#kumkum bhagya cast

[sapootindia]

Kumkum Bhagya 24 May 2023-:-रणबीर और प्राची ने पार्टी में किया डांस

Kumkum Bhagya 24 May 2023-:-एपिसोड की शुरुआत ख़ुशी से होती है जो शाहाना से पूछती है कि मम्मा और पापा को एकजुट करने में उसकी मदद कौन कर सकता है, और पूछता है कि क्या बड़ी मम्मी या दीदा। शाहाना कहती हैं कि किसी पर भरोसा मत करो, अभी हम आपके जन्मदिन पर ध्यान देंगे। वह कहती है कि हम उनसे बाद में बात करेंगे। ख़ुशी पूछती है कि क्या आपको लगता है कि वे समझने के लिए पर्याप्त परिपक्व हैं, और बताती हैं कि…

[ghlagatindotcom]

Second Lady Samira Bawumia to meet with Kumawood stars and stakeholders to revive struggling movie industry

Renowned radio personality Ruthy of Nhyira 104.5FM has revealed that Second Lady Samira Bawumia is set to meet with Kumawood stars and stakeholders to explore ways to revive the struggling movie industry. This move comes after her successful meeting with the cast of popular Indian TV series Kumkum Bhagya in 2017. According to Ruthy, Samira Bawumia’s engagement with the Indian entertainment…

[newepisodetodayoffical]

Kumkum Bhagya 21st May 2024

  Watch Full Episodes Online Kumkum Bhagya 21st May 2024   Kumkum Bhagya 21st May 2024: A Review Introduction The Indian television drama series, Kumkum Bhagya, has been captivating audiences since its premiere in 2014. With its compelling storylines, talented cast, and high production value, the show has become a fan favorite over the years. On the 21st of May, 2024, the show aired a…

[marblery]

The Influence of Indian TV Serials in Shaping Societal Norms

Indian television serials hold great power in shaping societal norms and influencing public opinion. With millions of viewers tuning in daily, these shows have the ability to create role models, challenge stereotypes, and bring about social change.

One way Indian TV serials shape societal norms is through their portrayal of strong female characters. Shows like "Naagin," "Kumkum Bhagya," and "Ishqbaaz" feature women who are independent, confident, and capable of making their own decisions. These characters inspire viewers to break free from traditional gender roles and to believe in their own potential.

Furthermore, many Indian TV serials have been successful in addressing social issues and raising awareness among viewers. For instance, shows like "Satyamev Jayate" and "Crime Patrol" shed light on various social problems, including domestic violence, child abuse, and corruption. The impact of these shows is evident in the changes that have occurred, such as increased reporting of crimes and a shift in societal attitudes towards such issues.

Indian TV serials also play a crucial role in promoting diversity and inclusivity. Shows like "Bepannah," "Balik Vadhu," and "Anupamaa" depict characters from different religions, castes, and backgrounds. By showcasing the lives of these diverse characters, the shows foster empathy, understanding, and acceptance among viewers Vanshaj future story.

Moreover, Indian TV serials have the power to shape public opinion on topics related to politics and governance. The satirical show "Taarak Mehta Ka Ooltah Chashmah" often addresses political and social issues in a humorous way, encouraging viewers to critically think about these topics. Such shows can encourage public dialogue and hold those in power accountable for their actions.

However, it is important to note that while Indian TV serials have the potential to shape societal norms, they can also perpetuate harmful stereotypes and reinforce regressive ideologies. The portrayal of women as damsels in distress or the normalization of toxic relationships are examples of how these shows can have negative impacts. Therefore, it is crucial for creators and writers to be responsible in their storytelling and ensure that they promote progressive values and ideologies.

In conclusion, Indian TV serials have a significant influence in shaping societal norms and influencing public opinion. Through their portrayal of strong female characters, addressing social issues, promoting diversity, and encouraging public discourse on important topics, these shows play a vital role in bringing about social change. It is essential for creators and writers to recognize this power and use it responsibly to promote positive, inclusive, and progressive values.

[blogynews]

"From Pressured to Proud: Abrar Qazi's Unexpected Leap into Kumkum Bhagya's Epic 23-Year Journey Hints at an Explosive Fan Base Twist!"

