#kiln gloves

[deepforestdarling]

was this worth learning and writing in kheanri'an? probs not was it funnier in my head? probably They can’t understand the common tongue and he doesn’t know Kheanri’an, but she knows he said some dumb shit and he feels like he’s been insulted

[claypigeonpottery]

I opened the kiln, finally

(I only had three stress dreams about it)

I’m glad I didn’t film it all because I cut my thumb pretty bad. every time I promise myself I’ll wear gloves and every time I get too excited and focused on unloading and forget

some things came out beautifully, a few things cracked. not a single beetle survived because I’m a forgetful creature and didn’t put them on wire stilts 🥲 that’s also what cut me. sigh. and I was so excited about cute beetles

but 2/3 ring dishes came out very cute! the third one cracked lol, glass is liable to do that to pieces

I’ll upload some pictures tomorrow and start contacting people on wednesday probably, since I’ll have a lot of photos and measurements to take

[fandomfluffandfuck]

Actually cackling because one of the guys in the studio was unloading a glaze kiln today, and he had a thrown plate in there that he was experimenting with the glazes on--doing a splatter pattern that he was super excited about.

It just... it did not look how he pictured it.

Imagine both of us standing outside, coughing up our lungs. He's holding this plate with the kiln gloves on, struggling not to drop it. Laughing that hard. The splattered glaze turned white rather than blue, and it just... it just looks like jizz 💀💀

[bigmammallama5]

The queer excitement of getting to go pick out some eye and ear protection upgrades with new respirator filters and get some new work gloves bc you kinda sorta maybe melted one of your gloves at the kiln this past weekend.

[mistresskayla-blog1]

A Superior Find

Part 2

Characters: Dr Scott White x OC Mika Deerheart

Fandom: Sleepwalker - Richard Armitage

Friday morning came through sharply as Mika squinted past the bright sun reflecting the snow again through the gaping large picture window of the cabins south facing side. Mika groaned and put her arm over her face, blowing out a deep breath against the crisp air. The heat had gone out again, so she scurried over to the potbelly stove again in her woolen covered feet and hoodie and started up the peat again. A whoosh told her the flame was good and she adjusted the vent again for the flew. Mika jumped back under the covers for a few minutes letting her limbs stretch and warm to the idea of the day.

She had agreed to come to the clinic today to visit with Dr John and someone called Dr White. Apparently, Dr John felt him to be a specialist in sleep and Mika did relieve her uncle of his worry by seeing them both today, but she admitted, she was curious if someone from the outside could help her. Mika padded to a shower and got dressed. She laid on her bed, and looked up at the myriad of dream catchers that hung on the ceiling of her bedroom. Like faeries spinning and grinning above her, keeping her safe. Some were new, she had just picked up one Wednesday when she went for groceries, others were left there from the centuries of her people that had called this little cabin their hearth and home. She wasn’t even sure how old this site was, just that it felt old, it creaked and groaned and whistled and called to her. She could even sense it when she left it for a hike. Could feel its resonance call her back home every time.

              Mika checked on the kiln before she put on her coat, and gloves and hat and left the cabin. Locking the ratchety door, that caught a little, so she had to slam it shut sometimes. Her gruff, “come on” as she pulled the handle hard, which made her hat puff up above her forehead, showing her dark, ebony hair and charcoal eyes, against the stark white and blue sky above her. The peaking overhang of the porch, she stepped down the steps and checked the ignition switch on the snowmobile. Strapped her gear bag to the back and flipped the ignition switch. It started up with a low rumble and whine. Mika turned the handlebar to rev up the engine, it caught and held, the rumble sustained. She put in her ear buds, hit the playlist on her phone and put it in gear, squealing through the fresh snow with a sloosh, down the hill, and through the woods to the towns.

---

Scott had arrived a little worn out. Some busy nights had kept him wired and when he landed at 10 am Friday morning near Marquette, he was ready for a nap. John met him at the airport and they both rode in John’s Chevy truck to the clinic in Gwinn.

