#krishna line status

[2025soumua]

​ @thingscanchange2023  I am just trying to fuel the flame and keep engine going . Don't stop if you have failed , going through tough times , sad about something . You are a lot More than you think . Hustle to explore , to succeed . Subscribe to the channel and be the part of this Motivational journey . krishna love motivational speech

[sambhavami]

Krishna: a character adored for over two thousand years, revered as one of the most significant political masterminds of the ancient world with his words forming the philosophical core of the country today. Concurrently, he is the god shrouded in inimitable domesticity- as a friend, a lover, and a child. No other deity in the Hindu pantheon has probably achieved as dear a position in the hearts of people as this flute-wielding cowherd of Gokula.

For generations, he has shined as the muse of countless poetfolk, of unfinished business, of unspoken desires and of repressed lovers' qualms. In Meera's longing for her marble beloved, and in Kothai's dulcet dreams of a celestial wedding, Krishna blossoms not as a warrior, but rather as a confidante of young women- the keeper of all secrets.

Curse, o ye, this wedding of devotion, 

For I was better off unmarried,

Writes the lovestruck Nawab Sadiq Hilm,

I was well enough at my mother's; 

Oh, why did I pine for him?!

Who am I, or what: go ask Rizwan, the gatekeeper

For heaven has been rejected by my forebearers!

He says, in a nostalgic ode to the cowmaids from old tales. To the ones that massage the dust off their feet on Krishna's fevered forehead to soothe his illness, even as the apparent disrespect dooms their afterlives.

Jayadeva notes a more rugged form of Krishna, one that is almost hungry for love. His Radha smiles down upon Radharaman Dutta's kalankini. Of course, she would accept even infamy if it was in relation to her Krishna. However, in time, this epithet has been reclaimed as a celebration of the meteoric, tempestuous love that this unseemly duo had carved out for themselves of the pages of a mostly unwilling history.

Tagore's Krishna is mysterious, eagerly anticipated but rarely seen. Rather, here Radha's pining is crushing and all-encompassing, inherited from Chandidas' virahini. Radha's guttural desire to transform Krishna into herself, subjecting him to the same suffering that she undergoes as a woman in love with a furious ideology more than a man, reverberates eerily against the lighthearted cross-dressing tale of Surdas'.

As often as bards favour the songs extolling the love of the cowherd and the wedded maiden, Krishna's wives are seldom accorded any thought outside of Vasudeva's family tree. Their silence speaks to the stringent rules of a typical patriarchal household. Some of them do speak, and hence Satyabhama becomes conceited and Kalindi wayward. However, the mere few lines that they are mercifully allotted in the text are enough to speak to their resilience. The lines inadvertently hold up a window to the million unspoken words and unexchanged glances. It speaks to the long years, happy and sad. It speaks to the nights of waiting for the beloved to return. It speaks to the quiet lunches in curtained rooms and taste tests in the kitchen.

Each of Krishna's eight wives has their own life, and their own equation with Krishna. Each of their distinct personalities, coupled with their unique introductions to the prince has the potential to bring a distinct flavour to the story of Krishna, the statesman. The understanding that Krishna's heart belonged first to Vrindavana and then to his ambition, must have weighed somewhat on their hearts and yet, the choice to patch up the battle-hardened cowherd, after every blow, sans complaint, and send him out into the world as the architect of history, must have demanded restraint.

The distinct turn of events that brings each of the chief eight queens to Krishna's is quite interesting. Rukmini, the first, demonstrates heart, even if it is born out of desperation. Seizing control of her life, she sends a message, relying solely on rumours of his compassion. Her gamble yields returns manifold as Krishna not only rescues her from an unwanted marriage, but instates her as his chief consort, elevating her, alongside himself, to a divine status. Far from the impulsiveness of her youth, Pandhari's Rakhumai, astute beside her beloved, proudly bears a conch-shell, calling for harmony and community. In life as well, Rukmini brings to Krishna much needed stability, and oversees the blossoming of the city of Dwarika as well as Krishna's growing household.

Jambavati and Satyabhama are given in marriage to the prince by their respective fathers and do not seem to have much of a voice at the time. Jambavati fulfills an ancient destiny, a forgotten promise, then going on to mother the child that ultimately brings about the demise of the Yadava clan. Satyabhama, though often maligned with unfair accusations, is self-reliant. Making no attempt to hide herself from the eye of society, takes her rightful place beside Krishna, not on a throne, but by his side in battlefields. Kalindi however, is an extremely interesting character in Krishna's story. Enmeshed between mortal and divine, she exists as neither. Chancing upon the prince, she unabashedly declares her intentions to be married, and yet she is uncharacteristically silent after her marriage. Lakshmana and Mitravinda, are both won in conquest. They might have been able to sympathize with Rukmini, given their kin had turned against them, on account of their choice of a life partner. Bhadra, on the other hand, has no fancy contests to boast of, or an adventurous rescue. She marries Krishna at the behest of her brother, the only highlight being the arduous journey she undertakes from Kekaya to Dwarika.

After their marriages, these women practically disappear from the narrative until their last moments. We can assume that they were all presumably content with a life outside the spotlight. One can only hope to be privy to their lives after marriage, to know their dreams, nightmares and daily chores. They enter Krishna's life at crucial junctions, and I choose to believe they each had a unique effect on Krishna's worldview, bringing with them a fresh outlook into the mostly stagnant golden city.

[janaknandini-singh999]

Chapter 8

The petals gently flew around as she placed it on the thaali and folded her hands, bowing in the temple in front of her God's idol. And then she sighed, looking up.

Shlokaa met Ram ji's eyes. He was looking as serene and beautiful as ever, one hand outstretched for giving blessings and the other clutching his bow. His strong wife, Sita right next to him adorned in a bright fire and white coloured sari, and his beloved brother Lakshman on the other side, all three in similar poses - as if they were carved out of the same heavenly element. And their dearest devotee Hanuman at their feet in reverence.

Shlokaa's vision suddenly followed another line and she met Krishna's eyes, whose idol was just in the next mandap. He was smiling enchantingly as he held onto his murli in a breathtaking mudra and by his side, his eternal lover Radha's hand was outstretched to give ashish (somebody had placed a mogra between her fingers so it appeared as though she was offering it as a blessing to her devotees), whose other hand was lovingly holding onto Krishna's shoulder. A spark danced between both their eyes as if they knew something that Shlokaa didn't and were giggling about it with each other. Shlokaa shook her head, finally giving in, and smiled too.

