#kevin rosario

[girlrandomstuff]

why and how jimmy smits is always playing amazing dads? i mean, ADOPT ME PLEASE, I WANT TO BE HIS FICTIONAL DAUGHTER

[theatrekidstatus]

Kevin (ninas daddy):here let me pay for your collage

Nina who dropped out because she dosnt want her dad to spend money:i dont want ya money i got this just for you KEEP YOUR MONEY

[the-names-catastrophe]

Bail Organa did not simply stop being a father after Alderaan blew up, he just started a cab company on Earth and wanted the best for his Earth daughter, even if he had to keep selling bits of his store to help get her through college.

[andtheyreoffs]

" Usnavi come over for dinner, there's plenty to eat. "

[iamtryingtobelieve]

"There he goes. Homeboy fucked a Martian once." Clerks 2 (2006) Dir: Kevin Smith

[blade-liger-4ever]

Just saw this last night, and HOO-BOY, I LOVED IT!

So, I won't really get into the plot, at least for now, because I just gotta get the cast talked about first.

The casting of Percy Jackson and the Lightning Thief is perfect! Pierce Brosnen nailed Chiron, and I get the feeling he would have stolen more scenes if he'd had more screentime (the moment he said "Are you kidding? This is the best part", he became one of my favorite background characters.) The kid doing Percy made me really like the character; I never read the books until recently, and even then I skipped straight to the second arc where the Romans are involved, but even with this current book where Percy is a POV character, I did and do not care for him as much as Movie Percy. Kid was great, ten outta ten acting.

Annabeth struck me as far more interesting in the movie than the books. Heck, even before I read from her viewpoint she didn't interest me at all; in the movie, she's rather arrogant and snobbish, but it works in the character's favor and makes her far more compelling. The actress did great, and props to her for endearing Annabeth to me: that was a feat.

Grover was THE BEST of the trio, I will not take criticism. He protected Percy, took everything in stride, and figured out what they were dealing with on the fly easily - all without being Mr. Perfect and still being humorous (e.g. when they leave Medusa's severed and sunglasses-laden head in the hotel sink, Grover responds, "Guys, really? I cannot pee with her staring at me." Top notch comedy, I need more films with this actor.)

Sean Bean was good as Zeus. I don't have much to say about his part, honestly; he wasn't there much, but 1 he made Zeus tolerable, and 2 he had the most presence out of all the actors, with Kevin McKidd being a close, and I mean close, runner up.

Speaking of, Kevin McKidd, AKA Fenn Rau from Star Wars Rebels (and the big draw of this film for me), was. Absolutely. AWESOME.

And he only really had ten minutes in the film!

Seriously though, he played Poseidon so well. You could tell he was thousands of years old, still in his prime, and resisting every instinct to run over, hug Percy, and never let him go when they were within a hundred feet of each other. Even when all you could get from him in the movie was his voice, the care and urgency for his son's safety carried through beautifully.

The other actors - Hades, Persephone, the mortal actors in the background - they were all equally great. They made the characters likable, despicable, or somewhere in between. Bravo, people!

And then there's the second draw of this film for me: Jake Abel as Luke, son of Hermes, and the true lightning thief.

If there was ever anything that showed how much wasted potential the writers of Supernatural had when consistently throwing Jake Abel out the window after having him appear like six times in the show, this film was it.

He made Luke funny, likable, and mischievous, garnering the love of the audience, and then broke the hearts of those who liked him when he turned around and revealed he was an angry, hurt young man who wanted to overthrow the Olympians and take over in their stead in order to "right" their wrongs of being neglectful jerks (the only one who wasn't actually completely neglectful on purpose was Poseidon. My guy was trying his hardest to stay in touch with Percy and did everything he could to help him out.)

Jake Abel, I'm sincerely sorry you never got the next four films that should have come after Sea of Monsters, and even more sorry that you got so dissed in Supernatural. Consider this post of mine a letter of apology.

Okay, plot discussion time - well, at least the gushing of how it was handled.

