#kohta hyugaji
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japanessie · 6 years ago
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SWANKY DANK’s rescheduled mini album release
Finally they finalised this. They are releasing it on the same day of their Tour Final at Tsutaya O-West 🀗❀💕
23 Jan 2019 Release 「WHITE FLAGS」 CTCR-14947 ¥2,000 (incl. tax)
1.White Flag 2.Brainwashed 3.Tell Me 4.Amazing Dreams ~ Black Clover 2 ED 5.Infinity ~ Gundam Diver OP ​6.REVERSAL ~ S-Resist Game theme
SWANKY DANK Official https://www.swankydank.net/
* If I can pick $$$ out of air, I’d be there 
 haha 😂. I really want to watch these beautiful gentlemen perform Amazing Dreams Live.
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japanessie · 7 years ago
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SWANKY DANK Smokes Album Review 『レビュヌ』
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I was absolutely prepared to dislike this album. Hey, that’s a mean and discouraging thing to say for a band I’m supposedly supporting. I watched the trailer and was, “Ehh!”. I guess it was one of those times when a trailer failed* to excite me because it didn’t show the highlights of the real work. 
*I remember saying to my friends how MFS The Puzzle trailer was like a reject song from the ALONE session. But the real song gave me goosebumps. Yup! Sometimes a trailer just fails to do it for me.
I haven’t been particularly enthusiastic over their move to a major label. My low expectation turned out to be a blessing because “Ooh la la!”. I said I was hoping to be surprised by these gentlemen and 
. was I in for a BIG BIG SHOCK!
Yes, this is my long overdue review of this album. I owe this to these gentlemen to give my feedback (^^). Sorry for the delay.
Track 1 I Never Gonna Let You Go 
(Words & Music : YUICHI)
Thought my computer accidentally played OOR or something. You know how bands OOR and MFS like to include an “opening intro” at the start of every CD. I was utterly surprised.Despite their Pop leanings, SD never really used piano or keyboard as a big part of their music arrangement. This is a departure from their usual approach. The song starts and ends with gentle piano that complement KOJI’s melodic vocals perfectly. The rest of the song is high energy melodic Pop Punk these guys are known for. I hope to hear this song being performed with only a piano someday. Why not? Their producer DAICHI-san was after all, the brothers’ keyboard player when they were teen pop stars. Would be cool to see him onstage with the brothers again (^^)
Track 2 Colors 
(Words & Music : KOJI)
I reviewed this song at length here. It’s the lead track and it just punches you in the face. It’s speedy, it twists and turns in weird ways. It’s uplifting. It’s ear-grabbing and leaves you wondering afterwards, “What just happened there?”. Love hearing YUICHI sharing the lead vocals again. To me it’s the perfect track to pick as the introduction song to a new audience with a major label.
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Track 3 Start Again 
(Words & Music : KOJI)
Probably the strongest song on this album. It’s a big stadium rock kind of song suitable for the current young crowd who are used to bands like OOR. This is true Stadium rock ..... and thankfully minus the unnecessary electronica effects. It showcases KOJI’s melodic vocals with the thundering drums sound as his backdrop. This song deserves to be performed in an arena. A small Livehouse won’t do it justice. My definite favourite from this album.
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Go here for lyrics + translation (^^)
Track 4 捧ぐ歌 
(Words & Music : YUICHI)  
This one is Pop Punk but somehow has the feel of Doggy Bag gone all out rock LOL. For those who are new to them, that’s the Pop Idol version of the Matsuo brothers before they decided to ditch that world to do Rock music. Awesome guitar solo.
Track 5 Obedience 
(Words & Music : YUICHI)  
This is the BIGGEST SUPRISE of anything the SWANKY gentlemen had ever done. My jaw literally dropped .... no kidding .... as I listened to this the first time that day. This is legit THRASH METAL with a touch of sophistication done SWANKY style. I spent my tween years listening to a lot of thrash metal, thanks to my brother. So, my ears knew it well XD Ok, SWANKY being SWANKY. Yes, it’s thrash metal at the verses but then they suddenly leap over to punk and pop and back to thrash again. This one is the most exciting and mind-boggling of ALL the songs on this album. A clear winner to me. I wanted to be surprised and Obedience delivers that to me in abundance. It even makes me want to say, “Marry me YUI!”. Yes, I’m grateful to him THAT much for deciding to make this one XD
Track 6 Closer
(Words & Music : KOJI)
Decent song but it suffers the fate of being placed right after a bigger and way stronger song. Can fit comfortably in The Love Is Gone album.
