#kerala tourism song

[keralatour10]

The Faces Who Made Kerala Proud

Kerala boasts the highest literacy rate in India and as per the latest census it has a projection of 94%. With the sobriquets ‘God’s Own Country’, ‘Land of Coconut’ and ‘Spice Garden of India’, Kerala has always been in the limelight from the perspective of tourism. Thanks to its incredible geographical features. Although being a small state, occupying around 1% of India’s total area, Kerala is always presented as an honorary example for its rich culture, education, ayurveda and other development. Kerala has also given rise to several personalities who have made Kerala and India tremendously proud.

P T Usha - Frequently called ‘Queen of Indian Track and Field’, P. T. Usha was born in Kozhikode, Kerala on 27th June, 1964. Nicknamed the Golden Girl, P T Usha has been associated with Indian Athletes since 1979. She had an illustrious career in athletics and won 33 international medals. In 1984 she was honoured with the Arjuna Award and the Padma Shree Award. The Indian Olympic Association has crowned her with the name ‘Sportsperson of the Century’.

Raja Ravi Varma - Raja Ravi Varma was born on April 29, 1948, in Kilimanoor Palace, Kerala, and is the most celebrated artist in the history of Indian Arts. His artistic talent was exposed at a young age by his uncle who provided him the elementary guidance. He got exposure to various art forms and himself mastered portraits, portrait-based compositions and myths and legends-based theatrical compositions. Ravi Varma received the first prize at the Madras Painting Exhibition in 1873. Shakuntala Composing a Love Letter to King Dushyanta, Damayanti Talking to a Swan and many more are among the famed paintings of Ravi Varma.

Dr. K J Yesudas - A notable Indian classical musician and playback singer, Yesudad was born in Fort Kochi, on January 10, 1940. His musical voice has recorded more than 40,000 songs in Malayalam, Kannada, Tamil, Hindi, Bengali, Telugu, Gujarati, Marathi, Odiya, Arabic, English, Russian, Latin and many more. Initially, Yesudas was groomed by his own father Augustine Joseph, who was a classical musician and a stage actor, and later he joined the Music Academy. His career started with playback singing in Malayalam and Kollywood movies in the 1960s and in the mid-1970s, he set his foot in the Bollywood industry. Yesudas garnered 7 National Film Awards for the best singer in Indian Cinema.

Arundhati Roy - A renowned novelist and political activist, Arundhati Roy was borned on 24th November, 1961. Although she took birth in Shillong, she shifted to Kerala, to her mother’s maternal house at the age of 2, and completed her schooling there. She has won several awards both for her writing talent and social work. Arundhati Roy began her career by writing the screenplay ‘In Which Annie Gives It Those Ones’ in 1989, which was directed by her husband Pradip Krishen. Her semi-autobiographical novel ‘The God of Small Things’ in 1996 brought her worldwide fame and received the Booker Prize in 1997. 

Vidya Balan - The popular Indian actress was born on 1st January, 1978, in Palakkad, Kerala. She has played the role of a strong female protagonist in several movies. In 2005 she acted in the movie Parineeta and received the Filmfare Award for best female debut. Paa is yet another notable movie of Vidya Balan which brought her the Filmfare best actress award. Vidya Balan was honoured with the Padma Shri award in 2014 for her meticulous contributions to Indian Cinema. 

Almost every travel enthusiast’s bucket list in India contains a trip to Kerala. Your Kerala Tour Booking will provide a detailed overview of the unique landscapes of Kerala, but familiarising with these personalities and their achievements is worth cherishing the talents of India. There are many more individuals who inscribed their identity in Indian history for their distinguished attributes. 

[mayooramcruises]

alleppey houseboats

Alleppey: The Venice of the East Alleppey (Alappuzha), known as the “Venice of the East,” is a gem on the western coast of Kerala, India. This picturesque town is famed for its intricate network of canals, lagoons, and backwaters that stretch for miles, offering visitors a unique blend of natural beauty and cultural richness. From cruising on houseboats through serene waters to exploring historical landmarks, Alleppey is a top destination for both nature lovers and history enthusiasts.

The Charm of Alleppey Houseboats Alleppey’s houseboats, or Kettuvallams, provide a floating luxury experience that takes you deep into Kerala’s backwaters. Originally used for transporting rice and goods, these boats have evolved into floating hotels offering an unforgettable stay.

1. A Unique Way to Explore the Backwaters The houseboats in Alleppey are the most relaxing way to explore Kerala’s famous backwaters. Drifting through the tranquil waters, you’ll witness lush greenery, paddy fields, quaint villages, and abundant wildlife. The calm and peaceful surroundings offer a perfect escape from the hustle and bustle of daily life.

2. Luxurious Houseboat Experiences Alleppey houseboats range from simple budget-friendly boats to luxurious floating palaces. Equipped with spacious bedrooms, private bathrooms, air conditioning, and dining areas, these houseboats offer a perfect blend of comfort and tradition. Some premium houseboats even come with Jacuzzi baths, private chefs, and personalized itineraries, making it ideal for couples on a romantic getaway or families seeking adventure.

3. Kerala Cuisine on Water One of the highlights of the houseboat experience is the authentic Kerala cuisine prepared fresh on board. From spicy curries like Karimeen Pollichathu (Pearl Spot Fish) to delightful vegetarian dishes like Avial and Thoran, every meal is a celebration of Kerala’s culinary heritage. Guests can also request customized meals or even enjoy freshly caught fish cooked on board.

4. Overnight Cruise: An Unforgettable Experience An overnight stay on an Alleppey houseboat is one of the most cherished experiences for travelers. As the boat glides through the quiet waters under the starry sky, you can relax on the deck, enjoy a candlelight dinner, or simply absorb the soothing sounds of nature. Watching the sunrise over the backwaters the next morning is an unforgettable sight that stays with visitors long after their journey.

Alleppey Tourism: A Blend of Nature, History, and Culture While Alleppey is known for its backwaters, the town has much more to offer. From sandy beaches to ancient temples, the region offers a rich diversity of tourist attractions.

1. The Iconic Alappuzha Beach Alleppey’s coastline is dotted with serene beaches, with Alappuzha Beach being one of the most popular. The golden sands and pristine waters offer a perfect spot for relaxation. The historic Alappuzha Lighthouse, built in 1862, provides panoramic views of the Arabian Sea and the surrounding areas.

2. The Famous Snake Boat Races A major draw to Alleppey is the annual Nehru Trophy Boat Race, a thrilling event held during the monsoon season (August). Spectators gather to witness long, narrow snake boats, or Chundan Vallams, race across the Punnamada Lake, accompanied by rhythmic boat songs and cheering crowds. This exciting event is a true cultural spectacle of Kerala.

3. Temples and Historical Landmarks Alleppey is also home to several temples and churches of historical significance. Ambalappuzha Sri Krishna Temple, known for its cultural festivals and offerings of the famous Palpayasam (sweet rice pudding), is a must-visit for spiritual travelers. Other landmarks like the St. Mary’s Basilica and Krishnapuram Palace offer glimpses into the region’s cultural and architectural past.

4. Ayurvedic Wellness and Retreats Kerala is world-renowned for its Ayurvedic treatments, and Alleppey offers some of the best Ayurvedic wellness centers. Visitors can indulge in massages, detox treatments, and rejuvenation therapies that utilize traditional medicinal practices to restore balance to the body and mind. These retreats are set in lush, serene environments, perfect for relaxation and healing.

Ecotourism and Village Life in Alleppey Alleppey is also a hub for ecotourism. Beyond the luxury of houseboats, visitors can opt for canoe rides, village tours, and eco-friendly experiences.

1. Explore the Villages Village tours offer a unique glimpse into Kerala’s rural life. You can witness coir making, toddy tapping (palm wine), and traditional farming techniques. Interact with local artisans and learn how they create handicrafts, mats, and ropes using coir, a natural fiber extracted from coconut husks.

2. Canoe Rides: A Closer Look at Nature For a more intimate experience, canoe rides are perfect for navigating the narrow, meandering canals that larger houseboats cannot enter. Canoes offer a closer look at the biodiversity of the backwaters, including exotic birds, aquatic plants, and local flora and fauna.

