#le poupee

[ilromagnollo84]

DEBRA SHAW

"LA POUPEE" COLLECTION

ALEXANDER MCQUEEN SS 1997

[erofilmgifs]

[diana-andraste]

Les jambes de la poupée, Pierre Molinier, 1960

[horrorshowing]

Veronique is one of the more elegant dolls in the garden. She loves nothing more than to stroll down the flowery lanes and feel the sun warm her porcelain. A lot of the other dolls look up to her for advice, fashion inspiration, and because she is the tallest. Whether you’re at a tea party, art gallery, or luncheon, you will see her there—enchanting, lovely, and poised.

[residentraccoon]

Me listening to Poupèe de cire, poupée de son vs Me finding out what the lyrics mean and how they reference France Gall's singing career

[scifi4wifi]

The Passing of Marty Krofft

The younger half of the creative powerhouse that was Sid & Marty Krofft has died, passing away on November 25, 2023. Eight years younger than Sid, Marty Krofft died Saturday at age 86 in Los Angeles of kidney failure, his family announced. The younger Krofft was the savvy businessman who, partering with his older brother Sid, amassed an entertainment empire fueled by psychelic kids’ TV hits such…

[lecameleontv]

Captures du Téléfilm n°2 : L'Antre du Diable / Island of the Haunted (2001) de la série Le Caméléon (V.O. : The Pretender).

Distribution : - Conrad Coates, qui retrouvera James Denton dans la série Good Witch (Ep. 1.02 et 1.03) et avait déjà rencontré Ashley Peldon dans le film Trahie (1991) - John Bourgeois, qui croisera Ryan Merriman dans l'Ep. 1.10 de la série Veritas : The Quest (2003); ...

Adama du Triumvirat : " Voici les Rouleaux... Ils ont été volés !"

Mlle Parker : "Papa... dis moi quelque chose !"

médecin du Centre : "La catatonie est une forme de schizophrénie (màj 2024 : ce sont 2 maladies psychiatriques très différentes), qui se traduit par une forme de stupeur et de mutisme. [...]

Mlle Parker : "Vous devriez pouvoir le réveiller !"

médecin du Centre : "Ah mais il est réveillé... Seulement... il est prisonnier de son corps."

Lyle : "Je n'en sais rien et j'en ai rien à faire. Quand des fauves à ce point enragés sont lâchés, je suis doux comme un agneau."

Jarod : "Ca fait 5 ans que tu me traques, pourquoi ne pas me laisser tranquille ?"

Mlle Parker : "Ca ne marche pas comme ça, tu le sais. Mon job consiste à te capturer et à te ramener au Centre ! Tu cours, je te traque. Rien n'a changé !".

Mlle Parker : "L'archéographie ça s'intéresse à quoi en particulier ?"

Broots : " Aheuheuheu à l'étude de la signification et de l'origine des symboles inexpliqués de notre histoire [...]".

Broots : "[...] retrouver ses origines relevait de l'obsession."

Sydney : "Avez-vous pris en compte les conséquences psychologiques ?"

frère Menenicus : "Et cette tempête viendra purifier nos terres ! Nous n'avons pas le droit d'abandonner les âmes dont nous avons la charge !"

Jarod : "Je m'appelle Jarod. J'aimerai trouver un refuge."

Jarod : " Vous n'avez pas peur de la tempête qui s'annonce ?"

Dr Raines : "Lyle... Vous m'avez pris mon pouce."

Lyle : "Vous ne vous en serviez pas en ce temps là."

Mlle Parker : "Vous êtes sure d'être aveugle ?"

Ocee : "On ne voit bien qu'avec le coeur. L'essentiel est invisible pour les yeux."

Sydney : "Terribilis est locus iste. [...] Des atrocités ont eu lieu ici."

Mlle Parker : "comment peut-on tuer toute sa famille pour l'appât du gain et le pouvoir ?"

Jarod : "Pose plutôt la question à ton père."

