#kiryk

[anarrowthroughtimesideblog]

The only ones who can keep up with Nesrin are Errol and Kiryk! The three met during the battle against Kalkratorik, saving each other's skin several times. Lately they decided to found a small guild and are now eager to help anyone who needs a group of brave and atypical adventurers. The three share the same dream: to become filthy rich!

[judging-a-album-by-its-cover]

Devil Man - Blues Pills (2013)

Artist : Kiryk Drewinski

[sga-owns-my-soul]

ohhhhhh my god. i just realised. the satellites that tracked teylas necklace in suspicion?

were probably the ones used to track runners.

the wraith just noticed the signal was different and went to check out the lantean that managed to survive. honestly teylas necklace couldve saved ronan or kiryk at least once

ooh see i think in canon it's supposed to be a different system (didn't rodney say something about it being a system specifically designed for tracking ancients?) but i like this waaaaaaaaay more omg it also explains why the entire settlement was torched to ashes, the wraith that showed up to teyla's planet assumed they were looking for an ancient runner that managed to just drop off their map and they were *pissed* so they scorched the planet as a punishment

amazing headcanon this is now canon to me thank you

[lightthewaybackhome]

Stargate-Atlantis S5:E9 Tracker

Boys, boys, boys. 🤣 Sheppard gives Rodney a hard time about Keller. Let the games begin as Ronon and Rodney both try to get Keller's attention. Too bad for Ronon. I don't think he had a chance.

As soon as Keller disappears, they gotta work together. And just to make things more interesting, let's throw in some Wraith. Rodney is suddenly needing Ronon.

I love pairing the warrior guy who never talks with the scientist who won't shut up. Lol.

I love that Keller isn't strong or particularly brave, but when the chips are down, she will pick up a sword and take out a Wraith to save a child.

The best part is Ronon and Kiryk fight, then team up, and the look on Ronon's face when Kiryk sacrifices himself. Sad. Sad. Sad.

Ends with "may the best man win." Which in hindsight is actually kinda cool because we know it's Rodney.

[romios-gr]

Καταρρέουν οι «κήρυκες» της πράσινης ανάπτυξης – Πτώχευση για Lumio, τριγμοί στα αιολικά, σοβεί η κρίση λόγω ανύπαρκτης ζήτησης Υπήρξαν περισσότερες από 100 πτωχεύσεις ηλιακής ενέργειας μόνο το 2024 Αίτηση πτώχευσης και υπαγωγής στο άρθρο 11 του αμερικανικού κώδικα υπέβαλε η εταιρεία ηλιακής ενέργειας Lumio, αφού βρίσκεται σε μια «σοβαρή κρίση ρευστότητας» μετά την κατάρρευση της ζήτησης... Περισσότερα εδώ: https://romios.gr/katarreoyn-oi-kirykes-tis-prasinis-anaptyxis-ptocheysi-gia-lumio-trigmoi-sta-aiolika-sovei-i-krisi-logo-anyparktis-zitisis/

[news-24gr]

Διοικητήριο Αγ.Κηρύκου Ικαρίας: Ζητήθηκε κατεπείγουσα αυτοψία στο κτίριο – Πέφτουν σοβάδες https://news-24.gr/dioikitirio-ag-kirykou-ikarias-zitithike-katepeigousa-aftopsia-sto-ktirio-peftoun-sovades/

[dailystargatebooty]

[glados-kisser]

drew my arakkoa and his Super corrupt sister

i’ve gotten a lot better at like. motion

[sini-sterility]

Kiryk/Ronan

BRAND NEW SHIP FAVORITE SHIP BEAUTIFUL SHIP I HAVENT SHIPPED A SHIP SO HARD SINCE FEMSHEP AND GARRUS

[anarrowthroughtimesideblog]

happy mother's day everyone! to celebrate i decided to draw some of my characters with their own mothers when they were little! (in order: nozomi and onatah, romina and errol and lastly kiryk and his mom, olmakhan stormcaller yara)

[vorthosjay]

What's the deciding factor on phyrexians getting a new name upon compleation? Why's glissa still glissa but kiryk became unctus?