Best Time to Visit Alleppey While Alleppey is a year-round destination, the best time to visit is from October to March. During this period, the weather is cool, making it perfect for houseboat cruises and exploring the town. The monsoon season (June to September) is ideal for those wanting to witness the lush greenery and attend the famous boat races, though houseboat cruising might be limited due to heavy rains.

Conclusion: Experience Alleppey with MayooramCruises Alleppey is an essential stop for anyone visiting Kerala, offering a mix of luxury, nature, and culture. Whether you’re enjoying a peaceful houseboat cruise or exploring the vibrant local culture, Alleppey provides an experience like no other.

If you’re ready to explore the backwaters, MayooramCruises is here to offer you a luxurious and personalized journey through Alleppey’s serene waters. Our houseboats are designed to provide comfort and authenticity, ensuring an unforgettable experience.

[blogger200066]

India’s Travel Exhibitions: Highlighting Regional Music

India’s vibrant travel exhibitions, such as the renowned India International Travel Mart (IITM), offer more than just a glimpse into the country's tourism potential. These platforms serve as a celebration of the country’s rich cultural heritage, with regional music playing a significant role in captivating visitors and promoting the diversity that India holds. From folk melodies of Rajasthan to the soulful rhythms of Kerala, the influence of regional music at travel exhibitions reflects the cultural fabric of India, making them essential for preserving and promoting indigenous sounds.

The Role of Music in India's Cultural Landscape

Music has been an intrinsic part of India's identity for centuries, representing the soul of each region. Every state in the country offers a unique musical style, deeply rooted in its history, traditions, and way of life. These musical forms not only provide entertainment but also tell stories of the land, its people, and their emotions.

In travel exhibitions like IITM, where visitors from across the globe gather to explore India’s tourism opportunities, showcasing regional music offers a multidimensional experience. It allows attendees to feel the heartbeat of various states and regions. From the upbeat rhythms of Bhangra in Punjab to the devotional hymns of the Bhakti movement in South India, music forms a bridge between the past and present, and between diverse cultures.

India International Travel Mart (IITM) and Its Celebration of Regional Music

The India International Travel Mart (IITM) is one of the country’s largest travel exhibitions, providing a platform for states, regions, and tourism boards to showcase their offerings. Beyond the usual tourism packages, destinations are brought to life through immersive experiences, and music plays a pivotal role in this.

At IITM, visitors are often treated to live performances that highlight the musical traditions of various regions. These performances are not merely entertainment but serve as an educational tool, revealing the significance of the music to the local culture. For instance, the haunting melodies of Assam’s Bihu music, often accompanied by traditional dance, provide a glimpse into the state’s agricultural rituals and festivities. Similarly, the classical Carnatic music of Tamil Nadu brings forth the state’s spiritual depth and artistic sophistication.

Music also helps differentiate regions at these exhibitions. In a diverse country like India, where languages, cuisines, and customs can vary significantly between regions, music helps create a unique identity for each state. For example, the soothing, flute-based music of the North Eastern states contrasts with the rhythmic beats of Gujarat’s Garba, both of which are featured prominently at travel exhibitions like IITM.

Enhancing Visitor Experience through Music

Regional music doesn’t just entertain; it enhances the visitor experience at travel exhibitions like IITM. Music has a way of evoking emotions and helping people connect to a place on a deeper level. For travelers, it becomes easier to imagine themselves visiting the region when they can associate it with a particular sound or rhythm. The immersive nature of music can inspire travel by evoking a sense of place even before a person has set foot there.

For instance, a visitor at IITM might be drawn to the energetic beats of Maharashtra’s Lavani or the mystical hymns of Himachal Pradesh’s folk traditions. These musical experiences evoke curiosity and emotional connections that transcend visual displays. It’s not just about hearing the music; it’s about experiencing the cultural essence of a region through its art forms.

Music also serves as a marketing tool for tourism boards. Live performances, workshops, and interactive sessions focused on regional music draw in larger crowds and keep visitors engaged. It becomes a powerful storytelling tool, with each song or instrumental piece reflecting the history, customs, and aspirations of a region. For instance, Rajasthan’s folk music, with its earthy vocals and traditional instruments like the Sarangi and Dholak, often conveys tales of heroism, love, and the desert landscape, compelling visitors to explore the region.

Music as a Tool for Promoting Sustainable and Cultural Tourism

One of the key themes at many of India’s travel expo's, including IITM, is sustainable tourism. Regional music plays a crucial role in this context as well. By promoting traditional music forms at travel exhibitions, India’s tourism industry supports local artists and encourages the preservation of musical heritage. Many folk and classical music forms are under threat from globalization, but exhibitions like IITM help revive interest in these art forms by giving them a global stage.

Moreover, integrating music into the broader travel experience aligns with the goals of responsible tourism. Travelers are increasingly seeking experiences that allow them to connect with local communities in meaningful ways. Regional music offers that connection, providing an authentic glimpse into the lives of local people. Whether it’s through a live performance at IITM or a musical festival organized in a remote village, music fosters a deeper understanding and appreciation of the region’s cultural identity.

Conclusion: India's Soundtrack of Diversity

India’s travel exhibitions, particularly IITM, are not just about travel packages and tourism deals; they are platforms that bring to life the country’s cultural and musical diversity. Regional music is a vital part of this experience, offering visitors an authentic taste of India’s cultural richness. From live performances to workshops that highlight traditional instruments, music adds a layer of depth to travel exhibitions that cannot be replicated by brochures or travel guides.

As India continues to expand its travel and tourism sector, the importance of celebrating and preserving its regional music at platforms like IITM becomes ever more critical. Music not only enhances the visitor experience but also ensures that the stories, emotions, and history of India’s diverse regions are passed down to future generations. Through travel exhibitions, regional music stands as a testament to India’s vibrant cultural mosaic, drawing travelers closer to the heart of each destination they choose to explore.

[harishblogger]

India’s Travel Exhibitions: Highlighting Regional Music

India, with its vast cultural diversity, is a country that thrives on the richness of its regional traditions. One of the most profound ways these traditions are expressed is through music, which reflects the cultural fabric of each region. At the heart of promoting these local music traditions, travel exhibitions play a pivotal role. Among the most significant platforms for showcasing India's regional music is the India International Travel Mart (IITM), which annually brings together music, tourism, and culture in a celebration of the country's heritage. By emphasizing regional music at travel exhibitions, events like IITM create a bridge between India’s rich cultural diversity and the world of travel and tourism.

The Role of Travel Exhibitions in Cultural Promotion

Travel exhibitions are powerful venues for promoting cultural heritage, acting as windows into the artistic and musical traditions of different regions. Exhibitions like IITM provide an opportunity for visitors, including tourists, travel agencies, and cultural enthusiasts, to experience the essence of India through its diverse musical expressions. These events are instrumental in fostering a deeper connection to a destination by highlighting not just its tourist spots but the rhythm, melodies, and traditional beats that define its cultural identity.

India's regional music, from the folk songs of Rajasthan to the Carnatic rhythms of Tamil Nadu, forms a significant part of the country’s intangible cultural heritage. Travel exhibitions, especially those as expansive as IITM, are key platforms for the promotion of these art forms, showcasing live performances, music workshops, and collaborations between local musicians and international artists.

IITM and Its Focus on Regional Music

The India International Travel Mart (IITM) stands out among travel exhibitions for its commitment to showcasing regional music alongside tourism. IITM travels to major cities across India, including Delhi, Mumbai, Bengaluru, and Kolkata, providing regional artists a national and even international platform. Each edition of IITM reflects the local culture of the region it is hosted in, offering a musical experience that resonates with both visitors and participants alike.

For instance, in Bengaluru, visitors might experience the soothing strains of Carnatic classical music, while the Jaipur edition could be filled with the spirited sounds of Rajasthani folk music. These exhibitions are more than just a tourist showcase; they serve as a celebration of India's cultural diversity. Through regional music performances, IITM not only entertains but educates attendees on the importance of preserving and celebrating India’s vast musical heritage.

