#libtc meta

[wen-kexing-apologist]

Love in the Big City, Ep 5-6: Visuals to Support Adaptation

So…I already covered a lot of the questions from this week’s discussion in the original book club and couldn’t think of anything else to talk about but the visuals which felt like a bit of a cop out since this is a book talk. So, shout out to @lurkingshan for encouraging me to write this! 

So, if you couldn’t tell from my original essay that got way too in the weeds about antiretroviral medications in Korea that Part 3 was one of my favorite parts of the book, then let me inform you that before I watched Ep 5-6 I…(1) finally purchased Love in the Big City, (2) re-read all of Part 3 before starting the episodes, and (3) actually took notes on my thoughts while watching 5 and 6. 

Which means Park Sang Young’s writing was fresh in my mind. 

What's Fun About Adaptation

Something that is always interesting to me in adaptations between mediums is how they convey information. Love in the Big City the book is very internal. Young is very matter of fact about a lot of his life. He doesn’t like to linger. And as such I think there are moments where it is harder to parse his loneliness in the book, just like there are moments where it is harder to parse his loneliness in the show. 

And despite the fact that Part 3 is the most faithful to the book, there are some incredibly important visuals that change or at least add context or depth to the story we have already been told.

The Funeral

One of the most glaring differences being the opening scene, because fun fact, in the book we never get confirmation that his mother dies.

Full disclosure, I cried at the end of Episode 4 with the ending scene of Yeong’s mother and him at the park because that image could have been plucked directly from my head when I read the scene in the book.

But we open Part 3 with Young forgetting his passport and leaving Gyu Ho to go on a trip to Japan alone, rather than opening on a funeral. When Gyu Ho and Yeong meet for the first time in the show,so much of the scene is spot on from the book including the harassment of the DJ, the removal of the shirt, getting elbowed in the face, and Yeong kissing Gyu Ho on the dancefloor and Gyu Ho tasting his blood. With one major change, Yeong has his chief mourner’s band with him and drops it in the club. In the book, he does not have such a thing and instead drops his phone case. So we’ve already have a much heavier visual significance behind his and Gyu Ho’s first meeting re: Gyu Ho getting some information about how Young handles his pain (he’s at a club immediately after a funeral), and what he’s been through (literally just lost a parent).

Kylie

Gyu-Ho + Kylie

Another notable visual moment that signified a difference for me was during the scene where Yeong is telling Gyu Ho about Kylie. Because, as I mentioned in my og Part 3 post, not once in the entirety of the book does Young ever use the term HIV. The T-ara’s call it the bug, and he and Gyu Ho call it Kylie, and no one else knows. And that lack of visuals on the term HIV, I think, is an important part of Young’s character, and a good way to indicate Young’s shame around his diagnosis. So again, similarly to how we never get confirmation from Young in the book that his mother dies, we never get explicit confirmation that he has HIV. You have to read in to it, you have to know the context clues: the symptoms of acute HIV infection, what antiretrovirals are used for, etc. But in the show, we get some informational pamphlets slapped down in front of Yeong that tell the audience explicitly what Go Yeong has been diagnosed with, even if he still never says the term himself.

The T-ara’s 

The biggest example being the T-ara’s. For those of you who haven’t read it, it may be surprising to find out that in the book Young does not mention the T-ara’s were in his life at all until Part 3. And I say it might be surprising because in the show they have been there from the very beginning. They were at the hospital after Yeong’s suicide attempt, they were there to support him after his mother’s funeral, they have been there for years. And they were there for years as well, through Jaehee, through his mother’s cancer, in the book, but he only brings them up when he starts talking about how he was first introduced to Gyu Ho. 

And thus they come off as far less central to his life. 

Which diminishes the emotional impact of moments like the HIV joke and the fact that he doesn’t tell the T-ara’s about his status. Here is how Young explains it in the book: 

“I told my mother and the T-ara gang that I’d been discharged early for a ruptured disc….Apparently not all of them were total idiots because one of them did ask,  -What the fuck? Did you catch the bug? -Oh no! You’re on to me! We cackled it away. When I drank with them, and some guy rumored to be poz passed by, our resident clown Eun-jung would say 'Everyone cover your glasses,' and we’d all burst out laughing. I’d laugh along until I remembered, Oh right, I’ve got it in me, too, which sent a chill down my spine. But mostly I don’t think about it that much.” (p. 167)

But now, with the show using the T-ara’s as the throughline, emphasizing how important of a role they play in Yeong’s life, that scene carries a much larger emotional impact because a) we have seen the T-ara’s literally fighting hospital staff to show Yeong love, b) we have seen the T-ara’s acting as pallbearers for Yeong’s mother’s casket, and c) we can literally, physically see the emotional impact that the T-ara’s joking about catching HIV has on Yeong. Both in his initial moment’s reaction, the way he plasters on a smile because that’s how he’s always masked his pain, and the way he runs to hide in the dark with his secrets. 

