#korean skam

[foreverexol]

nothings new

[maybe-boys-do-love]

It's wild that the whole global trend of gay-focused happy ending romance shows and movies has only been going on for *looks at calendar* a measly ten years!

Just ten years ago. 2014. That's when you get the discovery of a market for queer romance series and films with happy endings. That year the OG Love Sick in Thailand came out. Brazil puts out The Way He Looks, which deserves so much more credit than it receives for influencing the aeshtetics of the genre. Looking premieres on HBO, and although it had low ratings, it's an important touchstone. And, despite Nickelodeon’s censorship and shifting the program from tv to its website, the Legend of Korra confirms Korrasami in its season finale.

The next year, in 2015, we get Love Sick season 2, and China, pre-censorship laws has a few options: Happy Together (not the Wong Kar Wai one lol), Mr. X and I, and Falling In Love with a Rival. Canada, premieres Schitt's Creek. In the US, Steven Universe reveals Garnet as a romantic fusion between two female characters, and will proceed to just be so sapphic. Norwegian web series Skam premieres and sets up a gay protagonist for its third season, which will drop in 2016 and entirely change the global media landscape.

Then, 2016! This is the MOMENT. That aforementioned Skam season happens. Japan puts out the film version of Ossan's Love and anime series Yuri!!! on Ice. China has the impactful Addicted Heroine, which directly leads to increased censorship. The US has Moonlight come out and take home the Oscar. In Thailand, GMMTV enters the BL game and Thai BL explodes: Puppy Honey, SOTUS, Water Boyy, Make It Right, plus, the Thai Gay OK Bangkok, which, like its influence, Looking, is more in the queer tradition but introduces two dramatically important directors to the Thai BL industry, Aof and Jojo.

By 2017, Taiwan enters the game with its History series. Korea’s BL industry actually kicks off with Method and Long Time No See. Thailand’s got too many BLs to mention. Call Me By Your Name, though not a happy ending, makes a big splash that will send ripples through the whole genre, and God's Own Country offers a gruff counter-argument to problematic age differences and twink obsessions. This is also the year of Netflix reboot of One Day At a Time bringing some wlw to the screen, and the Disney Channel has a main character come out as ‘gay’ on Andi Mack ( I’m am ready to throw fists with anyone who thinks the Disney Channel aesthetic isn’t a part of current queer culture). And I'd be remiss not to mention the influential cult-following of chaotic web-series The Gay and Wondrous Life of Caleb Gallo: "Sometimes things that are expensive...are worse."

All this happened, and we hadn’t even gotten to Love, Simon, Elite, or ITSAY, yet.

Prior to all this there are some major precursors some of which signaled and primed a receptive market, others influenced the people who'd go on to create the QLs. Japan has a sputtering start in the 2010s with a few BL films (Takumi-Kun, Boys Love, and Jujoun Pure Heart). Most significantly in the American context, you have Glee, and its ending really makes way for the new era that can center gay young people in a world where queerness, due to easy access to digital information, is less novel to the characters. And the QL book and graphic novel landscape was way ahead of the television and film industries, directly creating many of the stories that the latter industries used.

There's plenty of the traditional queer media content (tragic melodramas and independent camp comedies) going on prior to and alongside QL, and there are some outlying queer romance films with happy endings that precede the era but feel very much akin to QL genre tropes and goals, many with a focus on postcolonial and multicultural perspectives (Saving Face, The Wedding Banquet, Big Eden, Maurice, My Beautiful Launderette, and Weekend). I don't mean to suggest that everything I’ve listed ought to be categorized as QL.

Rather, I want to point out how all of these new-era queer romance works are in a big queer global conversation together, in the creation of a new contemporary genre, a genre that has more capacity and thematic interest to include digital technology and normalize cross-cultural relationships than other genres (there's a reason fansubs and web platforms are so easily accepted and integrated to the proliferation of these series).

You're not too late to be part of the conversation. Imagine being alive in the 1960s and 70s and participating in the blossoming of the sci-fi genre. That flowering is where gay romance sits now. Join the party.

[guzhufuren]

SKAM AND BL BESTIES WAKE UP korean Isak kissed korean Jonas

[sherrymagic]

Our future isn't fixed. It's just like our choices don't have answers.

Kim So-hee as PARK JI-YU FRAGILE | EPISODE 1

[mondstalgia]

BL ships that I will never forget:

In a few weeks it's gonna be 14 years of obsessing over queer media, especially BL, so here are the ships always on my mind in no particular order.