Suddenly somebody put their hand warmly on Shlokaa's shoulder. She immediately turned around to see who it was.

"Hello, Shlokaa beta. Main madad karu?"

The woman gently took the thaali from her hands and helped her place the bhog and flowers to the Gods. Shlokaa looked on, relieved and feeling overwhelmed by this woman's warmth but froze as soon as the woman smiled. That was exactly Vilasini's smile and expression. She could never mistake that face for anybody else, even in a crowd. Never.

Oh God, it was Vilasini's mother.

Before she could run away, Vilasini's mother looked at her with such intent that Shlokaa warmed up again on spot, by that motherly tenderness.

She almost wondered to recollect the last time her own mother had shown such a closeness towards her.

"Darro matt, beta. Main madad hi karna chahti hu tumhari. Bahot pyaari ladki ho." She softly patted Shlokaa's face and whisperer "I know what dilemma Vilasini must've put you in. I know my daughter. I'll help you. Now listen carefully."

"Where are we going?" Vilasini demanded to know but no use. She had asked the same question at least a million times in the past hour but Shlokaa had been silent as a statue. Vilasini had seethed initially but sighed now. Shlokaa on the other hand couldn't even meet Vilasini's eyes.

"Koi crime vrime karne toh nahi jaa rahe na?" Vilasini asked, desperate to get anything out of Shlokaa's mouth now but she just stared back at her. Vilasini groaned.

In reality, Shlokaa hadn't even understood anything Vilasini had asked in hindi except the word "crime". Crime? Really?? What crime?! Vilasini can puppet Shlokaa however she likes, this plan of 'one hour' Vilasini decides upon, everything she does but when it comes to Shlokaa it's a crime??? Does this girl even have ANY IDEA that everything she's doing, everything she has been making Shlokaa feel since day one should be classified as nothing less than a CRIME?

She almost threatened to snap because of such trains of thought when she suddenly heard Vilasini stop in her tracks, take in a sharp breath and breath out slowly. And then Vilasini laughed - making Shlokaa forget everything else in that sound. Finally. Vilasini laughing genuinely after what seemed like centuries to Shlokaa. Shlokaa couldn't help but smile secretly.

They had reached their destination.

It was a big carnival amusement park place. Vilasini took off like a missile to the rollercoaster as Shlokaa momentarily froze upon seeing it but clenched her fists and strode on.

"Everybody please tighten your seatbelts!"

*clink* *clink* They all quickly followed the instructions. Vilasini was still not over the high of finally being on a rollercoaster after so long! How did Shlokaa know she loved this?! She grinned giddily and did the same as others, clasping her belt over herself. She turned over to look at Shlokaa who was sitting beside her. Shlokaa appeared to be numb and white, looking straight ahead as if she had seen a ghost. She was even shivering a bit. Vilasini immediately grew concerned and that's when she realized it. She gritted her teeth and closed her eyes, whispering "oh mummy you.."

Shlokaa suddenly zoned back in and looked at Vilasini who had moved her hand to she keep it over Shlokaa's to steady her. They looked at each other as..

"3,2,1 AND GO!"

Vilasini threw her head back in bliss as her hair flew and eyes closed. And Shlokaa looked at her.

Walking back, Shlokaa's legs felt so wobbly. She also felt pukish and dizzy. Vilasini sighed and feared the worst - that Shlokaa would be throwing up all over soon so she took her over outside the carnival, near an isolated, dark area where a kothi was in ruins.

"Why did you have to do this?"

"Do wh-" Shlokaa buckled over and fell on her knees, hands instantly shooting off to clutch on her stomach.

"THIS" Vilasini gestured wildly at Shlokaa "Why did you listen to my mother? KYA ZAROORAT THHI? Zyaada bhoot tujh jaisi ladki ko chaddha thha mujhe impress KARNE KA?"

Shlokaa felt like crying. She had no idea what Vilasini was shouting. It was all hindi and a headache to deal with right now which was attacking and increasing her already existing, stabbing headache.

"Arey toh mujhe PEHLE THAPPAD KYU MAARA? KABHI BOLTI HAIN MERE LIYE RUK JAAO, KABHI MAARTI HAIN, PHIR WAAPIS PEECHHE PADHKE MUJHE HI GUILTY FEEL KARAATI HAIN. KYU??? KYU?? Kya hain yeh SAB?"

Ahh, guilty. That was the only word Shlokaa caught onto, which was now burying itself mercilessly in her chest like a knife. And Oh God, this headache.. everything was a blur.

"You know what? I know exactly how girls like you are. First you put up this act of 'righteous' homophobia. Then you feel bad but it was all a play pretend anyway coz you wanted to experiment with the other girl all along. But I won't let you use me and then throw away. And before you try anything.." Vilasini halted. Hoping that she'd receive retaliation from Shlokaa who'd shout back just as furiously that she was nothing like that. But she didn't. Not even once.

And what more? The blank expression on Shlokaa's face probably even confirmed the words she was hurling at her, if nothing more.

Something changed inside Vilasini, something happened. And that's when it happened too.

Before Shlokaa could react, Vilasini's lips pressed themselves firmly on hers. They didn't move though. It was a fierce liplock. A revolt. And fireworks. Real fireworks. They actually bursted above them afar in the sky, going off from the carnival.

Vilasini tasted like honeyed snow. And Shlokaa's lips were softer, warmer and more desperate.

If Shlokaa could fall further by the impact, she would have. But she was already on her knees. A small sound escaped her own lips when they parted from Vilasini's, almost like a retaliation now.

"And before you try anything..." Vilasini whispered "let me use and throw you away instead." She breathed deep again "This is what you wanted, didn't you? All this tamasha to experiment with me? Well, you've got it now. Goodbye."

And just like that, Vilasini vanished in the shadows, leaving Shlokaa alone in the ruins.

[astropsyhe]

Matriarchy, Feminism and 8th of March

 First of all I might say that everything I am doing is inspired by women and for women.  

 And of course this day is not about showing the love , because love is an action ( according to E.Fromm) , which should be done /manifested every day. 

