#let's put him through some extreme bizarre & traumatic experiences

[worktheraft]

I really need Dave to go crazy like. I need him to compulsively go over the personal records and profiles of Hunter & Whitehead & Kaminsky again and again because he felt like they deserve to be known and remembered instead of going out as faceless victims (also, survivor's guilt). I need him to have dreams about dismantling Hal again. I need him to have dreams about himself as Hal being dismantled and having no way to stop it. I need him to imagine Frank's last moments. I need him to ruminate about what could have been done to prevent the tragedies, like if only he had been more perceptive of Hal's situation maybe none of these would have happened. I need him to have hardcore existential crisis questioning the purpose of this mission and the price that humanity pays for knowledge and progress. I need him to keep "hearing" hal's voice when there is actually no voice at all. I need him to struggle with not knowing how to feel & who to blame before finally being able (or unable) to come to terms with what had happened. I need him to know that he's on a no-return trip that will most certainly end in death and he'll never return to earth again and he'll try to take his mind off it by focusing on work but he'd have to face this fact as the ship drifts closer and closer to its destination. I know Clarke has portrayed Dave as being very calm and composed and all for the mission and progress but dammit Clarke, the dude's human after all, and it would be nice to just. mess him up a bit. 👀

[awhitehead17]

Batfam Alphabet: J - Joker Junior (JJ)

Summary: When Dick is joined by his brother’s alter personality he struggles to complete his case work. JJ can be rather distracting especially when Dick has to keep a constant eye on him because he can’t be trusted to be on his own. 

A/N: This story references to torture and self harm, nothing in graphic detail but please don't read if that makes you uncomfortable. This story is based where Tim had been kidnapped by the Joker and turned into Joker Junior. 

Enjoy! :D 

“Don’t. Put it back. Now.”

There’s a few beats of a silence and without looking he could tell his orders haven’t been followed. “Don’t make me tell you again.”

Seconds later there’s a clanging of metal which indicates he’s been finally listened too. Dick takes a deep breath in and slowly lets it out before turning his focus back onto the task at hand.

He’s currently re-reading old case files looking for any names, locations, alibies that could possibly be linked into the current case he’s working. It’s a tedious task but it needs to be done. That being said it would be a lot easier if current company wasn’t present. It was rather distracting having to split his focus two ways so he could try and work as well as keep an eye on the kid at the same time.

This time Dick’s read no more than a paragraph when the sound of moving metal could be heard yet again.

Sighing in resignation, he shuts the file and turns around to face the rest of the cave. His eyes instantly drift over to the weapons table where his companion currently is at. The kid is frozen in place, staring wide-eyed at Dick knowing he’s been caught doing something he shouldn’t be doing. It’s like a kid caught with their hand in the cookie jar, only in this situation the cookie is a dagger rather than an edible treat.

Opposite him the kid silently blinks owlishly, it would actually be an adorable sight if it weren’t for the creepy ass grin stretching across his face. It’s the grin that reminds Dick who he’s dealing with. It isn’t Tim who is standing in front of him but rather his alternate personality, JJ.

JJ first appeared about two years ago after Tim had been captured and tortured by the Joker. The best explanation they could come up with for his appearance is that JJ is Tim’s way of detaching himself from the traumatic experience he had. JJ is the result of the horrendous torture Tim went through.

It’s certainly taken everyone some time to adjust to this development. Even now, years later, everyone is still getting used to it. Tim is here, he’s still present and is the core identity, but JJ occasionally makes an appearance especially when Tim is feeling threatened, extremely stressed or emotionally unstable.

The whole thing has been a learning curve for everyone involved. Even Tim had to learn to deal with it. At first he understandably didn’t accept what was happening but over time he seem to concede with it and even come to some sort of agreement with JJ, apparently the two identities can communicate no matter who’s in control. Tim’s tried to explain it to him in the past but it’s pretty mind boggling so Dick simply believes what Tim is saying and doesn’t ask questions.

He can’t help but feel a little disturbed by JJ’s presence, it’s an unfair feeling because it’s not JJ’s fault – or Tim’s – but being reminded of what his little brother had to endure at the hands of an insane psychotic man is unnerving. It’s like a reminder of how he didn’t protect his little brother and how he failed him by not being good enough.  

He knows the others also share similar feelings. Jason simply stays away from JJ, he doesn’t even enter the same room as him. Damian is constantly on edge when JJ is present, he often carries his katana around with him when they’re near one another. Cass happens to be the one who handles JJ the best, her calm demeanour seems to bizarrely settle JJ a little. Bruce… well Bruce has similar thoughts to him of how he failed to protect Tim, but both as a father and a mentor. He’s sat down with JJ and has had a conversation with him, they seemed to come to some sort of agreement which Dick doesn’t know the details of. Alfred, god bless him, takes it all in stride as he does with everything. Everyone else is weary of him but are civil towards him as much as they can be.

“JJ, I told you to put it down. Why did you pick it back up?” Dick questions after a long drawn out silence.

JJ plays with the dagger in his hands, twisting it this way and that with skilled precision. He blinks again and lets out a giggle. “Timmy needs to be punished.”

Dick frowns at the answer. That’s not what he had been expecting. “Why does Tim need to be punished? What has he done?”

“He failed us.”

JJ says it like it’s the most obvious thing in the world but Dick has no idea what he’s on about. How has Tim failed? All Dick knows is that recently Tim’s been busy with the Titan’s and how he’s been working on his Neon Knights programme.

“What happened?”

JJ doesn’t respond and continues to play with the dagger in his hands. Seeing the sharp blade being toyed with makes Dick feel tense, he knows what kind of damage can be done with a weapon like that and he doesn’t want Tim – and by extension JJ – to get hurt.

“Timmy needs to be punished!” JJ repeats agitatedly. He stops playing with the dagger and grips it in both hands, Dick couldn’t help but wince when he sees the blade dig into the skin of his palms. “When someone fails they get punished. When they are bad they get punished! Timmy has to be punished for what he did.” JJ trails off with a high pitched giggle like the idea of punishment is hilarious.

Dick runs a hand over his face, he’s not getting anywhere here. Where’s Cass when you need her? She’s usually better at dealing with this side of JJ than he is.

“You know that physically punishing Tim also means you hurting yourself, don’t you?” Dick suggests evenly, trying a different tactic. “There are other ways than physical pain to deal with these sort of things.”

Dick has an inkling he knows what this is all about but he doesn’t want to jump to conclusions just yet.

JJ lets out an uncontrollable giggle. “Silly Big Bird, I don’t feel pain, Uncle J made sure of that. Timmy on the other hand needs to pay for what he did and physical pain is the best way to teach a lesson so he remembers not to do it again.”

As if to prove a point, that’s when a drop of blood drips from JJ’s hand and lands on the floor. JJ doesn’t even notice. Dick tries to not flinch at the sight it, he hates the idea of his little brother hurting, no matter what it is it’s always hard to witness.

“I understand that you may be frustrated JJ, but why don’t you try talking to Tim instead. Tell him how you feel about whatever it is that he did and explain why you’re upset with the situation.” Dick suggests trying to sound as reasonable as he could.

JJ violently shakes his head, he seems to be getting more riled up as the conversation continues.

“No! Talking doesn’t work! He ignores me and doesn’t listen. The mission failed and he put us in danger for no reason, we could have been killed for nothing. He needs to remember to not do that again. I’ll make sure he remembers not to.”

Dick lets out a hum in acknowledgement. Something they’ve come to notice since JJ’s appearance is how protective, and even possessive, he is of Tim. The key thing is how no one is allowed to hurt Tim in anyway whatsoever, if they do then JJ will go on a vengeful rampage against whoever was responsible for it. That includes Tim himself.

To JJ, Tim putting himself in danger is essentially Tim hurting himself and he really doesn’t like that. It’s happened a couple times in the past, so in response to Tim putting himself in danger (often during missions) JJ feels the need to punish Tim for it.

Taking a deep breath Dick stares at the kid and wonders how he should proceed. He can’t just turn around and say “no” or retaliate because JJ will only get defensive and probably go do something much worse as a result. While Dick ponders, JJ stands there opposite him still gripping the dagger tightly in his hands with a small puddle of blood forming at his feet and grins creepily at Dick. To make the scene worse JJ tilts his head to the side just a little, adding to the creepy affect even more.

Thankfully he’s saved from trying to decide what to do when another body soon joins them in the cave. Dick’s attention turns away from JJ and onto Cass who casually strolls towards them with a light bounce in her step. Dick smiles warmly at her, feeling relieved for her appearance. Then immediate guilt hits him because he really shouldn’t be thinking that, Tim is his brother and what’s happened is by no means his fault and he should try to be supportive where he can, though sometimes it can get difficult.

Cass silently comes up to them and stands next to JJ. Dick watches with amusement as JJ’s grin slowly disappears from his face and is replaced with a scowl, his eyes narrow in what he would say is a challenge as he stares at her unmoving. Cass simply raises an eyebrow, she places a hand on her side and cocks her hip while she holds out the other in silent demand.

The two stare at one another for a long time, clearly testing the other’s patience and if Dick’s being honest he has to give JJ some credit for how long he’s with standing Cass’s pointed look. However it seems like JJ can’t out last Cass because he soon drops his gaze and relaxes his grip on the dagger but doesn’t let go of it yet.

“Timmy and I just want to have some fun. Why is that wrong?” JJ pouts, actually seeming disappointed and confused for why they’re saying no to him.

Dick catches himself from saying anything at the last second. He wants to question the ‘fun’ part of punishing but thinks better of it, it’s best that he stays quiet and lets Cass handle the situation.

Still staring at JJ, Cass keeps her hand out waiting for JJ to give her the dagger. After more staring he slaps the weapon into her hand with an exaggerated huff.

“Fine.” JJ huffs with a stomp of his foot. He scowls and crosses his arms over his chest. “I guess I’ll have to find another way to punish – oops! – I mean play with Timmy.” He lets out a hysterical giggle at his own words.

Cass shakes her head and moves towards Dick. They make eyes contact and Cass sends him a soft smile, when she gets close enough with the hand not holding the bloody dagger she reaches up and cups his cheek. “Finish work and rest. I’ve got this.”

Dick places his hand over hers and sends her an appreciative look. “Thank you.”

Standing up Dick grabs the file he had abandoned earlier and makes a move to leave the desk, it’ll probably be best to head to his bedroom in the Manor where he won’t be disturbed, but when he turns around he finds JJ now over by the weapons table yet again.

“JJ!” He snaps harshly. The kid startles and looks up at Dick before a wide grin stretches across his face, he’s not even ashamed that he’s been caught with his hand hovering over another dagger. He soon retracts his hand and places them both behind his back, he sways side to side like he’s an innocent kid.

“What? I’m not doing anything.”

Dick couldn’t help but eyeroll at the blatant lie. He sends JJ a pointed look. “Behave.” JJ’s response to that was to blow him a raspberry. Sending Cass a nod he leaves the desk with his folder tucked under his arm and makes his way to the stairs.

Unfortunately it wasn’t that simple. He should have been expecting something to happen really considering that nothing is ever easy with the kid, it’s only thanks to his reflexes and instincts that he hadn’t been impaled by the dagger JJ had just been eyeing up moments ago.

The weapon is now lodged in the wall in front of him from where Dick had luckily dodged it. The situation takes a moment to process in his mind and once it does he spins back around to witness JJ giggling hysterically and a wide-eyed Cass who had a hand over her mouth in shock. She’s clearly just as caught off guard by JJ’s actions as he was. Dick takes a deep breath and steadies himself, at least it didn’t actually hit him, not that the sentiment really helps with anything.

Deciding it’s really not worth it, he continues his journey to the stairs and proceeds to climb them, but not before grabbing the dagger buried in the wall along the way. JJ is Cass’s responsibility now, one he’ll happily pass over to her.

The last thing Dick hears when he gets to the top of the stairs is JJ calling out to him in between giggles.

“Bye bye Big Bird! See you soooooon!”

[wandaposting]

wandavision: the criticisms post

tl;dr: i liked the show, but there were aspects that were annoying and dumbfounding to me and here’s the post that covers That ¯\_(ツ)_/¯

this was gonna be my comprehensive wandavision review post that had both cons and pros, but the cons kind of ran away from me lsdfjs SO YOU’RE GETTING THIS FIRST. if you find my views diverging from yours in either direction, you’re valid, please don’t shiv me. this is just how i Feel in a somewhat shitposty (as per usual) format. 😔

the big con list:

the way wanda’s actual villainy gets brushed away by the narrative: or specifically the way wanda strolls past the people she mentally tortured and traumatized for a week to apologize to monica, who then goes “gg girl i would’ve done the same :)” and then wanda leaves that entire mess—that she caused—behind her and bails lol. that scene is a microcosm of my problems with this show’s attempt at portraying what the creators have described as her ““complexity””. they want us to feel sorry for her, but not in the way that we can sympathize with walter white while still acknowledging he’s broken bad. rather, this show seemed to want to paint her as more of a victim than the people she victimized. they still want her to come out looking heroic and triumphant and rewarded from her journey with new powers, a new superhero outfit, a new superhero moniker. and that falls flat when you realize she’s basically been a self-absorbed asshole throughout the course of this show. she was confronted no less than four times, and told point blank that a few thousand people were suffering under her control. that is not something we can excuse with depression and denial. that means that at multiple times she is making at least the subconscious choice that her happiness matters more than the wellbeing of her meat puppets, which includes children, across the span of a week. i don’t see monica rambeau “doing the same thing.” the fact that they made her say it while the townspeople glared on in miserable silence just rubbed me the wrong way. if they really wanted to make her responsible for westview, while also wanting her to come out looking remotely good, they needed to invest in a much more substantial redemption arc for her than “i didn’t mean to, gonna go self-exile now.” or even holding everything else constant, they could’ve delivered a more nuanced take where westview was in dire straits before her arrival. the westview she initially drove through already looked economically depressed, so i don’t know why they didn’t just follow through with this. but they could’ve made it so that by granting herself happiness and prosperity, she could’ve spread that genuinely throughout the citizens. instead of hex vision waking norm up in horror, you could’ve had him begging to be put back under. that way, her decision to accept and face reality head on could also be reflected by the people of westview. where everyone, perhaps aided through wanda’s mind link, decides they shouldn’t let fantasy consume themselves at the expense of improving their actual reality. there’s still moral ambiguity, there’s still mistakes being made, we can still side-eye wanda for doing the equivalent of drugging people, but at least these npc’s would've gained something from wanda blundering into their lives. but no she made 3 thousand people suffer through the literal plot of Get Out, giving them life-long ptsd and trauma with nothing good, and i think that’s bad. if she has more haters after this series, i can’t even blame them. but apparently she has a shit-ton more fans after this series, so... OH WELL, IT IS WHAT IT IS sdkfjkls

