#koushiro is good

[koushirouizumi]

{D I G I M O N} ~ K O U S H I R O & T E N T O M O N

{From here!}

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[deathberi]

HAPPY 2023~!

[1pcii]

SHADAHKNKAS saw u in the notes of some kuina posts and that made me realize that there is simply a bond with kuina and tashigi fans, who may even often be the same fan, because AOUGHHH KUINA I CARE HIM SO MUCH episode 19 literally changed me forever. swords + gender struggles are all you need to hook me on a character sometimes Maybe. the whole greatest swordsman promise... sob. also. something about zoro promising his name will reach the heavens and trans kuina. which made me think.. what if kuina and The trans fear of dying then having your deadname on your tombstone that you can't do anything about because you're dead. kuina dying before they even get to figure everything out and all of a sudden he's just known as kuina forever, and then zoro making a name for himself in kuina's honor or something idk (i like zoro's backstory) (KUINA )

THERE ISS. people who theorise that they are secretly related or the same person or direct parallels are so close to getting it but don't imo (no shade to those theories tho, I just personally find them narratively unsatisfying).

like they are parallels in that kuina is symbolic of the sexism people suffer and tashigi is an adult woman who has come out the other end sword swinging but ultimately so unsure of herself as a result. also the (trans)genderisms, we are all hand in hand 🤝.

MAN KUINAS STORY BROKE ME DOWN ON A BASE LEVEL AND REWIRED NY BRAIN. I had to take a break from reading just to let it soak in it's so good, a swordsmans promise indeed, that scene was beautiful, I love zoro the world's first a accidental feminist <3. zoro carrying on her dream with his will never not have me in hysterics.

FUCK YEA THATS SUCH A GOOD IDEA. I have soo many thoughts about baby!zoro and kuina and trangenderism. egg kuina cis zoro, egg kuina STEALTH TRANS ZORO ABSVDJFBKSHDKDN <333.

little baby zoro looking at his grave with the uncontrollable urge to carve out those letters. to carry and rearrange them and make sure they get back to him in the afterlife spelling 'worlds greatest swordsman'.

trans kuina makes me so emotional because ultimately I don't know if they were canonically trans but it's my FAVOURITE 'what if' for them. they never really got to be anyone outside the dojo masters daughter. the failure of a heir and the girl who beat zoro 2001 times. who would they have been if they got to grow up? come to terms with themselves and unlearned all that heavy, painful biases pushed onto them? as a transmasc who's studying into a (cis)male dominated field myself ik, the feelings of 'betrayal' and 'proving misogynists right' and imposter syndrome and inadequacy issues and perfectionism they might've gone through,,, sobbing my eyes out HE MEANS EVERYTHING TO MEE.

zoros backstory is genuinely one of my favourite parts of the manga idc how 'simple' it was it's still beautiful.

[izzyizumi]

Digimon Adventure ~ Koushiro{u} Izumi Official Merchandise + {NOISE CANCELLING} HEADPHONES {Tri} Merchandise 2017 (Pre Soushitsu) x Ani-On Station vs {Adventure Merchandise 2024} x KARATEZ {Karaoke}

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[beansproutsong]

[Proxy] Tsurune - Taito Limited Plush

Size: 10cm

Each doll will get the diorama background and a bow that can be taken off.

This is a crane prize, limited to taito online crane game. So price of plush might vary.

DM me here or at my twitter if you want me to get it for you

[ashxketchum]

digimon fandom let people ship whoever tf they wanna ship in 2023 challenge - IMMEDIATELY FAILED !

You can find the original post here.

At this point, it's not about disliking a ship, because if it was as simple as that, then the haters and antis would block the tag and move on.

But belittling the event and the activeness of the fandom, is disturbing, why do you want us to give up something we all enjoy doing? Why do you want us to stop engaging within our community, sharing our love for the characters and ship that have mattered to us all our lives? Why does it matter to you so much that strangers on the internet like to see two fictional characters being in love with each other?

And I never see any other ship in the Digimon fandom getting this kind of hate regularly, it's only us YamaxMimi shippers who have to go through this like clockwork every year. 20+ years and the fandom hasn't moved on from the fact that this ship exist.......ya'll really need to sit down and reevaluate your life if one shipping community being active online in their own little circle fills you with hatred.

And you also need to get it into your head that getting something to happen in the canon is not the end-goal for every person engaging with a series.

Sometimes people are extremely creative and they're able to take characters from a series and breathe a new life into them with their skills. Just because you prefer to stick religiously to the canon doesn't mean the rest of us have to either. We don't care if it's not canon, because we have fanfics and fanarts and group chats filled with silly little headcanons and friends who drop by dms to scream about a silly little screencap and that's more than enough. for us

The event has sustained for three years because of the community and we dedicate our works to them, rather than to build a "cause" on the basis of canon.

AND FYI TOEI WAS TOTALLY FINE WITH SHOWING YAMATO AND MIMI AS FRIENDS

[general-cyno]

since I've rambled quite a bit on zoro's side of things in some of my zolu posts, I wanted to give luffy a try too! though perhaps overall subtler than zoro's grand gestures throughout the manga, there's no doubt to me that luffy cares for him just as much and his relationship with zoro is one of the most important he has (without intending to downplay others btw), both as individuals and crew, so let's goooo.

(warning: it's going to be long. sorry. also spoilers for the manga, as usual.)

albeit luffy and zoro's journey as a crew starts in the marine base where they met, I've mentioned here before that their childhood experiences, the way they sort of parallel each other's, also play a big role in their personalities and understanding of one another later on. the specifics are different, sure, but both were acquainted with struggle since they were young. zoro had already lost his parents by the time he was 8 and dragon left a baby luffy in garp's care, which... involved some questionable (dangerous) caretaking choices in order to make luffy "stronger". eventually, zoro would become a student in the isshin dojo, interact with koushiro and kozaburo, and start his rivalry/friendship with kuina just like luffy would later meet folks like makino, shanks and his crew whom he'd be inspired by, then dadan, ace and sabo, who'd become his family.

although we don't know yet what luffy's particular dream is, it's one he's had since young and that he mentioned to his brothers. similarly, as a kid, zoro wanted to become the world's greatest swordsman too, which he told kuina about and promised to strive for along with her. still, it's not until they lose sabo and kuina respectively that their dreams are accompanied by the necessity to become stronger for other people's sake. this is a specific sort of grief they share and are motivated by. and in luffy's case, his vow to become stronger is so he can prevent the further loss of those he loves.