How Regional Music Enhances Travel Experiences

Regional music has the power to evoke a sense of place, allowing travelers to form a more personal connection to the destinations they visit. When tourists attend travel exhibitions like IITM, they get a preview of what the region has to offer, not just in terms of travel destinations but also in terms of its artistic soul. Music is a language that transcends barriers, and by highlighting regional music, travel exhibitions tap into an emotional aspect of tourism.

For example, the lilting ballads of Punjab or the rhythmic beats of Kerala's chenda melam drum ensembles evoke the landscapes, histories, and traditions of those regions, making travelers feel immersed in the culture even before they set foot in the destination. IITM, through its focus on regional music, transforms the concept of travel from a mere physical journey to an emotional and cultural experience.

Music as a Tool for Cultural Preservation

Beyond entertainment, regional music plays a crucial role in cultural preservation, especially in an era of globalization where many local traditions face the risk of being overshadowed. Travel expo's like IITM help counteract this by providing a platform for lesser-known musicians and musical styles to gain exposure. These events offer opportunities for regional artists to showcase their talents to both national and international audiences, preserving and promoting music forms that may otherwise be confined to their local regions.

For instance, the northeastern states of India, which are often underrepresented in mainstream cultural platforms, find a voice at IITM. The folk music traditions of states like Assam, Nagaland, and Manipur, which include intricate rhythms and instruments rarely heard outside the region, are given prominence in these exhibitions, allowing a wider audience to appreciate and support them.

Tourism and Music: A Symbiotic Relationship

The relationship between tourism and music is a symbiotic one. Music draws tourists, while tourism supports the continuation and evolution of regional music traditions. As more tourists seek authentic cultural experiences, regional music has become a critical component of the travel itinerary. By promoting regional music at events like IITM, India can enhance its cultural tourism offerings and provide travelers with a more immersive and meaningful experience.

Music festivals and live performances at travel exhibitions attract a wide range of visitors, from cultural connoisseurs to casual tourists. These musical showcases often inspire travelers to visit the regions where the music originates, boosting tourism in often less-visited rural or offbeat destinations. IITM’s dedication to regional music acts as a catalyst for this kind of cultural exploration, encouraging travelers to go beyond the typical tourist circuit and discover the vibrant sounds and traditions of India’s many regions.

Conclusion: The Future of Regional Music at Travel Exhibitions

India's travel exhibitions, particularly IITM, play a crucial role in highlighting the country's diverse regional music traditions. By integrating music into the core of their offerings, these exhibitions not only enhance the travel experience but also contribute to the preservation and promotion of India's cultural heritage. As the tourism industry continues to evolve, the role of music in travel exhibitions will likely grow, offering new opportunities for regional musicians and enriching the cultural experience for visitors from around the world.

[penhive]

On Travel

I got inspiration to write about travel by watching Vlogs in Facebook and also with my travel experiences. Every day I dream travelling to many countries but the paucity of money does not help me take up this endeavor. Here in this article I would like to nourish reasons for travel and use some of my own experiences. There are four ingredients for travel and they are:

a) Leisure

b) Pleasure

c) Creativity

d) Business

a) Leisure

Now how is leisure and travel inter connected?  Leisure and travel have the source as joy, the passion of experiencing new places, people, and cultures. For places I would like to interpolate the backwaters of Kerala. The backwaters of Kerala are scenic blue pastures and travelling on a boat is remarkable experience.  They are a peaceful, seductive, tranquil lullaby, a song of nature. Time becomes a sedative, tranquilizing the senses to a beatific dream. The passion of the waters lies like a psychic aura, a splendor of grandiloquence.  Another place that I visited is the tea gardens of Munnar.  The pruned tea leaves resembled big bums. The climate there is surreally cool. Then I visited a cottage industry manufacturing tea and I drank freshly brewed tea and it is so aromatic to savor.

b)  Pleasure

Now how is pleasure and travel connected?  By pleasures I mean sensual and amorous pleasures. There are many countries in South East Asia promoting sex tourism. Some places where sex is easily available are Pattaya, Phuket, and Bangkok in Thailand. I happened to see many vlogs where sluts clamor after clients, touching their body, hugging them and serenading them with enthusiasm.  I am wondering if I had the money, I can build a house for a whore and take her as a wife. Who knows, fantasy can come true. I would also like to recall the time I spent with my significant other in Kuala Lumpur. I enjoyed the steamy sex life. Sex with her is a tempest of passion. Bodies became harnessed as flowers for sexual odes. I was also able to flower her with many orgasms.  The smell of her body lingers in me like erotic perfume.

c) Creativity

Creativity and travel is often overlooked. Travel is the sine qua non for creativity. A writer has to encounter new experiences, places, people and cultures. Travel creativity promotes the newness of writing. My experiences of travel and creativity are one of de ja vu. Moreover while travelling, cuisines are flowers for becoming metaphoric.  Travel is the gourmet for the mind.

d) Business

Another facet of travel is business. I would like to use my own example. Imagine I am winning a windfall bonanza, and then I will travel to Buenos Aries and deposit the money there to earn a high interest. Argentina is a country that offers 70% interest per annum.

To conclude, I would like to say travel is a mental orgasm of creativity and pleasure, a psychic panacea with nature and a Mammon of business.

[keralatourism1]

Onam Festival Kerala

What is Onam? Onam is a vibrant and culturally rich festival celebrated primarily in the Indian state of Kerala. It marks the annual harvest and is a time of joy, community gatherings, and the celebration of Kerala's traditions and heritage.

Significance Onam commemorates the homecoming of the legendary King Mahabali, whose reign is considered the golden age of Kerala. It also coincides with the harvest season, making it a festival of plenty.

2. Historical and Mythological Background

Legend of King Mahabali According to Hindu mythology, Mahabali was a generous and just ruler who was loved by his subjects. The gods, however, became envious of his popularity and sent Lord Vishnu in the form of Vamana (a dwarf Brahmin) to curb his power. Mahabali was sent to the netherworld, but he was granted permission to visit his people once a year, which is celebrated as Onam.

Cultural Importance Onam reflects the egalitarian values and communal harmony that Mahabali's rule symbolizes. It’s a time when social differences are set aside, and everyone comes together to celebrate.

3. Duration and Timing

Calendar Date Onam is a ten-day festival that falls in the Malayalam month of Chingam (August-September). The most important day, known as Thiruvonam, is the culmination of the celebrations.

Key Days

Atham: The first day, when preparations begin, and the first pookkalam (floral carpet) is laid.

Thiruvonam: The tenth and most significant day, marked by feasting, cultural performances, and religious rituals.

4. Major Traditions and Rituals

Pookkalam Floral carpets, called pookkalam, are laid in front of homes and temples. The designs grow more elaborate each day, using various flowers.

Onasadya A grand vegetarian feast served on banana leaves, comprising several traditional Kerala dishes like avial, sambar, and payasam (a sweet dish).

Vallamkali (Snake Boat Race) One of the most spectacular events of Onam, where long snake boats, rowed by dozens of men, compete in a thrilling race.

Pulikali (Tiger Dance) Performers paint themselves like tigers and dance to traditional music, mimicking the movements of a tiger.

Thiruvathira A traditional dance performed by women, usually around a lamp, as an expression of marital bliss.

5. Cultural Programs and Performances

Kathakali and Other Dances Traditional dances like Kathakali, Mohiniyattam, and Thiruvathirakali are performed in temples and public spaces.

Folk Songs and Games Folk songs called Onappattukal are sung, and games like tug-of-war, archery, and other rural sports are played.

6. Regional Variations

Kerala's Diverse Celebrations While the essence of Onam is the same across Kerala, different regions may have unique customs and practices. For instance, in some parts of Kerala, special prayers and rituals are conducted in temples.

7. Onam Today

Modern Celebrations While traditional practices continue, Onam has also adapted to modern times. Public parades, community events, and media coverage play a significant role in today’s celebrations.

Onam Outside Kerala Onam is also celebrated by Malayali communities around the world, keeping the traditions alive even far from home.

8. Conclusion

The Spirit of Onam Onam is more than just a festival; it’s a celebration of unity, tradition, and cultural identity. It brings together people from all walks of life to honor the rich heritage of Kerala.