TYLER: which brings me to the thought that, if this show had hayward acting like a three dimensional human person with the bare minimum intellect required to run SWORD ... instead of an incompetent jackass scooby doo villain ... a lot of us would be spamming #HaywardWasRight. tyler hayward might legitimately be the worst villain mcu has ever produced, like edging past malekith. is he supposed to be an analogue to real world tr*mp appointed deputies? unlike agatha, he’s not even entertaining to watch. he’s the ted cruz of the mcu, which is bizarre when he was introduced as the strict but not particularly vexing or unreasonable successor to maria rambeau in episode 4. it ended up feeling extremely contrived how the show attempted to aggressively signal us with “hayward bad” and “wanda good, actually” through the lens of monica, darcy, and jimmy. it’s like they had to make hayward come across as Extremely Dumb in order to make wanda come across as the more sympathetic party, when she was the one doing [gestures vaguely at wall of text above].

and SPEAKING of agatha: she also ended up being the exact kind of simplified reductive cackling “gimme ur powers wanda” evil super witch that i didn’t want her to be. that’s all.

the theorybaiting: i didn’t care about the lack of mutants/doctor strange cameo (lol what happened, charles murphy)/multiverse/blue marvel/reed richards/mephisto/nightmare/chthon (altho we did get the darkhold wink wonk) so much that it ruined my experience. ralph bohner was disappointing, but i got over it. my issue here is more that they deliberately baited a more interesting story than they delivered, and i think they shot themselves in the foot with that. the first 7, even 8 episodes had set up this atmosphere of mystery and intrigue, only for them to wrap up all these questions with the most boring, uninspired answers possible. question: what does hayward want and what is he up to? answer: hayward is simply a stupid dingus. question: who is agatha harkness and what is she up to? answer: an evil witch who just wants to steal yo powers. question: who is fietro? answer: lol boner. question: was it wanda all along? answer: yes, but no it was actually agatha, but actually yes, but she didn’t mean to and is kind of sorry and now she’s gonna fly away so have fun with your ptsd, westview. ????????? yeah they could have ... done some of that better.

the pacing in the end: i remember when they said it was gonna be “around 6 hours,” and we got 4 and a half hours of actual content instead... they should have given us that extra 1 and a half hour to flesh out the finale. the sitcom portion was fun, it feels like the sitcom portion was prioritized in the writing room, and that the overarching narrative beyond the sitcom suffered to accommodate it. when it came time to break away from the format, they stumbled. so in the beginning, there were segments that felt authentic to the era but were fairly critiqued as “dragging on” ... and in the final episode, we had... the final episode. monica and wanda’s ending conversation felt unsatisfying, both wanda’s apology and monica’s acceptance of it rang particularly hollow [also gestures vaguely to wall of text above]. the appearance of white vision should have had much more of an impact on ... everyone, especially wanda. except the dude just dips and no one mentions him ever again. i feel like hex vision being revealed as the the vision that had always been ~part of her should have also had more ... fleshing out. darcy and jimmy basically ended up having no arcs in this show. they served as stand-ins for the audience, and because they were written to feel sorry for wanda (in a situation where she was absolutely deserving of more scrutiny), the audience too gets manipulated toward doing so.

there’s probably more to add but i’m running out of brain juice BUT THOSE WERE THE BIG ONES STORY-WISE

[tthael]

I apologize if you’ve already written about this before, but one thing I’ve been wondering about your Indelicate version of Eddie is in regard to his occasional tendency toward more (for lack of a better/less serious-sounding term) “aggresive” actions (e.g., throwing the lotion bottle, throwing the water, etc.) directed toward Richie. I know it was hinted at that the urges to aggress may sometimes be/have been the result of repressed or misconstrued attraction, but I’m wondering if some of it is also a result of Eddie’s injury and the related feelings of a lack of control over his own body? Like hypothetically, if Eddie were never injured or if we fast-forward to him completely healed, do you think that moments like that would still happen? Or am I just really reading too much into the fic and making up this aspect of it? Hope that makes sense - I just love your characterization of Eddie and I want to make sure I’m understanding as much as I can!

I actually haven’t written about this before, and I think that it’s a good thing that I take the time to meditate on it now, because I don’t want the idea that throwing things at your romantic partner is, like, a good thing.

So a lot of my thoughts on Eddie’s aggression derive from two specific aspects of his portrayal. The first (chronologically in Eddie’s timeline) is the portrayal of Eddie as high-strung, snappy, and verbally combative in IT Chapter One (2017).  Within the last year and a half I saw a post that pointed out that some of Eddie’s aggression--especially in interacting with Richie--probably derives from the high-stress situations of a) being hunted by an alien clown demon and b) being abused at home. I had a college professor discussing a history and trauma class point out that, “Traumatized people don’t always behave well.” There are the usual caveats that explanations are not excuses; however, I think that the constant knowledge that he has to return to Sonia’s house and the persistent alarms telling him when he has to take medication, so that even when he’s apart from her he can’t get away from her interference, means that Eddie’s under high pressure. And then you get to the point where all of the children in Derry are being hunted by an actual monster, and it’s a wonder that Eddie behaves as well as he does, because I certainly wouldn’t.

I usually like to incorporate some of book!Eddie’s dreamy introspection into his internal narrative in Indelicate, and I think that some of his pressures are relaxing now that he’s a) no longer living in a house with Sonia, b) acting specifically in ways that maximize his own agency (going where he wants with whom he wants, eating what he wants, actively rejecting much of her influence). However, he’s still got a lot on his plate, and some habits die hard. This is why I have moments of Eddie waiting with the perfect snappy comeback on his tongue, and then stopping himself because he knows it’s something he doesn’t mean. He doesn’t actually want Richie to never talk again, he loves it when Richie talks, and he’s struggling towards sincerity. I personally have a lot of difficulty letting go of the put-down jokes in favor of being sincere with the people I love, so I thought I’d give Eddie several moments of consciously choosing to be honest and kind with Richie.

The second influence on Eddie’s relationship to physically “lashing out” is his introductory scene from IT (1986), where he’s leaving home and Myra is chasing after him demanding explanations and wailing about how terrified she is. I know that there are lots of analyses of this scene and thoughts on Myra versus Sonia, and I’m not interested in those right now; however, what caught my eye was that Eddie sees Myra’s distress and his first thought is something along the lines of “you might as well hit her”--not that he wants to hit her and he has nothing to lose, but that his causing her emotional distress is as bad as physically abusing his wife. (I can’t recall at the moment whether Eddie’s section comes before or after Bev’s introduction, but I want to say that it’s before, and I don’t think that it’s a coincidence that Bev and Eddie’s very different home lives are contrasted.)

So I thought, that as a boy child without a father, raised and abused by his single mother--and considering his issues with (as I write it) suppressed gay feelings, and the sort of “glass closet” I write him with--Eddie’s concepts of masculinity are probably pretty toxic. I think that in order to maintain control over Eddie, Sonia probably got very emotionally manipulative when he resisted her at all, especially as he got older and taller and physically stronger than her, and that she probably cried out things like “Eddie, you’re hurting me, how can you hurt your mother like this?” and made Eddie feel like the abuser (which is, I’m given to understand, a frequent tactic of abusers: reversing the roles to make the victim feel apologetic and guilty). I’m specifically thinking of the way that Gillian Flynn writes manipulative white women who weaponize white women’s fragility--Adora in Sharp Objects, since that’s actually the only Gillian Flynn book I’ve read so far. I think that Eddie would be very conscious of what he perceives as his capacity to be an aggressor, and it would be one more way that Sonia could keep him docile.

Later, with Myra--and I’m writing Myra more sympathetically in Indelicate than I did in Things That Happen After Eddie Lives, so I’m not interested in getting into the “is Myra abusive?” conversation right now, because I’ve written her both ways--I think that Eddie likely had a sort of learned helplessness about his own agency with Sonia that he then transferred onto his relationship with Myra. In Indelicate, I write him with a lot of reluctance to volunteer any information towards her, or his emotional state, or to make any of his wishes known (frequently she shoots them down as too extravagant, the way that I talked about Eddie’s relationship to money and luxury and Myra refusing a larger bed).

I write Eddie as largely unaware of his attraction to men until his near-death-experience, but only because he did not allow himself to connect the dots between what he thought of as physical symptoms (tunnel vision on hot man in coffee shop = optic nerve impairment, see doctor); but I think that Eddie was profoundly aware of his unhappiness in his marriage and just tried to reason with himself that everyone felt like that, and everyone was miserable and suppressing their own wants and needs, because that’s just what marriage is, and any other approach to his marriage would make him abusive, so Eddie and Myra’s marriage was emotionally volatile and extremely stressful.

Which is to say that Indelicate Eddie is a powder keg when Richie gets to him.

Again, I don’t think that throwing things at your romantic partner is an acceptable mode of interaction and I don’t want any readers to get the idea that that’s the underlying message of Indelicate, because it’s not. The scene with the moisturizer is derived from something that happened to me years ago (I was Richie, the guy I had a crush on was Eddie) involving a wayward Frisbee; the scene where Eddie tries and fails to throw a drink at Richie is derived from an anecdote of the early days of my parents’ marriage (my mother was Eddie), one that my father’s coworkers and boss loved to talk about and his best friend still brings up when they hang out.

However, Eddie’s relationship to physicality is also deeply informed by a tumblr post I saw over a year ago that talked about how Eddie grew up being told that he was fragile and delicate and sickly, and how Richie did not give a shit about any of that and was more than willing to just grapple him. For this fic, I decided to lean into that idea: that Eddie longs to be treated as though he’s solid and healthy and strong, and he finds a lot of relief in Richie <i>not</i> treating him gently. But because Eddie is actually physically injured in Indelicate, Richie is being careful not to break him while also dealing with Eddie’s very real (and largely unvoiced) desire for physical contact. It’s not an accident that at the end of the chapter in which Richie and Eddie have a shouting match that Richie wrestles Eddie to the floor and pins him and blows a raspberry on his belly--which is incredibly juvenile at the same time that it’s a display of Richie’s physical capabilities and Eddie finds that bizarrely attractive.

So, on top of Eddie’s desire for physical contact, his extreme stressors, and his lifetime of maladaptive coping mechanisms--the other thing that I consider when I write his dynamic with Richie is that Richie is not physically intimidated by Eddie at all. This is not because Richie is stronger than Eddie (he is) or larger than Eddie (he is). This is because there was a time in which Richie and Eddie found it perfectly acceptable to grapple each other as a form of interactions, because Richie and Eddie have known each other since they were seven years old. I even like to think that at one point, Eddie was the taller of the two, because Richie hit a really ridiculous growth spurt somewhere around the start of puberty and Eddie was something of a “late-bloomer,” and Eddie silently seethed about it through their entire adolescence.

So when Richie and Eddie lash out at each other--largely Eddie, because I think Richie, with his fear of the werewolf and of losing control and hurting someone--they’re building on sort of a lifetime of informal physicality. Stitchy does something similar in their Richie/Eddie fic where elements of roleplay always appear in their romance, because they were kids who played pretend games together, and when you have a bond like that with someone, it does permanently shape what sort of interaction you do and do not find acceptable. I also included a flashback into childhood where Richie gets angry with Eddie and very deliberately and methodically pushes him down on the ground and Eddie cries, not because Richie physically hurt him (he didn’t), but because it wasn’t in good fun there, that was Richie deciding to throw him around because he knew it would upset him.

So there’s a lot going into Eddie’s physically aggressive responses in Indelicate--the toxic masculinity that dictates the way that men are allowed to express anger and the ways in which they are allowed to touch each other; the profound stress that Eddie has endured for his whole lifetime without getting many better coping mechanisms; the feeling of lack of control of his physical body; a regression to childhood habits; and a deep sense of relief that Richie (being big, strong, and a man) is not vulnerable to him in the way that Sonia convinced him she (and later Myra) were.

I hmm’d and haww’d over a scene in the most recent chapter in which Eddie strikes Richie with an open hand (it’s a little slap on the chest, and I wanted it to come across very like the sort of corrective smack to the back of the head that I can imagine any of the Losers issuing to Richie back in 1989 when he shoots off at the mouth), because that’s not something I’d be comfortable doing to a romantic partner myself. Richie thinks nothing of it and turns it into a dirty joke, but I do need to get more into Eddie’s decision to touch Richie in kind ways in direct refusal of that “you construct intricate rituals that allow you to touch other men” facet of toxic masculinity.

I know it’s a ridiculously long answer, but it’s a serious issue and I wanted to give it the greatest possible consideration instead of writing something flip. Because both the incidents you named (ones I didn’t even realize formed a pattern, to be honest) are drawn from real life, I can’t say that they’re moments that are influenced by Eddie’s physical disability, but I do think they’re more influenced by his emotional state. I also think that as some of his stressors come off his plate and he gets more comfortable having an adult relationship with Richie, he’s going to stop throwing things at him. I even had Eddie stop after throwing the water, not just because it was ridiculous but because he realized how out of line he was in that moment. Recognizing when you’re out of control in an argument is, I find, an important part of self-improvement; and learning to walk away or to reset is a valuable skill.

Thank you so much for reading!

[amillioninprizes]

An entirely too long post on how to fix Veronica Mars

So, anyone who has followed this blog for any length of time knows: 1) What a massive Veronica Mars fan I was and 2) how distraught I’ve been over the most recent season that debuted on Hulu in July. I’ve been pretty angry about it since it dropped, but the first month after I was pretty occupied with real life stuff. Now that I’m more settled, I’ve found myself getting sadder and angrier over time with just how terrible S4 was and what an obvious fuck you to longtime fans it was. It feels dumb to be so upset over a tv show, but this show got me through a lot over the past 8 years, and I feel like it’s been taken away from me.