(I'll get back to this, because it's important!)

fastforward to years later and we have a luffy that's started his journey to become the pirate king and achieve his dream. the insane thing about zoro's recruitment is that it only took hearing about the guy's name and fearsome reputation to have luffy pester koby about meeting him. I've also mentioned here that "fate" seems to be a recurring theme in OP especially in the latest arcs, and especially where luffy and zoro are concerned, seeing as they not only have a bunch of parallels with each other but also with important figures/characters in OP, some of who share or have shared a close relationship among themselves as well - namely, roger and rayleigh.

heck, luffy and zoro's lives are so intertwined you can even see lil zoro training during the ASL flashback chapters, when dragon mentions the dojo providing the revolutionaries with some food (ch 589). it's kinda incredible tbh. even so, when it comes to zoro... he was first and foremost a choice. regardless of how fate has come into play in the story, it was luffy's decision to actively seek him out and rope him into joining his crew, one he made after realizing zoro wasn't just a good guy but that he also had a cool, crazy dream and a determination to make it come true that was similar to luffy's own.

back then, luffy was already punching others (helmeppo) and getting angry on zoro's behalf, taking bullets for him and leaving himself wide open for zoro to protect during their confrontation with morgan. this is pretty much the beginning of his unwavering trust in zoro's strength and his willingness to step in when luffy needs someone to watch over him in turn. this is what their relationship is based on within? hours? of meeting and it's the foundation of the straw hat crew.

he's praising zoro before he's actually taken morgan down and luffy doesn't even look back to check. the amount of trust luffy's placing on zoro off the bat is bonkers and it's literally just the start.

from shells town onwards - well, in spite of how luffy's considered an anchor by shanks in the first chapters of OP because of his inability to swim, I believe the anchor metaphor is actually kinda perfect to describe zoro and his relationship with luffy, more so from luffy's side, even if he doesn't necessarily say this stuff on the pages.

I may be going on a slightly poetic tangent but it works imo. anchor symbolism is pretty popular and you can find all sorts of articles about it online. I read a few out of curiosity and y'know, the anchor as a nautical symbol has supposedly been regarded as one rooted in feelings such as those of stability and safety. you can probably tell where I'm going with this.

in terms of stability, think of OP's arcs and how many of them zoro's been in alongside luffy. they don't always fight side by side strictly speaking, but zoro is a constant - he's usually there to fight the second strongest threat and sometimes protect or lead the others when luffy's otherwise occupied, or he handles things while luffy gets there/recuperates enough to battle again. for the most part, zoro's also there in a bunch of the crewmate-rescuing arcs and he's even the one to directly liberate brook's shadow in thriller bark. there's only two major instances in which luffy and zoro (+ the crew) get separated for a considerable amount of time, one of them unwillingly and the other by choice: sabaody and zou/whole cake island. ig you could count baratie/arlong park too, but I don't think as much time passed in between one and the other compared to zou/WCI and the reunion in wano.

something that really got me even though it was tinted by a comedic feel, is the fact that bon-chan turned into zoro out of all straw hats back at impel down when luffy was trying to rescue ace and how happy he was at the prospect of having zoro there to aid him. no matter how the adaptation differs from the manga, I couldn't help but think of opla luffy's I need you speech too. would he have been as happy to see any other members of the crew? likely so! still, zoro's definitely someone luffy particularly looks forward to having by his side when things get tough.

irl, anchors are generally used to secure a vessel and prevent it from drifting. sounds a little familiar, I'd say.

it's not as though zoro's the only character in OP who's "guided" luffy but there are moments when he does ground his captain in a manner other characters can't at the time, and my favorite part of it is how seriously luffy takes zoro's words/advice whenever it happens. water 7 and enies lobby are perhaps the best examples of this, as it comes up in the context of luffy's fight with usopp and robin's supposed betrayal.

this is a really, really good moment imo. once luffy slows down to consider what zoro's saying, you can see he understands the importance of it. plus, luffy knows zoro's not someone who'd just leave a friend behind (he's fought to bring some of them back at this point, with luffy and the rest of the crew) and if anything, his "so the fact that he left our crew means nothing to you?!" outburst proves he's as upset as all of them about usopp's choice.

that said, you can tell how much luffy values and respect zoro's imput simply by the way he cries his soul out when usopp finally apologizes and asks to come back. luffy wears his heart on his sleeve and adores his friends, doesn't want to lose them ever, so reining all those feelings in to stay true to his position as the captain that zoro has placed his faith and loyalty in? amazing. and consider it from another angle: if he had ignored zoro, luffy would've lost him too. he certainly doesn't want that either or this would've gone differently.

this kinda thing happens also post timeskip, with zoro reminding luffy to get his shit together at punk hazard, bringing up the fact that they can't just ignore the threat kaido poses in zou to have the entire crew going after sanji, or when they're facing kaido and big mom in wano. zoro's someone luffy counts on to keep him steady and afloat, and this part of their relationship is something that was portrayed (again) nicely in the live action. in ep 6, it's zoro who manages to reassure luffy of his position as the captain and that he's done nothing wrong, that their crew isn't falling apart, because if luffy needs him then zoro vows to stand by his side til the very end. (they're insane).

in addition, their core similarities, understanding of each other and luffy's (almost unbelievable) faith/trust in zoro is what allows him to depend on zoro, specifically, when it comes to things like saving smoker in alabasta, not fighting back against bellamy's crew on jaya, or just mentioning the spilled oshiruko as explanation enough for zoro to get why luffy's angry during the onigashima raid, to name a few of examples off the top of my head.

as for the safety aspect of the anchor symbolism... that one speaks for itself I think. I feel like I must mention once more that zoro's not the only character or even the only straw hat to help or protect luffy, but he's fairly insistent and consistent in this aspect compared to others. compiling all the moments in which zoro's stepped in to protect luffy, worried about his well-being or signaled the rest when luffy's truly in danger/has reached his limits would probably break this site's image upload limit lol.

that said, luffy's the same back at zoro just in a bit of a less common manner or in a different way rather - mostly because of his belief in zoro's strength and the lengths he'd go to keep people safe, which includes allies and more so their friends. one could argue depositing that kind of faith in zoro can have its drawbacks (sabaody) or isn't completely fair (like when he goes all, "with you here, how could this happen?!" in skypiea) BUT. my opinion is that trusting zoro any less than that would likely hurt his pride more. so when luffy says stuff like this,

it's not about having unrealistic expectations wrt zoro but more about fully trusting in the man who tearfully swore to him that he'd become the greatest swordsman and never lose again. the one who trusts luffy just as much in turn, called him captain and pirate king first. luffy's seen zoro pull through some impossible situations, so it'd be more unfair to doubt him this way if you ask me.