Track 7 The Hot Love Season
(Words & Music : YUICHI)
Starts with reggae-like guitar. Finally YUI has turned his love for The Police and Sting into something XD. This song is also surprisingly multi-dimensional / multi-genre. Overall it’s very ... hmm ... The Jonas Brothers gone punk? It won’t be out of place at all if placed on the soundtrack of Disney’s Camp Rock movies. It tickles me when suddenly it goes into a break that is kind of a cross between Marty Friedman’s Thundermarch & Jerry C’s Canon in D. It’s like The Jonas Brothers suddenly inviting the boy next door who had been practising his guitar with YouTube for too long XD
Confession! 
This was the song in the trailer that made me prepare myself to absolutely hate this album. Ooh ... strong statement there. Yes, I disliked the chorus so much because it stirred up that cringe-y feeling I got from Bad Girl (eewww..) from the previous album. Good news is this song does NOT give me that cringe-y feeling. The more I listen to it, the more it feels like watching Disney’s Camp Rock (which I actually like) all over again. Disney should take notice of the Matsuo brothers to work on their soundtrack. Meanwhile, I just pretend that Bad Girl doesn't exist.
Track 8 Making My Way
(Words & Music : KOJI)
I was told that this is the reworked version of their old song My Story which is available on their 1st full-length album the self-titled SWANKY DANK. Confession, I failed to find the similarities.
Track 9 アむノコ゚
(Words : YUICHI, Music : KOJI)
Stadium rock ballad. Kind of Bon Jovi’s Wanted Dead Or Alive combined with Motley Crue’s Home Sweet Home minus the piano. More of the latter I must say. Listen to Home Sweet Home and then this one especially the way the drums build up with the guitars towards the end. Then, you’ll understand what I mean. 
Funny thing is years ago, YUICHI indirectly rebelled while shooting the J-Drama  青い経隓 / Aoi Keiken by repeatedly playing Bon Jovi and Motley Crue with his guitar when he was supposed to promote Doggy Bag. Ok, YUI, if you’re reading this, you’ll know what I mean. Congrats, you finally got what you wanted XD 
Track 10 Neverland
(Words & Music : YUICHI)
Pop punk rock. Cutesy. Suitable for end of concert in terms of sound but lyrics suit early part of concert. Favourite part is YUI’s digitally harmonized voice.
Track 11 Make A Noise
(Words & Music : YUICHI)
That shortie track which seems to have become a little tradition with SD nowadays. But I just feel this one doesn’t really have the energy and the punch-you-in-the-face effect of Promise from Magna Carta. As weird as I feel Promise is, I think it has a stronger impact for the “What the hell just happened there?” feel compared to this one.
Overall feel
With this album, the Matsuo Brothers took the star power back to them. With the last 3 releases, I felt that KO-TA was the star. He was such a dominant element on it is WHAT it is, One of A Kind and Magna Carta. With Smokes however, you can feel the brothers putting their vision out there with a vengeance. Like they are giving a clear signal that this is a Matsuo-brothers-fronted band. 
My Verdict:
Previously, if I were to recommend a SWANKY CD for a new fan, I would advise to go for the album Circles first and start the collection from there. But with the release of Smokes, I’m starting to think that this can be the one to take over Circles to be the “buy this one first” CD. That’s not an easy thing for me to say because Circles is special to me. It has my favourite SWANKY song ever DESTRUCTION and of course, the special turning point song Sink Like A Stone is on it BUT the reason I recommended Circles was to let new listeners hear the across-genres-songwriting ability that this band has. Smokes has that across-genres quality in HUGE abundance. Also, at this point in time, the SWANKY gentlemen seem to have steered their music more towards arena rock. So, new fans would probably be more familiar with this version of SWANKY. Get this CD then.
