#l'origine du monde
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steven-myself · 1 year ago
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"54" - Adel Bouteldja photographed by Baldovino Barani for FACTORY Fanzine
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cheminer-poesie-cressant · 1 year ago
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qui nous a appris à sentir les roses, ce geste hérité à chaque génération nouvelle, ce lien intemporel qui ne se dénoue jamais, simple geste qui semble instinctif au coeur, la tête légèrement courbée, le parfum au centre de l’inoubliable ?
car enfin ce premier geste a bien eu lieu un jour aux confins du monde et du temps
© Pierre Cressant
(mardi 18 août 2009, la vie pariétaire)
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furry-er · 2 years ago
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    vewn I love you
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fatooouuuu · 1 year ago
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«Sous un ciel éclairé, mes pensées danse la valse tandis que mes oreilles cherchent quelque part un requiem »
Fatou.ba
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cryjesus666 · 2 years ago
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Fun fact: in 2011 some French dude on Facebook posted a erotic old painting, got banned, they complained because it was against Facebook tos or smth, GOT FRANCE TO SUE FACEBOOK, WON, AND MADE FACEBOOK ALLOW NUDITY ART WORKS then Facebook made a donation to a French art group like a suck up 🤷
I WISH I COULD MAKE THIS UP LMAO
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talkativeobserver · 9 months ago
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I want to taste all your daisies.
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jiyasblogspot · 1 year ago
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lemuseum · 1 year ago
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ephemeral-winter · 4 months ago
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wait. bataille started out as a medievalist?
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itoshikinozomu · 1 year ago
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Pourquoi po Aethelthryth ça l'aurait été ben plus performatif. Comme bonne chance groupe.
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manoelt-finisterrae · 3 months ago
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© Manoel T, 2024
@lamigliorepartedime: L'origine du monde? Gustave Courbet
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atinylittlepain · 11 months ago
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Warm
college!steve harrington x f!oc
series masterlist
Steve gets flustered in an art museum. She kind of likes it.
18+ smut, normal hairy female bodies, steve is kind of a perv in the best way, smut duh, and verrryyyyyy sweet, also robin and eddie being good roommates
note: the painting that Andy and Steve look at is called l'origine du monde by Gustave Corbet and you can check it out here. This fic is for bush (not the president) and bush only, thanks.
.............................................................................
Steve is a good guy, right? Right. Respectful, respectable, two percent in his cheerios in the morning, light wash denim and clean sneakers, and he flosses two times a day, clean bill at every dentist appointment and he shows it, curls half a smile when he holds the door open for girls on campus, all ease, all-American and alright. Studying business, and of course he is, though his parents don’t know about the women’s studies minor he picked up all because of a flushed little crush on a professor that never amounted to anything, coupled with Robin strong-arming him into taking a few more classes with her. But that’s okay, he likes the classes, and he likes the classmates.
“Do you need a partner?” 
“Hmm? Oh, I was just going to work alone actually.” Big scarf tucked up around her neck and a big coat wrapped up around her and she barely even glances at him down the slope of her nose, already refocusing on the painting in front of her. But he’s a good guy, right? Right. A real team player, tilting his head, and letting his hair fall into his face, a little shy, a little smile. She glances at him, unimpressed hook of her brow and her eyelashes lifting up over the rims of her glasses. Her name is Andy, he knows, though they haven’t spoken, at least not directly. She’s been known to correct him in class however, her hand raising after his, quick and cutting. He maybe, kinda, sorta likes that. 
“I think we’re supposed to, you know, discuss what we’re looking at with each other for the VHS thing.”
“VTS.”
“What?”
“It’s called VTS. Visual thinking strategies. Are you sure you want to discuss this painting with me?” 
“I’m game if you are.” She smiles, and he’s already thinking about which of her palms he’d like to write his number on. But when he finally looks at the painting, he finds himself to be a lot less concerned with his phone number. 
“So, Steve, what’s the first thing you notice about this painting?” 
