#laura lehmann
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"At least I have you"
Moritz and Laura (and Yvonne) this storyline breaks my heart 😢😢 I am glad they have each other 💔
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Konnt GZSZ gestern nicht schauen, also hab ich heute nachgeschaut, und dann kam da diese Szene, in der Laura durch ihre Galerie scrollt und sich die Bilder ihrer Liebsten anschaut. Alles soweit so gut, zwei Bilder mit ihrem Freund John, eins mit ihrer Mutter, und dann eben eins von ihrem Bruder.
Zu sagen, dass ich entrüstet gewesen wäre über das anscheinend einzige Bild, welches sie von Moritz hat (auf dem sie nichtmal mit drauf ist), wäre eine maßlose Untertreibung.
Ich könnte ihm den Hals umdrehen.
#gzsz#gute zeiten schlechte zeiten#laura lehmann#moritz bode#Es ist unfassbar#Er hat auf dem Foto mehr Duckface im Gesicht als Kleidung am Körper.#und ich bin mir zu 100% sicher‚ dass das aus der Folge ist wo er das Unterwäsche-Model-Shooting hat#als er zuvor noch von Gerners Viagratee genascht hat und Emily ihm Eis in die Hose kippen musste um.. naja ihr wisst schon#Wieso sollte man seiner Schwester davon ein Bild schicken?????#VOR ALLEM WENN MAN IHR ANSONSTEN NIE BILDER SCHICKT.#Ich weiß gar nicht was ich sagen soll.#Jetzt steckt die da seit nem halben Jahr irgendwo im Ausland fest#Muss täglich um ihr Leben bangen und fürchtet ihre Familie nie wieder sehen zu können#Und die einzige Erinnerung an ihren Bruder ist diese beschissene Thirsttrap.
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LFGGGG!!!
#rachel daly#sarah mayling#alisha lehmann#daphne van domselaar#anna patten#laura blindkilde#lucy parker#aston villa women#aston villa wfc
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Can we see some of your favorite red and black herps and bugs?? :00
I did recently do a post on red and black snakes, so I'll concentrate on other herps here.
Herps and Birds (and More) — may i request some black and red snakes?
Here are some faves for you:
Juvenile Yunnan Red Bamboo Rat Snake (Oreocryptophis porphyracea pulchra), family Colubridae, North-East Thailand
photography by @rupertsreptiles
Thai Bamboo Rat Snake (Oreocryptophis porphyraceus coxi), family Colubridae, this subspecies is endemic to the platau mountians of north central Thailand.
This is a subspecies of the Red Bamboo Rat Snake.
photograph by Harry Ward-Smith
Peninsular Rock Agama (Psammophilus dorsalis), male, family Agamidae, AP, India
Photograph by JM Garg
Lincoln’s Mushroomtongue or Lincoln‘s Climbing Salamander (Bolitoglossa lincolni), family Plethodontidae, Guatemala
Photograph by Laura Bok
Bell’s False Brook Salamander aka Tlaconete Pinto Salamander (Isthmura bellii), family Plethodontidae, endemic to Mexico
photograph by JMRC Photo
Lehmann’s Poison Frog aka Red-banded Poison Frog (Oophaga lehmanni), family Dendrobatidae, endemic to western Colombia
CRITICALLY ENDANGERED
photograph by Cristian Castro Morales
Tortoise Beetle (Discomorpha winkleri), family Chrysomelidae, Puntarenas, Costa Rica
photograph by José Alberto Cubero Guevara
Dung Beetle (Oxysternon festivum), female, family Scarabaeidae, found in Trinidad and NE South America
photograph by Trond Larsen
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WAIVER ELIGIBLE PLAYERS
BOSTON:
Cami Kronish (G)
Ilona Markova (F)
Maude Poulin-Labelle (D)
MINNESOTA:
Lauren Bench (G)
Sydney Brodt (F)
Kaitlyn O’Donohoe (F)
MONTRÉAL:
Marlène Boissonnault (G)
Sarah Bujold (F)
Tricia Deguire (G)
NEW YORK:
Madison Bizal (D)
Alexa Gruschow (F)
Savannah Norcross (F)
OTTAWA:
Alexandra Lehmann (G)
Audrey-Anne Veillette (F)
Madeline Wethington (D)
TORONTO:
Laura Kluge (F)
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Masterlist
A/N: We're likely to write a fanfic about every woso player.