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japanessie · 7 years ago
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SWANKY DANK Start Again Lyrics translation
One of the best songs on the SMOKES album. Couldn’t imagine this not being picked to be an MV. Ahh 
. so happy the MV is finally out. It’s arena rock all the way. Yes, this song deserves to be heard in that kind of places. I hope they play this at Countdown Japan in December. This one marks the 2nd consecutive song by KOJI from this album chosen to promote the album. Oh, he still does sound like a “gaijin" singing Japanese XD
Even though the music arrangement gives the song a “big” sound, the lyrics are a humbling reflection of their past struggles as musicians and that this is them starting again 
. with the move to a major label AVEX. How they used to pool the money from their part-time jobs and travel around with a rice cooker to save on food. Also their positivity by saying that the pain would not scar them. Yet still realistic enough not to expect anything by the slightest.
Here are the words. I mostly retouched a bit from Google (^^). Like a lot of SWANKY songs, this one is bilingual too. Words in bracket [ ] are the reading & translation as differentiation from the actual lyrics.
Enjoy it \(^^)/
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Start Again
Words & Music : KOJI
Tonight realized 満たされないこの気持ちが [ Mitasa renai kono kimochi ga] [ This feeling that is not satisfied ]    い぀か満たされる日がくるのか [ itsuka mitasa reru hi ga kuru no ka? ] [ Will the day that it is filled come someday? ]    散らばっおしたった蚘憶が未来に沈んでゆく [Chirabatte shimatta kioku ga mirai ni shizunde yuku ] [ The scattered memories that were gone, will sink in the future ] 手を䌞ばしお掬い䞊げた [ te o nobashite sukui ageta ] [ I reached out my hands and scooped up] 也いた蚀葉を [kawaita kotoba o] [Dry words]
* You come back Don’t worry any more 誰にも気づかれなくおも [ Darenimo kidzuka renakute mo ] [ Even if no one notices it ] 繰り返されおゆく日々の䞭でもがいお [kurikaesa rete yuku hibi no naka de mogaite ] [ Struggling days to be repeated ] そっず觊れた颚でさえも [ sotto fureta kaze de sae mo ] [ Even if it’s just by the lightly touching wind ] 期埅も無い䜕もない [kitai mo nai nanimonai ] [ No expectation 
.nothing ] Start again oh 
Over here 。 。。
Telling lies 蚀葉を無くした䞖界が [ Kotoba o nakushita sekai ga ] [ A world without words ] あおも無くい぀たで続くのか [ ate mo naku itsu made tsudzuku no ka? ] [ How long will it last? ]    ゚ゎも䜕もいらない圢を倉える理想達 [ Ego mo nani mo iranai katachi wo kaeru risō-tachi ] [ Dreams that change the shape where nothing or no ego is needed ] 刻み蟌たれた停りの傷 [ kizamikomareta itsuwari no kizu ] [ Carved out false wound ] 芋栄だけの刃 [mie dake no yaiba] [(by) what only looks like a blade]
I’ll comeback It echoes far away    䞡手に抱えきれないほどの、 [ Ryōte ni kakae kirenai hodo no, ] [ I can not hold it with both hands, ]    答えを求めようずしおも [ kotae o motomeyou to shite mo ] [ Even trying to find an answer ] 閉ざされた意識の䞭じゃ [ tozasa reta ishiki no naka ja ] [ Within a closed consciousness ] 䜕も響かない [ nani mo hibikanai ] [ Not even a thing echoes ] Start again oh Over here
Coz you know I don’t know and I say You promise me You can see sacrifice You can stay Here you Nowhere oh anywhere
Repeat *
-SWANKY DANK-
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japanessie · 7 years ago
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Dear my SWANKY gentlemen, how long are you planning to torture me waiting for this MV?
My beautiful gentlemen chose one of their strongest songs from Smokes to advertise the album’s Tour Final in January 2018 at Tsutaya O-East. The song Start Again has the word “single material” ringing all over it. 
I actually had been envisioning the video for this song in black & white and had the guys’ close-up shots getting interspersed with one another with KOJI as the main focus of course. I had those visions in my mind for days when they suddenly showcased this. Of course, not quite the same as what I had in mind  but close-up shots and B&W filter are there! Yessssss! 
