#large city window

[golshiftehnews]

Loft-Style Living Room in Montreal

Mid-sized minimalist formal and loft-style vinyl floor and gray floor living room photo with gray walls and no fireplace

[screw-u-vaanu]

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[kendallroygf]

See I can’t relate to these types of lonely girl posts bc the type of loneliness I have is somewhat masculine … you might even call it #maleloneliness

[porcelainfreak-zacrucian]

Fucking hell I am going to have A WEEK

[icewindandboringhorror]

Current temperature inside of my room right now in the middle of the night whilst about to go to sleep... villain origin story...

[navramanan]

the farmers are on strike again yurrrrrr

[carcosacurations]

views

[pavanwalvekar]

Late night cravings!

~ Egham, London

[zenderela]

Metal - Rustic Exterior

[mcmansionhell]

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

[lesvegas]

Rules:

You will be lost in either location for 24 hours, and constantly searching for the exit, with only short breaks permitted

You will not be able to find the exit until 24 hours have passed, and cannot use any emergency exits or windows to escape

There are no other people in either location, but amenities are still present (bathrooms, restaurants/kitchens/stores, etc)

Both the Ikea and airport are roughly the same size and represent the typical large city-based Ikea or airport

You cannot die or sleep for more than an hour at a time, and you can only sleep for a total of 6 hours in either location

[ustwoforsaken]

... cities have no reason to be that... i dont even have the word for it. but i desire them. i desire the city.

[devynmccart]

Open - Contemporary Living Room

Living room - large contemporary formal and open concept dark wood floor and brown floor living room idea with white walls, no tv and no fireplace

[deerynoise]

Open - Contemporary Living Room

Living room - large contemporary formal and open concept dark wood floor and brown floor living room idea with white walls, no tv and no fireplace

[yzzart]

YOU'RE RULING THE WAY THAT I MOVE... ── KENJI SATO

── summary: Kenji was insatiable, they say.

── content warnings: F!reader, 18+, nsfw, fiance!kenji, oral (f!receiving), finger marks, petnames, dirty talk, explicit words, explicit content.

── word count: 1.206!

Oh, Kenji Sato was, unconditionally, insatiable. — Perhaps, mentioned in countless reports and comments and rumors from journalists, a little voracious and avid. — Making it clear that he looked for satisfaction around him, wanting to end this thirst on the court.

Being one of the biggest, and best, baseball stars, he had the reason, and right, to cause this. — Everyone could agree, right?

But this feeling remained in his chest, covertly, off the court; of course, trying not to show it in the public eye. — There was a mixture of need and lack that only Sato could admit; poorly, dramatic.

Kenji felt hungry, needing to be close to you, causing any physical contact, wanting to enjoy every inch of your body; aspiring to press it around you. — He wants to feel, touch and delight you. — And that drove the young boy crazy.

At the same time that you drove him crazy, leaving Sato thirsty, greedy for your smell or just seeing your gaze against his, you also directed him to the light; being a guide on your troubled path. —Kenji was grateful, and, gods, as he was. — The possibly true meaning of walking through heaven and hell in one walk.

He was trapped, connected to you; always keeping, like a magnet, his strong, long arms around your waist, pressing himself against you or fitting his face into the crook of your neck, nudging his nose into the back of your neck. — Sometimes, his teeth run through your skin, a sensitive spot, marking the area and then kissing it; conveying a loving and ironic action when saying “sorry, my love”.

Also, Kenji remained, pleasantly, surrounded between your thighs and holding them, with such precision and rigidity, leaving, in the future, marks of his long fingers; unable to avoid the possessiveness that coursed through his veins. — Delighting, relishing in the taste of your pussy; keeping him even more addicted to you, being certified as a starving animal.

That mouth, so bold and sharp, that responded and argued everything that came to mind, in fact, was smeared with taste and pleasure; sucking, kissing your folds, incredibly wet and mixed with his saliva, in an unruly way. — Attacking your sensitive and pulsating clitoris, his tongue surrounding it with slow circles and tracing lines across the region. — Rarely threatening contact with his teeth.

The damned man knew how to torture you and thought it was funny, he had, unquestionably, a talent for it.

“Ken, holy shit…!” — The environment, unstable, dark and poorly lit by the small bands of light that came from the huge windows, covered by curtains, was filled with the moans and whimpers that came out of your beautiful, dirty mouth. — “Ngh!” — You choked, trying to breathe.