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[360critix]

Discover India: 10 Must-Visit Spots Accessible by Flight

Exploring India’s diverse landscapes and rich cultural heritage is made convenient with well-connected flights to some of the country's most beautiful destinations. Here are the 10 best places to visit in India by flight

1. Coorg

Kodagu, commonly known as Coorg, is often referred to as "The Scotland of India" due to its verdant surroundings, pleasant climate, and misty vistas. Renowned as Karnataka’s greatest hill station, Coorg includes various towns such as Virajpet, Gundlupet, Madikeri, Bhagamandala, and Kushalnagar. The region also encompasses the Brahmagiri Rainforest and the Bandipur and Nagarhole Reserve forests. If this is your first visit to Coorg for a weekend getaway, start with Madikeri.

How to Get There

Fly into Mangalore International Airport (IXE) and then take a taxi or bus to Coorg, which is about 160 km away.

2. Manali

Manali, a well-known hill town in India, is surrounded by beautiful streams, mist-covered cottages, and amazing views of the mountains. Despite huge developments due to tourism, the surrounding landscape remains largely unchanged. Manali should be at the top of your list of places to visit.

How to Get There

Fly into Kullu-Manali Airport (KUU) and take a taxi to Manali, which is about 50 km away.

3. Ooty

At more than 2,200 meters above sea level, Ootacumund, often known as Ooty, is nestled in the Nilgiris' "Blue Mountains" and embodies a quaint hill station. Ooty, often dubbed the "Queen of the Hills," boasts a lovely location among green, lush hills and a regularly moderate climate. Its colonial past is reflected in its charming bungalows and historic structures, contributing to its popularity as a favorite vacation spot in southern India.

How to Get There

Fly into Coimbatore International Airport (CJB) and then take a taxi or bus to Ooty, which is about 85 km away.

4. Goa

Goa offers the ideal fusion of breathtaking scenery, an exciting nightlife, and tropical surroundings. Known for its luxurious resorts and greatest tourist sites, Goa is a fantastic destination for a party-filled vacation. Explore its best-kept secrets, from stunning beaches to vibrant markets.

How to Get There

Fly directly into Goa International Airport (GOI).

5. Munnar

Munnar reveals the hilly side of Kerala, a significant distance from the well-known sandy beaches and palm-lined coasts. Munnar’s chilly winters, foggy monsoons, and bright spring make it a worthwhile trip destination all year round. Taxi options in Munnar are varied to suit your travel needs.

How to Get There

Fly into Cochin International Airport (COK) and then take a taxi or bus to Munnar, which is about 110 km away.

6. Shimla

Shimla offers more than quaint historic structures set against the stunning Himalayan snowfall. Known for its oldest boarding institutions and numerous Bollywood songs set on Mall Road, Shimla hosts the MTB Himalaya, South East Asia's largest mountain bike competition. It is also home to the Jakhu Temple Shrine and the 16th-century Tibetan script “Arya Astha Sahasrikas Prajna Paramita,” found at the charming Maria Brothers antique bookshop.

How to Get There

Fly into Chandigarh International Airport (IXC) and then take a taxi or bus to Shimla, which is about 115 km away. Alternatively, fly directly to Shimla Airport (SLV), though flights are limited.

7. Rishikesh

Rishikesh, a favorite among lone female travelers, is known for its beautiful images of the Ganga. This serene location is regarded as one of the greatest destinations in India for spiritual retreats and adventure activities.

How to Get There

Fly into Dehradun's Jolly Grant Airport (DED) and then take a taxi or bus to Rishikesh, which is about 20 km away.

8. Udaipur

Udaipur, known as the "City of Lakes," is a prominent city in Rajasthan. As the former capital of the Mewar empire, it offers stunning lakes, palaces, and rich Rajput heritage, founded by Maharana Udai Singh II in 1559.

How to Get There

Fly directly into Maharana Pratap Airport (UDR) in Udaipur.

9. Darjeeling

Darjeeling, a beautiful hill station in northern West Bengal, is known as the "Queen of Hills." With its rolling green tea farms and majestic mountain peaks, Darjeeling offers stunning scenery and a tranquil atmosphere.

How to Get There

Fly into Bagdogra Airport (IXB) and then take a taxi or the Darjeeling Himalayan Railway to Darjeeling, which is about 70 km away.

10. Gulmarg

Gulmarg is a stunning Kashmiri hill station known for its winter resorts and adventure activities. It offers the highest Gondola ride in the world, making it an exciting destination for adventure seekers.

How to Get There

Fly into Srinagar International Airport (SXR) and then take a taxi to Gulmarg, which is about 50 km away.

[edakkalhermitage]

Edakkal Hermitage Resort in Wayanad: A Sanctuary Amidst Nature’s Beauty

Edakkal Hermitage Resorts in Wayanad is more than just a place to stay; it’s an immersive experience in the lap of nature. Nestled amidst the lush green hills of Wayanad in Kerala, Edakkal Hermitage Resort is a hidden gem that offers travelers a unique opportunity to connect with nature while enjoying luxurious comforts. This eco-friendly haven provides an unparalleled experience for those seeking tranquility, adventure, and cultural immersion in the heart of God’s Own Country. In this blog, we’ll delve into the enchanting world of Edakkal Hermitage Resort, showcasing why it’s a must-visit destination for nature enthusiasts and seekers of authentic experiences.

A Nature Lover’s Paradise

Location

Edakkal Hermitage Resort is strategically located near the renowned Edakkal Caves, which are famous for their prehistoric rock carvings and breathtaking views. The resort’s surroundings are a testament to the pristine beauty of Wayanad, with dense forests, sprawling coffee plantations, and exotic flora and fauna.

Accommodation

The resort offers various accommodation options, from cozy cottages to treehouses, each designed to provide an intimate connection with nature. Wake up to the melodious songs of birds, the rustling of leaves, and the fresh, invigorating scent of the forest right outside your window.

Activities and Experiences

Edakkal Caves Exploration

The Edakkal Caves are a stone’s throw away from the resort, making it convenient for guests to embark on a journey to these ancient wonders. Explore the caves’ intricate carvings, and as you ascend to the top, you’ll be rewarded with panoramic views of the lush Wayanad landscape.

Guided Nature Walks

Edakkal Hermitage Resort offers guided nature walks through the surrounding forests, led by experienced naturalists. Discover hidden waterfalls, observe rare wildlife, and learn about the unique flora and fauna that call Wayanad home.

Responsible Tourism and Sustainability

Edakkal Hermitage Resort is committed to sustainable tourism practices. The property is designed to minimize its environmental impact, with eco-friendly architecture and responsible waste management. Staying here is not only a vacation but also a chance to support and appreciate the natural beauty of Wayanad.

Whether you’re an adventure seeker, a nature lover, or simply in search of a serene escape, this resort offers it all. So, pack your bags and head to Wayanad for an unforgettable journey into the heart of Kerala’s enchanting wilderness, with Edakkal Hermitage Resort as your perfect basecamp. It’s a place where luxury and nature seamlessly coexist, creating memories that will last a lifetime.

[themilesnsmiles-blog]

15 of the Best Offbeat Places to Visit in India

Whether you've seen enough of India's most popular destinations or are simply keen to discover some less-touristy spots, there are some remarkable places to visit in India that are off the beaten track. Read on to find out lesser-known alternatives to well-trodden places.

01 of 15

Instead of Rajasthan: Kutch Region of Gujarat

The vast Kutch region of Gujarat is sometimes described as India's "Wild West." Much of Kutch consists of seasonal wetlands known as the Great Rann of Kutch (famous for its salt desert) and smaller Little Rann of Kutch (famous for its Wild Ass Sanctuary). The region's handicraft villages are also a highlight.

02 of 15

Instead of Leh and Ladakh: Spiti in Himachal Pradesh

When it comes to high altitude desert in India, you've most likely head of Leh and Ladakh. But what about lesser-known Spiti? Bordered by Ladakh in the north, Tibet to the east, Kinnaur to the southeast, and the Kullu Valley to the south, Spiti has an average height of around 12,500 feet above sea level. This stark alpine desert land is scattered with small villages and monasteries, and enclosed by soaring peaks crowned with snow.