The visuals. There's something sensual about the way these guys were shot .... hmm. The images of the brothers particularly draw me in.
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Now, the video please guys m(_ _)m
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japanessie · 7 years ago
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SWANKY DANK Colors MV debut on AVEX
I never hide my mixed feelings about them going on a major label.
The MV debuting on AVEX YouTube Channel automatically alienates the audience they had built up on JMSTV1. The viewing counts are going up relatively slow. Being on AVEX puts them right into the race where they have to compete with the many other acts already on that channel for viewing. So for the first time ever, I saw idol groups like FAKY being recommended to me alongside SWANKY DANK. Deep inside, I’m still worried their creativity will be stifled because after all, major labels are notorious for driving artists to make the kind of sound that THEY think would sell rather than what the artists want. But so far, the exposure to audience outside the usual JMS crowd has been positive.
Enough about my thoughts on those. I’ll talk about the song (^^).
The song
Colors is more uptempo and more ear-grabbing to first time listeners compared to if they had chosen to debut with a song like Made A Mess. So, I think they made the right choice to present this song as their introduction to a new audience with AVEX.
As usual, most of Swanky’s pop punk songs would take awhile to get into my head but this one took it to another level. The way it jumps from one part to another and back again at crazy speed. It was like, “What just happened there??!“. It was confusing but exciting at the same time.
The “what was that?” aspect kind of reminds me of the song Promise from their Magna Carta album. My issue with Promise is the speedy music arrangement makes the vocals especially YUICHI’s gentle voice sound out-of-sync with the music. He’s not out-of-sync but the soft quality of his natural voice contrasts too much with the music. To these days, my ears still can’t take that song in very well. Strangely, that same characteristic is present in Colors and yet it doesn’t render that “out-of-sync" effect on me. I think it is interesting how Colors feels like Promise done right. Yeah! Finally.
KOTA’s guitar solo
I knew I could count on this nimble-fingered man to deliver and he DID! It doesn’t matter if you’re a fan of the band or not but one can’t deny that he nailed a good piece of work there. Speedy yet melodic but blends smoothly into the song arrangement. I spent my childhood in the guitar hero era and I know a good guitarist when I see one.
YUICHI sharing lead vocals again
He always has done so on their records but the last time he did so in an MV was for Listen To The Radio a few years ago. True that YUICHI and KOJI sound so similar, I do still sometimes mistake which is which when I’m not looking. People talk about the Moriuchi brothers sounding similar but Taka and Hiro are so distinctive from each other and easy to tell apart. The Matsuo brothers on the other hand, are more challenging to the ears with their subtle differences and almost similar phrasing. I think it would have been far more interesting if the brothers were singing two different melodies within the same bars like they did on Misery and confuse listeners in the process. Like 
. “Let’s play our voices against each other" game. It’s a cool thing to hear during Lives too.
* Confession, I initially couldn’t detect that their song Gentlemen of Fortune from Circles album was a duet XD
I’m hoping for them to balance their “sun" and “shadow" aspects which they talked about during Magna Carta in the Smokes album. Personally, I prefer their harder “shadow" side because they shine more as musicians through it. Most importantly, I hope AVEX would let them explore their creative freedom. At the moment, it is still too early to tell.
Looks like YUICHI is pissed off over certain comments on YouTube about their move to AVEX. I think I should talk about that one (^^).
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japanessie · 8 years ago
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I know it's not 1 Jan anymore but it's still the 1st week of 2017, eh? So this post is legit XD
Well, it's not so much about the New Year but I fell in ♥love♥ when I saw this photo. Oh wow, YUI and KOJI somehow looked like twins. In reality they don't really look alike though (^^).
I would like to share some behind-the-scene shots of this particular photo session. It's from their bonus DVD for those who bought the mini album it is WHAT it is from Village Vanguard.
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Photo: Those hanging lights in front of them were not Photoshopped LOL.
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Photo: See? YUI & KOJI kinda behaved like twins too during the shoot? Cute cute cute ♡♡♡
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Photo: KO-TA looked bored as f**k XD
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Photo: What was up with KO-TA? LOL 
So, that was how we ended up with SWANKY DANK New Year 2017 Photo!
ボ(^o^)äž¿Woo .... hoo!