Mlle Parker : "Je sais enfin qui je suis !"

Jarod : "Laissons la tempête faire rage dehors. Pas sous ton crâne."

Mlle Parker : "[...] Génération après génération ! Toute cette cruauté... Ce mal m'a été transmis."

Jarod : "Tu sais qui tu es."

Mlle Parker : "Je suis une Parker. Au fil des révélations qui ont marqué ma vie, le portrait de ma famille s'est assombrie pour devenir ... d'une laideur accablante."

Mlle Parker : "Tu te souviens quand nous étions enfant cette nuit où je t'ai fait entrer en cachette dans le bureau de mon père..."

Mlle Parker : " [...] ce qui m'amène à me poser la question ..."

Jarod : "Qui suis-je en réalité ?"

Mlle Parker : "Et aujourd'hui je ne sais pas si ... j'ai envie de connaître la réponse."

Jarod : "Mais si ... bien sûr que si ..."

Jarod : "Le Centre veut que nous pensions que découvrir la vérité ne nous mènerait à rien... et que chercher des réponses sur qui nous sommes est futile ... et bien entendu que ... de tisser des liens ... qui échapperaient à leur contrôle est une erreur. [...]"

Mlle Parker : "Pourquoi faut-il que la seule personne, dont on m'a enseigné de me méfier, que je devais haïr et capturer, ... soit toujours auprès de moi... chaque fois que je traverse une épreuve difficile dans ma vie ? ..."

Ocee : "Père Théo l'appelait mon Ange".

Mlle Parker : "Chaque pièce d'un puzzle signifie quelque chose."

Mlle Parker : "Elle ne cherchait qu'à protéger son père de ses démons... en sachant que son acte lui couterait la vie."

Mlle Parker : "Que voudrais-tu que je fasse Jarod ?!"

Jarod : "A toi de répondre à cette question... Quand les gens doivent prendre un tournant et s'obstinent à aller droit devant eux, ça me chagrine."

Mlle Parker : "Je suppose que tu vas m'ouvrir les yeux ?"

Jarod : "Non tu n'as pas besoin de mon aide. Il n'y a que toi qui puisses décider de regarder ta vie ou non en face... Ta mère elle a eu ce courage."

Mlle Parker : "Laisse ma mère en dehors de tout ça tu veux ! Je ne suis pas ELLE."

Jarod : "Mais qui es-tu alors ? ... Ton père ? ... Est-ce que l'héritage paternel que tu aimerais que tes enfants recueillent ? ... Nous avons traverser tant d'épreuves ensemble... depuis notre enfance au Centre ... jusqu'à ces quelques jours sur l'île... [...]"

Mlle Parker : "Et si on faisait seulement ce qu'on à faire dans cette vie pour s'en sortir Jarod ?"

Jarod : Je crois que nous méritons tous les deux une vie meilleure."

Mlle Parker : "C'est seulement quand on a vers quoi se tourner qu'on prend le tournant."

Jarod ! "Ce qui est merveilleux avec la vie Mlle Parker, c'est qu'on peut toujours changer l'histoire... Et qu'alors la fin nous appartient."

Broots : "Où est-ce que vous étiez passé ??"

Mlle Parker : "Quelque part entre l'enfer ... et un tournant décisif..."

Broots : "Ah non non non l'Enfer c'est ici croyez-moi et on a sérieusement chaud aux fesses !"

Mlle Parker : "Alors est-ce que mon père est bien mon père ?"

Mlle Parker : "Là je sens que je vais vomir..."

Jarod : "J'aimerai vous poser une question... L'avez-vous jamais aimé ? ... Parce qu'elle a soif de cette affection que vous ne lui avez que trop rarement donné."

Anecdote : Jarod se fait appeler Professeur Jarod Dodson, ... du nom du scénariste Mark M. Dodson^^, qui a également fait des caméos dans des épisodes de la série.

Thème : les Jumeaux.

Téléfilm n°1

Pensée à une autre île^^ :  LOST (2004).

