can be done with a story #but it seems particularly cruel #to put young queer artists #through particular kinds of pain #and then demand they make happier art #Obviously this assumes that the subtext comes from queer people #but that's also my strategy #to assume that issues do affect people personally #(to do otherwise #always seems to me to be prioritising straight people over queer people #- or other oppressions as the case may be #I'm more interested in protecting possible queer people #than policing possible straight people)

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ingravinoveritas · 4 years ago

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Okay I'm going to say it.

DT's answer to the on screen chemistry question has always irked me a little.

Don't get me wrong, I really like Georgia and I adore them as a couple, because you can really tell (and could tell from the very beginning) how much love they have for each other. There's no doubting that.

I'm also not saying that it's a lie that he feels like he had the most chemistry with his wife. That's obvious. She's his favourite person. Again, in their case, I'm not doubting that.

But... look, as someone who's seen almost all of the bigger things he was in (not even on purpose, it just so happened haha) I just can't agree with that answer at all, because, yes, it's true that he feels that way, sure, but from an outsider's perspective: No!

And that really doesn't mean that he married the wrong person! 😂 But off screen and on screen can make such a huge difference. Not always (see: him and Michael), but in some cases it's just not the same thing. At the end of the day, at their level, acting is a craft. That needs to be considered. I think DT&MS said it themselves, didn't they? You can't really know if it works just as well and as naturally and as clearly on screen as it does off screen, not until you actually do the scenes. Just because you have a natural off screen chemistry with a person doesn't mean that it's going to be just as noticable (from the audience's perspective) when each of you portray characters on screen. I mean, there are also enough pairs who worked really well on screen, but actually despised each other irl.

So, all jokes aside: I think if you were to see it from an objective POV (and I'm aware that that's only halfway possible, because the whole matter is obviously quite subjective in itself, but oh well - call it my subjective objective lmao) the answer would ACTUALLY be Michael. And if it wouldn't be Michael then it would be either Billie Piper or Olivia Colman, imo. Three absolutely outstanding examples for on screen chemistry, that have two actors playing with each other, making each other shine and just doing their craft (with three completely different dynamics for each pair, too) in a way that is or was almost too good to be true.

His chemistry with Georgia was far from off, obviously, but really no match. Just my opinion. But... it's still cute that he said that and feels that way. :) And quite telling that he then immediately had to think of Michael. :P

I am totally with you here, Anon. You’re right and you should say it: On screen chemistry is not the same as off-screen. I was actually once asked who I thought David and Michael had the best on-screen chemistry with (other than each other), and Olivia Colman was one of my picks, too. Interestingly enough, Georgia has actually said in interviews that she’s been told that she “wasn’t convincing” as David’s wife on-screen. And that’s coming from a casting director, whose job it is to look for and read the chemistry between actors, so that is certainly saying something.

Again, like you said, that doesn’t necessarily mean David married the wrong person. But having chemistry off-screen is no guarantee of having it on-screen (though I would argue that actors who are supposed to be a couple having no chemistry either off- or on-screen is demonstrably more awkward than just one or the other). On-screen chemistry, though, is about the characters as much as the actors--what each person brings to the role, and how well they are able to “click” with their on-screen partner. The examples you gave (Billie Piper, Olivia Colman) speak to this, but Michael and David do far and away outshine all the rest on screen, including David and Georgia.

What was interesting to me about David answering this was that there was no discernible reason for him to bring Michael up. He could have never mentioned him, and no one would have blinked an eye. So it seems telling that he first gave what would be the more obligatory response (albeit with a question mark on the end, with the way his voices goes up an octave), followed by what could be characterized as the more “honest” response (again, like you said, he wasn’t lying by saying Georgia, but he also might not have been thinking of on-screen chemistry, because the question wasn’t specific).

It also shows us that David thought of Michael right away all on his own, without prompting or any sort of lead-in. And while it could certainly be argued that he said it as fan service, I’ve noticed a tendency on David’s part to hide a kernel of truth behind fan service. He could have simply said, “Michael Sheen and I also have really amazing chemistry,” but maybe saying it outright like that would’ve felt too...revealing, somehow...so he said something much more outlandish (”Maybe I should’ve married Michael Sheen”) instead. By doing that, he could then use the safety of a joke/fan service to share something much deeper.

That’s wild speculation on my end, at any rate, but the whole thing definitely does give one lots to think about. So yes, I agree with everything you’ve said about chemistry, Anon, and I’m glad you took the same to share it with me. Thanks for writing in! x

#anonymous #reply post #david tennant #soft scottish hipster gigolo #michael sheen #welsh seduction machine #georgia tennant #dragon con #this man is a bi disaster and i love him #david is definitely more subtle than michael #but he knows how to speak volumes without saying a word #i've never seen David be so blatant #at least before this #their chemistry is and always will be amazing #ineffable lovers #good omens rpf #discourse

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ftstorm · 4 years ago

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My take on 5x10

Welp, that was a big one!

You know, before going into this episode I reminded myself this was the first episode of a new era, the first episode completely made by the new team.

So with that in mind my expectations were "Okay, let's see what they've got."

And oh boy did they surprise me.

DISCLAIMER: this text post is long af, not kidding.

1. THE INTRO SCENE.

You guys have no idea how glad I am that we got Mac doing a usual MacGyvering in his house. It's been ages since they implemented this format of showing his dynamics outside Phoenix and around his house.

I wasn't worried about the proposal thing at all. Guys, you have to accept that MacRiley was always going to happen after that 4x04 episode.

There was also the fact that this was the intro scene (usually the most important plot issues happen in the outro scene), Bozer's weird reaction and the melancholic audio cue.

If that proposal was happening, they would've made it more uplifting.

(I gotta say that watching Monica Marcer and the official MacGyver account making damage control in Twitter 3mins into the episode was a funny experience)

So my initial questions about Mac wanting to propose were: "what are his motivations?" and "how is this not going to work out by the end of the episode?"

The second question we got the answer later on. The first question remains unanswered. If we take on Mac's words, he says:

Mac: Unexpected, I know, I know. But that's why I like about it. You know ever since I lost my dad and Jack I've been thinking about the bigger picture. A commitment to make things work it's exactly what Desi and I need. A grand romantic gesture. *cue melancholic music*

Here we're presented with a bunch of things worth analysing, in my opinion.

He's trying to see the "bigger picture" which, for me, it means he's trying to tackle down different issues from his life with one specific, efficient action [the proposal]. Those issues being:

> his current romantic relationship: make is aware they have an inconsistent relationship > his performance at work: he needs balance between his personal affairs and his work, which is based on saving the world in a daily basis and for that he needs to be focused. > dealing with his past losses: to my understanding, saying "ever isn I lost my dad and Jac I've been thinking about the bigger picture" means that he doesn't want hopelessness to take over him, he wants to keep on moving and being proactive about his life.

So... you have to understand that in some sort of way, this proposal thing is a signal that Mac is healing. In some sort of way, if you were in Mac's shoes you would see that it was a positive thing for him. A step forward.

The thing is, we [the audience] have an extended understanding of the situation and we know that an engagement would be an incredibly rushed decision.

As well as it is that Mac's trying to move forward, he obviously hasn't been able to pinpoint the true issue behind his relationship with Desi. He isn't wrong about them lacking in the commitment department, but forcing the relationship to scalate isn't the right move. He should be asking himself: "Why are we avoiding commitment?"

And that's when he'd find out that they have very deep and important trust and communication issues.

~~~~

2. Moving on. MURDOC.

Russ: I can process it more efficiently by having it all spread out ahead me, you know. I reckon see the bigger picture at once.

This is when I realized that the episode was centered on this whole "bigger picture" idea. Russ struggles to see the full picture until the very end and Mac finds out that he hasn't been seeing the full picture of his life at all by the end of the episode.

Fast forward, the team's in Mexico, Riley knows about the ring already and she has already had the talk with Bozer in which she refers to her feelings for Mac in a past tense.

Then Murdoc appears.

And as if the episode wasn't already a rollercoaster after Mac's reveal, now Murdoc shows up to put everything upside down.

First I gotta say, man Dastmalchian is SUCH A GOOD MURDOC. Excellent actor. The way he delivers his lines, his facial expressions, all of it make an original and very entertaining Murdoc.

He always gives me such a Andrew Scott's Moriarty vibes and I love it.

Secondly, his dynamic with Andrews: *cheff kiss*

I loved how Andrews was so over Murdoc's theatrics, to the point his facial expression screamed "Why did I even reclute this guy" LOL.

Back to the story.

This is something I was hoping it wouldn't happen but at the same time I don't see another way it could've happened which is the explanation behind Murdoc's escape and how Phoenix didn't know about it.

Because what they told us is that the FBI didn't let them in on Murdoc's escape, right? Does that imply that the FBI has a corrupt agent in charge? Does it imply that the order of not letting Phoenix in came from above? Maybe someone with higher clearence than Matty? A politician? Governement conspiracy?

It smells like plot hole, tbh. I feel like the Murdoc's escape is a classic "it is what it is". We'll see if they come back to this in later episodes.

~~~~

3. BIG SECRET REVEAL 1.

By now we're at the point of the rollercoaster where you're going up and up and up. Your tension building more and more as you're getting close to the drop.

Bozer and Riley's audio was the drop.

You know, during this scene I jumped from my seat, closed my eyes, cringed, squealed, my heart accelarated, forgot how to breathe...

As a person who is a little bit bipolar when it comes to romance (I can be very shy about it or very outspoken about it) that scene made me SO UNCOMFORTABLE.

Imagine having your feelings exposed not only to the person you have feelings for but also his girlfriend who happens to be your friend, your boss and the criminal that's threatening to kill hundreds of people.

I was like: "Not like this!!"

And Mac's reaction didn't help because of the lack of it. I don't know what I expected but his slightly monotone reaction broke my heart.

Thankfully, I've recovered since then and I don't mind that it happened that way.

Still, imagine how suffocating it must've been for Riley. That idea was what made me so uncomfortable and I think that's what they were going for. They wanted to make it as straightforward and awkward as possible.

But it doesn't end there. It's followed by Mac revealing the ring to Desi (and Riley). Mac's in "fuck it" mood and Desi kinda panics.

Little side note here, using GUM and a DIAMOND to break a bullet proof glass... BIG YES. That's an intrinsic MacGyverism.

~~~~

4. BIG SECRET REVEAL 2.

Then we get a breather from this drama by introducing another drama, Leanna's death.

Bozer's reaction to the news was heartbreaking for my already heartbroken heart.

I have my suspicions as to why they decided to kill her... The other episode completely made by the new team was the Quarantine one (5x06). During that episode Mac and Bozer bond over Bozer's pain. After learning about Bozer's mom, Mac chooses to share a piece of his own pain with him.

So, hear me out, I think they writers are planning to help Mac process his own grief THROUGH Bozer's grief. Keep in mind that we still have a Bozer centered episode coming up.

This is just a theory. I may be wrong, but I think it may be right too.

Back to the episode.

Once again we see a three dimensional Russ. He does something accordingly to his own judgement thinking it's the right decision [hiding Leanna's death], he realizes he screwed up, he gives Bozer a very heartfelt apology about it.

Henry's acting talent shone with this narrative. Actually, most of the actors had the chance to shine THANKS to the NARRATIVE. Murdoc, Andrews, Desi, Mac, Russ and Bozer... they all had their highlight moments (I'll talk about Riley later).

Parenthesis here... THE NARRATIVE HAS RETURNED THEIR SOULS TO OUR DEAR CHARACTERS!

WOW, they aren't brooding, angry, sad or whiny ALL THE EFFIN TIME. ABOUT TIME!

