#kelsey mckinney | Explore Tumblr Posts and Blogs

mostlysignssomeportents · 1 year

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Oops! All linkdump!

Tonight (May 2) I’ll be in Portland at the Cedar Hills Powell’s with Andy Baio for my new novel, Red Team Blues.

On May 5, I’ll be at the Books, Inc in Mountain View with Mitch Kapor; and on May 6/7, I’ll be in Berkeley at the Bay Area Bookfest.

In 1997, Jorn Barger coined the term “web-log” to describe his website “Robot Wisdom,” where he logged his journeys around this exciting new digital space called “the web.” Two years later, Peter Merholz shortened “web-blog” to “blog”:

https://peterme.com/archives/00000205.html

If you’d like an essay-formatted version of this dump to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/05/02/wunderkammer/#jubillee

Two years after that, I started blogging, when Mark Frauenfelder made me a guest-editor on Boing Boing:

https://boingboing.net/2001/01/13/hey-mark-made-me-a.html

I’ve now been blogging for 23 years, nearly half my life, a near-daily discipline that forms the spine of my writing practice. I take everything that seems important, and, in summarizing it for strangers, embed it in my own mind, and then find connections that turn into essays, speeches, stories and novels:

https://doctorow.medium.com/the-memex-method-238c71f2fb46

For the past 3+ years, I’ve been blogging solo on my Pluralistic.net project. It started off as a “link-blog,” in the Robot Wisdom vein — short hits summarizing interesting things:

https://pluralistic.net/2020/02/19/pluralist-19-feb-2020/

But over the months and years, it’s turned into a place where I write long essays, sometimes six or seven per week, trying to pull on all those threads that I’ve cataloged over the decades, weaving them together into big, thoughtful pieces, often to great and gratifying notice and even a little fanfare:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

But I miss the linkblogging! For the past 14 months, Pluralistic has featured a little section called “Hey look at this,” where I post three short links, bare-bones pointers to interesting stuff online:

https://pluralistic.net/2022/03/01/reit-modernization-act/#linkdump

These links pile up in my todo.txt file, ebbing and flowing. Some days, I’ve got nothing for the section. Some days, I’ve got a backlog. These days, I’ve got a massive backlog — enough links for many, many editions. I am drowning in linkblog debt, and the interest is compounding. It’s time for a jubilee:

https://pluralistic.net/2020/03/24/grandparents-optional-party/#jubilee

Here, then, is the first-ever Pluralistic Jubilee Linkdump Backlog Bankruptcy!

First up:

“The Internet Isn’t Meant To Be So Small,” Kelsey McKinney’s crie-de-coeur for Defector:

https://defector.com/the-internet-isnt-meant-to-be-so-small

This is part of the enshittification canon that includes Cat Valente’s unmissable “Stop Talking to Each Other and Start Buying Things”:

https://catvalente.substack.com/p/stop-talking-to-each-other-and-start

McKinney’s money-shot:

It is worth remembering that the internet wasn’t supposed to be like this. It wasn’t supposed to be six boring men with too much money creating spaces that no one likes but everyone is forced to use because those men have driven every other form of online existence into the ground. The internet was supposed to have pockets, to have enchanting forests you could stumble into and dark ravines you knew better than to enter. The internet was supposed to be a place of opportunity, not just for profit but for surprise and connection and delight. Instead, like most everything American enterprise has promised held some new dream, it has turned out to be the same old thing — a dream for a few, and something much more confining for everyone else.

This doesn’t just make me want to stand up and salute — it makes me want to build a barricade (or a guillotine).

On to “Reddit Data API Update: Changes to Pushshift Access,” a Reddit thread where the volunteer mods are discussing another enshittification move: Reddit’s pre-IPO API shut-down that has broken all the mod tools that volunteers use to shovel out Reddit’s Augean Stables, getting rid of spam and catfishing and fraud:

https://old.reddit.com/r/modnews/comments/134tjpe/reddit_data_api_update_changes_to_pushshift_access/

This isn’t just “stop talking to each other and start buying things” — this is “stop doing billions of dollars in volunteer labor keeping our users safe, and start paying us for the privilege.” Good luck with that, Reddit.

