#latam tour openers

[savebylou]

I still can't believe I will see Giant Rooks ❤️

Giant Rooks performing Bedroom Exile. If you haven't listen to them here is their playlist.

[wiiildflowerrr]

The 5 Seconds of Summer Show - Santiago, Chile (Full Concert)

(1h38) 27 July 2023

[walkscornelia]

this tour has flown by like i can’t believe it’s the last night 🥺

[daeluin]

summer 2008 🥲

[lex-loudestwoman]

The Bejeweled Elevator is The Eras Tour

Simply put, the Bejeweled Elevator depicts the timeline of the Eras Tour and the remaining re-records! Let's get into it!

(Quick note: more pictures & links to come, this is just taking forever and I needed to get it posted before we're too far into the London shows! I've had this theory brewing since October 2023 and I'll be damned if y'all don't get to read it before it all comes to fruition.)

The Basement

The Basement is the period of time between folklore and evermore's surprise releases and the start of The Eras Tour. It begins with a shot of the golden "invisible" string that leads Taylor through the cardigan and willow music videos. We see Taylor scrubbing away at her step-sister's mess, dutifully fulfilling her role as the tired, tacky, exiled wench. Step-Mommy, Alana, Este, and Danielle seem to have taken Taylor in after a falling out with Prince Jack (oh, what a marvelous gift, for which Taylor should be most grateful). They delight in her position as their servant girl and assert their dominance over her, forbidding her from attending the grand ball. Taylor is being locked in the basement and forced to work for people who already live in excess. She clearly resents her step-family and Prince Jack, whose portrait depicts him with her cats, which represent her catalogue of original recordings.

Taylor has been working away on her own project while her controllers are not around, biding her time until exile ends and she can escape (fresh out the slammer, anyone?). With contempt in her eyes and vengeance in her heart, she meticulously sews beads onto the hooded cloak she wore to remain anonymous during the willow music video. A pocket watch appears out of thin air and tells her that her time in exile has finally ended, and she immediately begins her journey back to the penthouse to reclaim the land that was stolen from her.

The Elevator

Briefly, here is my concrete evidence that the Eras Tour is the Bejeweled Elevator.

The Capitol One Eras Commercial that released on the day the Eras Tour was announced depicts all the eras of Taylor gathered in a golden elevator.

The Eras Tour is full of visual transitions called an "elevator cut" where the screen splits in half vertically and slides open, just like elevator doors. I'd bet anything that our film director mastermind knows what that cut is called and that she has full creative license for everything Eras. None of it is accidental! (Twitter Thread here!) The same elevator cuts are used in several lyric videos, most significantly (imo) is Change.

The Eras Tour "takes us on a journey through 18 years of music," just as the Bejeweled Elevator takes Taylor on a journey through her musical career from basement to penthouse.

The Third Floor: Speak Now (Taylor's Version)

In the elevator, Taylor ascends to Floor 3. This represents the spring/summer 2023 U.S. Leg of the Eras Tour, during which she announced and released Speak Now (Taylor's Version). This time period was when Taylor started doing tons of pap walks again and was seen regularly in the public eye. She regained her sparkle, so to speak, and let herself shine in the spotlight. The media became supersaturated with Taylor Swift content - her scandal with Matty Healy & Ice Spice, her frequent public appearances, and the unbelievable success of the Eras Tour. On the 3rd floor, we see her depict exactly this - she struts a runway of dazzling gems, sheds her cloak, and leaves covered in brilliant jewels. You couldn't overlook Taylor Swift if you tried. This level of blossoming stardom and interest in her day-to-day life is reminiscent of the original Speak Now era.

She leaves this floor fully bedazzled, just as she left the August 9th show in Los Angeles in her sparkling purple shirt dress, glass of white wine in hand, formally entering the 1989 (Taylor's Version) Era.