This day is actually about the woman rights and power , and about remembering of those who was fighting for this rights. 

Women received the right to vote during the 20th century: 

Earliest 1910s - US 

And one of the latest in Europe is Spain - 1970s 

One of latest countries where women received the right to vote is Saudi Arabia in 2015.

In 2023 Vatican still not says if women could vote.  

2020 

The UN theme for International Women's Day was: 'I am Generation Equality': Realizing Women's Rights'.

March in Pakistani called «Aurat March» was marred by attacks from stone throwers, after a failed attempt to have it banned as un-Islamic. 

And this is happening in 2020 !!!

In April 2019, cleric Jawad Naqvi had called march organizers "the most evil of all women".

In Bishkek, the capital of Kyrgyzstan, police detained dozens of marchers shortly after masked men reportedly attacked the march.

And the most terrible things are happening now in Iran , where people are shooted from machine-guns for support of women rights 

Not-surprising that russia and Iran are united, because they are the same kind of evil and yearn for each other.

But it wasn’t always like this. 

The thing is that living in some period of time we accept some things (social constructs for example) for given. We refer for some concepts as static , however  history shows us that they are not.

If we refer to the most ancient myths , we can discover that the primordial and supreme Deity was Goddess , thus Woman 

In Greek Mythology - Gaia - is Mother Earth,  her husband is Uranus.  Her first sun - Kronos , and after son of Kronos - Zeus seized power in Olympus.

In Shumer Mythology this is Istar.

«The idea of primal female deity , first adored , then brutally side-lined by a male deity is a consistent theme in mythologies around the world.

The Tantrik tradition of India speaks of the primal one, Adya, who took the form of a bird and laid three unfertilised eggs from which were born Brahma, Vishnu and Shiva.

Egyptian mythology acknowledges a time before gender. Then there was Atum, ‘the Great He-She’, who brought forth the god of air Shu and the goddess of dew Tefnut who separated Geb, the earth-god, from Nut, the sky-goddess, who gave birth to Isis and Osiris, the first queen and king of human civilisation. Then Seth killed Osiris and declared himself king, until Isis gave birth to Horus and contested his claim.

In these stories from around the world, the male deities compete for the female prize. This can be traced to nature, where all wombs are precious but not all sperms. So the males have to compete for the female. In many bird species, the female chooses the male with the most colourful feathers, the best voice or the best song, or with the capability of building the best nest. In many animal species, such as the walrus and the lion, the alpha male keeps all the females for himself; thus there are always ‘remainder’ males who do not get the female. This selection of only the best males creates anxiety amongst the not-so-good males and translates into the fear of invalidation in the human species. To cope with this fear of invalidation, social structures such as marriage laws and inheritance rights come into being, often at the cost of the female.

As human society learnt to domesticate animals and plants, trade and build cities, we see a gradual shift in social laws, deterioration in the status of women, and rejection of Goddess-worship in favour of God-worship.»

(C) Devdutt Pattanaik - 7 Secrets of Goddess

A few anthropologists even argue that Krishna’s dance Raasa-Leela may have its roots in old matriarchal tribes where the women valued only one male of the village.

In such female-dominated cultures, the male could not refuse the woman: in the Mahabharata, when Arjuna refuses her advances, Urvashi curses him to turn into a eunuch. Any man who forced himself upon a woman was killed. 

To ensure that the dominant males did not have exclusive and eternal rights to women, the ritual of killing the chosen males at regular intervals emerged.

The only way to survive being killed at the end of the term as king and consort of the Goddess was by castrating oneself. And so in the Near East, the priests of Cybele, called the Galli, ritually castrated themselves emulating Attis, the castrated son/lover of the goddess.

Of course that are rather bloody practices , but now the pendulum has swung in another direction. 

In Astrology the 8th House represents all the Unknown , Mystic , Sex and Death.  

The connection of Sex and Death we can trace in myths across the Globe as well.

The close connection of sex and death, sex and pleasure, and pleasure with women led to that men began to associate women with amorality , suffering and vulnerability. 

Renunciation of women guaranteed freedom from suffering. 

This we can trace in Biblical mythology:  Samson succumbed to passion for the insidious Philistines Delilah and losses his power. 

In Buddhism the daughters of Mara ( the greatest Demon) are associated with decay sickness and death.  Rejecting them Gautamma Siddhartha gained freedom from suffering. 

In Tantra and Yogic tradition we have practice called - Brahmacaṛya ( celibacy ) which is supposed to give a mystical powers called «Siddhi» 

We can see how along the course of history men tried to cheat biology. 

Also in Hindu there is a tradition called «Sati»  ( in name of wife of Shiva who stepped into the fire ,when her husband was offended) 

It is supposed that the fidelity of a woman gave her magical powers.   This believe in «sati» has led to  concept - if man died for whatever reason , it was the cheating wife who couldn’t prevent it.  She was encouraged to burn herself on a funeral pyre to prove her purity. 

The time goes on and there is a power struggle in the cities - and women becomes a trophy in this game  - «Helene of Troy» 

 All this leads to the isolation of women for their «own safety» 

Woman become a commodity , she loses the ability to control her life and her body.  

At some time the men took over all economic activity , and the only activity available for women was a temple prostitution. 

The body of woman, so as the land was owned by a father, brother, husband and even son. 

The main reason of invention of the proprietary rights - is the fear and insecurity of men. 

Gradually, the gaze turned upwards towards the sky. Gravity became a fetter, the earth a trap, and women bondage. Escape was sought. The serpent, messenger of the goddess, was rejected in favour of winged beings or angels who take humanity to ‘higher’ realms, above the earth.

In biblical mythology, the serpent becomes the symbol of the Devil, he who disobeys and tempts others to disobey. God, who makes all the rules, becomes male and resides in the sky. Prophets carry his word to earth. They are mostly male: Abraham, Moses, Jesus, Muhammad. They overshadow the few female prophets: Miriam, Deborah and Anna.