Abrar Qazi, the new addition to the cast of Kumkum Bhagya, recently spoke about his role and the pressure he feels in following the show’s legacy. In an interview, Abrar expressed his determination to win the audience’s love and acknowledged that it might take time for them to accept the change. The actor also acknowledged the benchmark set by the previous lead actors of the show, recognizing…

[blogynewz]

"From Pressured to Proud: Abrar Qazi's Unexpected Leap into Kumkum Bhagya's Epic 23-Year Journey Hints at an Explosive Fan Base Twist!"

Abrar Qazi, the new addition to the cast of Kumkum Bhagya, recently spoke about his role and the pressure he feels in following the show’s legacy. In an interview, Abrar expressed his determination to win the audience’s love and acknowledged that it might take time for them to accept the change. The actor also acknowledged the benchmark set by the previous lead actors of the show, recognizing…

[blogynewsz]

"From Pressured to Proud: Abrar Qazi's Unexpected Leap into Kumkum Bhagya's Epic 23-Year Journey Hints at an Explosive Fan Base Twist!"

Abrar Qazi, the new addition to the cast of Kumkum Bhagya, recently spoke about his role and the pressure he feels in following the show’s legacy. In an interview, Abrar expressed his determination to win the audience’s love and acknowledged that it might take time for them to accept the change. The actor also acknowledged the benchmark set by the previous lead actors of the show, recognizing…

[kharisubas40972]

Zeeshan Khan reveals experiencing casting couch; recalls being approached for stripper offers : Bollywood News

Zeeshan Khan, known for his appearances in popular TV shows like Kumkum Bhagya, Bigg Boss OTT, and Lock Upp, recently shared his harrowing experiences with casting couch and being propositioned to work as a stripper in the entertainment industry. In an interview with Hindustan Times, Zeeshan revealed the uncomfortable situations he encountered throughout his career. Zeeshan Khan reveals…

[thecrack-news]

Sriti Jha says upcoming twist in Kumkum Bhagya will surprise audience Sriti Jha said- The coming twist in Kumkum Bhagya will surprise the audience

Sriti Jha says upcoming twist in Kumkum Bhagya will surprise audience Sriti Jha said- The coming twist in Kumkum Bhagya will surprise the audience

Digital Desk, Mumbai. An interesting turn is taking place in the lives of Abhi and Pragya, the lead characters played by Shabir Ahluwalia in Kumkum Bhagya, portrayed by Sriti Jha. Abhi and Pragya were married, but later Abhi is left alone, as Pragya is shown dead. But later there was a gap of two years in the show. Now both will tie the knot again, although this time it will be a contract…

[sapootindia]

Kumkum Bhagya 23 May 2023-:-शाहाना ने रणबीर को ख़ुशी के जन्मदिन की पार्टी में आमंत्रित किया

Kumkum Bhagya 23 May 2023-:-एपिसोड की शुरुआत शाहाना से ख़ुशी से कहती है कि प्राची उसे याद करती थी और उसके जाने के बाद उसका जीवन रुक गया था। वह कहती है कि वह आपका जन्मदिन मनाना चाहती है और आपको खुश देखना चाहती है, आपको साल भर की सारी खुशियां देना चाहती है। वह ख़ुशी से अनुरोध करती है कि वह प्राची को अपना जन्मदिन मनाने दे और उसे खुद से अलग न करे। खुशी का कहना है कि मैं उसे खुद से अलग होने के लिए…

[doonitedin]

Kumkum Bhagya: Pragya aka Sriti Jha says upcoming twist will surprise audience

Kumkum Bhagya: Pragya aka Sriti Jha says upcoming twist will surprise audience

Image Source : INSTA/SRITIJHA Kumkum Bhagya: Pragya aka Sriti Jha says upcoming twist will surprise audience ‘Kumkum Bhagya’ is coming up with an interesting twist in the lives of lead characters ‘Abhi’ played by Shabbir Ahluwalia and ‘Pragya’ which is depicted by Sriti Jha who were married earlier but they parted because ‘Pragya’ was shown as dead. But later in the show there was a two-year…

[charmboard]

Leena Jumani Looks Like A Real Life Princess In This Picture!