Hey! The Hollywood writers are back on strike! The Guild is a shitkicking, take-no-prisoners, radical union with massive solidarity:

https://www.theverge.com/2023/5/2/23707813/wga-hollywood-writers-strike-2023-streaming-ai-wages-contract

It’s what let them trounce the talent agencies — hyper-concentrated to just four companies, two owned by private equity ghouls — over a 22 month strike:

https://pluralistic.net/2020/11/23/opsec-and-personal-security/#monopsony

The talent agencies had rigged the system so that instead of getting a 10% commission on the writers’ earnings, they were taking as much as 90% out of every dollar — and were about to make it worse, building their own studios, so they could negotiate with themselves on behalf of their clients. In the same week, 7,000 writers — even the ones who weren’t getting screwed — fired their agents, and demanded a return to the 90/10 split and a ban on agencies owning studios. The agencies say nfw. The writers stayed on the picket line.

There’s a whole chapter on this in Chokepoint Capitalism, Rebecca Giblin’s and my book on creative labor markets and monopoly. One of our sources was David Goodman, who led the strike:

https://chokepointcapitalism.com/

David hosted our LA launch, where he told us, “We thought the agencies had all the power. We learned that they only had as much power as we gave them. You can make a movie without an agent. You can’t make one without a writer.”

The new strike is about the same thing as the old strike: shifting money from labor to capital. The studios have figured out how to use streaming to avoid paying writers, using gimmicks like shorter seasons and running their own streaming services to dodge the wages the writers are owed. As the union says, the studios “created a gig economy inside a union workforce.”

I live in Burbank, where many of these studios are located. I’ll see you on the picket line.

Sticking with labor for a moment: the Biden administration is investigating the use of bossware — the spyware your boss uses to monitor your driving, keystrokes, web usage, location, hand-movements, facial expressions, even your eyeballs:

https://gizmodo.com/remote-work-surveillance-software-workers-rights-1850392911

The White House Office of Science and Technology Policy’s Request for Information solicits your experiences with bossware:

https://www.whitehouse.gov/wp-content/uploads/2023/05/050123_OSTP_RFI_PREPUBLISH_.pdf

They want to know:

Workers’ firsthand experiences with surveillance technologies;

Details from employers, technology developers, and vendors on how they develop, sell, and use these technologies;

Best practices for mitigating risks to workers;

Relevant data and research; and

Ideas for how the federal government should respond to any relevant risks and opportunities.

If you’re living under bossware’s yoke — say, if your boss has transformed “work from home” into “live at work,” then you know what to do: melt the switchboard!

One more labor story: a reminder that labor rights are a marathon, not a sprint. A group of Amazon drivers won a $30/hour contract through their union, the Teamsters. Even more importantly, the contract lets them refuse to work under unsafe conditions (it’s never just about money):

https://www.vox.com/technology/2023/4/27/23667968/amazon-contractor-delivery-union-teamsters

But there’s a catch: these are Amazon drivers, but they don’t work for Amazon. They drive Amazon-branded vans, specced down to the last rivet by Amazon. They wear Amazon vests. They deliver Amazon packages. But they work for “Delivery Service Partners,” a kind of pyramid scheme created by Amazon that tricks workers into thinking that paying Amazon for the privilege of working for a trillion-dollar company makes them “entrepreneurs.”

Instead, they’re “chickenized reverse centaurs.” “Chickenized” because — like poultry farmers — they are totally controlled by a monopoly buyer that dictates every part of their business to them, dribbling out just enough money to roll over their loans and go deeper into debt. “reverse-centaurs,” because they’re the inverse of the AI theorists’ idea of a “centaur,” that is, a computer-assisted human. Instead, they are human-assisted computers, with their every last move scripted to the finest degree by bossware that they have to pay for:

https://pluralistic.net/2021/03/19/the-shakedown/#weird-flex

Amazon now has the luxury of terminating its contract with the union’s employer — the cutout that allows Amazon to maintain the worker misclassification pretext that these drivers in Amazon vans wearing Amazon uniforms delivering Amazon packages don’t work for Amazon.