this is also why I mentioned luffy's childhood vow. if you ever wonder "how important is zoro to luffy?" compare this,

to this:

luffy's past is revealed hundreds of chapters after skypiea. yet in hindsight, it adds so many layers to his relationship with zoro. for someone like luffy, who promised to become strong so that the people he loves wouldn't have to leave him, who would even die as long as it means he won't lose a member of his crew, the fact that he can relax this much when he gets separated from his friends because zoro's with them is... a lot, man. when you remember luffy's lost people close to him or had them leave him (for very understandable reasons, often out of everyone's control), zoro being one of the most stable presences in his life since they met - someone who will help him fight to get their friends back or stay behind to watch over them when they can't all go together, that for zoro to leave he'd have to be pried by force from his side unless they both agree to it for the sake of their journey and crewmates, is likely to be a very comforting fact to luffy. luffy, who's afraid of/hates being alone more than getting hurt.

he doesn't voice it out but allowing zoro to protect him and the people they both care for is giant sign of love and unbeatable trust, where luffy's concerned. although he doesn't know about it, zoro's sacrifice in thriller bark demonstrated why luffy does this without hesitation too. however, it's worth noting that luffy does worry for zoro's own safety whenever he's there to actually witness him being in danger and he knows zoro well enough to tell when said danger is real. it happens during the mihawk duel, when kizaru almost kills zoro in sabaody then as kuma sends him away, for example. he gets angry, desperate and teary in all of these instances. luffy cares so much about him.

lastly yet just as relevant... is that luffy likes zoro, beyond metaphors and all zoro might represent/stand for in the crew. luffy thinks he's cool, that he'll certainly achieve his dream, enjoys teasing and bullying him harmlessly, offered to share his food with him to convince zoro into accompanying them in thriller bark, tried to give an injured zoro an entire barrel of alcohol because luffy knows he loves booze and thought it'd make him feel better, and is generally someone luffy's happy to be with.

I bring up the wano hug a lot but honestly it doesn't get clearer than this. I've seen people try to downplay this moment but hey, context. people that luffy's hugged this way include 1) sabo, the brother luffy believed had been dead for years, 2) hancock who helped him try and rescue ace and 3) jimbei who's helped luffy during some of the most dire moments he's gone through, like impel down, marineford and WCI. for luffy to straight up hug zoro with just as much happiness, eagerness and enthusiasm in a relatively danger-free situation... he likes zoro, there's no better way to put it.

it's not that they can't butt heads sometimes either, but never seriously enough to damage their relationship. as a more recent example, luffy's shown he can put his stubbornness and recklessness aside when zoro's right even if he doesn't like it (ch 1060, about vivi's current situation). and as long as he's there, luffy won't let people interfere in zoro's fights, much less when it involves zoro's dream - like when he held johnny and yosaku back from stepping into zoro's duel with mihawk, even though luffy himself was worried about zoro.

so yeah, zoro might get to be crazier about luffy more often and explicitly but imo, it's an entirely reciprocal thing.

if you got this far, thanks so much for reading!

[sillypiratelife]

Kuina is probably my favorite female character of One Piece, but that's because she represents just perfectly the experience of being a little girl that's into martial arts— and some other stuff.

Kuina would never be enough because she could not be man enough to inherit the dojo, according to her dad, but she was also not lady-like enough to be considered a "woman". To the eyes of other people (and what they make her believe), Kuina's dream marked her as an eternal outcast, someone who would never reach one shore or the other.

To Kuina, her body was a cage. Even if she had everything within her, her body would make her naturally weaker. Similar to being condemned to fight with a bad sword, a blade that would break. Being a child was safe. Little boys and little girls are equals. Growing up meant losing time, losing ground. Every year must have to be a burden to her, with the constant reminder that her time as the best was running out.

The fear and hatred of puberty, the horror of the way your body changes without your permission, the experience of girls who feel uncomfortable in her bodies because they don't want breasts, they don't want to be weaker once a month because their bodies are bleeding and their hormones are ruining everything— I've seen it all.

Worst even, the way people would stare at those bodies and lust for them. The trauma of being desirable. Now they think that they're entitled to your body, that they can disrespect you. You're a toy, an object, you're a woman so you're weak and fragile, you're a woman so give up, you're not in control of the situation anymore.

When Koushiro said that a woman could never be the best swordman in the world, there are soooo many things in between the lines. Why not?

As if it wasn't enough, the boys accused Kuina of being that much better than them because her dad was the leader of the dojo, so he must be teaching her in secret. Her merits were never hers, just the results of another man. "Ah, that girl can't be that good, she must be getting help, receiving special treatment, getting extra training, etc". It's infuriating and Kuina shows it. They disrespect her like it's nothing, like it's natural. Her own dad allows it and participates in that.

Before Zoro, Kuina had no one to tell her that her skills were only hers. Her body, her heritage, not of that mattered. She was the rightful winner of their matches, at least so far.

When Zoro cries out of frustration and Kuina asks him if he even knows why she should be the one crying for it? Life changing moment. Zoro got the praise and loyalty of the dojo boys, the admiration of the older people training there, he was even the special boy of her dad— Koushiro let Zoro clown around with multiple swords and watch Kuina beat his ass, but it'd never matter.

Zoro wouldn't be betrayed by his own body, his own family, his own dojo and his own hometown. He was an outsider accepted by the community, their pride even. He came out of nowhere and they gave him everything she wanted and both of them deserved. It's just that it wasn't a fair fight: Zoro was a boy and Kuina was a girl. She'd always have to fight harder even if she was better.

For me, I really think that only Zoro could carry Wado Ichimonji with him. He was the only one who respected Kuina as a person and a rival, not seeing what others saw in her. Zoro honored all their fights, never tried to discredit her, because even when Koushiro tried to give Zoro an excuse "you forgot that she's a little older than you", Zoro brushed it away. No, he could beat grown-ups. That was not it.

Kuina was better than him. Period.

The fact that she died in such an accident and the way Koushiro said "humans are fragile things"... It is just so amazing. What Kuina feared the most: all her potential, wasted. When she was finally ready to go after what she wanted, she fell down the stairs and died. Simple. The promise Zoro and Kuina made was wasted too. Now Zoro had all the time in the world and Kuina had no time at all. She was always against fate and Zoro rode with it.

I still think about how Zoro plans to make it all worth something: if she can rightfully fight for the title, then he won't let anyone have it but him. If Kuina was able to beat 2001 times the boy who would become the best swordman in the world, then no one could insult him ever again. And if he won that title with her sword, then he'd elevate both their names. If he could fulfill his promise to her, then that night would hold its meaning.

