#keroppi users

[wieqo]

⠀ ⠀⠀ ⠀⠀ ⠀๑⠀ ⠀🈺⠀ ⠀𝆹 ॱ

cinamoroll - cinmrooll

mocha - snrimcha

pochacco - pochcco

badtz-maru - bdatzmr

keroppi - krppios

hangyodon - hngyood

pekkle - pekklrr

kirimichan - kirmchan

coro coro kuririn - ccrkurrin

[uzimu]

ㅤㅤ

ㅤㅤㅤㅤㅤㅤㅤㅤ ⬚͒ౢ ✧⠀⠀͏users (sanrio)⠀⠀͏✿⃘ֹ

⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏diariopurin ❤︎ pompojin

⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏cinnacafes ❤︎ noteofkitty

⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏keroppipfp ❤︎ chococatvlog

⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏⠀⠀͏tearsmaru ❤︎ mymelocita

ᅠ͏ ͏ ͏ ͏ ͏ㅤㅤㅤㅤㅤ ͏kuromicite ❤︎ ojopocha

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ❤︎ kuririncito ❤︎

ㅤ

[disbnad]

୧ ‧₊˚ riize + sanrio users ˚₊ ‧ ୨

eunromi twinstarz wonbadtz

taropurin kerosungi seunoroll

hanipoms pochachio marusoee

[puppyuserboxes]

Sanrio character userboxes (part 1)

Part two

[kuroppiii]

wait to I just realized username — it’s so cute and genius at the same time (๑>◡<๑)

me at 14 cooking up user @/kuroppiii

jk but thank you babes! <3

my user actually used to be like peachysoda or something or peachiefizz? i don't remember now. i don't even like soda LOL (๑-﹏-๑)

and the blog color was pink! (it is my favorite color believe it or not)

but i realized the start of keroppi sounds like kuroo from just the sheer amount i would talk about them both to my friends 💀💀💀 so kuroppiii was born ☝️

[kusogamesss]

Kero Kero Keroppi to Origami no Tabibito

An unassuming bridge between past and future.

Paper is with us always, from birth to death.

The 3DO’s multimedia library is a largely bifurcated collective of (early) childhood edutainment software and adult only erotica. It is an often shocking contrast, the likes of Putt-Putt and Eigo de Go! occupying the same space as Immortal Desire or the aptly-titled Sex. It is a testament to the possibilities afforded to software developers during the multimedia boom of the early 1990s, CD-ROMs making the proliferation of minimal input, high-quality entertainment a reality for those too young to meaningfully engage with interactive software, and those too libidinous for anything but appeasement. This duality makes both extremes intriguing, and led me to gravitate towards Kero Kero Keroppi to Origami no Tabibito and its heart-achingly sweet cover art and premise. One of Sanrio’s cutest characters being taught how to do origami, something I did as a child and when starting university? Sign me up.

Understandably, given the very young audience, Keroppi and his friends are taught traditional, simple origami designs that teach the fundamentals of the craft. Keroppi’s designs are toy-like, including a jumping frog, paper popper, and traditional sumo wrestler. Keroleen’s are cute objects, being flowers, jewellery, and heart shaped stationery. The origami traveller teaches Ganta how to make animals, Kyorosuke to create practical objects like a tissue holder, boxes, and notebooks, and Noberun ‘mysterious’ geometric models and more complex designs befitting his friends’ categories.

Selecting a design shows a short animation of Keroppi and friends playing. Teru Teru gives the design a difficulty rating out of five, and Den Den is an ever-present adviser as the user goes through the design’s steps. The traveller helps out in video segments to demonstrate specific folds and methods. Each design is accompanied by a bonus interactive toy or clip from the Hello Kitty and Friends OVAs. It is altogether simple but effective as a tool for teaching and entertaining.

Paper is expression.

Paper craft is inextricable from childhood itself. Paper is cheap, plentiful, easy to work with, tidy, safe, and ultimately simple. Origami exemplifies the beauty of paper most clearly. It is free of embellishment and destruction. It is singular. It can be functional or aesthetic. It is as permanent and temporary as it needs to be. It represents a compounding of the care (or lack thereof) put into it. It is nearly ancient and incredibly contemporary. It is simple and boundlessly complex. It is flat and sculptural. It is childish and mature. Keroppi and his friends demonstrate this with aplomb. Origami is an expression of the self.

Like Keroppi, I dabbled in origami as a kid. I would make throwing stars of printer paper and mar them with staples and paperclips to give them heft. Cootie catchers were scrawled on. Jumping frogs cut for ease of creation. While entirely unintentional, this engagement with origami was a refusal of the art form itself by trying to make the paper into something it was not.