In Hindu Mythology Serpent represents many things:

Wisdom ( we can see it always on the neck of Shiva)

Kundalini Energy 

Before those who looked at the earth below saw it as the Goddess, manifesting in pairs and triads, embodying the paradoxes of the world. There was Ishtar, the fertile, and Ereshkigal, the barren, in Sumerian mythology; Kali, the wild, and Gauri, the domestic, in Hindu mythology; the cow Hathor and the lioness Sekhmet of Egyptian mythology. In Greek mythology, there are the Fates triad who spin thread, the length of which determines the duration of human life, and the Grace triad who constitute the three seasons of spring, summer, and winter. Thus, the world is seen in feminine terms.

In Christianity now the only one image on woman is the Virgin Mary, but only because she was a mother of God. 

In Islam the only one image is « Fatima hand» , the daughter of Prophet. 

Why not so many ?

As you can see this turmoil and pendulum , which shifted from one side to another. 

Great honor and praise to the feminists who fought for women's rights 

But what modern feminism offers? 

It says that woman must struggle to win in a man-game. In patriarchal social structure controlled by men. This is thinking inside the box - which is leading to nowhere. 

- - - - - -

On other hand women should accept the feminine nature and allow it to manifest itself , beyond this social construct. 

Social construct is a human made creation.  But nature it is something deeper, something which corresponds to our soul, psyche , genetics. 

It is more profound , and beyond any social construct.  Society is always changing, but archetype of the primordial wild woman is something which may last even beyond the time unchanging. 

As Dr. Clarissa Pinkola Estés says the one may address this archetype to discover one’s nature through many things such as:

Dreams 

Instincts 

Intuition

Acceptance of different aspects of the divine in oneself

Archetype of Primordial Woman is the basic archetype , based on which various Goddesses , representing various aspects of Psyche emerged. 

One of such Archetypes is Greek Goddess - Baubo. 

Known as the goddess of mirth, she is depicted as bawdy and sexually liberated. 

In Hindu mythology Deities always have pairs. 

Wild Kali awakens Shiva to life with her passion,  without her is only a shava ( corpse) 

When Mahishasura is threatening the World and even Brahma, Vishnu and Shiva cannot defeat him , then devas ask Goddess for help . 

And Durga , Mahadevi slays him. 

Hindu mythology with its variety of Gods and Goddesses didn’t  lost the feminine and masculine balance. 

In conclusion 

I think it’s time for Man to evolve above the fear of insecurity  and start working towards the World where Woman can manifest herself freely.  

I am sure it would be a much better place.

Reference and further reading :

Mostly this text in inspired by great writer and mythologist -

Devdutt Pattanaik. I quote many thoughts from his book " 7 Secrets of Goddess"

Clarissa Pinkola Estes:

"Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype"

Erich Fromm: " The Art of Loving"

[shut-up-rabert]

There are certain Purans which , while telling the tales of Gods also go out and show others as “Inferior”? I mean the Lingam Puran, The Skanda Puran, even Bhagwad Puran? Be it the goddesses being jealous of Mata Anasuya, Krishna having taken 16k wives for his “lust”, yada yada yada, you get the jist.

I feel like this comes from the one line that Tulsidas ji denoted:

Jaaki rahi bhavna jaisi prabhu murti tin dekhhi taisi (the feelings one harbours determines the way God’s statue appears to him)

So, I feel like the reason is that while looking for him with a positive urge, sages like Valmiki, Vyas and Tulsidas found him and others in a positive note that fits and has molded our perception of God, And those who did not care for the other ones or loved their deities as superior to rest found versions that showed other being impacted by negative emotions and not having enough power and all?

I’m not saying that they are wrong, I feel like some context or reasoning may be missing as to why the all knowing acted this way or that these things happened in different realities where they seem morally and devotionally fitting. Plus, If this is how Gods chose to reveal themselves then it just goes and shows how humble and loving they are, unbothered by their positions as long as a devotee gets to be happy. I just feel like the reason said devotees found them as such was because this was their perception, the way they looked for them. No way of looking is wrong as long as its filled with devotion and respect, but I do feel like these things either didn’t happen in this world/reality or there is a context of pre planned conception missing, making Tridev and Tridevi seem flawed.

[krishnahandicrafts]

Wooden Elephants: Timeless Beauty and Symbolism

Introduction

Wooden elephant sculptures are more than just decorative pieces; they are embodiments of art, culture, and symbolism. With their majestic presence and intricate carvings, these sculptures have captivated hearts for centuries. Let's delve into the world of wooden elephants, exploring their significance, craftsmanship, and how they can elevate your home decor.

Symbolism of the Elephant

The elephant, a revered animal in many cultures, carries profound symbolism. Often associated with wisdom, strength, good luck, and fertility, it is no wonder that this magnificent creature has inspired countless works of art. A wooden elephant sculpture brings these auspicious qualities into your living space, creating a positive and harmonious ambiance.

The Art of Wood Carving

Crafting a wooden elephant sculpture is a labor-intensive process that demands exceptional skill and patience. Artisans meticulously carve the wood, bringing the elephant's form to life with intricate details. The choice of wood, whether teak, rosewood, or other hardwoods, influences the sculpture's color, texture, and overall aesthetic.

Types of Wooden Elephant Sculptures

 * Traditional: These sculptures often depict elephants in their natural habitat, showcasing their grandeur and power.

 * Abstract: Modern interpretations of the elephant, featuring simplified forms and bold lines.

 * Decorative: Ornate and embellished sculptures, perfect for adding a touch of elegance to your home.

 * Miniature: Smaller versions, ideal for collectibles or creating a charming display.

Incorporating Wooden Elephant Sculptures into Your Home

 * Living Room: A large, traditional elephant sculpture can become a focal point, commanding attention and adding a touch of opulence.

 * Bedroom: Place a smaller, more delicate elephant sculpture on your bedside table for a serene and peaceful atmosphere.

 * Office: An abstract elephant sculpture can inspire creativity and productivity in your workspace.

 * Outdoor Spaces: Weather-resistant wooden elephants can add a unique charm to your garden or patio.

Conclusion

Wooden elephant sculptures are timeless pieces of art that blend aesthetics with profound symbolism. Whether you're an art enthusiast or simply looking to enhance your home decor, these sculptures offer a captivating and meaningful addition to any space. Embrace the beauty and wisdom of the elephant by bringing this magnificent creature into your life.

Would you like to know more about specific types of wooden elephant sculptures or where to find them?