Amazon hates unions in ways that are hard for everyday people to grasp. One of the organizers of the union drive has been illegally terminated in retaliation for his labor activism:

https://news.bloomberglaw.com/daily-labor-report/amazon-delivery-owner-says-he-was-punished-for-supporting-union

This fuckery doesn’t mean that union organizing is dead. As Jane McAlevy writes in “A Collective Bargain,” her superb memoir of her union-organizing career, unions started winning the class war when labor organizing was illegal, fighting in the teeth of a rigged legal system. We won then, we’ll win again:

https://doctorow.medium.com/a-collective-bargain-a48925f944fe

Seeing defeat (seemingly) snatched from the jaws of victory is a major bummer, but a better world is possible. It’s not even complicated — it’s just hard. If you are in precarious housing, or homeless, or if you experience the moral injury of living in a city where your neighbors lack the foundational human right to a home, it’s easy to feel despondent.

But solving homelessness isn’t complicated, it’s just hard. In Finland, they solved homelessness through the simple expedient of giving everyone a home. This didn’t just address the problem of not having a home — it also made incredible progress on the comorbidities of homelessness, like mental health problems and addiction. Turns out, getting sober or getting treatment is a lot easier when you’re not freezing to death on a sidewalk. Whoathunk?

https://www.commondreams.org/opinion/how-finland-solved-homelessness

There are many ways to improve our cities. You can (and should) fight for better local government, but there’s always the tantalizing option of taking matters into your own hands. That’s what the Crosswalk Vigilantes do. They research the intersections where cars are killing their neighbors, then they put on hi-viz vests, set out traffic-cones, and install crosswalks:

https://www.youtube.com/watch?v=x33yLuJ5slI

If you’re wondering how the forces of bossware, homelessness, and other enshittifying factors came to rule, it’s actually pretty straightforward. 40 years ago, we installed a software patch called neoliberalism (in some regions, this patch was had localized names like Thatcherism or Reaganomics).

40 years later, the patch is an unequivocal failure and now it’s our job to roll it back, despite all the broken dependencies this will trigger. Most of us can see this is true, but not The Economist, which Brad DeLong calls “Neoliberalism’s Final Stronghold” in his Project Syndicate article:

https://www.project-syndicate.org/commentary/economist-writers-last-true-believers-in-neoliberalism-by-j-bradford-delong-2023-04

De Long’s catalog of the recent bizarre, delusional work in The Economist embodies Upton Sinclair’s maxim, “it is difficult to get a man to understand something, when his salary depends on his not understanding it.”

Every Naomi Kritzer story is a fucking delight and “Better Living Through Algorithms,” just published in Clarkesworld, is no exception:

https://clarkesworldmagazine.com/kritzer_05_23/

Few writers are better at inhabiting the uncomfortable space between recognizing the delights of the internet without flinching away from its horrors. This one is simultaneously hilarious and horrifying.

If you’re just discovering Kritzer, check out “So Much Cooking,” an eerily prophetic 2015 story in the form of a series of perky cooking-blog posts amidst a global pandemic. It got a much-deserved second life during lockdown’s peak sourdough moment:

https://pluralistic.net/2020/04/17/pack-of-knaves/#so-much-cooking

And then try her at book length! “Catfishing on Catnet” is Kritzer’s book-length adaptation of her Hugo-winning short story “Cat Pictures Please.” It’s an AI caper about cat memes, community, and the anti-enshittification underground:

https://memex.craphound.com/2019/11/19/naomi-kritzers-catfishing-on-the-catnet-an-ai-caper-about-the-true-nature-of-online-friendship/

Speaking of science fiction: I’ve got a new novel out. Red Team Blues is an anti-finance finance thriller, a heist book about cryptocurrency and forensic accounting with a 67-year-old hero, Marty Hench:

http://redteamblues.com/

The book came out last week and I am still in the nailbiting interregnum where its fate is unknowable — will it be another bestseller, or fizzle? Thankfully, the reviews have been stunning. Mitch Wagner calls it “the most exciting technothriller about a 67-year-old accountant you’ll read this year”:

https://mitchw.blog/2023/04/25/warning-cory-doctorows.html

Mitch ruminates some on the distinctive way I’m handling Hench’s aging process in this book and its two (at least sequels). Reading other peoples’ insights into one’s own work is a wild experience. I mean, it’s nice when a reader notices something you worked hard to put in there, and frustrating when a reader imagines something that definitely isn’t there.