Feel free to send us some requests and prompts !
We'll definitely write for ✒️
Arsenal
Jen Beattie
Steph Catley
Kyra Cooney-Cross
Laia Codina
Caitlin Foord
Amanda Ilestedt
Kim Little
Katie McCabe
Beth Mead
Vivianne Miedema
Victoria Pelova
Alessia Russo
Leah Williamson
Laura Wienroither
Lotte Wubben Moy
Lia Wälti
Barcelona
Ona Batlle
Aitana Bonmatí
Lucy Bronze
Ingrid Engen
Caroline Graham Hansen
Patri Guijarro
Jenni Hermoso (former club)
Mapi León
Claudia Pina
Alexia Putellas
Fridolina Rolfö
Keira Walsh
Chelsea
Millie Bright
Niamh Charles
Erin Cuthbert
Jessie Fleming
Hannah Hampton
Lauren James
Sam Kerr
Fran Kirby
Zećira Mušović
Sjoeke Nüsken
Guro Reiten
Eintracht Frankfurt
Sara Doorsoun
Barbara Dunst
Laura Freigang
Sophia Kleinherne
Manchester City
Kerstin Casparij
Laura Coombs
Alex Greenwood
Lauren Hemp
Alanna Kennedy
Esme Morgan
Leïla Ouahabi
Ellie Roebuck
Jill Roord
Manchester United
Mary Earps
Geyse
Ella Toone
Millie Turner
West Ham United
Mackenzie Arnold
Katrina Gorry
Kristie Mewis
Aston Villa
Rachel Daly
Kenza Dali
Alisha Lehmann
Jordan Nobbs
Noelle Maritz
Others
Beth England
Hayley Raso
Felicitas Rauch
Misa Rodríguez
Jackie Groenen
Becky Spencer
Merel van Dongen
Daniëlle van de Donk
Ellie Carpenter
Naomi Girma
Emily Sonnett
Rose Lavelle
Kelley O’Hara
Former Players
Ali Krieger
Alex Scott
Kelly Smith
Ellen White
Jill Scott
Sam Mewis
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LGBT+ European female footballers P1
The Women's World Cup is going on as of writing and so made a list of all the LGBTQ+ footballers posted here 2018 to present (2023).
Below are the professional female footballers from Europe (retired and current), who have been posted on this blog since 2018. Some posts may be out of date/innacurate and so if you see any errors please get in touch. Have gone through more than 14 pages of this blog to provide this list. Hope you like it.
Due to various technical issues I had to split the Europeans into two posts and some links may look weird so apologies for that.
Total below: 39
Alex Scott - Lesbian
Ainhoa Fernández - Lesbian
Alisha Lehmann - Bisexual
Anneli Andelén - Lesbian
Babett Peter - Lesbian
Barbora Votíková - Lesbian
Becky Easton - Lesbian
Bente Nordby - Lesbian
Bethany England - Lesbian
Bev Priestman - Lesbian
Carly Telford - Lesbian
Carolina Morace - Lesbian
Cecilie Breil Kramer - Lesbian
Chelcee Grimes - Bisexual
Chloe Morgan - Lesbian
Claudia van den Heiligenberg - Lesbian
Demi Stokes - Lesbian
Dorte Dalum Jensen - Lesbian
Edda Garðarsdóttir - Lesbian
Elena Linari - Lesbian
Gilly Flaherty - Lesbian
Gunnhildur Jónsdóttir - Lesbian
Hannah Wants - Lesbian
Hope Powell - Lesbian
Laura McAllister - Lesbian
Laura Montgomery - Lesbian
Linda Bresonik - Bisexual
Lisa Evans - Lesbian
Lotta Schelin - Lesbian
Lucie Voňková - Lesbian
Inka Grings - Bisexual
Ingrid Syrstad Engen - Lesbian
Jess Fishlock - Lesbian
Jodie Taylor - Lesbian
Jodie Michalska - Lesbian
Katharina Lindner - Lesbian
Katrine Pedersen - Lesbian
Kassandra Missipo - Lesbian
Kelly Smith - Lesbian
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Do you write for any of these
Deyna castellanos
Vicky losada
Laia aleixandri
Aitana bonmati
Jana fernandez
Bruna vilamala
Nuria rabano
Lea schuller
Klara buhl
Katrina gorry
Charli grant
Kyra Cooney-cross
Courtney nevin
Chloe logarzo
Chloe kelly
Alex chidiac
Gulia gwinn
Sarah zardrasil
Laura feirsinger
Marie hobinger
Missy bo Kearns
Sofie lundergaard
Alisha lehmann
Emily fox
Trinity rodman
Ashley Sanchez
Sophia smith
i love rodman and smith so maaaaaybe? everyone else i'm still getting to know.