[ganeshmoorti]

Top 5 Radha Krishna Marble Murti for Home

When it comes to home decor, nothing brings a sense of divinity and serenity like a Radha Krishna Marble Murti. These exquisite statues not only enhance the aesthetic appeal of your home but also create an ambiance of spiritual tranquility. Crafted with precision and love, these murtis are a testament to the skilled artistry of Marble Statue Manufacturers. If you are considering adding a divine touch to your home, here are the top 5 Radha Krishna Marble Murtis you should consider.

1. Traditional Radha Krishna Marble Murti

The Traditional Radha Krishna Marble Murti is a classic choice for any home. This statue typically features Radha and Krishna standing together, often with Krishna playing his flute. The intricate details in their attire and expressions bring the divine couple to life. This murti is perfect for placing in a Marble Temple for Home, creating a focal point of devotion and beauty. Marble Statue Manufacturers use high quality white marble to carve these statues, ensuring they remain pristine for years.

2. Sitting Radha Krishna Marble Murti

For those who prefer a more serene representation, the Sitting Radha Krishna Marble Murti is an ideal option. In this depiction, Radha and Krishna are shown seated together, exuding a calm and peaceful aura. This statue is perfect for smaller spaces and can be placed on a tabletop or a dedicated shelf. The intricate carvings and polished finish make it a standout piece in any room. Marble Statue Manufacturers often add delicate touches like jewelry and floral patterns to enhance the overall beauty of the statue.

3. Radha Krishna with Cow Marble Murti

The Radha Krishna with Cow Marble Murti is a unique and charming option. This statue portrays Radha and Krishna along with a cow, symbolizing the pastoral aspect of their divine love. The cow, considered sacred in Hinduism, adds an extra layer of spirituality to the murti. This depiction is not only beautiful but also deeply symbolic, representing harmony and devotion. Placing this murti in your Marble Temple for Home will surely attract positive energy and blessings.

4. Dancing Radha Krishna Marble Murti

If you want to infuse your home with joy and vibrancy, the Dancing Radha Krishna Marble Murti is a perfect choice. This statue captures the divine couple in a graceful dance, celebrating their eternal love. The dynamic pose and flowing garments create a sense of movement and liveliness. Marble Statue Manufacturers take great care in crafting these murtis to ensure every detail, from Krishna’s flute to Radha’s twirling dress, is captured perfectly. This murti is ideal for a living room or an area where you entertain guests, as it radiates positive energy and happiness.

5. Modern Radha Krishna Marble Murti

For those with contemporary tastes, the Modern Radha Krishna Marble Murti offers a fresh take on traditional designs. These statues often feature minimalist and sleek designs, with a focus on clean lines and elegant forms. Despite their modern aesthetic, they retain the spiritual essence of the divine couple. This type of murti is perfect for modern homes and can seamlessly blend with contemporary decor. Marble Statue Manufacturers use innovative techniques to create these unique pieces, making them a true blend of tradition and modernity.

Choosing the Right Marble Temple for Home

Once you have selected the perfect Radha Krishna Marble Murti, the next step is to choose a suitable Marble Temple for Home. A marble temple not only provides a dedicated space for your murti but also enhances its presence. Here are a few tips for selecting the right marble temple:

Size and Space: Ensure the temple fits comfortably in the designated area without overwhelming the space.

Design: Choose a design that complements the murti and the overall decor of your home.

Quality: Opt for high quality marble to ensure durability and longevity.

Customization: Many Marble Statue Manufacturers offer customization options, allowing you to design a temple that meets your specific needs and preferences.

Conclusion

Incorporating a Radha Krishna Marble Murti into your home is a beautiful way to invite peace, love, and spirituality into your life. Whether you prefer traditional designs or modern aesthetics, there is a murti that will perfectly suit your taste and home decor. By choosing a high quality statue from a reputable Marble Statue Manufacturer and placing it in a thoughtfully designed Marble Temple for Home, you can create a sacred space that radiates divine energy and beauty.

Remember, the key to selecting the perfect murti lies in the details. Pay attention to the craftsmanship, material, and overall design to ensure you bring home a piece that truly resonates with your spiritual and aesthetic sensibilities.

[newsorbiter]