“Um, well, I–” 
“Is it too much for you?” Heat is prickling in a bloom up his neck, her smile sharp as her eyes flit between him and the painting, the painting that he really should have looked at before approaching her.
“No, no, it’s not too much. It’s– appreciation of the female form, right?” He’s not sure where to look any more, a strange kaleidoscope with how quickly his eyes are darting between scraps of the painting and her face. A freckle under her eye, and then swaths of cream and pink brush strokes and then the hitch in her cheek where her smile curves and then, and then. 
“Hair.” His voice pitches and cracks somewhere in the word, turning one syllable into two like a hiccup. She laughs a clipped sound. 
“Hair?” 
“Around her– around her–”
“Around her cunt?” Something hot tightens in his chest, maybe shame, though shame doesn’t feel good like this does. He feels foolish, the quick whip of his head around like he’s worried they’re going to get caught, though for what he isn’t sure. Likewise, he has no clue what’s causing this devastating fluster, this feathering of heat. Whatever it is, it’s making it very hard to look at her, though the way his gaze has fixed on the painting doesn’t feel much better either. He’s never heard a woman use that word before. Actually, scratch that, he’s pretty sure he’s never heard anyone use that word before, not in Hawkins, at least, not corn fed and halfway bible bred, at least. It sets something slick shimmering inside of him, something warm that’s making it hard to think.
“Are you blushing?” 
“I’m not, I’m just appreciating the work.”
“L’origine du monde.”
“What was that?”
“That’s the name of the painting. Origin of the world.”
“Well, that, uh, I guess that tracks.” 
“It’s a shame, don’t you think?” When he does finally look at her again, she’s smiling, all ease, all cool, and him anything but, his fingers tapping a nervous rhythm into his hip. 
“What’s a shame?” She sighs, a long sound, letting her neck roll to the side so her cheek scrunches into the plush of her scarf, a wistful look.
“The current trends. Looking like prepubescent girls. No hips, bald vaginas, everything so… sterile.” She speaks with a bluntness that winds him, if he’s being honest, her expression schooled, and maybe a little disillusioned, brow pinched and mouth pulling down in a grimace. 
“I guess I hadn’t really thought about it.” 
“Yeah, well, you have a cock. Makes things a little simpler, doesn’t it?” 
“Jesus Christ, do you always talk like this?” He says it just a little too loud, a little too breathless, heads turning in the gallery around them, and he thinks he might regret even trying with this girl. Should’ve stuck with the tried and true, that blonde girl that wears sticky sweet lip gloss and smiles at him from across the room during lectures. But this girl, with her arched brow and her twitching smile and the dark flicker of nail polish when she smooths the throat of her scarf. This girl has his number, and not in the way he’d like her to.
“What do you prefer, Steve? Do you like a girl with a smooth shave?” 
“Well I think that, um, a woman’s body is her own choice.” And it has to be the dumbest string of words he’s ever said, breathed out on two static exhales, a garbled parroting of what he’s learned in these classes, right? Well, sort of. 
“How progressive of you.” 
“But the painting is really, you know, it’s, um, it feels warm?” Not sure where that came from, another fresh flood of heat rising and buoying up into his cheeks. Though her expression seems to soften, her smirk falling into something lighter. Maybe, maybe, he got one right. 
“Yeah, I think I get what you mean. There’s a softness to it that’s beautiful, don’t you think?” 
“Mmhmm.”
“But also a strength, a frankness to it.”
“Yes, yeah.” That sick swirl of shame but not shame is receding, and only leaving a nice sort of haze in its place, his head lolling a little, eyes raking over the painting, the catch of light, the soft rounding of a body at rest, slumped and plush and kind of perfect, he thinks. Although he’s pretty sure Andy would correct him for perfect, perfect not being the point, because perfect is oppressive, right? Right. Fuck perfect, he thinks, this is something better than perfect. And maybe she is too. 
