#like I don't know how the story is gonna go

[jacensolodjo]

Soviet block housing was also famously cold as a witch's tit. They NEVER promised a home for every person because then they'd have to give one to those icky 'undesirables'. Do you know how many thousands died in the fucking streets? The images of food lines going for multiple city blocks aren't just 'capitalist propaganda'. More often than not, you had women sitting in the cold waiting for food they were never gonna fucking get because they were not high enough in the party or early enough. Or just too fucking not-russian.

There are multiple stories of people just dying in their shacks because they didn't get the food they were promised. The USSR famously STARVED millions. Why anyone wants to idolize the USSR despite millions of eastern europeans/east asians staring at them like they grew two more heads is beyond me.

It's kinda like being all 'when the revolution comes--" when the revolution came you would be either dead or completely catatonic because it doesn't go the way you've dreamed of. Note dreamed of. Never planned. That's why the revolution is coming but never actually here. You got all these commie shitheels dreaming of 'the revolution'. That, by the way, would kill the vulnerable first because they don't know the right people.

I wonder what happens to a disabled person who can't work? The best many could hope for was 'assisted suicide' (read: executed) for being a 'drain on resources'. Compare that to the lives disabled people live now in former Soviet bloc countries. Mainly... they live.

But no one talks about that. I wonder why?

poor unemployed minority with no family who's been couch surfing for 2 years: god I wish the ussr wasn't illegally dissolved. it's so hard for me to imagine a society that prioritizes housing everyone, can we bring that back please

person who grew up in a 3-story single family house with a fully paid off mortgage: ummmm you actually don't want to live in brutalist soviet block housing. the conditions were miserable. they didn't even have jacuzzis in the master bathroom :/

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[sheep-from-rad]

How would the batfamily react if they found out that the singer/influencer reader was dating one of the villains?, imagine the reader has friends with benefits from the villains

(What kind of jokes do you like?)

Batman is so scary, even bullets are afraid to hit him. That's why they aimed for his parents. (sorry)

anon 🦌

Note: 🦌anon please send more jokes. After the Solmare announcement regarding the Obey me series, I am one push away from drinking every wine in my fridge.I’m gonna need more jokes (˃̣̣̥ᯅ˂̣̣̥) I don't give permission to have my fics posted to other sites, copied, or fed to AI. Thank you.

Masterlist 

divider by: @strangergraphics-archive and @strangergraphics. Please do support them ♡

You heard that? That’s the collective sign of every Batfamily member sighing in disappointment and collective glare towards Bruce. Like father like child, of all genes to be inherit you inherited his taste (ಠ_ಠ). Getting entangled with a villain is not something new in the Batfamily because they are either related to one (Cassandra, Stephanie, Damian) or romantically involved with one (Bruce with Talia, Poison Ivy, Catwoman and sometimes Harley. Dick with Catwoman II. And Jason with… you know what let’s not talk about Talia and Jason. That one is weird on all levels). 

If you’re romantically involved with someone who does not know Batman’s real identity then it’s not much of a problem. The family is just going to visit said enemy and scar them for the rest of their mortal life. It will be so bad they will just quit being a villain and leave Gotham all together. If you’re romantically involved with someone who knows Batman’s real identity, then it will be a chaotic event. Bruce is already fighting villains and now he’s fighting his blood pressure too. 

Riddler would be so smug about it. He would rub it in every Batfamily member’s face and would constantly drop your name in fights like ‘How would they react if you hurt me?’ or ‘Oh they will be mad if I come back bruised!’. Riddler would be so insufferable like the madman he is. If you’re dating Harvey Dent, you’re technically dating two persons (in most media depictions, Harvey is the same age as Bruce so let’s go with that one). His incorruptible part is basically filling every space that Bruce neglected to fill. He’ll teach you about legals and laws, tell you stories about their days and he protects you from those who dare to come close. His corrupted part, Two face, is kind of mean. He will never miss the chance to remind you of the potential parental issues you have. 

Headcanon that Harley will make it her mini mission to keep you away from Joker because let’s face it, Joker will not love you. He will only use you and break you like how he did to Harley. 

Honestly, it doesn’t matter if the relationship you have is good or bad. To the family it’s a parasite that needs to be terminated immediately before it grows. You’re grounded. You’re not allowed to go out alone. If you don’t live in the estate anymore, you will just randomly find your apartment sold to someone else and you’ll be taken back to the estate. No metahumans in Gotham rule but Damian already has the permission from Bruce to have the Titans stay for a while as reinforcements. Even Jason is patrolling more and everyday now he will make a report to the estate. 

During those days they were full on babying you to the point of infantilization. They’ll give you ‘the talk’ especially if you’re in a friends with benefits relationship with a villain and sometimes they’ll go so far into showing you every other person they had been with. They are not above poisoning the relationship too. They’ll show you expertly doctored photos showing their ‘infidelity’. Guilt trip you into reading old cases and gaslight you. You’re not in love with them, you were just manipulated into thinking that you are. 

But of course, what is a Wayne if not stubborn? Month of being grounded and being in heavy watch and you’re done. You already have their shifts memorized down to who checks on you at night. After hours once you’re certain that everyone is now asleep or busy on their patrols (or finished checking your room), you start acting out the plan of running away. You passed each security detail without triggering them, passed every room without alerting anyone, and passed Titus without waking him up. However before you can even reached the doorknob, you heard Dick and Jason behind you:

“Looks like someone took lessons from Catwoman” 

“You know we saw your lover today. We were going to let them go but I guess no one’s picking you up anymore” 

The next time you wake up, you are greeted by the fresh warm breeze and the sound of water hitting the shore. As you descended down the stairs, news about a villain going missing was on the headlines along with the date on the screen saying ‘Thursday’. It has been three days since you got caught by Jason and Dick and Tim just entered the door carrying take outs from Mad Yak cafe. You’re in Happy Harbor, far away from Gotham and your lover is missing. Was the no kill rule violated? You can only pray it’s not.

[epickiya722]

Folks, you're not going to like what I have to say. I just know it and I'm warning you of that. I said it once before, but leaks really do make some folks act out in ways that I can't understand. We ain't even got a full translation and already people are saying this ship is canon and that ship is canon... and whatever else. Jumping to conclusions when you don't even have all the facts.

Look, I'm not saying Hori is the best writer. I'm not saying Izuku and Ochako is a bad ship (it's not, there's worse... a lot worse).

But I do think some people are jumping ten steps ahead and I doubt that they are canon romantically. This isn't me being in denial because I could care less about the ship. It's not a ship that makes me sit up at night and cry and want to punch a wall and harass people. No ship for me does.

So far, from what I can gather from the very little information Izuku wants to see Ochako more because... THEY LITERALLY HAVEN'T SEEN EACH OTHER A LOT. In the last chapter, Izuku states that the class haven't been able to catch up and whatnot because over the years they got busy with their careers. The last time they probably had a proper conversation was in high school.

Izuku and Ochako wanting to meet up more doesn't automatically mean they're going to date. Let's not forget, Ochako is one of the first people to become a close friend of Izuku's in their first year. They clicked because they were so similar. They mirror each other even!

They're best friends if anything and wouldn't you want to see your best friend after not seeing them for a long time?

So far, it just feels that this epilogue is them accepting their own feelings about everything that has happened, like a self-reflection and self-acceptance type of deal.

Sometimes, you realize something about yourself when encountering someone who is like you. That's how Izuku and Ochako are to me.

It takes them identifying with the other to come to terms about themselves.

"But the blushing! The handholding!"

So blushing automatically means "I have romantic feelings for you", is what some of you are saying?

Just gonna forget all the times they and others have blushed out of embarrassment or happiness? That even some characters have the blush stickers to show their sweet innocent nature, like Ochako for most of the story?

Izuku blushed at Katsuki in the final chapter out of happiness, so it can't apply here, too? Why does blushing got to only be used in a romantic sense?

Seeing Izuku blushing looking at Ochako is funny when considering he's holding an (possibly) alcoholic beverage in that same shot. My guy is probably drunk. 😆 Jokes aside, jokes aside.

This is Ochako and Izuku, we're talking about here. They're the Queen and King of MHA characters who blush a lot, no matter what is going on.

And the handholding? In MHA? It happens a lot between characters! It's not like anything new or Izuku and Ochako are going to get cooties.

Look, I might make some people laugh or hate me for this one but when I saw this... I was reminded of this.

For those that don't know, that is from the Predator (1987). Yes, that Predator.

Two characters that have been friends for a long time and just happy to see each other.

We seen this kind of handshake like this before between characters of different and same genders. Either as a greet or as an agreement.

Izuku and Ochako are just agreeing to see each other more and that they should allow themselves to live happy lives. That doesn't mean they're going to start dating and having babies the following week.

"Bakugou is being treated like his wingman!"

Ah, stop right there. Katsuki encouraging Izuku to talk to Ochako isn't like that strange because between Izuku and Katsuki, Katsuki is the one to most likely reveal his emotions. He is more in touch with his emotions than Izuku who while emotional tends to keep everything in.

Katsuki isn't playing wingman. He's playing advisor and someone who has experience with emotions.

Seeing Izuku stumbling over his words and being all nervous trying to talk to Ochako is so in character for him. He has never been too good expressing his emotions.

I doubt Katsuki would be like "go tell her you want to marry her". He is more like "go talk to her, you're friends, remember? Been forever since you had a proper conversation."

It's the same case with Himiko pushing Ochako towards Izuku. She is encouraging her to be happy and not be stuck in the past. Not "go get married".

Happiness doesn't mean you must be in a romance.

Just me, again, but I feel like some people are really just jumping the gun here. If you really are thinking Izuku and Ochako being canon is bad for your ship, that's... I'm sorry, this will be mean of me to say, but that's ridiculous.

A ship being canon shouldn't stop you from enjoying the ships you do like. What ever happen to "ignore canon"? Oh, I guess that becomes irrelevant when you want to cause panic and bash and panic and bash and panic and bash.

Like a handhold like that shouldn't make you feel threatened by that ship.

Just continue shipping your ships! Take it from someone whose favorite ship is of two characters who haven't been seen interacting before.

Even still, with just leaks alone, it doesn't mean they are canon. I have my ships and there's moments in whatever the story makes me ship them but I also don't think every little behavior is meant to be romantic.

The thing I know I'm going to hate about this epilogue isn't even the chapter itself. It's the reactions.

I know some people are going to say this chapter is queerbait and use to it to even go as far as to bash Ochako given she is the woman and it's routine to hate on the woman. It ain't queerbait if Katsuki and Izuku wasn't going to be explicitly a couple themselves. Let's not forget it's Shonen Jump and even though the queer coding can be there, we can't have everything.

Also, I also know that some fans of IzuOcha are going to use this chapter to justify their "authority" of "best ships" and harass people like "my ship is better than yours" and be only concerned about Ochako being a housewife.

I don't think Horikoshi is the greatest human and MHA is a flawless story but some of you are no better to these characters and the story.

[ohithankyou]

decided to watch all of buck’s breakups last night and here are (part) of the conversations/how each of the breakups played out to compare and contrast if you so desire. i didn’t include the entire conversations because it would be too long and i think the parts i included capture the core of the breakups well enough.

note: information in square brackets is just some context i included since i didn't add the full conversations

buck and abby, breakup, 1x10:

[after abby’s mom passes and she books a ticket to ireland in an effort to find herself and what she wants]

abby: “. . .i care about you so much. you’re amazing. and these last few months, i think you've gotten me, at least halfway, to the person i want to be. but I've got to do this [go to ireland/travel] so that i know i have something to give.”

buck: “i’m excited for you. almost as much as i am, um, sad for me. i’m gonna miss you.”

abby: “i’m gonna miss you, too.”

[when buck is dropping her to the airport]

abby: "you're not gonna come in with me?"

buck: "i learned a while ago, you never go beyond the glass doors."

abby: "i must be crazy to be leaving you behind."

buck: "you're not leaving anything behind. you're moving toward something. and i'm gonna be right here when you come back, okay? go on. you got this, okay?"

abby: "take care of yourself, okay?"

buck: "you, too, abby."

buck and abby, ‘closure’, 3x18:

[after abby and buck meet for the first time since 1x10 when she and her finance are in a train derailment and buck + the 118 save his life]

abby: “. . .i just had no sense of self. i had to leave everything that i knew so that i could remember who i actually am.”

buck: “and you did, right? i mean, you did remember, but you still didn't come home.”

abby: “yeah, i know. i think i was afraid that if i came back, i would become that person again. because i missed you. i wanted to see you. but i didn't trust myself.”

buck: “because being here, being with me, you might lose yourself again?”

abby: “yeah.”

buck: “i’m glad to see you happy, abby. you deserve it.”