PM inaugurates developmental projects worth over Rs 13,500 crore in Telangana

Mahbubnagar, Telangana, October 1, 2023 - Prime Minister Narendra Modi laid the foundation stone and inaugurated several transformative projects worth more than Rs 13,500 crore in Mahbubnagar, Telangana. These projects spanned various sectors, including roads, railways, petroleum, natural gas, and higher education. During the event, the Prime Minister also launched a train service via video conferencing. Addressing the gathering, Prime Minister Modi highlighted the festive season's arrival and emphasised the significance of the Nari Shakti Vandan Adhiniyam, recently passed in Parliament, which celebrates the spirit of Shakti Puja ahead of Navratri. The Prime Minister expressed his delight in inaugurating road connectivity projects that promise to transform the region. Notably, the Nagpur-Vijayawada Economic Corridor is expected to enhance transportation and trade across Telangana, Andhra Pradesh, and Maharashtra. This initiative is set to boost trade, tourism, and industry in these states, with key economic hubs, including eight Special Economic Zones, five Mega food parks, four fishing seafood clusters, three pharma and medical clusters, and one textiles cluster identified along the corridor. This development is anticipated to create numerous opportunities for the youth in districts like Hanamkonda, Mahabubabad, Warangal, and Khammam. Prime Minister Modi stressed the importance of rail and road connectivity for landlocked Telangana, allowing goods manufactured in the state to reach ports efficiently. Several significant economic corridors pass through Telangana, connecting the state to the East and West Coasts. The Suryapet-Khammam section of the Hyderabad-Visakhapatnam corridor is expected to facilitate this connectivity, as well as reduce logistics costs for industries and businesses. Additionally, the railway line construction between Jaklair and the Krishna section will be a vital development for the region. During the event, Prime Minister Modi announced the establishment of the National Turmeric Board by the Central Government, aimed at benefiting turmeric farmers in Telangana. This board will focus on enhancing value addition within the supply chain and improving infrastructure for farmers. Turning his attention to the energy sector, Prime Minister Modi highlighted the government's commitment to securing energy for both industries and households. He cited the substantial increase in the number of LPG cylinders, from 14 crores in 2014 to 32 crores in 2023, as well as recent reductions in gas prices. The Hassan-Cherlapalli LPG Pipeline Project, a critical component of energy security in the region, was inaugurated during the event. Additionally, the Prime Minister laid the foundation stone for the Multiproduct Petroleum Pipeline, which will run from Krishnapatnam to Hyderabad, creating thousands of direct and indirect jobs in Telangana. Furthermore, Prime Minister Modi inaugurated multiple buildings at the Hyderabad Central University, which has been granted the status of an 'Institution of Eminence' by the Central Government. He announced the establishment of a Central Tribal University in Mulugu district, named after the revered tribal goddesses Sammakka-Sarakka, with an estimated expenditure of Rs 900 crore. He congratulated the people of Telangana for this. The event was attended by dignitaries including Tamilisai Soundararajan, Governor of Telangana, Union Minister G Kishan Reddy, and Member of Parliament Bandi Sanjay Kumar, among others. Highlights                                                                                                                                                                                                                  As part of efforts to enhance modern road infrastructure across the country, multiple road projects were initiated during the event. Prime Minister Modi laid the foundation stone for key road projects within the Nagpur-Vijayawada Economic Corridor, including a 108 km long 'four-lane access-controlled Greenfield highway from Warangal to Khammam section of NH-163G' and a 90 km long 'four-lane access-controlled greenfield highway from Khammam to Vijayawada section of NH-163G.' These projects, with a combined cost of approximately Rs 6400 crores, are expected to reduce travel distances and improve connectivity. A road project, 'four laning of 59 km long Suryapet to Khammam section of NH-365BB,' was also dedicated to the nation. Built at a cost of about Rs 2,460 crore, this project is part of the Hyderabad – Visakhapatnam Corridor under Bharatmala Pariyojana. During the event, the Prime Minister inaugurated '37 Kms of Jaklair – Krishna New Railway Line,' which connects the backward district of Narayanpet to the railway network for the first time. He also flagged off the inaugural Hyderabad (Kacheguda) – Raichur – Hyderabad (Kacheguda) train service, connecting various districts in Telangana and Karnataka, benefiting students, daily commuters, labourers, and the local handloom industry. Additionally, the foundation stone and inauguration of vital oil and gas pipeline projects were performed during the event. These include the 'Hassan-Cherlapalli LPG Pipeline Project' and the 'Multiproduct Petroleum Pipeline of Bharat Petroleum Corporation Ltd (BPCL) from Krishnapatnam to Hyderabad (Malkapur).' These projects are aimed at providing efficient and eco-friendly transportation and distribution of LPG and petroleum products in the region. Lastly, the Prime Minister inaugurated new buildings at the University of Hyderabad, enhancing the infrastructure and facilities available to students and faculty. Read the full article

[travelpackage123]

Best Gujarat Tour Packages for Tent City Narmada, Statue of Unity & Saurashtra

Introduction

Gujarat is growing as a popular travel destination for those seeking an authentic Indian experience because of its rich cultural heritage, varied landscapes, and well-known attractions. We encourage you to start on a journey around Gujarat with us as you read this blog, taking in the magnificence of the Statue of Unity, the beauty of Tent City Narmada, and the treasures of Saurashtra. Your adventure is waiting with our carefully chosen vacation packages.

Tent City Narmada: A Glamping Paradise

Tent City Narmada is an epitome of luxury in the heart of nature. Nestled by the tranquil Narmada River, this glamping destination offers an unforgettable experience of Gujarat's natural beauty. Here's what you can expect:

Luxurious Tents:

Stay in well-appointed tents equipped with modern amenities while still experiencing the rustic charm of camping.

Spectacular Views:

Wake up to panoramic views of the Narmada River and the lush greenery surrounding the site.

Cultural Performances:

Immerse yourself in the rich culture of Gujarat with traditional dance and music performances.

Adventure Activities:

For adventure enthusiasts, there's an array of activities like trekking, boating, and zip-lining.

Delicious Cuisine:

Savor the flavors of Gujarati cuisine at the in-house restaurant, offering a wide range of delectable dishes.

Statue of Unity: A Monumental Marvel

The Statue of Unity is a symbol of India's unity and Sardar Vallabhbhai Patel's vision. This colossal statue stands tall as a tribute to the Iron Man of India and is a must-visit attraction for every traveler:

Statue Viewing:

Get up close to the world's tallest statue, a towering tribute that stands at an awe-inspiring 182 meters.

Museum and Exhibitions:

Explore the life and times of Sardar Patel through interactive exhibits and artifacts at the museum.

Valley of Flowers:

Admire the vibrant flora at the beautifully landscaped Valley of Flowers.

Sardar Sarovar Dam:

Witness the engineering marvel of the Sardar Sarovar Dam and the breathtaking views from the viewing gallery.

Saurashtra Tour Packages: Discover Hidden Gems

Saurashtra, the western region of Gujarat, is a treasure trove of cultural and historical wonders. Our Saurashtra tour packages are designed to take you on a journey through this enchanting region:

Somnath Temple:

Visit the sacred Somnath Temple, one of the 12 Jyotirlingas, and experience its spiritual aura.

Gir National Park:

Explore the Gir National Park, home to the majestic Asiatic lions and various wildlife species.

Dwarka:

Discover the ancient city of Dwarka, believed to be Lord Krishna's abode, and explore its temples and heritage sites.

Rann of Kutch:

Witness the ethereal beauty of the Rann of Kutch during the Rann Utsav, a celebration of art, culture, and nature.

Junagadh:

Visit Junagadh to explore its historical sites, including the Uparkot Fort and the magnificent Jama Masjid.

Conclusion

Gujarat's Tent City Narmada, the Statue of Unity, and the treasures of Saurashtra offer an incredible mix of natural beauty, cultural heritage, and spiritual experiences. Whether you're seeking adventure, history, or tranquility, these destinations have something to offer everyone. So, pack your bags, embrace the diverse flavors of Gujarat, and embark on a journey that will leave you with memories to cherish for a lifetime. Book your tour packages today and let Gujarat enchant you!

[braveheart18]

Make your own Video from Photos….

Create your own attractive video from photos with song lyrics. love.ly Lyrical Video Status gives facility of making Video Status by adding photos from your own mobile gallery. Choose your favorite video template and add photos in it.