Arata & Shingyouji (Takumi-kun Series 4: Pure, 2010): Listen the Takumi-kun Series from 2007 to like 2011 was my life as a (pre-)teen. In hindsight really sketchy but anyway haha. Those two really caught my eye back then though (especially their racy kisses) and I was happy they got their own bigger part in one of the movies.

Evan & Isak (Skam Season 3, 2016): Was there a queer European teen that wasn't obsessed with this season of Skam? I remember re-watching it so many times I could recite their text without speaking Norwegian. Plenty of beautiful Skam universe parallel couples out there but these two will remain the iconic blueprint.

ChenAi (Kiseki: Dear to me, 2023): Almost unfair to put them on here but seeing how I haven't been able to think about any other ship every single day for the last 3 months, I feel like it's justified. They just have everything I want and need to get hyperfixated on.

Seiryo & Yuzuru (Seven Days, 2015): Oh my, the way I loved this silly concept and how funny it was yet they managed to get me all emotionally involved in the span of two movies? Insane chemistry and just..everything I needed back then. Especially since it was then one of the very few BL's I saw without a sad ending.

KornKnock (Bad Romance 2016, Together With Me 2017 - 2018): Listen, plot wise Manner of Death is the absolute height to me but when it comes to MaxTul I will never forget them as Korn and Knock in these series. Forever grateful to all the fanvids that led me to finding my BL fathers. Chemistry forever out of this world. Also shout out to Yiwha, best female character in any BL and my wife.

WinTeam (Until We Meet Again 2019, Between Us 2023): The couple that made me aware of what second lead syndrome was because I waited so long for more of them, it felt eternal. I don't think I will ever get tired of these two.

VegasPete (KinnPorsche, 2022): Who said I couldn't like a toxic ship? These two took me by surprise, I didnt even know they were going to be a ship in the series. Definitely acknowledging how fucked up they are yet at the same time it's the forst toxic ship that really got me. I love them, in my own weird way.

HaoGu (HIStory 3: Make Our Days Count, 2019): I mourned them like I have mourned no other couple. I should have known from the title but they really lead me astray. My beautiful boys, the star crossed lovers. They still get me emotional now, I might go cry now.

Hira & Kiyoi (Utsukushii Kare, 2021 - 2023): Before ChenAi there were Hira and Kiyoi who absolutely owned my heart. I love how misunderstood by BL fans they were who claimed their toxicity. Meanwhile I simply love how weird their relationship is and getting to see a real Tsundere in action. I'm obsessed with them.

Honourable Mention: Kim Jae Wook as Min Sun Woo in Antique Bakery, 2008. The very first gay character I saw in Korean media. Forever iconic, forever in my heart.

[gunsatthaphan]

~ Monthly BL Breakdown: March 2024 ~ 

🌦️ Happy April!!! 🐝

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Love is Better the Second Time Around - March 5th (Japan) 

🌟 Deep Night - March 7th (Thailand) 

🌟 Your Tie is Crooked - March 11th (Japan/Thailand)

🌟 Close Friend 3: Soju Bomb! - March 13th (Thailand)

🌟 Kiseki Chapter 2 - March 17th (Thailand)

🌟 Two Worlds - March 21st (Thailand) ✅

🌟 High Demand - March 23rd (Thailand) 

🌟 Be Your Star - March 23rd (Thailand)

🌟 Jazz For Two - March 26th (South Korea)

🌟 The Star - March 28th (Thailand) 

🌟 Please Teach Me - March 29th (South Korea)

🌟 Only Boo! - March 31st (Thailand) ✅

Monthly likes/dislikes

❣️ ø

👎🏻 ø

New series & movie announcements

🎥 Babanbabanban Vampire (manga adaption) - Coming 2025 (Japan)

🎥 My Lovely Enemy - Date TBA (Thailand)

🎥 My Dear Daddy (starring Fluke Pusit) - Date TBA (Thailand)

🎥 Battle of the Writers (starring TutorYim) - Date TBA (Thailand)

🎥 Meet You at the Blossom - Date TBA (Taiwan/Thailand)

🎥 Silent House - Date TBA (China)

🎥 This Love Doesn't Have Long Beans - Coming July 5th (Thailand)

🎥 What the Nong - Date TBA (Thailand)