—

buck and ali, 2x18:

[after buck’s leg gets crushed under the fire truck and it hits ali what it means to be with a firefighter]

ali: “. . .look, it’s not like i didn't know you were in a dangerous line of work when i met you, you know, ten stories up of a collapsing high rise.”

buck: “exactly.”

ali: “that was one day. one day of my life, evan. it’s every day for you. i’m just starting to really understand what that means.”

buck: “wait, so-so you want me to quit my job, that's what you're asking me to do?”

ali: “no, i would never, i would never ask you to do that. listen. i know it's who you are. i’m just not sure. if it's…”

buck: “…who you are.”

ali: “hey. i don't know yet. okay?”

—

buck and taylor, 5x18:

[after taylor publishes the story about jonah buck had asked her not]

taylor: “. . .i’m sorry you're still upset about the story.”

buck: “you’re not sorry for what you did, though.”

taylor: “the story was gonna come out regardless. if i hadn't have broken it, someone else would have.”

buck: “you couldn't have called me first? no. you-you just, you figured i’d be fine. i’d get over it.”

taylor: “buck, i wasn't trying to hurt you or anyone else. i was just trying to get the truth out there. a truth the public has every right to know.”

buck: “this is literally our first argument all over again.”

taylor: “which is why we shouldn't be having it. you knew who i was when we started dating.”

buck: “i guess i thought i could learn to live with it.”

taylor: “i don't want to be something you have to learn to live with.”

buck: “and i don't want to keep on making the same mistakes. i need things to be different, taylor.”

taylor: “okay. i’m willing to try that. clean slate.”

buck: “yeah. just not together.”

—

buck and tommy, 8x06:

[after bucks tells tommy that he also dated abby]

buck: ". . .my relationship with abby was—it was the most transformative of my life. until now. look, i-i think one of the reasons that i am so comfortable with you is-is 'cause you're so comfortable with you."

tommy: "i wasn't always that way."

buck: "i know, i-i do. and honestly, it just makes me admire you more."

buck: "i want you to move in with me. i want you to move in with me. i-'m ready to take the next step. and i'm not saying let's get married or engaged, even though we would have the right, thanks to the brave people who came before, including you. all I'm saying is, why be apart when we can be together?"

tommy: "evan, that is so sweet but I can't move in with you."

buck: "and why not?"

tommy: "because, i know how this ends."

buck: "uh, wh-what's that supposed to mean?"

tommy: "look, evan. you're an incredible guy. big-hearted. hot as hell. funny. impulsive. but what you're feeling right now is... is new. and it's exciting, and it feels like forever. but you're still figuring yourself out. and that's good."

buck: "what are you saying?"

tommy: "i'm saying no matter how bad i wanted to be, i'm not your last. i'm your first."

buck: "well, hey, they-they can be the same thing."

tommy: "but they usually aren't. if i were to move in with you, you wouldn't mean to, you wouldn't plan for it but you'd end up breaking my heart. and i, i don't think that i could deal with that."

tommy: "i should go."

buck: "wait, wait, wait, hey, hey, um... wait, d-did you just break up with me?"

tommy: "yeah. i guess i did. believe me, i didn't see it coming, either. should've known that parking spot was too good to be true. i'll see you around, buck."

[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[ckret2]

I'm staring at the newest chapter in horror but also, there are SO many witnesses and there will probably be a ton of documentation about the second dimensional incident, which makes it that much more baffling Bill got an insanity plea. I know it's for Story Reasons and I probably shouldn't think about it too hard but goddamn.

They legitimately looked at all of this and said "yeah no he's found not guilty by reason of insanity, Theraprism NOW." (I thought at first it was "guilty but insane," however we get no indication that he's going to be sent to a normal multiversal prison after he completes his karmic rehabilitation. They all but say that reincarnation is the goal after this is over, which seems to be equivalent to release and reintegration into society.)

That being said it could simply be that interdimensional court has different requirements to be declared insane enough not to get permadeath. Or I'm misremembering how the Theraprism works...It's a forensic hospital, right? Not prison. He's being treated not punished.(Kinda debatable. That place sucks.)

The Axolotl gotta be the single best lawyer of the entire multiverse how the hell did they pull this off. I would love to just be in the court when this went down actually I can already feel how absolutely insane it was. No way either side didn't fight tooth and nail.

the fact that Bill is willing to look every single person he meets dead in the eye and say "no my dimension wasn't destroyed, it's fine, all my people are alive and they love me" is ngl gonna be a big part of the ax's defense strategy.

They have a lot of documentation of what Bill's like after the massacre—but there's absolutely no record, anywhere, of what happened during the massacre. You know what they do have documentation of though? Bill insisting that he dumped Euclydia into Dimension Zero so that he could do renovations and that he's built a paradise universe in its place when all he's built is a void with a few strobe lights. Bill claiming that all these people he kidnapped himself are actually from his dimension. Bill pulling off "rescues" with seemingly no self-awareness that he slaughtered more than he saved. Bill being told MULTIPLE TIMES "if you keep trying to fix Dimension Zero then the multiverse will collapse" and Bill going "okay. i hear you. So how about i fix Dimension Zero, and then, everything is fine."

What do you do if you get Bill into a courtroom and ask him "do you plea guilty to the massacre of Euclydia?" and he goes "I don't know what you're talking about. There was no massacre. I liberated everyone, they're fine. They're literally still alive today. Nobody died." Like. You're trying to decide his culpability in a crime he doesn't acknowledge happened.

You've gotta ask 2 questions: does Bill literally not know what happened to his dimension—even if the knowledge comes and goes, is it still sometimes genuinely missing—or is this just an act to try to wiggle out of trouble? And, if he does literally not know what happened to it, is that a trauma reaction to the massacre, or did he commit the crime not comprehending what the result would be?

Bill's a known liar, this could all be an act. But, like, god, wow, it's a really, really good act.

The Ax can argue that Bill literally doesn't grasp the difference between right and wrong. He can tell them that Bill is completely unable to differentiate fact and fiction. He can tell them that Bill has delusions that he didn't destroy Euclydia, that the neighboring dimensions are Euclydia, that all his people are alive and healthy, and argue that he probably had delusions that whatever he did to his dimension wouldn't destroy it in the first place. He can argue a whole lot of things about Bill.

Are any of these things true about Bill? Debatable. Probably not. Somewhere between 30%-60% true. Could the Ax convince a court that they're true? Probably. Everyone already agrees Bill's insane. The only question is if he was the right kind of insane at the right time.

[imjustapoorwayfaringgeek]

OKAY. HOO BOY. uh. i usually don't post or reblog this kind of stuff because i genuinely hate fandom discourse and how idiotic people can be about stuff like this, but i totally agree with your take.

i even talked to a friend about this exact thing a few days ago. i will rant about it a little.

now people who know me know that there's no way i would be opposed to a gay ship for being gay, for rather personal reasons too, so i'm not going to explain why. but.

the fan service DID feel like fan service even though i knew they were gonna do it, i was expecting it, i knew it would be fan service. ive never really shipped any arcane ships but i was okay with all the mainstream ones like caitvi, timebomb and jayvik.

this season made me go from neutral about those ships to being positive about jayvik and timebomb while remaining neutral with a hint of "hmm..." about caitvi.

in my humble opinion arcane is a brilliant show with a few little ignorable negative traits, one of them being the pacing/handling the time they have.

usually i am really appreciative of how a short amount of time is used so fulfillingly in movies and series and such (12 angry men as an example) and i am in terms of arcane too. but when a show that uses every second to tell so many things like arcane includes a, i'd say, ill-timed fan service scene that is considerably long, it feels off.

because we could've had other things we really needed to see to understand the story better instead of that scene. i also personally wanted to see how ekko convinced jinx and how they built up the ship, how they got their makeovers etc, but it doesn't have to be about them either it could've been something else as well. i wouldn't mind. it still could've been a scene between vi and caitlyn but they could've executed it better.

edit: HELL I WOULD WANT A FEW MORE MORE EXPLAINING EKKO SCENES AT THE END BECAUSE WHAT HAPPENED TO HIM WHERE DOES HE LIVE IS HIS TREEOKAY ARE FIRELIGHTSSTILLTOGETHERHOWISHEDOINGDIDHEPAINTAMURALFORJINXWHATDOESHEDO THAT BOY DESERVES TO BE HAPPY MORE THAN ANYONE ELSE IM NOT EVEN EXAGGERATING

can i just say i would’ve wanted this over the caitvi sex scene

or i would’ve given up about half that scene for a sliver of this

this is not me saying i don’t like caitvi or favoring timebomb over them; i have liked caitvi much longer, preferred it over like every other ship in the show for a good long while (fixating on timebomb, so i wouldn’t say i do currently)

but… i mean, a moment between them supposedly so intimate and close — showing what happened with them between the scene he stops her from setting off the bomb and their entrance into battle, vs a sex scene that felt more like fan service than anything? vi being locked in a jail cell after her sister practically tells her “hey i’m gonna go off myself you just stick right here”, seeing her sister depressed in the corner of the same cell, not eating or moving or doing much of anything other than harming herself (and literally being so at risk of suicide they took anything she could possibly do it with, but we won’t get into that) — would you be having sex in that same cell?

i mean, i liked the scene, from a romantic and emotional and intimate and blah blah blah standpoint

but there’s literally no explanation to how they got all dressed up and turned jinx’s hideout airborne, not even like a minute long montage

[destinygoldenstar]

TRAILERRRRRR!!!!!

Okay, so Netflix DIDN'T lie. Confirmed.

I'm NOT as scared about the release date as others. I'm still worried. But I can also see it because from what I've heard, Episodes 2-4 were being made around the same time. So, by that logic, the quality should be similar.

"But why was there such a gap with 2 & 3 then?" MURDER DRONES WAS RELEASING ITS FINALE IN BETWEEN. THAT'S WHY. Some of the animators for Digital Circus work on Murder Drones too. So OF COURSE, to avoid overworking them, there'd be a gap for Digital Circus content.

And now that Murder Drones has ended, there's not that issue anymore.

That's the logic I'm going with, anyway. I would wait to raise the red flags till AFTER this episode comes out and we hear Episode 5 comes out in, like, a month or something.

I HOPE TO GOD THAT LINE AGES HORRIBLY.

Also, um... an episode about working minimum wage labor.

These episodes are built for me, I swear.

We also have the characters in different outfits, which is neat. Clearly just for this episode. Still.

I NOTICED THIS POSTER.

"Customer is always right! Serve with a smile!"

THE AMOUNT OF TIMES I HAVE BEEN TOLD THIS IS INSANE AND DRIVES ME ABSOLUTELY NUTS.

I WOULD GET SCOFFED AT AND SCREAMED AT BY PEOPLE, AND I'M THE ONE THAT GETS IN TROUBLE.

We also have Ragatha and Gangle interacting.

I wonder why they're playing with a baseball specifically.

Because in the last episode the leisure activity played into the adventure.

JAX'S NAMETAG SAYS "I DON'T CARE"

LMAO

Gangle looks like she's been possessed by Monokuma.

This is DEFINATELY a new mask.

Here's my prediction:

Gangle has a background actress-related. (Comedy & Tragedy Mask Duality) And she is bullied CONSTANTLY in the previous episodes.

So when she's given the role of manager, she creates a new mask for herself, A NEW CHARACTER. One that gives her confidence and a character so ruthless that she can't be pushed around.

It's her spotlight. It's her time to shine.

So is the comedy&tragedy duality bipolar disorder?

We'll see. I got Kinger's mental issue wrong.

It could also be that Gangle is autistic. I KNOW AS AN AUTISTIC PERSON MYSELF. It's pretty easy for autistic people to latch onto a character they can bring to life in order to interact with people. But when provoked as themselves, confidence can easily break.

So no, I don't think she's being psychotic. I think she's putting on an act for her self esteem.

And I think whatever damage she causes in the episode will not have malicious intent from her.

I say this because we ALSO see her looking at herself in the mirror.

THIS IS ZOOBLE'S ROOM BTW. THAT'S INTERESTING.

Did Zooble loan Gangle this?

Assuming they did because we have THIS hand reach out to Gangle.

So what I'm thinking the start of the episode is: Gangle and Ragatha are playing baseball, by accident, the ball breaks Gangle's masks.

She's crying, she's writing, and then Zooble eavesdrops and offers to help.

And we know this is Zooble's hand because they're participating in the adventure with that hand.

YAY!

This guy is so stiffly animated. Or maybe it's just me.

Maybe there's a story reason for it. Idk.

They advertised this guy awhile back, said "He's everyone's favorite character".

I'm calling Glitch's bluff. I'm gonna say this guy is going to be VERY INTENTIONALLY written to be UNLIKEABLE, ANNOYING, AND MISERABLE.

And it's gonna be COMEDY GOLD to have Caine and the Circus go around exclaiming how he's the best.

CAINE GETTING THIS SUGGESTION BOX IS SO INTERESTING.

I THINK this is from Zooble.