[a-fatal-word]

I saw the Theatre Du Châtelet production of Les Miserables, and here's a rundown wyth my thoughts:

In the Prologue, the first set of prisoners are on a boat, then a second group is brought in to help move it. I loved this direction, as we see the physical feats they are forced to do. Valjean is brought on separately to these groups. Guards also beat the men, conveying the aggression of this environment which impacts Valjean’s character.

Part of the set is a ramp up stage left, which gets used a lot. During the Runaway Cart scene, we actually see the cart go down the hill and fall on Fauchelevent and the actor really milks it, it's brilliant. The set has these two huge curved pieces, which are used to create multiple settings, plus box sets which helps separate different locations.

Claire Perot is a perfect Fantine, we understand her immediately. She is watched by all the men in the factory, which she's aware of but hasn't grown hardened as a protection. She's so vulnerable and clearly uncomfortable with the attention. I really enjoyed the 'J'avais Reve' ('I Dreamed a Dream') lyrics, and Perot's delivery of the line about Cosette being close to dying was PERFECTLY delivered. She stopped to take the moment, and it was the best I've ever seen it done. My favourite Fantine, maybe even including the film adaptations I've seen.

The pimp comes on with Bamatabois and has the lines with the sex worker that in the English version says 'only joking, deary knows her place'. When Javert arrests Fantine, the other sex workers start towards her but stop, clearly on her side but unable to stand up to Javert. This asserts the dynamic between these men, who always have more power in the situation, and the powerless women.

Champmathieu and two guards walk in from of Valjean during 'Le Proces' ('Who Am I'), so he sees whose life his decision will impact. It's a shame the actors look nothing alike, I feel like they could've given the actor portraying Champmathieu a beard 😂

I preferred the 'Une Poupee Dans la Vitrine' lyrics to 'Castle on a Cloud' lyrics, they're so much more specific to her experience as she dreams of playing with the doll Catherine. love that she sings about Catherine. I wish that the Catherine that Valjean gives her was bigger, though, it more resembles the size of a doll you would buy today instead of the large doll of the novel. Her broom is literally twice her size though, it's a perfect staying to reflect the famous artwork of Cosette sweeping.

The Sergeant of Waterloo Inn is a box set which covers half the width of the stage so you can see the snow outside behind this set piece, which really makes it seem that the inn is bursting with people. This really highlights how far the Thenardiers fall. We see Cosette and Valjean meet in the space away from the set, which is cold and isolated.

These Thenardiers feel genuinely dangerous; they're funny but there's less playing up to the audience. They dress similarly to the rest of the cast, but there's always something out of place. For example, in Maitre Thenardier (Master of the House), Thenardier's outfit is identical to an ensemble member's, but then his hair is unusually styled compared to the rest of the casts'. During the wedding, everyone wears black and white (white dresses and black suits), whilst the Thenardiers arrive in black and white striped outfits. It's like they try to fit in, but they're always off. I also enjoyed that the Patron Minette are in Maitre Thenardier, backing up Thenardier as he over charges someone (his wife has a go at him in a nice touch of ensemble work). It's like they're mates who then went into crime together. The 'Colette' line also remains.

During the confrontation, which happens whilst the nuns are present, Javert whacks out a giant gun which he points at the nuns, after that the nuns throw a bucket at him. When I say I DIED.

This Grantaire isn't the Grantaire we know, he's way too optimistic and put together. When he first started singing, I thought he might be Prouvaire or Courfeyrac and they'd given one of those characters those lines! It made me think that having Courfeyrac make fun of Marius would be so much fun, they'd get to have a bit more of a relationship there, and Courfeyrac could keep his snarkiness from the novel. But I still enjoyed his performance. This Grantaire still makes fun of Marius in jest, but he is as passionate as Enjolras and can easily jump into action mode. Their dynamic slightly resembles Achilles and Patroclus' in Madeline Miller's novel, in that Enjolras and Achilles are focused and charismatic, whereas this Grantaire, like Patroclus, jumps in to help the wounded. His protection of Gavroche is there, and Gavroche sings his final lines to Grantaire, before falling into his arms dead (Gavroche throws the bag of ammunition over before stumbling back to their side of the barricade with his hand clutching his stomach, resembling Eponine's demise).