I love Kuina soooo freaking much and I love how much Zoro values her, even to this day.

[sunnixsunshine]

Gonna just post this all together lol uh big post, lots of words, whatever, enjoy

Anyway, meet Roronoa Hikoboshi and Orihime! Hikoboshi resembles Zoro’s dad, he takes over the restaurant eventually while Sora is off sailing, Shinjiro is off sailing, and Takehiko is just causing massive amounts of problems to every type of authority out there lol. Orihime is actually Pudding’s daughter, her only child in fact. Idk, Pudding just eventually gets over Sanji(good, hes way too old for you sweetie tbh; narratively I enjoy their story but ooooooof couldnt she have been at least 18?), meets a new gentleman whos just as kind to her. He, too, has an interest in baking and they open a bakery together, which eventually moves to the exact oart of the All Blue where Sanji resides. Hikoboshi and Orihime meet when theyre 15/16 years old and immediately theyre pretty infatuated. With Orihime being a fairytale and love at first sight kind of gal and Hikoboshi being just as much as a hopeless romantic as his father. When the two want ther parents to meet—its pretty awkward at first lol

Hikoboshi and Orihime is directly inspired by the myth and Tanabata festival itself. As I said, Hikoboshi more so resembles his grandfather Arashi. Orihime is supposed to look like her father the most, however I wanted to play with the idea of her resembling Big Mom a bit? Mostly just the hair honestly, which starts off as brown but as he gets older it gradually changes to pink. Which makes me think about the possibility of Pudding maybe holding some kind of issues against her early on???? Idk but I would like to explore the idea! Btw, their moles are supposed to reflect their respective stars’ positions, Vega and Altair!

But anyway heres my designs for Zoro’s parents. Arashi was s two swords style user trying to work his way up to three swords style before he died. He grew up an orphan on the very outskirts of the village after both of his parents passed away when he was roughly 10. Tera grew up on the same island but she wasnt born there, her father bringing her there when she was eeeeeh like 4-6. She didnt grow up in the village though, in fact she didnt up grow up having a home town to name, she doesnt know where in the east blue her family is specifically from, they camped out in a tiny cabin in the wood with a few other bandits. She gets lost a lot, which is where Zoro gets it! She actually ended up having to choose between “carrying on the family business” (being a thief) or Arashi, and she chose Arashi because she’s actually really bad ar being a bandit. They met when they were 18, married a year later, but it took four years to finally have a family of their own. And turns out Zoro is the only kid they ever would have. Quick little details; when Arashi was fatally wounded by the pirates attacking the village, his swords were both essentially destroyed and later buried with him. And so was his earring. Same with Tera, who had genetic illness, Huntington’s disease, however she actually died of pneumonia in the winter time, but her Huntington’s symptoms were prevalent and Zoro was aware of what was going on. She, too, was buried with her earring, two of Zoro’s earrings specifically just being replicas in memory of his parents. And gonna state it outright here: no Zoro doesn’t have Huntington’s disease, but it is a fear of his that he pushes off to the back of his mind constantly. Tbh I just think it makes him more human as a character to have such a natural fear, idk.

Something I kinda REALLY wanna expand on is my idea of Arashi and Koushiro having a relationship somewhat similar to Zoro and Kuina; Arashi being a few years younger than Koushiro who has actual training to begin with, Arashi having no formal training, just his parents’ swords that they left behind. Now neither of them even knew they were like distant cousins, to Koushiro Arashi is just this younger kid with an obnoxiously loud desire to go above and beyond to learn two swords style when he doesnt have any formal training nor does he even know one swords style! Koushiro finds Arashi annoying and even talentless—and yet for several years they met in a field so Koushiro could pass his formal lessons onto Arashi. Arashi couldnt learn at the dojo because he couldnt afford it. The lessons would stop once Koushiro is being prepared to take over the dojo one day and also when he meets his future wife—so hes about 21 give or take, Arashi is around 17 at the least. Their relationship was mostly bickering because Koushiro doesnt like Arashi’s rash attitude and tendency to goof off. And Arashi found Koushiro to be uptight and too grown up. Arashi never could surpass Koushiro in a dual, both one sword style and two sword style. Hes just always been several steps behimd Koushiro and that’s what pushed him to train more. Fast forward to present day, and honest to god Koushiro NEVER connected Zoro to being Arashi’s child. For one thing, he didnt know Arashi had a kid, thats how strained they became, and another, Koushiro, to be fair, doesnt even see an ounce of Arashi in this kid whatsoever. The ego and eagerness to go above and beyond, sure, but what little kid ISNT like that?? Anyway, it comes as a shock and a part of him feels more obligated to take care of Zoro after having witnessed Arashi’s death himself years prior when Zoro wouldve only been a toddler.

[tobiasdrake]

I'd say that Tri, Last Kizuna and 02 The Beggining are a tad of a weird approach to try and bank into nostalgia, but not letting go the concept of "no you have to say goodbye to the 'mons"... which doesn't work after 02's epilogue. And then Adventure 2020 happened, and forgot that it was supposed to be an assemble show.

I don't have a problem with nostalgia banking, but Last Evolution Kizuna wanted really badly to be Toy Story 3 and failed. That, I take a lot of issue with.

There's a lot of heated debate surrounding LEK. The idea that the kids' partnerships with their Digimon break because it's time to put away childish things and grow up is extremely contentious within the fandom, but it's also not universally agreed that the film is even saying that thanks to translation issues with the subs and also some very ambiguous imagery with the ending.

There are basically two different interpretations of what happens in LEK.

1 - Sora, Taichi, Yamato, Jou, Mimi, and Koushiro all lose their Digimon Partners because they enter adulthood - but not Takeru and Hikari because they still have a few years to go.

This is a natural occurrence and the result of growing up. They have no choice and no agency in the matter; The Universe takes their Partners away because they're too old to be playing with toys anymore, and they just need to fucking suck it up and deal.

2 - Sora, Taichi, and Yamato lose their Digimon Partners because they're too irresponsible with their adulthood. Mimi, Jou, and Koushiro do not because they're responsible adults and are balancing their adult lives and their love for their Partners well.

What happens to Sora, Taichi, and Yamato is a rare and unusual occurrence, but there is hope that they will one day find their Partners again once they've gotten their heads on straight and made their way as adults.

For obvious reasons, the film is very unpopular with fans who take the first interpretation and pretty well-liked with fans who take the second. Which one is actually the valid and intended reading? Well. It's complicated. The movie went through a tumultuous creative process, to the point that Adventure series director Kakado Hiroyuki walked out on production midway through over disagreements and inconsistencies to the original series.