After their therapy session, and Zooble saw first hand what could happen if Caine cuts adventures altogether, I can see Zooble making adventure suggestions that would be comfortable for them to participate in. To please Caine and to protect the circus from collapsing.

We're also getting Caine lore. BECAUSE WHERE IS THIS ROOM SUPPOSED TO BE? THIS LOOKS FAR TOO NORMAL.

AND WHAT IS POMNI DOING HERE CRAWLING ON THE FLOOR?

First off, I'm okay with her taking a backseat. She's the main character so obviously she'd get the lionshare of screen time. BUT there are other characters in this show and the show knows that. So as a Pomni Stan, I'm completely okay with this.

BUT is she snooping on Caine???

Two possibilities: One, this is just the burger place. Which is likely.

OR this is where Caine is, and she dips from the adventure to eavesdrop and figures out some lore stuff.

Not seeing her doing much else this episode anyway.

CAUSE LOOK AT THIS. SHE'S TRYING TO THROW AWAY SOMETHING AND GETS CAUGHT BY GANGLE? SHE HIDING S&#T DOG.

THE GLOINK QUEEN IS BACK.

Probably as just a cameo. BUT THE GLOINK QUEEN IS BACK.

Hmmmm... if the Gloink Queen is coming back, I wonder if someone else could show up...

[brionysea]

Is it just me or did Vi really not get an arc this season 😭? She doesn’t resolve the fact that she places all her worth on protecting those she loves. A lot of her big emotional beats (joining the enforcers, becoming a pit fighter, finding Vander, freeing Jinx and getting imprisoned for all her efforts) happened as a result of Caitlyn or Jinx’s intervention. She has so much oldest sister syndrome she infected the narrative 😇

yes! I think it's an issue of flawed ideas and poor execution. in classic me fashion, I'll go through the whole thing to show you what I mean:

vi joining the enforcers despite everything they've done to her (killing her parents, roughing up her family as kids, chasing them down, coming into the last drop to arrest them and intimidating everyone and almost taking powder, imprisoning and abusing and starving vi for her entire adolescence) because caitlyn asked her to and caitlyn is the Most Important Person in her life right now is the exact kind of thing vi would do. I personally love how temporary the enforcer gig is, despite that going against the lore (I honestly couldn't care less), because vi's CHARACTER in this show goes against the lore. I don't care that she's supposed to be an enforcer in the game. I'm not playing a game. I'm watching a show. the vi I know wouldn't do that, it makes no sense for her character, and it really feels like that's the point. she's losing herself for the sake of what caitlyn wants in a very clever way to address whoever demanded the show be more accurate to the game (which, again, I AM NOT PLAYING. BECAUSE THIS IS A SHOW THAT'S MORE THAN CAPABLE OF STANDING ON ITS OWN) without betraying the characters. this is the kind of freedom that would have made for a truly stellar season: going where the story is led naturally by its characters rather than being trapped by a pre-determined narrative

then in vi's fight with jinx (which, fine, I guess vi *would* decide that 'jinx isn't powder anymore' means 'my sister is dead'; she's single minded like that, even if it felt rushed), there's suddenly a random child in the crossfire and vi's like oh. okay. I can't actually hurt innocent children the way I was hurt. I do, in fact, have principles, and they dictate that I intervene rather than allow this to play out. and it turns out that when the chips are down caitlyn doesn't actually care about the undercity because she risked killing an innocent child and wants to kill jinx knowing she's vi's sister (and said that jinx, a young mentally ill girl from the undercity, killing caitlyn's mother, one of the richest and most powerful women in piltover, is the same as vi's parents being killed by enforcers while fighting to end the oppressive social order they enforce. it's not.) and basically says that she thought vi was 'one of the good ones' but she's exactly like all those other animals (again, because vi refused to let cait open fire on a child), before literally gut-punching her and leaving her there. vi was right before, they're oil and water, they're too different. and now vi's lost her sister; lost cait; the rest of her family is still dead. she has no money. no power. nowhere to go. nobody to protect. what's even the point of her?

and then we reach the second act. vi has no purpose so she's like well I'm just gonna fight people for money. because she'll win. obviously. she's a mess, she's drinking all the time, she's seeing jinx and caitlyn everywhere (people really breeze over how vi sees things too - definitely to a lesser degree than jinx, but when she hits rock bottom, it's there). I love this set up for vi. it makes so much sense that putting all her energy into caring for others would end up here. like a message from the universe that she needs to learn to do things for herself or she'll always end up back in this hole. you could argue that vi not having a lot of agency and just following jinx or caitlyn around until she ends up stuck in that cell (her ✨️ prison of the mind ✨️ or whatever jinx's imaginary, out of character, ghost silco was talking about), while boring (so boring), is more of vi being stubborn and stuck in her ways and refusing to learn her lesson until she's forced to. which she was also like in season 1, except there, it was more like vi repeatedly trying to solve problems that were much too big to be punched away by punching them (vi thought jinx could brute force her way out of being traumatised), and even then, I didn't get the impression that vi cared enough about the council to actually give up on jinx because of what she did to them. vi's a brick wall of a woman. sometimes, in this bitch of a world, stubbornness is a virtue

the problem, like a lot of things that had potential in season 2, is that it's not actually followed through on. there's no self actualisation for vi. she just cares about jinx until she doesn't and then she has sex with cait (who does not actually atone for any of the shit she did btw) in the prison cell where vi's sister was just planning suicide and is currently going through with it elsewhere, as far as vi knows

I think the intention was for vi having sex with cait instead of chasing after jinx to be the first selfish thing in her life (which jinx basically told her to do, because no one hates piltover anymore even though they haven't changed at all or done anything to earn this 'meet us halfway' demand of feeling entitled to zaun's bodies for their war after poisoning those same bodies for who knows how long. jinx never called vi an idiot for dating an enforcer. in fact, she feels bad for nuking the council :( which means she's good now! 👍 because GOOD characters are NICE to piltover and only BIG MEANIES care about zaun's independence. even silco's ghost thinks it's a waste of time! apparently he was just bitter and unloved, like a child throwing a tantrum! sure. sure! why not!), but it falls apart immediately because 1) jinx told vi she's going to kill herself (vi knew what jinx was planning before she asked, you can hear the fear in her voice), which obviously takes priority - never in a million years would vi let jinx disappear like that without doing anything about it, no matter how self actualised she is, because STOPPING YOUR SISTER FROM COMMITTING SUICIDE IS A NORMAL THING TO DO. well, maybe not normal, but you know what I mean. it's not exclusively a vi-ism. it's common sense. if someone you love tells you they're going to commit suicide, you do everything in your power to prevent it. and 2) CAIT IS NOT ACTUALLY REDEEMED FROM ALL THE SHIT SHE DID TO THE UNDERCITY. yes, cait letting jinx escape was symbolic of her letting go of the obsession that drove her to that point, but she didn't actually hurt jinx (except now jinx is free to off herself because of cait, which vi would be angry about if she hadn't spontaneously forgotten what she learned in the previous scene). despite her personal vendetta, cait couldn't catch jinx to even attempt to hurt her. who she DID hurt was the undercity at large, and she has no way of making up for that. they dropped the zaun plotline like a hot potato so there's no narrative opportunity for cait to prove to vi (and to the audience) that she gets it now. that she's done being a fascist and vi isn't just blinded by her hotness (which would be a strange angle to take but that's honestly what it seems like. it's so shallow and out of place with everything going on). none of this is earned enough for vi to choose a quickie in a cell over stopping her suicidal sister from blowing herself up

TLDR; there was an attempt at an arc, which was foiled by tying it so closely to caitvi, which was tied to the politics of the piltover-zaun conflict, which was never resolved and thus made vi's arc feel unsatisfying

[waynes-multiverse]

I was soooooooo excited for this! *breathes in sharply* Okay let's get started 🍿😎👏

“You have my blessing,” she said. “All I ask is that you don’t scar me with any gushy details afterward.”

I love their friendship so much 😂 And kudos to Dory. It takes a lot to agree to this. It could potentially get very awkward 😝

“You know, it’s been about twenty years since I’ve seen him,” she said. “We’ve had entire lives already. I see him now, and there’s some of the Russell I knew when we were kids, but…there’s just a lot I don’t know about him, who he’s become.”

God, I know. This is honestly what I think about the most when I watch Tracker. The whole story line is insane and intriguing and... 😅 I have a thousand questions, and there's so much you could do with it in fics. I love it (clearly) 😂🤍

Dory’s face tightened. “It’s a long story. I’ve told you some of it. But basically, after our dad died, nothing was ever the same again.”

I do think Russell knows a lot more about their past than he lets on. Also, he was way too chipper for someone who was accused of patricide by his own brother for twenty years. The dynamic between the brothers is just... interesting 👀

Barely a date, you reminded yourself, as you unlocked the door to your house. Barely a date, barely a date.

Right... 😆

“You’re a grown fucking man, Charlie! Do you really need me to give you the just say no speech?” you said. 

Oh, she's going full Reagan! 😂 I sense some trouble coming from the brother, though...

“Yeah well, maybe just for one night, I wanted to relax without you harping on my back,” he said, glaring up at you. “Is that too much to fucking ask? For you to give me some goddamn slack?”

Well, I hope he already picked out his casket... 🙈💀

“Hey, there.” He greeted you with a warm hand on your back. He helped you into your seat.

I'd be a puddle before I even made it to the damn seat 🫠

And they are literally so cute together! I'm full on swooning over here 😍

Russell nodded. He wasn’t sure how much Dory told you about their family business, but it dimmed his mood.

Ah, yes, the family business. Love that sublte hint 😆 Would be a good name for a brewery, tho 👍

He was starting to get a clearer picture of who your brother was. It struck at familiar chords inside himself that he wasn’t so comfortable with. He shifted in his seat, fingers flexing over his glass on the counter.

I like that you emphasized the darker parts of his life. Like I said, I don't buy his whole "I'm happy and funny and quirky" act. There's a lot more stirring beneath the charming surface 😅 (Another thing he has in common with Dean lol)

And oh, don't we love a good cry on the first date? Poor thing 😂🤍

“You gotta understand that me, my brother, my sister, we didn’t grow up like a normal family,” he said. “Yeah, I know,” you nodded. “Dory’s told me some of it. It sounded…rustic.” He snorted. “Putting it mildly.”

Indeed 😂 I would've loved to be a fly on the wall when Dory had this conversation with her lol

How he very eloquently avoided talking about Colter accusing him of murdering their father. I wanna be a fly on the wall for that future convo too 🤣

And he slapped you right on the ass.

Loved that she got a punch in before even Russell got there. He might have actually killed that pig lmao

“Aw, it doesn’t look as bad as all that. But can I see?” he asked. You allowed him to take your smaller hand in his. Your knuckles were red and tender to the touch when he gently pressed. You hissed in pain.

I'm having vivid flashbacks to Smoke Eater 🥵🔥

But his hands were gentle for you.

This line just about killed me... 🫠🫠🫠

“Three balls, huh?” you said slyly, and maybe, a little tipsy. “Might wanna get that looked at.”

I appreciate that kind of humor 😂😂

“Now, if I go in for a kiss goodnight, are you gonna deck me?” he asked, with a teasing glint in his eyes.

I absolutely can see him saying that 💯😂

He found no other recourse but to back you up against the side of his car.

Probably one of my favorite scenes is when characters are so hot for each other they lean against a car. There's just something so incredibly passionate about it 🔥🫠

“I’m staying at a motel, if you wanna…” he said, between kisses.

Oh, Russell, this is not what the lady wants to hear. Bless him tho 😂

And I figured she wanted more than a one-night-stand or fling. His job and lifestyle truly is a bit of a problem. But he wanted out anyways, so... 🤞

I loved their first date! 😍🤍 Hopefully, they'll see each other again soon and might give this another shot. I have a feeling it's gonna involve her brother's bullshit somehow 😅

Every Second Counts - Part 1

Pairing: Russell Shaw x F. Reader

Summary: One date with your best friend’s brother leaves you wanting more, even though his questionable job and vagabond lifestyle make you want to guard your heart. When your brother falls into trouble, however, Russell is the first one you trust to help you find him. 

AN: Finally, here we are at Part 1! Remember that A Line and a Half functions as our prologue here.

Word Count: 5.7K

Tags/Warnings: 18+ only for some mature thoughts. Fluff, angst and hurt/comfort, drug use, mentions of drug addiction and alcoholism, skeevy men, and a tinge of spice.~

💜 Series Masterlist

Part 1: "Permission Granted"

“Are you absolutely sure?” you asked, with your hands on your hips. 

You wanted no miscommunication here, no read-between-the-lines mishaps, no subtext or nuance to bite you in the ass later. So here you stood in the middle of your best friend’s office, still at the Wyoming University campus after your last class.

Dory had to laugh at you. She pushed away from her desk and threw her hands up.

