#laesura

[china-abrasive-sgrinding-wheels]

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[addict-for-poison]

i have that "give child" photo in my meme board on pinterest so i found it really funny when someone reblogged my post with that as a pfp

We stole from pinterest and have it saved to our FNAF board lol. Glad to give you a laugh!

[doomanddead]

Probing New Album from Monovoth

Monovoth’s self-titled album is an offering at the feet of despair… if despair is an intergalactic goddess wielding arcane knowledge with one hand, and unspeakable terror with the other. One look at the album art tells you it’s going to be interesting. Frontman Lucas Wyssbrod (MOSTRO) dreams up a realm “where in [sic] a female extraterrestrial deity - a corruption of the notion the Catholic religion has of the virgin - is seen suspended in the voids of space.” Let’s strap in and cue the X-Files theme for this journey into the black vacuum of the cosmos.

Monovoth by Monovoth

The Key begins at a creeping pace. A faint static pulse creates an otherworldly atmosphere. Tinny synth notes jangle your perception— it’s unclear whether time is moving forward or backward. A heavy melody sets in with plodding drums and crashing cymbals. It’s ritualistic and foreboding, with dark majesty at an unfathomable scale. 

Ulcerated and Ablazed has Close Encounters vibes with an unsettling tune in minor chords. There’s something both resonant and discordant about the progression of notes repeated like a mantra. Listening to this composition makes you feel like you’ve caught the attention of something alien, whose intentions are beyond out comprehension. The drone subsides, and we re-orient ourselves to waves lapping a shoreline. It’s as if we’ve been abducted and returned to a different location, dazed but finally lucid.

Servants is slow and solitary. Each note echos in the emptiness like water dripping in an abandoned space. The intensity swells and sadness bursts through the walls in slow motion, inundating the room. As quickly as they arrived, the layers of sound recede and we find ourselves alone again. The track is an emotional powerhouse that manages to sneak up on me even on subsequent plays. 

Dour and heavy, Tace Dolorem is as impenetrable as a sheer rock face. This deliriously doomy offering picks apart its own strata, exposing muscle and bone in a solemn act of sacrifice. Federico Ramos (Avernal) adds extra weight to this track with arrangements for electric and acoustic guitar.

Hands skulks onto the scene with a haunted stare and an insatiable appetite. It quickly distends over its own borders encompassing both religious ecstasy and outright fury. Spoken word poetry and relentless drumming underline the duality of this intense offering.

Laesura is a funerary trudge through the brain-scramblies. It’s like riding around inside the hollow shell of someone who is completely disassociated, emptied of all thought and meaning. Again and again, the electric guitar pierces the stillness of the vacant vessel. 

This saturnine album closes on a piece of unexpected beauty. Franco Colautti lends his talents on the brief instrumental Cerro Sangre. His mandolin adds punctuation and form to an intricate, tangled tableau.

Monovoth has constructed a shrine to sadness, with each track more haunted and otherworldly than the last. I don’t know if this extraterrestrial cult is recruiting, but I’m ready to put my name in the offering plate.

[china-abrasive-sgrinding-wheels]

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[china-abrasive-sgrinding-wheels]

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[china-abrasive-sgrinding-wheels]

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