#kemmner

[youjustwaitsunshine]

Interview with George Russell for Stuttgarter Zeitung 23.6.2022

Interviewer: Jürgen Kemmner

Translation + original article (photo) under the cut

For three years, George Russell drove for the back-of-the-grid team Williams, this year he's sitting in a Mercedes, teammate to superstar Lewis Hamilton. This brings big changes for the 24 year old Brit - both positive and negative.

Mr. Russell, do you need to pinch yourself when you see yourself ahead of Lewis Hamilton in the Championship?No, not at all. I'm not here to fight against him, we fight for race wins. Lewis is an exceptional driver and what he has achieved is incredible. I want to be at the top, not only ahead of Lewis, that's not enough.

With what expectations did you join Mercedes?I was convinced that it would be something special and different to Williams - and that it wouldn't be easy. It was enormously inspiring to me to witness the work ethic in this team, the high level everyone works at and how everyone motivates each other. I was aware it would be a massive challenge to be the teammate of Lewis. I took this step because I'm confident in my abilities.

You scored top five finishes all through the season, except for your home race in Silverstone. It was a difficult moment to watch the race from the sidelines. I can't remember going out in the first lap anywhere in my entire career. And Silverstone was twice as painful because we had the chance at a race win.

You hurried to Zhou Guanyus car after his heavy accident to help him - Your car was taken away which stopped you from starting again. Do you feel cheated?The problem is that the Stewards follow the exact wording of the regulations - but you can't write down rules for every scenario. For decisions like this, I'd wish for more delicate decision-making for the sake of the sport. But then maybe there would have been damage to my car and I'd have had to retire, or I could have gotten a penalty,..

Fans on social media were celebrating you and comparing you to racing legend Ayrton Senna who once helped a crashed colleague as well. I was convinced I had to help, I definitely didn't think of Senna there - I didn't know of the incident bback then. The crash was the worst one I've ever seen - and was directly involved in.

Social Media is a minefield, people talk bad about others and also as a sports star you need to endure quite a lot. Do you read posts about yourself? I try to limit it. You said it, sometimes on social media you're in terrible company. Sadly there's people, not few of them, who put you down, potentially only to make themselves feel better. Maybe it's also jealousy when you write something bad about someone - it's so easy to sit at home on your keyboard to insult others on the Internet because you're not face to face. That barrier has some people writing whatever they want.

In Montreal you got booed by an older fan. I smiled hearing him. But to be honest, it's genuinely pathetic. Who gives you the right to do this? What crime did I commit to get booed? People often forget that we're all human. I realized that in 2009, when I was eleven, at a motorsports event where Jenson Button was honored for his Championship title, Lewis Hamilton was there and Ross Brawn (team principal back then; publisher's note) as well. When I went to the bathroom, Ross Brawn was there - as an eleven year old, I couldn't believe meeting him there. I only knew him from TV and suddenly I realized: He's real, he's flesh and bone, just like me. This realization has stayed with me. Many people forget that when they talk badly about athletes, celebrities or politicians because they somehow believe they're aliens. It's a strange world we live in.

With Mercedes, you're more in the limelight than you were with Williams. Are you coping well with that role? (Laughs.) It was a radical change because it happened during the pandemic. 2019 I was with Williams, then the pandemic came in 2020 and 2021 where no one was about, and no fans during the races - and 2022 I'm with Mercedes and spectators are flowing to the races. That's something new. As a child I dreamt of becoming a Formula 1 driver, not about becoming famous.

McLaren driver Lando Norris said you'd changed since you started at Mercedes. You'd become more serious... I have always been serious. I know how to separate work and private life, of course you can go and have a beer with me too sometimes. Everyone changes, nobody's the person they were ten years ago. At 17, a lot of people want to party every night, with thirty that isn't the case anymore. That's also due to the circumstances. This season, I had 27 more days compared to 2021 where I had to do sponsor or PR appointments for the team. 27 days I was missing as a racing driver. When I have time off, I go to the gym and not the golf course, no matter how nice the weather is.

Which values do you want to stay true to? To stay grounded, be humble, to know where my roots are. Since I joined F1, I'm better at telling the truth for me from the bullshit. I quickly learned who's a true friend and who just wants to use me. And I've learned what I expect from life and what I need for it. My girlfriend and the handful of true friends I have know the life I lead and they accept me.