“Yes, for the love of God, you can grab a drink with my brother,” she said.

After brushing a lock of blonde hair behind her ear, she went to you and set her hands on your shoulders.

“You have my blessing,” she said. “All I ask is that you don’t scar me with any gushy details afterward.” 

Your face began to heat up in a blush. You crossed your arms.

“All right, no one said there was going to be any of that,” you replied. “It’s just a date. Barely a date, mind you.”

“A-huh,” Dory said with a sneaking smile. “Out of curiosity, what was it about him that hooked you? You’ve been dodging Chris’s valiant attempts for like a month now.”

Chris was a French and Spanish professor. His office was on the same floor as yours, so you two occasionally crossed paths whenever you ventured into the teacher’s lounge.

He usually caught you in the morning while you were grabbing your free coffee fix at the Keurig. He’d chat you up about his classes and his dog and his new boat, and all the while you’d struggle to get a word in edgewise. Despite that, he was good-looking and pleasant, for the most part. It was just…

“I don’t know. He’s not my type, I guess,” you shrugged. You kind of liked conversations where both people got to speak.

“And Russell is?” Dory said, in a teasing tone. You chewed the inside of your lip, fighting a smile.

“I don’t know,” you admitted. “Kind of want to find out though.”

“Okay, well, let me know what you find,” Dory said, more wryly. You caught a bit of melancholy when her gaze drifted off. Your brows furrowed in concern as you drew closer, setting a hand on her arm.

“What do you mean?” you asked.

She was hesitant, but she eventually answered you with a confession.

“You know, it’s been about twenty years since I’ve seen him,” she said. “We’ve had entire lives already. I see him now, and there’s some of the Russell I knew when we were kids, but…there’s just a lot I don’t know about him, who he’s become.”

You could understand that. You squeezed her arm in sympathy.

“Well, he really seems to want to know you now,” you said. You remembered all the questions he asked you when he helped you carry your files back to your office after lunch today—most of them about Dory, about her career, your friendship, and ultimately, if she was happy.

“What happened to you guys?” you asked. “Why are you all so distant? Colter included.”

Dory’s face tightened. “It’s a long story. I’ve told you some of it. But basically, after our dad died, nothing was ever the same again.”

You dimmed at that. You knew their mother still lived in the cabin they grew up in, but Dory had never quite been able to tell you what happened to their dad. You’d never pushed the subject. You knew better than anyone what kind of pain that was. 

“I just wish we’d been able to stay with each other. Me and my brothers, at least,” Dory said. But she adopted a smile for you, before she returned to her desk.

“Okay. Go on your non-date at your favorite bar with Russell. I’ll be here, grading papers until Judgment Day,” she said, with a small laugh that felt like a coverup for thoughts she no longer wanted to think about.

You let her do it. You grabbed your purse and work bag off the spare chair in front of her desk.

“So you’re sure,” you wanted to confirm. “One last chance for me to tell him I came down with food poisoning.”

Dory collected her stack of midterm papers and gave you a cheeky look that said, class dismissed. Then she clicked her red pen and pointedly looked down at the first batch of papers to read through.

You smiled. Okay, you thought, giving her a little wave goodbye when you turned to leave. You had just a couple of hours to drive home and get ready to meet Russell.

“Goodnight,” you called.

“Goodniiight,” Dory replied.

You heard the smirk in her voice without even having to look back.

After fighting through rush hour traffic, you were exhausted when you got home from work. Your tentative excitement and nerves about tonight gave you some new energy though, even if you thought those nerves were silly to have.

Barely a date, you reminded yourself, as you unlocked the door to your house. Barely a date, barely a date.

The Ring Camera beside the door chimed when you entered the house, signaling your arrival. You had to wrinkle your nose at the dank-ass smell that greeted you.

Frowning in annoyance, you dropped your stuff on the kitchen table for now and shucked off your heels. You made a beeline down the hall, to the bedroom that lied across from yours. You pushed it open without knocking. There you caught your older brother, Charlie, snoozing in his bed with the covers half pooling on the floor.

His room was a mess, as usual. Your gaze locked on the evidence of half a blunt on his nightstand and two smoked roaches beside it. You were glad it wasn’t remnants of white lines of powder, like times before, but there was also a large bottle of whiskey. It was almost empty, and hanging loosely from his hand.

He managed to raise his head a bit when you came in.

“Hey,” he said, blinking bleary eyes. He cleared his throat and tried to sit up.

You shook your head and picked around piles of dirty clothes and a couple of used paper plates on the floor. You swiftly grabbed the bottle from his hand and slammed it on the nightstand.

“You promised me, Charlie,” you snapped. “You promised me for the hundredth time that you’d quit all this shit. Where even were you last night? You weren’t home when I left for work this morning.”

He sighed, frowning at how loud you were, and sat up in bed. He swung his legs over the side and held his swimming head in his hands, resting his elbows on his knees. He ran a hand through his hair. It was nearly black, like Dad’s had been, but he’d inherited Mom’s lighter eyes.

“I got invited to a party,” he said. “I’m sorry, I know. This is the last time.”

You expelled a frustrated breath and shook your head.

“You’re a grown fucking man, Charlie! Do you really need me to give you the just say no speech?” you said. 

“Look, I’m sorry. I don’t know how many times I can say it,” he said. He shut his eyes tight, probably trying to fend off a headache. 

Good, you thought. Let that be a reminder of how bad he’d screwed up again. 

“And while we’re at it, what about your half of the bills? You’re a week late,” you said, testily crossing your arms.

“Yeah, I’m a little behind,” he said. Once again, he cleared his throat past a wad of phlegm. He was still a bit crossfaded too, you could tell. “You know they cut my hours to part-time at the museum. I’ve, uh, I’ve been looking into getting another job—”

“I already paid the phone bill. And the internet, the water bill, the electricity,” you said. “The house may be paid off, but the least you can do is pay your half of living here.”

The longer you stared at him, seeing the guilt hidden behind drunken eyes, you realized he wasn’t just late on his half of the bills.

“How much?” you asked.

He frowned up at you. “What?”

“How much do you owe?” you said. Your voice was as cutting as your gaze. Charlie lowered his.  

“It’s okay, don’t worry—”

“How much,” you pressed.

He looked up at you again, this time with pursed lips. After a beat, he sighed and gave in.

“About two grand,” he admitted.

You raised your eyes heavenward, muttering a curse. Your hands went to your temples as you had to pace the room. You were angry and exasperated in equal measure.

“Who the fuck do you owe two grand?!” you asked.

Charlie shook his head. “It’s better that I don’t tell you that.”

You paused. As you looked down at him, your anger dissolved into sadness, like it always did.

“If Mom and Dad could see you now, they wouldn’t recognize you,” you said.

Charlie fought not to react to that, his brows furrowing. Instead, he just looked down, unable to answer you.

“Charlie, you need help. I can’t keep doing this with you,” you said. Your shaky breath gave way to the burn of tears.  

His red-rimmed eyes became glassy as well.

“I’m sorry,” was all he said.

He was always sorry. And you always had to be the one to nurse him back to health, pick up the pieces, pay the bills. You were exhausted. The bone-deep kind of tired that felt like gravity wasn't so much keeping you down, but pushing you.

“I’m going to ask for two things: do what you need to do to get paid, and clean up your shit. If you can’t accomplish that, then I’m taking you to rehab,” you said.

“You know I’ve tried that,” Charlie said, with a shrug of his shoulders. “Didn’t really work for me.”

“You left the program after two weeks!” you retorted.

“I did it on my own! I’ve been clean for months,” he argued.

“And what happened? You go to one party and all your good sense, all your training, mentally and physically—that all goes out the window?” you said. You had half a mind not to believe him.

“Yeah well, maybe just for one night, I wanted to relax without you harping on my back,” he said, glaring up at you. “Is that too much to fucking ask? For you to give me some goddamn slack?”

Your mouth fell open incredulously.  

“I’m on your back?” you said. “Okay. I’ll get off. Do whatever the hell you want, Charlie. I’m done.”

You left his room in an angry huff. You headed over to your room so you could take a shower and start getting ready to meet Russell at Howley’s. 

By the time you got to your bedroom, you heard the front door slam closed.

The truth was, you were no longer in a mood to have fun when you pulled up to Howley’s, but you needed to escape your house. Also, you weren’t someone who canceled on people last-minute, especially not on Dory’s own brother.

You found Russell waiting for you at the bar. He waved to you with a fifth of whiskey in hand and an easy grin. He’d saved you a seat beside him.

You found yourself smiling. Your mood began to lighten as you went over to him. He looked more or less the same, but this time the jacket and jeans combo was navy blue and dark wash, respectively. His hair was swept back, lightly gelled. You smelled the familiar, rich woodiness of his cologne when you drew near, along with a hint of spicy soap.

“Hey, there.” He greeted you with a warm hand on your back. He helped you into your seat.

“Hey, yourself,” you replied, and thanked him for the assist onto the tall stool. You’d opted for jeans and a blouse, paired with your favorite leather boots. It was less dressy than he’d seen you before, but that was “work mode.” This was a more casual affair, even if you’d spent at least twenty extra minutes on your makeup.

You were glad he picked a spot at the end of the bar though. It put some distance from the group of guys getting rowdy as they cheered at the football game playing on the TV.

“How was the rest of your day, Professor?” he asked. “And what’re you wanting to drink?”

You let out a long sigh and turned toward him, resting your elbow on the counter.

“Awesome. I’m going to need two shots of tequila and an order of something fried, and preferably covered with cheese, please,” you replied.

Russell’s grin deepened. “Okay, I’m thinking ‘awesome’ is code for something. But we can get started on that order of Forget Today’s Unfortunate Events.”

He flagged down the bartender with a raise of his hand, but he shot you a glance.

“Though I’m hoping it’s not all of today that you wanna forget,” he said.

Your lips threatened another smile, as the memory of your hand being swept up into his, and soft lips meeting the back of your hand filtered through your mind.

“Yeah, I don’t think that’s possible,” you said.

After about ten minutes of playfully debating the appetizer menu (you swore by the pretzel and beer cheese, but Russell had his eye on those spicy wings), he finally settled on ordering both.

“When in doubt, don’t go without,” he’d remarked.

You swept a pretty coil of hair over your shoulder and downed your tequila shots with a lime wedge. Meanwhile, Russell tried not to linger his eyes on the way your tongue swept over your finger to catch a drop of lime juice. Your nails were manicured, and the shade of the polish matched your lipstick.

Russell didn’t pretend to know the art and science of a woman’s wardrobe, but everything about you was thought out, it seemed, falling in line with what he’d expect from a (sexy as all hell) college professor. You’d also told him at lunch today that as of last year, you now had two doctorates: History and Ancient Studies.

Even with all that under your belt, you also seemed refreshingly down-to-earth, a lot like Dory in that sense. He could see why you two were friends.

“So, are you from here, or are you a transplant, like my sister?” he asked.

Dory hadn’t come to live in Wyoming until their aunt and uncle took her in, when she was about eight years old. Before last month, Russell hadn’t seen her since. It hurt his heart to think about, but he tried to focus on you.

You now seemed to be staring a bit listlessly at the glass of whiskey in his hands. He laid a hand on your arm and called your name.

“Hmm?” Your brows rose as you blinked to attention. “Oh! I’m sorry. Yes, I’ve lived here pretty much forever.”

“You okay?” Russell asked. “Tequila hit ya a little hard?”

You shook your head. “No, I’m sorry…”

You raised your hands up to your temples. You debated whether you wanted to open up about this, but…considering who Russell was, you thought he might just understand.

“Dory told me you’ve been trying to reconnect with your brother, right? Colter?” you said.

Russell nodded. He wasn’t sure how much Dory told you about their family business, but it dimmed his mood.

“Well, you could say I’ve got a brother issue of my own,” you said, laughing humorlessly. “You don’t have to talk about yours, but maybe you’ll understand… My brother is a veteran too. He was a Captain, air force pilot. He fought in Afghanistan, mainly.”

Russell processed that with a nod. “Yeah, I was there too. Special Ops.”

“Wow, okay. Then you know what it was like for him, coming back home,” you said. Your gaze fell to your empty shot glasses. “It was hard, after…”

“After?” he prompted.

You sighed. “Near the end, he lost half his unit in a raid, off of some flawed intel.”

Russell’s brows knitted together. Hmm. Grief, survivor’s guilt, feeling like you don’t belong.

He was starting to get a clearer picture of who your brother was. It struck at familiar chords inside himself that he wasn’t so comfortable with. He shifted in his seat, fingers flexing over his glass on the counter.

You didn’t notice, but you did push the shot glasses away from you.

“I helped him the best I could,” you said. “I got him a job at the museum I interned at when I was in undergrad. He’s there as a security guard, but it’s not really enough, you know? It’s like, nothing satisfies him. I just…I don’t think I know how to help him anymore.”