~~~~

5. LAST ACT.

For the third or fouth time in this episode my heart broke again when Mac was friendly towards Riley, after she explained herself. It really felt like he was friendzoning her.

But here's something to point out. Riley visibly relaxed when he reacted that way. What does that tell us?

> She had been so tense up until that point. Imo, she's on the defensive now. You can even see it in her wardrobe, make up and hairstyle choices. They're very contrasting to Riley's most vulnerable moments in this show (like when Audrey broke up with her).

Riley has had a year to sort out her feelings. We see in this episode that she spoke about them in a past tense. Whether she achieved it or not is unknown. We just know that she has at least tried to move on.

> She was mostly afraid of ruining her close relationship with Mac (who's her only family, along with Bozer) and her friendship (?) with Desi. We've seen it over and over again: Riley DID NOT WANT to get in the middle of them.

Keep that in mind as we go in the last scene.

It took me a while to figure out a possible thread of thought inside Mac's mind. Why did he look at the ring and decided to go to Riley's house? It really didn't make sense to me.

One moment he was thinking about his proposal and somehow that lead to him having the necessity to know if Riley still had feelings for him? Why??

My theory is that he went to her apartment for permission.

His question was a way of asking Riley for permission to propose to Desi. It was a way of reassuring himself that proposing was still the right decision.

In a way, he could also be fishing for an excuse to not do it [the proposal].

Because now he has doubts. He's confused, unsure.

Mac asks:

Mac: Hiding your emotions and letting it pass. Did it go away?

What could her answer have been? Here I wanna go back again to Riley being emotionally defensive, added her strong desire of not wanting to be in the middle of Mac and Desi's relationship.

I think she would've said "Yes, it worked."

Because it also lines up with my idea that the love triangle has changed from "Riley's a better match for Mac" to "Mac needs to win Riley's heart".

Riley's done her job. She worked out her feelings. Now it's time for Mac to sort out his humongously messed up internal self and reignite her spark. That's what I think.