“Steve?” Her hand on his arm, purple nail polish and a close-lipped smile snapping him back into his body, hmm? And her smile spreads, and the warmth does too, and she’s saying something about the prof calling them back together and he’s mmhmm-ing on the heels of her brown leather boots. And she sits next to him when they get back on the bus, Robin giving him a stink eye that breezes right over the top of his head as she passes down the aisle because he’s a little busy trying to take discreet inhales through his nose of whatever perfume Andy wears, spice and strong and warm, that same warm. 
And it isn’t his number that gets jotted onto her palm, but her address that she scrawls onto the soft inside of his wrist, right over the catch and jump of his pulse, because she has invited him over for a drink tonight to continue our conversation from earlier. 
Robin doesn’t even have a chance to snit at him for leaving her stranded to the back of the bus because he’s already shuffling her along by the crooked wing of his elbow, hands tucked down deep in his jacket pockets, snow starting to flit and fall from the gray hang of sky. 
“I need your help.”
“You have a date.”
“I’m not sure.”
“It’s a date. She was like, rubbing your wrist. That’s a date.”
“I need your help.”
“Yeah, you do.” 
Because Andy is not light washed denim and polo shirts and two percent milk. He’s seen her in the campus coffee shop, she takes soy, sometimes almond, for the record. So when they get back to their apartment, the smell of electric heat washing over them and curling in their lungs, they don’t go to Steve’s closet, they go to Robin’s. 
Robin’s first pull is a turtleneck. He scoffs.
“What? Turtleneck dudes are definitely that chick’s type. Are you kidding me right now?” And when he assures her that he is, in fact, not kidding her right now, Robin starts to rummage again, eventually coming back out with a t-shirt for a band that Steve only knows because he has asked Robin to turn their music down on several occasions. And before he can say anything Robin is please hold-ing him and shouting down the hall for Eddie.
“What?”
“Steve has a date with a cool girl.”
“Cool girl, what cool girl?”
“Soc major, with the boots.”A little flurry of activity, socked feet slipping down the hall and Eddie hanging off the doorframe of his room, Steve not able to get a word in edgewise between their rapid fire volley.
“No, really? Little different for you, man, isn’t it?” 
“I–”
“We need your closet, excuse us.” Robin on the warpath and Eddie grinning big, and Steve somewhere in the middle.
“How’d this happen?”
“She–”
“They were talking about art.” Robin reappearing with a long-sleeved thermal gripped in her other hand, eyebrows waggling. 
“Steven? Our Steven? Talking about art? Well, well, well.”  If he just had time he’d say something back to Eddie about how he got kicked out of the art museum last weekend for making quacking noises every time the security guard took a step, but Robin is already ushering him back down the hall, into his room this time, shoving the bundle of clothes into his chest and slamming the door shut on her way out. 
Eddie is anemic and tends to eat breakfast when the sun is going down, and Robin is Robin, so it’s a tight fit getting the thermal on, followed by the t-shirt. But looking in the mirror, he thinks he likes it, gives an experimental and not at all vain flex of his arms that makes the sleeves of the tshirt roll back up toward the round of his shoulders and yeah, he likes that. And when he steps out of his room, Robin and Eddie already hovering and humming their approval, that warmth starts to build and bloom all over again. 
And the rest is a little hazy from there. Robin offers him two refrigerator-chilled potstickers from last night’s dinner, something about fuel for your evening, Stevening, while Eddie pours himself a bowl of corn pops and prattles about something he learned in his music theory class, dissonance and skipped beats, and Steve can understand the feeling. And then they’re both kicking him out with an all too solemn godspeed, soldier. Eddie even salutes him. 
Andy lives on the opposite side of campus in a cropping of apartments in a building that looks kind of like a castle, old brownstone and wrought iron. She buzzes him up, opens the door in a thin turtleneck and jeans, her head tilting and her lip pouting, just a little.
“Where’d the polo shirt go?” 
“I changed.” Excellent, he thinks, how astute of him. She smiles.