“Listen, I don’t have a lot of equipment, but I have the standard monitoring frey you need. Mika may not have a good night here, but we can still test her and see what comes up. Do you want to interview her first?”

Scott looked out to the stark whiteness of the land and squinted affectionately, a slow smile creeping on his face, as it rested against the headrest of the passenger seat, “Yes, I would. I think that may help deduce this particular focus, don’t you?” Scott turned slightly looking at John who kept his eyes fixed on the road. “Honestly, I think that may be the problem. She has been studying that creature for her sculpting project, and its just infiltrating her. But somehow when she’s awake she doesn’t see the connection”

Scott sat up a bit, “Do you think she’s purposefully forgetting or some kind of dissociation?”  “Well that’s what I’m hoping you can deduce, honestly, I’ve known her all her life and she has been spooked before, but this thing is definitely getting under skin” John looks over at Scott, “You know what I mean,” (soft tone), “Sure, right” Scott said.

They pulled up to the clinic about 45 minutes later and parked near another towering drift of snow made by plows. Scott stretched his long legs out of the truck and felt the sun on his face a second before John came round and handed him his rollaway. “You can get checked in over there at the hotel, Mika will be here in a few minutes”. Scott nodded and walked toward the hotel on main street. He checked in with an elderly steward and got his room key, an actual physical key, he chuckled and looked at it almost imperceptibly.

Then doubled back outside to the Clinic, and walked in. Finding himself in a quiet but busy waiting area. John came out of a hallway, “Scott, this way.” Gesturing for him to come back to the hallway with him. Just then a blast of cold air hit his whole frame as the door blew open and revealed all 5’10” of Mika standing in her riding gear, she shook her hat off letting her ebony locks cascade around her face. Scott turned to see, and visibly swallowed.

John immediately spoke, “Mika, how was the journey?” Mika smiled broadly, “The usual, can I get a cup of tea though, Mary. (woof)” She exclaimed, “I’m a bit cold”. Scott smiled, and there eyes met, Mika strode past him with a nonchalance of a confident woman. The receptionist got up and started some tea in the back office, responding to her request.

John looked to Mika and then to Scott, “Mika, this is Dr, Scott White the one I told you about”. Mika looked him up and down as she removed her snowpants and coat, her gloved hand was still wet, as she thrust it out to him, “Hey,” she said, and Scott took her hand and smiled, “Hello, Mika” in that dulcet tone, Mika’s hairs stood up on her arm through her sleeve, as she stared into that crystal blue of his eyes. Scott held the gaze boring into her charcoal eyes.

“Well, let’s head back shall we?” John corralled them both down the hallway to an exam room. Mika continued to shuck out of her over suit in the exam room, taking off her boots and leaving her woolen socks. Scott just observed her demeanor and stayed silent as John asked her some preliminary questions. “Any new scratches or marks since Tuesday?” John asked her. Mika shook her head, “Well, maybe this one?” She pulled her flannel up off her belly and exposed her side, Scott came up to her then, he had been resting against the countertop, “I think I had an attack last night, but I don’t have any recollection” grimaced, and set her shirt back down. John and Scott got a scant glance before the curtain of her shirt was replaced, “Do you think its connected?”  Scott looked at her, “Did anything get into the cabin last night? Or could have?” Mika looked up at him, “If it did I’m sure it would have woken me up, (she turned to John) that tea did its number on me, but even I will wake from actual animal attack”, Scott looked smilingly at her, “I wasn’t suggesting you slept through an attack, can I see the gash again?”