Also, if anyone has any idea on how the song that played in that scene relates with the moment please share it with me because I don't really understand the song choice lol.

~~~~

6. ADDITIONAL COMMENTS

Desi. I'm not sure what's going on in her mind. She seemed stressed out by the ring, very serious about Riley, lenient with Mac... I'm really not sure.

My guess would be that she doesn't want that type of commitment but she wants to be with Mac yet she can't ignore Riley so does that mean she has to end it with Mac? That's the thought process she may have had? Idk...

I'm glad they let her be mature about it, with no overreactions, no whining, no blaming, nothing of that style that we're used to see in her.

I'm also glad about that moment when she defeats Murdoc and Andrews. THAT'S HOW YOU WRITE A TOUGH DESI. It was filmed with such a gracefulness and elegance. I liked it.

From a MacDesi point of view, she's probably being open minded and giving him space and waiting for him to come back to her... but somehow I got the vibe that she's actually... running away?

Lastly but no less important.

THE HISPANIC REPRESANTION OMG. RUSS SPEAKING SPANISH AND THAT CUMBIA MUSIC FILLED MY HEART WITH SO MUCH PRIDE!!! :')

#MacGyver #review #long post #finally finished it #macgyver meta #my meta

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wickedpact · 4 years ago

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i emerge from the abyss to tell you about the dream i had about 2 old 2 guard

so i think this was supposed to be like a trailer? honestly it was very unclear in the way that dreams are- actually. i think it started out as the intro to the movie and then shifted into a trailer?? whatever dreams are weird

started off strong with a flashback from decades ago (i think it was like, 70 years ago?) of nicky in either a hospital or a school, a young child in his arms and some other kids around him (dream me was THRILLED at this and had to pause the movie/trailer to lie face down on the floor with glee. i remember that Very specifically) and then it shifted into a trailer for the movie and things got. weird. (also my memory gets fuzzy about specifics) it was like, introducing these… alternate versions of the characters?? but the only one i (regretfully) remember is “nicolo tuo 2” (that was like. the name that showed up in text. i don’t know where the ‘tuo’ came from. my subconscious brain tried to create an italian word or something but i’m pretty sure tuo is an italian word that means like… you/yours? i could be wrong i just woke up and i’m not gonna look it up bc i’m on mobile and i fear losing the contents of this ask if i try to switch tabs) so anyways. jumping to what is definitely the worst part of this dream. nicolo tuo 2 was played by chris pratt.

i’m just giving that a moment to sink in. to feel it like dream me had to feel it. (the “it” is disgust)

(i’m pretty sure i can blame this nightmare on the snl sketch my parents were watching with chris pratt in it last night) - quite frankly i’m not even sure the other alternate versions of characters had different actors?? which i think might honestly be worse.

now crim, you might ask me “2ta, what happened to the nicky from the beginning of the dream? was he played by luca marinelli? is he still in this dream movie/trailer?” - yes. but god at what cost.

somehow. fucking somehow, it was implied that our nicky and joe (the real ones) were not together. and instead, if i remember correctly, there was a dramatic shot of nicky (the real one) kissing some woman, i believe in the rain? (the only thing i can think to blame this on, is the fact that i watched ricordi last year. and like if i’m remembering correctly the nicky in this scene in my dream had long hair kinda like i think luca had in ricordi) - everything other than that feels kind of irrelevant but there was like fight scenes thrown in there and i think like?? completely new immortals too?

idk at some point the dream shifts again and it’s kinda like completely different but also somehow similar in that it’s just all these new immortals (most of which consisting of being various fictional characters from things that i’ve watched and enjoyed) auditioning to be in the old guard. not. auditioning to be in the movie. actually auditioning to be in the group of immortals that is the old guard. this was taking place in like this. backstage theater style building and there were three different rooms with different things that had to be done in the auditions. the first room was fighting, where like, the new immortals that were auditioning were fighting each other and like everyone was in this room including andy and i guess the rest of the old guard (minus quynh, who shows up later) the next room was weapons, and there was absolutely no one in that room. empty room, bunch of weapons. moving on. the next and final auditioning room was… dramatic speeches. and that’s the room that quynh is overseeing. she’s like. happy and fully recovered from the ocean. that was a detail to this. dream me got to like talk to her (i was sent to find her by andy, if i’m remembering correctly) and she was really nice. and that’s pretty much where the dream ended.

(the relief i felt when i woke up and knew it was a dream and that chris pratt wasn’t actually playing a version of nicky in the sequel)

so there’s a look into my subconscious i guess. fuckin weird. i couldn’t consciously make this shit up if i tried. - 2ta

oh yeah also at some point there was like a new immortal who could like detach her hands? yeah i don’t know why that was highlighted or held in my memory but it sure was - 2ta

this was an ADVENTURE

"nicky in either a hospital or a school, a young child in his arms and some other kids around him (dream me was THRILLED at this and had to pause the movie/trailer to lie face down"

just reading this gave me Serotonin

“nicolo tuo 2”

nicolo. . . . .. . .. .... . .U2. . .. .. . .. ..... ..

"nicolo tuo 2 was played by chris pratt."

PSYCHOLOGICAL DAMAGE. SNAKES R MANIFESTING IN MY HOME RIGHT NOW

"nicky and joe (the real ones) were not together. and instead, if i remember correctly, there was a dramatic shot of nicky (the real one) kissing some woman, i believe in the rain?"

THANKS THATS EVEN WORSE

"and that’s the room that quynh is overseeing. she’s like. happy and fully recovered from the ocean. that was a detail to this."

love that for her

asdfghjkl honestly even my dreams arent this weird, if i dreamed this i would be Losing My Mind for the next 36 hours minimum

#anonymous #2thoughts anon

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yanderecandystore · 4 years ago

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Remember that Villain Eldritch I asked for way back? What if the s/o just gave up and went on to find love and ignore Eldritch or atleast try to....Now I can't stop thinking of a Eldritch that looks like a puppet masterwith the theater masks . - Cold Anon

Ya know Cold, I've been having a hard time writing recently because I haven't felt inspired but now I realize the biggest mistake I ever made-

WHY DID I TITLED AZIR "THE WINGED ONE", IF I COULD HAVE CALLED HIM "THE PLAYER"???

It would have fitted his character so much better and it wouldn't be such a mouthful!

I feel so baaaaaad ;-; Okay listen- I know this is really bad but- Can we just call him Azir The Player!? I'm sorry but it literally fits his "Life is all a game/an theater play" personality-

Yes boo, I remember your request, and I'm glad to be able to write for it again :3

TW/Tags: [🎲🦚☄️] // mentions of mind control // mentions of stealing identities // humans being treated as pets/playthings // mentions of memory erasure // mentions of blackmail/kidnaping // delusional thinking

🍭꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖♡🍰꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖🍭

Player One Wins [Yandere!Eldritch OC (Azir) x Reader - Headcanon]:

For those that don't know Azir, he is the character of [🌨️��🦚], who likes to create and collect "snow globes" of various humans cities- Basically creating enclosures for humans to his own visual enjoyment. You could say he is kinda like the Collector, although Azir does not care for having a huge collection, he just wants a couple of Earth's cities that he finds aesthetically pleasing- And easy to have his control over.

I like to imagine that all of the Masked ones have the ability to change in size, except for Ibu who struggles to change his physical form, so he resorts to his illusions when it comes to disguise (just a bit of an thought, I think the others try to make themselves appear bigger in Ibu's presence just to provoke him-). In other words, Azir can easily make himself bigger to take a whole small town for himself, and even become small enough to fit in with the humans.

It's not a hard job for him. Sure, it's pretty time consuming since he has to basically erase the memories of the outside world of every single individual to be able to have a bit of order inside his little cages, but to him, it's all worth it.

The type of sick fate that awaits the poor inhabitants of said small towns are not easy to predict. It depends on what game he wants to play. I don't doubt that whenever he has a new specific concept in his head, he will do whatever it takes to achieve that ideal concept.

Being that an apocalyptic scenario in one day, maybe a completely happy paradise in the next day, maybe a full day just to praise him for the absolute God that he is- As long as he has control over everyone, he can easily manipulate the situation to make it sound like that day never happened.

But then again, he is easily bored- So his latest trick was to try and live a successful human life from the ground up, it sounded like a fun challenge to someone that doesn't care for other's well-being, you can thank Ibu for giving him the (wrong) idea of how humans function. After he noticed you were suspicious of him, he changed his game.

It was a lot more fun in this game, he felt more like himself- It was a lot more satisfying playing the role of the villain than the good guy, yet in a way- He still had nothing to lose! He already won, everyone you know and love is under his possession, even yourself.

But that wasn't really true though, the only thrill of this game is of you chasing him- So for you to simply stop playing, it meant the game wasn't happening anymore, and he had lost.

He had lost because you weren't feeling his ego anymore, but that doesn't make sense in his head- You're the one that has bailed out, you're the one that should have lost- Why does it feel like- Like he lost his own game??

Sure, you know what? Fine, go for it- You'll probably die in a blink of his eyes anyway- It's not like he'll notice if you're gone or not. He still has literally everyone else in town to be his toy. Try ignoring the constant citizens that will look at you dirty because they're under his influence- Since he feels like you cheated in some way.

You are extremely stupid if you think you can just ditch him and his game, as long as you're here, you don't have a saying in whether or not if you'll participate in his game. You're stuck in this massive pretty cage- Of course you won't be able to get out.

He has to reassure himself that it's foolish of you to be so stubborn, you're his from the moment he created this "snow globe"- Why would you ever just- Ignore him?? Don't you want to know the truth about your situation? Of who and what he is??

He would annoy you constantly, sometimes by disguising himself as one of your friends/relatives to be able to get closer to you and see more personally how your life was going without his interference- And on other times, he would simply watch by being outside the crystal dome, just observing from an outsider perspective to see how are you doing, since you keep ignoring him even when he tries to provoke reactions out of you.

He feels so lonely- In his mind he is only concerned because he thinks it's unfair of you to simply get out of the game, but in reality he does miss you a bit. He tells himself that you somehow cheated your way into winning this game, and that's the part that upsets him the most- Even if very deep down, he knows that you didn't cheat, since he had no proof of it.

But after seeing you build a new life with the other mortals made him lose his shit-

You filthy, filthy cheater, that's not how the game was supposed to go! Why- Why would you even consider changing the game?? He is the one who gets to set the rules- And in his rules there is no more characters involved in this story, there is only you and him as the players and actors of this ongoing plot-

It's not fair for you to simply cheat on him like that- You shouldn't have tested his patience.

You want a villain? He will be your villain- Taking away all the ones you love from you, and hopefully you two can restart this again without these inconveniences-

Just don't fuck his game, his theater, his entertainment- It's clear that he can't get it if you're away, being the actor and director of your own play- Cheating your way away from his game and from him, he is almost too disappointed to get back at you, but just barely.

Get ready to get back into his game- Hopefully you'll be able to keep your memories of your partner and kids, it'll depend on how good you'll follow his instructions.

🍭꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖♡🍰꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖🍭

#yandere #sheep stuff #sheep's stuff #yandere oc #yandere x reader #yandere oc x reader #yandere oc headcanon #yandere eldritch oc #yandere eldritch #yandere eldritch x reader #special delivery request #special delivery headcanons #sleepy sheep: errors incoming

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bewaretheidesofmarchyall · 5 years ago

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Soulmate Shenanigans Part Two (Electric Boogaloo)

Good morning (or at least, I’ve started writing this in the morning! Who knows when I’ll complete it)!

I’m continuing my Soulmate AU Tomfoolery (you can find part one here)

Prompt #2

There is a timer that counts down to when you will meet your soulmate.

Warnings for death mentions, and temporary major character death

World Building

Everyone blames the mad scientist.

Which is fair. When someone makes billions of clocks in about a weeks time, each declaring when everyone in the world (including people who wouldn’t be born for decades) would find their soulmate, it’s considered to polite to stick around to answer questions

Instead, Logan disappeared to who-knows-where and left everyone else to pick up the pieces.

Rude.

Ever since the early 1910′s, the clocks have existed, one for each person. When any kid is born, the first thing a new parent does is rush to the register to see when they’ll meet their soulmate. It’s a big deal.