So, setting up the whole war between the Olympians actually doesn't strike me as horribly handled. Yes yes, there's more "concrete" reasons for it in the book, but for the public who have never heard of these books, it's not all that farfetched. I mean, public opinion of Hades is always bad (I'm sorry Hades, you really don't deserve that rep), Poseidon doesn't particularly care for drama, and his mood tends to switch on a dime, and Zeus? Please, we all know how much of a jerk-butt he is. Be honest: Is it really all that hard to believe Zeus declaring war if his master bolt isn't returned in two weeks? And as for him jumping to the conclusion of Poseidon's son stealing it - just look at the opening scene of the film. The way Poseidon got physical that fast, and moments before was practically spitting venom at Zeus for banning him from seeing his son, it's no wonder Zeus thought Poseidon would've done something to make Percy steal it from him.

Now before you come at me, let me put it this way.

Think of yourself in Zeus' mindset. You're a capricious jerk, who won't take the blame, don't care for your offspring at all, and are constantly at odds with your brothers over power/territory struggles. Using your kid is gonna be as natural as breathing to you, so why wouldn't you assume your brothers would do the same? Hmm?

Now, the family and school drama was done excellently as well, especially that moment where one of the kids at the school grabs another and slams him against a locker while Percy and Grover make tracks. Gabe was perfectly detestable, and it was immensely satisfying to see Grover wallop his butt. The race to Camp Half-Blood was done well, although the Chevelle didn't deserve that fate (I will, however, accept the obvious fact that it only got dinged up and lost the hood. A modern day car would have exploded on impact with the ground and sent shrapnel everywhere.)

The scenes with the camp were good, especially how it was quickly yet subtly established that everyone there had lived there for some years and were already pros at combat and other physical activities. Hades' entrance was great, the progression across the country was well-paced, and Luke's help throughout was done neatly and in a manner where the audience only got a glimmer of resentment from him before the bolt was found in the shield.

Speaking of, the scene in the Underworld is severely underappreciated. The effects were grand, the acting well-done, and the positioning of the Underworld in Hollywood is genius on many levels.

The fight scene in Manhatten was good, though I confess Luke's aerial combat was a bit spotty at the beginning. Otherwise it was great, and the first show of Percy's powers was magnificent. No joke, that CGI and other effects are gonna hold up for another thousand years.

Olympus was beautiful, quite honestly, and I love 1 the sheer difference in scale they showed between the humans and the Olympians, and 2 how Poseidon "sheds" water to shrink and appear more normal. More effects that are spectacular and underrated.

The last scene - the return to camp and training - not much to say, other than that it felt really organic, natural, and beautiful. All in all, a great film that's unfairly hated on.

Okay, now for some personal gushing on my part.

So, I'm sure you guessed by now that I was here for Kevin McKidd, mostly because I knew him first in Star Wars Rebels. This is my first time watching him onscreen, but it was amazing and captivating on his part. Not only did he make me believe that he was the Greek god of the seas, but he made me feel Poseidon's pain of not being with Percy and his desire to connect with him, and he certainly made me believe that Poseidon would do anything in his power to help Percy, no matter what loophole abuse he had to commit lest raising Zeus' ire.

As for the dynamic itself, I'm so so happy.

I love how Poseidon risked so much to physically be at the museum while Percy was across the street from him, just to make sure that he could both warn Percy completely and see him in case something went wrong. And although it's a sore spot for the fans, I love how Chiron shows Percy his own little home at Camp Half-Blood, and outright states that Poseidon built it for him. Just Percy, no one else; that's like a father making a specific room for his son, and the fact that they allowed Poseidon to be shown to love Percy more than anything through little things like that is enough to make me burst in happiness.

I loved how Poseidon guided Percy to the water to heal him and give him a second wind in Capture the Flag, and that he woke up Percy and refused to let him be lulled back into the Lotus Eaters' trap until he was sure Percy was back to his senses and able to get out on his own. And when Percy's in the hall of Olympus, Poseidon is practically begging Zeus, his younger brother, to let him speak with Percy, because he knows a chance like this won't arise again for a while. And the sheer relief in his face when Zeus allows it, man, I could've died at that.