There isn’t one. It’s whatever is cool most of the time, going all the way back to Volrath versus Crovax. I would imagine part of it is how much of themselves they retain post-compleation, but it’s not consistent

[news-24gr]

Λουκουμάδες από την Γ’ Γυμνασίου Αγίου Κηρύκου – Σάββατο 10 Φεβρουαρίου https://news-24.gr/loukoumades-apo-tin-g-gymnasiou-agiou-kirykou-savvato-10-fevrouariou/

[doomedandstoned]

Album Covers That Blew Our Ever-Lovin’ Minds in ‘17

~By Billy Goate~

For The Love of Fantasy

The doom-stoner scene has long had a love affair with album art, much of which could be traced back to the thematic link between song lyrics and the fantasy and science fiction literature (indeed, Book of Wyrms directly alluded to these roots in January with the title of their debut, simply titled ‘Sci-Fi/Fantasy’). The animated features like Ralph Bakshi's Wizards (1977) and the Rankin/Bass television production The Hobbit from the same year, proved extraordinarily influential to artists of all stripes, whether their instrument of expression was the brush or guitar. And, of course, there was Heavy Metal (1981). Iron Maiden both fascinated and repulsed with their recurring figure of Eddie and Megadeth captivated imaginations with apocalyptic landscapes strewn with the horrific wreckage of what was once mankind.

I think we can agree that a milestone was reached for the doom-stoner genre, however, with the release of Sleep’s Dopesmoker in 1999. Arik Roper depicted neither gore nor violence, yet the landscape felt decidedly post-apocalyptic. More than that, it told a story -- one that was certainly complimented by the lyrics of the San Jose band’s seminal work (even inspiring fan fiction in the form of the short-lived Creedsmen Arise, half of would later form Vokonis). Dopesmoker was a turning point for album art, indeed, after which point commissions for album covers and even concert posters multiplied exponentially. We’re talking some high quality strokes to match the intensity of the riffs we were hearing and the quality bud that was perhaps being smoked to max out the experience. This was art you could really get lost in, hearkening back to the dime store novels and Golden Age comic books that have been a part of Western reading for over a century.

In the decade of the 2010′s, one David Paul Seymour would dominate as the most recognized and celebrated artists for bands and fans alike. He was certainly not alone. We must also give props to the art of Skinner (a Mastodon go-to), Rob Leecock (Monster Magnet), John Dyer Baizley (Baroness), David D'Andrea from Samaritan Press (Sleep), Kiryk Drewinski (Liquid Visions), Paolo Girardi (Lycus) Nick Keller (Beastwars), John Santos (Torche), Adrian Baxter (Alunah), Mark McCormick (Witch Mountain), Zé Burnay (Space God Ritual), Pig Hands (Dopelord), Dominic Sohor (High Fighter), Colin Bolger of Dabulga Design, Antoine Defarges of Headbang Design, Goatess Doomwych, and many more. Of special note is Adrien Dexter (featured in the spread above), who has been the Elder album cover artist of choice record after record. Adrien went for a particularly striking color this year that was quite effective in breaking out of the drab palette we’ve become accustomed to (and complemented the music surprisingly well).

Doomed & Stoned

Artist of the Year

Most recently, another artist has taken the art of the album cover to another level altogether -- the Portland-based artist Adam Burke of Nightjar Illustration. Using oils to pain vast canvases of fantasy, Adam made a huge impression on bands last couple year with his album covers for Ancient Warlocks, Bright Curse, Great Electric Question, Pastor, and R.I.P. His powers of light and dark landscapes hold true to the fantasy genre that precedes him and takes the medium to bold new places. Not surprisingly, his project plate was full in 2017. Adam Burke gets our most approving nod for Artist of the Year! Here are some of his album covers -- all of these in 2017, mind you:

ARTIFICIAL BRAIN

‘Infrared Horizon’ (April 2017)