You can love her or probably hate her with all your might, but Leena Jumani aka Tanu is one person who cannot be ignored. She brings in a certain amount of energy in Kumkum Bhagya, that makes it even more interesting to watch.

On times when she is not plotting against Abhishek and Pragya, Tanu is seen sashaying in the best of fashion. We are talking about her personal life which always looks so fashionable. Our style lens were on her Instagram profile this time and boy, she didn’t disappoint! The girl looks oh-so gorgeous in this peachy nude flowy gown and statement earrings . Definitely a drool worthy look to try for your wedding reception or even a cocktail party. As of now, we just can’t take our eyes off her… So what do you think about this princessy look? Here is a handy outfit curation that might help...

To check out more on Leena Jumani’s  style click on

https://www.charmboard.com/en/entertainment/leena-jumani-looks-like-a-real-life-princess-in-this-picture/

To find more about the latest celebrity style, fashion and makeup, go and visit Charmboard.com

#Charmboard #LiveInspired #GetTheLook

[sritisbae]

[i-tellynewsupdates-posts]

Kumkum Bhagya 16th November 2022 Written Update Episode

Kumkum Bhagya 16th November 2022 Written Update Episode

Written Update of Kumkum Bhagya 16th November 2022 on TellyNewsUpdates.com Kumkum Bhagya 16th November 2022 The episode begins with Sid telling Ranbir that he can see Rhea’s lie in the report. Ranbir says it’s not Rhea’s report. He tosses it at Sid’s absolutely favorite and leaves. Sid feels befuddled seeing the report. He calls Preethi and inquires as to why they send Kinjal’s report to them.…

[shaonsim]

Thoughts on the writing of itv!!! What kinda show would you writeee

My friend. My hero. Thank you for sending this in. Thank you so much!! You gave me such a wonderful opportunity to blab about stuff.

THANK YOU ❤️❤️❤️❤️

The writing of ITV, you ask? Hang on my friend, this will be a WILD ride. A wild ride. This will be loong and wordy and a little incoherent, jumping from one point to another, but this will tell you a lot about how I feel about the writing of ITV.

And yes, this will read like a letter to the CVs because I am totally incapable of abiding the rules of grammar and I don't want to edit all this.

And I apologise for the out of context references that seeped in with time. Sorry, couldn't help it. I will gladly expand upon any of the references.

The main thing with writing (according to me, but I don't like repeating this disclaimer since by asking the question you already know that this will be my personal opinion, but still, for safety purposes)...The main thing with writing is that the core concept can be summed up in one single paragraph, and then you add words for emphasis.

You write in a thousand situations, in different styles, only for the message to hit home.

Look at our Epics.

Ramayana can be summed up as the Ram-Ravan conflict in a good Vs evil way. Lakshman is the devoted brother, Hanuman (ji) is an ardent devotee of Ram-Sita.

Mahabharata is basically another story of good Vs evil, where Duryodhan is the evil guy , Shakuni is an evil mastermind, 99 Kaurav brothers (+ Karna) the sidekicks, and the rest of the Kurus (+ Drona and Kripa ) as the silent voices of reason.

And almost every event emphasises these points. Because that's the story.

Look at Harry Potter. Three kids (young blood/new generation ) fighting against the big bad and pointing out and fixing the mistakes of the past along the way.

Look at Kalpurush (I read it during the quarantine and I am in love ❤ ) , where the main theme is that a mother worries whether the circumstances will lead to history repeating itself, whether a son will follow his father's footsteps, and whether she would be happy if he did turn out to be like that.

Technically, it is the same with shows.

Sasural Simar Ka began with the concept of the deep bond between the sisters, then moved on to supernatural forces interfering with the Bhardwaj family. The theme changed, but it didn't vanish.

Swaragini began as a show revolving around the sisters, and it stayed like that for forever, even when the plot went sideways and the sisters were pitted against each other.

Kumkum bhagya is a show where the leads battle kidnapping, murder attempts, misunderstandings etc and come out longing for each other and dreaming about happier times (the same was the theme of Pavitra Rishta too, if I remember correctly. But with less kidnapping.) And now the show has taken a leap with a love triangle between the kids (look, another similarity between kkb and pr. Go Ekta)!