 It’s anyone’s guess as to whether there will be a new season. Ideally it would end here with maybe an alternate ending filmed to avoid alienating fans further. On the one hand, the botched release, overwhelmingly negative response, and silence from the creators after initial interviews don’t look good for renewal chances. On the other hand, Hulu doesn’t have a lot of streaming hits, it probably did relatively decent numbers, and there are rumors floating around that its pickup chances look good. On a personal level, I hate the idea that this is where the legacy of Veronica Mars ends, while at the same time being extremely wary of what the creators have planned. I think a big part of the disappointment with S4 was that the movie and books set up what could have been some really interesting storylines and situations, all of which RT and co. squandered for cheap drama and to apparently turn the show into an entirely new vehicle; additionally I had hope that S4 would be a chance to rectify some problems the show has long had, but again, S4 exacerbated them. At this point I don’t expect anyone higher up in the creative process or at Hulu to give a fuck about the fans or making the show better as long as they hit streaming targets, but here are some suggestions:

Fire Rob Thomas

 While he created the show, it’s become clear that not only has he lost touch with the audience and the original spirit of the character, he doesn’t seem too keen on putting much effort into writing the show (as I will discuss below). Then you have his clear misogyny: his views that women in relationships can’t be interesting, that what makes Veronica interesting as a character is her trauma and how much she can endure, and the fact that basically every female character in the history of the show has a history of sexual victimization. He thought that making the Mexican cartel hitmen “philosophical” was subverting expectations (which says a lot of what his expectations of Latinx characters are). Then this is the way he essentially exploited his long term fan base to earn a new season of the show, only to turn around and tell us that we don’t matter. From a business perspective alone keeping him doesn’t make sense; selling a streaming platform on your loyal fanbase and then proceeding to purposefully piss ~80% of them off would be pretty questionable to me as someone in charge. The sheer cruelty with which he treated not only the fans who have supported him for 15 years (I fucking used to liveblog iZombie y’all. iZombie!), as well as how he callously dismissed long time cast members in favor of celebrity guest stars should not be rewarded. He’s admitted in interviews that he would be ok with younger writers doing a reboot many years in the future; why not just let him have a producer credit and then hand the show over to someone who’s invested in making it good?

Put a woman in charge and diversify the writing staff

A big problem with a) Veronica’s characterization in S4 b) RT’s ideas about what makes female characters interesting c) the show’s long history of problematic treatment of sexual assault is that it comes from a man’s conception of the female experience. The Veronica showcased in S4 and that RT wants to write in the future is very much a male fantasy: hates marriage and children, traumatized, DTF, and is too cool for other women. RT stated in interviews that he wanted to show Veronica at a “crossroads” this season in a way he claimed had been shown for men but not women; many female viewers found this depiction to ring false (few women are spending their time fretting about how committing to marriage after five years in an established relationship will bar us from strange sex going forward). In addition to having RT at the helm, most of the show’s writing staff for the majority of its run has been white dudes, which doesn’t bode well for telling the story of a female PI in a diverse community in today’s political climate. Putting a woman in charge would hopefully help rectify these issues to make the character feel more true to life and put a damper on the misogynistic storytelling. The show has a natural candidate in RT’s second-in-command Diane Ruggiero-Wright (despite her problematic history, never forget #KeisterEggGate), who has admitted to not being able to watch the last episode. Jennifer Graham, who wrote both of the books, would also be a worthy addition to the writing staff; while the books had a mixed reception, most fans agree that she got Veronica’s character right. And with the show’s problematic historical treatment of minority characters, adding more POC writers going forward is also necessary.

Bring back Logan (alive)

You don’t have to be a LoVe shipper to recognize just how integral Logan has been since the inception of the show, not just as Veronica’s partner but as a character is his own right. Logan’s journey in many ways parallels Veronica’s, and shows a contrast in how different characters respond to similar trauma. The most critical plot line in the show’s history, the mystery of who killed Lilly Kane, simply doesn’t work without Logan’s importance to Veronica. RT and his defenders like to claim that Logan was holding her back from true growth, which is frankly bizarre as he is the only character to consistently challenge her, like when he tells her that she obviously isn’t happy this season. Additionally, Logan’s scenes this season were the lone highlight of what was otherwise a painful slog of a season. Of the people who have said they would watch a potential S5, a good portion are only interested because they believe that the ambiguity of the last 10 minutes of the season means he’s not really dead (despite what RT has said in interviews). Then there’s what Logan’s death does to Veronica’s character, effectively cutting off what would have been an interesting character arc and stagnating her forever. No matter how much they try to shove Leo the pedo creep and other milquetoast RT self-insert love interests on us, no one else can possible measure up to Logan’s level in terms of being able to match Veronica as a character, intellectually or as a result of shared history.

Plus, the fact that we haven’t had a Weevil/Logan interaction since S3 is a goddamn travesty and should be rectified immediately.

Bring back Veronica

As sad as I am about Logan’s death, for me the most upsetting aspect of S4 was the assassination of Veronica’s character. For many viewers (including myself), the character we saw Kristen Bell portray in S4 wasn’t Veronica Mars but a different character with the same name. Between her abusive behavior towards Logan, her general indifference to her father’s medical condition, her dismissal of Wallace, and her racism towards Latinx characters (using a kid’s lawyer to threaten deportation: not a good look!), she was lacking the marshmallow-y center that always balanced out the pricklier aspects of her character and made her compelling. This change in characterization was especially jarring given that she was not this way when we last saw her in the books, where she mused about having children and sent her half-brother Hunter to summer camp (side note, but does he even exist anymore?). Many of us who had grown up with Veronica were hoping to see her grow with us as a character; instead we got an extreme regression lower than we’ve ever seen her. It would be one thing if they were trying to depict a PTSD storyline, which would make sense given her background, but since her change in behavior is never addressed by the narrative, it just makes her look like a cruel asshole and makes it impossible to root for her. This is exacerbated by the fact that RT has made it clear he has no interest in portraying her inner life, as shown by his wanting to avoid showing her grief over Logan’s death because it would be a real downer compared to the entertaining but ultimately hollow banter and quips he wants to focus on. Veronica this season was also just plain dumb: you mean to tell me that the girl who nearly got killed by Aaron Echolls in her back seat wouldn’t think to check her backseat every time she gets in a car?  (And let’s not even start with RT’s bizarre assertion in an interview that she apparently votes Republican). Not helping matters was Kristen Bell’s performance, which felt very flat for me this season compared to S1-3 and the movie; I don’t know if this was due to personal limitations or a reflection of the bad writing. Writers of future installments and KB herself would be wise to revisit S1, the movie, and the books to figure out what makes sense for Veronica’s character, leading me to my next point:

Get reacquainted with canon, develop a show bible, and hire a continuity director

This show has long had a problem with dropped plots, timelines, and continuity issues. Shelly Pomroy’s party has two happened either in the summer, or the fall. Then we have the movie paradox: Veronica graduated high school in 2006, which means her 10 year reunion should have taken place in 2016. The movie was released in 2014 and the books seem to keep to 2014 dates. Then S4 states that Keith’s movie accident took place in 2013, and mysteriously ages Veronica up to 35 when she should be 32 in 2019. Logan mentions an Aunt Naomi in S4--why didn’t she take care of him after Aaron was arrested (and what happened to Trina)? How the hell is Leo working as an FBI agent when he presided over the disappearance of the Lilly/Aaron tapes? Veronica is shown to be tentatively forgiving of Weevil taking the settlement from the sheriff’s department in Mr. Kiss and Tell, but is then shown to be extremely angry towards him for it in S4. This is just a small selection of the inconsistencies within the show. Plus there is the problem of repeated plot lines: Veronica rejects Leo in favor of Logan in S1, then rejects Leo in favor of Logan in Mr. Kiss and Tell, only for her to...reject Leo in favor of Logan in S4 (and RT says he wants to leave the high school plots behind). This sloppiness doesn’t bode well for a series that is supposed to be about mysteries, which require tight plotting. It would behove TPTB going forward to once and for all determine a timeline of Veronica’s life, keep a detailed record of past plot and character points, and have at least one person on staff who thinks to remember this stuff (RT notoriously has only a “solid, not spectacular” memory of the show, no matter what Kareem Abdul-Jabbar says).

Make an effort (and do your fucking research) 

Moving on from continuity issues to more general problems with the laziness of RT’s writing. He has basically admitted that he doesn’t care much about facts or characterization when writing plots--he shoehorns details to fit the plot rather than have it evolve organically from the characters and prior canon. I know that when writing it’s often impossible to make every story detail 100% accurate, but the extent of RT’s sloppiness is alarming. This excellent Reddit thread details a lot of the problems with S4 in particular, but this has been a problem since S2. Did anyone ever understand exactly why the Fitzpatricks were invested in framing Logan for Felix’s death? In the movie, it makes no sense that if Cobb and co. wanted Carrie silenced, they would add the complication of framing Logan for her murder--given her history, it would have been a lot easier just to make it look like she had accidentally overdosed. Given his previous patterns of villain writing fans were able to guess the identity of the S4 bomber based on casting alone. The mysteries in both Mr. Kiss and Tell and S4 are both ripped from the headlines, which indicates that RT wants to turn VM into the next Law and Order. Meanwhile, he complained about how hard including Logan in the story in S4 was, while Logan arguably had the best lines and most interesting scenes this season--apparently when you put an effort into things, they work out! This laziness extends past storyline issues and into factual problems that detract from the quality of the plot. Longtime fandom pals are probably tired about hearing me go on and on about how there’s no way Aaron’s lawyers could have gotten Veronica’s medical records due to HIPAA laws. Logan’s career change from naval aviator to intelligence is highly unlikely (and unnecessary, given that they changed it only to fridge him at the end of the season). Meanwhile, I know fanfic writers who have spent hours on the phone with strangers in order to research what type of firearm would cause a specific type of bullet injury. It’s very puzzling to me that RT wants to take the show in the direction of being mystery-only when apart from that one time he is piss poor at writing mysteries and puts no effort into them. I shouldn’t have to tell television writers to, you know, do their job but this is what we’ve come to in 2019.

Know your audience

A majorly annoying thing about the promo for this season is how in every single interview Rob Thomas did he was always talking about how he wanted VM to be like other shows and movies: Fargo, True Detective, Game of Thrones, Chinatown (which is apparently the only noir movie he’s ever seen). The thing is, if I wanted to watch those shows, I would; I watched Veronica Mars specifically because I enjoyed its unique qualities, and I would say most fans agree. The general perception within the fandom is that with this season Rob Thomas seems to have been aiming to dump the old, majority female, CW fanbase in order to achieve what he perceives as a cooler prestigious male fanbase; the issue is, new people aren’t going to take up a show in its fourth season if they didn’t watch or didn’t like earlier seasons. Also, trying to write a prestigious show doesn’t make your show prestigious. Considering that based on anecdotal evidence most of the people who like S4 seem to be male, he may have succeeded in the first part of his aim. However, this majority female fanbase he was so willing to cast aside are the ones who have run fansites and rewatches during fallow times (i.e. between S3 and the movie and then between the books and S4), so drumming up interest among fans (and therefore streaming views) in the future may be a challenge. Plus, women are a better advertising demographic since they are more likely to be in charge of household purchasing decisions, so maintaining us as a fanbase makes business sense as well. He may have tricked enough people into watching S4 that S5 is given a go, but I wouldn’t be surprised if streams are weak beyond that. If the show is to succeed as a commercial endeavor, better to go with appealing to a known quantity than trying to make a generic show that very few people have expressed interest in watching.

Bring back the mystery of the week

This is a more minor thing I felt was missing from S4. I think after the criticism of S3 not having a season-long arc RT overcorrected in focusing on one mystery. However, the mystery of the week had the following benefits: 1) giving chances for the characters to interact and telling us more about them 2) helping to modulate the pace of the season-long arc. With better writing a season-long standalone mystery could maybe work, but in the case of S4 specifically the mystery was kind of dull and repetitive and could have stood to include a couple of diversions in the form of a smaller case here and there.

Re-evaluate the creators’ interpretation of the word “adult”

Much of the promo and reviews for this season noted the more “adult” content to be expected this season now that Veronica’s grown. Many fans hoped that meant seeing Veronica act like, you know, an adult with adult problems rather than a teenager less mature than the actual teenager she was. Unfortunately, the show’s interpretation of the word seems to be more in keeping with a television rating sense of the word--meaning sex, drugs, and gratuitous violence (But apparently not the word “fuck.”). Look, it was expected that as the show moved to a streaming service and given the overall dramatic scope that there would be an upgrade in some of this sort of content (and I’d be a liar if I said I wasn’t looking forward to steamier LoVe moments, which were sorely overpromised), but the way it was included this season felt like RT and co. included this stuff just because they could and not to serve the storyline. For me, personally, the biggest example of this was Veronica’s drug use, which I know didn’t necessarily bother everyone. Given her history as the daughter of an alcoholic as well as someone who had been the victim of two roofie attacks, not to mention the fact that her character never seemed to be into partying, I found it very out of character (and book writer Jennifer Graham agrees). It felt like RT included this just bc they thought it would be funny to see Veronica on drugs without considering whether it made sense for her character. Also, were the beheadings strictly necessary? Plus there’s RT’s little temper tantrum over not being able to use curse words this season--they weren’t present in the original show, no one was going to miss them now, and the “cuss” thing was just annoying and reminiscent of The Good Place. 

Dealing with a parent who maybe has dementia--that’s an adult storyline. Too bad RT ended it with a dumb excuse about “mixing meds” (another factual error! Pharmacy software would have caught it!) rather than actually exploring what it would mean for Veronica to see her father in decline and take over the family business (and give Rico Colantoni the exit he appears to want). This is the kind of adult content I would hope to see in future seasons.

Adult is not a synonym for “unrelentingly bleak” either. The original show, while dark, always had an element of hope that was completely removed from S4 (no matter what KB might claim). And would it have killed the writers to show Veronica wearing disguises and going undercover like she used to? There was nothing fun about this season (and no, I don’t count the multiple partying scenes as fun, more like sad).

Kill your darlings

It’s cliche, but it’s true. Another issue the show has long had is the writers keeping around characters or inserting jokes and references for their own personal amusement rather than for the story. The most notable example of this is the continued presence of Dick, a highly problematic character considering he pushed Beaver into the room with Veronica the night of Shelly Pomroy’s party, among a whole host of other racist, sexist, and generally obnoxious actions over the years. But because Ryan Hansen is so widely beloved among the cast and crew, so he stays. Then there’s the matter of the infamous Keister egg in 3x08, which the writers and KB have all expressed love for, despite the fact that said Keister egg is an example of sexual assault--which, even if the victim is a douchey fraternity president, is never funny. 

Also the constant Big Lebowski references are tiring. Watch a new movie.

