#ken garland
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searchsystem · 1 year ago
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Ken Garland / First Things First / Manifesto & Typography / 1964
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lisamarie-vee · 2 months ago
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geekynerfherder · 1 year ago
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'Ex Machina' by Ken Taylor.
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supercosplaylover · 11 months ago
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Wizard of Oz/Barbie Characters + Quotes 🌈👠🦁🪄
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thena0315 · 5 months ago
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Happy Father’s Day to the Dads of SVU
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The Assessment ('15'): Assessing Parental Fitness in a Dystopian Future.
One Mann's Movies Film Review of "The Assessment". A brilliant glimpse into a dystopian future of parenting with a brilliant cast. 5/5.
A One Mann’s Movies review of “The Assessment” (2024) (From the 2024 London Film Festival). Is AlexGarlandy an adjective? If not, it should be. For “The Assessment”, a brilliantly polished debut feature from the memorably named Fleur Fortune, is one of the most AlexGarlandy films I’ve seen in a while. Bob the Movie Man Rating: “The Assessment” Plot Summary: It’s the near future and society…
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denimbex1986 · 1 year ago
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'Christopher Nolan's "Oppenheimer" is set to be one of the biggest (non-"Barbie") films of the summer, a grand historical drama with a vast A-List cast and intense exploration of one of humanity's greatest errors. It's a chance for Nolan, a filmmaker never short of ambition, to stretch himself even further as a storyteller, but it's also a rare opportunity for its title star to take on a leading role. Cillian Murphy is a Nolan ensemble staple, having played the Scarecrow in the "Dark Knight" trilogy and made appearances in "Inception" and "Dunkirk." 
The Irish actor and "Peaky Blinders" favorite has long been an underrated presence on screens big and small, having spent well over two decades establishing himself as a striking character actor and reliable talent. He's made horror films with Wes Craven, fought zombies in "28 Days Later," romanced Scarlett Johansson in "The Girl With a Pearl Earring" and told stories of the Irish War of Independence in Ken Loach's "The Wind That Shakes the Barley." He's done it all. He's even dealt with the peril of an atomic weapon and the threat of mass extinction on Earth in a movie before! Thanks to Danny Boyle and "Sunshine", Murphy is familiar with this quandary.
Sunshine is an apocalyptic horror sci-fi
In between his zombie horror "28 Days Later" and the Oscar-winning drama "Slumdog Millionaire," Danny Boyle aimed for the stars. Screenwriter Alex Garland, with whom Boyle had worked on his messy adaptation of "The Beach," took inspiration from the likes of "2001: A Space Odyssey," Ridley Scott's "Alien" and the Russian classic "Solaris" for his jaunt towards the center of our solar system. In "Sunshine," it is the sun itself that is dying. With it, so will all life on Earth perish as the planet's temperature drops beyond the means of human habitation. Eight astronauts from around the world have been tasked with flying towards the sun on the spaceship Icarus II and planting a bomb on it that they hope will reignite its solar fury. As many a sci-fi horror featuring people in enclosed spaces floating through the vast nothingness can attest, it doesn't take long for things to go wrong.
"Sunshine" has an enviable good cast, the kind of ensemble of character actors and future leading icons that would put most films to shame. Alongside Murphy, who plays the lead physicist Robert Capa, are a pre-Captain America Chris Evans, Rose Byrne, Michelle Yeoh, Cliff Curtis from "Fear the Walking Dead," and Benedict Wong of "Doctor Strange" fame. To have the cast form a tight bond, Boyle had this ensemble live together for several months and undergo space training and scuba diving. He also took them on a tour of a nuclear submarine to give them a sense of the claustrophobic living conditions of real astronauts, and even sent them up on a zero-G plane to experience weightlessness. Murphy worked with physicist Brian Cox (not that one) so that he could fully understand the awesome scale of the bomb required to make the sun work once more. He found the experience of making "Sunshine" so revealing that it made him an atheist!