KZK2 *cringe cringe* is all about AnuPre who love each other but don't end up with each other because of various reasons.

ITV has this thing down pat.

But it fails to come up with proper events to highlight their core concept and of course, they fail to choose an interesting theme for the show, but heyy, human mind and relationships is a gold mine for ideas. It is fascinating, and quite enjoyable, if it is done right. Am I biased because it is my favourite genre? Yes of course.

But the point stands.

Another important part of writing is that in order to come up with plot points that will reinforce your main idea, you need to come up with a cast of interesting characters, and develop their background to give you an ample opportunity to create the above mentioned plot points. The spectators, onlookers, the influencers need motivation - reasons for their actions.

Think about Karna. Think about Drupad-Drona. Think about Bhishma-Amba. Think about Jayadrath and his boon.

Sub-plots, side-plots. Parallel storylines.

For the most part, ITV fails in this department. The characters or stories they introduce are a) boring (either because we fail to understand their motivation or because they are diluted versions of the leads) or b) annoying because of their over enthusiastic and blind favouritism for the lead character they support.

^ Casting and acting also plays a major part in this (ugh Chandni ), but most of the time, it can be solved with focusing on the actor's strengths and weaknesses and changing the dialogues based on that. A writer can change things.

That's their job.

If your side characters are not interesting enough to deserve a story of their own, you aren't trying hard enough. That said, if you can't weave in their story in your main story, do not focus on the side plots. No one is interested in seeing your hodgepodge of TWO (or more) stories. It should all come together in the end, it should become one BIG story. Bring it all together!!

But do focus on the side plots, because there is only so much you can do with your leads, especially in the romance/family (whatever you call it) genre that occupies 90% of tellywood (and for good reason too!!)

A good plan is to create events with one of your main character and a group of characters (how small or big a group is for you to decide). If you force the audience to look at two/three supporting characters, no body will be happy.

Use your leads!!!!

Also, PLEASE use the show Vs tell method.

You want us to know that the male lead is adored by his sister? Show us. And by that, I meant scenes where we can see the bond they share, NOT dull monologues where the sister sings praises of her brother (a few monologues are fine though). You are an audio-visual medium.

ACT LIKE IT.

Monologues are for written things. Where we only have the words and our own imagination. Here, you have the tools to present us with the pictures, with the words they speak to each other.

Don't waste it.

In the same vein, do not repeat dialogues. Not word to word (don't repeat the same thing with different wording multiple times in a single episode or a week of episodes). Switch it up, and if you have to, have to repeat stuff, use an actor who has decent facial expressions and voice modulation. If the actor is stiff, robotic, then don't use that actor to parrot your lines. Seriously.

<< Not to hate on anyone in particular but Prerna's 'Anurag Anurag Anurag' is very annoying, for reasons that are better left unspoken >>

Hey, hey, you know what else is an integral part of writing? Research. Making a show on doctors? Police? Engineers? Lawyers? Chefs? Do your research. And if you want to take the short cut and go with the convenient business men/women trope, by all means, go for it. GO FOR IT. But show them working, and no, not because of tracks revolving around the business, but always. Running a business is a full time responsibility. Show that. I repeat, show that. Show that the character isn't home 24x7, show late night meetings, show files neatly stacked (or strewn about, your choice). Show the products or materials involved in the business. Show your characters being exhausted with the amount of work, show their involvement in their work. Or don't, if that suits the story and your character is neglectful, or if you have a proper reason to have them take some time off. Pay attention.

Time for a checklist.

Central theme? ✅

Side plots (+ characters)? ✅

Edit things because of the actors? ✅

Show Vs Tell? ✅

Research? ✅

How much DRAMA is too much drama? ❔❔

Now, this is a product of my curiosity (+ me posting the Fic Which Must Not Be Named), but I think this fits nicely with the rest of this answer. I wouldn't explain this in detail because the original post does a much better job (and I need validation, so go read that post) but to think, that ITV tells us stories of other people, and whether it is this very question, this doubt, that leads to the numerous kidnappings and accidents/fire/misunderstandings we see in 90% of the shows.

Okay, time to return to the checklist.

Oh. Oh! I forgot my favourite part.

