#kill the ideal

[why-animals-do-the-thing]

The Bronx Zoo has just released Flaco's necropsy results.

He was not thriving, as the people championing the ideal of "freedom" claimed.

He was poisoned.

He was sick.

He was suffering.

"Freedom" would have eventually killed him. A building just happened to do it first.

"Postmortem testing has been completed for Flaco, the Eurasian eagle owl that was found down in the courtyard of a Manhattan building a little over a year after his enclosure at the Central Park Zoo was vandalized on February 2, 2023. Onlookers reported that Flaco had flown into a building on the Upper West Side of Manhattan on February 23, 2024, and acute trauma was found at necropsy. Bronx Zoo veterinary pathologists determined that in addition to the traumatic injuries, Flaco had two significant underlying conditions. He had a severe pigeon herpesvirus from eating feral pigeons that had become part of his diet, and exposure to four different anticoagulant rodenticides that are commonly used for rat control in New York City. These factors would have been debilitating and ultimately fatal, even without a traumatic injury, and may have predisposed him to flying into or falling from the building. The identified herpesvirus can be carried by healthy pigeons but may cause fatal disease in birds of prey including owls infected by eating pigeons. This virus has been previously found in New York City pigeons and owls. In Flaco’s case, the viral infection caused severe tissue damage and inflammation in many organs, including the spleen, liver, gastrointestinal tract, bone marrow, and brain.   No other contributing factors were identified through the extensive testing that was performed. Flaco’s severe illness and death are ultimately attributed to a combination of factors—infectious disease, toxin exposures, and traumatic injuries—that underscore the hazards faced by wild birds, especially in an urban setting."

The naturalistic fallacy kills animals in horrible ways. The romanticism of what humans want to think of as a "free, wild, pure life" cannot be allowed supplant the reality of injury, sickness, and death. Releasing captive animals (or keeping them from being recaptured) because it's "better" for them to suffer untethered than live a healthy, safe, captive life is inhumane and horrific.

Flaco's life didn't have to end in pain, sickness, and suffering.

Flaco's death didn't have to be tragic.

But once the idea of "freedom" entered the chat, Flaco's fate was unavoidable.

[qualityrain]

call out my name when you need me again

if you know who I am, why won’t you call my name?

[carnivalcarriondiscarded]

he's just a lil' guy who's never done anything wrong in his life Ever

[martyrbat]

too many mystery books have copaganda. idgaf about some ex cop figuring out a case by breaking every protocol in the process to harass people. give me a nosy woman who is NOT going to college and instead has a cunty bisexual bob and is in a situationship with her best friend(s) and almost gets murdered every other scene because she loves fucking up schemes & loves puzzles (<- because autism)

[aaxooli]

I beg…..more rk1k content from you 🤲🤲🤲

love is in the air!

[ruporas]

i killed. i murdered. i'm nothing like these sleepy people here… nevertheless, you can actually be grateful? bastard… i’m saying… thank you. because you spilled blood, you saved all of these people’s lives. i couldn’t have done it without you. (ID in alt)

[deoidesign]

I met the me who made different choices

[cherryinterlude]

he's the trailer park daddy i'm gonna visualize in my head whenever i listen to lana/lizzy grant now. LIKE LOOK AT HIM

essentials for a wyatt walker playlist: wild one, pawn shop blues, queen of the gas station, ride, valley of the dolls, shades of cool, trash magic, disco, kill kill, florida kilos, mermaid motel, yayo, wayamaya, blue jeans, ultraviolence, thunder, american

[poorly-drawn-mdzs]

Been thinking about the X-Files recently. A show I have a hazy, but fond memory of.

[cinnasalmon]

20s-ish Zevlor for anon. Sorry I had to keep SOME of his fine lines lmfao

[bleue-flora]

"He has friends, Tommy. I'm right here. I'm his friend... What are you gonna say about that? You think I'm not his friend?" — Punz —

Thought it was only fair that I do c!Punz after doing c!Dream, so here he is, ready to fight anyone who messes with his friend. And yes, just like with c!Dream all of his Minecraft skin elements and colors are apart of the design in one way or another.

[dollypopup]

I can't stop thinking about Colin on his travels. Colin, alone, on a journey to 17 different cities, across several countries. Colin on his own.

Colin who writes letter after letter, to his family, to his friends, and barely gets a response back. How long before he understands that they didn't get lost in the mail? How long until he realizes that, just like when he was a boy, no one has the time for him? The space for him? How many letters unanswered before he lets it finally take root and fester in his mind?

He could have died on that tour.