🎥 Night Owl - Date TBA (China)

🎥 จาฤกรติชา (novel adaption) - Date TBA (Thailand)

🎥 GG Precinct - Date TBA (Taiwan)

🎥 Sangmin & Dinneaw (Thai/Korean collaboration) - Date TBA (Thailand/South Korea)

🎥 Let's Eat Together 2 (sequel movie) - Coming June 2024 (Japan)

🎥 Global Examination - Date TBA (Taiwan)

🎥 Yaoi Academy - Date TBA (Thailand)

Other news from the BL world

❗️ Actor Jes Jespipat was announced as the replacement for Build Jakapan in the upcoming Be On Cloud BL 4 Minutes. B. previously withdrew from the project after a defamation lawsuit involving him and his ex girlfriend in 2023. The project is now in production and will likely air towards the end of the year.

❗️ Actor Maiake Kandis announced his withdrawal from the upcoming BL Red Peafowl. He was originally cast as one of the leads, being paired with Dollar Patchara. He later came forward saying his statement was fake news and that he is in fact not withdrawing. He also said he does not know if or when the production will start.

❗️ Former GMMTV actor Fluke Pusit (The Shipper, The Warp Effect) was announced as the lead actor in the upcoming BL Your Dear Daddy. He will star alongside Poonpun Jitaboon, an air date is unknown.

❗️ Domundi actors TutorYim (Cutie Pie, Middlemans Love) were announced as the leads in the upcoming BL Battle of the Writers. The show will be produced by Hydroindus Entertainment and is based on the Chinese novel "The Great Battle of Games". The full cast was announced on March 9th; an airdate as well as further information on the show is unknown.

❗️ Lay Talay and Perth Nakhun (My Engineer) reunited for a mini series called Your Tie is Crooked, consisting of 3 episodes à 2 minutes. It was released on the Japanese streaming platform TVer on March 11th.

❗️ The premiere of the upcoming BL Wuju Bakery has been postponed to September. It was originally scheduled to air in March, though due to an increase of the episode length and general production upscaling, the original air date is no longer realizable, according to the production.

❗️ Change 2561 (Pit Babe) announced an upcoming original BL called This Love Doesn't Have Long Beans. Sailub and Pon (AlanJeff in PB) will star as the lead couple, alongside GarfieldBenz and others. A first trailer was released on March 20th.

❗️ Actor Yoon Phusanu revealed that he has left his management under Y Entertainment, following a dispute about his appearance in the 2023 Thai BL For Him. In a press conference he stated that the production cut his part completely and refused to pay him in the process. Main actors Dew N. and Tor A. later disclosed that they also encountered the issue of not receiving payment for their work from the company, along with accusations of se*ual assault from members of the production team. In an official statement Y Entertainment clarified they would transfer the actor's salaries as soon as possible.

❗️ The GMMTV BL Cherry Magic reached more than 1.7 million tweets for the final episode and a total of over 9 Million tweets for all 12 episodes, making it the gmmtv show with the most Twitter interaction in the history of the company.

❗️ The upcoming Korean remake of the Norwegian teen web series SKAM is officially in production. A short teaser was released on March 28th, revealing the title of the project: Fragile. An airdate, as well as a cast and further information is unknown.

Upcoming series & movies for April

👉🏻 Love is Like a Cat - April 1st (South Korea / Thailand)

👉🏻 We Are - April 3rd (Thailand)

👉🏻 Memory in the Letter - April 6th (Thailand)

👉🏻 Living With Him - April 11th (Japan)

👉🏻 Gray Shelter - April 11th (South Korea)

👉🏻 At 25:00 in Akasaka - April 18th (Japan)

👉🏻 Boys Be Brave - April 19th (South Korea)

👉🏻 With You I Bloom - April 24th (Japan)

👉🏻 My Stand-In - April 26th (Thailand)

👉🏻 Knock Knock Boys - April TBA (Thailand)

👉🏻 GMMTV2024 Part 2 (lineup event) - April TBA (Thailand)

[noorhelming]

CHAPTER 18 - 24/09/20 - FRI

[ineffable-opinions]

BL Genre

[source post | latest version ]

BL is a genre in itself – practically well as the way Masala is a cinema genre.

BL / romance

I don’t think BL is romance or even a sub-genre of romance. Many BL are romance. Many more of them have at least a romantic side to them. There is enough overlap between those genres to give the impression that BL is romance. (I remember the discussion Killing Stalking had prompted.)