The Fifth Floor: 1989 (Taylor's Version)

Next, Taylor ascends to Floor 5. This represents the Fall 2023 LatAm leg and Spring 2024 Oceania & Tokyo leg of the Eras Tour, during which she released 1989 (Taylor's Version). On the 5th floor, Taylor uses her sexuality to entertain alongside her dark haired twin, Dita Von Teese. This time period was marked by the frenzied consumption of Taylor's newest public relation(ship) strategy. Just like in the martini glasses on the 5th floor, Taylor learns how to embrace her dark side and uses her sexuality and alcohol to entertain a ravenous crowd. We met Vamplor and WAG Taylor on our TV screens as she cheered, brought record viewership, record jersey sales, and a whole new demographic of fans to the NFL. Her social and dating life was the subject of every. single. media outlet. Just as it was during the original 1989 era - every detail of her life was curated for our consumption.

The Thirteenth Floor: THE TORTURED POETS DEPARTMENT

We arrive at The Penthouse, where the Queen's Ball is being held! Taylor puts on the performance of a lifetime for the Queen, using the lessons she learned on the Third and Fifth Floor to wow the royal judges. She sparkles, dazzles, and shines; she leans into the fun of entertaining and shows everyone how talented of a performer she truly is.

This penthouse performance for the monarchy represents the European Leg of The Eras Tour and the release of THE TORTURED POETS DEPARTMENT. The brand new TTPD set on the Eras Tour directly mimics the choreography in the music video.

Examples: The feathered fans surrounding Taylor. The two piece set in ICDIWABH. Lifted overhead. Stage & curtains background.

This leads me to make a few predictions regarding timeline and events for the rest of the tour.

The Kingdom Key and the Proposal

Needless to say, I believe the European Leg of the Eras Tour has more to surprise us with. Taylor is about to impress the Queen in London with this performance and she wins the ball! As winner, she's awarded the title of Queen, a proposal from the Prince, and most importantly to Taylor, the key to her castle.

Prince Jack is forced to propose to Housewench Taylor. This happens in front of a staged archway with tons of paparazzi snapping photos of their every move. Being awarded the key and the proposal are still part of the performance event of the 13th Floor. As soon as Taylor fulfills the requirements: perform, pose, and smile, she vanishes.

The Ghosting: reputation (Taylor's Version)

There will be no explanation. There will just be reputation.

reputation (Taylor's Version) will be announced on the last night of the London show run, accompanied by a shocking break up announcement that fuels the media's relentless speculation on her personal life.

The Castle: Taylor Swift (Taylor's Version)

Taylor stands on the balcony of her castle, surveying her land. This is the same castle that she moved into during reputation era, as depicted in LWYMMD. She's wearing TS hairclips, and has returned home. This scene represents the US Eras Tour Leg Part II, and the announcement and release of Taylor Swift (Taylor's Version). It's nearly dawn, and there is a Full Blood Moon above the castle. Interestingly enough, the October full moon is often called a Blood Moon, and the full moon this October is the day before Miami N1 (October 18th). I've been theorizing that Miami, Florida!!! is her real home for a long time, and TTPD sure did confirm that.

The Dragons: Karma

The final scene of Bejeweled is a wide shot of Taylor's Castle, where we can see three dragons setting the castle aflame. This is Karma - karma is a fire in your house. I'm not sure exactly what form Karma will manifest itself in, whether that's the missing TS6 album, a record label, exposing the industry for how abusive it is, coming out, or something else entirely. But, in the words of our mastermind, Karma is real.

[hldailyupdate]

@lthqofficial announcing a competition to be an opening act for the latam leg of the tour via Instagram story! (1 May 2024)

x

[zot3-flopped]

Predictions for the One Direction members:

Niall: gets off tour, gets married, has a kid, does another album/tour, isn’t huge of course but drifts along quietly in his lane for a bit then gets on with managing golfers.

Zayn: starts tour but does not finish. Or performs about half the dates along the way and makes excuses for the rest (crew illness etc). For the fans, it’s an inspiring comeback, but nothing is setting anyone alight. Carries on in this vein, maybe has one huge hit that’s tied to a movie, something like that, but no big career.

Louis: very quickly makes one more album, which is analysed and found to be partially written by AI. Does a UK/Europe tour and a couple of US/Latam dates and then dips. Emerges a few years later with some sort of a sideline in property management and a mail order bride who doesn’t speak much English. Channel 5 make a 3-part documentary series following him as he works (or rather, As Oli works and Louis does very little) all the while telling us again how Harry wanted the hiatus and so on.