Why Sunshine is so terrifying
Many scientists grumbled over the inaccuracies of "Sunshine," from slow-motion movement during weightlessness to whether or not a bomb really could reignite the sun. For Alex Garland, such details were beside the point, although both he and Boyle did hire a number of advisors to shape the science of the film into something believable. The real power of "Sunshine" is in its portrayal of isolation among its astronauts. The crew of Icarus II are shaken, both by the magnitude of their mission and the sheer psychological terror of being stuck in space for an extended period of time. As a viewer, you feel entrapped in the space this ensemble shares, made all the more stifling by Boyle's refusal to cut back to scenes on Earth that are common in this genre. Everything is designed to make you feel trapped, including the space suits that have a post-box-sized slit to see through rather than a full-face visor (the suit was nicknamed Kenny after the character from "South Park" because of this choice.)
The other recurring theme is an age-old one: science versus faith. The mission of Icarus II is stridently atheistic, one of pure logic designed to do for humanity what nobody else can or will do. They are following in the footsteps of Icarus I, which went missing seven years prior while trying to deliver its own bomb to Earth. When the crew discover this lost ship, they find its crew charred to death save one astronaut, Pinbacker (Mark Strong playing, of course, a villain). After years of loneliness and untreated first-degree facial burns, Pinbacker has gone mad and tries to sabotage the Icarus II mission, claiming that God (meaning the sun) has told him to send all of humanity to Heaven. This third-act frenzy makes "Sunshine" a more traditional horror film than its preceding parts, and it does become less satisfying as a result (although there is a moment where Pinbacker has the skin pulled from his arm that is truly horrifying).
Sunshine is more relevant than ever
Despite positive reviews, "Sunshine" didn't inspire audiences, and only grossed around $32 million from a modest $40 million budget. Reviews generally agreed that the third act was weak and let down the rest of the film's more metaphysical approach to the sci-fi horror genre. It didn't hurt anyone's careers, least of all Cillian Murphy, who went on to a strong career in film and TV that has culminated in his acclaimed role in "Oppenheimer." It's a movie that makes excellent use of his unique face and ability to convey a blend of unnerving and empathic (which is perfect for J. Robert Oppenheimer, the man who became Death, the destroyer of worlds.)
Audiences did eventually find their way to "Sunshine." Its philosophical terror remains potent, arguably more so as we experience the disintegrating effects of climate change in real-time. Much like its cinematic predecessors, "2001: A Space Odyssey" and "Solaris," "Sunshine" acutely captures the gargantuan scale of the galaxy and how it cannot help but overwhelm you, the mere human being, trying to be its equal. In the film's first two-thirds, the enormity of the mission is inescapable. If these mere mortals do not succeed, billions of people will die and that is a weight that smothers them, as it would for any of us. 
Ultimately, we are but specks that populate a slightly larger speck floating through the vast nothingness of the universe. When we confront that painful reality, especially as non-believers in an omnipotent deity, it's understandably tough to deal with. It can break you. Yet there is also awe here. The astronauts are left dumbfounded by the sight of the sun so up close. It's no wonder that Pinbacker gazes upon it and sees the face of God. We are but debris in the grand scheme of life and "Sunshine" nails that sensation, but it also believes in fighting to survive amongst it all. There is hope amid the desolation, and that's worth saving.'
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drolesdedalesalbumphoto · 5 months ago
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L'épisode "Une croisière en or".
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random-imaginess · 1 year ago
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i’m obsessed with ur work rn omg :o can you please write a shayne x reader fic where it’s their first halloween together and they’re just indulging in all the mushy couple activities? like matching costumes, scary movies, pumpkin carving, sweater sharing, all the sweet cozy fall vibes? thanks so much! <3
Hi!! Thank you so much for sending in a request, and I appreciate your comments so much! I’m sorry it took a little bit to get posted. (Tumblr is being a pain and not letting me post things directly from my computer so I have to jump through hoops just to get these to post, it’s so frustrating!) I really hope this meets your expectations. There were so many ways I wanted to start this and so many options of what to focus on, I couldn’t decide! I do plan on posting another version of this that will capture more of a cozy couple-y vibe! And it will be longer! But I hope you like this as well!