“I can see. I wouldn’t have pegged you as a Bikini Kill fan though.” He’s trying to focus on her as she leads him deeper into her apartment, though his eyes still wander. Old wood flooring that’s barely visible underneath the thick swaths of patterned rugs. A crushed velvet, lime green sofa sitting in front of a fireplace that’s packed full with books. The kitchen is tucked into a corner, a little patch of black and white linoleum, old appliances. She’s pouring wine at the counter with her foot pressed into her other calf in a sort of shortened tree pose, and she’s asking him if he likes red, and he nods, all the while thinking to himself that he hasn’t consumed enough wine that doesn’t come in boxes to really care what color it is. 
They sit down on the lime green sofa, her arm draped over the back of it, fingers tipped toward him. And he’s trying not to be such a dweeb about it, really, he’s not, but it only takes a few bashful glances to know that she very much is not wearing a bra. And he likes that, likes that a lot. Likes the soft curve and fold of her stomach with the way she’s turned toward him, the stretch of her jeans at her hips, her thighs, and his mouth goes dry around a gulp of wine when he starts to think about that painting again, and he starts to think about her, and he starts to think about her and the painting together. He starts to wonder, to wonder, to wonder what similarities he might find between the two. 
There’s conversation, quiet and meandering and murmuring, their mouths staining dark and rosy from the wine, bodies turning warm and pliant and inching closer, closer, closer. And it all starts to melt, empty glasses set aside and her hand slipping into the back of his hair and she’s going to be the one in control, isn’t she? Fine by him, lax and languid in her hands, letting her tilt his face toward her. The first kiss is surprisingly sweet, just a peck to the corner of his mouth that makes him breathe hard through his nose in a petty huff of anticipation. She grins, lets the next one take its time, a little deeper, a little more heat, open mouth against open mouth, and he groans when her tongue slips behind his teeth. 
This would be enough, he thinks. This time, at least. Her settling into his lap, little pants of breath between the wet snap of lips and spit and tongues. His hands squeeze at her thighs, coaxing a skittering sound from her throat when he reaches back and cups her ass, fingers splayed and pressing petulant. He’s going to feel her fingers in his scalp for a few days, the little hurts, little pulls. The next time she pulls away she presses her hand into his chest to keep him at bay, even as he tilts his chin up, feeling young in his eagerness as she smiles wide-eyed at him.
“Hi.”
“Hi.” Both of them whispering, and when they both realize they don’t know why they’re whispering, both of them giggling, getting away with something when she pulls him up off the couch and into her bedroom. 
“Why is this shirt so tight?” She huffs it out with the tshirt halfway rucked up his torso, his hair falling in his face as he curls over trying to help her get it off, both of them breathing out a laugh when the fabric finally is up and over and off of him.
“Oh baby, your hair.” He likes baby, baby feels good, feels like another warm bloom in his chest, his smile turning sheepish when she reaches both hands into his hair, shaking it out at the roots before smoothing it back for him. He chases after her hand, manages to press a kiss to her palm before she’s reaching for the hem of his, Eddie’s, thermal. It comes off easier, quieter, her eyes softening as she takes in his bare chest, catching him off guard when she ducks her head down to press a kiss to the dip that connects the lines of his collar bone, there and gone, little sweetness, little warmth as she steps back and grins. 
“Do you wanna lay down for me?” Not even a thought, just ligament and muscle moving, some sort of game dancing between their eyes as he settles back on his elbows against the dark fabric of her duvet. He watches the fine flicker of her fingers make deft work of the buttons of her jeans. An absent-minded thing, the heel of his palm pressed to the ache, to the heat. He’s already hard, already smearing warm against the front of his boxers watching her step out of her jeans.
“Oh fuck, honey.” A little pained, the sweet prickle of agony, of being right. A vision somewhere between obscenity and divinity, he thinks, though that would be playing into the madonna-whore complex their professor was lecturing about last week. He doesn’t care, doesn’t care about much of anything except continuing to look at Andy, the soft divot at her waist where her white cotton thong settles against the soft curve of skin, and the dark bloom of curls along the sides of the material where her thighs touch. He was right, and now he’s doomed. 