Improve Neptune’s gender ratio

Veronica Mars, despite having a female lead, has always been a male-dominated show; other than Veronica herself, the only consistent female character over the original show was Mac (and she didn’t even come back this season). This is unacceptable in 2019, for any show. The books introduced promising female characters in the form of Marcia Langdon and Petra Landros, but Marcia’s character was was watered down for S4 and Petra was nowhere to be found. Additionally, Veronica and Mac have always been written as “cool girls” who looked down on other women for their femininity, which isn’t a great message. Almost every other female character, even the innocuous Parker, is portrayed as somehow bad or incompetent. I would love nothing more than a season centered on the women of Neptune and their interactions with each other. While we’re at it, stop giving every woman on this show a background of sexual victimization.

Treat VM as an ensemble show, not a Kristen Bell vanity project 

A major complaint from Burnt Marshmallows and S4 defenders alike was how little time was given over to the original core cast this season. While Veronica may be the protagonist, a large part of how the show became so beloved was her relationships with the other characters. Yet RT has decided that going forward VM will be a KB solo project, with her traveling town to town quipping and sleeping with strangers. This seems strange, given Kristen’s recent interviews talking about how difficult it is to shoot VM and how she never wants to be first on a call sheet ever again, not to mention how she asked for less screen time all the way back in S2, which resulted in the Weevil-Logan storyline, which was way more interesting than Veronica’s storylines during the first half of that season. (The traveling detective thing also seems weird considering that KB is pretty insistent on shooting in LA to be near her family.) Additionally, if this is truly the last season of VM with all the original characters, then no one got a proper sendoff. 

I’m not sure how willing much of the cast will be to return for future iterations, given how uncomfortable many of them seemed during promo as well RT and KB’s treatment of them (insensitive at best, deliberately mean at worst) this season (shout out to Tina Majorino for recognizing what a shit show this was going to be), but bringing back all the original characters into the fold and giving them significant storylines would go a long way to mending fences with fans, improving the show from a character arc perspective, and would also give KB the break she apparently wants. 

Recourt the fanbase

What has VM always been renowned for above all else? It’s incredibly loyal fandom which not only got it renewed twice during its original run but also put up their own money to get the movie made--I know many people who donated when they really couldn’t afford to. RT basically owes the last 6 years of his career to VM fans--the success of the Kickstarter arguably got him the iZombie show running gig, and the fourth season likely wouldn’t have even happened if not for it. Thus, the blatant cruelty and disregard with which RT and KB have treated fans during the promotion of S4 has been incredibly insulting and hurtful; I still can’t fathom what in the world possessed RT to think that throwing away this 15-year relationship was a good idea. It’s not a good sign when the 2 fansites most active during the post-movie period (VMHQ and VM Confessions) cease operations in the wake of S4, and when at least 3 out of 8 board members of the oldest running fan group, Neptune Rising (who were dormant during the post-movie period but played a critical role during earlier fan campaigns and in the S4 promo) resign. A fandom this loyal that was betrayed will not stand idly by if the S5 RT wants to make goes ahead; given the number of tweets the official Hulu VM account has had to delete in the wake of S4 due to the overwhelmingly negative response as well as the controversy over editing out Logan from S4 promos, I imagine that S5 will be a PR nightmare. Even if future seasons are amazing the trust can probably never be fully repaired, but it would be helpful for RT (or fingers crossed, a new show runner) and KB (as star and EP) to go overboard in reaching out to fans and at least admitting they made a misstep with the entirety of S4. Back in the day, the old Mars Investigation fansite was invited to set to conduct interviews; maybe do that again. Also someone should get KB some sort of VM fandom-fluent media trainer because I don’t think she has conducted a single interview during her entire stint on the show that didn’t anger fans (it might help if she actually bothered to watch the show).

Map out an endgame

Look, this can’t go on forever. As long as RT keeps leaving every installment open ended with the hopes of maybe getting renewed again five years down the line, the story is going to keep running into the issues the movie and S4 faced with having to shoehorn the characters into nonsensical plot lines to reconcile those endings and deal with actor availability issues. Either plot another 2-3 seasons to wrap the show up with a satisfying conclusion, or map out a greater timeline of Veronica’s life with spots where a mini series or movie here and there could fit in.

[livlepretre]

ok wait i have some thoughts about acotar that you may or may not agree with... but basically i loved acotar/acomaf but hated acowar and i didn't even try to read acofas. there was a lot i hated about acowar but basically it sums up to 1) hated how sjm tried to retcon rhys into being this perfect amazing flawless person kind of destroying everything that was interesting about him in the first couple books. 2) THE EXTREMELY GRATUITOUS AND NUMEROUS SEX SCENES IN THE MIDDLE OF A WAR. LIKE ??? oh god especially that one scene where feyre wakes rhys up by... yeah. 3) king of hybern fell so flat as a villain i was expecting to get more backstory or smthg on him but no he was just... there. and evil. for no real reason. and then they killed him. like... ok. 4) TAMLIN WAS SO OOC. AND I HATE HOW SHE VILLAINIZED HIM. i also find the whole fandoms take on tamlin to be very bland and ridiculous. like yeah he obviously was not the right person for feyre and he made some serious mistakes for which he should be held accountable, but he was traumatized too! he was a very flawed character but he's not a villain!!! that scene where he's like making rude sexual comments about feyre in front of everyone felt so ooc for him. hated it. 4) mor's coming out storyline was... very bizarrely handled, and frankly i just found it hard to believe that mor's sexuality was something sjm had planned from the start of the series. as a bi woman that whole plot just rubbed me the wrong way. anyway. ya those are my thoughts but i'm curious to know what u think about this series lolol

Oof complicated question. 

I think in general I come down positively on ACOTAR based mostly on the strength of the first 2 novels? I read ACOTAR and ACOMAF back to back right after ACOMAF came out, and let me tell you: I was obsessed. I was devastated. I was enthralled. It filled some very particular requirements for what I really wanted-- it was gorgeous and atmospheric and really frightening and romantic. I thought the characters were well developed, and I just thoroughly enjoyed the world-building with vicious alien faeries and the real sense of danger, as well as the magic and the breathtaking imagery. As a painter myself, I LOVED reading about painting in a way that felt so true to the actual experience of what it’s like-- so much rarer and harder to actually find than one would think-- ACOTAR and An Enchantment of Ravens are the only two novels I can think of that even grasp the experience. I loved Feyre as a human, loved loved loved the trials, and I loved how even after she became High Fae, there was an element to it that was incredibly disturbing-- the idea of having a human soul in a fae body, which meant that things that sort of roll off of the fae around her-- like violence and killing-- profoundly disturb her and wreck her soul. I loved that. (at least, that was how I interpreted the “be glad for your human heart” thing, and also why I assumed she didn’t recognize the mating bond... that maybe, as a human soul in a fae body, it would be lost in translation for her until it was actually consummated). 

One of the things I also really loved about ACOMAF was that it took everything in ACOTAR and subtly turned it on its side. At that point, I was used to 1st love = true love, so actually reading a narrative where a heroine could change partners was really refreshing, and I liked all the ways that, looking back, we could realize that Tamlin wasn’t it-- that he didn’t try to free her from Under the Mountain (wow that should have been obvious) or how he never offered to teach her to read in the 1st book. I also really liked Feyre’s observation that she needed to feel protected in the 1st book because of where she was coming from then, but that by the 2nd book, because of the trauma of her imprisonment, she felt smothered and trapped. I thought the 2nd book did a good job of showing how Tamlin and Feyre could be really trying to make their pieces fit together the way they once did, but they had both been too changed by their experiences to work and had in fact become poison for each other. They both had PTSD, and I felt that was clear in the narrative. And I was happy for Feyre to leave, I loved the exploration of her depression and her slow recovery, and I was okay with how Tamlin was presented in that way because there is a way in which he really was as helpless as her-- yes, his actions were abusive, but I didn’t think that came from having an abuser’s personality. The tragedy was in the fact that he was also suffering and screwed up, and that meant that Feyre had to leave for her own sake, and that Rhysand ended up being what she needed. 

I’ll put my problems with the series under the cut. 

My problems started in ACOWAR, and it was primarily a characterization problem with Feyre that bothered me. To be honest, SJ Maas has this thing where she makes her main characters (male and female) just the most extraordinary over the top horrendous bitches out of the blue and it’s just like what the fuck. I think she does it for drama, and while I love a cold bitch (NESTA IS MY QUEEN)... that’s not Feyre. Her actions in the Spring Court were so much crueler than I would have anticipated. And it bothered me the way that those actions hurt everyone there, which was wild to me, as it was her home once, and that’s not Feyre. She’s the girl so empathetic that she gave those water faeries her bracelet to use as tribute. That she mourned so hard it nearly broke her for those faeries she killed in her third task. The whole point of the 1st novel was that she started with hate in her heart, but that she’s naturally so empathetic when given a chance to think about anything other than bare survival that love comes rushing in. So, I really disliked Feyre being a bitch for the sake of being a bitch. She felt unrecognizable to me. I realized recently that part of this is that Feyre actually completes her character arc in the 2nd book-- at that point, she’s figured out who she is, gained peace, happiness, and empowerment through it, and found a home. She’s answered all of the conflict within herself, so there’s just not really anywhere for her character to go in the 3rd book, which is part of why she feels so weird as a pov character. 

There were other things of course. Rhys had lost that edge I loved in him so much. (what was the point of that prologue, btw?) This is a little thing but giving Lucien a last name really wrecked a lot of the wonderful strangeness of the world building and I resent it. Especially since no one else has a last name. Sarah was on the right track when she gave Rowan the last name “Whitethorn.” THAT is a faerie last name. I don’t know what this Vanserra stuff is. What else. Hybern was supes whatever. Feyre making bargains was pretty much what we’d seen before. I didn’t mind the sex scenes because that’s just what you can expect from an SJM novel, and I don’t really have any comments on Mor’s coming out story. I also suspect that she was originally written as straight in ACOMAF, but then SJM changed her mind while working on ACOWAR. I’m not going to fault her for attempting to write more inclusively and more diversely (which, as we know, is already not something she excels at). I did find the hook up with Lucien’s dad real awkward though for everyone involved though. YIKES. TOGAS. YIKES. SJM also does this thing in her finales where too much of the books tend to be about the battles and the actual war, and that’s not nearly as interesting as the character moments that might occur because of the war. 

So, that leaves my primary complaint, which is Tamlin. I kind of think that it’s not even a matter of him being OOC, so much as Feyre being completely hateful toward him. Like, I remember thinking he was wildly OOC when he was siding with Hybern, a human hater, as he had specifically said in the 1st book that he would always fight against that. I remember being THRILLED when it turned out that he was playing Hybern, and how disappointed he was in Feyre for ever thinking him capable of actually siding with Hybern and bringing up that conversation they had in ACOTAR. I also loved it when he helped her escape the POW camp, and when he told her to be happy at the end. But honestly, after Feyre fucked him over SO! HARD! in the beginning of the novel, not at all surprised that he showed up at that meeting ready to talk smack. I was on his side during that whole thing, because by that point, I was like, get wreckt Feyre. (Which KILLS ME because I LOVED Feyre in the first 2 books, I think SJM really does mistake just horrendous bitchiness with confidence or something? It just horrified and embarrassed me the whole novel). I really do hope that Tamlin gets some sort of arc going forward. I was so depressed by our visit in him in ACOFAS-- sitting alone in that crumbling manor. I think he actually does deserve a “redemption” arc, although I don’t think he actually has to be redeemed. 

On the subject of bitchy Feyre: I do NOT like the way she treats Nesta in ACOFAS. I guess we see that Feyre has an empathy problem in ACOTAR in that she totally misreads her sisters in the first few chapters and thinks of them in the most uncharitable light possible, and of course, once she decides she’s done with Tamlin, she always assumes the worst of him, but wow. The way she handles things with Nesta just horrifies me. I just can’t imagine treating my siblings like that, or extending them so little empathy. 

And ACOFAS made me think about building snowmen and other horrible fluffy things and it was not my favorite. 

But all this being said I know myself and I am definitely going to read A Court of Silver Flames. I think it might be really good, actually. 

[bthump]

What do you think the odds are of Casca sacrificing Moonlight Boy like you've been hoping?

oof, idk

not completely terrible? I keep calling it a longshot hail mary hope but honestly I think a lot of the especially recent foreshadowing is pointing in that direction tbf.

Like I have my theory that the behelit is Casca’s and it’s about to open due to her Eclipse memories despair and whatnot, and I still think that’s overall a v strong theory. Fate, all those questions about whether Guts is carrying the behelit for someone, Skull Knight planning shit and using Guts and co, the suggestions that he’s in cahoots with Danann, Danann acting shady (Guts get lost Casca’s scared of you vs here Casca put on this dress and go see Guts right now), our recent lesson on dragon roads and spirit trees, tbh Flowers of Distant Days also imo foreshadows SK using Guts, little details like the fact that Elfhelm has used the power of human sacrifice as magic b4 lol (that wickerman), and ofc the familiar visual representation of Casca’s despair:

So the next two questions are: who is Casca’s sacrifice and will she go through with it?

And I think if the behelit does open, the odds are actually very high that the sacrifice will be fetus/MB and not Farnese. My #1 reason for saying this is the fact that the fetus represented her thorn-covered despair-ridden (fragile human) heart in her dreamscape. Like imo that’s pretty damn indicative.

Plus as the… shard of herself closest to the Eclipse it also seems to represent her trauma, which yk, that’s pretty common for sacrifices. Person you loved the most and hated the most, and all. And parent/child sacrifices are the most common from what we’ve seen lol.

There’s also this:

The MB first appears right after a chapter full of foreshadowing and ominous warnings. This moment is Guts watching Casca acting all motherly and shit and brooding over SK’s warning about her wishes. A lot of people seem to take this as foreshadowing that Casca is going to prioritize a baby over revenge but like… Guts wants this. Idt this is Guts fretting over Casca’s motherly instincts because he doesn’t want kids or whatever lol, imo this is Guts seeing a ray of hope for the future and wondering if it’ll be snuffed out.

Further suggested by:

She couldn’t cope with her experience, so what will she do when he forces her sanity back? This is ominous in an active, dark way that a fixation on a magic baby just isn’t likely to follow through on imo.

There’s also the werebaby thing, and if that’s what’s actually happening then presumably MB is on his way to Elfhelm right around when Casca woke up. I mean timing that dumbass reveal after Casca’s screaming cliffhanger? Hm. And handily that fucking werebaby shit means it’s now less likely that MB is going to show up and soothe Casca’s despair through her maternal instincts, which was one of my original fears, and more likely that it’s just gonna add to her despair, assuming the ridiculous truth is revealed. (Speaking of “the person you loved the most and hated the most” lmao. Like yeah, that’s so on the nose it’s comedic, but everything about werebaby is an absurd comedy so.)