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japanessie · 7 years ago
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Cuteness overload with KO-TA SWANKY DANK
Aww .... I have to have this one here on my blog. Watch it please 😄!
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This particular fan requested the song Misery and described the part she wanted as, " .... de...de...den...de....de....den...." 😂😄😁. 
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KOTA enjoys taking guitar riff requests from fans. But this one took it to another level with that onomatopoeic description .... which he actually read out and got the part she wanted SPOT ON 😉!
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japanessie · 7 years ago
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SWANKY DANK announced their new song for an Anime!
Yesss 

 finally! 😊😁😄 I am so happy to hear this. Been wanting these gentlemen to get this opportunity since the Circles album.
My beautiful gentlemen will have a song as the ending theme for the anime BLACK CLOVER『ブラッククロバヌ』。
The catch is the band will be debuting the song called "Amazing Dreams" at their Smokes Tour Final at Tsutaya O-East on 19th January 2018. Aww 
.. this poor girl won’t be able to hear that 
 hu..hu. 😭.
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japanessie · 8 years ago
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SWANKY DANK Part-time Job experiences!
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Yeah! So excited to see this interview with the Swanky gentlemen especially the Matsuo brothers. Despite being on TV and all, they still had the stints as part-timers for extra money. But KOJI was pampered by YUI back in their school days with gifts and all anyway.
Original Japanese text & photos: Gakusei Arukita website
Translation by me & Google-san XD. Text in brackets are generally mine.
Kindly please do not copy and reupload somewhere else. Reblogging and linking and correction are very much welcomed.
2016/11/14 SWANKY DANK ~ Words of Wisdom
若いうちから忍耐を知るっお、 埌々に圹立぀んじゃないかな。 Know patience from a young age, it could be useful later.
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SWANKY DANK
From left: SHUN (Dr.), KOJI (Vo.&B.), YUICHI (Vo.&G.), KO-TA (G.)
INTRO
良質なメロディヌず荒々しいパンク感を歊噚に、日本囜内はもちろんアゞア圏の 音楜シヌンもにぎわせおいる「SWANKY DANKスワンキヌダンク」。メンバヌ4 人がそれぞれのアルバむト経隓談で盛り䞊がった。 初めお皌いだお金は、やっぱり楜噚に䜿うのだ “SWANKY DANK” who employs good quality melodies and rough punk feel as weapons, both domestically in Japan as well as the music scenes in the Asian region. The four members each got excited at the part-time experience talk. The money earned for the first time, after all, was used towards (buying) musical instruments!
INTERVIEW
──初めおのバむト経隓は ── What was your first part time job experience?
YUICHI: 僕は高校1幎生の時に始めたスヌパヌの品出し。ギ タヌずアンプの初心者向けセットを買えるようになるたで働こうず思っおたけ ど、3䞇円くらいだったから1カ月で貯たっちゃっお笑。結局、そんなに長く 勀めなかったですね。 YUICHI : I got a supermarket job, stocking shelves which I started when I was in my first year in high school. I was planning to work until I could buy a set of guitar and amp for a beginner, but since it was about 30,000 yen, it accumulated in one month (laugh). In the end, I did not work for such a long time.
KO-TA : 僕も楜噚がほしくお、高校1幎生から3幎間コンビニのバむトを続けたし た。今はギタヌですが圓時はベヌスを匟いおいお、バむト代を貯めおワンランク 䞊のものを手に入れたんです。高校時代はずっずそのベヌスを䜿い続けたしたね。 KO-TA: I also wanted musical instruments, I continued my part-time job at a convenience store for 3 years from my first year in high school. It is now a guitar, but I was playing bass at that time, I got something up a notch by saving (the money from) my part time job. I kept using that bass all the time in high school.
SHUN : みんな長いね〜。僕はスヌパヌのバむトが初めおだけど、バックダヌドが グチャグチャでこの店は倧䞈倫かっお䞍安になるし、あたりにもヒマ過ぎお時 間が経぀のが遅くお遅くお 3日間で耐えられなくなっちゃいたした苊笑。 SHUN : Everyone’s time as part-timers had been long! As for me, the supermarket was the first part time job, but the backyard (i.e storage room) was sloppy and (I was like) “Is this store okay?“. It became uneasy, too much (wasted time) and it was too slow for the time to pass and (it was like) really really slow 
 I could not bear with it by the 3rd day (bitter smile).