She smiles, finger hooking in the hem of her shirt and pulling it up just a little, exposing the sweet dip and swell of her stomach, and suddenly he’s not so interested in just laying back any more. Greedy, he feels the slick, desperate curl of it in his gut. Greedy when he shuffles up onto his knees and crawls to the end of the bed. Greedy when his hands curl at the fat of her hips and he pulls her in closer so he can press the open heat of his mouth just above her navel, soft and warm and he wants more of it, of her. She sighs, a long, languid sound that he wants to hear more of, dipping his head down to mouth at the jut of her hip, dampening the fabric slung taut there. 
Limbs tangled with limbs, some of it graceless, awkward, some of it perfect motion. She lays out like a painting, like the painting, for him, her turtleneck curled up around her sternum so he can palm a handful of her breast, settling down between her thighs and wasting no time in dragging his tongue through her cunt. 
She wasn’t wrong about the trends. Hairless bodies, smooth bodies, flinchingly pristine bodies. And that’s fine, he thinks, been with plenty of bodies like that, made his body like that for a while too. But he likes this, likes her, the sense and sate of it, the scent of it, even if it makes him a pervert, lapping at her while he curls two fingers inside her. And somewhere in the simpering sear of it, his hips have started to jerk and stutter into the mattress beneath him, picking up a stilted speed when she starts to moan, clipped sounds and his name and he wants it and he wants it and he wants it so bad. She comes with a long sigh that cracks high into a whine, her thighs tensing and slackening around his face. And he feels a warmth of his own, relief of his own, though the reality of what he did turns him sheepish, pressing a bashful smile into the swell of her inner thigh. 
“Did you?” Her words crackle breathless with her grin, peering down at him from behind her forearm and he can barely look at her, turning his face back into her skin, letting his teeth graze there a little mean.
“Maybe, shut up.” Her laugh bursts and bubbles up, her head tossed back, eyes crinkled shut as he crawls up and up and up, not evening minding the uncomfortable cooling in his jeans when he presses a sloppy kiss to her mouth, turning her laugh into a satisfied hum. 
“Hmm, kinda feminist of you coming in your jeans just from eating me out.” Speechless, and he kind of likes it, huffing out a breathless laugh as he watches the cartoonish jump of her eyebrows. He presses a kiss between them, sweet and simple, warm all over when he pulls back to find her smiling at him.
“I like you, a lot.” That whispering thing again, a little shy, a little young, and a little uncertain. But there’s no need for it, not when she tilts her chin up and presses a kiss to his cheek, the round of it, the warmth of it.
“I like you too, Steve.”
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unefemmemapparut · 5 months ago
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Self Portrait as L'Origine du Monde by Jana Briken, 2016 "Selfie" exhibition, Stephanie Chefas gallery, Portland, USA source
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sappho-favourite-pupil · 2 months ago
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your pinned got hidden :(
My friend Courbet would be so damn happy to know his paintings are still scandalizing people in 2024, more than 150 years after his own death.
As an artist myself i think this must be the final aim of your art, or why are you even making art?
This is the painting that got my pinned post hidden, by the way.
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"L'origine du monde" by Gustave Courbet, 1866, oil on canva.
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talkativeobserver · 7 months ago
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Thank you but, if you don't mind, under your coffee there is something much more yummy to taste…
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Do you want a sip from my coffee. Yes, it’s me!
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rollinginthedeep-swan · 1 year ago
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Pourquoi rendre les RPGs plus sûr est capital
Et je vais témoigner de ma propre expérience, Tw : Validisme, comportements abusifs et foutage de gueule complet.
Je crois pas avoir déjà songé à VRAIMENT faire un poste complet pour expliquer ça, mais en traînant un peu sur la toile après 4 ans d'absence, force est de constater que j'en ai, des choses à dire. Ironiquement, le temps est passé depuis mes débuts et j'ai pris une bonne claque à mon retour. J'ai réalisé un truc auquel je m'étais pas trop préparée.