But there are plenty of BL devoid of romance. Like One Room Angel, Social Reform Season, and The Orc Bride. Similarly, BL is not exactly porn even though there are plenty of ero/porn-BL.

Also, there are plenty of BL where romance takes backseat such as The Night Beyond the Tricornered Window, Blue Morning, Brother, Lawless Gangster and Thousand Autumns.

BL / queer

Queer – Even if one were to ignore queer as method in academia, it is still so complex. Can I call it a genre the way I call BL a genre?

Let me quote Taiwanese tongzhi (queer) author Chiang-Sheng Kuo:

[W]hat exactly is queer literature? Is it queer literature if queer people like to read it, or is it only queer literature if there are queer characters in the books? Or is it an appendage of the queer movement? If a queer author writes a book without queer characters, does that represent a certain aspect of queer culture?

(You can find the whole interview here.)

I think the problem persist even when I think of queer as a label.

Then there is the issue with conception of “queerness” itself. Like, in a way it is a limiting term. Is it fair to call normative or customary male-male erotic practices such as masti and Launda Naach, “queer” just because that’s how it is perceived elsewhere now?

To quote what Kaustav Bakshi wrote in Writing the LGBTIHQ+ movement in Bangla:

In the last decade, the question of decolonizing queer epistemologies was being raised periodically, whereby queer politics, despite having a shared agenda of toppling heteronormativity, and queer culture, albeit having a shared aesthetics, became more and more regionalist – not in a negative sense – but, with implications of difference, which can be interpreted and understood only when one subjectively experiences the ‘region’ with respect to gender, class, caste, ethnicity, physical and intellectual ability, access to education, metropolitan cultures, and most importantly, the internet.

[T]he attraction towards the launda is not understood as ‘queer’ – non-normative or out of the ordinary – but, as an integral part of sexual life, which is not always compulsively alert to the heterosexual-homosexual binary.

Imo, decolonizing queer epistemologies comes in handy when discussing BL since there are plenty of BL dealing with:

Historical BL set in eras and locations that had customary male-male sexualities and practices.

BL with special settings, like omegaverse and dom-sub-verse, with different (if any) idea of queerness.

BL / other queer content

I wonder if it is apt to consider BL the way western queer shows (such Verbotene Liebe, Queer as Folks, Os Nossos Dias and SKAM) are considered? Won’t it be better to evaluate BL in relation to local non-BL queer content in BL producing countries? But then, there are BL inspired by western queer culture such as Partners by Tamaki Yura.

Just as Japan has gei-comi, and other manga like Shoujo Manga Artist Minamoto-San Comes Out, and Kieta Hatsukoi (shoujo), What Did You Eat Yesterday and My Brother’s Husband (seinen) beside BL manga, different countries offer diversity in queer content with noticeable overlap. But clubbing them together would not be easy. Moreover, this diversity is as much cross-sectional as it is temporal (tanbi, JUNE, shonen ai, yaoi, BL in Japan).

There is lot of overlap between BL and gei-comi. Gengoroh Tagame first published in JUNE (a magazine that contributed to BL we know now). There are magazines and anthologies (Nikutaiha BL) that offer crossover between different streams of queer content.

Similarly, there are danmei (Chinese BL) novel written by queer men such as the autobiographical works: Six Records of a Floating Life and Waiting Until 35 Years Old by NanKang BaiQi and Bei Cheng Tian Jie (北城天街) by FeiTian YeXiang.

The main difference between BL and other queer genres is BL’s focus on moe (affect). Anyway, BL predates LGBTQ+ acronym. It predates de-pathologization of homosexuality in many BL creating regions. Fu-people (BL fans) were creating BL before mainstream media started representing queer people in media. Fu-people battled state and its censors everywhere along with queer people.

Live action BL is commercialized and we get mostly feel-good content with happy ending since they appeal to the widest audience. But that is capitalism (and the State) reaping the dividends of decades of fu-people’s labor of love. But as the scope expands, it is likely that BL is romance perception would change too, like with up-coming adaptation of Smells Like Green Spirit. But it is also likely that audience members may reserve "BL" label for works that they think are BL - that's just moe (affect) in action.