The costumes for everyone are stunning. Fantine's deshevelled look is gorgeous and Javert has an incredible black leather coat. Enjolras wears a gorgeous slightly orange toned red coat, then a red striped waistcoat at the barricade, whilst Grantaire is in a green suit, with a top hat in the early Musain scenes.

In 'Bonjour Paris' ('Look Down - Paris') we see a group of middle class men walking to the front of the stage, surrounded by the poor they appear disgusted by, whom we are encouraged to judge.

Minor characters portrayed by the ensemble are given chances to shine, and this production really feels like it is presenting a society, as the novel does. A father and daughter appear in Paris, and this father then joins the revolution. He kisses his wife goodbye as she leaves the barricade, and it's heartbreaking when we see his corpse when they are defeated. We also see a member of the ensemble listen in to Javert's confession to Valjean when he has suspicions that he's an ex-convict. This moment especially evokes the small town attitude of Montreuil-sur-Mer in the novel.

Stanley Kassa's Enjolras is one of the best I've ever seen. He's commanding, serious, and clearly empathetic; having told Courfeyrac to keep watch whilst Valjean sings 'Comme un Homme' ('Bring Him Home'), he also keeps watch, and a couple of times looks back to watch over his sleeping comrades. You can really see that he has a lot going on internally, and is reflecting on the previous day and what is to come. Before sending the fathers and women home, he does this sigh to himself, and lets us in on the inner torment and regret that the people didn't join them. Kassa also dies leaning back off the barricade with his arms out, and he keeps them there until the barricade is removed, which is impressive given the time he has to keep this position for.

In 'Dans ma Vie' ('In my Life'), there are bars to the garden stage left, then bars projected on a screen in front of the set, so Cosette actually feels boxed in and isolated from the outside world in her garden.

Cosette telling Valjean about the 'four men scheming' (replacing 'three men I saw beyond the wall' makes more sense. She and Marius actually see the end of the Eponine, Thenardier and Patron Minette scene, so she tells Valjean as she has reason to worry.

They make the decision to have the barricade rise outside the Musain rather than the Corinthe, probably to simplify things. This also creates an emotional link, as they dream of creating a new world and it's next to that space that they try to achieve that new world.

This production's Prouvaire has a beautiful openness as a performer, he carries a little book on the barricade which feels very apt.

After the defeat, two national guardsmen, plus Javert, survey the barricade, which is covered in the dead, making them face up to what they have done. We also have the national guard giving the orders at the back of stage, visible through the barricade.

'Le Suicide de Javert' ('Javert's Suicide') is heart stopping; he is on top of one of the large set pieces and towards of the song is raised higher. His death is achieved by falling back 90 degrees and the screen in front shows a projection of him falling in slow motion into the Seine. This production takes place 5 minutes from the Seine, which really hits you in this moment.

'Seul Devant ces Tables Vides' ('Empty Chairs at Empty Tables') is done with projections of shadows on the Musain set, which is a wooden piece stage right. Of course we see Grantaire drinking, recognisable as the shadow with the top hat.

'Tourne Tourne' ('Turning') is performed as the moment the families have to identify the dead, such a unique staging choice.

When things get awkward at the wedding, the master of ceremonies asks the 'Maestra' to play a specific song. When things get awkward again when the Thenardiers are eating all the food, Thenardier tries the same thing and asks the 'Maestro' for a song (there was a joke were he said something that wasn't a song, but I can't remember what). The Musical Director is then revealed upstage when she corrects him that's she's a 'Maestra', which got a big clap.