All of this to say that the inclusion of the T-ara’s as the thread between parts exists for no other reason than to cause me and everyone else maximum emotional damage.

The Hands

That’s right…. CAPTAIN HANDS IS BACK BABY!!!!! *Insert air horn sound effects here* 

Because Hyung’s reaction to Go Yeong trying to hold hands and the subsequent unearned pinkie touch was already on my mind from last week, I took particular note of the portrayal of hands in Part Three both in the book and in the show. And I am so glad that I did. Because I got to experience the absolute highs of seeing the change from the book to the show of how visible Gyu Ho and Go Yeong are with their physical affection. 

In the book, Young describes the first time he holds hands with Gyu Ho as follows: 

“Words disappeared. I swallowed, loud enough to be heard, and our knees were touching. I covered our legs with my coat. We held hands underneath it. Soon, we were stroking each other’s thighs. Each looking in the opposite direction. We passed the Ambassador Hotel, Cheonggye Stream, and Ewha Wedding Hall, then the little theaters of Daehak-ro as we approached my house. Passing a firm and hot grip back and forth through our linked hands.” p. 157

Compare that to what Hyung says in Part Two:

“‘-Are you saying you’re ashamed of me?’ ‘-Yes, that’s right, I’m ashamed of you. You want to hold my hand in public, you call me baby. I mean, what would anyone think?’” p. 111

Compare that to what we see in Episode Four with Hyung…

…and to what we see in Episode Five with Gyu Ho…

THE COAT DOES NOT EXIST!

Gyu Ho is introduced in the story as the bartender at a gay bar, he is kissed by Yeong in public at the club and continues to pursue him, they get coffee together, they are physically affectionate on the street, and here they are meeting for the third time, and holding hands in the taxi where they could be observed. It is such an important little change for me to visually affirm that Gyu Ho does not have the internalized homophobia that was causing so many problems in Go Yeong’s last relationship with Hyung. 

And similarly we see Go Yeong and Gyu Ho cuddling up to each other in the passenger seat of the moving truck in full view of the driver, where in the book Young only describes them trading body heat through their thighs. 

And again with the rain sequence. Which I thought was interesting to include here, because it is such a prominent and important component of Part Four. Though it makes sense to include it here for the sake of maintaining a more cohesive timeline. But I was losing it when they were holding hands in the rain, with those double fucking rainbows cutting straight through them.

gif by @jimmysea

The Dream

The dream is a completely new scene in the show. Young does not dream of Jaehee or his mother, and I thought that was an interesting addition. To have Go Yeong hear Gyu Ho knocking at his door and to be haunted by the specters of the last two parts of his life, Mi Ae for the first part, asking him if he is okay and why he’s still living alone at her place. 

His mother and Hyung in the second, asking him when he is going to come home and asking if he’s met someone good, respectively. And what an ominous goddamn omen those three are, hinting at Yeong’s masking of pain, his feelings of displacement, and the specter of a relationship that failed. All things that will eventually contribute to the failure of Yeong and Gyu Ho’s relationship in the show.

Misc. 

This is, unsurprisingly, getting long so let me just acknowledge a couple of other visual moments that really fucking got me:

The red crucifix that glows out over the horizon when Go Young is telling Gyu Ho about Kylie. It’s the first thing my eye was drawn to, and it feels like a ghost of his mother looking in on Go Yeong, especially because it matches the red crucifix over her funeral portrait and on top of her casket. 

The child talking about their mother that makes Yeong turn back to chase after Gyu Ho

Yeong’s chapped lips when he’s being diagnosed with HIV as a juxtaposition to Gyu Ho helping Yeong put chapstick on.

The Kylie lyrics

FUCKING. GO. YEONG’S. SMILES.