But the best thing is when a reader notices something that you didn’t consciously put in there, but which is undeniably there, and also very cool. In his Locus review, Paul DiFilippo homes in on the way that Marty Hench is totally reliant on his friends and comrades to get out of hot water:

https://locusmag.com/2023/04/paul-di-filippo-reviews-red-team-blues-by-cory-doctorow/

Marty is besieged and almost helpless without the aid of friends, acquaintances, and even strangers. He is no go-it-alone superman, but rather an individual tied into a network of humanity, relying on the goodness and altruism of his fellows for survival.

This is so right. Marty is no great man of history — he is part of a polity, a collective of people from all walks of life who try hard to help each other. Call it solidaritypunk. Also, Paul opens his review with “I can’t possibly say enough good things about Cory Doctorow’s new novel.” I mean, who can complain about that?

I was also very gratified by Henry Farrell’s Crookedtimber review, which says some very nice things about the way I work in technical detail, and suggests that this technique is one that all kinds of technical experts, policy wonks and scientists could learn from:

https://crookedtimber.org/2023/04/27/red-team-blues-and-the-as-you-know-bob-problem/

Which makes Matt Green’s review, where the eminent cryptographer digs into the cryptographic technical details of the book, especially delicious. Green is a brilliant scientist and science communicator, and he says I get it right, and do it well:

https://blog.cryptographyengineering.com/2023/04/24/book-review-red-team-blues/

One of the first reviews to hit the web came from Matt Haughey, AKA “Metafilter Matt,” who called it “a ‘ripped from the headlines’ romp”:

https://a.wholelottanothing.org/2023/04/25/red-team-blues-is-a-fun-ripped-from-the-headlines-romp/

Matt’s fellow PDXer and olde timey blogger, Andy Baio, called it “a wild ride”:

https://waxy.org/2023/04/cory-doctorows-red-team-blues-is-out-now/

Andy is my host at tonight’s book signing in PDX, at the Powell’s in Cedar Hills:

https://www.powells.com/book/red-team-blues-martin-hench-1-9781250865847?partnerid=33241

As I type these words, I am sitting in a window-seat on Alaska Air, en route to Portland for that event. I am wearing slip-off shoes, a jacket with pockets of sufficient volume to store my watch, wallet and belt, and socks that I don’t mind exposing to a dirty airport floor. As I shuffled through the TSA checkpoint an hour ago, I found myself looking on the beleaguered “officers” who were patting people down with pity and even a little sympathy.

The TSA is an abomination. A boondoggle that doesn’t make aviation safer, lights billions on fire in lost productivity, wages and capital equipment. Its legion of underpaid, miserable workers invade the privacy and even sexually assault millions of Americans every day, and have been at it for decades without any sign of stopping or even slowing down.

The agency is now 20 years old, and it just keeps getting worse, finding new ways to make America hate it. Reading “The Humiliating History of the TSA,” Darryl Campbell’s giant reckoning in The Verge was a wild ride, and a reminder that while most of us only interact with the TSA’s awful, inexcusable policies a couple times a year, TSA workers live with it every day:

https://www.theverge.com/c/23311333/tsa-history-airport-security-theater-homeland

Before I close, please let us have a moment to acknowledge the passing of Gordon Lightfoot, the Canadian music legend, who has just died at 84. He will be missed:

https://www.joeydevilla.com/2023/05/01/r-i-p-gordon-lightfoot/

All right, it’s time to hit publish on this linkdump, but before I go, a couple of absolutely lovely little webtoys and grace-notes for you to take away:

Womprat (the font you’re looking for) is the world’s greatest Star Wars font collection:

http://womprat.xyz/

And finally, Tumblr, now owned by WordPress parent company Automattic, is striving mightily to reverse decades of enshittification from Yahoo and Verizon. They’re leaving very heavily into listening to their users, paving the desire-paths and putting the community ahead of any other priority.