Eponine doesn't duet with Fantine in the Finale until later than usual, so we get a beautiful scene between Fantine and Valjean where she puts his hand on the book before he gives it to Cosette.

Once Valjean dies, he gets to greet everyone in death, included Myriel, who he hugs, and Javert, who he shakes hands with. And Enjolras, who feels very central to this production. He's used a lot in the trailer and Stanley Kassa has the most amazing charisma, you really root for him.

Overall, I loved this production. A lot of the lyrics are tell the novel's story more explicitly and are still poetic at times. I especially loved Fantine's lyrics, and it's so refreshing to see a different take on the material visually. I really hope this production gets a longer life, and I'm so glad we have an album with this cast. They all have golden voices, especially Oceane Demontis as Eponine. I also have to shout out Juliette Artigala for her portrayal of Cosette, I thought she was so endearing.

[papermoonloveslucy]

RIP MARTY KROFFT 

1937-2023

Marty Krofft was born on April 9, 1937 in Montréal, Québec, Canada. With his brother Sid, Krofft created some of television's most fantastic and magical programs, mostly centered around puppetry. Lucille Ball's interaction with the Krofft was brief, but memorable.

The Krofft puppets first gained attention at the 1962 Seattle Worlds Fair where they presented a show called "Les Poupees de Paris" that included marionettes impersonating popular celebrities. In 1964-1965, they presented the (updated) show at the Worlds Fair in New York. In 1967, Ball's recorded voice, along with Jackie Gleason, Liberace, and Mae West and many other stars, was heard in “Six Flags presents Sid and Marty Krofft’s Circus”.

On September 30, 1977, Donny and Marie welcomed Lucille Ball, who plays the Tin Lady in a Krofft-style spoof of “The Wizard of Oz” starring Ray Bolger. The first three seasons of "The Donny & Marie Show" were produced by the Kroffts, who also created the variety series. Ball appeared on the 2nd episode of the show's 3rd season, and the Osmonds (after a long legal battle) had finally won creative control from the Kroffts feeling they had outgrown the child-like atmosphere created by them. They moved the show to Utah and took over as producers just two months after this episode aired. In this episode, however, the Krofft vibe is still palpably present.

A few Lucille Ball / Desilu performers were seen on Krofft's many television shows.

Johnny Silver played Ludicrous Lion on TV's "H.R. Pufnstuf" (1969) and appeared as Dr. Blinky in the 1970 feature film.

Charles Nelson Reilly and Jerry Maren (both seen on "Here's Lucy") were part of "Lidsville" (1971).

1972's telefilm "Fol-De-Rol" (a film of their 1968 fairy tale puppet show) included Lucy guest stars Ann Sothern, Mickey Rooney, and Totie Fields.

"Sigmund and the Sea Monsters" (1972) starred Ball's good friend Mary Wickes as Aunt Zelda, and also featured Sidney Miller as the voice of Sweet Mama Ooze.

"The Lost Saucer" (1975) included Lucy friends Ruth Buzzi, Jim Nabors, and Vito Scotti.

"Far Out Space Nuts" (1975) featured Hal Smith and John Carradine, both of whom had appeared on "The Lucy Show."

Also seen on "Donny & Marie" during the Krofft years were Desi Arnaz, Jack Albertson, Bob Hope, Milton Berle, Ruth Buzzi, Buddy Hackett, Edgar Bergen, Andy Griffith, Rich Little, Iron Eyes Cody, Arthur Godfrey, and Vincent Price.

[pastpatterns]

Costume de promenade orné de fourrure

La mode illustrée de 1898

A réaliser soi-même avec le patron

[eucanthos]

Unknown

_

Greek Archaic Plagona doll: Poupée à bras et jambes articulés, les mains tenant des crotales, 4th c. BC. Credit: Photo Hervé Lewandowski. Musée du Louvre

Around  450–440 BC, a more sophisticated type of doll appeared in Athens, in which the legs were articulated not at the hips but at the knees. Dolls made during the Hellenistic and Roman periods have dresses or skirts that conceal the joint for the movable legs. Though large numbers of dolls come from the tombs of little girls, they have also been found in sanctuaries, where young girls would dedicate them to Artemis on the eve of their marriage.