Liam: ongoing mental health/drug problems, ongoing stints in rehab, a ghostwritten autobiography, appears like a bad smell at film premieres and mid-range perfume launches till the end of eternity. Tries to sell a range of clean vitamin patches or something but nobody’s having it.

Harry: HS4 in 2025, tour, Glastonbury, then splits his time between his home in Italy (the one we don’t know about) and his mansion in London, the gaps between albums getting bigger and bigger and his portfolio of interests getting more diverse (all we see of him is when he attends the opening of his new gallery, that sort of thing). One day is encountered in the Waitrose on the Finchley Road buying nappies - 9-12 month size - and that’s how we learn he’s shacked up and has a child with someone we’ve never heard of. Releases a retrospective film of his career which skilfully manages to tell us almost nothing about him, but we love it. Sigh. The music’s great but eventually he stops touring, opens a studio, and spends the rest of his days in slogan t-shirts and his trusty Vans, happy as anything.

I love the bit about Waitrose but I don't think Harry will stop touring until his health fails. He'll still do short stadium tours with very expensive tickets when he's in his 60s and 70s, like the Rolling Stones.

[demonqueenart]

hi! first of all, i'm so sorry you're feeling the way that you are. you've helped open my eyes to things i admittedly didn't know (dan's comment at wad, for example) or didn't notice. i'm glad you're receiving at least some support from other phans! i don't know if this helps at all (and it's not me trying to excuse dan), but i wanted to add some context to his "third-world country" reference. as an american, i can tell you that we grew up learning "this"third world" as the proper term. most of my colleagues, friends, family members, etc. STILL use it casually to refer to developing nations/the global south - we were literally taught to use it in school. of course it has since become obsolete, as the wording is incredibly offensive. i know about this because of my time in academia, but this awareness hasn't at all spread to the general population (especially in dan's/my generation of millennials and older). as smart as i do think dan is, i wonder if that's also the case in england. he has the responsibility to educate and inform himself and he needs to acknowledge that he's hurt and alienated a large proportion of his fanbase, so i still hope he'll do that soon.

as for the tour, one of my my best friends is mexican (and lives in mexico) and she was really disappointed during ii when they had to cancel the announced mexico dates. they had assumed the dates would work out, but - if i remember correctly - were presented with a lot of visa/permissions issues. they tried to make it work but it didn't, and they waited much too long to tell anyone. my guess is that they wanted to avoid a similar disappointment this time and not give anyone false hope, nor accidentally say anything negative about those countries as they explain their reasoning (which, of course, just comes off worse - ignoring is never the issue).

other artists have had similar issues with asian and middle eastern countries as well, as there is increased censorship and visa requirements. i've spent four years of my life in asian countries (and a few months in south america) and know that there are phans there who'd love to see them, but it might not be feasible.

ultimately, however, dan and phil owe everyone transparency and need to acknowledge if they're having difficulties with bookings in other countries and why. they usually go back and add dates later, so fingers crossed that they're trying to work out some dates in latam and may yet still add them.

It’s the lack of transparency that is the issue here. How am I supposed to trust them when they won’t tell me anything in the first place? And if they expect me to assume for the best, I don’t think I can do that. Not with all the time they tried to bury their mistakes when people have been hurt as if it’s nothing. I’m sorry but if they’re choosing to look good in the public eye before choosing us, then I don’t think I can trust them anymore. And it’s not that they’ll look bad when they’re talking about this stuff, but the fact they have never once talked about it ever really makes it feel like they want to keep this shut. And that hurts a lot.

Thank you for your perspective tho. I think it helps seeing where they can possibly come from.

Auto-message: This ask’s purpose is to acknowledge dnp’s past/present exclusivity, not to cancel them! But to embrace mistakes that they’ve made so that 1. we won’t exclude people in need in this community, and 2. we can normalize bringing up exclusivity so that improvement can happen. Hopefully this will one day help dnp realize that this is a safe space for them to talk about their mistakes, so that this space can become safe for people of all kinds too <3

*If you don’t understand what is happening, scroll through my blog for context. And I’ll be taking time to answer my asks, so don’t think I’m ignoring youuu*

[skepticalarrie]

Hi Allie, I saw that you went to two shows of Louis, can you share your experience on the shows? (I you feel comfortable of course) I always love reading fans experiences on shows. I'm so glad that you went, I hope you had the best time.