ATTALLA

‘Glacial Rule’ (March 2017)

BASK

‘Ramble Beyond’ (2017)

CLOUD CATCHER

‘Trails of Kosmic Dust’ (March 2017)

DESTROYER OF LIGHT

‘Chamber of Horrors’ (July 2017)

ENTOMBMENT

‘Entombment’ (June 2017)

FIREBREATHER

‘Firebreather’ (February 2017)

GATECREEPER

‘Sonoran Depravation’ (October 2017)

HÄLLAS

‘Excerpts From A Future Past’ (October 2017)

HORRIFIED

‘Allured of the Fallen’ (September 2017)

KOOK

'Kook’ (April 2017)

LOSS

‘Horizonless’ (May 2017)

MOTHERSHIP

‘High Strangeness’ (March 2017)

NECROMANDUS

‘Necromandus’ (July 2017)

PAGAN ALTAR

‘The Room of Shadows’ (August 2017)

RUBY THE HATCHET

‘Planetary Space Child’ (August 2017)

SOLSTAFIR

‘Berdreyminn’ (May 2017)

SPACE WITCH

‘Arcanum’ (June 2017)

SPECTRAL HAZE

‘Turning Electric’ (November 2017)

SUMOKEM

‘The Guardian of Yosemite’ (October 2017)

TCHORNOBOG

‘Tchornobog’ (July 2017)

As is always the case with an Adam Burke cover, there is more than meets the eye...

WAR CLOUD

'War Cloud' (September 2017)

Adam Burke will be involved in the upcoming animated epic, ‘The Planet of Doom.’ The film is presently in the works, a production of Riff Lodge Animation. It's plot? "Halvar the Brave seeks vengeance aboard a witch-born chopper, journeying across a psychedelic landscape on a quest to defeat the deadly beast Mördvél for the slaying of his bride." The saga will play out in 14 chapters, with doom metal bands providing the soundtrack and today's finest album artists bringing the vision to life. Screenplay by David Paul Seymour and animated directed by Tim Granda.

Here’s one of the many landscapes from the forthcoming animated feature 'Planet of Doom' that he’ll be involved in, with a number of others.

Doomed & Stoned

Album Cover of the Year

Alright, as much praise as Doomed & Stoned is heaping on the esteemed Mr. Burke, there’s one album cover that absolutely stole away both heart and imagination this year and that belongs to Bell Witch, who commissioned Polish painter Mariusz Lewandowski to produce this mindfuck of a masterpiece for their Doom Charting record Mirror Reaper.

BELL WITCH

‘Mirror Reaper’ (October 2017)

Here’s the full panorama. The piece is titled ‘Esencja wolności.’ If you had to guess what that means what would you suppose? I translated it as “Essence Freedom” and asked one of our former contributors who lives in Poland for a more accurate one. “The Essence of Freedom,” she responded. “Now it’s correct.” This sheds a whole new light for me on the Bell Witch album, which speaks of the relationship between life, death, and loss (unpacked nicely by Jacob Mazlum in his review here).

While Mariusz may not the first to play with the idea of the interdimensional mirror, scarcely has it been depicted more effectively. In fact, it’s become something of a recurring theme in his oils. I enthusiastically encourage you to dive into this incredible artist’s work.

OTHERS WE LIKED...

ACID WITCH

‘Evil Sound Screamers’ (October 2017)

Artist: Shagrat

ALUNAH

'Solennial' (March 2017)

Artist: Adrian Baxter

BORRACHO

‘Riffography’ (December 2017)

Artist: Andrea Nakasato

DVNE

‘Asheran’ (July 2017)

Artist: Eli Quinn

DOPELORD

'Children of the Haze’ (2017)

Artist: Pig Hands

ELDER

‘Reflections of a Floating World’ (June 2017)

Artist: Adrian Dexter

FIRE DOWN BELOW

‘Viper Vixen Goddess Saint’ (June 2017)

Artist: Stash Illustration

FULL OF HELL

‘Trumpeting Ecstasy’ (May 2017)

