#lg songs

[protect-namine]

the way everyone has a dislike in their profile that actually says something integral about their character. lu guang doesn't like plans getting messed up, cheng xiaoshi dislikes loneliness, xia fei with owing favors, vein with lying...

and then you have liu xiao, who dislikes... cilantro. and fish mint.

(shakes fist) (putting him in a glass jar and shaking vigorously) learn to be vulnerable!! tell me something about yourself!! I guess him liking movies lines up with the theater metaphors, and there's him liking chess, but that. doesn't count methinks

[frostfires-blog]

"Link Click: Bridon Arc" ED 「Lull」 × Shiguang

[lemongogo]

anyways . silly thing

[xalonelydreamerx]

interactions between Coriolanus & Maude that didn't make it into the movie: 🧵

Coriolanus giving all the sweets to Maude Ivory:

Maude Ivory recognizing Coryo:

Maude Ivory guiding Coriolanus towards Lucy Gray's meadow:

Coriolanus & Maude Ivory talking about Lucy Gray:

Coriolanus bringing sweets again to Maude Ivory since he realized how much she loves them:

Less of an actual interaction but Coriolanus chosing to remain with Maude Ivory & Lucy Gray rather than go swimming:

Maude Ivory telling Coriolanus his name reminded her of a Covey one:

Coriolanus being asked about the ballad of Lucy Gray (which was sang by maude ivory):

_

And most importantly: Maude Ivory remembers every song, and Lucy Gray legacy is continued through her voice

[lemongogo]

& ofc he dreams of her

[manderleyfire]

“Myself. I killed the old me so I could come with you.” She plucked the splinter free. “There. Well, I hope old you doesn’t haunt new you. We’ve already got enough ghosts us.”

"Haunt Me" from There Is No Death, There Are No Dead by Gemma Files // "Killing the Love" from The Divorce Papers by Anne Sexton // "The Valley Song (Zoo Lullaby)" from The Ballad of Songbirds and Snakes by Lucy Gray Baird Suzanne Collins // "Wuthering Heights" by Emily Brontë // "Herakles" by Euripides (Anne Carson's translation) // "The Ballad of Songbirds and Snakes" by Suzanne Collins // "A Game of Thrones" by George R. R. Martin // "Crime and Punishment" by Fyodor Dostoevsky.

[protect-namine]

every season I'm like, "okay yeah I understand the dive back in time video. what's not to know? they're diving back in time. simple!" and then every season I'll see someone point out a detail that makes me go, "oh okay. not so simple after all!"

[todays-just-a-daydream]

Later that week, after working on some other songs, Noel returned to his 'Champagne Supernova' guitar overdubs.

"There are two e-bows that run throughout the song, giving it a sort of violin effect, and he did all of those parts pretty quick,” says Morris. "Then he also did all of his picking parts pretty quick. This went on for about two hours. Noel would just sit in the studio next to his amps and play. He wouldn't come into the control room to listen to what he'd done until everything was finished. So his guitar overdubs were all done fairly quickly.

"After that, there was a session when Liam felt inspired to do all of the Beatle-y 'aaahs' that would go over the guitar solo, to which I also added some Beatle-y Mellotron parts. Then, during another session, he had a go at singing 'Champagne Supernova'. We did half a dozen takes, but what happened was that the high note of the song — at the end of the line 'The world's still spinning around, we don't know why' — was kind of burning his voice out. So he was getting croakier on each take, and by the time he got to the end he was sounding very Rod Stewart-y.

"I did a comp of the vocal and, bizarrely enough, Noel and Liam both liked it. But I didn't. So at the very end of the six-week session at Rockfield, when just Liam and I were in the studio, I got him to re-sing it and we did it piece by piece. We did the first verse half a dozen times and we did the ending half a dozen times. Then, once he'd completed all of the soft bits, Liam did the first chorus half a dozen times, followed by the same number of takes for the second verse and the other choruses, until he tackled the high part last.”

The only major element still missing from 'Champagne Supernova' was the lead guitar that Noel Gallagher wanted his mate Paul Weller to play. Accordingly, after Oasis appeared at the Glastonbury Festival in late-June and the mix of (What's The Story) Morning Glory? commenced on a Neve console in the mix room at South London's Orinoco Studios, Weller showed up one day with his roadie, a white Gibson SG and an old Vox AC30 amplifier.

"He didn't have any pedals with him,” Morris recalled. "He had the volume on '3'. It was a really nice Vox and a really nice SG, and so I just put a 57 on it and recorded it as was. Paul probably did four solos, and then he and Noel let me pick what I wanted. He also contributed a little whistle to 'Champagne Supernova' — a few bars after the big guitar solo finishes — and 'Ooh' backing vocals at the end, as well as some harmonica and guitar to 'The Swamp Song'. All in all, it was another very quick session. He and Noel probably turned up at three in the afternoon and left at seven that evening.”

—Owen Morris on recording Champagne Supernova in Sound On Sound (November 2012)