One place where that is paying unexpected dividends is their deeply weird little merch store, where you can buy up to 24 blue checkmarks to appear on your posts (they sell in pairs at $8). Even better: they’re now selling a 3D printed, light-up, Tumblr-themed Dumpster-Fire:

https://shop.tumblr.com/product/tumblr-dumpster-fire-3d-print/

The dumpster-fire was hoisted from a community member, who made their own, sent it to management, and struck a bargain to sell them through the store. And that, ladies and gentlemen, is how you make sarsaparilla when life gives you SARS.

Catch me on tour with Red Team Blues in Mountain View, Berkeley, Portland, Vancouver, Calgary, Toronto, DC, Gaithersburg, Oxford, Hay, Manchester, Nottingham, London, and Berlin!

[Image ID: A page of comic book 'small ads.']

#pluralistic #hey look at this #web-log #linky linky #bricolage #linkdump #linkblogging

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iantimony · 17 hours

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Another Doublepost

last monday i was told, surprise, you are giving a presentation on your work to a small group of experts! and i shat my pants a little and hyperfocused on that for two days so no tuesday last week. presentation went really well, i survived!

listening: saw ELO concert last week, that was good ... ngl the lead singer guy was not looking too hot but it was a good concert nonetheless.

the fine art of takin' it slow (milly raccoon): i forget how i got recommended this? maybe some list of queer/alt country? only listened to a little bit of this album so far but i liked this song a lot.

found freshman biology on instagram but i think i have to be in a very specific mood to listen to them. very goblin-core type of thing, really interesting instrumentals, but i tried some of it and i definitely have to be in a very chill headspace to not get uptight listening to them.

chips & dip (extra chunky) (sam greenfield): finally listened to the whole album 'sam greenfield sucks', it whips ass, highly recommend; this version of the song on the album is only like 90 seconds which is criminal and i guess this is not an unpopular opinion because a month ago he did an extended version. delicious.

love and death (ebo taylor): also forget how i got this one. some really jammy jazz.

the next few from daylist:

mountains (message to bears), the sense of me (mud flow): smooth guitar. would be good for yoga background music probably.

but wait, there's more (ben folds): anxiety song

last night i did a terrible thing (fever dolls): kind of song that makes one sway side to side. harmonica doin a lot in this one.

runner up (al olender): sleepy lil song.

clean slate (mountain goats): went on a brief mountain goats kick when i thought i would go to their concert in [redacted]; did not do so but still have been enjoying their songs coming back up in my rotation.

really sad because .. i forget if it was last weekend or the upcoming weekend .... but basically there's a lot of good local events in my town that i am not there for :( including performances by some really dope bands.

amchoor (balkan paradise orchestra): as a horn player i am in physical pain to miss this performance :(

allenby (yemen blues): really good overlaying of instruments with the brrrrr sound in the guitar.

and chopin :) classic.

reading: Chappell Roan Confronts The Sickness Of Modern Fandom (kelsey mckinney): did hear about this in a dangelo wallace video. man this fucking sucks for her but good for her for setting hard boundaries and not letting angry weirdos dictate what she should be okay with.

Don't Prep Plots (justin alexander): good tabletop gm philosophy, one that i think i have unconsciously been doing for a while simply because like it says in there, it's so much more work to prep Plots capital P as if it were a novel, and i have always been a work smarter not harder kinda gal. definitely one of my biggest strengths as a gm is my ability to make situations and let the players fill it in, i think. one of the reasons i am still running that dnd group despite it all is because of the validation of being told how good a gm i am, lol.

the two fics in Shang Qinghua Becomes An Isekai Protagonist Love Interest by daddykeehl; cute and fun.

i was looking into Bra Alternatives and ended up on reddit where some articles on shortstays and regency clothing were linked: Underwear: what was worn under Regency gowns? and Historical costume pics: gowns, petticoats, dolls, even men. honestly pretty interesting! i have never really touched regency era in any capacity or media - art, fiction, fashion history, any of it - so this was definitely a cool first peek.