Je fais partie d'une génération d'RPGistes d'AVANT. (?? Sérieux ?) Dans cet entre-deux où on se foutait un peu de tout et où c'était yolo, mais où on déplorait déjà le 'bon vieux RPG'. J'en aurais des choses à dire, bonnes ou mauvaises. J'en ai, des mauvais souvenirs, des moments qui m'ont fait trembler en voyant simplement le header d'un forum sur lequel j'étais incapable de revenir et qui aujourd'hui encore, me font carrément grimacer. D'après mon titre, vous vous doutez que je veux en venir à un élément super important : Les RPGs qui ne sont pas sûrs pour chacun-e-s. j'ai donc connu cet entre-deux, où le RPG avait déjà un peu changé mais pas trop. À l'époque, on reprochait surtout au forum une tendance à se complexifier, tant au niveau du contenu que de l'apparence. Y a bien entendu des trucs qui me manquent, mais c'est totalement normal d'avoir de la nostalgie et personne n'a à reprocher ça à quique ce soit. (Du moment que c'est pas des trucs crasseux et mauvais)
En revanche, je vais vous dire cash ce que je regrette pas, ce qui m'a dégoûtée au point de me tirer quatre ans en pensant ne jamais revenir. (J'ai pas arrêté d'RP, j'ai arrêté de relationner avec le monde du RPG.) J'ai arrêté par dégoût d'une ingratitude crasse de certaines personnes qui m'ont prise pour acquise. J'ai beaucoup grapher, pour pas mal de personnes, et certain-e-s d'entre elle-eux ont su tirer sur la corde, faire pression, me repprocher de ne pas être pile à temps pour un délai, d'écrire 'plus avec truc qu'avec elle-eux', de pas avoir vu telle ou telle truc alors que j'étais pas admin, mais graphiste. Je regrette pas les blagues sur mes étourderies orthographiques très nombreuses à ce moment-là et les vannes validistes, je regrette pas les coups bas, les séances de bitching en coulisse quand on pensait que j'allais rien voir. Tout ça, je le regrette pas.
Ici, mon objectif n'est pas de poser un pugilat et de taper sur une personne en particulier, parce que je m'en fous complet aujourd'hui. Non, le but de ce poste c'est de vous dire un truc, à vous, la "nouvelle génération" d'RPGiste. C'est pas parfait, mais au moins vous le faite. Vous tentez des trucs. On n'échappera pas aux types d'individus qui ont fait ce que j'ai cité plus haut, on n'échappera pas aux abrutis validistes, aux joueur-ses un peu envahissant-e-s et culotté-e-s ou aux plagieu-ses-rs éhonté-e-s. Mais vous faite de votre mieux, chaque jour, pour rendre une activité géniale aussi sûre que possible, pile comme elle devrait l'être. Je vois des gens faire des publications pour inspirer les créateurices de forum à optimiser leurs forums pour qu'ils soient ok pour chacun-e. Y a des sources, des options intégrées par FA. (Il était temps.) On pense enfin à prévenir les gens lorsqu'un sujet risque d'être dur, on arrête enfin d'en faire des blagues sans prévenir au coin du flood, on laisse les Dys tranquilles et MIEUX, on les aide. De plus en plus de gens pigent que le RPG est un jeu et qu'il faut arrêter de stalker les joueur-ses. C'est pas partout, mais ça se développe. C'est pas toujours parfait et tout le monde n'y trouve pas toujours son compte, mais c'est là. Parce qu'on est juste là pour ça, à l'origine, inventer des univers à plusieurs mains sans devoir galérer, se justifier où subir du Gaslighting de la part d'un Staff démissionnaire lorsqu'on pointe un problème du doigt. (Sérieux, arrêtez de faire ça.)
Bref, lâchez rien.
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