History of Dolls

Archaeological evidence places dolls as the foremost candidate for the oldest known toy. Wooden paddle dolls have been found in Egyptian tombs dating to as early as the 21st c. BC. Greek Archaic dolls with movable limbs and removable clothing date back to at least 500 BC.

https://art.rmngp.fr/fr/library/artworks/poupee-a-bras-et-jambes-articules-les-mains-tenant-des-crotales_terre-cuite_sculpture-technique

http://www.historyofdolls.com/

[rainedragon]

for the lolita ask game: 6, 11, 19 💕

6: do you have a favorite lolita/does anyone inspire you?

Yes, lots of people! Maki and Asuka the designers of AP, the kera model Midori... As far as like, lolita who's style I really like... It's kind of weird because when you are new and 'young' to lolita, you look at people and are like 'oh they are so cool, I wish I was that cool', but like, after a decade, I look at people and I'm like "That's my buddy, so-and-so" or "oh my god, the newbies just keep getting younger and younger, I am so old". XD It's just a very different sort of dynamic. But like, all that said, people who really stand out in my mind as people who's style I really like, and have liked over the last like decade, include people like Beescuit, Arthael, idodeclare, MintyMix, FannyRosie, and aerynsys. I also really looked up to caro-chan as a younger lolita and now like, we just know each other? Like IDK. oh! Toshi is cool too! And Avina! And MilaDeBlois! and and and...

11: what's one item you have that you would never sell?

I have a little handmade book necklace that Caro-chan of Fyeah lolita made. Inside it are hand-written notes, autographs, etc from friends I've met through lolita. It's one of my dearest treasures.

19: do you remember the first dress you ever saw? do you still like it?

The short answer is no, I don't remember the first dress I ever saw. I saw the first episode of Le Portrait de Petit Cossette in about 2005 at Otakon, and I saw lolita in Nana as it was published in Shoujo Beat, and I saw advertisements in shoujo beat / at Otakon for Kamikaze girls. I want to say I had a Kamikaze girls poster on my wall, but like, for whatever was on the other side, the Kamikaze girls size was facing the wall. I had online friends who wore lolita and I'm sure I saw photos of them. I also was using lolita items as drawling references for dressup dolls before I was interested in wearing lolita. I have to be clear, in like... 2004-2007-ish? I was exposed to content with lolita in it and I just didn't care. I had no interest in it.

That said, I still have my hard drive from 2008-2009, and these are the things I actually downloaded in my my drawing references that I probably would have considered lolita. I also started to fall in love with lolita while playing poupee girl. But really, it was the OTT sweet prints and bright pink x red stuff AP was doing around 2008-2009 that got me into lolita.

Dream Magic I bought and still own and adore even though it doesn't currently fit me. The bodyline candy skirt I also bought, still have... have multiples of it because I bought the sax instead of the pink and went back to get the pink years later... Most of the rest of this isn't my jam anymore, lol. I like the red x white polkadot skirt?

[pa-stella]

Lolita Fashion and 2Gumi!

| Leaders ⁜ 2Gumi ⁜ 3Gumi |

Yamada Jiro // M.C. M.B.

Funny wardrobe with shorter main pieces. Denim, bxw plaids and music details. Main pieces from left to right: BTSSB OP (BTSSB), Bunny College Seaside Set (AP), Candy Denim Skirt (AP), Prairie Rose Plaisir Marche Denim JSK (Meta), Marching Frill Skirt (Putumayo), Switching Low Waist JSK (AP), Guitar Print Check Pleated Skirt (Putumayo), Nursery Tartan Salopette (AP). Special mention to the Jane Marple Baseball Jacket because of that J.