Is it possible to keep your voice and soul while writing for an international market? (Sascha Stronach) and The Uncanny Valley of Culture by damon: two articles from nz and australia respectively about how man, all english-speaking media really does focus on and cater to the american audience, and that fucking sucks.

also the wikipedia page for the ham sandwich theorem. just because.

watching: this video linked in this post. interesting!!!! i love optics i love physics.

some weird history food videos - pizza hut and papa johns, specifically.

playing: fallow but bonus screenshot from playing stray a few weeks ago (already that long. god)

making: incredibly funny and weird but my friend discovered a scifi/fantasy writing contest that is. like. funded? inspired by?? l ron hubbard. my friend did Not know who that guy was so i got to explain that which was fun. but there's a Free Online Workshop that my friend was like hey. we should do this together. and i was like sure why not. so now i am doing the free l ron hubbard writing workshop tm. so that's back in the writing zone for the first time in. a while.

sorry did not crop my images before uploading them to postimages and i simply cannot be assed to reupload.

can finally share these !! embroidered some patches for my friend's bachelorette party :) she does read these sometimes so i didn't want to accidentally spoil it. the bachelorette was summer camp themed and it was very cute. we made tie dye shirts and smores and played board games and all around had a lovely time.

finished painting the underglaze on this bird bowl. have literally been micromanaging it since april. enough.

started painting some new fat horses and cave painting hands but i am unsatisfied. dunno yet. don't love the mug shape either and given how long it's gonna take to paint all those fucking hands on there ... i wonder if i could make a stamp. that would be really helpful actually. hmm.

some glaze kiln came out! bf made the world's goofiest chopstick rest based on sacabambaspis, i glazed it for him, and it's so silly. a very boring flowerpot came out. disappointing because i was going for this glaze layer. didn't do a thick enough coat of the vert lustre? the vert luster itself is too watered down? not enough texture on the piece despite the ridges? all of the above? idfk. i even made an insane chart of all the amaco glazes in the studio and how they might layer. sigh.

pillbug coaster in progress to match my worm coaster which i thought i posted but now i don't remember. i think i posted it before the kiln but it has since kilned and i can't actually find a photo? it came out well though lol. when i get back to apartment i will take a photo of it.

my magic the gathering gaming group made our friend some coasters at one of those paint pre-made pottery places and they came out cute!

eating: last night made some deb smittenkitchen and by god she's done it again. fall bliss salad: yeagh. really good. i simply was not going to blitz the shallots in anything so i just chopped em up after roasting and mixed them in. had to use dried cranberries instead of pomegranate because grocery store limitations but that was still very tasty and served a similar niche. lemon chicken with potatoes and chickpeas: so because of a different oven chicken thighs recipe i like that has radishes i added radishes to the veggies. i also had to double the recipe and, uh oh, potatoes super would not fit in there, so i just did normal-ass baked potatoes and they were good. really satisfying meal, the amount of chopping means it's definitely more than 10 min prep but once all was chopped it all came together nicely.

i've started looking at some of her rosh hashanah recipes for next week ... she has a crazy russian layered honey cake that looks great but is a multi-day project so i think not. her normal honey cake looks great, and so does her brisket, so that's what i'll be doing. i haven't done rosh hashanah with my family in years so it will be nice.

misc: bonus image from my apartment. i miss her.

my brother is having A Procedure done today and we're all shitting our pants only a little bit about it. my mom dropped his ass off at 6am and now we're just ... waiting.

#tuesdayposting #Spotify

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realitytvbacheloredition · 5 months

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Sources Used For This Blog

Ballhaus, Louisa. “The Age Diversity on ‘The Golden Bachelor’ Is Great. the Size Inclusion Is Nonexistent.” Cosmopolitan , 2 Nov. 2023, www.cosmopolitan.com/entertainment/tv/a45666445/the-golden-bachelor-size-diversity/.