As for whether she’ll actually go through with the sacrifice or whether she’ll refuse or be interrupted by plot, that’s unfortunately dicier.

On the pro side you have “what will she do?” Meaning she should do something, not fail to do something. You have all the foreshadowing re: Guts losing himself to the armour for a while, which he needs a catalyst for. I can’t think of anything more well-suited for that than Casca, the symbol of his humanity, essentially sacrificing his hope for the future (and incidentally the very thing that likely keeps saving him from the armour), becoming a monster, and (I guess) Griffith suddenly appearing lmao. And there’s the fact that Casca becoming a monster would be an extremely convenient way for Miura to avoid writing a realistic v traumatized woman while not bypassing or underselling her trauma.

And structurally we’re at the point where something tragic has to happen to fuck things up and drive things forward and finally deliver on the assloads of ominous foreshadowing that Guts is willfully ignoring.

On the con side you have Farnese’s hope that her friendship with Casca will be enough and tbf there’s an arc’s worth of development behind that. And something someone else does could be what causes Guts to succumb to the armour - like learning SK has betrayed him or something maybe.

And this whole werebaby situation is a double-edged sword in regards to this theory.

On one hand it’s timely, like I mentioned above, and it’s an indication that MB is going to be present for whatever shit’s about to go down, and probably in a way that makes things worse rather than better. Sacrificing the kid would also get the story back on what at least I consider its track, rather than fully derailing it into wacky magic baby world.

But on the other hand, let’s be real here: it’s so fucking ridiculous and bizarre that it almost feels like it has to be the new centrepiece of the plot. Go big or go home. As wildly weird as it is to completely derail three relationships that have more than enough build up to carry the plot all on their own, one can argue it’s even weirder to introduce a magic werebaby that completely derails those relationships only to neutralize it a couple chapters later.

Like if Miura’s willing to go that fucking stupid, then yeah I’m completely willing to believe he’d commit to it and make Casca’s new conflict the fact that her rapist periodically transforms into her magic child. Why not? Werebaby has dissolved all the faith I had in his ability as a writer. I no longer have that intrinsic belief that Berserk will ultimately make sense, resolve in a satisfying way, and generally work as a whole to fall back on lol.

So anyway, all that said, let’s just lay out the possibilities:

1. Casca does not sacrifice MB, maybe I’m entirely wrong about everything or maybe she turns down the offer/plot happens and she doesn’t get a chance. The fact that Griffith transforms into a baby every full moon is the new big plot point and character motivation. Story’s functionally over, everyone go home.

2. Casca does not sacrifice MB, the fact that Griffith transforms into a baby every full moon is a new big plot point, and will probably be the central issue of Casca’s narrative, but it won’t significantly alter Guts and Griffith’s relationship. Griffith’s feelings for Guts are still real and gonna bite him, Guts will still focus more on Griffith than the werebaby thing, Casca’s narrative is gonna suck like a black hole, everything’s gonna be weird. This would be incredibly awkward and horrifically bad writing, but honestly I feel like this might actually be the most probable option lol. I mean I’ve always acknowledged that fetus is probably a factor in Griffith saving Casca even while arguing it’s irrelevant to most of Griff’s feelings, I just didn’t think its relevance would end up being this silly lol.

3. Casca does sacrifice MB, this essentially cures Griffith of his infanthropy, and the original hint of babality we saw at the Hill of Swords essentially existed to set up hopeful expectations of Griffith’s ~big weakness~ before climatically dashing them when everything goes wrong for Our Heroes. Moment of hilarious triumph for Griff, low point for Guts and co.

4. Casca does sacrifice MB, this negates the werebaby thing but still affects Griffith negatively in another way - maybe ironically he’s a sacrifice himself now which causes problems for him, or handily negates the apostle worship effect for Casca. And/or because of this sacrifice Elfhelm succeeds in some plan of their own and maybe fucks up both Guts and co and Griffith, or idk, something. This makes werebaby potentially relevant enough to (theoretically) justify its existence as more than just a weird ass bait and switch/plot point to get both Griffith and MB to Elfhelm lol, while also not actually focusing on Griffith being a werebaby as a major plot point. Win/win.

It’s like… I think it’s pretty likely that the behelit will open for Casca and if that happens I think it’s pretty likely that MB will be the sacrificial offering, and if that happens I think it’s pretty likely Casca will say yes, and if that happens I think it’s pretty likely that we’ll be saved from werebaby. But that’s a lot of hope resting on hope, especially when the odds recently got a lot higher that I’m just totally on a completely different wavelength than Miura lol.

Anyway ty for asking. Hope for the best and prepare for the worst I guess.

[subnova-scion]

🟊⟅⸉ IM GONNA TALK ABOUT NOVAVERSE CYM AND WHAT HAPPENS AFTER CAUSE  I HAVE THOUGHTS AND FEELINGS LETS GO ⸊⟆🟊

During the final confrontation with White Diamond, not only were the CG’s unable to help Steven, they were turned against him. If the B-team had come in at that moment, they would’ve been turned against him, too. Can you fucking imagine? Seeing your family and friends slowly being possessed? Screaming, howling in agony as they’re turned against you? And you can’t do anything to stop it? And all you’ve got to back you up is your human friend who the person controlling everyone else thinks is disposable? And will not hesitate to try and kill her? 

And you’re just a child? 

Yeah!!! Steven doesn’t just end up having nightmares about being ripped apart from his gem once this is all over! He also has nightmares about the White Puppets. He had to see them turned! Every adult figure he’s ever trusted and loved had been turned against him by a villain who LITERALLY TRIED TO KILL HIM NOT EVEN MINUTES LATER. LIKE. WHITE DIAMOND DID THAT, KNOWING THAT THE ‘HUMAN CHILD’ PINK WAS ‘HIDING IN’ WOULD PROBABLY, IF NOT UNDOUBTEDLY, DIE. 

“I’m tired of this shit, Pink. Time to end it and kill the organic parasite so you can’t run from your problems anymore.” 

This is why Steven’s relationship with White Diamond in NOVAverse will be far from canon. He will always be scared of her!! AND THAT’S THE TEA! 

As for the attempted murder, Steven barely remembers what happened when it comes to getting his gem removed and seeing his other half. Because when his gem was taken out it was, uh, very bad. Like,, from a gore standpoint. He only remembers vague feelings and images. Both halves experienced the same event, but from their own separate perspectives. One half was bleeding out, though, and your memory kind of takes a back seat when you’re LITERALLY DYING. So Like? He remembers it? But it’s mostly one sided, through his gem half. And that’s why it feels so bizarre when he tries to remember what happened. It feels like an extreme case of out of body dissociation. 

Meanwhile, Yellow and Blue and the CG 3 couldn’t remember anything. They didn’t know what was happening, just what they were feeling as White was controlling them. It was severely emotionally and physically painful, and that’s all they knew! So they had no idea what happened, and the crystal gems freaked out when they were freed from White’s control and saw the state of their kid. Because there was still blood!! Everywhere! All over him! And Connie! Since she had to carry Steven over to his other half while he was BLEEDING OUT WITH A HOLE THE SIZE OF HIS FIST IN HIS GUTS. 

And these two kids were too relieved and in shock and generally traumatized to answer their questions! They couldn’t even begin to process what exactly had nearly happened to him. Nova had already started to dissociate as soon as he was whole again? Cause his brain was like: ‘Haha gonna just black most of that out and go numb to protect you and keep you functioning through this hellish experience lmao.’ 

Considering he was almost killed for like the 12th time in his 14 years of life, there are VERY obvious reasons as to why he began falling into a state of dissociation, but what he started dissociating from first is deeply rooted in what happened to him. The first thing he dissociated from was his feelings. See, after his human half sustained serious damage, guess which half has to kick into higher gear to keep him alive and functioning after going through awful trauma? 

The gem half. Which is well… Numb. We see that PINK!Steven literally cannot process emotion other than the intense, overwhelmingly negative ones. That sudden outburst, the literal grief and rage of a young god that is sick and tired of everyone wanting his mother to be alive over him. Quartz (That’s what I call Nova’s gem half) didn’t hesitate to strike at all of Nova’s loved ones. He had no attachment. He was doing what he needed to do to protect himself and his other half so they could be whole again. Everyone else was an afterthought. 

And that’s how you know Quartz is different. Because the human half, and even as a whole, Steven puts everyone else first. Human Nova (who I call Universe) is literally bleeding out and he’s crying out for his other half to stop because he’s hurting them. But that half is a part of him. And it’s a part he’s been needing to get in touch with for a long time. Considering Steven puts others before himself even to his own detriment, and the reactions of his human half only solidify this fact, if his gem half was anything like that, Steven could have died. He couldn’t afford to strain or distract himself trying to help or protect others. He needed to help himself. Save Steven. That was the objective.

And even as two halves are united again, the gem half is still more or less handling the reigns because of how straight wrecked the human half is at the time. It’s still working to protect himself as a whole. And the first sign of this emotional change is shown in the first thing he says to white after she tried to murder him. 

“I am a child. What’s your excuse?” 

See, now that he’s been reunited with his other half, he has all the emotions and feelings his human half provides, too. So he’s able to actually lay down some sick burns and common sense without going absolutely apeshit and creating craters with his screams. And this boy didn’t leave quietly with ‘If you let everyone else be whoever they are, maybe you can let yourself be whoever you are, too.’ No. That didn’t quite happen in NOVAverse. Yanno what happened? Yellow and Blue confronted White first, and since she had yet to regain her composure, she was shaken and defensive. 

They almost started fighting all over again. They were all terrified and scrambling in fear of the unknown. Until White’s attention was on Steven again. Because, who is this little creature supposed to be if they aren’t Pink??? What the fresh fuck is going on?! Now, we all know PINK!Steven is Mcfuckin Pissed. The gem is back-loaded with thousands of years of emotional turmoil and trauma, most of which isn’t even his own. And this is related to WHY he initially goes off on the diamonds, too. 

Because he goes off on them defending Pink Pearl. 

Steven had to relieve through so many of his mother’s memories of abuse, and her painful memories of regret regarding what happened to her best friend??? So to actually see Pink Pearl okay and looking like herself again was so important to him. He didn’t just go 'welcome back’ and pat her on the shoulder, HE HUGGED HER AND HELPED HER TO HER FEET. HE WAS IN TEARS. He walked her over to the CGs and said, “ You’re coming with us. ” 

LIKE. SHES BEEN SUBJECTED TO MENTAL AND PHYSICAL TORTURE FOR +8,000 YEARS??? GET HER AWAY FROM WHITE. And when White managed to regain her composure and what he was doing caught her attention, she asked him what he could possibly be doing taking her pearl? That’s when Nova went off. 

“ She was never yours. She was my mother’s best friend and you took her away and turned her into a puppet and used her as an emotional manipulation tactic to keep my mother under your thumb. 

You have kept her like this for thousands of years. It’s time she comes home with us so she can finally start to be herself again. Far away from you. 

Die Mad About It.” 

Boy put his foot down not just on that, but about his mom and why she left, and why he came here in the first place, that he needed White’s help. And everyone was in such shock and was so overwhelmed and lost because of what just happened that they listened to what he had to say and they did what he told them to! They didn’t know what else to do or how to move forward now that their worlds have been turned upside down! 

The night they got back to Earth, the diamonds had to hang around for a while because Steven and Connie are a mess and the CG’s have to take care of them before anything else happens. They have to get them checked out (thanks Dr.Maheswaran.) It was determined they were both in shock, but Connie wasn’t too badly injured. Steven, however, spent the night in the hospital due to blood-loss. He was in enough pain that he had to take it easy and mostly stick to staying in bed. It was fine, as he was majorly exhausted and slept like a rock. 

His nature as a demi-gem allowed him to heal faster, but the human half was still seriously damaged. He has to take painkillers and not be too physical for a while. He also has a sicknasty scar around his gem because it was ripped out so that’s Neat. When he uses his powers and his gem glows, you can really see the scarring. It looks something similar to what it looks like when his body comes into contact with destablizers. (He decides to wear bigger t-shirts from now on. He doesn’t want it to be exposed, and he doesn’t want his family to see it) 

Then, the next day was the big Bubble Bath. They were all up late, so the healing party happened the following afternoon. Once he was cleared, they checked him out of the hospital, and went straight to the fountain to meet up with the diamonds and finally cure corruption. The water from the fountain helped him heal more, too, so he was feeling better already. He loved meeting all these new friends and was so relieved it was all over. But after a few hours, as it usually is at parties, he just kept talking to so many people and getting distracted and, god, he just couldn’t leave. 

Yanno? You just keep trying to leave a party but someone or something keeps sucking you back in. All the people there. How loud they all are. Using his voice becomes exhausting. Thinking becomes exhausting. People talking to him becomes like nails on the chalkboard? Suddenly, everything is so irritating and blurry and painful and so, so loud he feels like he’s going crazy. And when he finally has a quiet moment to himself to be mindful of his own state he’s like, “Oh. I’m having an anxiety attack in slow motion and probably experiencing sensory overload. Cool.” 

He’s so mentally overwhelmed and burnt out that he just felt himself having a meltdown at ¼th the speed and knew it would speed up or blow up if he didn’t leave. They had to take him home and he just went to bed. From that day on, for another week or two, Steven is under the constant watch of the Crystal Gems and doted on. He didn’t particularly mind some affection, because he was just so relieved to be home. To be safe. To be alive. Understandably, his family and friends were worried, of course they were. How could they not be, with the state he was in after that fight? 

He looked like a dead boy walking, clothes and limbs absolutely bloody. They hadn’t the slightest clue what happened after White Diamond took control of them, and they could only look to Steven for answers. Steven always told them he doesn’t really remember what happened, which is only partially true, and they say that since then, he hasn’t seemed like himself. They say that in the aftermath, that he acted strange and cold, that now he seems ‘far away’ and is too quiet. 

While that was true, it was only the case at a certain point because Steven found it harder and harder to be around them when they looked at him like he could die at any second and talked to him like they want to scrape the inside of his skull with a spoon. 

See, Nova is struggling with his emotions a lot more now, in terms of emotional detachment and his literal demi-god power showing through in his personality a bit more? He was BORN a fusion, but reflected his human half more than the gem half for so long because he wasn’t in touch with gem stuff for the first 10 years of this life. 

This is why he couldn’t use his powers for a long time. But NOW that he’s come so far and has seen his gem half for what it really is, seen himself for who he really is, it’s changed the cognition of the human half. So now that they're whole, the gem half and all the Diamond Powers are like, ‘Hello, I am here now. I am also you.’ 