You couldn’t help it. Emotion bubbled in your throat, making it close up on you as tears stung in your eyes. Your lower lip wobbled, and you tried to turn your face away. Embarrassment coiled up in your chest and made your face hot.

You felt a hand cover yours on your thigh, squeezing warmly. You looked up and met Russell’s gaze, both sympathetic and understanding.

“I’m so sorry,” you said, trying to calm your shuddering breath. “This isn’t exactly first date material. I can’t believe I unloaded on you like that.”

“Hey, it’s okay,” he said. “Believe me, I get what your brother’s going through.”

He pushed the plate with the last piece of soft-baked pretzel over to you.

“You finish that if you want, then you go ahead and pick something else off the menu. I won’t even argue with you this time,” he promised with a grin.

It got you to laugh, at least, and he gave you a napkin for your tears.

God, get it together, you told yourself. You’re a damn mess.

“Thanks,” you said. You managed to smile as you blotted at one corner of your eye. You hoped you hadn’t just irreversibly smudged your mascara.

Russell surprised you by brushing his thumb against your other cheek, wiping a stray tear away. Your face began to warm with a blush.

“Again, I’m sorry for dumping on you. We had a fight right when I got home,” you admitted.

“What’s his name?” Russell asked.

“Charlie.”

“Older or younger than you?”

“Four years older,” you replied. “He enlisted a few years after he graduated high school.”

Russell flickered at a smile. Enlisted, huh?

Yet another thing he and Charlie had in common, except Russell hadn’t made it through high school in the classic sense.

“What do you think?” you asked.

“I think your brother sounds lost right now. I’ve known a lotta guys like him, unfortunately,” Russell admitted. “Walking back into civilian life, it ain’t easy. That I know my damn self. Just like I know a thing or two about being an older brother. He’s probably doing his best to keep it off your shoulders.”

You shook your head at that. Trying, maybe.

You weren’t even sure of that anymore. Still, it made you all the more curious about Russell and his family.

“I know I said I wouldn’t ask this, and you don’t have to answer. But did you and Colter have a falling out or something?” you asked.

Russell expelled a deep breath and took a sip from his glass. How was he supposed to navigate this minefield with you?

“You gotta understand that me, my brother, my sister, we didn’t grow up like a normal family,” he said.

“Yeah, I know,” you nodded. “Dory’s told me some of it. It sounded…rustic.”

He snorted. “Putting it mildly.”

He shook his head and drained the rest of his glass. 

“Well, my brother’s got an idea about me that isn’t true,” he said.

Your head tilted in curiosity. “Which is?”

His lips briefly raised in a wan smile. 

“We don’t gotta get into that one tonight. But uh, the truth is, I’ve tried reaching out to him several times now. He just doesn’t wanna hear from me,” said Russell.

You considered him for a moment. You laid a hand on his arm, covered by his jacket. 

“Don’t give up,” you said, with a sigh of your own. “Despite some things I said to him today, I know I can’t. My brother’s the only real family I have.”

Russell grew curious then. “What about your parents?”

You gave a weak smile.

“They passed away when we were young, but…we don’t have to get into that one tonight,” you said, borrowing his words. 

His expression fell. “Jesus. I’m sorry to hear that.”

“Thank you,” you accepted, twisting the napkin around your fingers.

An awkward lull of silence fell between you, until Russell nodded and blew out a breath.

“Well. Heavy, huh?”

You chuckled and rested your head against your hand.

“I know. Again, my fault,” you replied. 

“It’s okay, swee—. Mmm,” he cut himself off, shooting you a knowing glance.

“Were you about to sweetheart me?” you asked playfully, nudging his hand. “You know how I feel about that.”

“No, ma’am. Not at all,” Russell shook his head. His smile gave him away though. You laughed and grabbed his arm.

“Come on,” you said.

He allowed you to lead him out of his seat. He already had a tab open, so he’d settle up with the bar later. “Where we going?”

“You’re gonna lose to me at pool,” you said with a smirk.

Russell laughed and wrapped his arm around your waist instead.

“Oh, okay. I’m gonna give you a run for your money, though,” he promised.

And he was true to his word.

Russell Shaw turned out to be a more than worthy opponent. You studied the board as you changed the angle on your cue stick no less than five times.

“You gonna make a move, or we going to be here all night?” he said.

He was smiling as he leaned against his own cue on the other side of the board. His clever moves had left you in a difficult position to get your three remaining solid-colored balls into the pocket.

“You hush. I’m thinking,” you said, fighting your own smile.

“Careful, you’ve got steam coming out of your ears,” he teased.

You shot him a narrowed look for that. But then you smiled, as the answer came to you. You walked around to his side of the board and nudged him with your hip.

“Excuse me, sir,” you said to him over your shoulder.

Russell made way for you, but his eyes followed the way you bent over to line up your shot. Namely the curve of your ass in those tight jeans. He could see you knew exactly what you were doing, in more ways than one.

You shot your shot. The solid green ball leapt over his white-striped blue one and managed to sink into the pocket. You straightened up and gave him a triumphant little smirk.

He tried to temper his smile (and ignore the way his cock twitched).

“All right, go on, do your little victory lap," he said. "But remember, I let you go first.”

“Like that matters,” you quipped back.

You went back to the other side of the board to line up your next shot. Russell noticed a pair of drunk men ambling your way from the bar, but before he could make a subtle move to put himself in between, one of the men’s gazes slid down your form and gave into the base urge to let out a low whistle.

And he slapped you right on the ass.

You gasped, grabbing hold of the pool table. Then your shock melted into ire.

Russell was already heading toward you with an angry frown of his own, but even he had to stop short, when he watched you throw a punch that cracked the drunken man across the bridge of his nose.

Good form, Russell thought, when the guy reared back with a howl. His nose dripped blood when his hands came away from his face.

His buddy started to raise his hackles, but that was when Russell stepped to your side. He angled himself toward you and loosely gripped his pool cue by his hip, like it was an extension of his arm. He was fully prepared to use it like one.

“Fucking bitch!” said the one who was still dabbing his nose in vain. He glared at you, his eyes watering involuntarily, while his friend tried to keep him upright. You rolled your eyes.

"You're the one who's crying, bitch," you returned. Russell held in a snort. He cleared his throat and looked on at the pair of idiots.

“I’d have a little sit down if I were you,” Russell told them, with a smirk. “Let that be a lesson to ya. And if it don’t stick? Well. Whatever you start, I can damn well finish.”

His steely gaze reinforced the promise of his words. The other men were still angry, but even drunks had some sense of self-preservation. They ambled toward the back of the bar to find another pool table.

Russell focused his attention back on you, finding you looking down at your hand, rotating your wrist and flexing your fingers.

“Well, look at you, slugger,” he said. You met his smile with one of amusement.

“That’s just what I needed tonight. A broken hand,” you quipped.

“Aw, it doesn’t look as bad as all that. But can I see?” he asked. You allowed him to take your smaller hand in his. Your knuckles were red and tender to the touch when he gently pressed. You hissed in pain.

Damn, she really gave it to him, Russell thought.

“Sorry,” he said, but your hand felt fine, at least. More than fine. His gaze flicked up to yours as his amused grin deepened. “Good hit though.”

If he liked you before, he might’ve fallen half in love with you right there.

You laughed through the pain. “Yeah, my brother did teach me something. Shit.”

Russell led you back to the bar after you grabbed your purse. There he called to the bartender for some ice. The guy nodded; he’d seen the entire exchange and was sympathetic.

You knew this sort of thing was just par for the course at this kind of bar, but they had the best drinks. Charlie had to carry you out of here on your twenty-first birthday, drunk off your ass. Not to mention, he’d punched out two handsy dicks that night.

You recounted the story to Russell over a couple more drinks. Your conversation was lighter then, filled with laughter and a warm, companiable feeling. He was still rather evasive about his job, but you supposed he had to be, since it was government contract work.

Private security, mainly. Or so he'd said. This man made you infinitely curious, and a bit apprehensive, if you were honest.

And yet, at some point while you two shared and laughed and split a hot sandwich with another round of beers, you realized it.

I like this, you thought. And I like him.

However, the night had to come to an end sometime. Your third involuntary yawn told Russell it was time to call it.

"I'm okay," you tried.

"Nah, you've gotta work tomorrow," he said. He signaled to the bartender. "Let me go ahead and close out my tab."

“Oh, I can pay for half,” you said, reaching for your purse now hanging from your hip.

“You kidding me? Put that away,” he said, guiding your hand with your wallet aside.

Smiling, you accepted his generosity with a small thank you. Then, you let him take up your sore hand again, just to carefully press the half-melted bag of ice over it.

“Feelin’ better?” he asked.

Your smile became softer. “Yeah.”

You had no doubt that this man, tall as he was, with his broad shoulders and the controlled way he carried himself, could’ve laid both of those drunken assholes onto their asses. His intimidating gaze had promised as much.

But his hands were gentle for you.

“I was about to win that game, no contest!” you said, laughing as you and Russell headed out of the bar and into the parking lot.

“Hey, hey, I still had time to win it back,” he argued. “I only had three more balls to go. I could’ve sunk that with my eyes closed.”

“Three balls, huh?” you said slyly, and maybe, a little tipsy. “Might wanna get that looked at.”

Russell snorted. “You think you’re funny, huh?”

“Hey, you laughed!” you said, pointing at him.

He shook his head, despite his amusement. He slowed to a stop in front of his car.

“Where’d you park, huh?” he asked.

“Over there,” you said, pointing several parking spaces down. Your eyes were drawn to his car, however. “Wow. This is your car?”

Russell grinned and patted the top of his black Chevy.

“Aw, yeah. That’s my baby,” he said. “She’s a Chevelle, 1967.”

You didn’t know much about cars, but you could see this was a classic beauty. You passed a hand over its sleek paint job without touching, so you didn't get any fingerprints on it. Though you quirked a smile over your shoulder at him.

“She?” you intoned.

“That’s right. She,” he confirmed.

You smirked and crossed your arms. You paused in front of the passenger door, and when Russell drew in closer, you had to crane your neck up to meet his warm gaze.

“Now, if I go in for a kiss goodnight, are you gonna deck me?” he asked, with a teasing glint in his eyes.

You tilted your head, your own eyes dancing.

“I’m sure you’re brave enough to find out,” you said.

Russell decided he’d take that bet.

He leaned in slowly. He made a show of hesitating, raising a brow, as if waiting for a blow. You were tempted to laugh.

But then he let loose a true smile, and he bowed his head to press his lips against yours. Your eyes fell shut, and your hands moved to flatten against his chest. A firm fucking wall. Jesus.

He circled his arms around your waist, bringing you in closer. Your fingers wound up in his hair, while he tilted his head to kiss you again. You met him with the same fervor with each new kiss, and the feel of your body, soft and pliant under his hands, each little sweet sound that you made, it all drove him to delve in deeper.

You moaned into his mouth at the first warm swipe of his tongue against yours. He tasted like the burn of good whiskey.

You pressed yourself flush against him on instinct. He found no other recourse but to back you up against the side of his car. His hand tangled into your hair, gripping, then easing through the soft strands.

Russell veered away from your soft mouth after a while, just to burn a line of warm, wet kisses along your jaw, and down your neck with the added rasp of his beard.

His lips found the sensitive spot where your neck met your shoulder. He kissed and sucked at your skin, even grazing with his teeth. You gasped softly in his ear, shuddering against him. You ran your hands over his shoulders and down his strong back out of a need to feel him.

His hands were heavy along the curve of your waist then, squeezing your hips. It all felt incredibly right. And by right, you meant body tingling, warmth churning in your lower belly, and wetness growing between your legs, for sure dampening your panties.

You tugged him back by his hair, so you could reach him for another steamy kiss.

“I’m staying at a motel, if you wanna…” he said, between kisses.

You paused against his lips, parting from him softly.

“Or not," he added. "Just thought I’d mention.” 

You giggled, catching your breath, and then smoothing your hands down his chest. The faint throb of your core was telling you one thing, but the warning signals of your more cautious mind were telling you another. You thought for a moment…but then you sighed. 

“How long are you really in town?” you asked.

His wet lips tugged to one corner, ruefully. “A few more days, probably.”

“Right,” you said with a frown. “Russell, I like you. I actually, I really do. If you were sticking around for a while, it’d be one thing. But you’re my best friend’s brother, and I—”

“No, I get it. I can’t predict when I’m gonna be able to swing back into town, and you’ve gotta live your life,” he said, but not without care. He curled an errant strand of hair behind your ear. 

Your heart tugged, almost painfully.

“You’re a good guy, Russell Shaw,” you breathed. “Why can’t you be a good guy who’s staying?”

“I’m sorry, sweetheart,” he said. Then he cringed, knowing how you felt about sweethearting men. “Ah, sorry—” 

You smiled and covered his mouth with your fingers. 

“It’s okay. You have permission to sweetheart me.” 