Artist: Mark McCoy

GREENBEARD

'Lödarödböl ' (July 2017)

Artist: Antoine Defarges

KAYLETH/FAVEQUAID

‘Second Coming of Heavy: Chapter Six’ (July 2017)

Artist: Ghosttown Graphics

KING WEED

‘Smoking Land’ (May 2017)

Artist: Esra Røise

KING ZOG

‘King Zog’ (May 2017)

Artist: Dominic Sohor

MAHARAJA

'Kali Yuga' (September 2017)

Artist: Adam Eckley

MONOLITH CULT

‘Gospel of Despair’ (November 2017)

Artist: Dan Goldsworthy

MUTOID MAN

‘War Moans’ (June 2017)

Artist: John Santos

NAUTILUS

‘The Wrath of the Sea’ (September 2017)

Artist: Dabulga Design

NORSKA

‘Too Many Winters’ (May 2017)

Artist: Mark McCormick

PALLBEARER

‘Heartless’ (March 2017)

Artist: Chimère Noire

SATURNDUST

‘RLC’ (April 2017)

Artist: Mike Winkelmann (aka Beeple)

SQUALUS

'The Great Fish' (September 2017)

Artist: Aaron John Gregory

SKUNK

‘Doubleblind’ (April 2017)

Artist: Dmitri Mavra

TELEKINETIC YETI

'Abominable ' (March 2017)

Artist: Antoine Defarges

THE FLYING EYES

‘Burning of the Season’ (September 2017)

Artist: Kiryk Drewinski

THE SWILL

‘Master of Delusion’ (June 2017)

Artist: Dan MacDonald

THREE EYES LEFT

‘The Cult of Astaroth’ (October 2017)

Artist: SoloMacello

USNEA

‘Portals Into Futility’ (September 2017)

Artist: Orion Landau

VOKONIS

‘The Sunken Djinn’ (June 2017)

Artist: Tessa Najjar

[riffrelevant]

WEDGE Premiere 'Lucid' Official Video From Sophomore Album 'Killing Tongue'

WEDGE Premiere ‘Lucid’ Official Video From Sophomore Album ‘Killing Tongue’

(By Pat ‘Riot’ Whitaker, Lead Journalist/Writer, RiffRelevant.com) Berlin’s retrograde heavy rockers Wedge have premiered their first visualizer clip from their upcoming second album release, “Killing Tongue“. “Lucid” is streaming below and the album from which it hails will drop from Heavy Psych Sounds on February 9th. (more…)

[uniquestream]

Stargate Atlantis: Season 5 Episode 9 Dr. Jennifer Keller is kidnapped by a runner named Kiryk. While Dr. Rodney McKay and Ronon Dex tracks them, Kiryk takes Keller to a seriously injured young girl. She must do it fast, since the Wraith have found him, and are hunting them down.

[itsmaedchenradioworld]

Long live the radio...

HEUTE 16.00!!

Auf UKW 91.0, i.e.ALEX Berlin (auch Kabel 92.6 und Live-Stream Radio) UND Rockradio.de zu hören

Am Dienstag, 5. Juni 2018 kommen WEDGE zu mädchenradio ins Studio bzw. zwei von ihnen. Kiryk Drewinski hat mit seiner Band jetzt das zweite Album "Killing Tongue" veröffentlicht. Die Band tourt gerade mit der "Killing Tongue European Tour" , wo sie u.a. in Italien, Spanien, Frankreich, Belgien & in Holland unterwegs waren bzw. sind.

On the german dates WEDGE will be supported by good Israeli friend Dor Koren and his psych rock group BIGFOOT. WEDGE‘s second full length was released on Heavy Psych Sounds Records in February 2018.

Wie immer dienstags von 16 bis 17 Uhr auf UKW 91.0, Kabel 92.6 und im Live-Stream von ALEX Berlin, außerdem bei Rockradio.de zu hören...Moderation: Silvia Hanz alias Emily Erdfrau