Would they even notice? Would they see when the letters slow until they cease? Would they wonder why? His mum, surely (maybe, possibly, but she has enough on her hands, besides, and he's never been a concern, in need of her assistance, before), but anyone else? Anthony on his honeymoon, Eloise a stormcloud personified, Benedict taking on the familial responsibilities, Fran preparing for the marriage mart and in Bath, regardless. Daphne, his closest sister, a mum running her own estate.

Greg and Hyacinth who enjoy his stories, but are children.

Pen who ignores him. No explanation, no goodbye.

Colin who has no one in his corner. Colin who travels city to city, putting on personas. Will they like me? What about now? Colin who has hardly anything to read from the people he loves. Who do not think of him.

And yet he thinks of them. Brings them back gifts, writes his recollections for them until it hits him that, oh, they don't care. They don't care what he's doing, how he's doing. They didn't want to hear it before, when he was there with them, and they do not want to hear it now, either. Did they even open those envelopes? Did they see them come through the post, just as proof he's alive, and shrug off the contents? Did they look? Once, Colin sends an empty page. No one notices. Easier, then, to send just the outsides. People only ever care about the outsides. Pretty and prim in neat packages, uncaring of what lies beneath. Sea sick on the rocking boats, staring up at stars on the continent, Colin grows aware, but not bitter. Sad, but resigned.

He loves his family, he loves Pen, loves them to grace, loves them to it's okay. It was him, he determines. Too chatty, his letters too long, uninteresting, his passions dull or droll, or else, worse, he's displeased them in some way. Colin who takes refuge in stranger's arms and homes, who dreams and tries to sate his curiosity. Colin who pretends, because anyone, anyone but him would be received better, he's sure of it. Colin who must talk too much, surely, and with no one to listen. Colin who learns to hush.

Yes. Remarkable- as in, I have many remarks about it.

How many times did he go to excitedly write of what he did that week, and stopped himself, knowing it was a waste? How many times did he write and throw into the fire a letter asking Why don't you see me? Why don't you care?

If he didn't make it, how long would it take for anyone to notice? A month? Two? A year? Would they wave it off as his frivolity, denounce him as a flake and fume about the funds? Would they wonder where it was he had lost himself off at?

He cannot fall into that, so, he writes in his journal, instead. Of the ache of it, of how he longs for connection, for understanding, for someone to take him seriously. He keeps it with him, this log of his discontent, of his folly and felicity, of his pitfalls and pains.

If he didn't make it, would they realize all that's left of him is what he sent them, not even a body to bury? Did he look over the side of a bow of a boat and look at the churn of the ocean and think of how many bones it held? Did he tip his face to the sun? How many new scars did he earn? Who did he befriend?

Who did he become?

Somewhere along the line, Colin learned. He learned the real him wasn't wanted.

Somewhere along the line, somewhere between Patmos and Paris, Colin left Colin behind.

And, somewhere along the line, Colin laid face to face with loneliness in his bed, and it wrapped its arms around him.

[glorfindelssword]

[vi-is-badass]

Arcane Season 2 - The Base Violence Necessary for Change

I think this shot is the most interesting part of the trailer. We see a shot of Jinx as a painting on a wall. A symbol. A leader. Her actions stand for revolution in Zaun and I think this could be an interesting expansion of Arcane’s exploration of violence and the idea that there is a base violence necessary for change.

Silco is framed as an antagonist in season 1 because of his actions against the undercity people specifically.

In act 3 he’s not the revolutionary he positioned himself as and is instead hurting the people of Zaun through his leadership. He’s doing as much to hurt topside as Vander was in act 1 (meaning nothing at all). He’s even got the sheriff working with him just like Vander, but, unlike Vander, Silco is hurting his own people to facilitate power and he’s not even fighting for that freedom he claimed to want so much.

We see the damage his actions have wrought. We see the shimmer addicts, forgotten and exploited. We see that he's created a hierarchy rather than a community.

And it’s contrasted with the firelights. People considered terrorists to Piltover, who do use violence to fight back against Silco and topside, and yet offer the biggest glimmer of hope. They aren’t villainized. The act of fighting back isn’t villainized and it shouldn’t be.

Because it’s not the violence in and of itself that’s the issue. It’s what that violence is used for.

The series hammers this idea home through Vander. 

Vander’s staunch stance against violence is flawed as well. It comes from a good place. A desire to protect what he loves rather than destroy what he hates and it did create a time free of the death revolution brings, but it’s made it so no ground could be made to free Zaun and create a better world for the people in it. It created stagnation. 

The people of the undercity are still stuck in a cycle of crushing poverty, growing up without parents, dying young due to pollution or violence wrought by desperate people or oppressive enforcers.