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Not to be dramatic or anything, but Halloween was THE best time of the year, and to say that you were excited to finally be able to start decorating for it would be an understatement. If you had it your way, and technically you could have, you’d keep your place decorated in a spooky aesthetic all year round! Or at least fall themed, though either option would be equally valid. This year particularly, though, you were even more excited because you were able to spend it with your boyfriend, Shayne. You and him had been friends for a little short of a decade so it wasn’t even close to being the first year you two did something together, but this year was different because you were a C O U P L E and it just hit different.
Practically since after the 4th of July you were in plot mode, having a serious conversation with him about what you were doing for Halloween. It was important to know what you were going to dress up as, and it was vital to get ahead of it so you had time to get on the same page about what you were doing. Costume parties were going to be starting soon, and you had to be ready! You had both talked about options; going as a salt and pepper shaker, Mario and Princess Peach, Morticia and Gomez Addams, or more cliché, Barbie and Ken (though Shayne would most definitely be an Allan)!
“We should go as a cat burglar!” You exclaimed out of nowhere, startling Shayne a bit as he adjusted a leaf garland he was hanging up. “What?” He chuckled. “For a matching costume idea. We could go as a cat burglar! I’d be a cat and you a burglar and together we would be a cat burglar!” You raised your brows, enthusiasm sketched all over your face like it was the most brilliant idea. “Say cat burglar again, I don’t think you said it enough times,” he teased playfully. “That would be pretty funny, though.” “Or OOOH!! Pennywise and Georgie! Wouldn’t matter who would be who!” Shayne just laughed, watching you go back to placing plastic pumpkins on the mantle above the fireplace.
“I think the best part of this costume planning is going to be watching you get all excited about what idea to go with,” he laughed again. Shayne’s ideas were more subtle, which was great too. You didn’t normally go crazy about the dressing up aspect of it, but this year you wanted to do something special since you had someone to plan this sort of thing with. And you appreciated him being such a trooper about it! “It feels weird getting this amped up about costumes because normally I would prefer to just stay in and have horror movie marathons, which you can expect we’ll be doing because you can’t not do that during the spooky season.” “Yes, of course. Though technically spooky season isn’t until October..” “That’s up for debate,” you retorted quickly, getting another laugh out of him.
“Spooky season should always happen directly after the 4th, just like they do it with Christmas after Thanksgiving. But TECHNICALLY, spooky season gets started August 1st because that’s when all the fun things start, like horror nights and spooky conventions.” You let out an excited squeal as you hyped yourself up all over again. “So many fun things are starting!!”
After finishing up the decorations, your placed mostly decked out with fall themed items; apple cider and pumpkin spice scented candles and black cats and garlands everywhere, you were very pleased with how it all turned out. Standing next to Shayne, you wrapped your arms around his waist and marveled at both of your work for a few moments. “It looks like a Spirit Halloween store threw up in here.” “I know, don’t you love it?” You grinned. Shayne wrapped his arms around your shoulders and squeezed, giving you a long hug before breaking it.
Thinking about what the next couple months were going to bring brought you so much joy. You were anxiously awaiting for the colder weather to kick in so you both could snuggle up on the couch with hot drinks and a crackling fire while you watched scary movies. You were excited for when you could carve pumpkins, make halloween goodies together, experiment with spooky themed bread because you knew Shayne would enjoy the hell out of that! There was so much to look forward to and you couldn’t wait to share this all with him.