──YUICHIさんずKOJIさんは兄匟でバンドを結成したずか。 ── YUICHI and KOJI, did you form the band as brothers?
YUICHI : 掋楜奜きな母の圱響で音楜にハマりたした。匟をこの道に誘ったのは、 䜕だかヒマそうにしおたから笑。今でも忘れられないんだけど、コむツ KOJIさんにバンドをやろうず蚀ったら「むダだ」ず。じゃあ、他に倢があるの かっお聞いたら「ダンキヌになりたい」っお宣蚀するんですよ笑。ダンキヌ は職業じゃねえんだぞっお䞀生懞呜説埗しお、ようᅵᅵく結成したんです。 YUICHI : I am addicted to music with the influence of my mother who loves Western music. I invited my younger brother to this road because he was doing something else (laugh). Even now I still can not forget, but when I said that I would like to do a band to this dude (KOJI), he’d say “Nah 
. I’m sorry”. Then, (it was) when I heard that (he had) other dreams, declaring “I want to be a Yankee" (laugh). I finally formed (the band after) persuading hard that Yankee is not a professional job.
䞀同 爆笑
All (laughter)
KOJI : あの かなり昔の話ですからね苊笑。音楜を始めおからはこんなにオ モシロむものはないっお、どんどんのめり蟌むようになりたした。 フェスのバむトで胞に抱いた思いが実珟 KOJI : Hmm
 that story is from a long ago (strained laugh). From the first time that I did music, it wasn’t such an interesting thing (but) little by little I got absorbed into it. I realized the feeling that I held in my heart through a Festival part-time job!
──思い出深いバむトっお ──What is (your) memorable part-time job?
KO-TA : 僕は地元が茚城県。毎幎、家のそばで倧芏暡な野倖ロックフェス「ROCK IN JAPAN FESTIVALロック・むン・ゞャパン・フェスティバル」が開催され るんです。十代のころにその蚭営のバむトをやっおみたんですが、仕事は炎倩䞋 の䞭で資材を運んで組み䞊げる重劎働。䞊の人に怒鳎られながらも、“い぀か俺 もこのステヌゞに立っおやる”っお胞が熱くなったこずを芚えおたす。 KO-TA : I am a local of Ibaraki Prefecture. Every year, a large outdoor rock festival “ROCK IN JAPAN FESTIVAL" is held near my house. In my teens I tried setting (myself) up with a part-time job, but my work was heavy labour carrying and assembling materials in the scorching sun. While being shouted at by the top person, I remember that my chest was burning saying “I will stand on this stage someday.”
YUICHI :「ROCK IN JAPAN FESTIVAL」には、2幎前に初めお出させおもらったよね。 YUICHI: We got to appear at ROCK IN JAPAN FESTIVAL for the first time two years ago.
KO-TA : そうそう。ステヌゞに続く階段を䞊りながら、たくさんのバむトスタッ フの努力ず汗、もしかするず涙もこの最高に楜しい堎所を䜜り䞊げおいるんだ なっお思った途端、こみ䞊げるものがありたした。 KO-TA: Oh yeah. As I climbed the stairs leading to the stage, it was the moment that I was filled with the thought of a lot of the part-time staff’s great efforts and sweat, and possibly tears too, that built up this to be the most fun place.
KOJI : そんなむむ話を先に出されるず困るんだけど笑。僕は19歳のころに知 人の玹介からシチュヌ屋さんで働き始めたした。銀座の超高玚店だったこずも あっお、すぐ近くの歌舞䌎座に配達に行く機䌚もチラホラ。有名な歌舞䌎俳優さ んに䌚えお、内心ドキドキしおたしたね。 KOJI : I’d be troubled if I let out such a good story earlier though (laugh). I started working at a stew shop through the introduction of an acquaintance when I was 19 years old. As it was a high luxury store in Ginza, the opportunity to go to the Kabuki-za in the immediate vicinity was also thrilling. I met a famous Kabuki actor and I was so excited.
──バンドが苊しい時期っおありたしたか ── Have you had a difficult time with the band?