Which is, y'know, always a promising sign for a new entry in a series.

Watching the film, for me, it honestly feels like both readings are intended. Which is to say, you can find evidence to support either/or. I don't think that's deliberate, I just think the film was sloppily made and shows signs of conflicting creative visions.

Proponents of the Good Movie interpretation can point to the villain of the film, whose central motivation is literally that having your Partner taken away because you grew up is some fucking bullshit. In its final act, the film reveals that her Partner did come back - Just in an unrecognizably different form, not as the Partner she knew.

So the natural conclusion then is that Agumon and Gabumon will reincarnate and may find their way back to Taichi and Yamato; They just won't be Agumon and Gabumon. Which still contradicts the 02 epilogue despite proponents of the Good Movie interpretation insisting that 02's epilogue is still canon to LEK.

Which itself has evidence to support it (Taichi and Yamato are on their way to becoming the people they are in the epilogue) and evidence to refute it (Agumon and Gabumon fucking died).

As the translation breakdown in the above link shows, there's also some phrasing issues that created confusion. Gennai in the official English version describes losing your Partnership as a typical occurrence while, in the original Japanese, he seems to describe this more like a rare thing that he doesn't fully understand.

It's explained that what's happening is the narrowing of potential. Children have infinite potential, which something something Digimon Partnerships. As you make choices with your life, you narrow your potential, and eventually it can no longer sustain a partnership - Unless you're able to become an adult with limitless potential anyway!

That seems like it's setting Taichi and Yamato up to figure out their shit and save their Partnerships at the last second. But they figure out their shit and still lose their Partners, which gets described in the end as a rite of passage.

The blog with the big translation breakdown I linked above makes a note of the difference between the official translation, "This is how we finally grew up," and a more accurate translation, "This is how we arrived at the entrance to adulthood." As they say, it shouldn't be translated with finality.

But that's splitting hairs, because either version is still saying that losing Agumon and Gabumon was Taichi and Yamato's rite of passage from childhood into adulthood. Whether they've become adults or taken their first steps into adulthood doesn't actually matter; it's still describing this loss as the gateway that brought them there, which is the point of contention.

They did what they were supposed to do, they were still punished for it, and then they close by describing it as if it were an inevitable consequence of growing up despite what Gennai said. Which may or may not be corroborated by what happened to Jou, Mimi, and Koushiro.

Proponents of the Good Movie interpretation will point to Jou, Mimi, and Koushiro as proof that not everyone loses their Partners. Proponents of the Bad Movie interpretation will point to those same characters as proof that everyone does. This is due to a fundamental disagreement in how you interpret the final scenes.

At no point does the film ever say, with words, that Jou, Mimi, and Koushiro lose their Partners. But it does conclude with these images:

The final shots of Taichi, Yamato, and Sora show them to be moving forward with their adult lives, with no Digimon. The younger kids Takeru and Hikari's slides contain Patamon and Tailmon. There are also slides for the 02 characters, which show their Digimon Partners still taking an active role in their lives too.

But Jou, Koushiro, and Mimi? No Partners in their slides.

Good Movie fans will say that the film never says explicitly that they lost their Partners, so this means nothing. Their partners are probably just offscreen somewhere.

Bad Movie fans will say that these slides are meant to show the older kids moving on with their lives post-Digimon and the younger kids still having their Digimon Partnerships. There's a clear contrast between Hikari and Takeru's slides versus Taichi, Yamato, and Sora's - and Jou, Koushiro, and Mimi are presented like Taichi, Yamato, and Sora here, not like Hikari and Takeru.

Good Movie fans have the counterpoint to be made that their Partners still exist in 02's epilogue. So, y'know, canon faithfulness says that everyone's Digimon will come back or was never lost. Checkmate, naysayers.

But also Last Evolution Kizuna basically ignores Tri and makes no attempt to address the questions it left hanging, and also the Adventure story director walked out of production over inconsistencies to the original so I don't think you can really use canon faithfulness as a talking point here.

Taichi and Yamato are still on their way to becoming an ambassador and an astronaut respectively, so the epilogue hasn't been thrown out entirely. But it clearly has been thrown out. Jou was supposed to become a doctor in the Digital World, Sora was supposed to become a fashion designer instead of inheriting her mom's ikebana mastery, and Mimi was supposed to become a chef instead of selling cosmetics.

Yeah, Taichi and Yamato are still on-track to a similar life path than what the epilogue gave them, but nobody else is. So I don't think the movie is actually as faithful to 02 as the Good Movie side thinks it is. And apparently neither does Kakado Hiroyuki.

For me, I do think they were trying to say it's time for the kids to put away childish things and grow up. I don't think they meant that to be insulting. But I do think it's kind of insulting.

I think they were trying to do what Toy Story 3 did; To tell a story about the rite of passage from childhood to adulthood and what that means for the things we loved and enjoyed as kids. But I don't think that story works when the putting away of childish things is something cosmically forced on the children rather than a choice they make with their own agency.

Toy Story 3 wouldn't have landed the way it did if the movie was about Andy's mom pinning him down by the arms while garbagemen come in and throw Buzz and Woody into a woodchipper. But that's kind of what Last Evolution Kizuna does to the Adventure kids.

Taichi and Yamato get to give a powerful emotional farewell to Agumon and Gabumon. But they don't want to, they are not making this choice for themselves, and no reason is ever provided for why they should have to. And even the best defenses of the film just make it out to be a weird, random cosmic blip that maybe they'll fix some day, who knows.

Even in the best-case scenario, the universe just decided to grievously hurt Yamato and Taichi for no reason even though they were already making strides to undo the thing they were allegedly being punished for. It's still mean-spirited and cruel even in the best possible interpretation.

So. Yeah. All things considered, I find myself falling on the side of "It's a bad movie and I don't accept it as part of my personal Digimon canon." I don't accept that the children need to all have their Digimon deleted once they enter into adulthood, and I equally don't accept that they don't need to have that happen but that Taichi and Yamato deserved to have their Digimon ripped away from them at the end. There is no version of this movie that I actually like.

[koushirouizumi]

"You're going to {do all these amazing things} to

HELP Other children like Yourself---"

"IT DOESN'T MATTER. IT DOESN'T MATTER-"

"We're still going to--"

{Excerpts from Repeatverse Pt. 21} (Written by Me) (DO NOT Re-post) (DO NOT RE-PRODUCE MY WRITING Without My Permission UNDER ANY CIRCUMSTANCE)

The next time people shove their Bad {/Negative} Koushiro and/or Taichi Takes in my face I'm showing them all these lines I wrote about them back in early Apr. 2k18, even if its A.U. inspired, and even if this part itself didnt get up-loaded until late May of the same year, because this was actually one of the first parts I wrote for the wider fic-verse.