Cloud, Dana. “The irony bribe and reality television: Investment and detachment in the bachelor.” Critical Studies in Media Communication, vol. 27, no. 5, Dec. 2010, pp. 413–437, https://doi.org/10.1080/15295030903583572.

Dubrofsky, Rachel E. “the bachelor: Whiteness in the Harem.” Critical Studies in Media Communication, vol. 23, no. 1, Mar. 2006, pp. 39–56, https://doi.org/10.1080/07393180600570733.

Lindenfeld, Laura A. “The surveillance of women on reality television: Watching ‘The bachelor’ and ‘The bachelorette.’” Quarterly Journal of Speech, vol. 99, no. 3, Aug. 2013, pp. 386–389, https://doi.org/10.1080/00335630.2013.812319.

McKinney, Kelsey. “The Bachelor Franchise Is Sexist and Needs to Go.” Vox, Vox, 5 Aug. 2014, www.vox.com/2014/8/5/5814026/-the-bachelor-sexist-ban-it.

Siwak, Miranda. “Bachelor’s Victoria Larson Slams Producers over ‘Worst Experience.’” Us Weekly, 6 Apr. 2022, www.usmagazine.com/celebrity-news/news/bachelors-victoria-larson-slams-producers-over-worst-experience/.

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threeguysinatrenchcoat · 7 months

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sometimes my five-year plan is become Kelsey mckinney's wife

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huffineskiamckinney · 11 months

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Congratulations Kelsey on your #Kia #Telluride from Jackie Munger at Huffines KIA McKinney!

#Kia #Telluride #NewCar #HuffinesHasIt

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eccentric-ocean · 1 year

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Podcast recommendation: Normal Gossip

Normal Gossip delivers juicy, strange, funny, and utterly banal gossip about people you’ll never know and never meet. Host Kelsey McKinney discusses reader-submitted comedic gossip with guests, diving into the lives and decisions of complete strangers. The second-hand truth really is stranger than fiction. Produced by Alex Sujong Laughlin. Show art by Tara Jacoby.

#Spotify #podcast

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cromwelll · 1 year

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January - June 2023 New-to-me Media

Key:

Book

Documentary

Movie

Podcast

Show

January

Nobody is Ever Missing by Catherine Lacy

Rehash hosted by Maia (Broey Deschanel) & Hannah Raine

Normal Gossip hosted by Kelsey McKinney [eventually dropped]

Magic Lessons by Alice Hoffman

Beowulf

Speak No Evil by Uzodinma Iweala

February

This One Summer by Jillian & Mariko Tamaki

March

Sir Gawain and the Green Knight

Zami by Audrey Lorde

BBC Ghosts (season 4)

History of the World Parts 1 & 2

Dr. Faustus by Christopher Marlowe

Fun Home by Alison Bechdel

April

Dawn by Elie Wiesel

Oroonoko by Aphra Behn

Stuffed You Missed in History Class hosted by Tracy B. Wilson & Holly Fray

If Books Could Kill by Michael Hobbs & Peter Shamshiri

May

A Man Called Otto

Suits (seasons 4-6)

Girl, Interrupted by Susanna Kaysen

Anna Nicole: You Don't Know Me

The Great (season 3)

June

Clover by Dori Sanders

Wilder hosted by Glynnis MacNoil

Games & Feelings hosted by Eric Silver

Passing by Nella Larsen

Seize the Day by Saul Bellow

Daisy Miller by Henry James

The Turn of the Screw by Henry James

The Bear (season 2)

To a God Unknown by John Steinbeck

The Yellow Wallpaper & Other Writings by Charlotte Perkins Gilman

#media #books #t.v. shows #documentaries #podcasts #personal #op #movies‚ film‚ and cinema

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clancyycat · 2 months

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mid year book freak out

tysm for tagging me @godofsmallthings !