i just recently wrote a fic for aitana so check that out if you'd like!
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Books I read this year, 2024
Once again I'm doing a write-up of the books I read last year, a couple weeks into 2025 because I keep getting sidetracked. I read fewer books (34) than 2023 and listened to many fewer audiobooks (5), probably because I was driving less.
Overall it was a pretty good year for books, though I did have a bit of a lull in the summer. I intend to be more intentional with the books I read in 2025 and try and cut through my very long TBR list.
List of books with my short opinions on them below the cut:
False Colours, by Georgette Heyer (1/2) - could not put this one down. Loved the love interest and her no-nonsense attitude.
Rouge, by Mona Awad (1/7) - pretty good, very adaptable for film with some memorable imagery. Prose was fine.
Stiff*, by Mary Roach (1/9) - interesting, enjoyable, last line made me giggle and was especially wonderful the way the narrator read it.
Cotillion, by Georgette Heyer (1/18) - this was the Heyer I've seen most commonly recommended, but with the caveat that I should read other Heyer novels first to better enjoy the subversion. And I did enjoy it! Very cute, maybe my favorite Heyer I've read so far.
Wasteland*, by W. Scott Poole (1/26) - very thought-provoking read(/listen) regarding the history of horror as a genre and the effect of World War I on the psyche of Europeans and their understanding of death.
The Weather in the Streets, by Rosamond Lehmann (1/31) - Sequel to Invitation to the Waltz, which I read in 2023. Last line kicked me in the teeth, in a good way.
Season of the Witch*, by Peter Bebergal (2/19) - fine. I mostly associate this with driving around in miserable gray winter weather.
The No. 1 Ladies' Detective Agency*, by Alexander McCall Smith (2/29) - again, mostly associated with driving around looking at apartments in the dregs of winter. The narrator is fantastic, but not enough to buoy me out of the aforementioned dregs of winter glum.
The Sadeian Woman and the Ideology of Pornography, by Angela Carter (2/29) - really interesting, and I'm not smart enough to really articulate my thoughts on it in a manner worthy of the text.
Mawdew Czgowchz, by James McCourt (3/6) - some of the densest prose I have ever encountered, but not in a bad way. Wild, operatic plot, which is fitting, as it concerns an opera singer and her obsessive fanbase. I assume opera fans are not this obsessive and influential in real life, but wouldn't it be fun if they were?
Wyrd Sisters, by Terry Pratchett (3/9) - I like Pratchett's work, haven't read a ton of it, enjoyed this thoroughly. Read it using the hoopla app on my phone.
Witches Abroad, by Terry Pratchett (3/16) - basically the same opinion as above.
Fat Boys: A Slim Volume, by Sander L. Gilman (3/26) - read for its section on castrati, but the most memorable parts concerned the public perception of fat baseball players at the peak of the sport's role in American culture.
Transformations, by Anne Sexton (4/15) - I'm afraid I cannot really remember reading this one.
After Leaving Mr. Mackenzie, by Jean Rhys (4/26) - my second Rhys novel, after reading Good Morning, Midnight in 2023. Unfortunately I rushed finishing this one because I needed to return it to the library, which probably affected my opinion, but I did feel it wasn't as good as the former.