Last question: What can you accomplish in France? I expect a lot, we made great steps forwards. I think we'll be able to fight for wins this season.

[5486]

找到了一只 #老男孩 #kemmnerwatch #kemmner

[dcvw]

SJX: Hands-On with the Kemmner Military AS1950/51 

Formerly an engineer at a German case making company, Roland Kemmner now makes watches under his own name. Most are modelled on vintage watches and designed with varying degrees of creativity, but all are put together with components made in Asia, but done well, which is why they are all extremely affordable.

One of the more interesting products Mr Kemmner has come up with is the Military AS1950/51, a hand-wound, time-only watch inspired by the Heuer ref. 1550SG “Bund” chronograph. It successfully channels the look of the original, while being simple and surprisingly low cost, priced at just over US$500, proving that smart budgeting and an eye for detail can go a long way...

[marymosley]

Clifford Chance advises Permira on the acquisition of Neuraxpharm

Clifford Chance has advised global private equity firm Permira on the acquisition of leading European CNS specialty pharmaceutical company Neuraxpharm through a company backed by the Permira funds, from funds advised by Apax Partners.

Neuraxpharm is one of the fastest growing specialty pharmaceutical companies in Europe with annual revenues in excess of EUR 460 million and 850 employees. The company is focused on the treatment of the central nervous system (CNS), developing and commercializing value-added medicines and consumer healthcare products for chronic patients suffering from neurological and psychiatric disorders including Epilepsy, Parkinson’s, Alzheimer’s, Depression and Psychosis. Neuraxpharm enjoys leading positions in its core markets Germany and Spain, with a #1 position across Europe in many of its more than 115 CNS molecules.

Closing of the transaction is subject to customary closing conditions and is expected in the fourth quarter of 2020.

Permira funds invest in high-growth businesses in resilient end-markets, with longstanding global track-record in successfully transforming market leaders and proven expertise in the healthcare sector. With Neuraxpharm, Permira will support the management’s vision of becoming the leading CNS-focused specialty pharmaceutical platform in Europe through driving the commercialization of the company’s product pipeline and backing its buy-and-build strategy to further expand internationally.

The international Clifford Chance team advising Permira comprised partners Anselm Raddatz (Frankfurt/Düsseldorf), Jörg Rhiel (Frankfurt, both Corporate/Private Equity) and Peter Dieners (Corporate/Healthcare, Düsseldorf), senior associates Maria Röntsch and Nico Basener (both Corporate/Private Equity, Frankfurt), senior associate Carolin Kemmner, associate Ann-Cathrin Bergstedt and of counsel Ulrich Lembeck (all Corporate/Healthcare, Düsseldorf) as well as associates Daniel Gutmann, Friedrich von Bülow and senior associate Gerd Hegele (all Corporate/Private Equity, Frankfurt), associates Marie-Christine Schulte and Matthias Christian Forster (both Düsseldorf) as well as Michael Kümmel (Munich, all Corporate/Private Equity); partner Marc Besen, counsel Dimitri Slobodenjuk, senior associate Caroline Scholke and associate Anna Maurer (all Competition, Düsseldorf), counsel Florian Reiling (IP, Düsseldorf) as well as partner Stefan Simon and counsel Christopher Fischer (both Employment, Frankfurt). From the firm’s London office, a team around partner Spencer Baylin, director Martin Kolmar and senior associate Victoria Ho (all Corporate/Private Equity), and from the Madrid and Barcelona offices a team around partners Samir Azzouzi Maanan and Guillermo Guardia, counsel Carme Briera Dalmau and associates Sonia Sebe Marin, Jorge Daniel Garcia Juarez and Patricia Puertas Diaz were involved.

The post Clifford Chance advises Permira on the acquisition of Neuraxpharm appeared first on Legal Desire.

Clifford Chance advises Permira on the acquisition of Neuraxpharm published first on https://immigrationlawyerto.tumblr.com/

[quickberater]

Ebay Herrenuhren Kemmner Herren Armbanduhr, Sonderanfertigung, Handaufzug http://rover.ebay.com/rover/1/707-53477-19255-0/1?ff3=2&toolid=10039&campid=5337445741&item=163620745118&vectorid=229487&lgeo=1&utm_source=dlvr.it&utm_medium=tumblr %#Quickberater% http://rover.ebay.com/rover/1/707-53477-19255-0/1?ff3=2&toolid=10039&campid=5337445741&item=163620745118&vectorid=229487&lgeo=1&utm_source=dlvr.it&utm_medium=tumblr

[str9led]

Making Of - Song Of A Toad from Kariem Saleh on Vimeo.