Anon, it was better than I could ever imagine. I know Latam is known for having the best shows, the best energy, and I absolutely agree with that. But America is so uncomplicated for these kinds of things, everything was just so easy and organized I wanted to cry 😭 I knew Philly would be my only chance to get barricade without camping and everything, but I was not fully expecting it to happen, I don’t know. I was so overwhelmed, he was right there in front of me, so close. I’ve been a fan for a really long time and it was the strangest thing to have him so close. I’ve been feeling all sorts of things since last Thursday, I didn’t expect to feel that way and it’s been an interesting journey.

He’s stunning, of course, he glows. In previous shows in Brazil I couldn’t hear singing because the crowd was too loud, and it was such a blessing being able to properly enjoy that. He sounded incredible, the songs were made to be played live, his band is 🤌😗 and I love their friendship and how that comes across on stage. For me the best part of the show is the Megamix, it was what I was more excited about and it did not disappoint. The lights are so pretty, experiencing the room being filled with blue and green and then the rainbow lights made me so emotional. The energy in the room when Louis takes the stage is truly palpable. The overwhelming feeling of adoration that fills the atmosphere is like anything else. Louis was very emotional during his speech in New York and I felt so lucky to be there ❤️ And then I almost had a heart attack with 7.

Oh! And also, the openers were such a great surprise to me, Giant Rooks is AMAZING. Honestly, I only have good things to say about the entire experience! I was alone in Philly and everyone was so friendly and nice. I think the fans in Latam are much younger, there were waaay more older fans in these shows, so this was a very pleasant surprise as well. Only good things. I’m so excited about the festival and the next leg of the tour, I’ve been watching Louis feeling more himself and comfortable on stage like a proud mother and I just can’t wait for what there’s to come for him! A lot of shit has been going down lately with stunts that I’m not sure how it makes me feel. So for me it was a great moment to remember why I’m still around and how that makes me feel ❤️❤️

[7nsomnia]

can i ask, what’s wrong with dcc? i always hear that they kinda suck as a company, but from the vlogs i’ve seen, they’re one of the better companies. i’m not really as into dreamcatcher as some of the blogs on here even though i consider myself a stan, so i might not have the right information

okay. I feel like this is like opening my personal pandora box so this might be long. I'm pretty tired today so apologies in advance if this isn't very coherent asdkjh

dcc are a pretty decent company on a surface level, they treat the members well (which should be like the bare minimum for any company but I know that in this industry that's something to genuinely praise) and they actually change according/respond to negative feedback from the fandom etc when they or the members mess up (or they used to anyway).

for me it started in 2020 and how they handled handong's return. like the way they handled her absence was fine (good even, I would say), but the lack of hype for her actual return made things feel so underwhelming even though it was supposed to feel like a relief that she was finally back. I can't remember all the details anymore, but I do remember that the first time I felt like things were actually alright with dc was when they did the online concert crossroads in march of 2021. on that note I think most ppl were expecting ttol and dlm to be repackaged with ot7 versions and yet it's 2024 and they still haven't released them.

the handong stuff atp is water under the bridge tho, the group is fine, the members are fine, etc, I'm only mentioning it because that's when things started to feel really off for me.

so now we get into the actual things that happened that have left the fandom feeling burned out/frustrated/disconnected etc etc, whereas this happened to me at the end of 2022, I'm seeing more people now going through what I did back then:

I think the most pressing thing was that dcc didn't capitalize at all on dc's first win. they got their first win in april 2022 and didn't even do anything special in korea to commemorate it. it was a HUGE moment and they did nothing with it. usually after a group gets a first win you'll see them getting more promotions in korea, magazine photoshoots, mc deals, etc but dc just went on ahead to do festivals in europe and have a usa tour, these things are not bad but it was the lack of promotion in korea that in turn just made it all feel useless. that year dc also weren't invited to any end of year awards if I'm not mistaken so it all felt really disappointing and like all of the work we had as a fandom had been for nothing. I have to reiterate, dc/insomnias had been getting screwed over on music shows since 2019 with deja vu to get that first win, like I don't want to talk about the injustices the group and this fandom suffered through the years but it was a true story of resilience, so getting that first win in 2022 was a huge relief. to see it all going to waste was just... heartbreaking honestly.