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Make Lyrical Video Status and share on social media such as FB, Insta, WA etc. Convert your beautiful selfies photos into eye-catchy video status to upload on any social app as story status. After all process is complete video is saved in your gallery so you can watch it later also. Viral song lyrics video template for user is to create status with music track.

Select multiple photos from mobile gallery to add in popular theme for someone special to make memorable memories. Convert your photo into video in just few seconds with trending song lyrics of your choice. Lyrical Photo Video Maker with Song 2021 has various categories like Romantic Love, Happy Birthday, Sad, Attitude, Happy Diwali, Friendship and many more to create video status.

Best android app to create video easily with few steps with music song to make every occasion special. Lyrical Full Screen Video Status Maker for your love partner to make him/her very special on Valentine Day or Birthday. This app has large collection of video templates through which you can convert your pics into videos in just one minute with trending song lyrics.

One can make stylish video by just adding photos because template has effects, filters, animations, text style, emoji, song etc. Lyrical Photo Video Maker 2021 application has latest concept of inbuilt templates you have to just add your own beautiful photos for Photo Video Status.

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[arvindhandicrafts]

Brass Krishna Flute

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World class products provider in nominal minimum cost of handicrafts in Rajasthan.

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[pujapujari]

Dakshineswar Kali Temple, Kolkatta – History & Timings

One of Kolkata’s most respected and worshipped goddesses and among Bengalis is honored with her own temple. Specifically, the Dakshineshwar Temple honors Goddess Kali in her Bhavatarini guise. It is Bhavatarini who rescues her followers from the abyss of samsara.

A Glimpse of the Holy Site

Dakshineswar Kali, a famed Hindu navratna temple dedicated to Bhavatarini, a form of Goddess Kali, stands on the river’s Eastern bank Hooghly. She frees her followers from the ocean of existence and inspires the Bhavatarini form of Kali, which was constructed at Rani Rashmoni in 1855. Several rooms were constructed along the complex’s border walls in addition to the main shrine.

Several deities are honored with shrines in these chambers. Twelve are devoted to Shiva, one to Krishna and Radha, and one to Rashmoni the Queen. In addition, there is a ghat for riverside swimming. In addition, the temple has a well-known connection to Sri Ramakrishna, a respected yogi, mystic, and figure from nineteenth-century Bengal.

A History of Dakshineswar Kali

In addition to showing reverence to the deities, visitors can enjoy the stunning architecture and natural scenery. The temple dates back to 1847, founded by the affluent widow Rani Rashmoni. At the time, she intended to visit Benaras to honor the Goddess and demonstrate her devotion to her. But the Divine Mother, i.e., Goddess Kali, appeared in her visions before she could set sail with her convoy of 24 ships and a huge party.

The Goddess instructed her to place her idol on the banks of the Ganges in Kolkata, where she would, after that, appear to worshippers. Rani Rashmoni bought a 20-acre land from an Englishman and built a temple there in obedience to the directive. The construction of the temple took eight years and cost nine million rupees.

An Architectural Marvel

The temple was constructed between 1847 and 1855, and on the day of Snana Yatra (May 31) in 1855, a statue of the Goddess Kali was placed within. Dakshineswar Kali follows the Navratna style of Bengali architecture, characterized by its nine spires. The nine spires are on the upper two floors of the stair-accessible temple facing south.

The 100-foot-high inner sanctum sanctorum holds a statue of Kali, the Hindu goddess, atop Lord Shiva’s breast. These statues sit at the center of a massive silver lotus blossom. The perimeter of the temple grounds is lined with twelve Shiva temples. These statues are set atop silver lotuses with a thousand petals.

Dakshineswar Kali Temple Timings

Kali, the Goddess, is worshiped at the temple, and her silver statue rests atop a lotus. There are 12 smaller Shiva temples surrounding the big one. Guests are not required to donate to enter the temple. Sunday through Saturday, you can visit the temple. Temple hours are 6 AM to 12:30 PM and 3:30 PM to 8:30 PM daily.

Wrapping up

The Bengali architectural style known as aat- chala is used to build these sacred sites. The temple also features Vishnu and Radha Kanta shrines to the northeast. The garba griha and the veranda are separated by a set of stairs.

Article Source: Dakshineswar Kali Temple, Kolkatta – History & Timings

[homedecor-shop-online]

Buy decorative items for your living room online | Exclusive decoration collection

INTRODUCTION

Designing a living room is something that one does over time. Developing a home decor taste might seem like an endless road of following many Pinterest boards, books, and doing countless hours of research, but the payoff is well worth it. There needs to be some planning involved in order to get the most out of your living room's design in terms of both its practicality and its aesthetic potential. You can create a cozy atmosphere with decor items that are easy on the eye and require minimal upkeep.

Satguru’s is one of the best decor shops based in Mumbai, which can be perfect for your living room redesign. Let's look at some great decorative items for the living room sold by Satguru's that will help you create a cozy atmosphere in no time! It also has a lovely collection of thebest wedding gifts.

Things to remember when decorating your living room

Picking out a colour scheme is the first stage in interior design. You should pick a colour scheme for the living room that you enjoy and that also complements the room's dimensions and design.

It's important to take into account your personal preferences and the intended use of the room when making furniture and decoration selections for the living room.

It is critical to select furniture and decorations that are proportional to the size of your living space.

When decorating a room, pick a feature to highlight and work your way outward from it using colour, texture, and pattern.

How to transform your living room into a cosy and classy space

To create a casual and cosy living room in minutes, here are a few decorative items for the living room that can create a classy atmosphere in your house. 

Wall art and paintings

Wall art and paintings are the finishing touch to any room, adding aesthetic and emotional value to a space. A brightly coloured painting like ‘abstract couple face’, ‘ABS Red’ or ‘abstract embossed cut out circles’ by Satguru’s can be a good addition to dull-colored walls (white or grey), while ‘Tribal Art Frame’, ‘Musical Ganesha’ or ‘Radha Krishna’ can be perfect for dark-colored walls.

Flower vases

Adding flower vases to your home decor is a great way to add style and elegance to your interior. For instance, you can choose a vase or bowl with a shape that suits your space, such as ceramic for traditional Indian homes, metal for luxe contemporary designs, or glass for minimalist designs.