And both halves are struggling to balance the whole self out again. This is why his Pink Power™ is more obvious from this point onward. It’s the “Light of his gem shining through”, as White Diamond put it. Now, Steven himself doesn’t know this, so he can’t put his finger on why it’s so hard to talk, why he feels distant, not only from his family, but his own feelings. 

He needs time alone to work through them, to try and understand what exactly happened, and why he’s feeling so odd. At times, he feels simply… indifferent to everything, some kind of numb. But there is another uncommon feeling that frightens him more; Anger, it rises within him frequently, so much so that he almost feels bad about it when it does. He was never one to feel this way so easily before. 

Not to say he doesn’t have things to be angry about, to be emotional about. He’s angry because wasn’t even allowed to leave the house by himself for a whole week. He hadn’t seen Connie since they got back, and it seems that he could never get enough time with his father, the only other person who being around would make it easier to breathe. Every conversation with the gems eventually leads to being about what’s wrong, the questions Steven couldn’t answer, that he doesn’t want to answer. It’s hard to express this when they’re each being their own ways of overbearing about his well-being, and his anxiety is off the charts. 

The question of the Diamonds and what they were going to do, how they were going to continue, looms over him. It’s such a source of his stress that he has as much trouble falling asleep as he does staying asleep the whole night through. He has to know what’s happening. What they’re doing. He couldn’t just leave them be and expect things to not go back to how they were before. At times, he feels like he has to go back to Homeworld, but how could he? 

Especially if he told his family what happened to him? Steven knew that if he did, that they wouldn’t let him, and who knows what else would happen. Truthfully, he’s afraid they wouldn’t see or treat him the same anymore. He feels like he has to be okay as soon as possible so he can do what he feels needs to be done, but the longer this goes on the more he feels like he’s having a meltdown in slow motion. 

The peace he was hoping to have after going through such a harrowing time is yet again out of his reach… and it’s getting harder and harder to swallow his slowly boiling frustrations.

[andseperand]

thoughts

ive been sitting on this post for the better part of a year. i tried to read through it and make edits, but im going to have to post this as is. maybe ill be able to edit it someday. anyway, this is completely composed of spoilers.

tl;dr: i mostly wrote bitterness about “kung food,” “origins part 1,″ and “reflekta.”

these are my thoughts on what ive watched of the first season of miraculous ladybug (i have watched most of every episode except the last three).

i may be confused or misinformed on some points. some of this is not as serious as other parts, and the writing style is disjointed because i didnt write it all in one go. any links are formatted within brackets (as in [text]).

ordered by the order i initially watched (parts of) the episodes in and indicated by villain name somehow (english, korean, french, french translation, etc.).

stormy weather/climatika

why did alya just toss manon like that? she couldve hurt something just being thrown around with her tiny little bones and joints that lack any significant cushioning. not to mention that her neck is completely unsupported. safety, much?

the bubbler/le bulleur

so the record is fully functional but also survived getting smacked off a building on its edge? wow.

copycat/l’imposteur/the imposter

i get that alya is supposed to be that “go-getter” friend who pushes marinette to be brave, but honestly, if she had waited another minute for marinette to be more ready for making a phone call, this wouldve been less of a mess. yeah, i get the “pushing boundaries to build confidence,” but honestly we could have waited for marinette to stop stalking adrien, too.

i gotta say: marinette is truly fearless. my phone is so suspicious. i would not have the confidence to deliberately touch it with my face and risk contact with who knows what has been on it.

the “moral” or whatever of this episode is kind of unclear? steal someones phone and run into issues with security but then also somehow break into it and get what you want anyway? no, thats not okay. its not that funny that marinette legitimately stole someones phone, and she doesnt even get seriously reprimanded for this.

timebreaker/chronogirl

one of the most pressing questions i have for this episode is why no one thought of using pockets or a bag or something to hold this important watch. hand perspiration is pretty bad for a lot of older and newer mechanical objects alike. why is this clearly-important item treated any different? ive considered both the “tikki is in the bag” (doesnt mean it has to be marinettes bag) and the “girl pockets” (marinette designed her own clothes, though) possibilities, and im still stumped.

mister/monsieur/mr./m. pigeon

how did chloe know what the colors were or even what the embroidery pattern looked like from a pencil sketch? it looked like chicken scratch.

lady wifi

im not sure that “dont violate other peoples privacy” was very well stated, seeing as alya was landed with an unfairly harsh punishment due to corrupt politicians. and how did that get resolved, anyway? was she still suspended? was there even supposed to be a moral in this mess?

the pharaoh/le pharaon

the villain is a pharaoh, continuing the ages-long trend of pretending ancient egyptian culture is just ~so interesting~ and that its portrayal isnt exploitative at all. i cant really say much about this, but i dont like those special ancient egypt episodes of anything.

rogercop

a mess

im pretty sure that this was to save animation budget or something, but why was marinette picking up those croissants off the floor and arranging them so nicely as if it really mattered what she did with them besides cleaning up the spill? i guess ill let it slide if shes trained that way as an advertising thing (though advertising doesnt get a free pass by default just because its strange).

the evillustrator/evil artist/le dessinateur

off topic, but could that tablet also erase or create living beings?

dark cupid/le dislocoeur/heartbreaker

this was still technically a kiss without consent? doesnt really feel all that romantic and whatnot. i cant really get behind this as shipping material.

horrificator

side note: i really liked how chloes english voice actor delivered the lines mockingly announcing mylenes “award” in the beginning.

im not a fan of the “you must kiss as part of acting” plot point. it always gives off those peer pressure vibes from other people and opportunistic vibes from main characters who want to actually kiss the other person.

darkblade/le chevalier noir/the black knight

sabrina is honestly super lucky that marinette made her box have a hole big enough for super tiny animated character wrists or else she wouldve been in a world of more pain.

alya had a platform? im so confused about how this election worked. did they do ballots or some sort of “heads down” in-class vote thing?

the/le mime

seeing as people dont lose their memories of being attacked by the villains, i really dont see how tearing down the eiffel tower (even in an animated show where people are not in the structure at the time) is the best way to minimize traumatic experiences. i get that it was supposed to be a “wow” moment for the plot and just visual effects but not the appeal.

kung food

the second i ever laid my eyes on this name i knew it would be bad, i just didnt know how bad because there were just so many ways it couldve gone with that phrase and i didnt know what to expect until i actually watched the episode. more on this in a bit.

there was literally no point to having the famous chef be related to marinette other than contrived circumstances to get adrien into this episode. im using this as a launching off point for talk of other stuff.

why didnt marinettes parents do anything about a relative coming to their house? this really baffles me because they have their daughter meet an effective stranger with no help.

why didnt marinettes parents tell her what languages the relative spoke? honestly, it kind of seems like they just didnt even care if this would cause her extreme anxiety or anything. you would really think they would have at least discussed this as a family because it was made pretty clear that his visit was actually expected. i thought way higher of their characters until it seemed that they pulled this crap move.

i know it was supposed to be all cute and a bonding moment when adrien came over to translate, but it was even more of a disaster. why did they take a car literally around the corner to get to the hotel? why didnt the chef go directly to the hotel if it was so close? was that adriens car? who was in charge of organizing this event and making sure the contestants didnt end up in the wrong place? how in the world did the chef even get to the bakery? because of the close proximity of the hotel to the bakery, it doesnt make sense that he would go to the bakery instead from an airport or something? unless he was supposed to meet his relatives? which, in this case, was not facilitated at all? so many questions are raised.

i dont speak nor understand mandarin, but im pretty sure adriens wasnt good enough for him to actually be complimented for it. then again, its nothing new to see white people getting complimented for deigning to learn a ~foreign language~ while i get interrogated about my lack of “authenticity” for not speaking “my native tongue,” so i guess the writers were just being realistic.

he bowed...funny story, at least one time i went to a restaurant with other visibly asian people and the apparently-white waiter kept making this weird head bobbing motion every time they left the table and what im saying here is that i know adrien has presumably been learning about culture stuff, but i also know firsthand that creators really love to shove bowing into media whenever asian people show up. (that waiter did give us extra mints, so i guess that was nice.)

sarcasm alert: i love when ~asian~ people have ~asian~ accents. its not like this is a tired gimmick that i dont need to see literally everywhere i turn (oh, wait! according to the english version, it is! hooray for me! this is probably the most exciting thing that has ever happened to me ever! im not being sarcastic at all! or overly sarcastic to the point where im sarcastically putting in that everything ive written in this paragraph is sarcastic because im just so mad! or maybe it definitely is! it probably is all sarcasm!) [bonus sarcasm here]

the chefs english/default dub language fluency was either inconsistent or this was just a straight-up rude portrayal of a nonnative speaker of a language, because adrien didnt seem to wait five seconds (for the chef to even consider the question about what he was cooking) before talking to the chef (and naturally, being a polite person, the chef listened to what adrien was saying), and i feel like it was only for the sake of adrien being ~useful~ because right after that, he talks to the chef in english/whatever language? dont think i didnt notice that his english speaking got “better” after becoming a villain. you know, if they hadnt faked the accent in the first place, they wouldnt have had to hastily cover for the fact that their voice actor couldnt even execute it well.

im sure adrien and marinette tag-teaming to argue with chloe and her racist comments was supposed to be this whole “wow look at that team” deal, but it felt like adrien was shoehorned into this mess sloppily. woohoo for the white boy defending marinette because she cant do it herself or something! i do appreciate when white people help stand up for me, but in this context, it feels off.

i have such a big problem with the “pep talk” adrien gives marinette when she thinks the chef doesnt like her. first thing, white boy explaining things about a person of color to a person of color, and the two people are actually literally related? i think the bouquet misunderstanding was really bizarre, and when did adrien have time to gain all this extensive exposition? the interview when they first arrived was short, and i dont think that both adrien and the chef would be so rude as to exclude marinette from their conversation in the car on the way over. this just comes off as a way to have adrien ~encouraging~ marinette, and its not a very good one.

this supposedly super prestigious competition literally has no security to make sure no one is mucking around behind the scenes, let alone ensure that the contestants arent up to any funny business. because why not. and no cameras around either, because cooking-based television programs never show any cooking, just the tasting and subsequent subjugation by a villain (this is a sarcastic sentence). even if this is supposed to be a featured dish and thus one they dont want to showcase the recipe behind, they could still have those little soundbites interspersed with candid panorama shots (can you tell i have no idea what any of these words mean?). im just going to have to chalk this one up to animation budget and move on.

i know this was just a sort of (intendedly funny) visual thing, but i highly doubt that the objects chloe put in the soup could just go unnoticed, especially since i presume a chef would thoroughly stir (and taste) their cooking, and the soup didnt appear to have properties of decomposing things touching it. otherwise that tasting session would probably have turned out a little messier (i am completely kidding here).

why is the chef being upset about being sabotaged made into a ~cultural~ thing? why is a white boy telling marinette about her ~own~ culture? sheesh, its like you cant just be upset because your shot at a world title was ruined on live television and you have confirmation that you were deliberately sabotaged. yes, chloe did it because shes petty and racist, but the results of her actions could upset anyone! its not just because the chef is chinese! what is the point of saying that? its a pointless throwaway comment! why dont you just find some other way to get the chef alone so he can be become a villain that isnt a) nonsensical and b) making sweeping generalizations about people? (granted, i cant speak to the validity of anything said about cultures, but i sure can comment on why saying such things about them isnt okay regardless).

“kung food” oh my god. this is such a piece of crap name. it is racist. you can literally try to argue against this until youve gone far beyond oxygen deprivation and in a grave but itll still be racist by the time youre done. aside from the pharaoh, there arent a bunch of ~ethnic~ names (not that it would be okay for that to be the case anyway) running around, and yet we get one with this specific villain whose ethnic and national origin is talked to death? okay.

and ive seen this pointed out, but the villain appearance seems to have a kind of anime-inspired design, which is honestly a good laugh because who was just talking about not conflating china and japan again? weeaboos and sinaboos are often in the same boat.

okay, not related, but adrien just had to taste a suspicious substance off the floor. why. there are so many ways to figure out what a substance is before putting it in your mouth. or you could just not do that at all. before this point, they did not appear to suspect a food-related villain, so this couldve ended badly.

another side note: i dont know how that receipt retained its integrity long enough for ladybug to wrap the villain up after dipping it in the soup. do the magical items just have super special properties like extra toughness that allows them to defy the reality of paper receipts? i wonder how many of the things ive talked about in this post have been me marveling at the sturdiness of lucky charm items.

of course this turns into an ~accountability~ lesson for marinette. and chloe doesnt get reprimanded? yeah, she got booted off a panel she didnt even want to be on and no one actually clearly articulated to her that the things she said were absolutely unacceptable? then again, this is a “diversity episode,” so i dont know why my standards are so high.

wow, marinette really needed to have adrien encourage her before going to take a picture with her great-uncle? im going to be generous and allow that she wanted to make sure he would be okay with her ditching him for her much cooler great-uncle because she didnt want him to feel bad about how not-cool he is in comparison. there, you see what i mean about making up story elements? (though im really not much of a writer, oops.)

im so over people making fun of how others dress as a joke. before i realized that i am autistic and reflected back on my life, i didnt realize that i gravitate toward clothing i find comfortable rather than fashionable, and ive always gotten negative comments, ill-intended or otherwise. so i really didnt appreciate marinettes jab at chloe, even if it was to defend herself. it was just unnecessary.

i want to talk about the whole ~chinese representation~ thing in this show. yeah, i know marinette is one of the very few chinese and mixed main characters out there (and there are barely any that are both), but im going to be super honest about this: i dont think shes all that great. i am a big fan of her and this show, but that doesnt make it infallible. the fact that adrien of all people is telling her about her own culture is a huge failing in itself. i dont know everything about my own cultures, but its not cool to have a literal outsider being shown to be the expert on someones culture and be the one to guide them through that. theres barely any portrayal of sino stuff in the show as is, and i hate the way this is only shown as a kind of special episode topic. i would be way more fine with this if this wasnt basically the sole instance of discussion of marinettes heritage. and no, the fact that her mother wears stereotypical clothing doesnt count. at all.