Aimono Jyushi // 14thMoon

Gothic leaning wardrobe featuring mostly black, violet and gold. A few moon and bats details hidden in dresses and accessories. Main pieces from left to right: Sleeping Garden Lace Up Long JSK (MmM), Gathered Chiffon JSK and Headdress Set -San Francisco limited edition- (AATP), Sweet Devil JSK (AATP), Angelica JSK Set (Meta), Star Touring Pirate Ship and the Boundary Between the Sky and the Sea JSK II (AATP), Vampire Doll OP (AATP).

Iruma Jyuto // 45 Rabbit

Simple wardrobe with leather elements and rabbit themed accessories. Main pieces from left to right: Godo JSK (Miho Matsuda), Synthetic Leather Birdcage Skirt (MmM), Sylvie OP (Atelier Boz), Ribbon Mini Skirt (Meta), Cross Rose Synthetic Leather JSK (MmM), Escape ~Captive Rabbit in a Moonlit Night~ Skirt (AATP), Bird Cage JSK (AATP). Special mention to: Labyrinth Police Blouse.

Tsutsujimori Rosho // WISDOM

Tartan, plaid and houndstooth fabrics with lavender details and subtle school-related accessories. Main pieces from left to right: Original Tartan Check Babydoll JSK and Princess Drop Headdress Set (BTSSB), Campus Skirt (AP), Elegant Bisque OP (AP), Mode Girl Bustier and Skirt (AP), Hydrangeas in Reminiscence ~Melody Dedicated to You~ JSK I (AATP), Alice's Cards Lace Tartan Check Pleated Skirt (AATP), Cute Candy Check OP (AP).

Yumeno Gentaro // PHANTOM

Black, blue and gray for a simple wardrobe with clean lines. Lace to a minimum, capes and longer cuts. Main pieces from left to right: Amy Rose JSK with Cape (VM), Circular Sailor OP (IW), Hakama Pleated Wide Pants (AATP), Priere Cape OP (Sheglit), Elegance Lady Long Skirt (VM), Witches' Tea Party Overdress (VM), Fiore Long Skirt (Atelier Boz), Christina JSK (VM).

Izanami Hifumi // GIGOLO

Rich wardrobe with roses, pearls and perfumes details. A little inspired by old himegyaru trends. Main pieces from left to right: Little Lady Camellia Set (BTSSB), Rose Toilette JSK (AP), Cosmetics Skirt (AP), Le Poupee Mariee Reveuse Dress Set (BTSSB), Dreamy Perfume JSK (AP), Perfume Bottle Mini Skirt (Meta), Fall In Love With The Sweet Magic Of Scent Perfume JSK (BTSSB).

[voluptuarian]

An expansion for my 365(ish) Days watch list featuring 100+ more movies from 100+ years of film, offering increasingly obscure titles and focus on world cinema.

The link above goes to the Letterboxd list, while the text list can be found below the cut. Happy viewing!

The Adventures of Prince Achmed (1926)

Un Chiene Andalou (1929)

Bambi (1942)

Ivan the Terrible pt. I and II (1944, 1958)

Alice in Wonderland (1951)

The White Reindeer (1952)

House of Wax (1953)

Carmen Jones (1954)

Night of the Hunter (1955)

Sayonara (1957)

Elevator to the Gallows (1958)

The Innocents (1961)

Carnival of Souls (1962)

The Leopard (1963)

The Great Escape (1963)

The Ipcress File (1965)

Persona (1966)

Le Samouraï (1967)

Witchfinder General (1968)

The Lion in Winter (1968)

La Piscine (1969)

The Color of Pomegranates (1969)

Satyricon (1969)

Midnight Cowboy (1969)

Donkey Skin (1970)

Don't Deliver Us From Evil (1971)

Brother Sun, Sister Moon (1972)

Aguirre, the Wrath of God (1972)

Immoral Tales (1973)

Penda's Fen (1974)

Murder on the Orient Express (1974)

Picnic at Hanging Rock (1975)

Salo (1975)

Hedgehog in the Fog (1975)