If your child isn’t going to meet their soulmate in the next 13 years, they are told the exact number on their 13th birthday

Philosophers have been enraged by all of this. Is free will a thing? Is existence a lie?

Non-philosophers will often close their curtains when they see a wandering philosopher, which are easy to identify by their look of abject confusion and plucked chickens.

Characters

Remus: Remus pretended that he didn’t care about who his soulmate was when his 13th birthday rolled along. He wasn’t the best actor.

His brother seemed happy when he found out that it would be sixteen years until he found his soulmate. 29 wasn’t a bad age at all, considering that some people would have to wait until they were old and in a nursing home, or would never even meet their soulmate at all.

Remus waited for his parents to tell him. They gave each other nervous looks, and he was convinced for a few seconds that he didn’t have a soulmate after all.

The actual answer was much weirder

526 years. 526 years until he met his soulmate.

Remus said a silent thank you to his soulmate for making him functionally immortal. After all, that meant that he’d survive until then!

HE WAS IMMORTAL

AHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

Now, whenever someone would try to say something like, “Why do you like serial killers? Planning to become one?”, he could just look them dead in the eye and say,

I’m going to outlive you, Brian

(On an unrelated note, Brian disappeared a few months later. It actually wasn’t Remus’s fault, surprisingly. One minute, he was at a museum, the next, gone)

Remus would be fine with never finding his soulmate, honestly. Connection is nice, but being eldritch is more fun.

Virgil: Virgil didn’t want to be immortal

Sure, he wasn’t a fan of dying in practice, but in theory he didn’t want to live to over 250!

His family and friends were going to die, and he’d have to live through it. And for what? To meet a soulmate? Who gave a fuck? Virgil had never wanted a romantic relationship in his life, and he didn’t think that a 526 year wait was going to change that.

He was determined to find his soulmate early so that he could live a normal life like a normal person who doesn’t cause additional distress to the wandering philosophers.

Plot

It was easy to find Remus. Local Child Will Live To Over 500 makes a good headline, and Remus wasn’t one to shy away from attention.

When Virgil was 16, he packed his bags and ran away from home to go meet his soulmate. He didn’t ask Janus how he got the bus tickets, but he did ask him to tell his parents that he’d be okay.

Virgil knocked on the door, and waited. Someone who looked almost exactly like the news site photo answered. The conversation went something like this:

Virgil: So, YOU’RE Remus McFricking Sanders-

Roman: Nope, not him, whatever he said isn’t my fault.

[Roman slams door]

Virgil was pretty sure that he had, in fact, met Remus, and he was just being annoying. Roman believed that his brother had just manage to piss off yet another person.

Virgil retreated to a restaurant, and looked up the photo on the news article, just to make sure. No denying it, that was him! Same eyes, same hair, same general face-wait.

Remus had a nose that had obviously been broken at least once. The guy who’d greeted him at the door had definitely been in less scrapes than his soulmate.

Whoops.

Meanwhile, Remus had a plan to avoid Virgil at all cost. Virgil had tried to shy away from press attention, but he tracked down a photo eventually.

And when his brother told him that some emo with “awesome” eyes had turned up on the doorstep looking for him, he had a bad feeling.

Well, spooky boy wasn’t going to cost him his long future.

And so the dance began.

In one corner, Virgil, who had spite, stubbornness, and a deadline on his side (he had to get home to his parents eventually)! Never discount a spiteful Virgil!

In the other corner, Remus, who has nothing on his side but fate. Fate, however, has a sense of humor, and Remus read enough old myths as a child to know that whatever happens can’t be changed by petty human actions.

Virgil tries breaking and entering many times, each failing in a more ridiculous way. He is a careful, but Remus is practically Kevin McCallister in terms of traps, and he fails to meet his soulmate face to face all day and all night.

They do get to have some verbal exchanges, which are pretty much

Virgil: You think you want the existential hell of immortality??

Remus: Oh, fuck off, I’m going to have the best vampire aesthetic!

Virgil: The vampire aesthetic is wonderful, but can we do everything for aesthetic?

Both at the same time: Yes. Yes we can.

And then Virgil is herded out of the house by Remus’s pet rats.

However, the final encounter goes a little differently. No witty quips, just Virgil picking the lock of yet another window, and then a very specific sound.

Have you ever heard a stubborn emo get pulled into a portal in the spacetime continuum?

It’s a distinct sound that is along the lines of loud crash-The fu-whirring noises-nyoom-eerie silence

Remus didn’t give a second thought before diving into the portal after him. If he had, he would have thought hey, this’ll probably bring us face to face, something I’ve been avoiding or maybe jumping into random portals in a stupid idea or I’m going to grab a weapon before just running at it. But his first impulse was to make sure his snarky soulmate hadn’t died, so into the portal he went.

The Year: 2550

The Portal: Glows a lot, thank you for asking

The Reason: A mad scientist has only one thing left to lose, and is terrified as it slips away

Logan: Logan was a geek at heart. He loved science, in both theories and practice. He probably should have toned down his obsession with Nikola Tesla. He wanted to travel to the sky, and touch the stars, and watch time like a film reel.

Time travel was his passion. If people could travel across the physical seas, why not the metaphorical ones of time?

It was pure luck that he actually figured it out, but figure it out he did. Logan loved his creation.

He wanted to create a million inventions, but more importantly he wanted Patton to see them all.

If there was one thing he loved more than science, it was him.

The two kept each other from drifting off into the stars, or sinking into the dirt because they’re too afraid of being rude. One of Logan’s favorite memories was he and Patton running through the St. Louis fair, giggling at terrible puns and sharing a quick kiss out of sight, before catching the next exposition.

Patton was kind, and caring, and knew how to talk to people to get them to like him, and was just good. He was good.

Logan dealt only in facts. And it was a fact that it would have been better, more fair for Logan to have died in the fire.

It was a fact that he didn’t (even though it felt like it sometimes). It was a fact that Patton had been the one to notice the smoke. It was a fact that the love of his life waited for a few seconds in the doorway, trying to call the cat out. It was a fact that, after Logan was out of the house, he turned around to see the doorway collapse.

He found a way back into the house, but it took too long.

Fact: Humans can only endure severe smoke inhalation for a few minutes before dying.

Logan took one look at his time machine, somehow still undamaged. He’d never tested it before, but he really didn’t have a choice, so he kissed Patton on the forehead and stepped into a portal.

Back To The Plot

Virgil and Remus immediately knew that they were in the 26th century.

How? There was a sign!

Hey! If You Happen To Be A Time Traveler, This Is 2550! Check In With The Lord Cerebrum To Know More, Unless You Don’t Have A License, In Which Case

You Know What Happens

They don’t have much time to mull over this before Remus tries to murder Virgil. He’s not IMMORTAL any more, and it’s not FAIR, and it’s all HIS fault!

This is where we enter the Rivals To Friends (While On The Run From Time Management) section

Remus and Virgil have many adventures escaping from Time Management, while learning to appreciate the other as a friend. They are platonic soulmates, after all!

But Time Management is nothing if not patient, and the boys are caught eventually (you know how it goes. You forget to check around for listening ears, you use 21st century slang, and suddenly a single “yeet” and a “same” get you dragged before the Lord Cerebrum)

A Handy Dandy Guide To The Year 2550 (transcript from the Handy Dandy Infomercial Station)

Hey, time travelers! I know that everyone likes zipping around the time-stream and seeing what the fates throw at them to keep them from murdering their grandpa, but we have to do this by the Rules!

If you break the rules, you know what happens

The Year 2550 is protected by Logos Industries’s time dilation filter, to ensure that no one gets the wrong idea about going free range!

If you have a license, just proceed to the Lord Cerebrum to get your stamp of approval and philosopher disguise for the maximum positive effect! After all, Logos Industries needs funding to protect us all!

If you don’t have a license, you’ll see the Lord Cerebrum too!

Have a Handy Dandy Time :)

Back To The Plot

The boys are led through a menacing government facility, taken to see the Lord Cerebrum. They try to ask questions, but Time Management is rather disinterested in their fleeting existence, so nothing much gets answered.

The final destination is a computer room, where the Lord Cerebrum sits. His form was half hologram, half skin, his age unchanging for 526 years, and recognizable at first sight to Remus

Lord Cerebrum, aka Brain, aka Brian: Hey, Remus, what exactly did you say about outliving me?

Brian: Brian was a dick. There’s no other way to put it.

He and Remus used to be friends, sticking brand new phones in water to see what would happen and planning out pranks (they made their history teacher think that she was being haunted by the ghost of Charlemagne!), but things changed, and by 8th grade his dickishness was on full display

It was really easy to get away with being cruel to Remus. He naturally unnerved people, and anyone in a position of power immediately knew he was trouble (which was true), so when there was a conflicting story between a star student and the kid who poured ketchup in the principal’s desk, you can guess who’d always get believed.

Brian was a dick, but he was 13. He could have grown later in life, regretted his ways (or at least stopped), but instead he touched an antique time machine on a museum tour of the Clock House (home of Logan, the famous inventor of soulmate clocks).

He’d been planning to snap off the handle and pin it on Remus (or maybe Roman for variety), but instead

Crash-what the-whirring noises-nyoom-eerie silence

And Brian arrived in the year 2520, the first of many time travellers.

He became a celebrity. The parts of him lost in the wormhole were quickly replaced with state-of-the-art holograms, and his fame went to his head.

Thirty years of good marketing later, he was the Lord Cerebrum. And when a desperate mad scientist came crashing through a portal of his own, it was easy to get him to work for him under the promise that Brian would let him save his “Patton” once he made some technology for him.

He recognized Logan from the museum. He knew who’s fault it was that he was trapped travelling through time, whirling through the portal, praying and promising and in the end just screaming. Brian knew who was to blame for the fact that he couldn’t tell how much of his body would stay when the power went out.

So the tasks got longer and more complicated, Patton dangled like a carrot over Logan’s head.

Fact: Logan would never win, and someday Brian would get tired of this game and there would only be one genius left in 2550.

Back To The Plot: Virgil punched the Lord Cerebrum in the face. He didn’t know all of the context, but his best friend seemed not to like the guy, and he seemed evil, so he punched the overlord in the face.

Brian was offended, and abandoned all plans for a monologue in favor of leaving them to die.

The most fitting way to do away with a time traveler is to send them everywhere at once. It’s an awful death, one where molecules are slowly lost as the traveler in question hits walls and trees and memories.

The duo managed to survive five or so timelines, before the machine miraculously shut off. A mad scientist ran into the room, unscrewed the vents in the walls, and told the teenagers that they’re late.

Things are explained as they escape the facility.

Things

Logan needed a way to break the time dilation filter. He did the math (which he tried and failed to explain to the boys), and it was determined that Remus and Virgil had the most butterfly effect capabilities to influence this particular event

Basically, removing them from the timeline changed things just enough for Logan to find the chink in the filter’s armor.

The duo’s job is done, and Logan is only sorry that he didn’t find them earlier to get them home.

Back To The Plot

Everything seems like it’s going to be fine, and the duo are almost able to go home, when the Lord Cerebrum finds them.

CLIMATIC SHOWDOWN

An Ending

In the end, Brian is sent to the 22th century, the year where nearly all of humanity were turned into giant rats for some reason

Logan found his way back to the 1910′s, and used the 26th century technology to heal his love. The time machine burned in the fire. Good. Space travel was where it was at, anyway.

Virgil had so much explaining to do to his parents

Remus knew that no one would believe him. Roman did.

Virgil and Remus stayed the closest of friends. They dressed up as vampires for Halloween. They stuck together. They got to grow up.

More soulmate shenanigans, amiright?

#sanders sides #ts sides #remus sanders #virgil sanders #logan sanders #logicality #platonic dukexiety #time travel #soulmate au #beware the drafts of march #soulmate shenanigans #unsympathetic brian #i don't know why this random shorts character is awful in my mind #i'm sure he's a perfectly nice fictional character #i love writing #fan fic #sanders side fic #sanders sides fic

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fulokis · 4 years ago

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Thoughts on Wandavision

Spoilers duh.

I started this out as a boredom watch as in eh why not. I was not really invested until Evan Peters showed up. Evan Peters aka the guy who played quicksilver in the X-men fox universe. With DoFP being my favorite partially because of quicksilver. So naturally I became way more invested in the show, not only that but I became hyper-fixated on X-men as a result.

So marvel brings in this actor and all the fans of the X-men are like yeah duh that makes sense, especially considering Wanda is heavily involved with MoM, the movie about the freakin multiverse. So fans of X-men and doctor strange (of which I am both) become exited for the possibilities that this opens up. Excitement builds and as a result people end up watching more content on Disney+ whether it be the movies shows ect.