okay, this has been a huge issue for me before and after this point, but it was in this episode that it was made abundantly clear just what we are dealing with. i know that it is completely possible, genetically speaking, for a mixed chinese and white person to have blue eyes. its also completely possible for a chinese person to have gray eyes even without being mixed (i say this because i dont know if her mother is monoracial). however, if you only have two confirmed recurring characters of chinese descent, and their eye colors are ~special~ colors...well, thats kind of iffy there. why is it that the minor chinese character has stereotypical eyes? theyre basically just expanded pupils for all intents and purposes, which is not the problem, because its possible to have irises that are so dark as to make figuring out whether they have a distinguishable brown tint to them really hard. anyway, i suppose i dont want to talk about things ahead in the season, but why is it that the background asian characters get the stereotypical eyes but the main characters who are asian get the special eye colors? (that was a rhetorical question. i know exactly why.)

im pretty that at some point in the creation of this villain name, someone patted themself on the back for being so ~clever~ like “haha kung food geddit? its like kung fu but with food because im actually not that creative and more racist than i would like to openly admit.” okay, i know im being a bit harsh. but its really annoying when one of the few things people “know” about sino people is that kung fu exists. and honestly, i kind of suspected this, but ive seen other people say that the villain more resembles a villain from anime, so...thats kind of disrespectful there...

the/le gamer

i really disliked marinettes combo move names. they all had ~asian~ words like lotus, jade, oriental, etc.

animan

i find the sniffing scene to be kind of creepy. personal space much?

the city has really high quality buses. i cant believe the bus didnt end up backfiring on their plan because if i know anything about buses its that the ones ive seen are probably way older and more decrepit than me.

antibug

how do the earrings work in this setting? as far as i can tell, it would make sense for chloe to have pierced ears and a pair of ladybug imitation earrings that she could put it, but how is it possible that ladybug was able to just pull the earrings off? because that could be a really, really messy situation if they are actually piercings with backings and everything, but is there an explanation for this? magnets, clips, anything?

the puppeteer/le marionnettiste

can that glowing bright red effect that comes from her yo-yo and the power cord being swung around just for the viewers, or can it actually be seen in-universe? or is that a null point because both items are generated by ladybugs magic?

reflekta

this show really didnt need any “haha look a ~guy~ in a dress” jokes. and honestly, this was ill handled (though arguably, its very existence was ill handled). first of all, im not the best judge of this kind of thing, but to me, ladybug felt out of character while mocking chat noir? honestly, marinette doesnt strike me as the type of person to find that kind of situation funny in the first place, so the premise doesnt really hold up in my opinion. i know marinette can make mistakes, but youd really think she would be more open to not thinking this way because she knows what its like to be bullied for other things. moving on... [though, to reiterate]

the way this was not addressed? at all? yeah, ladybug apologized for that one comment at the beginning of their conversation, but then she continued to make jokes at chat noirs expense, and it just wasnt as funny as it was probably intended to be?

i know the whole thing about ambiguous chronology, but there is no reason ladybug wouldnt take chat noirs opinion into account when planning for things anyway. it felt like that part was written specifically so he could “prove” his worth to the rest of the episode and ensure that, yes, he is still allowed to be in it after being turned into a reflekta lookalike, and the whole thing smacks of trying to write out of a corner...that was written into in the first place. if it hadnt gone the route it did with the mocking of appearances, i dont think it would have had to be as convoluted as it ended up being.

i personally dont care for high heels, but i dont get the kind of “fashion cracks” that were being made about them. like yes, high heels can be hard to move in? yeah, it isnt fun being turned into the appearance of someone who isnt you against your will? i just dont understand this gag.

guitar villain

did ladybug really honestly just full-on spray someone in the face with the contents of an aerosol can? im aware that the point was that the hair was in front of his face, but what if some had gotten into guitar villains eyes? dang, what if someone tries to emulate this in real life? ouch.

digital/numeric

kind of done with the spotlight on stalking behavior this show has.

marinette still shows no fear of suspicious screens. she continues to use parts of her face to touch one multiple times, never mind that she literally flings her yoyo all over the place.

stoneheart/coeur de pierre i

did marinette have pierced ears in the first place? shes not shown taking any earrings out, and we dont get that clear a view of her earlobes anyway. that might be deliberate for modeling budget and all.

master fu has brown eyes. so thats like four ~chinese~ characters that are in this show, and the main character and her mother have the special eye colors, and the minor character who is somewhat important to the plotline has non-black eyes, and the minor one-episode character has the black eyes. what a shining example of diversity (no).

anyway this is a good point to say that some things are just not for you. there are things that you just cant be a part of no matter how much you want to be because it just doesnt work that way. and the mess that is the miraculous “mythology” is definitely an example of this. i myself have very little knowledge of anything sino, but i sure as heck can spot that this...”history” thing is so off.

at this point i should probably mention i really dislike master fu as a character in general. just as a single point, apparently hes based off the teacher character in karate kid? i saw somewhere that the creator said he basically made marinette mixed because he was dating an asian person when he was thinking about the show and that marinette is basically his idea of their mixed kid? and back to the eye color thing (again), ive even seen someone with green eyes and blue hair suggest to him that they could be the child of marinette and adrien, and he said theyre like his grandchild? (im not really inclined to try to dig up an iron-clad, indisputably genuine source for this right now, but if youre honestly searching for completely serious, well-researched information in a really good quality post, this is not the post you are looking for.) i have no idea where i was even going with this paragraph.

stoneheart/coeur de pierre ii

why is marinette so invested in her crush on adrien? this couldve been a sweet crush, but no, she has to make it so creepy? leading up to this episode, i really didnt know what to expect because i really thought there would be some sort of explanation for just how extreme the lengths marinette goes to are, but from what i can tell, shes just being super invasive? the ambiguous timeline doesnt really help with this, nor does the fact that the origins episodes were aired at the end of the season. whatever characterization was supposed to be inferred from this feels choppy and unnecessary.

simon says/jackady/jacques a dit

i dont really blame her, but ladybug totally could have reduced the level of adrien distractedness going on here. shes previously shown signs of compartmentalizing ladybug and even having to face the fact that it isnt worth using up her power over adrien, but gosh golly, what gives?

princess/princesse fragrance

ive seen criticisms of how ladybug was written to be overly competent in this episode, which i think is fair since it keeps happening, and its so late in the season by this point that its gotten tired.

volpina

i try not to be too judgmental, but frankly, adrien is not that great of a prize.

anyway, from what i can tell about this episode, i think that there was too much on marinettes flaws, which i really think is a bit much to have in the last chronological episode of a season. its already been established that she makes mistakes with her decisions, but i just thought her unequal prioritization of adrien was too much. it just seemed contrived to squeeze in scenes that the creators wanted to animate regardless of overall context in the show, which is really unfortunate because of how the show becomes a little less chronologically ambiguous at this point.

[douchebagbrainwaves]

SILICON VALLEY

If you're sure of the general area you want to start a startup. In fact, that's a good sign. Taking on the educational bureaucracy is another. As with an actual gold mine, you still have the kid flake reflex. They have no function for their form to follow. I was 30 and Robert Morris was 29, so we'd seen enough to know you can't do it and the adults will probably let you off. Most employees' work is tangled together.

And this is why so many of the best programmers are libertarians. For the same reason they pull the legs off spiders. When we were given a test on the book, I noticed that I felt like an explorer witnessing some bizarre tribal ritual. In most places, if you want to come up with organic startup ideas, I'd encourage you to focus more on marketing? The computer itself was cheap, and it used cheap, off-the-shelf peripherals like a cassette tape recorder for data storage and a TV as a monitor. They're each only a great university short of becoming a silicon valley, if they could find one who was good enough. This a helps them pick the right startups, and b Microsoft's agenda consisted of stuff they weren't good at. In fact, most people do work in which problems are presented to you and you have to keep them separate: you have to work at something till you make enough not to have to go back and give my thirteen year old self some advice, the main thing we care about is the one where we ask what cool things you've made. Apparently voters were afraid to say they planned to vote against him, lest their motives be perhaps correctly suspected.

The reason you're overlooking them is the same as the cause of the problem. But there is no reward for putting in a good position to compare the two companies. Few if any colleges have classes about startups. Life at that age, I valued freedom most of all. One is that individual rowers don't see any result from working harder. Finding work you love; it must be, but going through it made me realize that the determination required was still understated. Belonging to such a group becomes part of your identity: name, age, role, institution. But they ended up happy. If I spend several hours a day reading and writing email, that would be motivation enough. San Francisco, or Boston, or New York, Los Angeles, lost an election for governor of California despite a comfortable lead in the polls. In 2004 it was ridiculous that Harvard undergrads were still using a Facebook printed on paper. It would have taken a deliberate lie to say otherwise.

But you can't get very far by trading things directly with the people who know the subject from experience, but that dramatic peaks can only be achieved by people with certain rare, innate qualities; nearly anyone can learn to be a novelist, are you producing? Those turn out to have been nerds in high school. By far the biggest influence on investors' opinions of a startup happens before they want that kind of thing for fun. Anything that gets you those 10,000 users is ipso facto good. Teenage apprentices in the Renaissance seem to have been the beneficiary of one of the most successful startups, or they'll be out of business. The theory that led to the stealth plane was developed by a Soviet mathematician. At Viaweb one of our teachers overheard a group of a thousand people, the most powerful motivator is not the defining quality of work, like acting or writing books, you can't be pointed off to the side and hope to succeed. That doesn't sound especially admirable. Remove them and most people have no idea what our average returns might be, and to want to be popular, and to want to be popular, certainly, but odds are it's not just because you're bad at marketing. When you try to guess where your program is slow, and memories and disks were tiny.

But I wouldn't be surprised if the failure rate weren't high. It's not the kind of things that matter in the real world, it's generally for some common purpose, and the inexorable progress of hardware would solve your problems. How would you live? Realizing it does more than make you feel a little better about forgetting, though. But Occam's razor suggests the truth is less flattering. The partner who turned them down now says that may turn out to have been cheerful and eager. Chance meetings play a role like the role relaxation plays in having ideas. But liking the idea of going on the medical equivalent of what lawyers call a fishing expedition, where you earn a premium for working fast. There is an irrational fear that no one minds if you have the destination in sight you'll be more likely to notice and complain. But beyond that they didn't want to have too much momentum in the wrong direction.

Adults, though, is thinking cheaply. And it's a skill you can learn faster what various kinds of work. One day, we'd think of ourselves as the next Google and dream of buying islands; the next, we'd be pondering how to let our loved ones know of our utter failure; and on and on. Above all else, above academic credentials and even the idea you apply with, we look for. They may represent one of those ideas that's like an irresistible force meeting an immovable object. In addition to the usual clauses about owning your ideas, you also can't be a founder of a YC-funded startup a week before beat out a Boston VC who had known him for years. The use of the term recitation for sections in some colleges is a fossil of this. Ultimately power rests with the founders. All products should be considered experiments, and those draw in more startups through acquisitions. Nearly all the people who need them. We had no such confidence. But it's an important technicality, because it requires their developers to do work worth about $3 million a year seems high to some people, it will help to understand what it is.

San Francisco and Berkeley are great, but 95% of the time you'll find the person instinctively thinks the idea will be a great thing—so great that people in 100 years will still be waiting for them if they need it. In industrialized countries, people belong to one institution or another at least until their twenties. If a successful startup usually has three phases: There's an initial period of slow or no growth while the startup tries to figure out what it's doing. That was the kind of things they say to one another. So there are more founder-type people there. And the bigger the pipe to the server, the less you need the desktop. So by protecting their kids from risk, parents are, without the owners even knowing it, nth-degree imitations of the attitudes of people who've done great things. One of Silicon Valley's biggest weaknesses. Surely that sort of thing all the time, and we can't be in a position to pick and choose among projects. They may represent one of those ideas that's like an irresistible force meeting an immovable object. A startup is a company designed to grow fast. Like Facebook.

The airport she asked Why is everyone smiling? And there was no way to opt out of the system, they tend to do it, run out of money, and have to start treading water yourself or sink. I think you should make users the test, just as acquirers do. This doesn't bother me. After a while, drugs have their own momentum. What you're really doing when you start a startup. In most places the atmosphere pulls you back toward the mean. At one extreme is the day job, where you work regular hours at one job to make money. But I don't think they were traumatized by the experience.

Thanks to Harj Taggar, Paul Buchheit, Trevor Blackwell, Jessica Livingston, and Peter Norvig for the lulz.

[feministangertranslator]

Stormy Daniels rocks and makes me feel better about being sexually assaulted on my birthday during the rise of #metoo.

I haven’t posted anything here in a while because frankly, I was sexually assaulted and had to deal with it first privately before continuing on here. I am finally inspired and ready to write about it because it is Sexual Assault Awareness Month, and I just saw the brilliant Stormy Daniels and Michael Avenatti make history on The View; I am ecstatic that this revolution is being televised. 

The dissemination of the current wave of feminism to the masses (which includes #metoo, domestic violence, and sex-positive awareness) and the true signs of the crumbling of the Trump administration both happened in an interview with a female adult film actress on a daytime TV show targeted at women. I almost can’t believe my eyes. As a lawyer, I don’t think Daniels and Avenatti would be up there if they didn’t have some juicy, solid evidence and dirt on Trump, so I am extremely hopeful and waiting with bated breath for the next installment.  

As far as the assault I experienced, I had to deal with the shock, shame, confusion, and invalidation I felt after it happened, devastatingly on my birthday on December 16, 2017. I had been talking about feminism and #metoo 24/7 and felt so blindsided and stupid for something like that to happen to me. I didn’t know how to continue writing here openly and it felt like my little passion project had ended before I even got started. The assault was part of a series of events that led me down into a deep depression that came out of a feeling of hopelessness and powerlessness, out of which I am amazed and thrilled to have come to the other side better than before.

I knew I had a right and duty to myself to take my time with moving through it. However, I started this blog specifically to raise awareness about sexual assault and felt so much internal pressure to keep it going and felt like a failure for 1) “letting myself” be sexually assaulted and 2) not bouncing back right away and 3) being so affected by it since it may look to others like it was “not that bad.” And even though I know better, some part of me inside blamed myself. I was so frustrated and angry, let alone found it incredibly embarrassing and ironic to be sexually assaulted in the literal pinnacle of sexual assault awareness two months after the #metoo movement exploded. I was actually shocked that these guys hadn’t got the memo, to be honest. 

Today, I know something special happened to me, women, and our entire society when I watched Daniels on The View. She talked to women in a way they could understand. She detailed the incident where she was allegedly threatened by someone in regards to Trump. She talks about going to mommy and me yoga in broad daylight to a women’s center, a supposedly safe place. She was with her little baby and had a baby toy in her mouth while getting ready to get her baby out of the car when an attractive, professionally dressed and middle-class appearing man came up to her car, and threatened her life if she didn’t stop talking about Trump.