It didn’t move the needle because Piltover and the system in place wasn’t going to change just because the people of the undercity were playing nice.

The unrest and anger felt towards Vander for his ideal was understandable. His views on the cyclical nature of violence and the fact that if you fight you will lose people (“What are you willing to lose”) is correct, but that doesn’t make this option the ideal one.

Which brings me back to that shot in the trailer of that painting of Jinx.

Season 2 looks like it’s going to be a season of opposites and rediscovery where it flips what we expect of Jinx and Vi on its head and further explores these ideas of violence, oppression, and revolution.

And I think this season might possibly do that by reversing how Vi and Jinx reflect Vander and Silco.

In the first season the siblings were direct reflections of their respective father figures, but now they’re inversions. Jinx can become the good to be found in Silco’s ideals and Vi the pitfalls of Vander’s.

Jinx’s actions in season 1 weren’t those of a revolutionary. Her actions weren’t meant to free the people of the undercity or improve their lives. She didn’t steal the hexcrystal to bring hextech to the undercity and improve their lives and she didn’t kill the enforcers on the bridge to get rid of dirty cops. She didn’t kidnap Caitlyn for a greater cause.

But we know that Jinx isn’t only the violence she enacted. That she is “the monster they (the system and people around her) created”. Her actions weren’t heroic in the first season, but they were driven by the life that was forced upon her. Her hurt and anger are justified.

Now that she’s away from Silco, no longer a part of his machine and actively participating in his actions that were hurting the undercity, her actions and anger can take on a new light. She can rediscover herself away from his manipulations (this isn’t to say he didn’t love her but what he did and said isolated her and allowed her issues to fester) and become that symbol we see on the wall.

Jinx could be in a way what Silco could have been if he didn’t let his own self interest get in the way of his ideals. Not quite as forward thinking as Ekko or as idealistic, but still a symbol for resistance that fights for Zaun.

Whereas Vi is sort of on a path to becoming a darker reflection of Vander’s ideals.

Vi becomes a part of the system she used to rage against.

 Based on the season 2 teaser that was released in 2021– 

“Nobody else needs to get hurt.”

–I think it’s likely that Vi believes she can prevent more death or can stop Piltover’s violence against the undercity if she takes Jinx in.

Vi sees herself as a protector who has failed at every turn to protect those she cares about. She lost her parents, Powder, Vander, Mylo, Claggor, etc. and she is constantly desperate to try and save what she loves and that will likely drive her decision to become an enforcer.

Vi, like Vander, wants to save what she loves and as a result isn’t going to fight back against topside. This is a much more extreme version of Vander’s ideals. Where she “compromises” in an attempt to prevent bloodshed but as a result enables (or in her case helps) the system in place.

This decision will have negative consequences (and deservedly so!) because no matter what thoughts or feelings are the driving factor in it she is still siding with her oppressors and ultimately helping the system that is the root cause of that loss and pain in the first place. 

Based on the clip released at Annecy and what people have said the writers explained about Vi’s arc in season 2 it seems like Vi will be ostracized for this decision and deservedly so. She won’t belong anywhere. To the undercity she’s a traitor and to Piltover she’s nothing more than an undercity rat.

She will have lost everything. She will have no one to protect. And who is Vi if she’s not a protector?

Vi will be forced to re-evaluate who she is and what she wants. Just like Jinx, Vi will have to redefine herself when she loses everything.

I can’t wait for season 2 and what the team at Fortiche has in store for us. The way the show tackles complex themes and ideas is incredible and Vi and Jinx are some of the most compelling and complicated characters I’ve seen on tv. I’m looking forward to November.

[pillarofna]

please help me by reblogging ‼️

hello im dylan. i make what money i can through doordashing but that barely covers even half of my bills and nowhere else will hire me rn (slow season in a tourist town). my car payment and car insurance are both scheduled to come out of my bank acct today and i barely have enough to cover the $135 in my checking account leaving me to have to use my credit card for my $150 car insurance. i also really need to buy groceries and get gas which i desperately need to keep working.

i currently am over $1000 in debt on my credit card and i really can’t afford to keep piling up the bills on it. the monthly fee ($99) for my HRT service just came out as well so i really need at least $400.

$155 (insurance) + $99 (hrt) + $60 (gas) + $100 (groceries) to at least get my credit card back down to only owing $1000. ideally i want to pay that all off but i know there’s no way i’m crowdfunding 1400. thank you guys this isnt terribly urgent but the sooner i can pay it off the better. ❤️

$60 / $400

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……