The influences of the audience. Every writer has a story to tell. And while it is difficult to think that the ITV creatives know what they want to do with their story, I would give them the benefit of doubt. Besides, as a writer myself, I know that 80% of writing is having no clue as to where you want to take the story. ANYWAY, back to the topic at hand. I think, if everything was written and shot before telecast, we might get cohesive writing. As it is, the creatives put out some content, look at the reaction, and try to maintain the highs or fix the blunders, by hook or crook.

And the story suffers.

Complete revamping of tracks, characters behaving worse than pendulums, repeat of romantic scenes, bringing in new characters out of the blue - I believe, most of these things occur in a rush to fetch (or maintain) ratings.

Now, let's talk about copy-pasting tracks without bothering to look at the bigger picture. What works for one show, works only because it goes with the past and future events of the show. You can't grab xyz from show1 and throw it into show2, because S2 does not have the background of S1. It wouldn't work, because the characters are different, their motivation is different, their past is different, everything is different.

Also, can we talk about how two people of opposite genders can be friendly and helpful to each other without secretly pining for the other person? It doesn't always have to be romance, although it can be perceived as that, if you want a jealousy track. Character A and B both know there is no romantic feelings, but Character C is seeing green because heyy, DRAMA!!

((This is one thing that disastrous Bajlo tomar alor benu did right, in respect to Minu and Rudra))

Another important thing - people can (and should, if you want it to be realistic) be morally grey. There is a phase between liking someone or hating them or wishing them to be dead or actually killing them. Also, not everyone has access to criminals and goons. I REPEAT, not everyone has a criminal connection, or the mental capacity to actually execute the plan to the T.

Thinking of murder, planning murder and straight up plunging a knife in someone's chest are different things. Remember the difference.

USE THE DIFFERENCE.

And while you are on it, learn the difference between attraction, appreciation and love.

We might be attracted to a particular quality - a physical attribute, a skill, a specific philosophy etc. We might appreciate that quality in a fellow human being. And we might be attracted to and appreciate the person with those qualities, but that doesn't mean that we would love them.

In the ocean of unnecessary romance angles and third wheels, this core difference is often brushed away in a bid to gain trps. Please don't do that.

Another checklist.

Ratings changing the story? ✅

Copy pasting tracks ✅

The world is grey ✅

Less criminal activity ✅

Not everything is love ✅

Would you look at that! I covered so many things. Fear not, I still have a lot to say. Mwahaha.

Not going to go into detail about my opinions on in-laws on ITV, because that is already covered here, but let's talk about the actual family.

The parents, siblings, cousins, relatives. Again, I am going to repeat myself and tell them to use the show Vs tell method. And actually focus on the dynamics because although the equations will change after marriage (for the male lead, the female lead will be cut off from her family 80% of the time), these relationships set the foundation for your character. Their personality. Motivation.

If you are going with a character who is distant, then by all means, do so, but do NOT ignore the family. Show that the character doesn't care.

Show it. Don't gloss over it.

That said, limit your exploration of characters and back stories. There is no hard or fast rule, but if it feels like too much focus, then it is too much focus. Go follow your basic INSTINCTS.

Okay, now is the time to come to the business side of writing for ITV. Bringing in popular characters, giving them smart dialogues and promoting them to the High Heavens. Wonderful trick. But do it in a subtle way. We will gladly let you play us, but only until we realise that we have been played. Subtly manipulate things. Subtly.

And, talking about that, let's also talk about how consistency is really important. Dumping black (or white) paint on characters would not wash away past grievances. It wouldn't remove the impression we already have. So if you want to portray someone in a positive light, work up to that point. Same with negative portrayals. Ease us into the change in perspective.

((Bajaj track in KZK2 is the perfect example of how the writers totally FAILED to follow this rule))

Also, if you are writing comedy, please hire good actors. Comedy is incredibly difficult, and if the performance isn't up to the mark, then it falls flat. And bad comedy is very annoying.

Another thing. If you have a social message, as in if the central theme is a social issue, do NOT forget your theme. And do not shove it down our throats. Don't make it preachy. Strive for balance.

And here, let me remind you that you do need a central theme, that's a very important part of your story. So pick a theme. And stick to it.

Think of your story like a human body.

Skeleton is the theme. The concept.