After blinking his surprise away, his face eased into a grin.

“Then I’ll wear that badge with honor,” he said. 

Your shoulders shook with laughter when you let your forehead fall against his chest.

Russell remained what he had been throughout the entire night: a gentleman, who accompanied you over to your car.

After another stolen kiss or two in front of your sedan, you parted ways from him with a bit of a heavy heart. You wondered if you made the right decision, or if you should’ve just gone for it for once, instead of second-guessing yourself like usual.

You did know this. The rumble of his Chevelle driving down the opposite road would be imprinted on your memory.

When you returned home, you realized that the house was empty, and in complete darkness.

Charlie still wasn’t home.

Worried, you flicked on the lights and began to text his cell, only to find a note for you on the kitchen counter.

And it worried you even more.

I’m sorry. I’m going to make it right. 

— C.

AN: 😬 Well then! lol We're diving straight into the drama and feels on this one. What did you think of her "barely a date" with Russell? 😂

And where do you think we're going next with Charlie?

Next Time:

Dory was sat next to you on the couch, rubbing your back with sympathy and concern in her own eyes.

“You should call the police,” she advised.

You’d thought of that, but if Charlie was doing something he wasn’t supposed to, then depending on what it was, you didn’t necessarily want him locked up in a cell. He wasn’t a bad person, he was just…lost. You wanted him to get help.

You set down the butterknife beside the jar and turned to her, after drying your eyes the best you could.

“Do you think your brother would be willing to come back to Wyoming?” you said. After a beat of hesitation, you specified:

“Colter, the tracker.”

▶️ Keep Reading: PART 2

Series Masterlist

Ko-Fi Me ☕

Russell Shaw Masterlist

Main Masterlist

Russell S. Tag List:

@kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms @foxyjwls007

@wincastifer @ades106 @iamsapphine @simpforbuckyb @roseblue373

@brianochka @branj19 @hazel-eye-coffee-shop-girl-blog @globetrotter28 @charmed-asylum

@waywardxwords @deanwinchestersgirl87 @this-is-me19 @rachiem4-blog @sweettimelady

@leigh70 @clinicallydepresso @xiphoidbones @skoveu @nyotamalfoy

@kmc1989 @jackles010378 @emily-winchester @waynes-multiverse @jessjad

@my-stories-vault @deans-spinster-witch @syrma-sensei @stellasfictionalworld @ultimatecin73

@jesllianaquilesrolonsworld @pieandmonsters @lhymer1995 @taehyungxjungkookistaekook @lovelystoriesaj

@nicksalchemy1 @spnwoman @onlyangel-444 @sexyvixen7 @illicithallways

@wolkenprinzessin007 @alwaystiredandconfused @carpenterswife @cheynovak @grilledcheeseandtomato

[transformers-nerd-13]

And here it is; the final part in my analysis of the first three episodes of season one of G1! The analyses of the first two episodes can be found on my page so go check those out if you're so inclined (I'm still learning tumblr so I don't know how to link posts yet lol). This post will be a bit long, so be warned of that. With that out of the way, let's get into it!

We start with a recap of what happened in the last two episodes to remind the viewer of the events that have taken place.

We're right where we left off with Optimus dramatically rolling down the cliff in awkward slow motion. Once he finally stops rolling, the other Autobots help him up onto his wheels. Optimus isn't worried about himself however; he's more worried about Roller who, incidentally, shows no sign of having been involved in an explosion. Prime struggles to transform back into his bot mode for a few seconds but eventually gets there with some encouragement from his fellow bots. After he transforms, he seems entirely fine, so we're not gonna talk about the blast he took seconds prior. Ratchet comments that "That was some blast you took", reminding Optimus that Bee and Sparkplug are still in the remains of the mines.

After a bit of digging, Jazz finds the two and gets them out with the help of Prowl.

(can we talk about how cute the above screenshots are??) Optimus congratulates Bee and Sparkplug on burying the Decepticons for good. Oh hey, guess what?

The cons are completely fine, their energon cubes are still functional, and they fly out of the mines unscathed. Good job guys.

Ironhide gets (understandably) frustrated and goes after the cons because the Autobots could still fly at this point. Bluestreak goes after Ironhide to stop him, but when Ironhide makes it clear that he's not backing down, Bluestreak joins him in his fight.

Ironhide fires on Skywarp (whether he actually hit him or not I have no clue) and Skywarp teleports behind Ironhide and Bluestreak, firing a missile at them but missing. Bluestreak says "It's like fighting a shadow!" I feel like this is an easily fixable problem--y'all can hover midair; we've seen you do this; you could just turn around and fire back at him??

Skywarp fires and he misses, he fires and he misses, this goes on for several minutes (if anyone gets the reference put it in the comments) until he finally manages to hit Ironhide, who falls from the sky into a conveniently located lake.

Bluestreak goes to rescue Ironhide and all of the other Autobots appear from the void to gawk at the rescue from the shore. Jazz uses his grappling hook like a rescue line once again to reel Bluestreak and Ironhide to shore. Ironhide says that he can't move, but Optimus points out "At least you can still talk old buddy." Despite saying that he can't move, Ironhide moves his arm just fine to emphasize his words while he's telling Ratchet what got damaged on his body. Ratchet transforms into his ambulance mode and Bluestreak and Jazz put Ironhide in the back of Ratchet's alt mode.

Ironhide and Ratchet are the same height with virtually the same alt mode; their toys were just recolors of each other; so how the heck did he fit back there?? Ironhide starts to tell an old war story, but Optimus tells him to "Save the war stories hot shot. Just remember that there's a thin line between being a hero, and being a memory." Which is just a great line. Jazz jokes that maybe Ironhide is ready for a cushy office job (idk how he would even obtain an office job in the middle of a war, let alone on Earth, I doubt he'd even fit in an office building) but Ironhide says he'll be back in action after Ratchet fixes him up. The bots start driving (presumably back to the ark) before we cut to Spike writing in his diary again, this time about how Optimus Prime would make a neat president and honestly? I agree.

Awkward cut to Hound sort of teasing Ravage by holding the key to his cage just out of Ravage's reach. Hound comments that he doesn't think Ravage likes being a prisoner; Mirage says that he can't blame him and that he's surprised that the cons haven't come to rescue him. Hound isn't surprised; the cons don't care about anyone; not even their own. He makes a hologram of Megatron, but it just seems to piss Ravage off. Mirage asks Hound to make him a hologram of a big house with a four car garage when they get back to Cybertron; the holograms look so real that nobody'll know the difference. Mirage. You turn into an F1 racing car. Why do you need a 4 car garage?? Are you going to host a lot of sleepovers when you get back to Cybertron?? And yeah nobody'll know the difference until they try to open a door or go upstairs and their body phases through the hologram.

This gives Hound an idea however; to make a big hologram of a rocket fuel base to trick the cons into coming to the bots on their terms. He shares the idea with autobot high command (aka Prime, Prowl and Jazz) who all agree to it. Hound goes back to tell Mirage about a (fake) secret stash of rocket fuel 140 kilometers due west, telling him that there's enough rocket fuel at that base to make four trips to Cybertron. The two go to tell Ironhide about the base to make him feel better. The two leave but Hound drops the keys to Ravage's cage. Ravage gets ahold of the key, unlocks his cage, and escapes. Hound, Mirage, Prowl and Jazz who were hiding behind a rock (for some reason) see Ravage getting away at the speed of ZOOM. The four go after Ravage but he ends up escaping. The four go back to just outside the Ark where Optimus and Cliffjumper are standing for some reason.

The four tell Optimus that Ravage got away and all look like the shocked Pikachu meme.

It's kind of unclear if they wanted Ravage to escape to trick the cons or not, it's kind of like the writers didn't know either and just never went back to clear it up.

Cut to the cons where Ravage reports back to Megatron about the rocket base Hound was talking about earlier. And we never hear Ravage speak again. Megatron commends Ravage for a job well done. Starscream and Megatron get into it again about Starscream wanting to be leader of the cons. Starscream says that "Now is the time for action, not words! I am the leader of the future!"

Megatron isn't using words though; so far he's only been using action, so this line doesn't make much sense.

Megatron insults Starscream's nonexistent leadership skills and Starscream takes that personally. He tries to shoot Megatron, but Soundwave (who's also there btw) calls out to his leader. Megatron uses a shield that we never see again to block the shot and somehow that one shot made Starscream run out of ammo (I guess he forgot to reload after the fight with the bots??). Megatron threatens to shoot Starscream while Starscream begs Megatron not to shoot him. Megatron shoots him anyway before declaring that the Decepticons would attack the base at sunrise. What is it with the Decepticons and attacking places at sunrise??

Cut to the next day at sunrise when Hound makes the hologram of the rocket base (how he knows what a human rocket base looks like I will never know) and the Decepticons show up immediately after the hologram is made (did they not see him make the hologram??)

The cons attack the hologram rocket base where the Autobots have appeared from the void during the commercial break all wearing lab coats which they quickly ditch to better fight the cons (where did they find such big lab coats and why??).

Not long into the fight, the bots realize that the cons they're fighting are decoys made by the cons out of scrap metal and junk (impressive engineering I guess but how did that work??) and the real Megatron reveals that he was onto the autobot's scheme from the beginning (how. Just how) and that the real cons have been at the real rocket base gathering fuel to make Energon cubes.

But in the next shot we see the cons just arriving at the rocket base. (I guess Megatron overestimated the speed of his soldiers). The humans at the base try to defend themselves but their weapons are completely useless against the cons. The cons get the energon they need and Megatron tells the cons to prepare for blast off.

Cut to the Autobots who have decided to attack the cons directly. Optimus asks for volunteers for the battle ahead and literally every Autobot steps forward; even Spike and Sparkplug volunteer. The bots transform and roll out.

Quick cut to the cons where Megatron talks about how close they are to conquest.

Cut back to the bots who encircle the con's base as the cons board their space cruiser. Before the cons can board, the bots make their presence known and the bots and cons duke it out once again.

Somewhere in the fight, Spike throws a rock at Starscream's blaster hard enough to knock the blaster off his arm (how did he do that??) and Prowl runs over Starscream's blaster rendering it useless. The cons gain a temporary victory over the bots and board the space cruiser while the bots shoot at them but miss horribly because once again everyone in this show has the aim of an absolute Stormtrooper. The cons take off in their new space cruiser. Jazz tells Prime that it's over; they've lost, but Prime says that it's not over yet. He borrows Sideswipe's rocket pack (that we never see again) to go after the con's ship.

Cut to the cons where Megatron says that they've seen the last of the Autobots and Optimus Prime, but Starscream says "Not yet we haven't" as he spots Optimus flying after their ship.

The cons fire on Optimus and actually manage to hit him, sending the Autobot leader plummeting back to earth. He hits the ground pretty hard but claims that he's alright when Prowl and Jazz help him up. The bots then notice that Mirage is missing and seem pretty calm about his not being there.

Cut to the cons where Starscream is trying once again to usurp Megatron (oh hey his blaster is back), who warns Starscream that once he becomes the leader, there will always be someone trying to take leadership from him, which makes me think Megatron is speaking from personal experience here; that’d be interesting. Maybe Megatron was once like Starscream, but he actually succeeded in taking leadership of the cons and regrets it on some level because now there’s a constant target on his back. It's revealed that Mirage snuck aboard the space cruiser and shoots the computers, causing the space cruiser to crash into the ocean. Mirage escapes before it crashes. He makes it back to the bots who congratulate him on defeating the cons.

Optimus commends Mirage for a job well done and Jazz says that they'd better get back to the ship since it still needs repairing. Spike (unprompted) asks Optimus if he can go to Cybertron with the bots when they go back. Optimus basically says "ask your dad" and Sparkplug says that Spike can go so long as he can go too. (Responsible parenting 101. Also how do they know that they’d survive on Cybertron?? Or is NASA getting involved and giving them space suits and food??) The bots transform and roll out.

Cut to later where Spike tells us while he's once again writing in his diary that since the Autobots prevented the Decepticons from stealing earth's resources (did they though? Cause it seems to me the cons got away with that), the governments of the world agreed to give the bots the energy they need to revitalize Cybertron, and that it was probably the first time that all the governments agreed on anything. (Since this was 1984, this was true. The only time--that I'm aware of--that all of the governments of the world ever actually agreed on anything in real life was in 1987; the Montreal Protocol; three years later, so at least that's accurate.)

Optimus tells Spike that they're ready to launch and Spike tells him that he'll be right there. Spike adds one more note in his diary that he's glad they don't have to worry about the cons anymore.

Cut to a shot of the ocean which fades into an underwater shot, showing us the Decepticon space cruiser that shows no sign of having crashed at the bottom of the ocean, as well as Megatron who leaves the cruiser and heads for the surface, leaving us with another cliffhanger.

Spike, you jinxed it.