03 of 15

Instead of the Kerala Backwaters: Majuli in Assam

Majuli, the world’s largest inhabited river island, sits amidst the imposing Brahmaputra River in Assam. A world within a world, ride bicycles through the fertile green landscape, go bird watching, and visit Hindu Neo-Vaishnavite monasteries. La Maison de Anand is a quaint bamboo stilt house homestay there, designed by a French architect who fell in love with Majuli. The Majuli Ras Mahotsav festival, held in mid-November each year, celebrates the life of Lord Krishna with plays, folk dances, puppets, masks, songs and dance.

04 of 15

Instead of Darjeeling: Kalimpong in West Bengal

Kalimpong is the perfect solution for escaping the crowds at Darjeeling. This peaceful town is perched on a remote ridge in the Himalayan foothills, about two-and-a-half-hour hours away from Darjeeling, near the Sikkim border. It offers a diverse mix of attractions—Buddhist monasteries, historic churches, local markets, villages, nature trails, tea gardens, and a superb view of Mount Kangchenjunga (the third highest peak in the world).

05 of 15

Instead of Varanasi: Maheshwar in Madhya Pradesh

Often referred to as the "Varanasi of Central India", the small holy town of Maheshwar is set along the banks of the Narmada River and is also dedicated to Lord Shiva. Stroll along the ghats (steps leading to the water), watch local life, and take a sunset boat ride along the river and out to Baneshwar temple. If you want to splurge you can be a guest of the royal Holkar family at their Ahilya Fort hotel, which they've established in part of their palace. Maheshwar is also renowned for its weaving industry.

06 of 15

Instead of Hampi: Mandu in Madhya Pradesh

Mandu can be visited in conjunction with Maheshwar, as it's only a couple of hours away. This abandoned city from the Mughal era is commonly labeled the Hampi of Central India because of its treasure trove of ruins. They're spread over a 2,000 foot-high hilltop and enclosed by a 28-mile (45-kilometer) stretch of wall. In recognition of its importance, in 2018, the Indian government jointly named Mandu as Best Heritage City in India (along with Ahmedabad in Gujarat) at the National Tourism Awards.

07 of 15

Instead of Fatehpur Sikri: Champaner-Pavagadh in Gujarat

These days, the abandoned 16th century Mughal capital of Fatehpur Sikri near Agra is overrun by touts. A lesser-known, short-lived, capital that's also a UNESCO World Heritage site is Champaner-Pavagadh, situated about 90 miles (145 kilometers) southeast of Ahmedabad. Notably, it's the only unaltered and complete Islamic pre-Mughal city in India. Its historical treasures, dating back to between the 8th and 14th centuries, include a hill fortress, palaces, places of worship (Jama Masjid is one of the most spectacular mosques in Gujarat), residential areas, reservoirs, and step wells.

08 of 15

Instead of Jaisalmer: Osian in Rajasthan

Osian is perfect for those who want to avoid the commercial desert tourism in Jaisalmer and have a peaceful camel safari experience. This small town is situated about an hour and a half north of Jodhpur, on the way to Bikaner. Its surrounded by several sand dunes. Intricately carved stone temples, dating from the 8th to 11th centuries when Osian was an important trading center, are an added attraction. The main one is a Sun Temple dedicated to Surya the Sun god. Stay at Osian Sand Dunes Resort and Camp or Reggie's Camel Camp.

09 of 15

Instead of the Sundarbans: Pichavaram Mangroves in Tamil Nadu

You can be forgiven if you didn't know about Pichavaram mangrove forest, despite it being one of the world's largest mangrove jungles (the Sundarbans National Park in West Bengal is the largest). After all, it's not on the tourist trail. However, this remarkable and fascinating place is definitely worth visiting. Spread over nearly 3,000 acres, it has 4,400 big and small canals that can be explored by boat. In addition, Chidambaram Nataraj Temple (dedicated to Lord Shiva in his dancing form) is not far away.

10 of 15

Instead of Varkala Beach: Kannur in Kerala

The small town of Kannur, in northern Kerala, is known for its secluded beaches, mysterious masked spirit-possession theyyam rituals, and hand loom weaving. The theyyam season runs from October until May and Kerala Tourism has a comprehensive calendar of theyyam events. There are some delightful, laid back (and inexpensive) beach houses in the Thottada beach area, such as Kannur Beach House, Waves Beach Resort, Chera Rock Beach House, and KK Heritage Homestay. Kannur district is also home to Muzhappilangad Drive-In Beach. You can drive all the way along its vast stretch of sand.

11 of 15

Instead of Kanha National Park: Kawardha in Chhattisgarh

Thinking of visiting famous Kanha National Park but want to avoid the crowds and prefer nature over tiger spotting? Bhoramdeo Jungle Retreat is a few hours drive away and has three atmospheric cottages nestled in the Maikal Hills, close to the ancient Bhoramdeo temple complex. The owner is a native of the area and has an excellent rapport with the indigenous villagers, who belong to the Baiga and Gond tribes. Guests can visit their tolas (villages) and colorful weekly haats (tribal markets). Treks into the jungle are offered, and the butterflies, birds and wildlife are exceptional. It's also possible to go on longer treks into the Maikal Hills, staying in villagers' homes.

12 of 15

Instead of Manali: Kalap in Uttarakhand

Manali in Himachal Pradesh attracts plenty of adventure seekers, who come to enjoy its surrounding village trekking trails. However, to go where very few tourists have gone before, head to Kalap, 7,500 feet above sea level in the upper Garhwal region of northern Uttarakhand. This tiny village is not accessible by road or rail (you'll need to trek, and porters and mules are provided). A responsible tourism project was started there in 2013 to help the villagers generate an income. You can stay with them and experience their way of life, as well as spend time in the pristine surroundings.

13 of 15

Instead of Nagarhole in Karnataka: Pollachi in Tamil Nadu

Nagarhole National Park is one of the top national parks in India. It gets its name from the snake-like river that winds its way through it. However, the government-run minibus safaris through the park tend to be rather disappointing and noisy and private safaris are costly. Alternatively, Pollachi in the Coimbatore district of Tamil Nadu is an unexplored place teaming with wildlife, plus Anamalai Tiger Reserve is in the area. The annual Kongu Nadu Cattle Festival, held in January, is also a highlight. Thadam Experiences offers customized trips including bird watching, nature walks, boat rides, village and farm visits, and tea tours. Grass Hills Tours and Travels is also a reputable company that specializes in local nature and wildlife tourism. Stay at Coco Lagoon Resort, or the cheaper Coconut County Farm Stay.

14 of 15

Instead of Hyderabad and Golconda: Gandikota, Andhra Pradesh

Golconda Fort near Hyderabad is one of the top forts in India. However, about seven hours south of the city are the ruins of another fort that hardly anyone is familiar with, despite the fact that it was possessed by many powerful rulers including the Chalukyas, Pemmasani Nayaks, Golconda Sultanate, Mughals (under Aurangzeb), and the British. Gandikota is a fort on a gorge in the Kadapa district of Andhra Pradesh. The gorge is often referred to as the Grand Canyon of India. It's possible to kayak along the Penna River, hike along the gorge, and enjoy spectacular star-lit nights and sunrises over the canyon. Accommodations are limited in the area. If you don't want to stay at the Haritha hotel run by Andhra Pradesh Tourism or camp by the canyon, Royal County is the best option although it's an hour from Gandikota.

15 of 15

Instead of Goa: Maharashtra's Konkan Coast

North of Goa, across the border in Maharashtra, the Konkan Coast offers a bounty of beautiful beaches that are among the most pristine in the country. Delightfully off the tourist trail, they are devoid of much development and many are practically deserted. Inexpensive beachfront homestays are popping up in many places, and you'll get mouthwatering home-cooked coastal cuisine. If you'd prefer somewhere with more facilities yet still noncommercial, Gokarna in Karnataka is ideal.

[shwetamukundan-blog]

(Mis)adventure in Fambong lho

18th October 2021 became an unforgettable day for me and my friends since we undertook the Tinjurey trek in Fambong lho wildlife sanctuary on that day.  