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silvergrapefruits · 5 months ago
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Ken Garland - Galt Toys https://rocketlulu.typepad.com/objets-vintage-curiosites/2013/09/ken-garland-designer-galt-toys-jouets-enfant-vintage-kids.html
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lisamarie-vee · 2 months ago
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dog-park-dissidents · 6 months ago
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holy shit new music !! may i ask which man the new song is about 👁
Out With A Bang is a work of fiction and any similarity to actual persons, living or dead, is purely coincidental. On a completely unrelated note, here is a list of interesting actual persons who are alive today and have real names and addresses:
Patrick Pouyanné, Chairman and CEO, TotalEnergies Helge Lund, Chairman, BP Bernard Looney, CEO, BP Amin H. Nasser, CEO, Saudi Aramco Yasir Al-Rumayyan, Chairman, Saudi Aramco Zhang Yuzhuou, Chairman, China Petrochemical Mike Wirth, CEO, Chevron Viktor Zubkov, Chairman, Gazprom Alexey Miller, CEO, Gazprom Javad Owji, Chairman, National Iranian Oil Company Ken Mackenzie, Chairperson, BHP Billiton Mike Henry, CEO, BHP Billiton PM Prasad, Chairman, Coal India Octavio Romero Oropeza, CEO, Pemex Jim Grech, CEO, Peabody Energy Ryan Lance, CEO, ConocoPhillips Sultan Al Jaber, CEO, ADNOC Jean Paul Prates, CEO, Petrobras Nawaf Saud Nasser Al-Sabah, CEO, Kuwait Petroleum Corp. Toufik Hakkar, CEO, Sonatrach John P Surma, CEO, Marathon Petroleum Joseph Gorder, CEO, Valero Greg Garland, CEO, Phillips 66 Basuki Tjahaja Purnama, President, Pertamina
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midnightkens · 6 months ago
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i love you, i hate you
TW: Homophobia/biphobia, homophobic slurs, past child abuse, religious trauma, alcoholism, allusions to PTSD, mentions of depression
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Colt hates December.
The Decembers of adulthood are a far cry from those of the latter half of his childhood and his teenage years. The harsh, biting Seattle winters meant being handcuffed to intense seasonal depression and anxiety, a toxic current that threatened to sweep him under as the months dragged.
Even living in sunny Los Angeles, depression sometimes wraps its tendrils around him. It's bearable now, but it's a small solace. December still brings horrors he'd rather forget. The phone feels heavy in his hands, and he uses his other hand to brace himself against the counter.
It's almost Christmas, but it's never been the most wonderful time of the year for the Seavers family.
Other families get to sit around a tree, opening presents and laughing together. His father's house looks like any other. It's decked to the nines in garland and wreathes, an extravagant tree and a nativity scene. Colt clenches his fist at the thought. His father, the God-fearing Christian, the preacher, so devoted to his parishioners and their families, the fakest fucking human being that Colt knows. His parishioners don't see the real Benjamin Seavers, the violent alcoholic, the abusive father and useless husband. Christmas doesn't change anything. It's an excuse for him to get sloshed, grumble about Colt never visiting, and inevitably stumble to bed, blacked out in a drunken stupor.
It's so fucking fake, and Colt hates them, yet he returns. Year after year he hops on a plane and spends a week in his childhood home, feeling like a terrified eight year old all over again.
Hands wrap around his waist, and Colt feels feather-light lips press a kiss on his shoulder. He lifts his hand and clings to Ken's arm, subconsciously leaning into the touch.
"You really don't have to go," Colt murmurs. "I know how it'll go. Hi, Dad. Are you drunk already? Why do you always think I'm drunk? And why did you bring your faggot ass partner? Dad, I'm gonna have to ask you not to call Ken a faggot. To quote Taylor Swift, I think I've seen this film before. You don't need to suffer with me."
"That's not even the worst thing I've ever been called," Ken reminds him nonchalantly. Colt rolls his eyes. "And I handled your mother pretty well, didn't I?"
"Yeah, and you looked hot doing it," Colt admits. "But you can't kick Dad out of his own house."