And that was part three of Transformers; More than Meets the Eye. Just like the other two parts of More than Meets the Eye, it crams a lot into one episode, and a lot of it doesn't really make sense, but it's still a very fun watch. I feel like that's just the way it is when it comes to 80's cartoons.

Anyways, I hope this was enjoyable! My analysis of Fire in the Sky will probably be posted some time in the next few days, so stay tuned!

[romana-after-dark]

Our Gentle Sins: Part 10

Thank you so so so much to @plasticbabies for making this beautiful header!!!! we finally have a good one!

Dark!Logan Howlett x fem!reader

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Chapter summary: Past. Scott is frustrated that no one listens to him. Present. Once again, no one listens to Scott.

Warnings: This fic features non con, pregnancy, and themes of religious trauma. I will not be saying everything that happens to warm you, by clicking read more you are prepared for extremely dark themes and that you at 18+. You are responsible for your own media consumption.

Before

When Logan was called into Charles's office, he knew it wasn't going to be good.

"Would you care to explain to me why one of my students saw you and Cyclops fighting last night?"

Logan didn't really want to deal with this. He had enough self hatred for whatever he did to make you cry, he didn't need Charles disappointed in him too.

"Are you gonna lecture Scott about it too?"

"I will be talking to him, as well as Remy and Miss Palmer. Fights are something I have to take seriously. What kind of example are you setting for the children?"

As much as Logan wanted to blame it all on Scott, make the little prick pay, he thought back to you. You liked Scott, you'd be upset if Scott got in trouble for you... It was best to just be honest.

"Listen Chuck, it was a mistake, but it wasn't Scotts fault, okay? I saw him messing with her sleeve, showing skin she don't like to show. You know how she is about that stuff." Charles nodded and raised a brow, clearly confused by Scotts actions but not jumping to conclusions. "I saw what he did, and you can't blame me for getting pissed, right? We went out back and fought, Remy broke it up. He only touched her like that because she was hiding... claw marks on back..."

Again, Charles was listening rationally. "And what were they from, son?"

Logan rolls his eyes, groaning. "you know what they were from, but it ain't like that. She came to me when I was having a nightmare and I must've scratched her in my sleep. I didn't even know I cut her until yesterday. Scott and I were both just trying to protect her, okay?"

For a long moment, Charles's eyes simple stayed locked with logan, watching him, searching him. Charles doesn't read minds unless he really needs to, seeing it was a violation of privacy he didn't use lightly.

"I know in the past I've told you i wouldn't tell you what to do, but I'm afraid I'm going to have to put my foot down about you and our young teacher."

He felt like a weight had been dropped on his stomach. "What?"

"I know a romance of sorts has formed, and I do not know how far it's gone nor do I care to. It needs to end. She is a child, Logan. I know she's opened up to you but i doubt she's told you the full story."

You hadn't, he knew, and Logan growled in frustration. "So tell me!"

"That is not my story to tell."

"But you can tell me not to see her? You don't think she can make her own choices?"

"She can't even choose what to make for dinner without crying. She's not at a place where she's ready to date."

But he'd take care of that. Logan would take care of dinner, he'd drive you anywhere and everywhere, he'd make sure you were happy and healthy and taken care of. You didn't need menial choices! You didn't need independence! You needed protection, a caretaker!

"So you just think I'm so fucking awful I'm gonna hurt that hurt, that what you think?"

"That is not what I'm saying."

Logan paused, staring down Charles and heavy breathing as he tried to control his anger. His hands fist the side of Charles's desk, knuckles turning white. He couldn't leave you alone. As soon as he saw you that day with Remy, he was cooked. By the time he got back to the mansion with you giggling at his side, Logan knew there was no future for him without you.

"Charles." Logan grinds out, jaw clenched. "I'm not going to hurt her. I love her."

At that, Charles softened a tad. "I know, son. But this is for the best. There are plenty of women here, women in this world that you could choose from. Why do you have to pick those you can't have?"

He was referencing Jean, of course.

"It's... not like that..."

You were different. You were soft and gentle and happy. You were kind and loving and you wanted him, him and only him. There was no Scott getting in the way. There were no powers, no mutations. Just a sweet girl who needed him to protect you. You were different from Jean.

"Logan, I'm sorry. But this is how it must be. I know you wouldn't intentionally hurt her, but she is fragile. For the record, I would say this if it was Scott, Remy, or Kurt. This is about her, not you."

Logan didn't believe that for a second, storming out the door and right past Scott who was waiting for his turn to speak to Charles.

After

God, this felt good.

The Monday after the schools prom.

2 days after Logan finally made love to you the way he wanted to, the way you deserved.

This morning, Logan walked you to your first class, your arm looped around his. You wore a tight dress for the first time in months to show off the pregnant stomach that swelled with his baby. His baby was growing inside you. The hallways hushed saved for the murmurs of students and teachers as he showed you off, both of you smiling. The secret was out. You were making your public debute.

Logan spotted Scott standing next to Jean, their conversation halted as he lead you to your classroom.

"Have a good day, dollface. I'll see you at lunch."

You beamed up at him in his arms. "You too Lo. I love you."

Then, making direct eye contact with Jean and then Scott, Logan took your chin in his hands and gave you a deep, open mouthed kiss. He heard a whistle from a student, but he didn't care as he slid his tongue inside you.

Scott stormed off, leaving jean behind. No doubt he was on his way to tattle to Charles now that he was back from his several month trip.

*

"I'm fine, Mr. Xavier. Really. Logan is good to me." You sat in front of your boss at his office. Scott had brought the new development to Charles immediately of course, and now you were being questioned. Logan had told you that Charles had instructed him to stay away from you, and now it was your job to convince him that everything was okay. For the sake of raising your baby in a two parent, loving and stable household, you'd omit how this happened, exactly. you'd push away your fears and focus on the man Logan had shown you he could be, not the version you worried was still lurking inside.

"Miss Palmer, Scott seems extremely worried. He is concerned that Logan has forced you into something or has harmed you in some way."

You resist the urge to vehemently defend Logan the way you had to Scott, but remember that that only served to make him more suspicious. Instead, you settle for indignation. "Mr. Xavier," You say in your best offended tone. "Logan loves me. he would never hurt me. he's not like Mark and frankly, I don't appreciate Mr. Summers throwing accusations around wildly. I thought after the incident at the dance where he was proven wrong, he would leave us alone, but he seems obsessive."

A small smile on Charles's face. "And you're aware of their history?"

"Yes, I am very aware. Mr. Summers won back Ms. Grey, so I don't understand why he can't just let Logan be happy. He's not a bad person, you know this. He's a good man, and he watches out for me."

A short pause. "Yes, I am aware Logan is a better man than Scott seems to think. If you would allow me to see into your mind, I can clear-"

"No." You say a little too quickly. Charles didn't force his way into peoples minds. You'd given him permission when you first met him so that he could see what happened to you, see what you did and why you felt no remorse for it. You would not allow that again, knowing what he'd see. He'd see Logan raping you, but he'd never understand why you defended him. He couldn't understand what you saw in Logan, the hope to put it all behind you and start new. "Forgive me, but I'm a private person. There are things I keep to myself."

He nods. "I understand. It seems, however, that you are quite distressed. I can sense it radiating off you. You have to understand my concern."

"Maybe my distress has to do with being raised in a cult, becoming a child bride and being beat for 7 years because i couldn't have a child which I was told was my only purpose in this world?"

Your words hung in the air, tension laced the nervous shuffling in your seat. You place a hand over your stomach. "I apologize, Mr. Xavier. Hormones. I-" You sigh, standing up. "We have an appointment, I have to go." You don't tell him it's your first appointment. You don't tell him you haven't seen a doctor because for the first 3 months you were convinced you would have an abortion. You didn't tell him Logan has to practically drag you here after everything you'd experienced from doctors before.

Charles watches you leave. "Don't be afraid to talk to me, child. We were here to help you. We won't fail you the way you have been failed before."

You almost laugh at that. "Please stop insinuating my boyfriend abuses me. That's how you can help." You open the door to see Logan right where you left him, waiting for you with worry in his eyes.

"Everything okay, Dolly?" He hugs you, eyes connecting over your shoulder to Charles.

"Yeah, everything's fine Lo. Let's go to the appointment."

*

"You can't fucking be serious!" Scott shouts as Remy leaves Charles's office. Scott insisted Charles speak to Remy, that surely her best friend would know something. But when Remy opened the door, and Charles said he's found nothing to suggest you are being harmed, Scott was infuriated.

Charles rolled over to where Scott and Remy stood. "She is insistent she is fine, and everyone we've spoke to says Logan never even raises his voice around her."

"But- months ago, something happened! She wasn't eating, the nightmares-" He gestures to Remy. "You said her nightmares got worse!"

Remy shrugs. "Lovers spat, Cher. She said they worked it out after she found out she was pregnant. It makes sense she's under stress right now, pregnancy outside of marriage is a shameful thing where she grew up."

Scott groans in frustration, pinching the bridge of his nose. "So you don't think it's suspicious she's pregnant? You don't think it's weird she's having sex this soon after leaving all that?"

"Cyclops." Charles warns, but Scott is just looking at remy now. How can he not see it?

Remy glares at Scott. "If you are suggesting Logan raped her you better come prepared to back that up other than this pissing contest between the two of you."

"It's not-"

"Accusing someone of rape is a big fucking deal you can't be throwing around. Last time you accused Logan of clawing her, you looked stupid so I would hope you have something more this time. Well, Scott, what do you have? What grand evidence is there that you can't just let them be happy?" When Scott didn't speak, Remy laughed. "Just as I thought, nothing. Go home to your wife, Scott."

Remy left the room, leaving Charles and Scott alone.

"You can't be serious, Charles."

The older man sighed, looking to his protégé. "Son, you know i respect your opinions and concerns. If you have any evidence-"

Scott heard enough, and stormed out. He wasn't crazy. he wasn't jealous. He didn't hate Logan simply because he fucked his wife. Okay well maybe that was the start. But this? This was wrong. You need help, even if you can't see it.

*

"Look so good like this, baby doll..." Logan mumbled into your neck. You and him laid on the couch watching Gladiator, but the movie was long forgotten. Who was Russel Crowe compared to Logan Howlett? He was hard against you, his cock pressed up against your ass underneath the blanket you insisted on because you were wearing a skirt, his arm wrapped around your middle, caressing your stomach. he was obsessed with your stomach, wanted to touch you there every chance he could.

"Logan, the movie," You giggle but make no attempt to stop as he kissed your neck. You loved the attention. You loved his gentle touches. You were nervous about having a baby, but Logan assured you every step of the way.

The appointment last week had gone well. You told the doctor you hadn't known you were pregnant, that it was a surprise, so he made sure to do a thorough check since you were 4 months along. You hadn't seen a doctor in all that time, but you had been eating well and Logan had brought you prenatal vitamins. Doctor said everything looked normal and healthy, thank god. You hadn't wanted this, not this way anyway, but you'd never forgive yourself if you somehow messed up your child's life with your indecision.

Logan's hands roamed your body under the blanket, humming against your skin. "My pretty wife... my perfect girl..." Logan had said he'd propose, that you and him were gonna get married... you were going to be a wife again. Logan's wife. he'd be different. This time would be different. You'd given logan a baby, so he had no reason to hurt you like Mark had.

"My husband..." You sigh, grinning ear to ear.

"You two are disgusting." Remy spoke, and you suddenly remembered he was in the chair, supposed to be watching the movie with you and Logan. You quickly grab Logan's hand away from where it was about to slide up your skirt, and sit up with a deep blush. Logan had promised to spend more time with Remy, you wanted them to be good friends. They were already casual friends long before you knew either one, but you wanted them to be closer. Remy was your family, the person other than Logan you spent the most time with. You had other friends now, Rogue and Ororo, and you and Emma had even begun to hang out, but Remy was your number one. He was the only person other than Logan and Charles you'd told about your past in full, although you suspected Scott knew from Charles.

Logan sat up with you, but didn't let you go, instead sitting you between his legs on his lap. His hands stayed far more decent now.

"Sorry..." You mumble, but Remy is smiling.

"Don't worry pistache, I'm just happy to see you finally together."

You tried to focus more on the movie, and not Logan's throbbing erection still nuzzled against you and how you were going to take care of it later. Everything was going fairly well. Logan slept in your room most nights, but sometimes you'd wake up to find him gone. Those were nights he had nightmares, so he got up and went back to sleep in his own room. If he was in a bad headspace he'd sleep away from you too, to not risk hurting you again.

Your nightmares, however, would not stop. Nearly every night you woke up in Logan's arms as he tried to gently wake you, the horrors of what you dreamed of still sharp and brutal in your mind. You couldn't understand why they hadn't stopped, why Logan's faded to less and less while yours increased. You were supposed to be in love. your happy ending with a husband and a baby... so where was the happy?