And then they go and say nope it’s not. And even if they do retcon it it’s still a really crappy thing to have done. And what do I mean, this is part of marvel trying to surprise fans through subverting expectations. And yes sometimes it’s nice, but other times you end up with a mess that leaves more questions than answers.

Take Endgame and Infinity war. Now I knew that Thanos was going to win in infinity war. It was a matter of how he would win. But part of my issue with infinity war is that it felt like it barely spent time exploring how the different characters would interact with each other because there were too many and it would have blocked the narrative from moving forward. Endgame had a similar issue but on top of that they were so focused on keeping everything locked up that it didn’t exactly feel like a cohesive movie. And as a result the character interactions and relationships fell quite short. Not only that but some of them made no sense, but taking a look at endgames flaws has happened enough.

So taking a look at wandavision I’m not upset that my therory is incorrect. I’m upset that one they literally did this to subvert expectations because they hate when their shows are predictable, and two people are rubbing it in our faces that we were wrong and we shouldn’t be upset because it was a theory. And what’s more is that they had an example of fans being correct and it was still surprising.

My mouth still dropped at the reveal that it was Agatha. I still was surprised even though I knew it was coming. I know a lot of people were. And I can say it was because of the fact that we got it right that we knew where it was going and it was executed in a way that still made it feel like a big reveal. So why then are they trying to surprise the fans with well it was Ralph duh haha got you.

Because for some reason marvel hates when people can predict something. Which makes me wonder why they went with the infinity war storyline and are seemingly going with the Skrull storyline if they don’t want fans to predict what’s happening? Why are they going with well known storylines from the comics if they don’t want anyone to guess what is happening? Especially if the fans know the storylines and end up becoming disappointed if you don’t include this one specific moment.

And this is an issue because it sets up fans to know how something will play out, then turning around to subvert expectations ending up with something that doesn’t quite make sense with the narrative they had set up and teased and the characters. It doesn’t work to take pre established stories and adapt them to the screen while trying to subvert expectations. You need to pick one or the other, you simply can not do both.

There’s a reason that people are so finicky when adaptations of books are brought to the screen. It’s because they enjoy those stories and they want to see it as close up on the screen as possible. They want to see how they imagine it. And yes it’s tricky because people imagine it many different ways, but with comics honestly you have a story board right there. And yes you will need to change certain things especially to fit in the budget and physics of real life. Not to mention erase some of the problematic social injustices found in the earlier comics.

And yes wandavision isn’t based on one comic story line. But that doesn’t mean it doesn’t have to be predictable. Take a look at some other examples that I can think of that either were predictable and good or subverted expectations in a positive way that didn’t confuse people.

Mandalorian: Luke Skywalker being brought in was a surprise. We knew that a Jedi might come, in fact it seemed quite likely that a Jedi would come to train Grogu. But the thing was we didn’t know who, we didn’t know if it would be Luke or another Jedi. Potentially it could have been one we hadn’t met, but we knew that one was coming and that still didn’t stop us from being surprised. And if it wasn’t Luke people wouldn’t have been mad because they left it ambiguous who the Jedi was until he was onscreen (unlike deliberately casting an actor that is known for a role then saying nope not him).

Mandalorian: This one is short but it’s a way to do both predictability and subverting expectations. The first episode of the second season was legitimately the plot from the 2003 game Knights of the Old Republic or Kotor for short. Fans of the game knew exactly how it would turn out, or at least how they would attempt to kill the dragon. They did do that, but unlike expected it didn’t work. So they tried a different tactic that paid off. As a kotor fan I expected this, I also expected the pearl at the end of the episode, but that didn’t stop me from enjoying it, and honestly I rather enjoyed it and it was fun. And I think most kotor fans would agree.

A series of Unfortunate Events: The Netflix show not the movie. In the books Olaf’s bench people get killed off, in the show they made it so that these people survive. I didn’t expect that, and it was good. The writers were still able to make something that fans of the book knew exactly what was going to happen and the general way that things were going to happen. But they adjusted things so that there were some surprises to viewers who read the books. And none of the changes were done specifically to subvert expectations they were done to enhance the story in certain ways. And they do even if they weren’t completely expected. And it still allows me to enjoy the show.

Kotor: yes I’m talking about the game and yes I’m still obsessed with it despite it being so old but also spoilers for it follow so skip if you don’t wish to know.

Kotor follows the story of a human being, they discover slowly that they were once feared across the galaxy known as the Sith Lord Darth Revan. Now can you figure out the twist through context clues absolutely. But it was not only revolutionary for the time but also knowing it still doesn’t take away the surprise feeling for a lot of players (I’m still surprised pikachu face no matter how many times I play or rewatch the cut scene).

There are many more examples but these are the ones off the top of my head.

I’m not angry at the fact that they were trying to make it surprising. I’m angry at the fact that marvel knowingly did this, and there’s no resolution at all. It’s a throwaway scene for a throwaway character played by a known actor who is known for his role as quicksilver. If it was someone else and they did this it would not be as upsetting. But the fact that marvel did this and knew exactly who they were casting to just mislead the fans is inexcusable. And maybe this isn’t the end of the storyline, but right now it is. 12 hours after the finale it absolutely seems like the end of the storyline. And that’s why people are upset because it was such a clear this is what is happening, then they develop it into just this dude. They led on it was quicksilver and we don’t even get to see the rest of the conversation that Monica has with him. We get no resolution whatsoever. And that’s what hurts the most, if they had explained hey Agatha did this and managed to somehow do X Y or Z to have this random person have powers and these memories. Now it would be cheep and people would still be upset but not as much with the incomplete explanation and the throwing it in there because they had to.

If they really wanted to subvert expectations they one shouldn’t have brought Evan Peters in to play a quicksilver (I hate saying this because I was so exited). Two shouldn’t have gone with anything to do with Agatha or even Mephisto. And a lot of people would probably wonder who they could have gone with and Tbh I don’t remember who I saw said it but Mojo would make sense. Or hell they could have brought in Evan Peters and an alternate version of Wanda who is causing this to happen and stir the pot. Either way the way they executed it was extremely poorly done and that’s why people are upset.

So please consider that for people this would have made a huge statement for. X-men fans are drawn to the X-men for many reasons. And I would say that some of those reasons are that they belong to a minority group and feel represented in the X-men. Me I’m LGBT+ and despite having grown up in a very progressive area, there are people I interact with where I don’t feel like I can be myself or even feel comfortable coming out to. And that’s why I personally am attached to the X-men. And I’ve seen other people say similar things.

For people the X-men and mutants aren’t just characters. They’re characters that marginalized groups can relate to. They’re characters that they can see themselves in. This goes much more deep than my fan theory wasn’t correct. It’s a combination of crappy writing and Marvel attempting to be surprising and the fact that they had the perfect opportunity to introduce a cast of characters that represent struggles of marginalized communities and recognize that yes the world isn’t just filled with hero’s that are cis straight abled men and women. And even if it was people from another universe it still was a step in the right direction.

So please if you’re fine with this and took the time to read this don’t make fun of the people who are quite upset with the developments of the episode. A lot of us are upset for a deeper reason and seeing people go “haha you’re wrong you idiots.” Makes this feel that much more upsetting.

#wandavision spoilers #wandavision #peter maximoff #peitro maximoff #X-men #multiverse #Kotor #Mandalorian #asoue #a series of unfortunate events #wanda maximoff #marvel

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ranma-rewatch · 5 years ago

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Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’

Hey, it’s Ranma Rewatch, I’m on episode 7, and I don’t want to waste too much time with the preamble. I am super excited for this episode, my boi is here, I really hope it holds up, see you after I watch it again!

That wasn’t exactly how I remembered it, but not in a bad way. The episode starts with a short scene that has become pretty freaking iconic, and has been sampled in dozens, if not hundreds, of AMV’s: A man cloaked from head to toe, walking through a desert, his eyes barely visible under goggles. It is a really cool shot that catches the eye right away.

We cut from that to that same person approaching a small village, deciding to throw off his concealing clothes to reveal his typical yellow and green outfit, with a bandanna around his head and an umbrella on his back, which he takes out to slow down his descent when he jumps off a cliff. This village happens to be being attacked by a huge wild boar, wrecking everything in its way, but this fellow is able to stop the animal with little effort and send it flying. When the grateful villagers approach, he only has one question for them: where is Furinkan High School?

At first they don’t understand the question, until they look at what he has for a map and realize it’s of Tokyo. The problem is, this young man is on Shikoku, a completely different island in the archipelago. They point him in the right general direction, and he reveals before the scene ends that he is specifically trying to find Ranma Saotome.

Speaking of the show’s titular character, we get a small scene of him in his cursed form being blackmailed by Nabiki into wearing women’s clothes because all of his stuff is in the wash. After that, we get another scene of the mysterious umbrella-wielding stranger asking someone for directions to Furinkan High School, but this time he’s in Hokkaido. Once again a completely different island, only this time on the opposite end. Fun fact: Hokkaido was the inspiration for Sinnoh in Pokemon!

We get another small cut-away to Ranma in various outfits, then another of our new character somehow ending up back in that village he was in earlier. The point is being made clear to us: he is terrible at getting where he wants to go, but is also so inhumanly strong and resilient that he has no trouble surviving in the wilderness in the process.

What seems to be the next day, he finally gets to where he’s going, just as school is letting out for the day. Ranma is being chased by Akane for something, though we don’t know exactly what. (Of course, we know their dynamic well enough by now to know it’s almost certainly something Ranma did to annoy her.) The newcomer slams into the ground where Ranma is landing at the same time, leaving a crater in the cement from the force of his landing, all while screaming how Ranma has to die.

The problem is, Ranma has no clue who this guy is, which pisses him off to know end. Even after he brings up that his vendetta has something to do with Ranma never showing up for a duel, Ranma still struggles (and fails) to remember this guys name, but luckily he gives it to Ranma anyway: Ryoga Hibiki. They went to Junior High together, and they’d agreed upon a duel, but it never happened because Ranma wasn’t there when Ryoga arrived.

Now, Ranma protests that he waited in the agreed upon empty lot for three days before taking off for China with his dad, which is honestly more time than most people would have waited. As we already know though, Ryoga can’t seem to get anywhere quickly, so he got there on the fourth day. Oh, and the lot was right behind his house.

The crowd of students who only moments before considered him with awe over his fantastic martial arts abilities are now looking at him like a buffoon, and Ryoga is ready to get his revenge on Ranma already. But Ranma puts a pause on that, runs out, and comes back with a bunch of different kinds of bread. Why? Because bread was the reason for their duel in the first place. Their school was only for boys, and getting food at lunch was a nightmare. Ranma ended up snatching the last piece of bread just before Ryoga could get it time and time again, and all the bread he brought was one of each type he’d taken years before.

But Ryoga doesn’t care about that, making it clear that the bread isn’t something he cares about anymore, that Ranma has put him through hell, even if Ranma has no clue what he’s talking about. But before they can get a proper fight going, Ranma runs away, losing Ryoga enough that when he starts busting up the school looking for him, he ends up going the wrong way and out of the area entirely, leaving Ranma and Akane to wonder where he went. We do get to see where before the episode ends: once again back in that village that had the boar problem, where he gets a meal before running out into the evening to find Ranma once more.

Like I said before, this episode wasn’t entirely how I remembered it. Namely, there was a lot more humor than I remembered. For the most part, that’s not a bad thing, there was actually some really good comedy, and I don’t feel like it trampled over the more serious parts of the episode.