Satguru’s has an amazing collection of flower vases that are perfect to fill small empty spaces in your living room. ‘Handprinted earthen vases with Madhubani art’ are a perfect fit on your coffee table. You can also place a combination of ‘Black Face Vase’ and ‘Red Face Vase’ on your wall shelves.

Wall clocks

Clocks are a great way to add style and practicality to any room. Apart from its functionality as a timekeeper, it can also play a key role in elevating the aesthetic element of your living room. The trick is to choose the right design and hang it in the right place. 

‘Black Cop Line Small’ wall clock or ‘Pipe Design Clock’ from Satguru’s online store can add an aesthetic feel to your living room.

 Statues and Display Pieces

Small statues and show pieces play an important role in making the living room attractive. They may assist in creating a personalised and intriguing space that reflects your style and interests while also complementing the general decor of the room.

Check out Satgur’s amazing collection of showpieces for the living room. Their ‘Side Face Ganesha in Black/Orange’, ‘Coffee Girl Grey’, ‘Candle Holder’ and ‘Stone Base Ganesha’ can be best placed on wooden wall shelves.

All the elements mentioned will add a unique beauty in your living room. 

Conclusion

Besides providing a home for us to relax in, decorating our living room can help create a comfortable atmosphere where we can share stories and connect with others. Next time you search for a ‘corporate gift shop near me’, do consider Satguru’s. So now that you have a basic idea of how to decorate your living room, visit the nearest Satguru’s shop or their online store to get the best decor products for your living room.

[tumbirus]

Continue.....We can give a mystical justfication or simply note that of all the mantras ,this one was most frequently used in Vedic rites of passage and ceremonies .Every Brahmin male ,for the past three millennia ,would be thought this at time of upanayana or initiation ritúals ,when he is given the sacred thread ,after which he becomes eligible to read Vedas. Additionally ,this mantra would be chanted during the Sandhya rituals ,at dawn and dusk .This is elevated the status and popularised the mantra.Traditionly ,when the Gayatri Mantra is chanted ,it is prefixed by a line ,which begins with the 'omkara',the chanding of om ,followed by invocation of the three Vedic world's:earth (bhu) atmosphere (bhuva) and sky (svar).This then is followed by the three lines of eight syllabus each,which is essentially the poetic metre known as Gayathri .Krishna in the Bhagavad Gita 10-35 says that Gayatri is the foremost poetic metres ,contributing to its popularity.However,there are many manyras in the Rig Veda,which follow this three-line-eight -syllable pattern.Of identified as the Gayatri Mantra .it is dedicated to the Rig Vedic deity savitur ;hence for a long time this mantra was known as savitri. when the Mahabharata was put down in writing about 2,000 years ago,Gayatri is described as a women from whose mouth came children,who were the Vedas.Thus Gayatri or savitri become the mother of Vedas and gradually come to be equated with Saraswati. The puranic lore , Saraswati was linked to Brahma,to ensure symmetry in the Hindu Trinity ;Vishnu was with Lakshmi,Shiva with Shakti.At pushkar,in Rajasthan ,an old Vedic site , Saraswati was explicitly connected with Savitri and Gayatri.As per local lore, Brahma become impatient as savitri had gone too long for a bath ,and so created Gayatri ,to help him complete the ceremony.An angey savitri crused Brahma that no one would worship his icon in temples.Insted of Brahma, Gayatri/Savitri come to associated with Vishnu.So in the Gujarath region ,...countinu (at Mumbai, Maharashtra) https://www.instagram.com/p/CoABM9av3G8/?igshid=NGJjMDIxMWI=

[lrrecords-blog]

Terrorzone - Originators of the " Beatdown style" of New York Hardcore music, along with brother band Bulldoze, emerged as two of the most brutal hardcore bands to come out of the second wave of N.Y. Hardcore, along with the likes of "Agnostic Front", Biohazard, Murphy's Law, Madball, Merauder , Sheer Terror, and many more, exploded onto the club and Ballroom underground circuit, creating legendary status with a Street Gang approach mixed with fast hardcore punk beats and slow grinding ominous breakdowns, forged a tough guy image for the bands fans to identify with as part of its genre. Mosh pits and Pile-on's ensuing at every show, that even the biggest followers cautiously deciding to be part of the carnage of "The Pit", Aggression and Physical confrontation being the attraction for those that dare dance. Kev-one, the lead singer of both Terrorzone and Bulldoze, was on a spiritual quest during the recording and the live performances during this time, always searching for a resolution to his spiritual inquisition. The band had only a short period of time to record this 5 cut E.P. before Kev-One had to a bid of time for an altercation that ended in Kev-One serving 2 and a half years in a N.Y. state prison, only to be released to continue his song writing, performing and recording career, this project infusing Krishna beliefs and imagery into the jaw breaking sonic Metal/ Hardcore sound that set the standard for this sub-genre. Playing on this groundbreaking album, original band member, legendary Metal/ Hardcore/ Punk Rock drummer, Paul Zlotucha, laying down the thunder who's heavy pounding drum technique solidified Terrorzone's iconic violent sounding, " Take it out in the Pit" aggressive approach to the music to entice even the youngest fan, willing to participate in getting out their aggressions through the bone crushing sounds that the band forged. Inner band turmoil, eventually disbanding the group only added to the groups mythical, mysterious demise. Original member, guitarist Jerry G. Oxford, bassist John Dornbush and Fat Pat on rythm guitar, completed the bands line up. Kev-one leaving his legacy through his music will always be remembered as a front runner to this unique style of Hardcore. Terrorzone, now resides in New York Hardcore infamy..... R.I.P. Kev-One, and may legions of Fans of both bands continue to represent their love of the " Beatdown" style King and his music. A one-of-a-kind pioneer, Kev-One Cea, shall be missed, we shall meet again in Hardcore Heaven. ........ Hardcore Still Lives. creditsreleases October 31, 2022 Terror Zone: BHAKTA JON - BASS JERRY - GUITAR PAUL Z. - DRUMS PHAT PAT - GUITAR KEVONE BULLDOZE - VOCALS Recorded & Engineered By: GINO PORFIDO AT SMILIN PIG PRODUCTIONS Produced By: K. CEA Cover Art By: M. CALIMBUS