Blood is the undercurrents, the 'vibe'.

Organs are the characters.

Veins and arteries are the relationships.

Flesh is your plot.

Skin is the sub plots and side plots.

AND TOGETHER, THEY MAKE A STORY.

TOGETHER, THEY MAKE A STORY.

See how I repeated myself for emphasis? That's what you have to do, in a more subdued and complex way. I know you have it in you.

And because I wrote so much about adding sub plots and side characters, let's talk about what you shouldn't do, with me quoting myself:

Even CID, a show I loved to watch because it was a crime drama but less gruesome than what you would expect, could not escape tellywood’s clutches and turned into a chaotic mess with too many new characters and a massive shift in focus - in its last days, it was more of a romantic drama with the crime sprinkled in, and because there were so many new characters (who were boring 70% of time and annoying for the other 30%), I had ZERO interest in the series. The crimes have always been similar, what kept me hooked was the way they dealt with it and their group dynamics, which was ruined by bringing in a hoard of characters who contributed nothing to the story. And the Shreya-Daya track was a bad one from its conception, there was no need to drag it until my mild indifference turned into a major annoyance. And they could have avoided all of this. There was no need to ruin a perfectly good show with lazy, uncreative writing.

^ Bolded are the parts I consider important.

Also, let me take this opportunity to talk about shows similar to CID, in which every episode deals with a mini-plot and it is only the characters that remain the same. Crime dramas, medical dramas (although one the most popular ones on ITV - DMG was less about medicine and more about Jerk!Armaan and his jerk-ness and got rid of this problem in an innovative way that deserves an essay of its own, but I digress).

If the only thing remaining constant is your characters and their group dynamics, then do NOT throw in twenty new characters at once. Introduce them one at a time and limit the number of characters you will use. Keep the same cast for a decent chunk of time. Please. And do not add in multiple sub plots. The storyline is already a little blurry, jumping from case to case, so too much drama between the characters can be either too much to handle or just very, very boring. The focus is on the cases. Keep it there.

A show that did it quite well, was Goyenda Ginni, what with the overarching plot of a homemaker balancing housework and her passion for solving crimes. And because it was always about a family, with limited characters (bringing in spouses for the unmarried characters), it wasn't crowded.

Before I forget, here are some of my common issues with ITV and their writing department ⬇️

EK and her love for the child!track

Portrayal of marriage and relationship

^ And I must add that the Fic Which Must Not Be Named came into being because I couldn't accept the marriage trope for the two characters from the show that has become my latest obsession, even if the trope is shown in a negative light and the people in it are called out and they realise how wrong they are. #shaonHatesDealMarriages

The year 2020 and tellywood marriages

For the most part the last two links say the same things, but the wording and examples and the object of focus is different (this is how you hammer it home, CVs, write long posts on the same thing until the world learns about your hatred for said things. You're welcome 😎)

Also, something I remembered while writing the little note about forced marriages - acknowledge the wrongdoings of your characters, EVEN if they are the leads and you want people to love them. Glossing over the misdeeds wouldn't help, but accepting the truth, pointing out the flaws and then adding the reasoning behind the actions, and later on, writing in the realisation and apology for the act, is a much, much better idea. It is easier to forgive someone if their misdemeanor isn't shoved under the rug. But don't go overboard with the accusations. Repeating the truth multiple times only serves to annoy us.

Have I covered everything? I don't know. Feel free to ask me specific things in case you think I didn't comment on something. It is easy for me to forget about things while writing an answer as long as this. Not to mention, that I framed the first two-three paragraphs in my head while I stood under the shower, so in the rush to jot down everything I had thought of, I might have missed some stuff. Happens to the best of us, eh?

Coming to the second part of your question, I must admit, I am not the best at coming up with original premises. I like to dwell on the thoughts of the individual, delve deeper into their minds and do stuff - as evident in my love for the romance/drama genre, and why I love that ITV has so many shows in this genre. Why my writing (the drabbles I wrote last week), is more about the people than the plot. That's just who I am.

That said, I think I would do good with a team. Together, we can write a lot of things. ((Someone agree to do a collaborative fun writing project right now, I love those. We can make full use of all this free time and write a story of our own)).

No, seriously.

I love writing as a team.