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kingwuko · 3 years

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Wuko in the Comics: Ruins of the Empire, Book 1 part 2

Welcome to my series of posts discussing Wuko in the Comics. In this post I'll continue to discuss RotE Book 1. There are some... interesting moments in the second half of this comic, including a very famous line that all but confirms canon Wuko.

Plot Summary

Fearing that Guan will use violence to stop the election, the Krew decides to bring Kuvira along with them to Gaoling, hoping that she can talk him down. When they come face-to-face with Guan, however, they discover he does not intend to use violence, but will run in Gaoling’s election. The Krew decides the best solution is to find another candidate with enough public support to defeat Guan fair and square; and they decide to ask Toph to run. It is revealed, however, that Guan does not intend to win fair and square. He’s planning to brainwash Gaoling’s citizens to vote for him.

Major Plot points in the second half of Book 1

We start off right away with the Sauna Scene. Everyone looks excellent. The ladies' sauna wear is lovely. Mako and Bolin have their classic swim suits seen in season 1. Wu is literally just wearing a towel. I found myself googling saunas and steam baths to see if it’s normal to wear swimsuits or just a towel, and everything I read said pretty much anything goes as long as you are comfortable, but I do find it interesting that everyone wears swimsuits except Wu. Maybe because he does steam baths more often and he’s just more comfortable in that setting? He seems pretty confident and not at all shy. I don’t have anything analytical to say about it, I just think it’s an interesting detail, that he doesn’t seem to have any hang-ups about being nearly naked around Mako his friends.

They are discussing Guan’s militaristic movement toward Gaoling, and tossing ideas around to handle the situation. Mako not-so-helpfully suggests using force with the united forces which Zhu Li shoots down right away, not wanting to escalate the situation. Wu agrees and wants to find a peaceful resolution. Korra, remembering her conversation with Kuvira, thinks she has the answer. She proposes bringing Kuvira along to Gaoling, which NOBODY is happy about. Asami is upset because she made it clear earlier she does not want to be in the same room as Kuvira, Bolin is distressed because Kuvira nearly had him killed when he defected from her inner circle, Mako points out that he nearly lost his arm taking down the mech, Zhu Li says she invaded republic city, Asami reminds everyone that Kuvira killed her father, and Wu boldly declares that we can’t forget she ruined his coronation… He quickly reads the room and apologises (character growth?).

Korra acknowledges everyone’s concerns and points out that she truly believes Kuvira can be an ally- she was their ally when Zaheer was trying to kill her and the airbenders; and when her spirit vine weapon ripped open a new portal to the spirit world, Kuvira thought she had died and Korra believes that changed her. Bolin points out that Kuvira is very persuasive and may have a good shot at convincing Guan to stand down. Everyone is convinced and declares their support for the plan.

Zhu Li orders Kuvira’s release and Korra brings her onto the airship taking them all to Gaoling. And, I’m sorry, this frame is like, the bitchiest collective look from Mako, Wu, Bolin and Pabu. I just love it.

They initially plan to restrain her, but decide it’s pointless when Kuvira points out if she wanted to escape that she would have already. They arrive at Gaoling and there’s no sign of Guan and his army. Kuvira is certain he’ll be there, and points out that she needs to change so she doesn’t meet with him looking like a prisoner.

Korra and Wu go to meet with the election candidates. Their portraits are on the wall and it’s revealed that the candidates are both elderly magistrates who have been working in the local government for a long time. They are practically indistinguishable from each other, which causes Korra concern. Wu isn’t happy about it either, he was hoping the elections would bring in new leaders to take the earth kingdom in a new direction. Instead, it looks like nothing will change in Gaoling or the rest of the earth kingdom if things play out the same way. They are both disappointed but Korra is optimistic that this is the first election and over things will improve as they iron out the political kinks

Back in the flying machine, they give Kuvira an outfit of Asami’s that is…. Like I can’t put it into words. I’ve never seen asami wear it and that is a shame. The word that comes to mind is “Dapper”. Like is we saw Asami wearing it when they first introduced her character literally everyone would have predicted Cannon Korrasami and immeadiately said “yup Asami’s gay straight women don’t dress like that”. Slacks, a collared long sleeve shirt, with a grey vest over top. Just like, amazing. I am so disappointed we never saw Asami wear this. Someone point me to a fanart of Asami in this outfit that canonically belongs to her please.