If it isn’t clear, I am going to say right now that I did still love this episode. The animation was really on-point, some of the visuals of Ranma darting around people or the brief combat he gets with Ryoga just looks beautiful. Also, even though we don’t get a fight between the two just yet, it’s already solidly communicated, through Ryoga easily beating the boar, barreling through steel barriers, and hitting the ground so hard it destroys concrete, that he is strong as hell.

As much as I love the opening desert shot, I actually think my favorite part of the episode is some of the conversation between Ranma, Akane, and Ryoga. Ranma straining his brain to remember who Ryoga is killed me. It was weirdly relatable too, I’m sure many of us have run into someone who obviously knows us, while we can’t even remember how we know them, let alone their name. The fact Ranma actually specifically bought one of each bread he’d taken from Ryoga before was kind of cute, more than I expected of the usually flippant martial artist.

There’s also an exchange I’ve seen on Tumblr a few times in screencaps and gifs, and there’s a reason people love to share it. When Ryoga says he’s going to destroy Ranma’s happiness, there’s this shot of him freaking out, only to turn to Akane and blankly ask if he is happy, to which Akane doesn’t understand why he’s asking her. They take such a trope-y line from a character seeking revenge and turn it around into a really good joke.

There was also a really interesting thing I noted in terms of translation. After hearing about the string of times Ranma stole bread from Ryoga, Akane makes an analogy to why it mattered so much, but it’s different from dub to sub. In the English Dub, she says the straws broke the camel’s back, a common phrase that seems to fit the situation. But in the English Sub, she says (loosely remembering) “enough dust can make a mountain”, and I think that actually fits much better. After all, we soon learned that the bread isn’t really why Ryoga is angry, but once you do know everything that happened that led to Ryoga’s rage, that analogy fits perfect: it isn’t so much one specific event, as a collection of small events that collected into an enormous vendetta.

All my compliments aside, I did have some issues with the episode. Some of the comedy didn’t really work for me, and that was most true with the early scenes of the Tendo girls trying to dress Ranma in Akane’s clothes. Some parts did make me chuckle, but on the whole the mini-plot made me uncomfortable. Primarily because, as I’ve said before, I feel like the best way to look at Ranma’s cursed form is as a trans man. Even though his body has changed, his gender hasn’t, he’s still a man. The scene has Ranma protesting again and again that he is a man, even as they try to dress him as a woman. The idea of some cisgender folks trying to force a trans man into women’s clothes just...isn’t very funny to me. It’s kind of terrible, at least from a more queer perspective. That complaint done, let’s do the character spotlight.

Oh come on, who else did you think I was going to do? If it isn’t clear yet, Ryoga Hibiki is my favorite character in the series, and he has been since I was a teenager. Who knows if that will remain true this entire watch-through, but so far I’m not liking him any less. I’ll get into why, but first let’s talk about his voice actors.

The voice actor I’m more familiar with, his English one, is Michael Donovan. Like most of the actors for this dub, he’s someone who worked with the Ocean Group for a lot of series around this time period. That said, if you’re a fan of the Fate franchise, he has done some voices in Ufotable’s recent anime adaptations, playing Risei Kotomine and Zouken Matou. In Japanese, his voice actor is one Kōichi Yamadera, and he continued the pattern of voice actors who are well-known in Japan for dubbing English works. He’s most well-known for dubbing over Jim Carrey in a lot of movies, but he’s done a ton of others as well. In anime, some of his notable roles include Spike Spiegel, Beerus in all the recent Dragon Ball movies and anime, and Gentle Criminal in My Hero Academia. Seriously, diving into this guy’s list of roles is like swimming in an ocean of great roles.

So, how do they do? Well, so far I’d say I like both of them a lot, but they do play Ryoga differently. At his core, Ryoga is actually kind of a perfect microcosm of the tone of the series itself. Ranma 1/2 is simultaneously a shonen battle anime, a romantic harem series, and a wacky comedy. Ryoga is someone who takes himself very, very seriously. His desire for vengeance against Ranma isn’t a joke, and neither is his ability as a martial artist. But he’s also a doofus who ends up crossing the length of Japan several times because he can’t follow directions properly and the reasons (so far) for his hatred of Ranma are completely laughable.

I wouldn’t say that Michael Donovan’s performance lacks seriousness, in fact when he wants Ryoga to sound menacing I think he does it well, but on the whole he leans more heavily towards the comedic parts of the character. Meanwhile, Yamadera’s Ryoga hasn’t really sounded silly once to me. He plays the character dead straight, and let’s the comedy come through in the contrast between that demeanor and the circumstances around him. We’ll have to see as we go, but I actually might be preferring the Japanese performance so far, a rarity for me.

Okay, so, why do I love Ryoga so much? There are SO many reasons, many of which I won’t go into just yet because I’ll save them for when they appear in-series. But there is still a lot shown in this episode that I feel I can discuss. To start with, I adore his design. I don’t mean the cloak and goggles, though those are absolutely awesome, I’m referring to his standard mode of dress. The yellow and green as a color scheme, with accents of black to top it off, is something really unique. I don’t know enough about art to really articulate why, but I just love every touch of his design. My favorite small touch has to be the yellow strands wrapping around his lower legs, clashing with his otherwise dark green lower half. I have no clue what they’re supposed to be for, but they just add something, almost making him look more rooted to the spot of wherever he’s standing, more solid.

That is a good word to use for Ryoga in general. Even though we haven’t gotten to see him in a proper fight just yet, we’ve seen quite a lot of evidence of his main attributes. In Dungeons & Dragons terms, Ryoga is making out his Strength and Constitution. He hits like a truck and he can be hit by a truck without slowing down. I love that because it contrasts so perfectly with Ranma’s strength: his speed and precision. I adore it when rival characters actually have qualities that make the fights between them more interesting from the contrast, and Ryoga fits the bill there quite well. He’s also a good foil in terms of personality: Ranma is easy going, likes screwing with people, and is quite quick-witted; Ryoga has a hot temper and a long memory for grudges, hates it when people trick him, and tends to let his emotions do the thinking for him.

I will say it feels like his character has some classic Early Installment Weirdness, as he uses his umbrella quite a bit in this episode. If I remember correctly, after his introductory arc, he doesn’t use his umbrella much at all for the rest of the show, preferring to rely on his fists. It definitely feels like they hadn’t quite nailed the character completely yet, if that makes any sense.

Ryoga is also doing that thing where he’s seeking revenge and really angry, but refuses to talk about why, drawing out the mystery as long as possible. While that trope can become annoying, I don’t really mind it in this case. This isn’t a situation like Godot from Ace Attorney, where Ryoga is purposefully hiding it for some grand plan or something, or to teach a lesson. Ryoga doesn’t go into specifics because A) he thinks Ranma should already know; B) Ryoga is very mad; and C) he doesn’t want anyone else to know his secret. I’m not saying it isn’t stupid that he doesn’t tell Ranma why he’s mad, but I am saying that it’s in-character.

Are you surprised that I adore this episode? You shouldn’t be, I’ve been gushing about it this whole time. Even with the parts I found more rough to watch, this is still my favorite episode of the series thus far, putting the rankings at:

Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’

Episode 2: School is No Place for Horsing Around

Episode 6: Akane's Lost Love... These Things Happen, You Know

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 5: Love Me to the Bone! The Compound Fracture of Akane's Heart

Episode 1: Here’s Ranma

Episode 3: A Sudden Storm of Love

The big question is: will the next episode of this four episode Ryoga arc be even better? We’ll find out next time with Episode 8: “School is a Battlefield! Ranma vs. Ryoga”. See you then!

#episode 7 #Enter Ryoga the Eternal ‘Lost Boy’#ranma 1/2 #ranma saotome #ryoga hibiki #anime analysis #anime rewatch

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kinkymagnus · 5 years ago

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okay im fucking LOSING MY MIND LAUGHING

normally i like block anon hate and i might do a quick generic response but i don’t necessarily show the ask but this is too fucking funny not to. this is genuinely the best anon hate i’ve ever gotten. i’m almost wondering if it’s a joke surely someone isn’t this goddamn stupid???

ok ok ok so.

first of all. i actually was joking, mostly because while magnus’s actor, harry, is very attractive he’s like late 30s and it would be kind of weird for someone that much older than me to have sex with me. and while magnus is, again, super hot, i also ship him with alec more than i actually want to have real sex with him or something, particularly again given the age thing and my own unrelated issues, so like, if somehow magnus bane became real, i would not want to have sex with him. although that’s irrelevant, as he isn’t real, and fantasies are harmless even if i was fantasizing about that, but whatever.

second. even if i wasn’t. what the fuck. i literally wouldn’t even be doing anything wrong.

anon please tell me what’s disgusting about being attracted to a FICTIONAL CHARACTER. it’s not like i’m out here thirsting over a 12 year old anime girl with huge tits or something, so i honestly don’t see the issue. he’s a fictional adult, and also he’s hot. people have fantasies about fictional characters all the time?? this is normal?????

like 1. on a more serious note some people only feel comfortable with sexual fantasies about a fictional character because it’s more coherent than vague “and then im having sex with...someone” but also its unattainable and like, can’t hurt you, and also, you don’t feel weird being attracted to someone (although you never should anyway unless they’re way younger than you or something??) and also again 2. WHY IS THIS A PROBLEM? DO YOU THINK THIS IS LIKE BESTIALITY AND THE FICTIONAL CHARACTER CAN’T CONSENT TO [checks notes] YOU FINDING THEM SEXY??? WHAT THE FUCK they’re not REAL, karen

and even so no one needs consent to find someone attractive lmao what the fuck it’s attraction not action

i genuinely can’t get over this it’s so fucking funny “ERRRM just learned that you think a fictional character is hot. [vine voice] blocked and reported” i????????

or is this about the specific use of the word “topping” which is referring to the fact that i personally prefer being on the receiving end of things, but would be willing to be the “giver” so to speak for him? it’s a joke, i’m not even necessarily classifying him as A Bottom and me as a A Top in that post (although even if i did mlm joking and/or seriously headcanoning this shit is not the same as like Cishet Women clowning about it) like..... ok???????

also “writing porn of characters is one thing but WANTING TO FUCK THEM YOURSELF? TOO FAR. IF YOU WRITE SELF INSERT YOU’RE GOING TO HELL.” i??????????????????????? I????????????????

I ACTUALLY WANT TO KNOW THE LOGIC BEHIND THIS I WON’T EVEN BLOCK YOU YET. because despite the whole “blocked and unfollowed” someone only sends anon hate like this when they want attention, and i have no doubt you are going to be checking my blog to see me crying or angry about this. of course, now that i’ve said that you might not respond out of spite or some childish willingness to be like “NUH UH” but like, we both know the truth. and i mean, congrats, you got my attention, look at how fuckin long this response is

anyway despite how hilarious i find this.... like i just... “oh...i......its wrong to joke about wanting to top a fictional character who literally couldn’t care less....it’s WRONG TO BE ATTRACTED TO FICTIONAL CHARACTER....WRONG TO GET OFF ON FICTIONAL CHARACTER (why do you think people read my porn, buddy, for the intellectual stimulation?) WRONG TO WANT FICTIONAL SEX WHEREIN YOU COMPLETELY SET THE BOUNDARIES AND WHAT GOES RIGHT AND WRONG AND IT IS SAFE AND THE FICTIONAL CHARACTER CANNOT HURT YOU IT’S THE FICTIONAL CHARACTER WE AREN’T EVEN MAKING WEIRD COMMENTS ABOUT THE ACTOR--”

[ahem] despite how funny this is, anon hate isn’t cool, and also, dude. if you really were upset by me.... [im about to start giggling again] being. being attracted. to a fictional character. like................ just......... unfollow. hell, you can block me if you want to, god knows i understand blocking people who make content that doesn’t feel comfortable to you.

but like, sending a petty anon ask (anon! coward! if you’re gonna send hate show me your face!) being like “WELL I HOPE YOU’RE HURT, BECAUSE I HATE YOU NOW, YOU DIRTY SLUT, HOW DARE YOU DO THIS CONTENT I DON’T LIKE” is wrong! even if i was actually doing something that really was gross! even if i’m following someone and i find out they’re into j*lec incest or something, i don’t go into their inbox and go “DISGUSTING. THAT’S WRONG AND RACIST AND GROSS. BLOCKED AND UNFOLLOWED.” even though it is, and they are, because i have class. i unfollow, block, and move on!

but like, this is even worse because it’s something so mind blowingly trivial it’d be like if i went into some poor person’s inbox like “YOU MADE A POST SAYING YOU THOUGHT AN ACTOR WAS CUTE. FUCK YOU. THAT’S DISGUSTING. BLOCKED AND UNFOLLOWED.” like??? ok??? bye. good riddance

anyway you’re really hurting yourself more than me. i mean, i’ve got [checks notes] holy shit my follower number has gone up one.

oh my god this is so fucking funny i’ve got one new follower and as far as i can tell it doesn’t look like anyone’s unfollowed unless there’s another new follower buried in the notifications and/or you unfollowed ages ago. did you even unfollow or are you just trying to shame me for thinking magnus is hot, which he is???