His hands moved towards her shirt, and she let him lift it up on his own, she observed him, as he touched her skin cautiously. John too got another look and they both looked at each other puzzled, “I’ll give you some ointment for that, it looks a bit angry” Mika huffed, “Its because I scrubbed it too hard this morning, I was crying hysterical” Scott eyebrows furrowed, “So you remembered the dream then?”  Mika looked up at him from her seat on the table, “Yes, of course, why, what have you heard? (Mika chagrined towards John), you told him I forget things didn’t you?” John put his hands up in a professed gesture and sat down against the counter himself, “Look, Mika I just want you to talk with Dr Scott and see what we can discover. I’m not blaming you for this, you know how I feel about your fixation with the Wendigo,” the very mention of its name drew air from Mika’s lungs a second, and Scott resumed his observance of her up close. Mika closed her eyes, “Its not a fixation, I just was curious, and.. (trailed off), I just want to understand it”.

“Then lets do that together. Can you tell me about the dreams you are having?” Scott asked Mika. Mika looked to Scott then genuinely warm, and answered, “Sure, where do I start?” Scott returned, “Wherever you think would be helpful to us”, he paused and waited for Mika’s reply.

Part 3.. coming soon

@lathalea @middleearthpixie @legolasbadass @fizzyxcustard

@riepu10 @scariusaquarius

Let me know if you want to be tagged.

[0007431400]

l lawiet x potter reader

prefers to use the cups and bowls you make

will be the type of person to wear gloves while throwing

buys different flowers depending on the month and puts them in the vases you make

is always mesmerized when you throw clay

sends you ideas when you have a block

one time your pot exploded in the kiln and he explained why using all these big words

will help you paint your projects

will help you pack up your art to sell

he kept the first tea set you made him and constantly uses it

once tried to make a plate but couldn’t get the clay centered and got frustrated

that plate ended up as one of your first decorations in your new home

[catherine-white]

While we are firing and we have friends and family to help make it all possible. I look at my fire wood as if it were an alphabet. We stoke the kiln around the clock and I see the wood pile shrink. I take note of the wasp nests, the carpenter bees, the skinks. We admire the sunrise through the chimney smoke.We stoke and talk, worry, reminisce and eat well, sleep some.

The moon was full and is a familiar face, my studio is where I have adventures in material but I get too comfortable with the view. I get accustomed to my windows and don’t notice the pattern of light on the stairs. But with my friends as helpers, I can appreciate what is normal as if it is the moment of the full moon. We move wood to the kiln, stoking every 20 minutes for three days around the clock. I photograph the door of the kiln, the pile, the smoke, the plugs, my gloves, but really, I am focused on what is happening inside-- the heat work that we can not see. I listen to the sound of the wood burning, we watch the flames, the coal bed, the temperature, the speed of the flame through the damper. Each thing is a clue as to what is happening to the work.

As the kiln cools, and the moon wanes, I keep myself at arm’s length from the curve of heat. This week I’ll put my energy into other things. I’ll turn my face to movies, books, walks, paintings and flowers. Ill trust we did our best. I have learned not to peek while gripping a flash light with white hands to get a glimpse through the dark to see what the fire has given us-- it is always a disappointment.

I'll wait and see the pieces with clear eyes next week.

[blacklight-ghoulette]

Lessons learned today:

1. Something metal that sat in a container full of carbon for over 2 hours at 1500°F (~816°C) is still hot, even after the kiln has been off for close to an hour. Evidence:

Branded my welding gloves, whoopsies. Note to self: don't try and pick up the hot metal till its sat and air cooled for a bit...

2. My repair job did not hold, and the piece split during sintering. Evidence:

But I think I can patch it with some fresh clay and re-fire it, we'll see how that goes tomorrow.