Guan arrives and Kuvira tries to talk to him, which goes about as well as you’d expect. So she tries to appeal directly to his troops and urges them to surrender, and they all say in unison “Hail Commander Guan!”. So Kuvira decides to challenge Guan and beats the crap out of him in a punch that looks like something directly out of a WWII propaganda poster or something.

Kuvira is literally about to kill him by bending the metal collar around his neck when suddenly Asami electrocutes her with some device she had hidden in the belt she gave Kuvira.

Once Mako and Bolin drag Kuvira away, Korra attempts to reason with Guan and tells him she won’t let him interfere with the election. Guan then reveals he has no intention of interfering- he plans on running in the election! He immediately turns in all the necessary paperwork to be on the ballot. He informs the Krew that soon, all the upcoming elections will have Earth Empire representatives running and once they have power in every territory, no one will question the Earth Empire's right to rule.

They reconvene back on the airship, where Kuvira is detained in the platinum box. They explain to Kuvira that she was wrong to provoke him, but right that he is an excellent strategist. Mako then tells Wu that he should just call off the election. Wu replies “Mako, you know I love you, but I’m trying to encourage democracy. I can’t just go around canceling elections because I don’t like one of the candidates. We need to see how this plays out”

…

Yes. “Mako, you know I love you”

…

We’ll discuss that at length in a bit.

They decide the best path forward is to find a new candidate who is popular enough to beat Guan. Korra excitedly suggests Toph. Which, like, wouldn’t have been the first person to come to mind for me, but I guess she’s the only person they know who is originally from Goaling? But everyone seems on board, except presumably Toph because she doesn't like to get involved in worldly affairs… So Korra announces they will just have to convince her!!

We then cut to Guan's encampment, where he is discussing Kuvira’s actions with a Doctor Sheng, observing that Kuvira just isn’t the same, and that the Avatar has corrupted her mind. The doctor suggests they “recalibrate” Kuvira’s mind and leads him into a structure where she shows him their latest “recruits'. We then see Goaling citizens tied up in chairs with devices on their heads. They are being brainwashed to vote for Guan! Yikes!

Mako and Wu Scenes

The Sauna scene

The meeting that took place in the sauna was at the behest of Wu. He said he was very stressed out so he couldn’t miss his steam bath. I know there are lots of jokes about Wu being high maintenance because he needs his spa days or whatever, but he is in a highly stressful situation right now and we know that self care is essential to maintain one’s mental health and in order to perform one’s job well. I think this was an interesting way to weave together his seemingly superficial hobbies with his new maturity and responsibility. I really loved this scene for that (though seeing all the hot people in sauna-wear is a bonus).

Also there is a recurring thing where Mako is just offering the worst advice to Korra. He wants the United Republic, a completely separate Nation from the Earth Kingdom, to just.. March into another country and ‘enforce’ their democratic process??? Like…. If you know anything about world history and current events we know that is awful and wouldn’t be received well and would be a recipe for political instability and long term conflict. Thank goodness everyone is like Mako no. I’m pointing this out because, as much as we think of Wu as being immature, irresponsible, whatever, the reality is that he has a level head while Mako is actually giving the irresponsible solutions here. It’s a really interesting evolution from the infamous Wu meltdown scene where Mako was the voice of reason, but here things have reversed.

Also, I want to point out the moment where Wu backs down after he adds his grievance to the list everyone is giving (She ruined my coordination!), it’s kind of played for laughs but like… Wu has a totally valid reason to be upset on par with everyone else, considering Kuvira had him drugged and kidnapped…. Why wouldn’t he have said that? Well, the simple and obvious answer is- the writers wanted to make a “Arson, Murder, and Jaywalking” joke. But since us fans like to give depths to the characters that they deserve, maybe Wu is genuinely traumatized and just doesn’t want to bring it up. And maybe everyone knows he’s traumatized and doesn't want to bring it up, because no one else is like “Wu, did you forget she had you drugged and kidnapped???” They just give him a look and he’s like “LOL oops sorry should have said my thing first!!” maybe Team Avatar understands that it was a really scary moment for him and they just let him shield himself with humor.

I know it isn’t isn’t exactly a strong Wuko moment, but the bitchy look that Moko, Bolin, Wu and Pabu give to Kuvira in the airship breathed life into me for some reason. I’m loving how they look like a group of mean girls who were just badmouthing Kuvira before she walked in. I think they were having a nice bonding moment before this.