"I always look hot." Colt's shoulders shake with barely suppressed laughter and Ken grins. "And yeah, we can't kick your dad outta his house, but what's stopping us from just leaving? You're a grown man, hon. You don't have to take his bullshit anymore."
"I know. It's just really fucking complicated, and I hate that it is, and I don't want to drag you into it."
"You're not dragging me into anything. Listen, you've put up with my issues and Patrick stalking us and all that. Let me come with you so you don't have to deal with your crazy dad alone."
Colt sighs. Ken's voice leaves no room for argument, and a small part of him is happy that he won't have to be alone.
He just wishes it were different.
--
Colt grips the steering wheel so tightly that it creaks under the force. Ken looks out the window and sings under his breath. There's no place like home for the holidays. But Colt isn't home. He's returning to his personal Hell, the place he's never belonged. Colt's stomach lurches as they pass the church he grew up in. Cars fill the parking lot, and images of his father screaming his Sunday sermons, a wild look in his brown eyes, flash before his eyes.
Ken doesn't speak of his childhood much. Colt knows he and Barb grew up in foster care, and his needs and wants often went unmet. But he knows that Ken has never set foot inside any church. Anytime Colt describes his childhood, Ken looks like a deer in headlights.
It was traumatic, but it was all Colt knew until he escaped. Even now, the pounding of his fathers fists and the sound of his booming voice as he tries to cast the demons out of Colt are so visceral that he debates pulling over and making Ken drive the rest of the way.
A therapist he saw after his accident called it a flashback. He and Ken know how to ground the other one through them. But for Colt, it's easy to ignore them so long as he doesn't entertain thoughts about his parents, or his sister, or the church.
Easier said than done.
--
Colt pulls into the driveway and drums his fingers on the dashboard. He drinks in the sight of the nativity scene, the huge wreath on the front door, the Peace sign on the side of the house. Passerby wouldn't give the house a second glance. It's small and unassuming, perfect for hiding the dirty secrets inside.
Ken takes one of Colt's hands and gives it a squeeze. If his hand is sweaty, his partner doesn't comment. "It's okay, hon," Ken reassures. "I'll be here the whole time."
Colt nods. If he opens his mouth, he might throw up.
He's not sure when he gets out of the car, but suddenly he and Ken are at the front door. Someone must've knocked? Was it him? He doesn't have time to ask himself more questions before someone barrels into him, knocking his breath away.
"Uncle Colt!" Colt immediately relaxes and glances at his niece. Melanie is ten now, and with a smug smirk, thinks that she's starting to look more like him the older she gets. "Mom and Dad told me, Charlotte, and Lydia that you weren't coming!"
Colt barely refrains from rolling his eyes. Of course Natalie and her scumbag husband would have commentary. Don't they know better by now? He's too weak to stay away. But there's some solace in his nieces' eagerness to see him. "Hey, short stuff." Colt ruffles her hair and hugs her tightly. He really should see Mel, Lottie, and Lydia more often, but he'll go to jail if he's around his sister too much.
Melanie pulls back with an affronted gasp. "I'm not short! I - " She cuts herself off and fixes her eyes on something to Colt's left. His heart races. Please take it well, please take it well, please take it well. "Who's this?"
Colt swallows and slips his hand into Ken's. Ken runs his thumb over Colt's knuckles, and some of the tension in his shoulders eases. "Mel, this is Ken. Ken, this is my niece, Melanie. Ken is - "
"Ohhhhh! Lydia!" Melanie turns and eagerly races back to the living room, blonde ponytail swishing behind her. "Lottie! Uncle Colt brought his boyfriend!"
Colt winces and steals a glance at Ken. His partner's eyes dance with mirth, and he guides them into the house. "Come on. She seems excited, at least."
Yeah, but she shouldn't have - Colt quickly halts that train of thought. Melanie is ten, she doesn't know any better, and he's about to introduce Ken as his partner anyway. It doesn't matter. Colt closes the door and hears footsteps trampling down the stairway. He braces himself for the onslaught.