And lastly:

3. Whatever went on in the box during sintering, it got one fuckin sick patina.

[simonekaystainedglass]

This piece of blue flashed glass just needs kiln fired silver stain then it is ready for leading with the rest of the pieces that have been cut and kiln fire painted. Taking my life into my own hands for our latest creation to go in St Joseph’s school front entrance. All safety checks done, wind direction, bucket of water, masks, gloves and protective clothes! #drawingoneaday #watercoloursketch #stainedglass #moleskine @moleskine #stjosephskingston #simonekaystainedglass #blueflashedglass #etchedglass (at Simone Kay Stained Glass) https://www.instagram.com/p/CnxDP-CIOp6/?igshid=NGJjMDIxMWI=

[penrithinsulationpro]

The Power of Ceramic Fibre Blankets for High-Temperature Insulation

If you've been exploring insulation options for high-temperature applications, you’ve probably come across the term "ceramic fibre blankets." Let me walk you through why they’re such a standout choice and how they can fit into your next project.

What Are Ceramic Fibre Blankets?

Ceramic fibre blankets are an advanced insulation material designed to withstand extreme temperatures. They’re crafted from high-purity spun ceramic fibres, making them lightweight, flexible, and incredibly efficient at resisting heat. These blankets are ideal for applications where temperatures can soar as high as 1260°C—we’re talking serious heat here!

Why Choose Ceramic Fibre Blankets?

Here are a few reasons these blankets might be perfect for your needs:

Thermal Efficiency: Ceramic fibre blankets provide excellent thermal insulation, meaning they minimise heat loss and can help improve energy efficiency.

Lightweight and Flexible: Unlike traditional insulation materials, ceramic fibre blankets are easy to handle and install, even in tight or awkward spaces.

Durability: Despite being lightweight, these blankets are robust and can endure mechanical stress without losing their insulating properties.

Versatility: Available in various thicknesses—12mm, 25mm, and 50mm—ceramic fibre blankets can be tailored to suit specific insulation needs. You can also source other forms like boards, ropes, and paper if a project demands them.

Common Applications

Ceramic fibre blankets are used across a range of industries. Here are some typical applications:

Industrial Furnaces and Kilns: Thanks to their ability to withstand extreme heat, these blankets are often used as linings for furnaces and kilns.

Pipe Insulation: They’re excellent for insulating high-temperature piping in plants and factories.

Equipment Insulation: Any machinery operating under high heat can benefit from the thermal barrier provided by these blankets.

Things to Consider Before You Buy

Before you decide on ceramic fibre blankets, here are some quick tips:

Thickness and Density: Make sure you choose the right thickness (12mm, 25mm, or 50mm) and density (commonly around 128kg/m³) for your application.

Temperature Rating: Confirm the material’s maximum operating temperature to ensure it matches your requirements.

Compatibility: If you need additional insulation materials like boards or tapes, check their availability beforehand.

Pro Tips for Installation

Safety First: Always wear gloves and a mask during installation to avoid irritation from the ceramic fibres.

Plan Ahead: Measure your space carefully and cut the blanket to size before starting the installation.

Seal Edges: To maximise efficiency, use high-temperature sealants on the edges to prevent heat leaks.

Ceramic fibre blankets are a game-changer for anyone working with high-temperature insulation. With the right planning and application, they’ll not only improve energy efficiency but also enhance the longevity of your equipment. If you’re unsure which type to go for, consider consulting with an expert or sourcing materials from a reliable supplier.

[aos-outdoor-kitchens]

Enjoying Outdoor Cooking with Delivita: A Beginner’s Guide

Cooking outdoors is a unique experience. It combines nature, the joy of cooking, and sharing meals with family and friends. Adding a Delivita wood-fired oven makes outdoor cooking even better. Whether new to cooking or having more experience, Delivita ovens help you create amazing dishes in your backyard. Let’s explore how to start outdoor cooking with these ovens and enjoy your outdoor kitchen.

Why Choose a Delivita Wood-Fired Oven?

The Delivita wood-fired oven is not just a cooking appliance; it’s a lifestyle upgrade. Here’s what makes it stand out:

Compact and Lightweight: Designed to fit into any outdoor setup, Delivita ovens are portable yet durable. Whether you have a sprawling backyard or a cozy balcony, it’s a seamless fit.

Easy to Use: Delivita ovens have a simple design and easy-to-use features, making them great for beginners. You don’t need to be an expert cook to create a delicious meal.