Trusting google’s verdict that the trek would be ‘easy’, I had packed even the most unlikely item but the first blow struck when my trekking shoe (left leg) split into two and I had to hobble my way up a street to purchase a tube of Feviquick to stick it (I had forgotten to wear and check my shoes from home) the minute we landed in Sikkim.

At the entrance of Fambong lho sanctuary- L to R Poornima, myself and Prathishta

Located at 20 kms from Gangtok city, Fambong lho is a popular sanctuary covering an area of 51 square kms. Even though home to myriad birds and mammals, they are hard to spot due to the steady inflow of visitors. Darjeeling tourism’s website claims that the sanctuary got its name from the Lepcha word “Hambomlho” meaning ‘wild local varieties of avocado trees’ believed to be seen in abundance in the sanctuary. At 2130 m above sea level Tinjurey literally means three ridges, alluding to the three peaks that constitute the summit.

Our group comprised of 6 girls (ok, women!), the youngest at the crossroads of 30 and yet it was most satisfying that our tour operator had subtracted 5 years from our real age! Since the trip was the brainchild of my childhood friend Sindhu, the rest of us were her friends from different parts- two of us were flying in from Kerala (Poornima and myself), one was from Delhi- Madhavi and one from Kharagpur- another Sweta (without the ‘h’ between ‘s’ and ‘w’). Bharati (from Kolkata) couldn’t make it to the trek but joined us for the rest of the trip. 

Our permit to visit Sikkim

Since we had to journey the farthest, Poornima and I reached the previous evening and had booked ourselves at a homestay aptly christened ‘Himalayan Viewpoint’- with a breath-taking view of the Himalayas, including Mt Kanchenjunga. The homestay was run by the sprightly Mr Vasanth Rai and his extended family. On arrival, we were welcomed by his pretty niece, who (I thought) was rightly named “Pretty star” but later she spelled out her name and I realised it was “Prathishta”.

The Himalayan View point homestay

The jocund Mr Vasanth invited us repeatedly into the log cabin outside his homestay- its major attraction: the possession of a karaoke. The notice outside read “entry fee: Rs 50/-, coffee free”. We politely declined since karaoke music amidst wilderness was certainly not our idea of fun.  

The log cabin with karaoke

At daybreak (at roughly 5.00 AM! It being the east of India) we woke to the song of chirping birds, flitting among the trees. 

The sunlight streaming in at dawn

From our vantage, several snow-clad peaks were visible. Even though initially we were unable discern Mt Kanchenzjonga, the nascent orange rays of the morning-sun glistened on one of the peaks indicating where the mighty one stood. Photos did no justice to the grandeur, and we were absolutely spellbound by the beauty around.

Mt  Kanchenzjonga amidst the several other peaks of the Himalayas

Feviquick seemed to have worked its magic but I was apprehensive about undertaking the entire trek with those shoes. Prathishta solved my problem by lending me a pair of her mother’s shoes. Thanking her profusely, we started the trek with Prathishta leading the way.

The winding road up to the sanctuary entrance

A motorable road heads from the base uphill till Golitar from where the Tinjurey trek begins. The rest of the gang were on their way from Gangtok and Sindhu was to ask her cab driver to take them right up to the main entrance of the sanctuary, by which time we three would have reached the entrance on foot. But she conveniently forgot it and the three of them had to climb up to the top on foot. Whereas it generally takes 15 minutes to reach the top, they took close to an hour. I was wondering how they managed this rare feat until I saw their zillion selfies and dance videos later.

Selfie time-from the bottom: Sindhu, Madhavi and Sweta

The watch tower where we assembled

Hello to everyone

Poornima pointing a fly to me- Never miss a chance for some insect spotting

Finally, we met at the watch tower when our guide- Prathishta opined that since we were running late, we ought to forgo the trek. But the thought of trekking in the Himalayas seemed too good to miss and with some cajoling, she gave in. We noticed that a trail, strewn with shiny stones went all the way up to the Tinjurey comprising of valleys, curves, slopes and ascends. 

Candid clicks from sometime during the trek

Petite Prathishta would run uphill and turn around while we would be clambering our way up. Ferns, Magnolia, pine, bamboo and rhododendron trees dotted the way but exactly at that time my camera ran out of charge.

Even before the completion of the first hour, Sweta started enquiring how further we had to go. The whole way up, she asked the same question and got the same answer from one of us- ‘another 10 minutes’. Those of us who were ahead, kept calling out to her to ensure that she was on the right track. Soon, passers-by started asking if she was Sweta and brief her about our whereabouts. Majority of them were encouraging, reassuring her that the summit was not very far. A few however, told her gravely that she was a long way off. To encourage her, we even lay biscuit pieces wrapped in paper for her to discover and get a boost of energy. Her name echoed in the still forest so often that she joked that even the trees and plants knew her by name!

Sweta- tired but always up for a smile

The summit was scaled by Prathishta and Madhavi first, followed by myself and Sindhu. The view from the watch tower was supposed to be grand but clouds had obscured it. Even the adjacent shrine could not deter miscreants from littering the place.  

Finally, finally the summit watch tower at Tinjurey: L to R- Poornima, Sweta, Sindhu, Madhavi and myself

The small shrine atop the ridge

We clicked pictures and ate a popular local snack- ‘Wai wai’ (instant noodles) which is eaten raw and started our descent at around 3.00 PM when Prathishta announced that we had to buckle up since it was getting dark. 

A self-portrait

Unreal views from the top of Tinjurey

To our surpirise, Sweta who was last to ascend was nimble in descent. Close to her heels were Prathishta and Madhavi. Sindhu, Poornima and I ended up trailing.

Light was fading as a pall of fear descended upon us. The sharp turns which were easy to navigate in daylight, became a hassle. At a point we were horrified to realize that we three had gotten separated from Prathishta, Sweta and Madhavi who had gone in front. My lame reassuring that the experience from several previous Western ghat treks would get us to safety fell on deaf ears.  Wild thoughts ran amok- would we end up being mauled by the Himalayan bear? We shuddered to recall the many signs we had passed in the morning warning us about them. Were we destined to die in Fambong lho with newspaper headlines- “missing women found dead in the Himalayas?”

On the way back, when light was still there

Pristine nature during the trek

Network coverage was patchy and I cursed myself for never having learnt to use the flashlight of my own mobile. With the faint flashlight from Sindhu’s and Poornima’s phone we moved in a single file- with me in front. It was difficult to navigate since most of the light was getting obscured by our own shadows and we ended tripping, slipping and falling multiple times. We were a little relieved when we met our estranged group at a shelter mid-way. Prathishta tried her best to hide the panic in her tone and started playing music to ward off the bears.

Suddenly we saw torchlights ahead as four men approached, Mr Vasanth in front. A barrage of heated talk transpired between the men and Prathishta in Nepalese. They took over our backpacks, threw away our walking poles and yanked us forward. From their tones, we knew Prathishta was getting told-off and implored to Mr Vasanth to save the worst for when we reached back to civilization. 

In the next half an hour he started cooling-off and began joking about the episode. He claimed that he deserved a gallantry award for undertaking the risky rescue mission and recommended that we not make any further plans for the next couple of days since our legs were going to ache like hell. 

We were famished by the time we reached the base and requested for a ride back to the homestay in his car. With twinkling eyes he let us load ourselves into his tiny alto and even arranged a meal for us at the homestay. We connected so well that he granted us free entry into his karaoke log cabin, served us the fermented millet drink-Thongba with the popular Nepali song ‘Jaalma’ playing on a loop as our theme song on the eventful day.  

  Food at last- from the dining area of the homestay

Thongba- the traditional fermented millet drink- mildly alcoholic

[aboutcreativehatti]

September festivals and holidays in 2021 to keep up the joyful spirit.

In our hectic routines festivals come as bearers of delight. Be it the days of school or going to work the anticipation of upcoming festivals fills you with excitement and we even enjoy counting the days till the holiday arrives. So let’s get counting, here’s a list of festivals in September that are going to make wait eagerly for the fun to commence.