And because I actually like what I wrote here using my interpretation of both Taichi and Koushiro.

{After the first cap, there is a line missing in-between because it reflects the A.U. plot, but I included a variation of it in the body of this post. Its basically a lead-in to younger Adventure-aged Koushiro realizing with a Start that this {Tri-era age-wise, but with the original concept in mind from before Tri}!Taichi Knows Koushiro Is An Adoptee, which means at some point Adventure!Koushiro got to actively TELL Taichi that Koushiro Is An Adoptee, and this Koushiro is Recognizing.}

[cal-writes]

I feel like in a lot of your stories, your zoro exudes abandonment issues 🥲 Is that a conscious thing on your part? Or am I projecting lmao

I’m loving the little snippets of fic you post btw always brightens my day 😃

he does. it sorta happened subconsciously i think. im not sure if it started from my interpretation of his character in canon or from myself projecting lol

i think it might be a mixture of both like. the juxtaposition of zoro as a character who is very confident in exactly one area of himself and that is fighting and his strength. like zoro doesnt tend to get jealous until luffy implies someone might be stronger than him. i always think of something the youtube quinn curio said in a video about the umbrella academy talking about the character played by elliot page.

so i often read zoro as someone who thinks he needs to be the strongest so that has value or is allowed to be there

and another part i think is that zoro is a very lonely character. like we learn about kuina and that she died when she was 11 and that shook him so fundamentally that he's essentially living his life to fullfil that promise he made to her. we've seen koushiro and johnny and yosaku but they were very utilitarian. koushiro was his trainer, i dont think zoro ever mentioned him again since the flashback in like what chapter 5? and johnny and yosaku were a good way to bring arlongs bounty up and show the necessity of having a cook on board. sure they care of zoro and he cares about them but there isnt the sense that they are particulary close. zoro doesn't have a family like nami, or someone who seems to have raised him like family like luffy and sanji. if we take movie canon into it as well he'd have another friend from the doji similarly to kuina who he later thought had died due to him not being strong enough

and even now in the more recent manga chapters we see it implied twice that zoro is "a burden" on his crew, both from an antagonist but then also from a crew member. and unlike when sanji and zoro usually bicker, zoro doesnt respond. we have a panel of him flinching about the comment before he grits his teeth and continues.

addtionally during water seven when everyone is falling apart bc of whats going on he's not allowing himself to be vulnerable. we dont see him miserable or angry or sad because he sees his duty as having to hold it together and make sure everyone gets through this. like zoro was just as affected by merry's fate as everyone else but he couldn't show that (or he felt like he couldnt). its an incredibly isolating experience.

there is that manga panel which i might be misinterpreting bc the speech bubbles make it hard to tell who is actually saying it

like "huh you saved me" like he's surprised someone would do that.

but even if in that panel its not zoro saying it we still see himself punishing himself after getting injured in a fight even if he ultimately won. after little garden he trains until his feet bleed again, after the fight with mr one not only does he carry nami around for hours and gets shot while injured already he doesnt let himself recover, and then of course after thriller bark.

i always get the sense that zoro puts an enormous amount of pressure on himself as if he has to justify being there and has huge expectations for himself that he needs to meet.

and not to forget that on shabaody, he had no idea what happened to everyone else. he was the first to leave and for all he knew until they got the message from luffy, everyone died bc he was injured. i think that definitely festered.

like (its probably not that deep but you are reading this so far so youre in too deep now)

i thought it was curious. that zoro is the first one back. that he asked perona for help to find the way. as if he was worried. that if he came to late they wouldn't wait. so he made sure he was the best, the fastes, the first. he made sure to show off his new skills immediately. tried to show them off to luffy immediately despite it being a dumb idea to cut their bubble underwater.

so anyway yea i do end up writing zoro as someone who has abandonment issues tied in with his self esteem issues.

[firefirefruit]

Steel in Her Veins, Chapter: Seventeen

Read On: AO3 | Table of Contents | Next Chapter

Chapter Seventeen: Onigiri

As your hand connects with his, you reluctantly trail behind Gramps, nursing a humongous grudge against him for ousting you from the workshop. 

"Social interaction’s important at your age!" he insists, his stubborn furrow signalling the inevitable shift in the course of your life.

Armed with his illegally immigrated Wano connections scrawled within his logbook, Gramps engages in a series of letters with a familiar Shimotsuki contact, meticulously planning a rendezvous through extensive log pose calculations.

"Why can't we just head to their dojo?" you grumble, eyeing the island that sits perfectly equidistant from your home and the Dojo-guy’s village. At least then there would be something to actually do, and people to see. The prospect of aimlessly wandering around on a boring old island makes you even more reluctant to the thought of ‘socialisation.’

"The less people see us, the easier it is to stay safe," Gramps replies.

His words bring to mind a recent incident, just a month ago, when you both urgently had to evacuate yet again, from another workshop, on yet another island. It was the result of an attack orchestrated by those shittily-dressed CP members who always manage to track you down, no matter how many times and how far you flee.

Hidden upstairs, you could only hear the rattles and thuds following Gramps as you scrambled to pick up your emergency bags, pre-emptively prepared for such occasions before escaping to the meeting point.

Gramps would never, ever, let you fight alongside him. He had this entrenched fear of them finding out about your existence and you didn’t know why. You didn’t get what was so detrimental about them seeing a girl living along with her gramps, working regularly on her craft. But you could tell, if there was only one rule that you had to follow, it was this one. 

The way Gramps demanded this from you from the very start of your immigration from Wano, with such an intense and severe resolution set across his face, made all the objections you wanted to spout out immediately die on your tongue.

The more you grew, the more dangerous it was simply to exist outside of Wano. And the rich bit was, you still didn’t know why. Gramps wouldn’t say – you didn’t know whether he actually knew the reason why, or if he was as unsure as you were, but it was always brushed off whenever you questioned him about it.

“Whatever,” you mutter lowly and roll your eyes, walking even slower behind Suki just to irritate him. 

“I’ll change the locks on the studio again if you keep moping,” he cheekily says, giving you a little side-eye. And in an instant, you kick your feet up to match his pace, not wanting to have to start lockpicking through the doors again just to do your work.

“Look, they’re here,” Gramps whispers to you before turning his attention to the two figures.