SHUN そりゃあもう。2014幎にKO-TAが正匏加入する前たではキᅵᅵかったです ね。ラむブを開いおもチケットをさばき切れず、メンバヌのバむト代でノルマの 費甚を割るこずもありたした。 SHUN: Oh, very! It was HARD before KO-TA officially joined in 2014. Even when we opened the Live, we could not judge the tickets and we divided the quota cost by the members’ part-time job fees.
KOJI : ツアヌは車䞭泊もザラだったし、なんたっお炊飯噚を持っお各地を回っお いたしたから笑。 バむト先の怒りは、音楜にぶ぀けよ KOJI : Because, as for the tour, sleeping in the van was quite common too and it was why we went around each place with a rice cooker (laugh). Smash the anger of the old part-time job on music!
──バむトが音楜に圹立った経隓は ──What was your experiences of using the part-time job for music?
YUICHI : 歌詞みたいに盎接的ではないけれど、バむトで経隓した怒りは音楜に反 映されおいるず思いたす。䟋えば先茩に分からないこずを聞いた時、自分が出来 るからっお「こんな䜜業も知らないの」なんお䞊から目線だったりするず、ど うしお人の気持ちを考えた蚀い方をしないんだろうず反骚粟神が湧き䞊がっおき お。それを音楜にぶ぀けるこずは倚々ありたした。 YUICHI : Though not directly like lyrics, but I think that the anger experienced in part-time jobs is reflected in music. For example, when I heard that a senior didn’t know something that I myself could do, “Eh? You don’t even know this work?“, when I felt like looking down on people, not talking in a way that’s thoughtful about how other people feel, when the rebellious spirit was rising. There were often that I hit that on music.
SHUN : 僕は病院や保育園に乳補品を配送する仕事に携わっおいたした。東京では 米軍基地のラゞオが入るから、トラックの運転䞭にアメリカの音楜番組を聞くよ うになったんです。英語は党然分からないけれど、良い曲がかかるず耳をそばだお、アヌティスト名を片仮名で必死にメモ。今はスマホで䜕でもすぐに調べられ るけど、音楜ずどん欲に向き合う時間が自分のベヌスを䜜り䞊げた気がしたす。
SHUN : I was involved in a job of delivering dairy products to hospitals and nursery schools. Since the radio of the US military base was contained in Tokyo, I started to listen to American music programs while driving the truck. Though I do not understand English at all, but my ears prick up when there’s a good song clinging to them, and I desperately noted the artists’ names in Katakana. Now anything can be checked quickly with a smartphone, but I feel that the time of facing music greedily built up my own foundation.
──最埌に読者ぞのメッセヌゞをお願いしたす  ── Finally, please give a message to the readers!
KO-TA : 僕は䞀぀のバむトを長く続けるタむプ。次の職堎を探すのが面倒っお理 由もあるけど、䞊のポゞションにステップアップするず責任感も匷たるし、その 業界に明るくなるのがメリットだず思いたした。自動車保険の事故受付の電話察応を7幎続けたので、保険の内容や䜿い方を孊べたのは倧きかったですね。
KO-TA: I’m the type who perseveres in one part time job for a long time. There are reasons for looking for the next workplace, but I showed a stronger sense of responsibility when I did step-up in the upper position, and I thought that it would be beneficial to be bright in that industry. Since I continued the telephone correspondence of the accident reception desk of the automobile insurance for seven years, I was able to learn a lot of the contents and usage of  insurance.
KOJI : この前もスゎかったもんね。機材車がトラブった時、すぐに電話を掛けお 「ロヌドサヌビスをお願いしたすその移動費甚は掛かりたすか」っお。 KOJI: It was a great thing last time. When the equipment van got into trouble, he called immediately and said “Please give me a loading service! Does it cost the towing expense?”