September 1st to 4th, Ladakh Festival

The Ladakh Festival, organized by the Tourism Department with the help of locals, aims to promote tourism and the region’s unique culture. Folk dances, traditional music, Ladakhi food, artisan products, archery competitions, and polo matches are among the cultural events held. Mask dances are one of the festival’s highlights. This event provides an excellent opportunity for travelers to learn about the culture and way of life of the Ladakhi people.

September 2nd, Pang Lhabsol.

Pang Lhabsol is celebrated in Sikkim, commemorating Mount Kanchenjunga, who is deemed as a guardian deity. The people believe that the mountain deity is responsible for introducing Buddhism to the state and that he has been safeguarding the state from difficult times. To enable their worship, Dzonga, Gonpo, and Dragpo Deshi are created as representations of the festival’s three principal pillars.

September 2nd-11th, Chakradhar Samaroh.

Chakradhar Samaroh is a week-long classical dance and music event held in Raigarh. This event, named after Chhattisgarh’s King Chakradhar Singh, gathers rare skills of Indian classical dance and music for enthusiasts. Music, dance, and songs are prominent events of Chakradhar Samaroh.

September 5th, Teacher’s day.

As we all know it’s a day to celebrate our Teachers, Mentors, and people who’ve had a huge influence on our life decisions. Teacher’s day is originally celebrated on the birthday of Dr. Sarvepalli Radhakrishnan who was a strong supporter of education and the second president of India. On this day people contribute and show gratitude to their teachers through various activities and gifts.

September 7th, Neelamperoor Padayani.

The annual Neelamperoor Padayani Festival, hosted at the Neelamperoor Palli Bhagavathy Temple, is one of the most vivid spectacles in the entire Alappuzha region. It takes place in the Malayalam month of Chingam and is one of the rarest Padayani presentations in the entire country. Colorful processions are carried, massive effigies of swans and other legendary figures are built, and the air is filled with culture during the festival.

September 8th, Parkash Utsav Sri Guru Granth Sahib Ji.

The Guru Granth Sahib Parkash Utsav is a regional holiday celebrated in Punjab every year on the 15th day of Bhadon, and the Traditional Punjabi calendar’s sixth month. On this day people celebrate the Guru Granth Sahib which is the holy scripture of Sikhs and contains words spoken by the worshiped Sikh Gurus. The day commemorates the opening ceremony of Guru Granth Sahib at the Golden Temple in Amritsar.

September 10th- September 19th, Ganesh Chaturthi and Ganesh Visarjan.

Ganesh Chaturthi is a festival where the people in India celebrate the god of luck and good fortune Shri Ganesh. On the day of the festival, a statue of Ganesh is brought home and prayers are sung followed by distributing of prashad. The festival usually lasts 9 or 10 days and then the statute is immersed in the sea, indicating Shri Ganesh's return to his home. This ritual is also called Ganesh Visarjan. A large number of people gather in rallies singing and dancing on their way to send off Shri Ganesh.

September 11th, Nuakhai.

Nuakhai is majorly celebrated in Odisha and nearby places where Odia culture is predominant. The festival is celebrated to welcome the new rice of the season. On this day people make a food called ‘arsaa pithaa’ and gather to celebrate on a specific hour called lagan. The day is to honor agriculture and farmers.

September 11th, Rishi Panchami.

Rishi Panchami is celebrated on the fifth day of the Bhadrapad month of the Lunar calendar. The day is celebrated to remember the seven sages also called Sapta Rishi, who contributed to the improvement of society. On this day women fast and take baths in holy rivers to honor and worship the sages.

September 14th, Hindi Diwas.

Hindi Day is celebrated to mark the declaration of the Hindi language as the official language of India in 1949. The day is also celebrated to remember the efforts of Beohar Rajendra Simha along with his companions in the adoption of Hindi in the Devanagri script as one of the official languages of India.

September 15th, Engineer’s day.

Engineer’s day is celebrated on the birthday of Mokshagundam Visvesvaraya, a noted engineer in India and made various contributions to better the nation. He was awarded as ‘Knight’ in 1915 as a commander of the British Indian Empire by King George V. He studied Bachelor of Arts and pursued Civil Engineering and later made contributions in the field regarding the same.

September 16th, Ramdev Jayanti.

The holiday is to celebrate the birthday of Ramdev, a Hindu folk deity of Rajasthan. He was believed to be a reincarnation of Lord Krishna and has devoted his life to the upliftment of the poor. On this day, devotees offer to prepare wooden horse toys, dress them in new clothes, offer special meals, and sing prayers to worship him.

September 21st, Sree Narayana Guru Jayanti.

Sree Narayana Guru Jayanti is an important public holiday in the state of Kerala. On this day, shrines, as well as roads, are decorated with flowers and dried coconuts as tribute. Prayers are sung to remember the contributions of Narayana Guru to the empowerment of people in Kerala and communal feasts are arranged with special emphasis on the poor and downtrodden to honor his teachings.

September 23rd, Haryana Heroes’ Martyrdom Day

The day is celebrated to respect the heroes who made ultimate sacrifices to defend the state of Haryana. Heroes’ Martyrdom Day is a regional government holiday in Haryana, India on September 23rd each year. This holiday is observed on the death anniversary of Rao Tula Ram, a freedom fighter during India’s first war of independence in 1857.

September 27th, World Tourism Day.

World Tourism Day is observed each year on September 27th to raise awareness about the significance of tourism and its effect on our society. The day is also celebrated to spread awareness about global challenges outlined in the 2030 Agenda for Sustainable Development and to mark the efforts the tourism industry can make to achieve sustainable development goals.

[mayooramcruises]

The Nehru Trophy Boat Race Alleppey: A Grand Celebration on Punnamada Lake, Alleppey The Nehru Trophy Boat Race, held annually on the serene waters of Punnamada Lake in Alleppey, Kerala, is one of India’s most spectacular and culturally rich events. This grand boat race, steeped in tradition and excitement, attracts thousands of spectators from around the globe, eager to witness the thrilling competition of snake boats, or Chundan Vallam. Here’s a closer look at this iconic event.

 https://mayooramcruises.tours/

History and Significance The Nehru Trophy Boat Race traces its origins back to 1952, when India’s first Prime Minister, Jawaharlal Nehru, visited Kerala. Fascinated by the traditional boat races, Nehru donated a trophy to be awarded to the winner, leading to the inception of the event named in his honor. Today, the race is not only a tribute to Nehru but also a celebration of Kerala’s rich cultural heritage and communal harmony. The Venue: Punnamada Lake Located in the picturesque town of Alleppey, also known as Alappuzha, Punnamada Lake serves as the stunning backdrop for the boat race. The lake’s tranquil backwaters come alive with vibrant festivities and the rhythmic paddling of oarsmen, making it a top tourist attraction during the monsoon season. The Snake Boats: Chundan Vallam The highlight of the Nehru Trophy Boat Race is the magnificent snake boats, or Chundan Vallam. These long, narrow boats, traditionally manned by up to 100 rowers, are marvels of craftsmanship and speed. Each boat is adorned with colorful decorations and sails through the waters with unmatched grace and power, showcasing the rowers’ strength and coordination. The Race Day Experience Race day at the Nehru Trophy Boat Race is a festive extravaganza. Boat clubs from various regions compete fiercely for the prestigious Nehru Trophy, accompanied by enthusiastic cheers from thousands of spectators lining the banks of Punnamada Lake. The event also features vibrant cultural performances, traditional music, and cheer songs, creating an electrifying atmosphere. Cultural and Tourist Significance The Nehru Trophy Boat Race is not just a sporting event; it is a cultural festival that highlights Kerala’s rich traditions and communal spirit. The race has become a significant part of Kerala tourism, drawing visitors who seek to experience the state’s unique heritage and scenic beauty. The event provides an excellent opportunity for tourists to immerse themselves in the local culture and enjoy the natural splendor of Alleppey. Annual Celebration of Tradition and Unity Held every year during the monsoon season, the Nehru Trophy Boat Race is a testament to Kerala’s enduring love for traditional boat racing and its vibrant cultural identity. The event fosters a sense of unity and team spirit among the participants and brings communities together in celebration. Conclusion The Nehru Trophy Boat Race on Punnamada Lake in Alleppey is a must-see event that offers a thrilling blend of tradition, culture, and excitement. Whether you are a first-time visitor or a returning enthusiast, the race promises an unforgettable experience that captures the heart and soul of Kerala. Mark your calendar and join the thousands of spectators who flock to this picturesque town to witness the grandeur of one of India’s most iconic boat races. With its rich history, stunning backwaters, and exhilarating competition, the Nehru Trophy Boat Race continues to be a shining example of Kerala’s cultural heritage and a premier event on the tourist calendar. Chundan Vallam Chundan Vallam, also known as the Snake Boat, is a traditional longboat used in the state of Kerala, India. It holds significant cultural, historical, and ceremonial importance, especially in the context of Kerala’s famous boat races.