that is so fucking funny oh my god i’m just laughing harder the longer i look into this

anyway i was going to make a joke about 601 going down to 600, a nice round number, and like, i wasn’t going to miss you, i block book stans that follow me all the time and people unfollow me for various anti reasons all the time, i’m used to losing followers, you’re the one who is apparently missing out on my porn--speaking of which, why do you like my porn? you can’t be attracted to the characters, right, because that’s a sin? or is it ok if you’re only watching but not involved. like the “it’s not gay if you’re watching and not touching” kind of rule.

i just.......

“but then wanting to have sex with a FICTIONAL character???wtf??” LKGJFLGKHJFH I CAN’T GET OVER THIS THIS IS SO FUCKING FUNNY “i expected better of you” FROM ME? THE PORN BLOG? DID YOU THINK I DIDN’T FIND THEM FUCKABLE IN ANY WAY???????? I??????????????????????

also did you send a similarly childish ask to all the other people on that post? not that i’m encouraging you do but tothetrashwhereibelong sadly had their inbox closed and has personally expressed interest in a dumbass rant from you when we were laughing about this, so you can send that to me and i’ll carry the message! they’d be delighted to hear it.

anyway i’m actually not going to block you just yet because i honestly want another response but i’ll give it a few days, maybe longer. i’m so curious and also this is so funny lmaooo

#what the fuck is this im fucking.#i want you to know i got this when i was barely away and it was kind of early for me cos i went to bed super late #and then instead of going back to sleep like i would literally any other time #i actually got up to immediately send this to my friends and LAUGH MY FUCKING HEAD OFF IM????#this is just so wild #i love it #thanks anon youve made my day #this is it. the funniest ask ive ever gotten #im not even mad despite moral objections to anon hate and shit im just losing my mind #thirstgate #thirstgate anon #the og!

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destiny-smasher · 5 years ago

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“But I can't walk on the path of the right, because I'm wrong.”

So, The Last of Us Part 2 is out. It’s about 25 hours long. I’ve played it. I loved it, but it’s got its flaws. I think the hype buildup was overblown, and I think the zealous hate from the leaks was also overblown. This is a beautifully produced game that is trying to do much more than the typical AAA game tries to do, and in so trying, it’s messier, muddier, and more complicated than its predecessor. I love it for that, despite my issues with how the game ultimately resolves things.

I think Naughty Dog was either intentionally misleading audiences (which, given the marketing, is possible) or perhaps Neil himself has a different concept of the game he directed than what was actually delivered. Despite how it was advertised, The Last of Us Part 2 is not inherently about ‘hate’ or ‘revenge.’ It’s not just a revenge story.

It's a story about empathy, about how human beings and their interactions have layers, and how we are better when we extend blind empathy to others instead of blind hatred. I gotta talk about this. SPOILERS FOR THE ENTIRE GAME to follow.

Seriously, final warning for SPOILERS.

This game is simply too big, too complex, and has too much going on for me to write a single piece going over everything there is to talk about, but there are some things I need to say that inherently rely on discussing the entire game in a spoiler-filled way.

Let’s start with the most noticeable thing that has hit me over this game’s reception: people like Joel way more than I would’ve expected. SO much of this game’s negative reception seems to be over Joel’s character and the circumstances around his death. I was not at all surprised that he died - I was a bit surprised at when and how he died, in the moment, but even by the end of the next scene, it had washed over me how much sense it made. He died in the same way everyone else dies in this series. He had it coming in the same way anyone else in this world has it coming. He was never a hero. If you truly look at Joel as a ‘hero’ figure but don’t extend that same logic to Ellie and Abby, you do not make sense to me.

I’ve seen a LOT of hate getting thrown at Abby, and frankly, I do not understand it, and if you hate her but do NOT hate Joel or Ellie similarly, then I inherently don’t respect your opinion? You’re being blatantly biased and unreasonable in exactly the way this game is arguing you should not be. Straight up. Get your transphobic jokes the fuck outta here. Get your homophobic takes on Ellie and Dina the fuck outta here. Get your xenophobic complaints about the MUCH more diverse cast of characters in this sequel the fuck outta here. The ONE case where I could see a reasonable thing to be conflicted about is Lev’s character, because they are a transgender kid who gets deadnamed by some NPCs. As a transgender person, I personally found this to just...make sense and feel organic to the world, and none of the actual characters in the narrative with names or roles in the story ever deadname Lev. Lev is fucking precious and I love him, and I think his inclusion adds inherently more to this game than otherwise, despite the understandable conflict some might feel about his backstory. To ME, the fact that all of what Lev goes through and how Yara and Abby do what they can to look for him, that says to me, “protect trans rights” and I am glad it is there. Trans people have to deal with that shit sometimes, I think it’s fine having it be PART of a wider narrative. It doesn’t define Lev’s story, it doesn’t dictate the plot of the game, it’s a spark that sets some events off and I think that adds more than it could potentially take away, as does the overall representation in the game.

Getting back to this element of bias, though, I get that you “went on a journey” with Joel and Ellie in the first game. I get that. But you spend about as much time with Abby in this game as you did with Joel in the first game. And I see a lot of people are SOMEHOW totally fine and chill and cool with Joel going on a murder rampage in the first game, specifically killing at least one man who was specifically trying to save humanity - they cite that Joel is a morally gray person who has done bad things and is trying to become a better person. Sure, cool, OK. And Ellie, sure, ya’ll will think her going on a bloodthristy revenge quest is cool, fine, A-OK, because Joel was murdered. But somehow they are physically incapable of extending that same empathy to Abby, even after the game bends OVER BACKWARD in every reasonable way it could. Why is this? One person tweeted at me the simplistic, reductive idea,

“ I know the sensible thing that naughty dog was aiming at was that we'd feel sorry for abby and eventually grow to like her, but for me I just don't. I loved Joel and I love Ellie. They didn't kill anyone who I loved as a character. Abby did. “

At least they’re being honest with themselves in that they literally missed the entire point of the game. You having personal bias you cannot remove yourself from does not make for “A DEEPLY FLAWED STORY” or whatever the fuck people have been tossing around.

I personally don’t buy any of that bullshit until we get into the final hours of the game during the epilogue, but we’ll get to that.

Everything in the first 20-ish hours of this game felt organic and believable and completely in line with the first game to me, and the fact that ALL OF IT happens as a direct after-effect of Joel’s selfish act at the end of the first game really contextualizes how/why it was called ‘Part 2.’ So honestly, all of this nonsense about this sequel being ‘badly written’ is just...bonkers. I will agree it’s not some master class in writing - neither was the original game. But both games are very similar in writing style, tone, and the world presented is consistent, while character motivations are realistically complicated. Naughty Dog has never been great at plot, but the real quality of their work comes through in how much effort they go to in order to present realistic feeling worlds and characters, and from the environments to the actors to the extra animations on top, I think the details and the context they create are where they shine.

To better understand where I am coming from with this game, let me lay this on you.

During the scene in that basement, when Abby shot Joel in the leg, and Ellie shows up...I realized what was about to happen. Ironically, it was exactly what I had originally predicted was the thing going on WAY back when the game’s reveal trailer was dropped -- that Joel was dead, and was motivating Ellie’s revenge quest. If you’ve read what I have written of Arcadian Rhythms, you will have some idea of my feelings on Joel and Ellie’s relationship -- in short, I think it is complicated, and just as damaging as it is good. That’s real life. That’s how reality is for many relationships, especially ones between parents and their kids, especially in my experience. When I realized Joel was about to be murdered, my feelings and thoughts were not jumping to ‘oh fuck what an asshole I wanna kill these people’ or ‘oh no not Joel’ but rather, my immediate gut thoughts were ‘yupppp Joel kinda deserves this, he literally did this to who knows how many other people, but why are THESE people, specifically, out to get him?’

When Ellie later cites to Dina that there’s ‘no point’ in speculating as to why these people murdered Joel, because it could be for one of many possible reasons, I found that to be interesting -- Ellie herself acknowledging that Joel had fucked over many other people, while still pursuing revenge herself.

I do think the theme of ‘the cycle of violence’ is very core to this game and arguably is its strongest central theme, specifically because violence in wholly integrated into its gameplay. But narratively and structurally, empathy is, I would argue, even more paramount. This game spends about 12 hours of its runtime (so about half of the entire game) actively trying to encourage you to understand, relate with, and empathize with Abby. The developers COULD have had you swapping back and forth between both characters, which might have resulted in better pacing, but I think it would’v taken away from what they were going for. It’s that long, slow burn that makes Abby’s side of the story work, in much the same way the long, slow burn of the first game does what it does, and the way the long, slow burn of Ellie’s revenge quest helps us see just how far gone she is.

But “arghh I hated Ellie she kept making bad decisions that made no sense” some of you say, “they did her DIRTY” some of you say.

No.

Joel did her dirty.

The Fireflies did her dirty.

And it’s this exact concept -- that our actions and choices have consequences and ripple outward beyond what we can initially imagine - that is at the heart of why I think I love this game so much. Most video games depict a pool of water that is either a constant whirlpool, a raging clash of waves, or stone dropped in the middle and the ripples spreading out. The Last of Us Part 2 is more like a series of ripples all happening simultaneously, and not all of them are as apparent or even important, but it’s just...a bunch of ripples all happening all over the place.

And it breaks my heart, during 2020, a year when human rights, systemic racism, a worldwide pandemic, late capitalism, and entire countries submerged in protests because their government is fucking them over...has people shutting off or refusing to turn on their empathy to anyone outside of their bubble. In 2020, when the world needs empathy more than any other year I’ve experienced in my life thus far, a game like this goes SO FAR above and beyond what most games try to do, in a very risky and controversial way, to actively invite its players to fucking STOP AND CONSIDER for a damn moment that there’s more to the world than JUST YOU and what you care about. That your actions have consequences beyond your singular perspective.

Ellie is fueled by rage for a number of reasons, and we don’t even understand all of them until literally the final moments of the game, which I found to be appropriate as it ends on a note of reminding us that there is ALWAYS something we don’t know, something we don’t understand, motivating someone else’s decisions.

Ellie was robbed of agency, of purpose, by both Joel and the Fireflies. Joel robbed both Ellie and the Fireflies of their purpose. And the Fireflies robbed Ellie and Joel of theirs. In return, Ellie is left without purpose, and all she’s really left with is a broken man who desperately wants to be a dad again, to the point that he will murder and lie to hold on to that. Don’t get me wrong - I don’t necessarily hold it against Joel that he murdered people to save Ellie. I will always defend the idea that it was a fucking selfish decision that would realistically lead to consequences. But in the same way Marlene points out to Abby’s dad, ‘What if it was your kid?’ ie ‘What if it was someone you loved?’ I get that, that’s the beauty of how the first game ended. It presents a zero sum game where there is no ‘correct’ choice that everyone can agree on, but in the back of our heads -- and Part 2 actually states this as a point of fact -- we all know Ellie would have CHOSEN to sacrifice herself, had she been asked.

So it was deliciously realistic to me to see Ellie grappling with the frustration, distrust, and anger of Joel having not only robbed that purpose from her, but having lied to her about it. And in the end, it was also wonderfully realistic that part of why she hated Abby so much was that Abby inadvertently robbed her of her chance to try and rebuild and repair that broken relationship.

But here’s the thing, though - the thing I see fucking NO ONE talking about, and I can’t decide if it’s because no one is picking up on it or what.

Both Ellie and Abby are haunted and driven by broken men making selfish choices. Their selfishness keeps both characters kind of locked in to desperately grasping at violent acts to justify a purpose.

Some will play the flashbacks with Joel and will feel warmth and nostalgia and admiration. Some will play the flashbacks with Owen and feel disinterest or disgust because ‘why should I care about these people?’

For me, I couldn’t help bu draw parallels to how both Owen and Joel were men trying to be good, you know, not being specifically evil people, but men who were a bad influence on the women around them, who were great and good and charming and all that until things didn’t go the way they wanted, pushing and prodding with passive digs and pressure to reaffirm their own hopes that despite their mistakes, they’re ‘good men.’ Owen is admittedly much less well developed in this regard, partly because his arc just isn’t as deep or interesting, partly because he didn’t exist in the previous game. But I still could not quite shake it. I grew up with men like Joel and Owen as my father figures, so there’s personal bias there.