when it comes to tours...... god I don't wanna get too much into it, but 4 tours in the usa in the span of 2 years is not normal. specially when they're prioritizing that over having a proper asia tour and the likes (AND promoting in korea??). latam tour is practically sold out rn and they're getting no merch or m&g benefits like the usa tour. I don't think doing exclusive things for a specific tour is bad per say, but you have to treat all your fans semi equally at least, specially for a group whose fanbase is majorly international (this will be important later), or it will happen what is happening rn which is ppl will leave the fandom. This is the first latam tour since 2019 (2017 for brazil!)... they've waited a really long time so personally (even tho this doesn't affect me bc I'm european) I feel like it's really disrespectful but wtv, onto other things.

now, speaking of the fanbase being majorly international, if this is the case, you'd think the company would make an effort to stream important events to their fans, like hmm the 7th anniversary concert perhaps? but nop, that didn't get streamed. a repetition of the dumbassery they did in 2022 where they split the concert and the members' solos in 2 days and only streamed one and so intl fans couldn't watch half the solo stages? and don't get me wrong, I think it's important that they have events that are korea only like they have the fansigns etc, but something as major as their 7th anniversary? when they've gotten here thanks to their international fans? that stings a little.

and lastly (maybe), we have dcc's usual lack of promotion during comebacks. fans always paying for ads, intl fans always doing the most for digitals even when it's Not their place (because this is smth that the korean fandom and dcc should be responsible for), fans having to reach out for vendors etc... Justice cb truly has been the culmination of the very worst promotions dcc has done tho and there have been some really bad promotions before... no radio shows, minimum interviews, barely any variety... were there even any ads? usually it's always fans paying out of pocket for ads. it just feels like throwing the members' and the company's work out the window for no good reason? Virtuous is one of their best albums and yet it feels like they just dumped it to go on tour again. I don't think that's necessarily a bad thing btw, having short promotions in korea is fine but like... promote for real? give your fandom content that they can watch and rewatch for however long it takes your group to have another cb? specially now that it seems that they're shifting to one album per year (not sure this is their wisest decision tho all things considered), you have to make sure that you promote that album properly? which kinda also goes with like, giving your fandom enough time to save for what you release and put out, specially if you're not trying to grow the fandom anymore. if they're dropping an album then don't announce a tour on top of that, and if they're announcing a tour then don't announce a photobook on top of that, and if they've just released an album then wait longer than a month to announce a photobook, and if they've just dropped a photobook then wait a bit longer until announcing the re print of albums the fans have been begging you for 6 years to re print LOL bc all this does is frustrate fans who can't make that much money in such a short time and it's stupid. like. in 2018 I dropped like 200 euros for like their very first photobook BECAUSE I had time to save that amount from their you and I cb (may) to whenever it was announced (I think it was august), and that was the highest tier (so you could get it for much cheaper) and bc back then it was like. well they barely release anything other than albums, so it's fine (also shipping was sooooooo much cheaper I miss it everyday, ofc this is not their fault tho but anyways).

lastly actually, oh my god. that stupid ass app where fans pay a subscription to message the members privately? has been the fucking worst thing to happen to this fandom and the members imo. if fans weren't respecting their boundaries before, it's even worse now. but it's also like. yeah the members should be reinforcing those boundaries, and I get wanting to at least make a buck of those problematic type of fans but I just don't think it has been good for the members at all. I won't elaborate too much on this because it will genuinely piss me the hell off but bottom line: that app has been hell for everyone genuinely there is no bright side to it other than dcc makes money out of it. and there's better ways to make money :))))))))

anyway this is over 1k words atp and somehow I feel like this all just the tip of the iceberg and I probably have forgotten many things bc tbh in the past year I've just. been trying to make peace with it all and just accept things for what they are because dc have been really special to me for such a long time and I just don't want dcc's decisions to make me throw all of that away (like I almost did). I love their music, I love the members, and so I will continue to celebrate wtv right decisions dcc makes but I'm not going to pretend that they're a good company when it comes to business decisions bc they're really not

[savebylou]

thanks for letting me know about the announcement!!! i don’t usually check social media besides louis’ insta and twitter sometimes

Hi Logan, no problem, I saw the post on tumblr that is why I knew about it, it was a sweet post. I guess they wanted to annouce both things at the same time: the AFHF and being tour openers for LATAM. I forgot to check my schedule post so that also makes everything confusing haha.