This video demonstrates the techniques used, to make our short animated film “Song Of A Toad“

kariemsaleh.de

Credits:

Director, Story: Kariem Saleh

Production: Alexandra Stautmeister

Toad Voice: Andreas Mannkopff

Svobodan Voice: Benjamin Hille

Psychiatrist Voice: Gerald Friese

Dialogue-Script: Robert Martin, Kariem Saleh

Design: Jelena Walf

Art Direction: Silke Finger

Music: ”Paradox Paradise” John Guertler, Lars Voges, Jan Miserre, Tomas Svensson

Sound Design: Dominik Kostolnik

Additional Sound Design / Mischung: Laura Schnaufer

Voice Recording: Dominik Kostolnik, Ana Monte, Denis Elmaci

Animation: Kariem Saleh, Ringo Klapschinsky, Anna Habermehl, Sveta Yuferova, Jessica Tegethoff

Lighting, Shading, Rendering: Vincent Ullmann

Compositing: Silke Finger, Vincent Ullmann, Matthias Bäuerle, Florian Greth

3D-Modeling: Kariem Saleh, Meike Müller, Martin Grötzschel, Marco Hakenjos, Daniel Kannegiesser, Guillermo Molina

Texturing: Dominic Eise, Gero Eckhard, Natalia Alencar, Manolya Kuelkoeylue, Michaela Gote

Rigging: Sascha Langer

Additional Rigging: Helmuth Kriegseisen, Jessica Tegethoff, Hanna Binswanger

Pipeline-TD: Vincent Ullmann, Martin Minsel

Simulation: Vincent Langer

Puppeteering-Device: Florian Greth

Puppeteering-Software: Amit Rojtblat

Miniature Set Building: Valentin Kemmner, Alireza Hashempour, Silke Finger, Shadi Adib, Sophie Rekasowski, Thomas Sali

Photogrammetry: Vincent Ullmann, Timm Wagener, Christian Scheunert, Vincent Langer, Fabian Fricke, Yafes Sahin

English Subtitles: Robin Weber

Lecturer: Prof. Andreas Hykade

Production Company: Filmakademie Baden-Württemberg - Institute of Animation, Visual Effects and Digital Post-Production

[igggmbh-blog]

NEWS Beitrag von SEO & Google Marketing - Businesspläne - Finanzierungsvermittlung

New Post has been published on http://www.igg-gmbh.de/swrdeutscher-dokumentarfilmpreis-zwoelf-produktionen-nominiert/

SWRDeutscher Dokumentarfilmpreis: Zwölf Produktionen nominiert

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Stuttgart (ots) – Heute hat in Stuttgart die Jury für den Deutschen Dokumentarfilmpreis getagt. Aus 113 Einsendungen kamen zwölf Produktionen in die engere Auswahl. Der Preis wird am 30. Juni 2017 im Rahmen des 2017 erstmalig stattfindenden SWR Doku Festivals (28. bis 30. Juni 2017 in Stuttgart) verliehen.

Nominierte Produktionen

Beuys. Buch und Regie: Andres Veiel; Cahier Africain. Buch und Regie: Heidi Specogna; Das Versprechen. Buch und Regie: Karin Steinberger, Marcus Vetter; Democracy. Buch und Regie: David Bernet; Genkingen – ein schwäbisches Volksmärchen. Buch: Eric Papic, Regie: Valentin Kemmner, Eric Papic; Mali Blues. Buch und Regie: Lutz Gregor; Parchim International. Buch: Stefan Eberlein. Regie: Stefan Eberlein, Manuel Fenn; Pawlenski – Der Mensch und die Macht. Buch und Regie: Irene Langemann; Raving Iran. Buch und Regie: Susanne Regina Meures; Somos Cuba. Buch und Regie: Annett Ilijew; Sonita. Buch und Regie: Ghaem Maghami Rokhsareh; Vom Lieben und Sterben. Buch und Regie: Katrin Nemec.