Daniels knew how to talk to women about what it is like to fear for their own and their family’s life and safety because of threats, intimidation, and bullying from men. Daniels and Avenatti clearly know that women face domestic violence and sexual assault all the time and are using this opportunity to educate them. And on a daytime tv show for women, the fear, shock, and paralysis she felt were what she needed to illustrate to get the point across that what is happening to her is, in fact, true, despite her not acting before, and not acceptable and needs to be brought to light and stopped. Both the alleged actions of Trump, and those of other people in power who use intimidation, violence, and sex as a way to control others. This includes boyfriends, partners, husbands, friends, employers, etc. 

I am so tired of the misinformation that something physical or major has to occur for someone to be emotionally scarred, traumatized, or changed and silenced and made to feel powerless because of it; that only harm is done if someone is physically touched, or attacked; that rape is about sex and sexual attraction only; that sexual assault must include violence; that stranger rape is what it is like in “Law and Order” and more common than being raped by a family member or friend; that everyone can easily tell whether someone wants sexual contact without giving express consent so consent isn’t needed; that a rape has to be very “obviously” perpetrated to be believed, if even then; and that powerful and beloved figures in pop culture are somehow incapable of sexually violating women.

The truth is, and people who wish to control another know this: intimidation, words, harassment, and threats of violence or harm are enough to make someone feel powerless and affect their behavior without any major action to follow it. And in that same vein, one does not have to be “raped” to experience the same awful feelings of violation and powerlessness; any nonconsensual sexual contact is a sexual assault and enough to profoundly affect someone.   Because I am a lawyer and a writer, I always look to words to guide me. According to California Criminal law, found at https://codes.findlaw.com/ca/penal-code/pen-sect-243-4.html, “sexual battery” is essentially any unconsented-to sexual contact that it meant to sexually gratify the assailant or abuse the victim, and “rape” is when such forcible contact includes “intercourse.” There are a lot more details, but I think this is the important gist to remember. Our bodies and personal space are sacred and it is a crime for someone to infringe upon that. 

I had to remind myself of this when it happened to me. Not much “physically” happened; however, because the assault surprised me and came out of the blue, it felt like my safety was shattered, my personhood was violated in an instant, and I didn’t have a right to be free to act and feel safe, it affected me profoundly in every aspect of my life - just like all the other violations had. I felt the need to put up my self-protective walls again and chastised myself for letting them down and letting loose and having fun in the first place. 

I was at a dance club with my friend and we accepted drinks from two guys. After we got to the dance floor, I started walking towards my friend as I was trying to get away from one who kept making advances that I turned down, and the other guy who was dancing with my friend suddenly grabbed me by the shoulders and pushed me into the crotch of the first guy, which totally shocked and scared the fucking shit out of me. I heard myself scream “no means no” from some protective part deep from within, and the two guys scuttled off like frightened cockroaches.

Even though I stood up for myself, I blamed myself for it happening in the first place; all the classic conditioning went through my head: was I too drunk, did I seem “easy and desperate?” Why did I give that guy a chance even though my gut said no at the beginning? Why didn’t I walk away the first time he made an advance? Did I feel obligated because he bought me a drink? Why did I give him the benefit of the doubt? Not only did I needlessly punish myself for something that wasn’t my fault no matter what the circumstances, but the fact that something inside intuitively had told me to run away, and I hadn’t listened to my inner instincts, I felt like I failed myself. 

I got really depressed and questioned my ability to feel safe, have fun, and be able to trust people and be sexual out in the world. It also happened around the time I was becoming aware of some toxic and unhealthy dynamics I had with some people in my life. That night, it felt like all of the world and everyone in it was unsafe and all my fear had all come to a horrifying explosive pinnacle at that moment. The fact that the one guys who did the physical touching wasn’t even the one I was interacting with, that it seemed like they acted in concert, without even speaking to each other with what appeared to bea seamless orchestration of moves, made me paranoid and obsess over it: did they plan this or are they so indoctrinated in rape culture and entitlement that they just acted like this instinctively and confidently? 

This bizarre moment felt like the explosion of rape culture socialization of men meeting with my maladaptive coping skills from prior abuse to create the perfect storm. I thought I could take care of myself, and since I was not doing anything too provocative, and being friendly, and it being my birthday, that everything would be fine. And I know it’s not my fault, but I know I had a spidey-sense about what was going to happen that I couldn’t articulate so I ignored it. That ignoring of my feminine intuition is my unconscious habit pattern ingrained in me that I am working earnestly to change. When I smell smoke, I have a delay in running away from the fire. This is absolutely because I have been socialized and trained to do it. I realized that my feeling unsafe with some of the people in my life was a sign that I needed to create a sense of safety, love, and self-care for myself, and I have. And to accept that the pushing down of my intuition is a result of the conditioning from prior abuse and know I am doing the best I can to empower myself; I can’t control everyone and everything.

When I expressed my experience or thoughts and feelings on this sexual assault to others, I saw that the world, including some of the women I have confided in, was still not ready to see and recognize sexual assault for what it is. And I still see us women blaming ourselves, and many doing business as usual by trying to walk it off and keep it in and keep quiet. Our society’s collective consciousness will awaken to what really is abuse and assault and how to put take the burden of preventing it off on women in stages, as led by those of us who already know this to be true, either through luck or personal experience. I am finally counting myself amongst the way showers. I can’t take it anymore; I want more people to see this and I am going to talk about it.

Seeing Daniels describe her alleged experience with the man threatening her to “stop talking about Trump” made me so ecstatic, as this is yet another piece of evidence of the sea change coming in empowering women to be able to recognize domestic violence and sexual assault when it happens to them. To have her on tv saying she is doing this to empower women to recognize this type of behavior is progress and I know her message will impact many women. We may not have been able to get Trump prosecuted for the multiple alleged sexual assaults, but his actions are now forever associated with the type of brutal behavior through her account and she is keeping the conversation going. This is genius.

Also, from a legal perspective, Daniels is an excellent witness; she is articulate, works well under enormous pressure, appears credible and put-together, is prepared and confident, doesn’t give conflicting details in retelling her story, does not hesitate on her answers, knows her audience and what to say to them and tell a story, and is appropriately vulnerable and honest on difficult matters. As a survivor, every fiber of my being resonated with what she said, and as a woman who wants to continue the sexual liberation of women, I am delighted it is an adult film star doing this amazing work. I am thrilled, validated, honored and excited to witness this today.

[viralhottopics]

After 5 Years Of Relying On Medication, I Can Finally Sleep

Its been a long time since Ive written anything. And while my intentions were to blog every fortnight, this post has been extremely tough to write. For once I found it quite difficult to articulate my feelings and experiences, because of the personal nature of what I’m about to tell you.

A few weeks ago, I found myself chatting to one of my new friends, who is also an amazing business coach and mentor. He asked me how things were going aside from business, how are you feeling, just in general?. I thought about it and said, did you know, this is the first time in five years that Ive been able to sleep without taking a pill?

Insomnia has been affecting my ability to sleep properly since late 2010. It was kicked off by a freak hockey ball to the head incident, which then transpired into mental health problems (thanks, brain). Around 1 in 3 people have or have had some degree of insomnia in their lives. For an unlucky few (like me) insomnia is/was chronic. If youre one of them and are reading this, know that its okay, there IS a way out.

Back in 2010 I got a wild smack to the forehead from a fast flying hockey ball, I was briefly knocked out and I opened my eyes not even realizing what had happened, but bizarrely, I was laughing! It wasnt until I felt the huge lump on my head that it suddenly hit me (hah, pun intended). Soon after this, I had developed intense trouble sleeping and experienced extreme headaches and photophobia.

In my traditional headstrong fashion I refused to go to the doctor, that was a bad decision. Months later things seemed to be getting worse in my head space. After seeing a bunch of specialists and getting an MRI and all that, it was concluded that I had Post Concussion Syndrome (a minor form of traumatic brain injury).

Because of this, my health took a drastic downward spiral. I was lethargic, had constant headaches, was depressed, irritated, and slightly delusional. The doctors prescribed me dozens of painkillers to cope. I was studying a BMA at the time, and working so I could afford to live out of home and life spun out of my control. The brain does crazy things when it experiences trauma, and for a long long time I was not myself.

I was enrolled in a national head injury study. They interviewed me about the events and my experiences, then they interviewed some of my friends and family. Every six months my reaction time and short-term memory were tested, as well as my mood and general quality of life. It took almost two years for me to get back to normal. I dont know why it was such a long time, perhaps some people are more susceptible to these kinds of things. A lot of people in my family battle with mental illnesses. But even when I was feeling better, I still had to rely on medication to sleep.

Luckily for me, my doctors had refused to give me traditional sleeping pills such as Zopiclone, because of their addictive qualities. That was fine by me, I never intended to be stuck taking pills before bed. But no matter how hard I tried, I couldnt survive without them. At first it was Amitriptyline, a drug in high doses used to treat depression, but I was on it for headaches and as a muscle relaxant.

Sometime after I finished my degree in late 2012, I changed doctors due to not having access to the medical center on campus. My new doctor tried to wean me off taking the medication, I was all in. But it just didnt work. I went back to him after slowly reducing my intake at his guidance and tried a few months without anything. In mid-2013 I had more responsibility with my job which added some stress, and without any pills before bed I was getting between 1 and 5 hours sleep a night. I got sick a lot, gained a lot of weight, my mood was unstable, and I was quickly becoming very unhappy.

So I went back to my doctor, I was attempting to tell him that I still havent been able to sleep but I sat there crying in his office because I was just so exhausted and frustrated. I just wanted sleep. He recommended putting me through a sleep study and to see a sleep therapist, but this wasnt subsidized and I wasnt financially able to pay for such expensive tests (startup wages, am I right?). So, I opted for the easier just for now option. We tried something new, Quetiapine, an antipsychotic drug which in high doses is used to treat people who are bipolar or schizophrenic. I didnt get a large dose, only small enough to help me sleep. But even then I woke up every morning with a drug hangover and it took me hours every day before I could feel completely awake.

I lived like this for a long time, always having to take a pill before bed. Sometimes that didnt even work. I vividly remember how I felt after a huge hike over NZs Tongariro Crossing and then the 2-hour drive home. I was so tired, so exhausted after that I could hardly eat. I was thinking surely, surely I am this tired I must be able to sleep. But then as soon as my head hit the pillow my mind became awake, overactive and as much as I tried, I couldnt settle it down. A few hours later I begrudgingly got up and gulped down that damn pill, desperate for the relief of sleep.

This is when I started researching sleeping techniques. Over the past year and a half I have tried everything; yoga, meditation, walks in the evening, less coffee, less sugar, evening protein, writing down to-do lists and thoughts in a journal beside my bed, sleep tea, calm tea, chamomile tea, peppermint tea, Chinese herbs, sleep drops, lavender under my pillow, hops under my pillow, sleep apps with meditation, hypnosis, screen dimmers, installing Flux on my computer, melatonin, no screens (mobile, TV, Computer) two hours before bed, non-fictional reading before bed, homeopathy just everything.

Sometimes it would help, Id feel sleepy, try to drift off, then all of a sudden my mind would wake, even though Id be so so physically tired. I didnt know it was possible to feel so exhausted and awake at the same time. So I would carry on using my little pills to sleep and feeling hungover in the morning. I hated it, I never truly felt awake in all that time. And if I ever went somewhere and forgot my pills Id always get restless nights with little or no sleep.

A lot of time went past, living like this. After deciding to leave Hamilton to travel, I ended up in Perth, Australia. By the time I got here my little box of magic sleeping pills from New Zealand had run out. I attempted fate once more and tried to cold turkey my way to sleep. It really wasnt working out for me. The smallest noise, a single thought, any slight disturbance would set me off and my mind would begin racing once more. No matter what I did, I just couldnt sleep. There is nothing worse or more hopeless than the feeling of wanting and needing sleep so badly but you just cant get there and you realize your own mind is the only barrier to falling asleep. I remember thinking, how hopeless am I that I cant even perform the simple human function of sleeping?.

The one good thing that came out of these few weeks was my deep inner search for a reason. I didnt feel like my head injury was the cause of not being able to sleep, it just seemed like some sort of instigator. Im not going to share the details, but what I realized was that I had become afraid of sleep, and everything else was just an excuse.

I ended up seeing a wonderful doctor here who prescribed me some medication to sleep again and referred me to a counselor who specialized in sleep therapy. I gladly took the medication and debated whether I was ready for a counselor. I wanted to overcome my insomnia on my own (I had only just started acknowledging that this is really what I had), but sometimes you cant do everything on your own, sometimes you need to accept that you need a bit of a helping hand. And this is what I did.

The first session with my counselor was amazing. She knew what had happened without me having to say much, she said it and I sat there and cried. I cried as years of pent up emotion and holding back just escaped from me and it was so relieving. Her theory was I had developed an unconscious fear of sleeping because I lose control over myself and have to give in to the environment around me. I didnt feel . Of course, I knew logically that I was safe, but there was a deep fear within me that I had never let go of, a blocked memory; trauma. It had nothing to do with my head injury, that was a catalyst, as well as some other events that happened between then and now.

And so started my road to recovery. I went to the counselor once a fortnight. We didnt just talk about sleeping, we talked about a lot and it was really nice. I finally found an app that helped ease me into the sleeping mind-frame, Pzizz. Every morning within half an hour of waking up I get at least an hour of exercise outside. If not, I try to sit in the sun for 20 minutes or be active in some other way. I dont drink coffee after 3pm and limit myself to two a day (on bad days). I dont have much processed sugar, I write to-do lists every day in my diary so I dont lie in bed and think about everything I have to remember to do tomorrow. My bedroom has become an area for sleep every time I watch something on my laptop in bed it affects the amount and quality of sleep I get, so Ive stopped doing that.

Routines are also very important I do the same thing before bed every night. I also try to stick to the same hours, but Im still learning to sleep so I havent been using an alarm, just trying to slowly get back into the right rhythm. Right now I usually fall asleep between 12am, wake up at about 6, then go back to sleep until 9 or 10. Its not the pattern I love, and I still have many days where some nights are better than others, but Im getting there, Im improving and Im not giving up.

My mood has become better, my skin clearer, Im no longer getting sick every few weeks and my focus levels are at an all-time high. I still have a lot of work to do, but for the first time in over four years I can sleep without medication, and it feels so damn good.

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from After 5 Years Of Relying On Medication, I Can Finally Sleep