The Mirror (1975)

Marie Poupee (1976)

In the Realm of the Senses (1976)

The Black Stallion (1979)

The Blue Lagoon (1980)

Heavy Metal (1981)

An American Werewolf in London (1981)

Raiders of the Lost Ark (1981)

Son of the White Mare (1981)

The Nine-Colored Deer (1981)

Evil Dead trilogy (1981- )

The Strange Case of Dr. Jekyll and Miss Osbourne (1981)

Possession (1981)

The Return of Martin Guerre (1982)

The Living Dead Girl/La Morte Vivante (1982)

Top Gun (1986)

Little Shop of Horrors (1986)

Jean de Florette/Manon of the Spring (1986- )

Maurice (1987)

Hellraiser (1987)

Dirty Dancing (1987)

Jan Švankmajer's Alice (1988)

Who Framed Roger Rabbit (1988)

Heathers (1988)

Tetsuo: The Iron Man and Tetsuo II: The Body Hammer (1989, 1992)

The Juniper Tree (1990)

Daughters of the Dust (1991)

My Own Private Idaho (1991)

The Lover (1992)

Like Water for Chocolate (1992)

The Scent of Green Papaya (1993)

Sankofa (1993)

The Nightmare Before Christmas (1993)

La Reine Margot (1994)

The Adventures of Priscilla, Queen of the Desert (1994)

The Usual Suspects (1995)

Empire Records (1995)

To Wong Foo, Thanks for Everything! Julie Newmar (1995)

Hackers (1995)

The Watermelon Woman (1996)

Event Horizon (1997)

Starship Troopers (1997)

Kirikou and the Sorceress (1998)

The Virgin Suicides (1999)

Chocolat (2000)

Pitch Black (2000)

American Psycho (2000)

Memento (2000)

Ghost World (2001)

Irreversible (2002)

Atanarjuat: The Fast Runner (2001)

Russian Ark (2002)

Hero (2002)

A Tale of Two Sisters (2003)

Kung Fu Hustle (2004)

Blood Tea and Red String (2006)

Curse of the Golden Flower (2006)

Mongol (2007)

Repo! The Genetic Opera (2008)

Thirst (2009)

Never Let Me Go (2010)

Kick-Ass (2010)

American Mary (2012)

Skyfall (2012)

The Lobster (2015)

Kubo and the Two Strings (2016)

Loving Vincent (2017)

Annihilation (2018)

Mandy (2018)

Mad God (2021)

Hatching (2022)

[horrorshowing]

Happy Valentines Day! Evelyne is a boudoir doll who loves all things decadent, sweet, and pink. Her most favorite thing in the world is hosting extravagant tea parties full of macaroons, finger sandwiches, and frosted cakes. She is the most outgoing doll in the garden, and is always making new friends. Although sometimes, she might come on a little too strong…

[torii-tsubaki-info]

Lunar Market Girly Fashion Event

月下集·月下仙游会 Fairyland in Moonlight

https://www.instagram.com/lunarmarket/

时尚 | 艺术 | 古董 | 设计

日期：2024年10月2日/3日 展厅：上海·工艺美术博物馆 地址：汾阳路79号

Fashion | Art | Antique | Design 2024/10/2-3 Shanghai Arts And Crafts Museum No.79, Fenyang Road, Shanghai, China

The Artists：Abilletage / Ambrum Noko / 安達加工所 / Ancient Future / August Unicorn / babymaro / BB LUCK / Belle Des Poupee / Chelsea Chiyoco / Fairy Wish / FEE CAFÉ / 富玲乃艺术中古 / 慈愛李在: Julian / KAHO / kirakira 62 / Kittens Ankles / 浪花苏打 / le jardin secret de Lolita / LEVENT LVEE / Makumasaou / 中井結 / OMI OMI OFFICIAL / Pays des Fees / risamehmet / Rose Marie / Sublunary / 鳥居椿 / 挽月 / 優 / 致复古