Fast Heating: These ovens heat up to over 450°C in just 25 minutes, so you can start cooking quickly.

Aesthetic Appeal: Available in various colors, the sleek design adds a stylish touch to your outdoor space.

Getting Started: Setting Up Your Delivita Oven

Before you fire up your oven, it’s essential to set it up correctly. Follow these steps to ensure your cooking experience is smooth and enjoyable:

Choose the Right Spot: Place your oven on a sturdy, heat-resistant surface. An outdoor kitchen countertop or a dedicated stand works best. Ensure it’s positioned away from flammable materials and is in a well-ventilated area.

Gather Your Tools: Equip yourself with the essential tools: a pizza peel, a heat-resistant glove, and a dough scraper. Having a wire brush for cleaning the oven is also helpful.

Select Your Fuel: These ovens work best with kiln-dried hardwood. It burns cleanly and reaches high temperatures quickly, ensuring food cooks evenly.

Preheat the Oven: Light a small pile of kindling in the oven and gradually add larger pieces of wood. Once the fire is established, let the oven heat up for 20–30 minutes.

Maintenance Tips for Long-Lasting Enjoyment

Keeping your Delivita oven in top condition is crucial for years of enjoyment:

Clean After Each Use: Use a wire brush to remove leftover ash and debris.

Protect from the Elements: Invest in a waterproof cover to shield your oven from rain and moisture.

Season the Oven: Regularly burning a small fire without food helps maintain the oven’s interior.

Enhancing Your Outdoor Cooking Space

A Delivita oven is a showstopper, but pairing it with a well-designed outdoor kitchen elevates your experience. Include these elements for a complete setup:

Prep Station: A countertop for chopping and assembling ingredients.

Storage Solutions: Shelves or cabinets to keep utensils, fuel, and cookware organized.

Lighting: Good lighting ensures you can cook anytime, whether it’s a sunny afternoon or a cozy evening.

Seating Area: Comfortable seating allows you and your guests to relax and enjoy the ambiance.

Why Outdoor Cooking Is Worth It

Cooking outdoors isn’t just about the food—it’s about creating memories. The sizzle of food on the fire, the aroma wafting through the air, and the joy of gathering with loved ones make every meal special. With Delivita, even simple dishes transform into gourmet experiences.

Conclusion

If you’ve been dreaming of taking outdoor cooking to the next level, the Delivita wood-fired oven is your perfect companion. With its ease of use, versatility, and stunning design, it’s a gateway to countless culinary adventures.

At AOS Outdoor Kitchens Ltd, an outdoor kitchen is more than just a place to cook; it’s a space to create memories. Whether you’re looking to integrate a Delivita oven into your setup or design a complete outdoor kitchen from scratch, we’re here to help you turn your vision into reality. Contact us today, and let’s make your outdoor cooking dreams come true!

[claypigeonpottery]

I cut my finger on a tiny shard of pottery ☹️ I did that last time I unloaded a glaze kiln too. this time I wore gloves but got cut at home while measuring shit

magnets are looking good though

I guess the nests are coasters but yeah, small flat things are good

[bigmammallama5]

For better or worse, the kiln is closed up. Fighting terrible weather and low fuel (that was unfortunately wet) put us in a bit of a pickle, but two of our resident artists guided us through it. In the end cone 10 moved at the top of the kiln, and cone 8 was down/9 moving in the lower rear. Hopefully it was enough! I also got to help spray soda solution into the kiln and had a part of the final say on closing the kiln up. Pictured are the draw rings used to see how the soda accumulates, and my gloved hand is holding our fifth and final ring. Had we not run out of fuel (a horrible surprise as we thought we were more than prepared) we could have gone a little longer and burned a little more soda. Now to rest wait for it to cool. I’ll be tasting salt on the back of my tongue for the rest of the night. We’ll open the kiln later this coming Thursday.