The talk between father and son, it was beautiful. It makes sense that Percy has some remaining resentment toward Poseidon for leaving, for not kicking out his stepfather, and the fact that Poseidon doesn't even hold it against him is wonderful. The moment he explains why he couldn't see Percy, and the second Percy realizes the law forbidding the Olympians from seeing their children had been passed because Poseidon loved him so much he was abandoning his duties is golden. And Poseidon telling him that he was always watching Percy and helping him as best he could, and how he promised to always be there for Percy, even in his thoughts and dreams - beautiful. Absolutely beautiful.

And the icing on the cake? You remember that I mentioned a training round at camp at the end? It's between Percy and Annabeth, and they're on a hill, but guess what can be seen below the hill?

The lake.

Where Poseidon can watch his son training, and has an easier time of making contact with him.

This movie is a masterpiece, and if you're not a fan of the books and have never seen it before, please, go give Percy Jackson and the Lightning Thief a watch! You won't regret it!

[onedegreeofsoniccomics]

Archie & Friends: All Action: "Archie's Super Mecha Teens"

Cover Credits

Pencils/Inks: Ryan Jampole

Colors: Rosario "Tito" Peña

Story Credits

Writer: Daniel Kibblesmith

Pencils/Inks: Ryan Jampole

Colors: Glenn Whitmore

Color Finishes: Rosario "Tito" Peña

Letters: Jack Morelli

Editorial Team

Editors: Jamie Lee Rotante, Vincent Lovallo, & Stephen Oswald

[1000-celebrities]

100+ MOST POPULAR CELEBRITIES IN THE WORLD

Print Option: ♦ Framed Poster Print ♦ Canvas Print ♦ Metal Print ♦ Acrylic Print ♦ Wood Prints 🌐 Worldwide shipping

[100-art]

Max print size: 60x40 inches, 100+ Free High Resolution Images Download, PNG Files Rosario Dawson Kanye West Taylor Swift Katy Perry Denzel Washington Kevin Hart Vin Diesel Scarlett Johansson Drake Emma Watson Adele Emma Stone Ellen DeGeneres Nicolas Cage Channing Tatum Hugh Jackman Cristiano Ronaldo Matt Damon and more ...

[richdadpoor]

Ahsoka's Credits Music Is the Most Interesting Thing About It

Ever since Ahsoka Tano stepped out of the mists of Corvus and into live-action Star Wars history on The Mandalorian, I’ve had complicated feelings about the direction of one of my favorite Star Wars characters in contemporary canon. Those feelings haven’t changed much in the opening episodes of her new titular series so far—but watching them this past week I found one thing giving me a tiny…

[jasmancer]

was anybody gonna tell me that Kevin Smith famed director of Clerks and Dogma also wrote and directed the 2014 body horror film Tusk or was I just supposed to find that out myself trolling his letterboxd credits

[abs0luteb4stard]

W A T C H I N G

Goddamn it.

I never thought it would hit me that hard. A really good Clerks movie. But I never imagined the direction of story.

Very Comical, clever, but fuck. So somber and sad too.

I didn't know that going into it. I thought there was going to be meaningfulness mixed in with the funny, but it really hit my gut with grief.

I mean I've been in a consistent flow of grief and turmoil and existential threat for 7 years. But man, with some things hitting certain notes, it felt pretty sad.

Damn good movie. But I need a Xanax now.

[andtheyreoffs]

But I told him. " Papi, I'm sorry, I'm going farther. I'm getting on a plane. And I'm going to change the world someday! "

And he slapped my face. He stood there, staring at me. " Useless. "

[aurlworthfightingfor]

Why did clerks 3 have to go so sad. Like dude. No. No thank you. I have a half hour to go. I have a hard time watching it.

Clerks 2 is my favorite movie from Kevin smith but clerks 3 can eat my ass. They didn’t need to kill Becky and the baby off like dude fuck off with that shit.

I mean I’m finishing it but this is hard to watch

[iamtryingtobelieve]

"The dishes are done man!" Jay and Silent Bob Reboot (2019) Dir: Kevin Smith