Mako, you know I love you

Ok. So after Mako casually mentions just calling off the election, Wu flat out says “I love you” to Mako. This is a line us Wuko shippers just DIE for. The full line is as follows:

Mako: I say you call off the vote, at least for now. Make it impossible for Guan to win

Wu: Mako, you know I love you, but I’m trying to encourage democracy. I can’t just go around cancelling elections because I don’t like one of the candidates. We need to let this play out.

So. Like, what the heck are we supposed to make of this?

I’m not going to dig too deep and force my own interpretations and headcanons onto you. This I love you could mean a number of different things. I just want to pose some rhetorical questions about it and the context to give us all some things to think about.

Is Wu flirting? Does Mako actually know that Wu loves him? Is this an extension of Wu’s many other instances of flirting with complimenting Mako (on par with ‘my big tough guy” while staring at his ass)? Has Wu said “I love you” to Mako before? How many times has Wu said “Mako I love you” before? Is this evidence of them actually being in a romantic relationship during this comic? Or is it evidence of romantic tension building? Is Mako just totally oblivious to the fact that Wu said I love you? Or did he hear it and his brain blue-screened from the shock of being blatantly told I love you? Has Wu just gotten fed up that Mako seems oblivious to all his previous flirtations and he just decided to up the ante? Does Mako love Wu back?!

Lots of questions. Lots of interpretations. But (as far as I remember) Mako has only said I love you to two people- his brother and Korra (I don’t think he said I love you to Asami but I could be wrong). And if you’ve read this you know that Mako’s relationship with Wu is not brotherly. We’ve never heard “I love you” from Wu toward anyone else that I can recall so I don’t think he makes a habit of throwing the phrase around lightly. Also, worth noting: Literally no one reacts to the casual “I love you”. Everyone just goes on with the conversation at hand. The next frame that we see of Wu and Mako’s faces together, Mako is SMILING at Wu.

So like, he’s clearly not uncomfortable with being told that Wu loves him. And no one else is uncomfortable with it either. So what gives? Are they together? Are they flirting? Is everyone else just like “yup Wu said I love you Mako nothing out of the ordinary here because it’s painfully obvious Wu is into Mako, let's move on, nothing to see here”?

Wu and Korra

One thing I LOVE about these comics is the friendship between Korra and Wu. During the series, Korra tolerated Wu, warming up to him a bit at the very end when he told her his plan to abdicate. But through these comics there seems to be a comfortable familiarity between them. A bit of teasing, loads of moral support, and not a hint of her (or anyone) being super annoyed by him. He also doesn’t hit on her or anyone else except Mako, which is a very refreshing character growth because it was very tiresome to watch him objectify women in the animated series.

Korra and Wu spend a good amount of time together as she accompanies him to Gaoling’s city hall. They seem very comfortable with each other, comfortable enough that the writers included a fart joke.

Korra reassures Wu when he expresses worry about the election being pointless, she steps forward somewhat protectively when Guan shows up- the entire scene with Guan, Korra is standing between him and Wu.

Basically I bring this up because I genuinely love the idea that Korra and Wu are close and friendly, that they have moved on from his cringy behavior from the series (I like to think he apologized to both her and Asami?)

What this means for Wuko

If you are writing fic or just coming up with headcanon, there are two ways to look at the scenes. Either they are in a relationship, or they aren’t. You could easily just say they are in a relationship and are being quiet about it, because they aren’t ready to be fully public, or maybe because they are still figuring things out, or they are waiting for Wu to abdicate and move back to Republic City, etc. “You know I love you” is such an easy piece of canon content to make this your headcanon.

Likewise, one could say they are Not Together right now. Pre-relationship, if you will. Maybe they’ve danced around the idea, discussed feelings without actually getting together. Or maybe they are still clueless that there is a potential for a relationship. Wu might be putting out feelers to see how Mako responds to his flirtations. Mako might be wondering if he’s misinterpreting Wu’s affectionate touches and words. Lots of romantic tension, pining, each wondering if the other one has any feelings.

I also love the idea that Wu and Korra are friends and have discussed or will discuss Mako and Wu’s feelings for him.

So, in summary, Wu loves Mako. It’s canon. It’s right there in black and white. Make of it what you will!