[crapscicle]

held my favorite guy the rough skinned newt the other day

[Image ID: yellow leather gloves hold a Rough skinned newt stretched out stepping from one hand onto the other. he is slimy and around two and a half inches long and delicate. it is a dark chocolate brown with copper colored shoulder and hip joints. in the background is a raku kiln. /end ID]

[k00299539]

Movement Project Week 5 - Fired up like Clay

Above: The finished product?

With everything fired and finished I thought I was done. I've always preferred the look of a rough sketch to a finely rendered portrait and that carries over for me into ceramics. The simple, elegant look of the white bisque is what I love.

But all the same I was in a workshop and if you don't step outside your comfort zone you'll learn nothing.

Above: Tres Amigos

These photos have nothing to do with anything, I just did a photoshoot on black paper to look like I was doing something productive. That kind of segues into my next problem, I didn't take many photos of the process... and I don't have the time limit excuse this time either.

Above: The cosmos

Basically I spent the day painting underglaze onto my bisque ceramics. And since I have a knack for making more work for myself, I first used liquid latex to paint on a mask.

The process went as such:

Step 01: Retrieve ceramics from the kiln.

This was harder than it might seem as it was raining and LSAD made the wise decision of locating the kiln room as far away as possible from the first year ceramics room. Luckily I avoided drowning and made it back in one piece.

Step 02: Mask the ceramic with liquid latex.

I actually thought at first I might be able to get away with using masking tape. That was until I learned we had to hydrate the bisque before painting and as every good scienceman knows; water and tape don't mix well. The latex was surprisingly easy to work with and dried fast. The downside is it completely destroys paintbrushes.

Step 03: Hydrate the bisque.

This was the easiest step, just run it under the tap. Hard to mess up...

Step 04: Paint the damn thing.

As I mentioned above, we used underglaze to paint with. I was pretty rusty at painting in general so I wasn't exactly looking forward to this. I wanted to create a kind of night sky atmosphere along the indented portion of the ceramics. I used purples, blues and a bit of red to paint a gradient into either piece. Getting them to match was difficult but I figured as long as they met well in the middle it'd look good once attached.

Above: My inspiration

I wanted to match the colour palette of The Simpsons, particularly the scene in Mother Simpson where homer looks up at the stars. Simpsons often had pretty abstract colour design in general and I love the bold decision to make the night scene such a vibrant purple.

Unfortunately I am once again an idiot and forgot to take photos of the painted underglaze before dunking the piece in a bath of regular glaze, so you're gonna have to wait til it's fired again before knowing if it turned out any good.

Above: Post-dunkening

After the underglaze was dry it was time to use regular old clear glaze to exchange the matte finish for something shiny. In the past I'd only ever painted glaze on, so the thought of dunking it straight into an industrial sized bucket of goop wasn't the most appealing. But it was a lot quicker. Just hold it under for a count of six and you're done. Come to think of it, this is the second time during this process I've waterboarded my poor ceramic piece...

I feel I should also mention for health and safety purposes that we had to wear gloves for this whole glazing process.

Above: Delatexing

I chose to leave the latex on for the glazing, to create a contrast between the glossy finish of the glazed areas and the matte finish along the borders. I'll let you know how it turned out when I see it myself.

[keithmendivil]

Setting Up Your Knifemaking Workshop: Key Tools and Essentials

Knifemaking is an ancient craft that combines artistry with functionality. Whether you're a novice eager to explore the world of bladesmithing or an experienced knifemaker looking to enhance your workspace, having the right tools is essential for success. In this article, we'll take a closer look at the essential knifemaking tools needed to establish your workshop. These tools will lay the foundation for you to craft beautiful and functional knives that can become heirlooms for generations to come.

Forge and Anvil

The core of any knifemaking workshop is the forge and anvil. These two tools form the heart of your operations. The forge is used to heat the steel to a workable temperature, allowing you to shape it according to your design. Various types of forges are available, including propane, coal, and electric forges, each with its own unique advantages and considerations. Your choice will depend on factors like available space, budget, and personal preferences.