By the North Door, by Meg Elizabeth Atkins (5/12) - I picked this one up, along with Cousin Suzanne and another novel, at a library used book sale because I'd never heard of it and it looked like it was from the 70s/80s. The most memorable thing was that I couldn't figure out if it was set in the United States or England, and I still can't remember which it turned out to be.
Cousin Suzanne, by Myrna Bluth (6/16) - one review described this positively as "a satire without teeth", which seems to miss the point of satire. I read most of this one either sitting on a pier of laying in a hammock, which is the proper place to consume it.
Five Days Gone*, by Laura Cumming (6/18) - I got the feeling that there were italic sections and section breaks in the print version of this book that were not properly represented in the audiobook, making it difficult to discern changes implied changes in perspective. However, I found this book's focus on interpreting and describing visual primary sources fascinating, as well as its ability to slowly reveal new facets of what seems to be a cut-and-dry incident to the reader.
84 Charing Cross Road, by Helene Hanff (6/29) - did not realize this was nonfiction when I bought it (at a different used book sale), which made it sweeter and sadder.
Possession, by A.S. Byatt (8/4) - I understand why this was such a massive success at its time; it successfully convinces the reader of the high-stakes of literary academia and weaves together mystery and romance, capturing the page-turning qualities of both. Funny enough, I found it less "literary" in terms of structure and plot than some other books I read this year. I recommended this to my mother, and it may have been her favorite read of the year.
The Eagle of the Ninth, by Rosemary Sutcliff (8/21) - enjoyable children's chapter book. Though I probably enjoyed it more than I would have as a child, having learned more about Roman history since then.
The Harness Room, by L.P. Hartley (8/24) - interesting example of early gay British fiction. I expected it to end tragically, but not that tragically.
Not Quite Dead Enough, by Rex Stout (8/27) - the second Nero Wolfe book I've read. A good mystery, not as memorable as the one I read before.
Ex-Wife, by Ursula Parrott (9/3) - it was fascinating to read this and see how far we've come, and how far we haven't come, with regards to feminism and marriage and divorce. And for all of it's sparkling, fast-paced prose, this book is shot through with melancholy and heartbreak. One of my favorite books of the year. (Also another one I recommended to my mom.)
To Bed with Grand Music, by Marghanita Lanski (9/13) - to be honest, I was compelled to read this one because the title was so fantastic (and because the story sounded compelling, of course). I have not seen Uncut Gems, but I feel like this is the Uncut Gems of mid-century British women writers, in terms of producing anticipatory anxiety of catastrophic downfall throughout the story. That being said, I didn't enjoy it as much as anticipated. Maybe on reread I can relax and appreciate it more.
Big Swiss, by Jen Beagin (9/20) - I didn't realize the narrator was in her forties until partway through, a fact that I found made the narrative more enjoyable. It was good. I enjoyed the details about living in upstate New York.
The Cook, by Harry Kressing (9/21) - very strange, parable-like novel. I enjoyed it, but don't have much to say about it.
The Blue Star, by Robert Ferro (9/28) - saw this in a used bookstore, had never heard of the author, bought it because it looked not-too-recent and gay. I loved its descriptions of gay desire and the way it navigated the pressures of family and societal expectations.
Kairos, by Jenny Erpenbeck (10/19) - this one knocked me on my ass. Do you ever read something and just sit back and watch the author set up their shot and sink it perfectly, the arc of a projectile perfectly hitting its mark? That's what reading this book feels like. It's so ambitious and yet straddles the weight of Germany in the 20th century and classical mythology with ease. So many little turns of phrase that took my breath away. I don't know if this was my favorite book I read this year, but I can say with certainty that it was the best.
Saint Sebastian's Abyss, by Mark Haber (10/27) - fun use of language and centered around two incredibly pretentious academics, two things I (almost) always enjoy in a book.
The Enchanted April, by Elizabeth von Armin (11/15) - heartwarming, lightweight, but well-written. Has that enjoyable ending of everything falling into place without having it feel unearned.
Perfume: the Story of a Murderer, by Patrick Suskind (11/21) - I swear some blogger whose taste I generally trust liked this book, though hell if I'm going to go back and find the post now. I thought it was fine, but honestly struggled to get through it in parts.