I literally had an actual nightmare that woke me up in the middle of the night partway through playing through this game because Joel was in it and I said or did a thing he did not like, and his reaction spooked me awake, in part because I LIVED that growing up. (not murder, but violence, passive aggressive manipulation) I absolutely adore the depth given to Joel’s character, that he has LAYERS to him, and I loved seeing Tommy similarly expanded upon. (him passively prodding at Ellie to try and make good with Joel felt a little manipulative, given that he KNOWS what Joel did; and even his wife’s prodding at Ellie at the game’s outside to ‘make good’ with some old jerk who seems all expectant about being rewarded for basic apologizing, ech)

Last of Us is a horror game, Part 2 even moreso, but it was the feeling of men like Joel who do bad things and then try to justify them after the fact that actually creeped me out more -- all the more creepy because I KNOW Ellie and Abby will give up on better choices to try and ‘do right by them’. I was relieved when Abby began to break free from these old, poor choices, even shortly after making more fo them during her half of the story. This brings me to another fascinating aspect of this game: how Abby’s story is a combination of both Joel’s and Ellie’s.

Dunkey (of all people!) recently praised this game and compared Ellie’s and Abby’s narratives to TLOU1 and Uncharted 4, and I agree with him in a lot of regards, there, but I think what the team was more going for was for Abby’s story to feel like a combination of Joel’s and Ellie’s while simultaneously being directly impacted by Joel and Ellie’s story.

Abby grew up in a military community, even though she expressed an interest in science -- just like Ellie. The death of her father drives her on a quest for revenge -- just like Ellie. She does some horrible shit to people all in the service of trying to protect a kid as some desperate attempt to feel better about all of the bad shit she’s done -- just like Joel. She starts to let herself be empathetic to other people and tries to become a better person because of the kid she takes under her wing -- just like Joel.

In a way, you could argue Part 2′s overall story is kind of repetitious. Ellie’s quest for revenge is a bit too narrow-minded and blind in her rage, and Abby’s story kind of recycles many components we have already seen up until that point. I think what’s there still generally accomplishes what it set out to do: get us to question and try to understand why people do what they do, and consider our own place in that cycle, in those ripples.

I think many aspects of this game that look circumstantial on the surface are not accidents.

I think the recurring imagery of water is an allegory for how we can let rage, anger, and hate drown us. The game’s title starts with a boat drifting in water, and the title changes after the ending to a boat that is beached. The Seattle arc shows a gradually increasing focus on water flooding the environments, culminating in a big rainstorm with crazy waves. The final fight sequence (which tbh I hated but we’ll get to that) takes place literally IN water, involves Ellie trying to drown Abby, and ends with the two of them going separate ways in their boats.

I think it’s no accident that Abby and Ellie’s desire for vengeance is ultimately caused by the same specific moment, and I think it’s interesting that many people seem to skip RIGHT OVER the idea that Ellie feels such a deep sense of rage at Abby killing Joel only because Joel made the decision that caused Abby to kill him in the first place -- and the good and bad that came from that. It’s just a brilliantly complicated web, I think, and that further highlights that none of these characters are inherently good or evil, which is pretty much the entire point of this world in the first place.

I think it’s interesting that both Ellie and Abby grumble insults all of the time over the people they’re killing, and both try to justify their violence with thoughts like “well we’re better then that, we don’t do THOSE kinds of things,” which is, ya know, literally the kinds of mental hoops actual real human beings jump through to justify doing bad shit to each other.

I liked the idea of the trading cards until fairly early on when I found the ‘Dr. Uckmann’ card, which...made me roll my eyes a little at first, until I read the description, which then made me feel more actively uncomfortable than maybe anything else in the entire game, to be quite honest. Partly because it rang of entitled self-importance, but partly because of the reports of Naughty Dog crunch culture.

And on that note, let’s talk about how this game arguably crunched its employees way more than it needed to while simultaneously making its story more bloated than it needed to be.

Don’t get me wrong, I love indulging in more STUFF than it required. I can totally see the appeal of writing extra stuff to a story like because you can, because it’s interesting, because it’s fun to MAKE shit. But when you are a AAA game development studio who is potentially crunching your employees into burnout, maybe a fairly pointless epilogue on top of a game that is already arguably a bit too long in the tooth is...maybe not the best way to go?

On the upside, I enjoyed playing the Santa Barbara location, I loved getting some more Abby/Lev time, I liked seeing Ellie a bit older, I LOVED the scene at the farm with her, Dina, and JJ. I loved the gameplay challenge that was the Rattler’s base. I loved that this game had noticeably larger environments to explore.

But tbh a LOT of content could’ve been cut from this game to make a smoother, better paced experience while simultaneously putting less strain on the developers. I do think the extended flashback sequences focused on non-violent gameplay is important enough to justify itself, but I think a lot of the more violent or unnecessary parts of the game (like the entire sequence on the Seraphite’s island and the Santa Barbara sequence) all feel like...EXTRA? Which on the one hand is great because hot DAMN more beautifully rendered locations, content, etc. but on the other hand I’m not sure it adds as much to justify the real life pain and misery I’m sure some developers went through to create it all, and in a way, it doesn’t quite justify its own existence if we’re being critical.

I get what they were going for with the Seraphites and the WLF but neither group is developed enough to really accomplish the goals of empathy. I think focusing on specific members OF those groups is better, because that is ultimately how real life people break down their walls of bias, -isms, etc. -- they just interact with and befriend people from these groups and realize organically “oh hey we’re all...people, huh.” The game’s attempts at naming NPCs and dogs don’t do much when the game actively rewards you for killing them (speaking of which, I played on Normal and there were way too many items imo, we’ll see how that is on higher difficulties). We could get into the role of violence and gameplay but that’s a WHOLE other can of worms.

But the Rattlers in the final act are even worse. After this entire game of being actively encouraged to empathize with other people from other groups and let yourself consider they aren’t evil, the game just...shoves an objectively worse group of people at you, asks you to murder them, and then...discards the whole thing without a second thought. I found this to be fun from a gameplay perspective (sorry Neil, playing your game actually IS FUN when you put so much work into making the violence fun to engage with) but I found it weird and frustrating from a storytelling perspective, as if the whole thing was an undercooked, unfinished final act that they cobbled together because they just...wanted enemies with helmets and an environment depicting southern California. Hell, tbh I don’t even get why Ellie had to be there other than the developers didn’t think players would be OK just...letting Ellie live a life in peace on a farm or that players would be OK NOT playing as Ellie at the end and letting her beat the shit out of Abby.

I actually LOVED the farm sequence, it felt so...weird for a while. Like you’re just waiting for the hat to drop. And when it does...it’s just PTSD. And that felt right. That felt good, that even though Ellie was spared, after all the shit she did, because she let go and spared Abby in return, she got to live this peaceful life...except life’s not that simple and old scars can still hurt.

I loved when Tommy showed up and we got to see that darker side to him we KNOW has been there this entire time, but Ellie maybe hasn’t been forced to see it. All the way up until this point, I felt I could understand where the characters were coming from and what motivated their decisions.

And then Ellie decided “no, actually, maybe if I throw all of this away I can maybe get rid of this PTSD I got from throwing everything away before.” And then it got worse when after she breaks into this fucking slave house to free people, after she saves Abby and Lev from dying on posts, she STILL wants to fight. ANd Abby’s where I’m at -- that ‘fucking REALLY?’ feeling. I utterly disliked the fight scene in the water. It was the one time in the whole game that actually felt like misery porn to me. I was honestly going into it expecting that maybe Ellie’s stab wound from the trap would cause her to be too weak to fight, and she’d literally drown from bleeding out because of her own unrelenting pursuit of revenge. But nah, we’re put through a pointless, brutal fist/knife fight that...doesn’t really have purpose imo. WHatever you wanted to accomplish here, you could’ve done back in the theater in Seattle. (on that note I LOVED the Ellie boss fight, what a fun gameplay thing and also just tense all around since you really couldn’t tell what was going to happen, but I LOVE that Lev stopped Abby from killing Dina, even though she had every reason to)

I can imagine different versions of the Santa Barbara sequence that offer a more edifying conclusion while still working in the environmental and gameplay components they seemed insistent on working in. It’s the one major portion of the game that, now that I’ve had time to process, I feel the most conflicted about.

Neither Ellie nor Abby “deserve” a happy ending in much the same way Joel didn’t “deserve” a happy ending. This game has no true protagonists or villains (anyone who is presented as a ‘villain’ is minor, and we don’t find out much about them anyway). I think Joel was lucky to get the time he got to live in community once again, to rediscover his humanity (look at all of those flowers they left at his house, this man who fucked over humanity and murdered countless people had a chance to live a few years of peaceful life again), I think Ellie was lucky she got time to even live what she did on that farm with Dina and JJ, and was lucky to still be alive at the end of the story. I think Abby was lucky to have been able to break free from a life of militaristic bullshit and rediscover some of her own lost humanity.

I think a lot of people admire Joel as a hero when it’s clear he was never one.

I think a lot of people admire Ellie and try to idolize her as the smarmy kid she could never permanently exist as.

I think a lot of people hate on Abby for EXISTING (and being a woman -gasp- WITH MUSCLES) and I’m pretty pleased with Laura Bailey getting to play this role (and Ashly Burch getting a supporting role in this game, too, for that matter).

I think The Last of Us is not ‘about Ellie and Joel.’ I think The Last of Us is about humanity, and exploring it through different angle. Sometimes needlessly gritty and dark ones, but Part 2 gave us even more light-hearted, pelasant moments than I could have expected. I think people who look so reductively at this game -- now officially a ‘series’ -- as ‘Joel and Ellie 100x forever’ and literally anything outside of that being bad and a waste of time fundamentally missed the entire purpose of this game, ironically ignoring what it is trying to passionately to convey. I think Naughty Dog’s marketing of the game actively misled people in ways that are rare for the industry, and I do think that is a bit shady - but on the other hand, being misled actively improved my experience with the end product (which is arguably why they did it). I think the way Sony has latched on Joel and Ellie as ‘Playstation Icons’ and encouraged people to buy up TLOU merch depite there not being much TO turn into merchandise says something.

Also? Frankly?

I am SO FUCKING TIRED of “angry sad dad” games.

Like. I loved TLOU 1, I loved the new God of War, etc. etc.

But God of War took basically NO RISKS and had NOTHING TO SAY that countless other pieces of media have said to death. That’s fine, there’s nothing wrong with that, I really enjoyed it and look forward to the next. But this game actually has challenging thoughts, complicated things, it is trying to get players to consider, and most everyone I see shitting on the game either hasn’t played it or doesn’t seem interested in games that exist for something beyond making them feel good about themselves? I dunno.

I think at the end of the day, TLOU as an entire series, and specifically the sequel, isn’t about Joel and Ellie, that was just the more focused lens the original game had. For its messier, muddier experience, Part 2 strives for nothing more than many pieces of media have but for something that is still rare in the space of AAA video games.

It takes some risks, it makes some missteps in getting where it goes, for sure, and it’s by no means some holy gift to mankid, but it passionately goes to GREAT lengths to explore and express a fairly simple idea:

empathy is a choice, understanding others is a choice,

and we are all inherently better off when we choose to blindly accept understanding than when we blindly choose hate and violence.

Just because we can’t walk ‘the path of the right,’ and just because ‘we’re wrong’ doesn’t mean we should let the phantoms in our lives continue to keep a hold on our future. Just because someone does some good things doesn’t erase the consequences and ripples of the bad they have done, and just because we do bad things doesn’t mean we can’t do good.

The way to end the cycle of violence is empathy.

It’s simplistic in concept, but if you look around at not just the reception to this game even before people could play it, but just the STATE OF THE WORLD IN 2020, you will see that maybe we still need such basic, simplistic concepts to continue to be explored in big budget media.

#tlou part 2 #tlou #The Last of Us #The Last of Us Part 2

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