[i-darling-amaflower]

Skam, Norway | The Eighth Sense, South Korea

[bandzboy]

korean is probably the most fun language i have ever tried to learn the way that i still haven't given up on it and i still study every day says a lot 😭

[bl-bam-beyond]

FRAGILE (2024, SOUTH KOREAN)

Episode 8

This Kdrama is said to be Korea's take on SKAM. A Korean Adaptation of a series that began in Norway. And was replicated in France, Italy, Germany (called Druck), Belgium (called wtFOCK), USA in Texas, The Netherlands, Spain and Croatia

Skam was a series about high school and teen relationships including gay relationships.

While Fragile made hints of a gay character it didn't make any use of it until Episode 8 of 8 in the last few minutes of the series.

After an accident while playing basketball No Chan Seong (KIM EO JIN) helps best friend Kang San (KONG JU HAN) to the nurses office. Chan Seong pushes San to air his problems.

San asking if Chan Seong really wants to know. Upon getting a Yes that he wants to know San suddenly and briefly kisses Chan Seong.

The End..(neither knows they are being watched)

[thencomethecherryblossoms]

I love the Korean chriseva already.

I’m ready to get hurt again.

[ineffable-opinions]

BL is a genre in itself – practically well as the way Masala is a cinema genre.

BL / romance

I don’t think BL is romance or even a sub-genre of romance. Many BL are romance. Many more of them have at least a romantic side to them. There is enough overlap between those genres to give the impression that BL is romance. (I remember the discussion Killing Stalking had prompted.)

But there are plenty of BL devoid of romance. Like One Room Angel, Social Reform Season, and The Orc Bride. Similarly, BL is not exactly porn even though there are plenty of ero/porn-BL.

Also, there are plenty of BL where romance takes backseat such as The Night Beyond the Tricornered Window, Blue Morning, Brother, Lawless Gangster and Thousand Autumns.

BL / queer

Queer – Even if one were to ignore queer as method in academia, it is still so complex. Can I call it a genre the way I call BL a genre?

Let me quote Taiwanese tongzhi (queer) author Chiang-Sheng Kuo:

[W]hat exactly is queer literature? Is it queer literature if queer people like to read it, or is it only queer literature if there are queer characters in the books? Or is it an appendage of the queer movement? If a queer author writes a book without queer characters, does that represent a certain aspect of queer culture?

(You can find the whole interview here.)

I think the problem persist even when I think of queer as a label.

Then there is the issue with conception of “queerness” itself. Like, in a way it is a limiting term. Is it fair to call normative or customary male-male erotic practices such as masti and Launda Naach, “queer” just because that’s how it is perceived elsewhere now?

To quote what Kaustav Bakshi wrote in Writing the LGBTIHQ+ movement in Bangla:

In the last decade, the question of decolonizing queer epistemologies was being raised periodically, whereby queer politics, despite having a shared agenda of toppling heteronormativity, and queer culture, albeit having a shared aesthetics, became more and more regionalist – not in a negative sense – but, with implications of difference, which can be interpreted and understood only when one subjectively experiences the ‘region’ with respect to gender, class, caste, ethnicity, physical and intellectual ability, access to education, metropolitan cultures, and most importantly, the internet.

[T]he attraction towards the launda is not understood as ‘queer’ – non-normative or out of the ordinary – but, as an integral part of sexual life, which is not always compulsively alert to the heterosexual-homosexual binary.

Imo, decolonizing queer epistemologies comes in handy when discussing BL since there are plenty of BL dealing with:

Historical BL set in eras and locations that had customary male-male sexualities and practices.

BL with special settings, like omegaverse and dom-sub-verse, with different (if any) idea of queerness.

BL / other queer content

I wonder if it is apt to consider BL the way western queer shows (such Verbotene Liebe, Queer as Folks, Os Nossos Dias and SKAM) are considered? Won’t it be better to evaluate BL in relation to local non-BL queer content in BL producing countries? But then, there are BL inspired by western queer culture such as Partners by Tamaki Yura.

Just as Japan has gei-comi, and other manga like Shoujo Manga Artist Minamoto-San Comes Out, and Kieta Hatsukoi (shoujo), What Did You Eat Yesterday and My Brother’s Husband (seinen) beside BL manga, different countries offer diversity in queer content with noticeable overlap. But clubbing them together would not be easy. Moreover, this diversity is as much cross-sectional as it is temporal (tanbi, JUNE, shonen ai, yaoi, BL in Japan).