Kenji would like, would love, to live with his face between your thighs; he could forget about baseball, save the city from monsters, everything. — Everything to devour you.

“My little princess with that mouth…” — A pop, made by his mouth, when sucking one of your folds was exclaimed. — “…so dirty.” — Pretends false hurt along with a pout, quickly licks his lips. — "So good…"

Raising his shiny orbs of desire and lasciviousness, Kenji witnessed, or rather, enjoyed your dazed image, hazy of the purest pleasure you received, feeling in a cloud of delight. — The large t-shirt, which belonged to your fiencé, lifted up to your collarbone, showing off your perky breasts and your messy hair spread across the pillow. — A magnificent work of art, somewhat angelic, apollonian.

Your little face manifested the lost between lust and excitement, being a sight for Sato's eyes. — You looked wonderful, as always.

“You know, hmm…” — The heat of his tongue returned, moving, slowly, to your entrance, tasting, ambitious; Sato's name was begged, almost inaudible, landing in his ears. — “I would spend hours eating that pussy.” — He had already confessed to that filthy curse so many times, but that's not a complaint. — “Oh, but, you know, don’t you?” — He growled.

“Hm, hm…” — This was an attempt to state what I had heard. — “Ken, please…” — You didn’t know what, in fact, you were begging, you didn’t care about blurting out disconnected words and things; the older one raised his eyebrows, mocking you.

“Fuck, baby.” — Kenji exclaims, almost breathless, closing his eyes and tracing a line with his tongue to the small, quivering dot, focusing on it; impatiently, wanting to enjoy your orgasm. — "I know, i know." — He babbled, clicking his tongue and increasing the speed of his licks; distributing a messy, clumsy, obscene kiss to your pussy.

A scream, thin and tearful, with a melodic tone, and considered music for the player, broke free from your mouth. — Being caught off guard during the change of promptness. — Without delay, one of your hands fell on Sato's black hair, pulling it sharply. — And you swear you felt a dirty smile, then a giggle, which sent a wave of shock through you.

When you felt a hot, scorching sensation of pleasure and voluptuousness boiling in your stomach, accompanied by the impression of numbness dominating your extremely sensitive little spot, you knew you were close. — Kenji too. — Your chest burned, rose and fell, trying to regulate or catch a breath, and your back arched; whining, immorally, even more so for Ken.

Holding your thighs, feeling a mediocre courage in trying to close them, which were increasingly trembling, Kenji's hands slowly caressed them; wanting to reassure you. — The coldness of his engagement ring ran across your skin, giving you goose bumps. — From the movement made in his mouth, Ken had said something, but, covered with exultation, you was unable to understand; probably words of encouragement.

"Oh, Ken, Kenji...!" — You screamed, frantically, while miserably moving your hips against Kenji's mouth, warning him; even if there is no such need. — Understanding what was going on, a growl came out of the older man's mouth, maintaining his rhythm. — “I’m close, Ken…” — You cried, feeling tears invading your eyes.

Suddenly digging your nails into Sato's scalp, as tears, witnesses of desire, fall from your eyes, you cum in Kenji's mouth; deliciously releasing all your pleasure. — Your head resting on the pillow, your chest rising and falling under pure exhaustion. — Therefore, you continues to be devoured by your lover.

Kenji, by gently opening your thighs a little, gets drunk on your orgasm; persistently tasting, tasting and eating your pussy. — Now, unshakable and extremely high level of sensitivity. — The tongue cleaning, searching and not leaving any drop of your cum with his greed and thirst to be quenched.

You were being adored, worshiped —even ecstatically— and you appreciated it. — Sato never tired of making you feel this way.

“Please,” — As he start to pull away, Kenji lifts his head, to get a clear view of you, and the glow on his chin and mouth, caused by your cum and his saliva, sends butterflies to your stomach. . — "you're so perfect." — He murmured, stunned and swallowed dryly. — “I wanted to stay buried in your thighs, like, forever.”

Your hand, which was still between his locks, immediately messed them up; mercilessly finding his change in personality ridiculous. — Addressing a low "i love you” to him.

“Me too, love” — He took a deep breath. — “But, i’m serious.”

[bakaminori]

Open - Contemporary Living Room

Living room - large contemporary formal and open concept dark wood floor and brown floor living room idea with white walls, no tv and no fireplace