#kill film

[badolmen]

People against piracy fail to realize that no, I can’t just ‘buy it.’ They stopped making DVDs and Blu-Rays. They’re barely offering digital copies for download. I am not spending money I could use for food or bills to pay for a subscription service just so I can always have access to a beloved piece of media. Especially not when the service will remove media on a whim without concern for how the loss of access to that piece will make its artistic conservation nigh impossible.

For example, I recently learned that Disney+ had an original film called Crater. It’s scifi, family friendly, and seems cool - I would love to buy it as a holiday gift for my little brother! But: it’s exclusive to D+ and THEY REMOVED IT LITERALLY MONTHS AFTER ITS RELEASE.

The ONLY way I can directly access this film is through piracy. The ONLY available ‘copies’ of this film are hosted on piracy websites. Disney will NEVER release it in theaters, or as something to buy, and it may NEVER return to the streaming service. It will be LOST because we aren’t allowed to purchase it for personal viewing. If I can’t pay to own it, I won’t pay for the privilege of losing it when corporate decides to put it in a vault.

So yes, I’m going to pirate and support piracy.

Edit: if you are able, use $5 you would otherwise use for a streaming subscription to donate to a GazaFunds campaign.

[tylerposey]

BILL SKARSGÅRD Boy Kills World (2023) dir. Moritz Mohr

[inthedarktrees]

Tura Satana, Lori Williams & Haji in Faster, Pussycat! Kill! Kill! (1965)

[zanephillips]

CALLUM BLUE Dartmoor Killing (2015)

[aloneandforsakenbyfateandbyman]

Nancy Allen in Dressed to Kill (1980)

[jareaau]

Chip Taylor in 68 Kill (2017)

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[miwtual]

THE LOST BOYS (1987) dir. Joel Schumacher

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[retrodisneydaily]

our followers’ top 10 classic disney films

3. sleeping beauty (1959) dir. clyde geronimi, wilfred jackson, eric larson, les clark

[zegalba]

Kill Bill Vol. 1 Billboard Advertisement (2003)

[pitske]

queer people?

[undertheredhood]

random civillain who just moved to gotham: *having a mental breakdown after they accidentally kill a clown with a bad dye-job*

the red hood (notorious crime lord and vigilante): "are you from tennessee? 'cause you're the only ten i see."

[inthedarktrees]

Lori Williams, Haji & Tura Satana in Faster, Pussycat! Kill! Kill! (1965)

[disease]

[KILL BILL: VOL. 1, 2003]

[paris-in-space]

I do find it entertaining that when I see anything on Instagram about Lisa Frankenstein there’s always a couple people like “ew necrophilia” and “ruined a classic” and then over here on tumblr we’re all just like “yes girl get it, this is peak romance”

The duality of man I guess .