Lottie and Lydia slam into him, but he doesn't fall back this time. He wraps his arms around them both, looking around in amusement as they speak over each other. Lottie's thirteen now, Lydia sixteen. He's missed out on so much time with them, and it hurts.
"Hi, Uncle Colt!" Lydia pulls away first and all but yanks Lottie back. Lottie scowls and swats at her sister, but Lydia hardly pays her attention. "Where have you been?"
"Yeah," Lottie interjects. "Why don't you come visit?"
"Is it 'cause of Mom? She's, like, on one today, so watch out."
"Great," Colt says wryly. "I've been looking forward to that."
Lydia rolls her eyes. "Yeah, she's a bitch. Anyway." She grins cheekily, and Colt narrows his eyes. That's never a good sign. "Is this your boyfriend?" Lydia looks Ken up and down, and Colt swallows.
They've never met any of Colt's previous boyfriends. None of them have ever been serious enough. They know about his bisexuality (thanks, Natalie), but this feels different. "Yeah, Lydia. This is Ken. He's my boyfriend."
"Hi." Ken waves at the girls. His arms are lax at his sides. His lips quirk in amusement, but he allows the girls to size him up.
"Hi." Lottie crosses her arms and taps her feet. "How'd you meet my uncle?"
"Singing karaoke."
Lydia blinks in surprise. "That's kinda cute. Was he any good?"
"I don't know." Ken shoots Colt a smug smirk. "He didn't sing. I did and then he came up to me and talked my ear off."
"And you loved every second of it. You can't fool me."
"Yeah, sounds about right."
"How would you know?" Colt counters, jaw dropped in shock. Sassy. "You're not even old enough to get into a bar!"
Lydia shrugs. "You talk a lot."
Ken laughs and pats his back. "It's okay, babe. I think we're even there."
"I like him," Melanie says. "He seems nice."
Colt's shoulders slump in relief. His nieces mean the entire world to him. He tries so hard to counter the toxicity spewed by their parents, to mold their worldview and teach them how to be accepting. They only speak over text, and sometimes, Colt is never sure if his attempts are successful. But for Melanie to like him, and oh, Lydia and Lottie are nodding in agreement...It's a huge deal. It gives him hope that his nieces will be able to break the cycle. "He's all right," Colt says with a shrug. "I think I'm gonna keep him around."
"Girls!"
Here it comes.
Natalie is an imposing woman. She's tall and dark-haired like their mother, with the same striking green eyes. It's eerie. And somehow, she's somehow more homophobic than Mother Dearest. She locks eyes with Colt and purses her lips. Colt stiffens and keeps his eyes locked on hers, like he's preparing for battle.
"Girls, I thought I told you to get in the kitchen. Run along now." The girls grumble, but do as they're told. Colt knows that feeling all too well. Natalie spent their childhood making snide demands of him and making the consequences very apparent.
Natalie steps closer and wrinkles her nose like she's smelled something particularly unpleasant. Ken squeezes Colt's hand, and Natalie notices the action. "Who's this?"
"You're not dumb. You know who he is."
"Why'd you bring him?"
"Why'd you bring your husband?"
Natalie's lips press into a thin line, and when she speaks next, it's through gritted teeth. "That's different, Colton."
"How?" Ken asks with mock sincerity. "How is it different?"
Natalie sneers at them, and Colt suspects she'd like nothing more than to spit on them both. "Because you're breaking my father's heart - "
Colt barks out a surprised laugh. "His heart? Come on, Nat. You and I both know that Dad doesn't have one of those."
Colt all but drags Ken into the den, away from his sister. Dad's in there. Benjamin Seavers glazes blearily at them over the top of his beer bottle. Colt swallows. It's so fucking hard to be in the same room as him. He's tall and broad, all blond hair and steely blue eyes. Colt despises looking in the mirror sometimes.