Das SWR Doku Festival

Das SWR Doku Festival findet im Sommer 2017 zum ersten Mal statt. Gefördert wird es durch das Haus des Dokumentarfilms Europäisches Medienforum Stuttgart e. V., die Landeshauptstadt Stuttgart, die LFK – Landesanstalt für Kommunikation Baden-Württemberg Anstalt des öffentlichen Rechts, die MFG Medien- und Filmgesellschaft Baden-Württemberg mbH, die Norbert Daldrop Förderung für Kunst und Kultur, die Stuttgarter Zeitung Verlagsgesellschaft mbH und die Wirtschaftsförderung Region Stuttgart GmbH.

Die Jury

Bettina Böhler, Filmeditorin (\“The Look – Charlotte Rampling\“, \“Barbara\“, \“Wild\“, \“Axolotl Overkill\“); Katrin Bühlig, Drehbuchautorin (u. a. \“Bella Block\“, \“Tatort\“) und Dokumentarfilmautorin (\“Restrisiko\“); Uli Gaulke, Dokumentarfilmautor (\“Havanna mi amor\“, \“Comrades in Dreams – Leinwandfieber\“, \“Goodbye G. I.\“); Oliver Mahn, Geschäftsführer Filmbüro Baden-Württemberg und Festivalleiter Filmschau Baden-Württemberg sowie Indisches Filmfestival, Regina Schilling, Dokumentarfilmautorin ( \“Titos Brille\“, \“Bierbichler\“) und Autorin; Wolfgang Schorlau, Schriftsteller (\“Die schützende Hand\“, \“Am zwölften Tag\“, \“Rebellen\“); Paul Zischler, Produzent (\“Krieg der Lügen).

Große Vielfalt bei Themen und Handschriften Festivalleiter Goggo Gensch zu den Nominierungen: \“Die Nominierungen für den Deutschen Dokumentarfilmpreis und die anderen Preise des SWR Doku Festivals zeigen einmal mehr, wie wichtig der Dokumentarfilm für das Begreifen unserer komplexen Wirklichkeit ist. Diese Filme liefern uns, jeder mit einer anderen Handschrift, einen tieferen Einblick in verschiedenste Zusammenhänge; sie stellen Fragen und zeigen Kontexte auf. Die Nominierungen überzeugen durch die Vielfalt der behandelten Themen.\“

Deutscher Dokumentarfilmpreis 2017

Nominierungen

Beuys

107 Min.; Buch und Regie: Andres Veiel; Produzent: zero one film; Coproduktion: Terz Filmproduktion, SWR, WDR; Deutschland 2017; Filmförderung: Film- und Medienstiftung NRW, Medienboard Berlin-Brandenburg, FFA, BKM, MEDIA, DFFF

Cahier Africain

119 Min.; Buch und Regie: Heidi Specogna; Produzent: Stefan Tolz; Coproduktion: Peter Spoerri (Produzent) PS Film GmbH Schweiz, ZDF 3SAT; Schweiz / Deutschland 2016; Filmförderung: BAK Ministry of Culture, Switzerland Success Cinema Zurich Film Fund Film- und Medienstiftung NRW UBS Foundation George Foundation Amnesty International Switzerland

Das Versprechen

117 Min.; Buch und Regie: Karin Steinberger, Marcus Vetter; Produzent: Filmperspektive Marcus Vetter; Coproduktion: Louise Rosen/ Ulf Meyer, SWR, ARTE, BR; Deutschland 2016; Filmförderung: MFG Filmförderung Baden-Württemberg, DFFF

Democracy

104 Min.; Buch und Regie: David Bernet; Produzent: INDI FILM GmbH; Coproduktion: Seppia, Cedric Bonin, SWR/ARTE, NDR; Deutschland: 2015; Filmförderung: FFA, CNC, MFG Filmförderung Baden-Württemberg, Deutscher Filmförderfonds, Film und Medien Stiftung NRW, Creative Europe MEDIA, Region Alsace, Eurometropole Strasbourg

Genkingen – ein schwäbisches Volksmärchen 50 Min.; Buch: Erol Papic, Regie: Erol Papic und Valentin Kemner; Produzent: Filmakademie Baden-Württemberg; Coproduktion: Servus TV; Deutschland 2016