I hope you have a great day.

[dreamings-free]

18/6/24

[themarkofoxin]

still time to delete your post. you were uninformed, that’s fine, but now you know that there is a pattern of racist behavior on dan’s end and we are right to be upset. him outright saying that he won’t tour in ‘third world countries’ like mx and brasil during a WAD show is racist. calling my home a third world country is racist. this is not in the past, you can say logistics all you want but dan outright said that he will not tour in our ‘third world countries’. it is not logistics. it is racism.

if i'm remembering correctly, dan did not "outright" say he just wouldn't tour in mexico & brasil. he made a tasteless, dismissive joke, sure, with the fans as the butt of the joke in the same way fans were the butt of the joke in many wad segments; it was insensitive and dismissive because the fans he was poking fun at weren't actually there and, obviously, have real frustrations with his behavior. but the meaning and implication of the joke was never that he actively avoided those places and would never go there--hell, they have been to brasil, to show a recorded version of ii and do a q&a. they had a mexico date for ii but it fell through, right? claiming he "outright [said] that he won't tour in 'third world countries'" is a mischaracterization as much as it would be to say "he outright said he hates phil" because he's said it in competitive gaming videos before. the key difference is he has failed to build a rapport with latam fans so it was insensitive and hurtful.

also, it is very much influenced by logistics. as much as it sucks, we absolutely cannot dismiss that. i was too sarcastic and dismissive in my additions to the post, and i've deleted those, but i stand by the original paragraph. regardless their (but especially dan's) racist comments, booking venues in countries where

1) english is not the predominant language,

2) they are not widely known,

3) once the venue learns about them they figure out they may be well past their peak in popularity and,

4) in some cases, it is relevant that they're gay and much more open about it than ii,

DOES actually make it significantly more difficult to convince a venue that it will be profitable for the venue to put on your show. most of the time, that is all venues are worried about. will people actually show up, or will these two faggots who peaked ten years ago draw in an audience of like, 20 people, and the venue will lose money when they could have booked a more profitable show? if the venue manager had to google them, are they really that popular anyways? the venue managers don't care unless they are certain they will not only break even but profit from dnp more than they would profit from literally anyone else they could book that night. why do you think they were able to do locations in asia for ii, but don't have them now (yet)? in 2018, they could reasonably argue their profitability, and even that wasn't enough in manila.

i am hoping, genuinely and from the bottom of my soul, that they will use the speed at which most of their shows sold out when the tickets went up to prove to venue managers in places other than the US and europe and commonwealth oceania that it is worth it. i hope they try very hard, and that they're able to add more dates. it certainly seems like they want to. i think it's also likely--whether it's right of them or not--that their experiences in MX & manila have led them to believe it's better to stay entirely quiet before they're absolutely sure they can announce a date and it will work, which makes it look like they're not communicating at all, but they may see it as them saving people from getting their hopes up if it doesn't work out. idk which is better, honestly. it at least seems to me like they're telegraphing that they're trying to book in other regions

[theirloveisgross]

i still remember watching a livestream of one of their first opening shows for louis in the us last year. and i was like "holy shit that kid's got lots of energy". and then i started hearing from people at those shows about how amazing they were. and i started to casually listen to them, loving their vibe.

they announced their headline tour, passing through vancouver, and i still didn't know when latam fitfwt was happening but i bought those tickets. in the end, it all lined up perfectly. not to mention that yesterday they were announced as one of the latam openers so i'll get to see them a bunch more times!

but okay... tonight's show. oh man. it's like... you can watch videos, you can hear people raving about their shows, but you won't get it until you're there. one of the best shows i've been to, hands down, holy shit. the energy coming from the stage, most of it thanks to fred, is sooo contagious that the crowd responds with just as much energy.

fred's voice live is pure magic. the control he has of it is so stunning. he gets into those songs so fiercely, it's a joy to witness. and when the song is over he smiles so big and thanks everyone and just, the charisma is all over. the whole band is sooo good, they sound so incredible. all the instruments they play, it's just... ooof. the joy of music is so palpable.

anyway, if you ever get a chance to see them, heed my and @loveofmylouis's words: GO SEE THEM! you won't regret it!

here's a video of a bit of watershed (yes, my concert videography consists of me just pressing record and holding my phone up and just enjoy my time, hajshs).

so excited to see them again in, like... 2 weeks.