[lurkingshan]

Love in the Big City Book Club Meta Round Up

Already so many great essays and we’re just getting started! If you haven’t had the chance to read and share everyone’s thoughts, here is your weekly round up. Any additional essays that post after today will be added to the list next week, and I'll add on a new section for each part every week as we progress.

So let's see what our book clubbers had to say!

Background

AMA with Anton Hur, LITBC Translator

Translator’s note by @stuffnonsenseandotherthings

Part 1

Blueberries and Cigarettes: Universalities and Differences when reading Love in the Big City by @brifrischu

Jaehee: a good distraction–until she wasn’t by @serfergs

LITBC: Jaehee, and why she matters so much to me by @starryalpacasstuff

LitBC Part 1 – Timeline by @dylogpenchester

Love in the Big City Book Club: Part 1 by @fiction-is-queer

Love in the Big City: Reflections on Part 1 by @becomingabeing

Love in the Big City Part 1 Check in by @bengiyo

Love in the Big City, Part 1 by @emotionallychargedtowel

Love in the Big City Part 1: Jaehee by @sorry-bonebag

Love in the Big City Part 1: On Friendship by @lurkingshan

Love in the Big City Part 1: Reliable and Unreliable Narration by @twig-tea

On expectations by @hyeoni-comb

Part I: The unacknowledged relationship by @doyou000me

Rose Reads Love in the Big City by @my-rose-tinted-glasses

Two Friends Diverged in Emotional Sincerity: Reflections on Love in the Big City–Part 1 by @wen-kexing-apologist

Young’s world is small and private by @colourme-feral

Part 2

Finding Familiarity Despite Cultural Differences: Love in the Big City Part 2 by @fiction-is-queer

Hyung’s internalized homophobia and hatred for the US by @stuffnonsenseandotherthings

libtc part 2 by @hyeoni-comb

LitBC Part 2: A bit of rockfish, taste the universe by @dylogpenchester

Love in the Big City - A bite of rockfish, tase the universe by @littleragondin

Love in the Big City Book Club: Part 2 by @profiterole-reads

Love in the Big City: Part 2 by @wen-kexing-apologist

Love in the Big City: Reflections on Part 2 by @becomingabeing

Love in the Big City Part 2: Emotional Distance by @twig-tea

Love in the Big City Part 2 Check In by @bengiyo 

Love in the Big City The Playlist by @brifrischu

On Parents and Apologies Never Received by @lurkingshan

Part II: Historical Context and Hyung’s Background by @doyou000me

Rose Reads Love in the Big City (Part II) by @my-rose-tinted-glasses

Part 3

LITBC Part Three: Now Introducing, Kylie by @wen-kexing-apologist

Love in the Big City Book Club: Part 3 by @profiterole-reads

Love in the Big City Part 3 Check In by @bengiyo

Love in the Big City Part 3: Kylie Recontextualizes Everything by @twig-tea

Love in The Big City Part 3 - Notes from A Reader by @stuffnonsenseandotherthings

Love in The Big City Part 3 - Notes from A Reader 2 by @stuffnonsenseandotherthings

Love In The Big City Part 3: Words and Miscellaneous Context by @doyou000me

On Gyu-ho, the Mundanity of Great Love, and the Destructive Nature of Shame by @lurkingshan

Part 3: No Disappointment Without Expectations by @doyou000me

Rose Reads Love in the Big City (Part III) by @my-rose-tinted-glasses

Part 4

Adaptation Concerns by @doyou000me

Anticipating the LITBC Adaptations by @lurkingshan

Depictions of physical intimacy by @stuffnonsenseandotherthings 

LitBC - The Structure of Change @dylogpenchester

Love in the Big City Book Club: Part 4 by @profiterole-reads

Love in the Big City Part 4 Check In by @bengiyo

Love in the Big City Part 4: Having Trouble Letting Go by @twig-tea

Love in the Big City: Part Four- Regret, Rain, Love, and Loss by @wen-kexing-apologist

the story | relationships + Young by @hyeoni-comb

Young and Imperfect Character Growth by @lurkingshan

Young asking himself meaningful questions by @hyeoni-comb

And that's all for now, folks! Thanks to everyone who participated; it was such a fun experience discussing this book with you. Excited to get the chance to talk more about this story with all of you when the adaptations arrive later this year.