"Colt." Dad stumbles over to them and clasps a large hand on Colt's shoulder. Colt doesn't even flinch. He doesn't acknowledge Ken at all. "I thought I told you not to bring that into this house."
"Too bad. He is my partner, his name is Ken, he's staying, and you'll respect him or we're getting on the next flight home."
"I have no problems getting the belt, boy - "
"Oh, you don't? Try me, old man! I'm bigger than you, and I cou -"
"Let's go see what's happening in the kitchen, Colt." Ken all but yanks him away and drags him to a secluded hallway. Colt presses his palms into his eyes so hard that he sees stars. Ken rubs his arms soothingly, and Colt leans into the touch.
"I'm sorry you had to see that," he groans. "I'm sorry you had to hear me threaten to beat my dad. We shouldn't have come. He's an asshole and Nat - I don't know what the fuck to call her - "
"Hey, hey, none of that. We don't have to stay, remember? Say the word, and I'll book us a flight home."
"I know. I just don't want to hurt my nieces. They don't really get it."
Ken looks at him sadly, but he doesn't argue. He was in a situation he felt trapped in, too. There's an understanding between them that runs deep, but Colt wishes it didn't exist. For both of their sakes.
--
"And they threw you out a window?" Lottie's so enraptured by Colt's story that she doesn't notice her food sliding off her fork.
"Yeah, and then they - "
"Girls, stop it." Colt's brother-in-law pounds his fist on the table. The girls don't flinch, but Ken does. Colt grabs his hand to ground him. "I don't want you taking life advice from someone like that."
"Like what?" Colt challenges. "Come on, Rick. You got something to say, then say it to my damn face."
"It's obvious, son." Benjamin places his fork on his plate, but it's too loud in the otherwise quiet room. The tension is so thick that Colt could cut it with a knife. He jiggles his leg up and down and clenches a fist around his own fork. The moment is father speaks again, he's taken right back to his childhood, and Dad's about to beat the demons out of him. "The girls shouldn't be taking advice from a faggot who dropped out of high school."
"Don't call him that!" Ken snaps. His face flushes with barely contained rage. Colt almost forgot he was there. "He's your kid, and this is how you talk to him? What's the matter with you?"
Benjamin clenches his jaw and waves a dismissive hand. "You. Why don't you shut the fuck up? This is family business."
"How very Christian of you," Ken retorts. "I bet you're real proud of yourself. And for the record, I am his family."
Colt places a hand on Ken's knee. Is he about to get beaten? No, he can't be, he's an adult, Dad can't - but Dad's fists are raised and is this another exorcism? No, it's two days before Christmas and he doesn't live here -
He doesn't know how he ends up on the sofa in the living room. Ken kneels in front of him. He's saying something, but it's coming out gibberish. He tries to read Ken's lips, but his face crumples and he shakes his head.
"I fucking hate them," Colt whispers. "I really, really fucking hate them."
"I know." The other side of the cheap couch dips as Ken takes a seat next to him. The hand on his back grounds him, if only a little. "Look at me, honey. Watch me, and take a deep breath."
But he can't. He can hear his father and sister scream in the dining room; he thinks one of his nieces is crying. This is all his fault.
"No, it's not," Ken says softly. "It's theirs, Colt. It's not your fault they're bad people."
But it is. He's always been too much. Too hyper, too talkative, too daring, too different.
He wants to go home, but he can't.
The idea of getting off the sofa is too daunting.