There is lot of overlap between BL and gei-comi. Gengoroh Tagame first published in JUNE (a magazine that contributed to BL we know now). There are magazines and anthologies (Nikutaiha BL) that offer crossover between different streams of queer content.

Similarly, there are danmei (Chinese BL) novel written by queer men such as the autobiographical works: Six Records of a Floating Life and Waiting Until 35 Years Old by NanKang BaiQi and Bei Cheng Tian Jie (北城天街) by FeiTian YeXiang.

The main difference between BL and other queer genres is BL’s focus on moe (affect). Anyway, BL predates LGBTQ+ acronym. It predates de-pathologization of homosexuality in many BL creating regions. Fu-people (BL fans) were creating BL before mainstream media started representing queer people in media. Fu-people battled state and its censors everywhere along with queer people.

Live action BL is commercialized and we get mostly feel-good content with happy ending since they appeal to the widest audience. But that is capitalism (and the State) reaping the dividends of decades of fu-people’s labor of love. But as the scope expands, it is likely that BL is romance perception would change too, like with up-coming adaptation of Smells Like Green Spirit. But it is also likely that audience members may reserve "BL" label for works that they think are BL - that's just moe (affect) in action.

The people on here getting mad about one couple getting too much screen time or another not doing enough in 4Minutes are the same to me as the booktok people who can’t read anything without romance. Sometimes it’s about storytelling that makes you scream into your pillow every week idk what else to fucking tell you

[guzhufuren]

the korean web drama Fragile that was first announced as korean remake of Skam and then was retracted as such and advertised as its own show (with similar model of airing and themes) premiered

i skimmed through episode 1 and plainly, it is Skam. not just similar or reminds of, but a really damn faithful adaptation of the show, remade with korean filming style and mood. the story, characters' profiles and traits, relationships, the storytelling style (like intro speech about societal problems of high schoolers), showing the date of events in the beginning of a clip, the airing model with bonuses on social media, it's all identical. we have a korean Eva with horrible insecurities and loneliness, korean Ingrid who makes her feel like shit in classes, her boyfriend korean Jonas whose affection she is so unconfident about

korean Isak is very possessive of korean Jonas and his feelings can be seen like 5 kilometers away so i assume if it's renewed for more seasons we will see a gay storyline later too

korean Noora briefly appeared in the middle of the episode too and seems to be as cool as the original which thank god, korean Eva is gonna need her influence badly

if anyone is a Skam fan and wanted to watch back when it was announced and got discouraged when it was retracted as a remake, you can do it. as long as they don't suddenly go completely different way in episode 2, it's Skam Korea

[yioh]

just binged the korean skam inspired show and it made me soooo nostalgic for druck, especially davenzi and amira😭 god just thinking about davenzi…. their “na, alles klar” and the awkwardness of it all and the way matteo was soooo delulu and in love with david from the first sight, the way they introduced david as some cool mysterious heart throb, when they hinted he’s ger!evan with that 2 second scene at the end of season two and when we lost our minds to see that same boy walk down the corridor and steal lil ol matteo’s heart😭 the way it just felt like their own little world whenever they were together !!! and just watching druck whilst being the same age as them, doing the same exams etc was such a special experience :( i don’t remember anything about my life during those 10 weeks but somehow i remember everything about matteo’s,, it almost felt like i lived as him during that time. all i could think about was david and how david was and how cool he was and the butterflies and the stress of thinking about the future and having to study for a levels but not being able to concentrate, god i miss it so bad😭 matteo being everyone’s comfort character because the specific way he was mentally ill but couldn’t understand why he experienced the world so differently was SO relatable;-; and oh my god carlos, abdi and jonas and how absolutely stupid ass silly dumb energy they radiated!!! truly THE ultimate besties in the whole world 😭 anyways nothing could ever live up to druck

[gunsatthaphan]

~ Monthly BL Breakdown: April 2024 ~ 

🌷 Happy May!!! ☀️

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Love is Like a Cat - April 1st (South Korea / Thailand) 

🌟 We Are - April 3rd (Thailand) ✅

🌟 Memory in the Letter - April 6th (Thailand) 

🌟 Living With Him - April 11th (Japan) 

🌟 Gray Shelter - April 11th (South Korea) 

🌟 Beating Again - April 13th (Thailand)

🌟 Blue Boys - April 15th (South Korea)

🌟 At 25:00 in Alasaka - April 18th (Japan)