From a distance, you eye a young blue-haired girl moping behind the man who seems to be her father, annoyedly swinging a sword in her hand. The sword claws at the grass in front of her feet, becoming more of a pick-axe than a fearsome blade. Your eyes light up as you pay closer attention to the type of sword she has in her fingers, a slight interest warming you from the inside.

“Sukiyaki!” The man says in greeting, tugging on his daughter’s reluctant hand as he walks toward the two of you. 

Gramps grins wildly, embracing him warmly. “It’s been a while. Your old man leaving Wano’s done you some good, eh?”

The man laughs kindly, patting his back. “I can say the same thing about you, ex-Shogun.”

“You can thank this little rascal for that,” Gramps says, staring down at you pointedly. “This is Raya, my granddaughter.”

The man smiles at you, making you instantly want to smile back just by looking at the warmth that emanates from his eyes. “Hello, Raya. I’m Koushiro - this is my daughter, Kuina.”

Your eyes flicker back to the blue-haired girl who now has an eyebrow raised at you, her eyes twinging with slight interest. 

“I like your sword,” you shyly mutter, eyes glued to the weapon in her possession.  

The girl looks taken aback, unsure of what to say. She looks up to her father, uncertain of what to do – and as he gives her a little reassuring nod, a subtle smile creeps onto her face. Finally, there’s another girl who's just like her, who’s really into swords. 

“I like her too,” she finally says, fumbling the hilt across her palm. She steps towards you, extending her Wado Ichimonji out as a friendship offering. “Wanna hold her?”

With a sudden shock to your body, your eyelids groggily slink upwards. Hot breath blows on your face as you try to make sense of your surroundings, realising that the floor beneath you is moving at an incredibly dangerous pace. 

“What...?” You mumble heavily, forcefully blinking a few times to unblur your vision. You feel restrained, feeling fingers that aren’t your own that grip at your skin. A huff of paced breath hits your face again, the boulder set against your cheek expanding with each aggressive step. 

“Stay still,” Zoro exhales, his arms holding your legs and arms even tighter against his chest. 

Your eyes immediately snap wide open, gaping up at the green-haired samurai who’s running like his life is on the line.

“Let me go,” you slur, dizzily slapping your hand against his chest. “I can run by myself.”

“Like fuck I will. Not gonna make that mistake again,” Roronoa mutters through gritted teeth, his eyes glued on the path before him.

His footsteps reverberate through the landscape, each step a jolt that echoes through your restrained form. You squirm in his grasp, desperately trying to break free, but his grip remains unyielding.

“Seriously, Roronoa! Put me down!” you protest, your voice slurred from the side-effect of Chopper’s sedative. The world blurs around you as he sprints, carelessly snapping branches and rocks from beneath his heavy boots.

“Just shut up and stay still,” he snaps, his focus unwavering. The rhythm of his strides runs like a wild drum beat, chaotic and messy, and you can't help but feel a sense of intense dread within you.

As you keep protesting, your eyes catch glimpses of the passing scenery—a chaotic blur of mountains, rocks, and uneven terrain. Zoro seems to navigate effortlessly, his instincts finely tuned to the path ahead.

A surge of irritation courses through you as you look down and away from Roronoa’s clenched jawline, your fingers gripping over his tightening arms as you try to make sense of your surroundings. 

“Where are we even going?” you demand, hoping for an explanation.

Zoro glances down, his singular grey eye piercing through you.

“To safety. Hold on,” he replies.

The erratic journey continues until Zoro abruptly comes to a halt. You're released from his firm grasp, stumbling slightly as you find your footing. The world finally stops spinning, and you take a moment to regain your bearings.

“We’re here,” Zoro states, a hint of urgency still lingering in his voice. Your surroundings slowly come into focus —a cave within a mountain, the canopy casting shadows over the uneven ground.

“What’s going on? Why are we in the middle of nowhere?” you ask, frustration lacing your words. Zoro doesn’t immediately respond, his attention drawn to the surroundings as if assessing potential threats.

He lets out a sigh, then faces you, a hand carefully resting on the hilt of his Kitetsu. "We brought you to the shaman. The moment he laid eyes on you, he started screaming. Kept referring to you as Oni, then ordered his lackeys to spill your blood until it runs dry."

You stare at him silently. Then, you huff out a singular laugh. “What?”

“Yup,” he says, shifting himself to the rocky floor. “He thinks you’re a demon. Said he felt something in your blood.”

“Great, so I’m a demon now,” you say, staring down at your awfully blackened arm. The growth seems to have halted while you were unconscious, prompting a small sigh of relief. Well, at least there’s that.

Zoro looks away with a smirk, his arm crossed. “Now? You always were one.”

You scoff, an eyebrow raised. “You got some jokes, samurai.”

You stumble a little from the disorientation, gasping in the process. Zoro immediately shifts from his position, his eye widening, arms held out in preparation, but you manage to shift your arms onto the wall behind you, panting in surprise.

 “I got it.” You strain out. Zoro lowers his arms and pointedly stares at you in reply.

“Maybe you should sit down. You’re confused.”

So, you sit yourself down on the jagged terrain, earning a surprised stare from Zoro.

“What?” 

“You actually listened.”

“Yeah, well…” You look down at your arm again, grimacing. “Chopper’s sedative is gonna wear off soon, and my arm’s definitely gonna feel it.”

Zoro's gaze very slightly softens as he takes in the exhaustion etched across your face. "We'll find a way to fix this. For now, rest."

“Rest in the terrified Shaman’s cave. Great plan,” you mutter, though you do lean back against the cold, rocky surface.

As the minutes pass, you decide to rest your eyes whilst keeping your ears open. The images of your previous dream swirl in your thoughts, blending with the rhythmic dripping sounds of the cave, and you can't help but purse your lips at the thought of Kuina. What would she have been like, if she was still alive and the same age as you? You'll never know. You'll never know, and that's what hurts.

Before you let yourself completely relax your muscles and slacken your head against the wall, a sudden stampede of footsteps begin to scramble their way to the entrance of the cave, making your eyes snap wide open.

“They found us,” you whisper, instantly knowing the amount of hot shit the both of you are in right now. Your fingers curl over the dagger in your belt. “Tell me, did you see them use magic?”

Zoro drifts his gaze from the sudden clambering of the Shaman’s underlings to you, his lips pursed. You stare back at him, raising your eyebrows.

“Okay. So, are they talented?” 

He remains staring at you, pursing his lips even harder into a straight line. Instantly, you turn away, eyes flickering in thought.

“Well, fuck. Shit. Okay…” You heave yourself from the ground, stumbling slightly in the process. “I think I have a plan.”