Mali Blues

93 Min.; Buch und Regie: Lutz Gregor; Produzent: gebrüder beetz filmproduktion Christian Beetz; Coproduzent: zdf/arte; Deutschland 2016; Filmförderung: Film und Medien Stiftung NRW, Creative Media, Medienboard Berlin Brandenburg, FFA, Deutscher Filmförderfonds

Parchim International

90 Min.; Buch: Stefan Eberlein, Regie: Stefan Eberlein und Manuel Fenn; Produzent: Lemme Film GmbH Kathrin Lemme; Deutschland 2015; Filmförderung: Filmförderung Hamburg Schleswig-Holstein, Nordmedia, BKM, Filmbüro Mecklenburg-Vorpommern DFFF

Pawlenski – Der Mensch und die Macht

99 Min.; Buch und Regie: Irene Langemann; Produzent: Lichtfilm GmbH Wolfgang Bergmann; Coproduzent: SWR, Filmstiftung NRW, BKM; Deutschland 2016; Filmförderung: Film- und Medienstiftung NRW, BKM

Raving Iran

84 Min.; Buch und Regie: Susanne Regina Meures; Produzent: Christian Frei Filmproductions GmbH; Coproduktion: ZHdK, Zürcher Hochschule der Künste; Schweiz 2016; Filmförderung: SRF 3Sat, BAK, Bundesamt für Kultur Zürcher, Filmstiftung Katholischer Mediendienst, Alexis Victor Thalberg Siftung, George Foundation, Filme für eine Welt

Somos Cuba – Wir sind Kuba! 90 Min.; Buch und Regie: Annett Ilijew; Produzent: Simone Baumann; Coproduktion: Friederike Freier, Annett Ilijew; Deutschland 2015; Projektentwicklung unterstützt von: Babelsberger Medienpreis; Bremer Filmbüro / Bremische Landesmedienanstalt; Gerd-Ruge-Stipendium der Filmstiftung NRW. Untertitelung unterstützt von German Films.

Sonita

90 Min; Buch und Regie: Rokhsareh Ghaem Maghami; Produzent: TAG/TRAUM Filmproduktion GmbH & Co. KG Gerd Haag; Coproduktion: Aline Schmid, Intermezzo Films (CH), Rokhsareh Ghaem Maghami (IRAN); Deutschland / Schweiz 2015; Filmförderung: BKM, Film- und Medienstiftung NRW, Bundesamt für Kultur (EDI), Cinéforom et Loterie Romande, Chicken & Egg Pictures, IDFA Bertha Fund

Vom Lieben und Sterben

84 Min.; Buch und Regie: Katrin Nemec; Produzent: Tangram International Dagmar Biller; Coproduktion: HFF München; Deutschland 2016; Filmförderung: FFF Bayern

Bei weiteren Fragen wenden Sie sich bitte an die Geschäftsstelle \“Deutscher Dokumentarfilmpreis\“: Telefon 0711 929 13751, E-Mail: goggo.gensch@swr.de

Pressekontakt SWR: Daniela Kress, Telefon 07221 929-23800, E-Mail: daniela.kress@swr.de

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[womw]

It is true that I have a thing for pilot watches. by wristchecker from Instagram https://www.instagram.com/p/BEna_c9nbIo/

[design-maketh-me]

Comparison of pilot watches under $2,000 

In this video I describe why I settled for a Steinhart Nav B-Uhr 47mm hand wind ETA UNITAS 6497-1. I review half a dozen watches including Kemmner, Laco, Alpino and Archimede.

[watcheswanted]

Kemmner Mechanik SG 8210 Marine - $450

[quickberater]

Ebay Herrenuhren Herren Armbanduhr Kemmner California Automatik http://rover.ebay.com/rover/1/707-53477-19255-0/1?ff3=2&toolid=10039&campid=5337445741&item=352596145177&vectorid=229487&lgeo=1&utm_source=dlvr.it&utm_medium=tumblr %#Quickberater% http://rover.ebay.com/rover/1/707-53477-19255-0/1?ff3=2&toolid=10039&campid=5337445741&item=352596145177&vectorid=229487&lgeo=1&utm_source=dlvr.it&utm_medium=tumblr

[orientandwostok]

Kemmner Seahorse in grey and blue. Available at ebay.de (sellers ebay nickname is "erkahund")

[theasteriskmarksthespot]