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readyforthegarden · 1 year ago
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thinking about autumn with danny 🥹 thinking about how all the orange and yellows and browns and black decor would compliment him so well and he’d have no problem helping you hang up your leafy garlands and sneaking in a few early Halloween items 🥹 the way his curls would bounce as he laughs while you ramble on and on and on about all the different cider mills you want to go to, what pumpkin patch is gonna have the best ones and what your Halloween costumes should be (Barbie and Ken is the top pick, but you assure Danny, he could never be just Danny/Ken) and the crinkle of his nose and the freckles and just 😭😭😭😭
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thena0315 · 1 year ago
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Happy Father’s Day to the Dads throughout SVU history
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filmaticbby · 2 years ago
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Aries: Tarantino, F. F. Coppola, Andrea Arnold, Eric Rohmer, Edgar Wright, Ruben Östlund, Josh Safdie, David Lean, Andrei Tarkovsky, Michael Haneke, Martin McDonagh
Taurus: Wes Anderson, Orson Welles, Sofia Coppola, Lars von Trier, Terry Zwigoff, George Lucas, Robert Zemeckis, John Waters, Frank Capra
Gemini: Fassbinder, Hideaki Anno, Makhmalbaf, Agnès Varda, Alex Garland, Clint Eastwood, Yorgos Lanthimos, Aaron Sorkin, Ken Loach, Alexander Sokurov, Giuseppe Tornatore
Cancer: Abbas Kiarostami, Wong Kar-wai, P. T. Anderson, Mike White, Ari Aster, Ingmar Bergman, Krzysztof Kieślowski, Paul Verhoeven, Robert Eggers, Béla Tarr, Mel Brooks, Ken Russell, Sidney Lumet, Kinji Fukasaku
Leo: Alfred Hitchcock, Greta Gerwig, Alain Robbe-grillet, Kubrick, Wes Craven, Taika Waititi, Luca Guadagnino, Christopher Nolan, Polanski, Sam Mendes, Richard Linklater, Nicolas Roeg, James Cameron, Pablo Larraín, M. Night Shyamalan, Iñárritu, Gus Van Sant, Peter Weir, Wim Wenders, Maurice Pialat
Virgo: Tom Ford, Joe Wright, Paul Feig, Dario Argento, David Fincher, Brian De Palma, Baz Luhrmann, Tim Burton, Friedkin, Takashe Miike, Noah Baumbach, Werner Herzog, Elia Kazan, E. Coen
Libra: Julie Dash, Almodóvar, Jacques Tati, Ang Lee, Michelangelo Antonioni, Ti West, Walerian Borowczyk, Nicolas Winding Refn, Satoshi Kon, Kenneth Lonergan, Michael Powell, Jacques Tati, Steve McQueen, Denis Villeneuve
Scorpio: Mike Nichols, Barry Jenkins, Charlie Kaufman, Céline Sciamma, Tsai Ming-liang, Jean Rollin, Scorsese, Louis Malle, Luchino Visconti, François Ozon, Julia Ducournau
Sagittarius: Sion Sono, Cassavetes, Raj Kapoor, Steven Spielberg, Eliza Hittman, Terrence Malick, Ozu, Alfonso Cuarón, Gregg Araki, Larry Charles, Judd Apatow, Kathryn Bigelow, Lenny Abrahamson, J. Coen, Jean Luc Godard, Diane Kurys, Ridley Scott, Lynne Ramsay, Woody Allen, Fritz Lang
Capricorn: Larry Clark, David Lynch, Harmony Korine, Damien Chazelle, David Lowery, Mary Harron, Sergio Leone, Todd Haynes, Pedro Costa, Gaspar, Noe, Fellini, Joseph Losey, Miyazaki, John Carpenter, Steven Soderbergh, Michael Curtiz, John Singleton, Vertov
Aquarius: Jim Jarmusch, John Hughes, Darren Aronofsky, Jodorowski, Michael Mann, Derek Cianfrance, Alex Payne, Truffau, Eisenstein, Tone Hooper
Pisces: Pasolini, Sean Baker, Paul Schrader, Bernardo Bertolucci, Benny Safdie, Jacques Rivette, Bunuel, Luc Besson, David Cronenberg, Spike Lee, Rob Reiner, Mike Mills, Sebastián Lelio, Jordan Peele, Ron Howard, Robert Altman
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