Chundan Vallam: 1. Design and Structure

Length and Shape: Chundan Vallams can range from 100 to 138 feet in length, resembling the shape of a snake, which gives them their name. The front portion of the boat is raised, resembling a cobra’s hood.

Capacity: These boats are capable of carrying 100 to 150 oarsmen, depending on their size.

Material: Traditionally, the boats are made from anjili wood (Artocarpus hirsutus) and require skilled craftsmanship. They are meticulously designed to ensure speed and stability in water.

Cultural Significance

Historical Origin: The origin of Chundan Vallams dates back centuries and is closely linked to the ancient feudal kingdoms of Kerala. They were initially used for naval warfare.

Temple Festivals: These boats play a crucial role in the annual temple festivals in Kerala, especially in the regions of Alappuzha and Kottayam.

Boat Races

Nehru Trophy Boat Race: One of the most famous events featuring Chundan Vallams is the Nehru Trophy Boat Race, held annually on the Punnamada Lake in Alappuzha. It attracts thousands of spectators and participants.

Champakulam Moolam: Another significant race is the Champakulam Moolam Boat Race, considered one of the oldest boat races in Kerala.

Race Format: The races are a spectacular display of teamwork and synchronization, with rowers singing traditional boat songs (Vanchipattu) to maintain rhythm and morale.

Symbol of Unity and Teamwork

Rowers: The boat is manned by a team of oarsmen, usually around 100 to 150, who row in perfect unison. Each rower has a specific role, contributing to the overall performance and speed of the boat.

Vanchipattu: Traditional boat songs, known as Vanchipattu, are sung during the races to boost the morale of the rowers and ensure synchronization.

Traditional Boat Types The Alleppey Boat Race, particularly the Nehru Trophy Boat Race, features several types of traditional boats known as “Vallams.” Each type of Vallam has unique characteristics and serves different purposes in the race. Here are the different types of Vallams commonly seen in the Alleppey Boat Race: 1. Chundan Vallam (Snake Boat)

Description: The most famous and prestigious type, these boats can be up to 138 feet long and accommodate 100 to 150 rowers. The raised prow resembles a cobra’s hood.

Significance: They are the main attraction of the boat race, symbolizing tradition, strength, and unity.

2. Churulan Vallam

Description: Slightly shorter than Chundan Vallams, Churulan Vallams are characterized by their slightly curved structure. They can carry 40 to 60 rowers.

Use: These boats also participate in races and are known for their speed and agility.

3. Odi Vallam

Description: These boats are similar to Chundan Vallams but smaller and lighter. They are designed for speed and can carry around 30 to 50 rowers.

Function: Odi Vallams are used in smaller-scale races and are known for their swift maneuvering abilities.

4. Veppu Vallam

Description: Also known as Vaipu Vallam, these boats have a wider body and can carry more people. They are traditionally used for transporting goods and people.

Use in Races: During the races, they are adapted for competitive purposes and can accommodate up to 25 rowers.

5. Iruttukuthy Vallam

Description: These are smaller and narrower boats, typically 30 to 35 feet long, and can carry about 25 rowers.

Purpose: Originally used for smuggling due to their speed and stealth, they now participate in boat races, showcasing agility and quickness.

6. Kettu Vallam

Description: These are traditional houseboats used for cargo transport and are not typically used in races.

Tourism: Today, they are more commonly used as houseboats for tourists, providing a unique experience of the backwaters.

Importance in the Races

Teamwork and Coordination: The boat races highlight the importance of teamwork, coordination, and rhythm among the rowers.

Cultural Display: Each type of Vallam reflects a part of Kerala’s cultural heritage, with boat songs (Vanchipattu) and traditional practices enhancing the experience.

In summary, the Alleppey Boat Race features a variety of Vallams, each with unique designs and purposes. These boats not only compete for speed and glory but also serve as a testament to Kerala’s rich cultural and maritime traditions.

[panchtattva-adventures]

~Trivia Of Bekal Fort- Kerela~ Built almost 300 years ago, Bekal Fort is considered as one of the largest and most preserved forts in Kerala. Nestled in the lap of nature, Bekal Fort is a historic fort surrounded by a beautiful beach offering an enchanting view of Arabian Sea from its high observation tower where once the cannons were placed. The beautiful walkway, illuminated beach and the grand architecture of the Bekal Fort make this place a favourite among the masses. The Bekal fort is a keyhole-shaped lofty structure that stands still against the rocky shores of sea amusing its visitors with its finesse. . The fort was featured in the popular A R Rahman song ' Tu hi re'. Located in the Bekal Village of Kasaragod District of Kerala, Bekal Fort was declared as the special tourism area by the Government of India in the year 1992. . . . www.panchtattva.com #bekal #bekalfort #bekalvillage #fort #tourism #walkway #architecture #trivia #views #magnificent #arabian_sea #beauty #beautyofkerela #incredibleindia #panchtattva #panchtattva_adventures

[bollywoodirect]

Birthday wishes to music maestro Ilaiyaraaja.

Ilaiyaraaja (born Gnanathesikan) is a film composer who works in the South Indian cinema but predominantly in Tamil since the late 1970s. Regarded as one of the finest music composers in India, Ilaiyaraaja is also an instrumentalist, conductor, singer, and songwriter. He has composed more than 8000 songs and provided film scores for more than 1000 films, particularly being acclaimed for his background scores.

Legendary singers S. P. Balasubrahmanyam, K. S. Chithra & S. Janaki sang maximum number of songs in his composition. He integrated folk—in Tamil—and introduced western musical sensibilities into the South Indian musical mainstream. Ilaiyaraja is also known for creating music by fusing symphonic orchestration with traditional Indian instrumentation, often performed by Budapest Symphony Orchestra. In 1993 he organised a full symphony performed by the Royal Philharmonic Orchestra in London and thus became the First Indian to compose a full symphony, with Ravi Shankar being the only other Indian to do so. He is also the first Asian to compose a full symphony performed by the Royal Philharmonic Orchestra. He has won five Indian National Film Awards (the highest film honor in India); three for Best Music Direction and two for Best Background Score. In 2010 he has received Padma Bhushan, awarded by the Government of India.

In the 2000s, he composed a variety of non-film music, including religious and devotional songs, an oratorio, and world music. He is usually referred to by the title Isaignani (English: Musical Genius), or as The Maestro. Ilaiyaraja is a gold medalist in classical guitar from Trinity College of Music, London. In 2003, according to an international poll conducted by BBC, people from 155 countries voted his composition Rakkamma Kaiya Thattu from the 1991 film Thalapathi as fourth in the world's top 10 most popular songs of all time.

He was also nominated in the Best Indian album Music Awards category at US based Just Plain Folks Music Organization, which is the largest grassroots music organization in the world, and stood third for his "Music Journey: Live in Italy". In 2012 he received the Sangeet Natak Akademi Award for his creative and experimental works in music field. In 2014 he has been chosen for his outstanding contribution to the Indian film music and was awarded the SIES Sri Chandrasekarendra Saraswati National Eminence award. In 2015, he was also honoured with the Centenary Award for lifetime achievement at the 46th International Film Festival of India (IFFI) at Panaji, Goa. On December 31, 2015, he was nominated by the Kerala Government for Nishagandi Puraskaram, the top award conferred by the Kerala Government's Tourism Ministry, for his artistic excellence and contributions to the Indian film industry.

[chanaroque8387-blog]

The English Soldier, Attribute, The Great Battle Reviewed By Jane M. Ekstam.

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