An anvil serves as the solid surface for hammering and manipulating the heated steel. Its flat top and assorted edges and horns provide the necessary versatility for precise metalwork. It's imperative to invest in a high-quality anvil, as it will be a fundamental tool throughout your knifemaking journey.

Hammers and tongs

Hammers and tongs are your primary instruments for shaping and maneuvering the heated steel. The knife-making process requires various types of hammers and tongs, each tailored to specific tasks. For instance, a cross-peen hammer is ideal for elongating the blade's length, while a ball-peen hammer is well-suited for forging bevels.

Tongs come in a variety of shapes and sizes, each designed to securely grip different parts of the blade during the crafting process. It's wise to have a set of tongs specialized for flat stock and another set for round stock, as this will cover most of your needs.

Safety Gear

Safety should always take precedence in any workshop, especially one dealing with hot metal and sharp tools. Equip yourself with essential safety gear, including safety glasses, heat-resistant gloves, a leather apron, and ear protection. These items are your first line of defense against potential accidents and injuries as you immerse yourself in the world of knifemaking.

Grinding and sanding equipment

To achieve a sharp and polished edge, you'll need grinding and sanding equipment. A belt grinder is a versatile tool that enables you to remove excess material and craft precise blade bevels. While a bench grinder can be used for initial shaping and sharpening, serious knifemakers prefer the precision and control offered by a belt grinder.

In addition to grinding equipment, you'll require a variety of sandpapers and sharpening stones to refine the blade's edge to perfection. A honing guide can also assist in maintaining consistent angles during the sharpening process.

Heat Treatment Equipment

Proper heat treatment is pivotal to a knife's performance. You'll need a heat treatment oven or kiln to ensure your blades attain the desired hardness and toughness. This equipment allows you to heat the blade to specific temperatures, quench it in oil or water, and then temper it for optimal characteristics.

Files and Rasps

Files and rasps play a pivotal role in refining the shape and finish of your knife. These tools come in various shapes and sizes, each designed for specific purposes in knifemaking. For instance, a needle file excels at intricate detail work, while a large mill file aids in shaping the blade's overall profile.

Drill Press and Drills

A drill press is indispensable for creating precise holes in knife handles and sheaths. It ensures accuracy and consistency, which are crucial for achieving professional results. Invest in a high-quality drill press and a selection of drill bits suitable for various knife-making tasks.

Clamps and Vises

Clamps and vises are essential for securely holding your workpieces in place while you work on them. They come in various sizes and styles, including bench vises, C-clamps, and bar clamps. A diverse array of clamps will enhance your efficiency and precision in knifemaking projects.

Saws and cutting tools

Saws and cutting tools are essential for shaping handle materials and cutting steel stock to size. Tools such as a hacksaw, jeweler's saw, and coping saw serve various purposes in knifemaking. Additionally, a bench shear or bandsaw can prove invaluable for cutting thicker materials.

Bench and Workspace

A well-organized and sturdy workbench is the hub of your knifemaking operations. It provides a stable platform for your tools and materials, facilitating precise work. Ensure your workspace is well-lit and adequately ventilated for comfort and safety.

Materials and supplies

Finally, you'll need a variety of materials and supplies for knifemaking, including steel stock, handle materials (such as wood, G10, or micarta), epoxy adhesive, pins, and hardware. Sourcing high-quality materials is crucial to ensuring the durability and functionality of your finished knives.

Setting up a knifemaking workshop entails careful consideration of the essential tools and equipment needed to craft exceptional blades. Whether you're embarking on this journey as a beginner or looking to elevate your craft, the right tools will be your allies. Prioritize safety, invest in top-notch equipment, and commit to mastering the art of knifemaking. With dedication and practice, you can transform raw materials into exquisite knives that embody both form and function, making them cherished possessions for generations to come.