On the eve of entering university, I turned to origami again, crafting modular Sonobe models and simple animals. The discovery of contemporary origami by the likes of Gen Hagiwara, Jun Maekawa, and Hideo Komatsu gave me the drive to continue the craft further because of the possibilities in a single square of paper. As my first year of university drew to a close, I presented to my mom on her birthday a senbazuru I had been working on for the past eight months. She still has it hanging on the wall of her office. I folded cranes of all sizes and left them around campus for others to find and take, and though they would sometimes end up in the trash their intrinsic impermanence meant it never bothered me. It’s just paper after all. I made increasingly complex models to push my skills and try and impress a girl I liked. I got a cat and made her little paper doodads to bat about. I rather ironically got a crane permanently marked into my skin. And for whatever reason, I slowed down my craft and eventually stopped. A global pandemic began. My lone crane became surrounded by flowers. I sent parcels to my boyfriend and packed them with cranes I had folded long ago. The models I made that were strewn around my house were put away in drawers and bins, the senbazuru and some custom boxes I had made being the only concrete symbols of this years-long hobby of mine.

Paper is a constant.

What I adore most about Kero Kero Keroppi to Origami no Tabibito is that it brings a centuries old craft into the hypermodern age of multimedia. It could work just as well as a book or tape, but it takes advantage of this new medium to address the realities of a radically shifting world. Shortened attention spans are sated with visual stimuli. Origami as an expression of national, abstract culture is conveyed through materialistic, corporate culture to try and ensure the survival of the craft. It takes something so accessible it can be done with leaves and hides it behind the extreme cost barrier of a 3DO or FM Towns Marty. Most importantly, it presents these origami models as means to an expressive end beyond the purely aesthetic. It shows me what I was perhaps missing in my drive to make complex origami. I was missing the intrinsic fun of paper, of craft, of play.

Paper is with us always, from rebirth to death.

I began HRT in 2021. My flimsy paper birth certificate was marked by a gender I knew to be incorrect for a decade. In late 2022 I came out to my parents and underwent the legal hullabaloo necessary to fix the gender marker on my identification. The impermanent birth certificate was mailed off and destroyed. It was replaced by a polymer certificate. Paper that had been with me from birth saw me through to legal [rebirth/death].

I started Kero Kero Keroppi to Origami no Tabibito in the morning, sat at my desk in my underwear in a body radically different from the one I had when last I folded paper. A body that was new. I moved to the floor, and folded without the precision I once obsessed over. My imperfections compounded.

It was an expression of the self that was real. The sun broke through the clouds and was warm on my skin.

[cuteypatooty]

Call me Beanie! I’m a 28 year old nonbinary person, and this is my blog for all things cute! I occasionally age regress and I post lots of agere content, but don’t consider myself a part of any particular age regression community. More info below the cut. 😊

I’m not involved with the ddlg community or anything similar. I don’t care what happens between consenting adults, but please do not bring me into it by trying to message or ask me about it. I don’t mind the term “little,” but don’t really use it personally.

Things I like:

-Dinosaurs

-The Peanuts/Snoopy

-Care Bears

-Pokémon

-Scooby Doo

-Clowns

-My Little Pony (the characters; I don’t really watch the show)

-Squishmallows

-Littlest Pet Shop

-Build-a-Bear

-Frogs

-Sanrio (especially Keroppi)

-Aliens/Outer Space

-Sea Turtles

-Guinea Pigs and other cute animals

My favorite tags:

#cute baby animals

#positivity

#self care

#activities

#tips

#emotions

#mine

#user box

[luffystaro]

keroppitiny keroppisoul i4keroppi

keroppinya k3eroppi keroppics

keroppipow keroppiwr luvskeroppi

keroppi users??_@><

[myoelfs]

യ 𓈒 * 🍡

[cute-queer-lovecore]

tried my hand at a user box! enjoy!

[wieqo]

sanrio: hello kitty: kuromi: keroppi:

bloosnri hllkittyr crkromi kroppier

ctesnrio rllokity kuurmir imkropi

spnrios rpinkity kuromws keropice

[yeonshy]

# ★ TWiCE + SANRiO USERS PT9 🍣

tzuyu + keroppi ♡

keroyuu // tzuyuppi // keroyushy

chouroppi // froggichou // tzuribbit

keroblush // aquakerelle // frogihrt

bonbonyus . . . . . . . . . . . . . . . . . . . . . . . .

⠀⠀♡ / ⇄ appreciated !

[disbnad]

୧ ‧₊˚ sungchan users ˚₊ ‧ ୨

bambirz outscngs misftsung

jscuitar sunzpeak jinsuroppi

sungios jinsungel ilsamgus

[sandubitas]

sanrio users ⭐🥝

bratzilles heloquits maimerodiz keropitos

fenneqitos miffytube kuromitas rilakkumes

kuromittes aggretsko cinamroIIs txeditos

[koochilao]

Go go airplane 번개처럼 날아라 카우아이 파도 속 나를 던져 버리게 Let's power up ! ! 까맣게 다 타버릴 거예

[akkokokitty]

💕🌸Remember to love yourself just as much as you love your favorite things 🌸💕