"Well, well, well, look who finally escaped the throuple from hell." From the doorway of the common room, and glib voice pulled everyone's attention to were Wade stood. You'd never met him, but you'd seen a few pictures here and there. He was someone Logan actually liked, and in his very minimalist decor of his room, there was a small framed picture of him and Wade Wilson together. Next to it now sat a picture from your first ultrasound.

"Shit, Wade" You can here the smile in logan's voice. "I didn't know you were coming."

Still grinning, Wade shrugged. "Yeah, well, I might have caused a few issues with the Time Variant Authority. Gross misuse of a time traveling device to save my girlfriend and all that. Gonna lay low for a bit, figured I'd come see you and my favorite piece of Cajun spiced ass."

Remy got up from his chair to greet Wade in a big hug. "Nice to see you too, asshole."

Logan spoke again. "I'd get up to say hi, but I'm pretty sure my dick would be saying hi too."

"Logan!" You admonish, face burning in embarrassment as your lover whispered a half-hearted apology in your ear.

"Oh-ho-ho, trust me peanut I would not be complaining." Wade looked to you. "And just who is this pretty piece of pumpkin pie?"

"Watch it, mouth." Logan growled behind you. "She's mine." Him calling you his made you warm up even more, as if the display every single morning as he walked you to class didn't say that enough.

"I see that!" Wade is nearly chuckling, a twinkle in his eye. Logan went to Wade's right after Jean chose Scott over him, so Wade was very aware of everything he'd been through. No doubt he was happy to see his friend in a better position. "No more crawling back to Jean and Scott like a lost wolvie?"

"I never fucked Scott you goddamn twink"

"Sure you didn't." Wade lifted himself off where he leaned against the wall, walking towards where you sat. You were raised to be polite, so much to Logan's grumbling you stood up. Logan covered his pants with the blanket. "Wade Wilson." He extended his hand. "And you are?"

"Judith Palmer." You gave him your fake name.

"My fiancé." Logan asserts from the couch.

With the blanket off, your pregnant stomach was on full display, and Wade's eyes nearly bugged out of his head looking at you.

"Good golly miss molly, she sure as hell is! Fucking hell, I've been in need of a good tea spill sesh, this is just the right time." A deep breath and a dreamy sigh, Wade looked between you, Logan, and Remy as he crossed his arms, grinning. "So tell me, how did all this happen?"

Sorry it took so long to update!!!! I've been, frankly, very sick. If you havnt seen my posts, I spent one weekend literally friday to monday laid up, so lethargic i couldn't lift my arms sometimes. I have an amazing roommate whose in nursing school who i love dearly who took care of me.

two weeks later im still sick. Not lethargic and feverish but bronchitis now :( suffering.

And i still have school to catch up on.

but i finally got a better laptop thanks to black friday sales which has made doing stuff fast without lagging and crashing unexpectedly.

so, WELCOME WADE WILSON!!!!!!

And scott, poor scott. I've been telling my friend whose not a fanfiction reader about this series and shes been helping me with things, she says the fact that scott is the only one who sees something is wrong and no one is listening to him is "biblically accurate scott summers" LMFAOOOO

We're probs not gonna meet all the xmen, even the ones i actually know. Idk if we'll even see kurt again. but they are around! scott, remy, and wade will be the biggest piece.

thanks so much for all the love!!!

@multiversed-daydreamer @my-secret-shame-but-fanfiction @del-ightfulling @miraclesabound @hindi-si-ikay @samsamsantos @madamerubrum @shybluebirdninja a @hornystan @rogueinmymind @accountforreading123 @yawnetu @princessanglophile @and-claudia @new-genesis1000 @teaganthemorningstarr @oldloganslittleslut @zaggprincess2 @bugsinmyeyez @groundclueless @cosmolight

[greml1nb0i]

I'm fearing the day when human alastor design on screen as I feel like it's gonna really make the show seem very racist as they where willing to change niffty demon design from yellow to a pale pink. But wouldn't change alaster skin nor hair. Like I understand because people are used to the design, but on the other hand, viv probably should have just made alastor not use voodoo and just literally anything else

Omg yes, 2 points to be made here.

ISTG Viv only gave Alastor the "he's half creole" label as an excuse to not draw black features on him, while yes it is true not all creole men are dark skinned, they're still black and have black features, so Viv' excuse is thrown right out of the water, then and there.

For example:

Vs

you see how the melanin is still there even though these are all different images of light and dark skinned creole men, they still have their features that make them creole men. Alastor doesnt have that. All he has is dark skin in his human design and that's it, there's no other black features.

Also idk where she's getting this idea that Alastor would even be allowed his own radio show, especially in the 1940s-50s. He would've had the worst time just trying to get people to take him seriously. Black owned businesses were a thing back then, however it was so difficult because of the racism, that for him to be able to do it all without any sort of mention of discrimination or a hassle is telling me Viv doesnt think that hard about these time periods.

Viv is [imo most def] racists.

Point 2.

I am pagan, i was raised into it. So you can probably understand why a lot of people, not just those who actually practice spiritual/occult practices, closed or otherwise, get real fucking pissed whenever its used for "ooo evil, scarwy, oh no satan aaaa" type bullshit. Its 2024 people dont do this type of shit anymore for horror or evil characters unless theres a literal reason.

for example:

American Horror Story S3 The Coven, uses allusions to paganism, witchcraft, wicca and voodoo, BUT even though it's used in a horror show, the use of the occult practices is used for both morally good and bad reasons, cuz just like nature there is no good without bad and vice versa. This is made especially clear with the character, embodying the real life Voodoo Queen, Marie Laveau. Character Marie uses her practice for both good and morally bad things.

SPOILERS: She was responsible for giving Delphine LaLaurie an immortality elixir before murdering the LaLaurie family and burying Delphine alive. Then, Marie imprisons Delphine and hacks off her hand. For those who don't know, Marie is literally punishing Delphine for her actions towards others, [she's racist, watch the season if you really want to know her story and what all she did.]

Regardless of the moral implication, Marie used her practice for, what she considered to be, justice. She has a motive. Regardless of how some people may feel about AHS now, you cant deny at least they did their research.

However for Viv, Alastor's voodoo powers are strictly used for evil and there's no real reason given as to why he chose voodoo or even practices it.

Voodoo itself is a closed practice, for a reason. It also isn't something to make light of. How is it Viv can make a show that supposedly critiquing Christianity but she uses pagan and voodoo practices as stand ins for evil magic?? you are just perpetuating a stereotype that CHRISTIANS came up with. That the Occult/Spirituality is inherently evil.

& If Viv says "its cuz he's black and so he can," im going to actually scream.

Small correction: Alastor died in the 1930s so that makes his radio show an impossible achievement. Also the first black man to get a radio show host was in the mid 1940s. Alastor wouldn't have even had a chance.

Thank you to @bump-inthe-night for giving me the correct information, so to correct myself.

[superemeralds]

i think about ur piece with shadow captioned “welcome to the promised land” ALOT… with that, i wondered what your thoughts are on the sonic movies (both the ones that came out and the new one thats coming) in regards to their portrayal of the police/military/GUN.

I’m personally really disappointed in whats been done so far (with Tom being a cop, like cmon man what. and with the goofy portrayal of the military, especially that old general guy in the second movie) and im really nervous about whats coming, with team sonic working WITH GUN (and now Tom and Maddie wearing military uniforms) in the trailers. I have a suspicion that Maria’s death will be an “accident”, like a very MCU style “sometimes the military makes mistakes…” bullshit. itd really suck to see this series become another piece of copaganda, especially since like. its so out of character, like sonic is unique in the way its been blatantly anti military (for the most part) in the games. it wasn’t revolutionary by any means but it is arguably a core part of the original story.

What are your thoughts? sorry for the long ask, I’m a big fan of your writing and thoughts on sonic (huge heart of a monster fan!). Hope youre having a good day!

big same. I've made the comic in question as a response to the first trailer for sonic 3 actually.

the trailer made me feel a LOT of emotions, mostly negative if im honest, and the only thing that I liked from it was the scene of shadow bursting from his tank thing and being sloppin wet that looked like he was standing in the rain. so i went and made a comic of shadow in the rain. and i made it as anti military and anti capitalism as i could.

becasue sonic 3's marketing, in my opinion, especially after the second trailer came out, is a perfect axample of everything wrong with the current western (mostly USA, but the USA influences the entire world so.) society. it exemplifies capitalism, militarism, consumerism, a lack of emotional depth and the infantalization as well as mliking (for a lack of better word; i mean how advertizements are usually heavily marketed at kids because parents will buy anyhting to shut up their crying annoying meat bags and therefore spend money on shit they dont want nor need) of children (that detective pikachu bit was so painful). and let's not forget the fatphobia. it was so painful to go back and watch the first trailer to freshen my memory for this reply oh god.

when sonic 2 came out i was really happy with the movie. i think sonic 2 is miles better than 1 in terms of characters and fun, most obviously because there's more of actual sonic characters in it now then the first. the first felt mostly like a pilot honestly. the second one had much more fantastical details and elements thatreally leaned into sonic's world. Or at least... the environment artists tried with it. I remember being OBSESSED with the fact tehre was a mural of perfect chaos in that labyrinth for like 1 second and theorized about what it could mean. while watching the movie i even speculated it was foreshadowing that perfect chaos was gonna be the secret final boss of the movie as that was only the halfway point of the runtime. having sobered from the hype i understand its a neat detail from the cg department that means absolutely nothing.

the worst thing is that the movie (sonic 3 now) itself might be like. a well made movie with good (enough) writing and good visuals and whatever. sonic might betray the military and go his own way bc here he's a little younger and he's learning (he didnt grow up w military so he might be blissfull yunaware bc hes only been fed propaganda through hollywood movies so far) and him meeting shadow and learning about his fate might change his mind. we don't know yet.

The marketing sometimes is detatched from the movie itself so it'll misrepresent things for the sake of "bait" to get ppl to spend money to watch it (the teenage kraken movie suffered from that bc it was fun imo i liked it). Or even just to get people to make viral reactions to get even MORE news of the movie out and attract more people. Especially when adapting a story that already exists I think it makes them reveal a LOT of the movie (I saw ppl complain they reveal the entire movie in the trailer, i think given the fact we already know all those key moments shown it's fine)

actually. does anyone know if the us army funded this movie? i know it does a lot of movies ever since iron man

idek where im going w this rn im just. eghh.... def not gonna see it in cinema ♥ my money goes towards literally anything else

[mwolf0epsilon]

With Viktor's rework in the making, I am not only losing OG Viktor, but also losing what made Malzahar special as well...

Like I said before, I don't mind Arcane Viktor. I think the whole eldritch/otherworldly/corrupted-transcendence-of-the-self fits his overall themes, but only as another Alternate Universe (and considering LOL and Arcane both have the Multiverse's existence as a core part of its overall worldbuilding, it's not even a stretch to insinuate Arcane could live as it's own independent universe outside of the main universe of Runeterra). One where instead of looking to machinery as a means to re-adapt and evolve, magic was his poison of choice (although calling it a choice is a bit of a stretch, considering Viktor has no real agency in what transpired until it was too late).

The thing is... Why was it ever necessary to make Arcane Viktor the base to which all versions of him are built upon?

His original storyline was much more compelling than him being "just another mage". An engineer who's inventions are so fantastically innovative and powerful that some would consider them to be akin to magic? The desire to help his people adapt to an ever declining environment via mechanical augments and other inventions that clean and rebuild infrastructure? A strong moral compass and refusal to override consent because the future he has in mind is not a hivemind but a society run by logic and no conflict? The constant mislabeling as a villainous figure because of a heavily biased account of what he does that was built on lack of context and understanding? The Blitzcrank Legal Debacle? These were features that made him a complex and very intriguing character!

And, the fact of the matter is that the storyline Arcane put upon him is very much just a cheap knockoff of Malzahar's story. Something which personally slights me not only as a Malza fan, but also as an OG Viktor fan due to one very simple detail:

Malzahar is an immoral being through which the unknowable horrors beyond the veil of the fabric of reality acts. A puppet molded to further an agenda that would obliterate the world around him via its consumption by the Void, because he truly believes in its inevitability. He is a cult leader, figurehead, and more than willing to sacrifice everyone and all to the unholy beings he worships, whether he has their consent (and some of his followers do consent to being sacrificed because he charms them into believing his cause) or not (the Kai'Sa incident that turned Malzahar and Kassadin into mortal enemies).

He was, in essence, the opposite of Viktor. An actual villainous monster who at some point was just another victim of circumstance, and who now tries to push the world into annihilation because to him that is not only his purpose but also the perfect outcome for their world... Which sounds terribly familiar right now, doesn't it?

Alas, I know how this is going to end and it's not gonna be fun in the slightest. I'm just happy I recently unlocked Viktor again to give him one last hurrah before he's inevitably changed from what he used to represent.