Next post I will discuss Wuko in the first half of RotE Book 2. Wu goes on a life-changing field trip with Korra to meet Toph and confront a swamp-vision of his Late Great Aunt, while Mako gets captured and brainwashed by Guan. Wu and Mako are not together during these scenes but there will be lots of wonderful Wu backstory along with plenty of angst potential from the brainwashing storyline.

Wuko in Turf Wars

Wuko in RotE part 1

#Wuko #Wuko in the Comics #RotE #Mako #Prince Wu

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jadelotusflower · 3 years

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June 2021 Roundup

It's been a month of highs and lows. Every year my city holds a cabaret festival, and I've seen some truly amazing acts over the years - including Lea Salonga, Kristin Chenoweth, and Indina Menzel. This year's Artistic Director was the great Alan Cumming, and although due to covid he didn't quite get to curate the program he wanted to, the opening night Gala was still a highlight, as was Alan's DJ set at the pop-up Club Cumming afterwards, where there was much singing at the top of my lungs and dancing to pop anthems and theatre tunes. At one point Alan, dressed in a onesie and perched on the shoulders of a man wearing only sparkly short shorts, was carried around the dance floor while Circle of Life blared. Reader, I was delighted.

I was also able to see his solo show Alan Cumming Is Not Acting His Age, which was hilarious and damn, he can sing!

As for the low, I was meant to fly to Sydney for the weekend to see Hamilton, a trip I have been looking forward to for almost a year, but had to be cancelled because of a covid outbreak and border closures. The tickets have been rescheduled, but I'm still kind of bummed about it (while completely appreciating the need for covid safety, especially when our vaccine rollout has been completely botched by our incompetent, corrupt federal government)

Anyway.

Reading

The Hundred and One Dalmations (Dodie Smith) - With all the bewilderment over Disney's Cruella, I decided to revisit the original novel which I first read as a kid. It's funny, I had very vivid memories of this book, or rather thought I did, particularly the scene where Roger and Anita have dinner at Cruella's house that fixed in my young mind as utterly disturbing with all this devil imagery and the implication Cruella was literally some kind of demon, which must have been either a) my overactive imagination or b) an illustration, because it's not as clear as I thought it was. The strangeness is there (food with too much pepper, Cruella's inability to keep warm, the walls painted blood red) but not the explicit demon imagery I had remembered. There is a part later in the book recounting the history of Hell Hall and the rumors of Cruella's ancestor streaking out of the place conjuring blue lightening, but clearly child me was reading far more into the book than was on the page.

But I still wish they'd gone with this version of Cruella's backstory, because to me an aristocratic, ink-drinking, heat-obsessed, possibly-demon spawn, high camp villain is more interesting and rings far more true than plucky punk against the establishment.

Smith clearly had Facts About Dalmations to share, and she does really craft a wonderful animal-based story that the Disney animated film is largely faithful to. Key differences include: Roger's occupation (he doesn't have to pay tax because he wiped out government debt somehow?!?), Pongo's mate and the puppy's mother is called Missis, Perdita is another dalmation who acts as a kind of doggie wet nurse, Roger and Anita both have Nannies who come to live with them (Nanny Butler and Nanny Cook), Cruella is married to a furrier (who changed his last name to de Vil). Also odd, on her first description Cruella is described as having "dark skin" but later in the novel her "white face" is mentioned, so I'm chalking it up to 50's descriptors not having the same meanings they do today.

The Duke and I (Julia Quinn) - After being just whelmed by the tv series, I wasn't really planning on reading the books, but I saw this on the top picks shelf at the library and damn, the top picks shelf is irresistible. This is very much Daphne's book (and I had known each in the series dealt with the different sibling) so many of the characters and much of the plot of the show is absent, as are some of the more baffling elements of the show like the Diamond of the First Water nonsense, which I always thought was a strange character choice in that it stacks the deck for Daphne when her character arc is better served as somewhat of an underdog (in her third season, the kind of girl who is liked but not adored), and the Prince subplot which was always far too OTT even for soapy regency romance.

It's a breezy, fun read (that scene excepted), even if the misunderstandings are contrived and I'm never going to take "I'll never have kids because I hate my dad" as a credible romantic obstacle deserving of so much angst.