YUICHI : やりたいこずに打ち蟌むためには、苊しさも経隓しなければいけないっ お肌で感じた堎所がバむトでした。頭にくる䞊叞や銬が合わない先茩もいるけ ど、音楜のためには頑匵ろうっお思えるずいうか。それに瀟䌚に出おからだっお ムカ぀くこずはいっぱいあるはず。でも、バンドマンだからっお腹を立おお悪態 を぀くようじゃ瀟䌚人ずしおダメでしょう。若いうちに忍耐を知るっお、埌々に 圹立぀んじゃないかな。
YUICHI: In order to drive (myself to) what I wanted to do, the place I felt in my skin where I had to experience the pain also was my part-time job. Though there were the bosses getting mad and the seniors whom you did not get along well with, perhaps you can say that I think that I will do my best for the music? And there should be plenty of things that makes you feel sick after coming into the society. But just because you’re a band-man, losing your temper and using abusive language, it is not good as a member of the society, right? Knowing patience while you’re young may help us later.
★SWANKY DANKの思い出バむト★ / SWANKY DANK Part- time job memories
Note: The photo edits are not direct quotes but I made them based on their stories ;-)
SHUNさん/乳補品の配送  / Delivery of Dairy products
お客さんに配達に関する小さな提案をするこずで喜んでもらえるこずがうれし かったです。頑匵ろうっお思えたしたね。
Glad that I had the pleasure by making small suggestions on delivery to customers. I thought that I would do my best.
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KOJIさん/シチュヌ店 / Stew shop
先茩方ずの関係䜜りをはじめ、人ずの接し方を孊べたした。正盎、若かりしころ の自分には難しかったけど 。
I was able to learn how to contact people, including making relationships with seniors. To be honest, it was difficult for me to be young though 
.
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YUICHIさん/寿叞店 / Sushi shop
六本朚の高玚店だったこずもあっおたかないがおいしくお。お客さんが残した寿 叞もコッ゜リ食べおたした笑。
It was delicious because it was a high-class shop in Roppongi. I also ate sushi that customers left behind (lol).
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KO-TAさん/自動車保険の電話受付 / Car insurance phone reception
バンドマンは車に乗る機䌚も倚いので、保険の内容やどういう時に䜿えるのかを 孊べたのは今に圹立っおたす!
Since a bandman has many opportunities to get in a vehicle, it is now useful to learn what the insurance is and what it can be used for at any time!
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SWANKY DANKの思い出バむト求人を怜玢しおみよう たかないも期埅倧寿叞店で働く。 皮類は色々「蚭営」するシゎト Let’s find job offers (from) SWANKY DANK’s part time jobs’ memories! Staff meal expectation is also great! Right? (By) working at a sushi restaurant. Various kinds of work to “set (yourself) up" (with).
© Hokkaido Arbeit Johosha co.,ltd. All Rights Reserved.
My thoughts
Interesting. Who would have thought KO-TA was a car insurance guy? So, that’s why he had that short hair and kind of business-like aura in his old photos. I still remember being on the train with a bunch of Japanese guys in black business suits heading to Shinkiba Studio Coast only to see those same guys ditching those suits for band t-shirts to watch Bullet For My Valentine & Coldrain there alongside me.
It’s nice to know what YUICHI and KOJI did after leaving the Idol-Pop world. They are so resilient despite all the hardship. Now I’m still trying to imagine being served sushi and stew by the Matsuo brothers. Too cute. Imagine KOJI bringing you hot stew XD
On a more serious note, I understand how hard it is to make ends meet. Reading the struggles of small indie bands like this is the reason I try my best to buy their music and support them any way I can.
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japanessie · 8 years ago
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KO-TA Swanky Dank Shoes Collection
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I’d been waiting for the moment to make this post (^^). Swanky Dank members are the definition of metrosexuals. As much as the Matsuo brothers are fixated about their hair, guitarist KO-TA is particularly obsessed with sneakers and he has quite a collection to prove it. 
Photos are mainly from his IG.
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VANS, NIKE, CONVERSE and whatever. You name it XD
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And he rocks them.
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He said the black pair in the right photo below are his favourites.
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Notice how his sneakers are super clean?
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He looks after them carefully too. 
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Treat your shoes like a King! XD
If I had a magic power, I would sprinkle some magic wishing dust and give him his own shoe closet \(^^)/
* Ok. I couldn’t find a good men’s shoe closet photo. But this shot of Jennifer Garner admiring her movie character’s shoe collection will do, eh?
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(c) Screenshot of Jennifer Garner from 13 Going on 30
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