🌟 GMMTV2024 Part 2 (lineup event) - April 23rd (Thailand) ✅

🌟 Boys Be Brave - April 25th (South Korea) 

🌟 CHANGE2561 2024 lineup event - April 25th (Thailand) ✅

🌟 My Stand-In - April 26th (Thailand) ✅

🌟 City Boy Log Vol. 3 - April 30th (South Korea)

New series & movie announcements

🎥 The Fridge - Date TBA (Thailand)

🎥 Flavor of Us (starring Benjamin B., Dome W. & others) - Date TBA (Thailand)

🎥 Children's Day - Date TBA (Taiwan)

🎥 Blue Time - Date TBA (China, possibly censored)

🎥 Bad Guy My Boss - Date TBA (Thailand)

🎥 Oriental Magician In The Ent. Circle - Date TBA (Taiwan)

🎥 Under the Oak Tree - Date TBA (Vietnam)

🎥 Invitation - Date TBA (Thailand)

🎥 The Love Matter - Date TBA (Thailand)

🎥 I Saw You in My Dream - Date TBA (Thailand)

🎥 I Wish You the Best - Date TBA (Thailand)

🎥 Impression of Youth - Date TBA (Taiwan)

🎥 Meet You at the Blossom - Date TBA (Taiwan)

Other news from the BL world

❗️ The production company Studio WabiSabi announced that their actors Boun N., Prem W., Santa P., Sammy C., Yacht P. and Stamp P. have terminated their contracts and will no longer be artists under the company on April 15th. Shortly after, GMMTV announced the 6 of them as newly signed artists, along with the disclosure that BounPrem's upcoming BL Vampire Project is now being produced under GMMTV, who now also own all broadcasting rights; WabiSabi will function as a co-producer. New S. stated on Twitter that the decisions had been long in the making, as well as the fact that WabiSabi no longer functions as a management agency for actors and is now a mere production company. He also denied the rumors that the company is shutting down. Shortly after the transfer of the Wabi Sabi actors, actor Fluke Jeeratch (formerly Pongsakorn) joined GMMTV as well.

❗️ The Filipino BL Gameboys is getting a third season. An air date has not been confirmed.

❗️ P Ekkapop and Pan Jirachot, the lead actors from Kiseki Chapter 2, have announced a new project together. Details are unknown.

❗️ Actor Barcode Tinnasit has announced his departure from his agency Be On Cloud.

❗️ After some confusion, the Korean production company Studio X+U announced that their upcoming series Fragile - which was initially advertized as a Korean SKAM remake - is in fact not connected to the Norwegian web series and is instead a standalone series, which focuses on the life of a group of teenagers. According to ZUM News, there was supposed to be a Korean SKAM remake based on the Norwegian original, which was however cancelled due to unknown reasons. Fragile was created as a substitution.

❗️ GMMTV held their 2024 part 2 event on April 23rd. The following BL projects were announced:

The Heart Killers (starring FirstKhao & JoongDunk)

Perfect10 Liners (starring ForceBook, PerthChimon, JuniorMark)

Heart That Skips a Beat (starring EstWilliam)

Revamp (starring BounPrem, formerly known as Vampire Project)

Sweet Tooth, Good Dentist (starring MarkOhm)

The Ex-Morning (starring KristSingto)

❗️ The production company CHANGE2561 held their 2024 lineup event on April 25th. The following BL projects were announced:

This Love Doesn't Have Long Beans (starring SailubPon)

Goddess Bless You From Death (starring PavelPooh)

I’m The Most Beautiful Count (starring PingSupanut)

Pit Babe Season 2

Upcoming series & movies for May

👉🏻 You Made My Day (starring Tar A. and Bom T. from I Will Knock You) - May 3rd (Thailand)

👉🏻 Inverse Identity / Upside Down - Mary 3rd (China)

👉🏻 Wandee Goodday - May 4th (Thailand)

👉🏻 A Balloon's Landing - May 10th (Taiwan)

👉🏻 City of Stars: Special Episode - May 10th (Thailand, cinema release)

👉🏻 The Time of Fever (Unintentional Love Story spinoff) - May 15th (South Korea)

👉🏻 Blossom Campus - May 16th (South Korea)

👉🏻 OMG! Vampire - May 19th (Thailand)

👉🏻 Manji Reverse - May 24th (Japan)

👉🏻 My Biker 2 - May 28th (Thailand)