Faeries (Brian Froud and Alan Lee) - A lovingly detailed and illustrated compendium of Faerie and its inhabitants, drawing from a range of European (but primarily Celtic) folklore and mythology. Froud was a conceptual designer on The Dark Crystal and Labyrinth, and the link is clear in the art as well as the focus on faeries as mysterious but oftimes sinister beings, where human encounters with them rarely end well. Lee has illustrated several publications of Tolkien's novels, and was a lead concept artists for Peter Jackson's Lord of the Rings and Hobbit trilogies, and there is a touch of Middle Earth here as well, or rather the common inspiration of the old world. A useful resource for my novel!

Watching

The Handmaid's Tale (season 4, episodes 4-8) SPOILERS - So when I last wrote about this show in the Roundup, I was complaining it wasn't going anywhere. Well, I'm happy to be wrong because they finally changed things up with June finally escaping to Canada. That part of the plot following the survivors and their trauma has always been far more compelling than Gilead, and so it was a welcome development even if I side-eye some of the choices (none of these characters is seeing an actual licensed therapist why?).

This show has always been difficult to watch given the subject matter, and that has not changed after the shift in power dynamics. I will give the show credit for showing a broad range of trauma responses, from Moira wanting to move on and not let it consume her, to June, a ball of rage and revenge on a downward spiral, to Emily, trying to follow Moira's path but being drawn to June's, to Luke, trying his best but utterly unequipped to deal with what is happening.

But it is very hard to watch June go down this path - raping her husband (I concede the show perhaps didn't intend for it to be rape, but that's what is on screen and framing it as just "taking away Luke's agency" doesn't change that), wishing death on Serena's unborn child, and orchestrating Fred's brutal murder by particulation, then holding her own daughter still covered in his blood and it getting smeared on Nicole's face (an unsubtle metaphor in a series full of unsubtle metaphors).

There are interesting questions being asked of the viewer, and the show (perhaps rightly) not giving any answers. I can certainly appreciate the catharsis of Fred getting what he deserves even if I personally find the manner of it horrifying, but where is the line between justice and revenge, is revenge the only option when justice is denied, when does a trauma release become cyclical violence/abuse - the show is, for now, letting the viewer decide.

Soul (dir. Pete Docter and Kemp Powers) - In a world full of remakes/reboots/sequels, Pixar is perhaps the lone segment under the Disney umbrella committed to original content. However, there does seem to be a Pixar formula at work directed to precision tugging the heart strings, and some of the film feels like well-trod ground. On the other hand, it's hard to criticise the risk of centering a kids film around the existential crisis of a middle aged man, even with the requisite cutesy elements (and of course, the uncomfortable pattern of yet another film where the black lead character spends a great deal of the runtime in non-human form - herein, an amorphous blob or a cat). But the animation is stunning, it successfully did tug my heart strings, and the design of the Great Before and the Jerrys is original and fun.

RuPaul's Drag Race Down Under - Drag Race is somewhat of a guilty pleasure for me, since I generally don't watch reality shows, and this is something I really enjoy even if I'm not invested in the fandom (which like many fandoms can be very yikes). This year it was time for the Australian/New Zealand (Aotearoa) queens to show their stuff, although it's been met with mixed reactions. Covid restrictions didn't allow for guest judges, relegating them to mere cameos via video calls, and its clear that Ru and Michelle really don't quite get all the cultural nuances - Aussie judge Rhys Nicholson was however always delightful. But it wouldn't be Australia without a racism scandal, with the great disappointment of the two queens of colour eliminated first, and one queen having done blackface in the recent past yet making it all the way to the top four.

In the end, the only viable and deserving winner was last Kiwi standing Kita Mean, and it was pure joy to see her get crowned. I do hope they fix the bugs and indeed do another season to better showcase AU/NZ talent.

Writing

A far more productive month - to try and get out of my writing funk I had a goal to try and write every day, even if it was only 100 words. While I didn't quite achieve a consecutive month, I did get a pretty good average, at least got something posted and two others nearly there.

The Lady of the Lake - 2441 words, Chapter 4 posted.

Against the Dying of the Light - 2745 words

Turn Your Face to the Sun - 1752 words.

Here I Go Again - 1144 words

Total words this month: 8082

Total words this year: 35,551

#personal #long post #roundup #june roundup #reading watching writing #here's to the second half of the year #I really want to get to at least 100k written #so we'll see

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