Journey into the Mind's Eye, by Lesley Blanch (12/1) - I've been meaning to read this one for years, and finally picked it up at the annual NYRB sale. I'm so glad I read it, though the extensive digressions into Russian history did drag at points, because I'm still turning it over in my mind. It creates an interesting compare/contrast with Kairos in regards to the start/end of the Soviet Union, reality/fiction, both books concerning an affair between an older man and a younger woman... Blanch also does a really good job of describing the feeling of being fascinated by another culture that is not your own.
The Servant, by Robin Maugham (12/7) - not to agree with the introduction, but this did feel almost more like the draft of a book than a book, though I admire how concise it is. The scene where the two main characters are arguing while standing up and sitting down between toasts at a formal dinner made me laugh, though.
The Employees, by Olga Ravn (12/18) - I read it, I enjoyed it alright, I did not have the strong lingering thoughts afterward that it was probably meant to provoke in me.
Divorcing, by Susan Taubes (12/21) - this did drag at the end, but the script-style rendition of the protagonist's imagined divorce trial in the afterlife was a riot and the high point of the book.
The Yiddish Policemen's Union, by Michael Chabon (12/25) - the protagonist of this novel has the same last name as the protagonist of Divorcing, which was an interesting coincidence. The hardboiled style of narration was a bit difficult to get through at first, but it grew on me.
My Death, by Lisa Tuttle (12/26) - read almost entirely in the car. I wish it had included a bit more literary analysis nerdery. I do need to check out more of Tuttle's work.
The Snow Ball, Brigid Brophy (12/31) - sliding in right under the wire. I thought the ending was a little too obviously symbolic and foreshadowed. Delicious, lush prose.
#ghost posts#books#eighteen days late sorry#not counting all the books and especially audiobooks I didn't finish
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‘And in this very moment’
‘The moment’ in the context of performing arts is a cocktail of a perfect chemistry that is not predictable and its documentation almost impossible. ‘Moments’ are somethings to experience, to be ‘in’ and to go ‘through’. And to share them afterwards with others, to talk about their leftovers, their special resonance… Sometimes you even find yourself having a weird encounter by smiling to strangers on the way home from a performance. ‘Moments’ stay vivid, present and timeless by connecting themselves to our everyday life, our surroundings, hopes and desires. They stay alive by being shared. Due to the special times we are still in while writing this, our starting point for this performing arts project was to know that we would fail to share these very moments on the instance of their coming into being. So, we decided to appoint them as our artistic challenge, looking for new ways to share them in their aftermath and in new compositions, looking for ways to make sure they connect themselves to new encounters.
Digital Work by Marlin de Haan, Ayşe Draz
with: Sedef Gökçe, Ruby, Morgan Nardi, Melih Kiraç, Parisa Karimi, Friederike Haug, Onur Karaoğlu, Marc Lunghuß, Jenny Theisen, Laura Jil Beyer, Malte Lehmann, Umut Rişvanli, Derin Arduman, Johanna Lierenfeld, Benjamin Thorwirth
funded by: NRW Landesbüro Freie Darstellende Künste, Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen, Kunststiftung NRW. Supported by: Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media, FFT Düsseldorf, SALT Galata Istanbul and Maschinenhaus Essen.
https://www.andinthisverymoment.com/replay
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No "They all suck" this time, I want to see real answers! 😤💪
(I also encourage you to go on a rant in the reblogs/tags/comments about why you hate the character you chose so much <333)
#gzsz#gute zeiten schlechte zeiten#german stuff#before making this poll I would've said Emily or Sunny but now that I have this whole list I'm not so sure anymore 😩
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📸 Emily E Topping
#rachel daly#kirsty hanson#ruesha littlejohn#Laura blindkilde#simone magill#Jordan nobbs#alisha lehmann#aston villa wfc
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What other characters on gzsz do you like?
I must say I really like Nina. She is so funny, beautiful, a caring mother, a good friend and sister and we've seen her in her darkest places. She's very strong and a fighter. I really like that about her :) And Laura she's very complicated but also very likeable although that she sometimes goes over the edge. I also liked Shirin (sadly she left the series)
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