Zoro rises, his sword now glimmering and unsheathed. He stands in front of the opening, pure focus in his eye, as he holds the Kitetsu into the air.

“Look, you’ve got to leave and let me deal with them,” you say, making Zoro snap his head to you in outrage.

“Absolutely fucking not,” he growls, narrowing his eye at you. “Are you insane?”

“Seriously, Roronoa, you need to run away. Leave me --”

“You know what you’re sounding awfully a lot like? Your old man.”

“But—”

He glares at you, ferocity lingering in his lone eye.

“I told you, I’m not fuckin’ makin’ that mistake again.”

[izzyizumi]

U.S. Dub 2020!Tai: You GOT THIS!!! Now GO!!! Izzy, softly: ...A-Are you sure? TAI, SOFT BUT FIRM: *NOT A DOUBT* IN MY *MIND*. IZZY: ...!!

[beansproutsong]

[Proxy] Tsurune ViewCot Plush vol 3 and 4

Crane plush, it’s hard to estimate price at the moment, but it usually costs around 3000JPY

Vol 1 and 2 also available upon request

[ashxketchum]

New collaboration with Loft & Amnibus was announced for Digimon Adventure!

Details about exact merch will follow soon, but the tweet states that the concept was decided by keeping the idea of 25th Anniversary in focus but the art itself is flower + wedding outfit themed. The collab will start in June which is considered a good month for brides in Japan and so we see many wedding themed anime illustrations get released during this time every year.

Now it is time for another certified Ayushi breakdown 🫡

Taichi and Agumon are seen holding Edelweiss, with a pattern of the flower drawn beautifully on Taichi's shirt as well. Edelweiss in Japanese Language of Flowers (Hanakotoba) is meant to symbolise 'cherished memories/大切な思い出' and 'courage/勇気', while in Western Language of Flowers it's meant to symbolise 'noble courage' and 'daring' - both of which are apt for our best leader 🧡

Yamato and Gabumon are seen holding Alstroemeria (Lily of the Incas, Peruvian Lily), and while the flower motif is not drawn onto his clothes, Yamato's coat's breast pocket is decorated with the flower as well. In Hanakotoba, Alstroemeria is meant to symbolise 'persistence/持続' or 'longing for the future/未来への憧れ', while in Western Language of Flowers it's meant to symbolise 'friendship' and 'devotion'. All meanings are apt for him imo, but especially persistence and longing for the future are very representative of his arc from the first series till Kizuna.

Sora and Piyomon are seen with Pink Carnations, with the neckline of Sora's jumpsuit lined with a bunch of the flowers. I personally love the visual of Sora in this pink jumpsuit, it plays into her slightly tomboyish yet extremely gentle personality so well! In Hanakotoba carnations symbolise 'innocent and deep love/無垢で深い愛' and pink carnations specifically symbolise 'love of a woman/女性の' 'passionate love/熱愛' and "beautiful gesture/美しいしぐさ'. In Western Language of Flowers carnations symbolise 'fascination' and love'. All meanings are pretty accurate for Sora, but red carnations are used to symbolise Mother's love in Japan so it would've been nice if they threw in a mix of red and pink to hint at her relationship with her mother!

Koushiro and Tentomon are seen holding Violet Sage, which at first glance I thought was Lavender. The flower pattern is also visible on his waistcoat and bowtie, which ties together his outfit very nicely! In Hanakotoba, Sage seems to have many symbolisations, 'respect/尊敬', 'wisdom/知恵', 'good home/良い家庭', and 'family love/家族愛'. But Blue (Violet) Sage specifically signify respect and wisdom. In Western Language of Flowers, Sage symbolises 'esteem', 'wisdom' and 'domestic virtue'. Again, a perfect choice for Koushiro, I personally would prefer to believe that they picked this not because of his crest but because of 'good home' and 'family love' since that part of Koushiro's arc in the first series was probably the most impressionable aspect of his character.

Mimi and Palmon are seen holding baby's breath, with Mimi's dress covered in a pattern of it. Even keeping my bias towards Mimi aside, this is possibly one of the prettiest outfit of hers till date, it genuinely looks like she's about to walk down the aisle as a flower girl for a very happy couple! In Hanakotoba, Baby's Breath or Kasumisou, symbolises 'pure heart/清らかな心', 'innocence/無邪気', 'kindness/親切', and 'happiness/幸福'. In Western Language of Flowers it symbolises 'everlasting love', 'purity of heart', and 'innocence'. All meanings apply to Mimi to the T, but they're also very apt for the whole wedding theme of the merch which makes this particular outfit + flower choice my favourite from the lot.

Jou and Gomamon are seen holding Violets or Sumire. I honestly struggled to figure out the flower for a while, at first glance I thought it was Periwinkle but since that was not mentioned in the Hanakotoba reference anywhere, I searched other people's interpretations and settled with Violets. His tie also has a cute pattern of the flower, and it makes me wonder if Koushiro and Jou went shopping for their outfits together! In Hanakotoba, Sumire symbolise 'modesty/謙虚', 'sincerity/誠実', and 'small happiness/小さな幸せ'. Depending on the colour, the symbolism can change in Hanakotoba, and purple Violets specifically represent 'fidelity' along with 'love'. In Western Language of Flowers it symbolises 'modesty' and 'faithfulness'. This is as Jou as a flower can get lol.

Takeru and Patamon are seen with White Gerberas. Like Yamato, Takeru's outfit doesn't have a pattern of the flower, but the Gerberas themselves are pinned to his suspenders. In Hanakotoba, Gerbera symbolises 'hope/希望' and 'always moving forward/常に前進'. White Gerbera specifically are used to symbolise 'hope' and 'honesty/律儀'. In Western Language of Flowers it is meant to symbolise 'cheerfulness' and 'beauty'. All meanings are accurate for Takeru, no comment needed!

Hikari and Tailmon are seen with Sunflowers. I personally feel that Hikari's outfit is a little too much compared to the rest, just the sunflower belt would've been enough but they added that extra line at the hem and it's kind of an overdose. In Hanakotoba, Sunflowers symbolise 'I gaze only at you/私はあなただけを見つめる', 'adoration/愛慕', and 'worship/崇拝'. In Western Language of Flowers, it symbolises 'adoration' and 'false riches'. I understand that they wanted to go with a bright or perky flower for Hikari but something like a Pink Aster which symbolises patience or Cosmos which symbolises harmony, peace etc. might suit Hikari better given the overall theme of the illustration. The only miss in the otherwise perfectly depicted theme and art!