[awesomefringey]

The venue capacity in LATAM is almost always the standard here because of multiple reasons including that our ECONOMY is shit. They always open part of the venue and if they sell that they open the rest. Last tour they did the same thing. I'm sure the original person didn't have bad intentions but their tweet reads kinda condesending. This has nothing to do with Louis and everything to how concerts in LATAM works ffs

Thank you so much, K, for giving some very necessary context to the LATAM venue ask.

@thechavier said something interesting too. A stadium might give them the opportunity to extend the venue depending on the ticket sales without having to add more dates. Makes a lot of sense.

[faithinlouisfuture]

Louies' 2023 Wrapped Tag Game

(Rules: Answer the questions below and tag at least 3 people!)

Thank you bestie @berlinini for tagging me 🤍 sorry i’m so late on this, work’s been kicking my ass, here we go though!

favorite walls song: this year; don’t let it break your heart

favorite fitf song: impossible to pick just one but right now; holding on to heartache (which is funny considering my fav off of Walls this year)

most played song on Spotify by Louis: Written All Over Your Face (ok whore)

favorite louis lyrics: that’s actually an impossible task because there’s WAY too many! but “there’s endless versions of the thing that keeps me drifting back to darkness” hits home in a way that i can’t explain in words

louis life lesson: it always remains the same; picking yourself back up after facing hardships, seeing the possibilities and positives in a difficult situation; basically strength & resilience

favorite louis outfit: oh that’s unfair, my little fashionista kills it 99% of the time so i have a list of favorite 50 outfits from 2023 but for the purpose of this game we’ll narrow it down to three (and it’s not even top three just three that i loved)

favorite tour show: there were so many good ones this year (Phoenix, Austin, Houston, LA, Philly, New York, Bologna, Paris, Antwerp, Vienna, Łódź, Sheffield, Cardiff, London) but the way that I felt physically ill after fitfwt: Columbus might need to be studied for science; the whiplash from the stark difference of him during the show and him post show was entirely TOO MUCH

favorite public appearance: has to be the RS Awards; the slutty custom-made fit, the main character energy throughout, the confidence, the glow, the ever present eloquence with which he spoke about his work and his successful af year, just him him him <3

favorite AOTV scene: once again there’s so many; that scene where louis’ recording Saturdays and we get some insight into his thinking and his process, the montage of louis with band and crew having an absolute blast while All This Time plays in the background, that one scene where JD is helping him put his hoodie on after he broke his elbow 👀 the last few minutes of the movie where we hear him say the words “i do feel like i deserve this” 🫶🏽🥹 and so so many more actually

favorite band or crew member: favorite three :p are Krystle, Steve & Joshua! special shout out to Joshua for going above and beyond this year honestly! that man carried lthq on his back!

favorite picture: another unfair question but i won’t cheat and post one of my absolute most favorites from this year because it’s like the energy of his shows captured in one moment (i found out on twitter that the hand in his hair belongs to a desi louie which was like the cherry on top)

something that you are looking forward to in 2024: the fitfwt latam shows!!! there is nothing else like the energy the latam crowds bring, which in turn brings out the absolute best (and most unhinged) in louis and his band too, so definitely looking forward to that! and the festivals!!! can’t wait to see him shine in front of the world <3 hope against hope to be a part of it if things work out 🤞🏽🕯️

one wish for Louis (or Louies) for 2024: 🍑🐧🎧 sighting! kidding (not really)! honestly though, growth

growth in this fandom’s level of maturity (with the addition of lots more people who are here for louis’ art and not his personal life), growth in the markets he’s able to capture, growth in the places he’s able and willing to tour *cough*ASIA*cough*, growth in the ability of his teams especially his social media and PR teams, growth from Louis himself in regards to him being open to trying new things

i don’t know who all has done this! but i’ll tag some people just in case (no pressure) @noraincsl @timidlouie @poekitty2020 @stormyhale @louveyous