number of books you’ve read so far: 16

best book you’ve read so far in 2024: probably there’s always this year by hanif abdurraqib or ocean at the end of the lane by neil gaiman

best sequel you’ve read so far in 2024: gregor and the code of claw i think! by suzanne collins it’s the fifth and final book of that series

new release you haven’t read yet but want to: i also don’t pay too much attention to new releases but a traveler’s guide to the end of the world by david gessner came out last year and i want to read that! (david is one of my teachers i had this past semester and he’s a fucking HOOT i love him sm)

most anticipated release for the second half of the year: i don’t think this comes out until early next year but you didn’t hear this from me by kelsey mckinney! also obviously sunrise on the reaping by suzanne collins (sorry for cheating)

biggest surprise: the ocean at the end of the lane i think. or the christie affair by nina de gramont (both so so good)

favorite new author (debut or new to you): i’m going to have to say hanif abdurraqib for this one

newest fictional crush: uhh i guess luxa from the underland tales (but she’s 11 so in a ‘i think ur a badass little kid, let me be ur older sister’ way)

book that made you cry: i don’t think i have cried over any books this year??? i’ve been busy crying about everything else

most beautiful book you’ve bought so far this year (or received): tbh i haven’t bought many books this year but my most recent library borrow is the heaven and earth grocery store by james mcbride and the cover of it is so striking it’s what made me pick it up in the first place

book that made you happy: the christie affair was such a fun read and it had a very agatha christie-esque murder mystery in the middle of the plot i loved it

what books do you need to read by the end of the year?: i want to finish the heaven and earth grocery store! also want to finish wolfish by erica berry and read the candy house by jennifer egan, big magic by elizabeth gilbert, pilgrim at tinker creek by annie dillard, and at least one more of hanif abdurraqib’s books!

i’m tagging @allyouzombies @dune1984 @cassscainss @irulancorrino and anyone else who wants to do it please do and say i tagged you!!!

#this was fun thanks vi!#books

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cinema-tv-etc · 1 year

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Disney Didn’t Invent Cinderella 💃

Disney Didn’t Invent Cinderella. Her Story Is at Least 2,000 Years Old The real Cinderella weaves together centuries of storytelling through dozens of cultures. Vox * Kelsey McKinney

illustration of a girl running, leaving a slipper behind A 1920s lithograph of Cinderella illustrated by Maud Trube. (Getty)

You know Cinderella. Of course you do. She's a part of the cultural ether, one of those characters we get to know by osmosis. She's a princess. She wears a beautiful dress with a shiny headband, glass shoes, and long white gloves. She overcomes the adversity of her wicked stepmother and stepsisters, who treat her as their maid, so she can meet and dance with a very handsome prince, then hurry home before the clock strikes midnight and her carriage becomes a pumpkin again. But that's not the real Cinderella. That's the Disney Cinderella, the one from the 1950 animated film and the new remake in theaters right now. The real Cinderella isn't so easily defined. She is a character who weaves together centuries of storytelling and most human cultures. And sometimes her forgotten slipper isn't even glass. The first Cinderella was Greek There are two faces to Cinderella: there's the European folk tale that evolved into the modern-day story of a girl in a big blue ball gown, and there's the centuries-old plot that has been passed between cultures for millennia. The story of overcoming oppression and marrying into another social class to be saved from a family that doesn't love or appreciate you is an incredibly powerful one, too powerful to be contained by the story we all know. At the center of most Cinderella stories (whether they use that name for their protagonist or not) is one thing: a persecuted heroine who rises above her social station through marriage. The first recorded story featuring a Cinderella-like figure dates to Greece in the sixth century BCE. In that ancient story, , a Greek courtesan named Rhodopis has one of her shoes stolen by an eagle, who flies it all the way across the Mediterranean and drops it in the lap of an Egyptian king. Taking the shoe drop as a sign from the heavens (literally and metaphorically), the king goes on a quest to find the owner of the shoe. When he finds Rhodopis, he marries her, lifting her from her lowly status to the throne.

Another one of the earliest known Cinderella stories is the ninth-century Chinese fairy tale Ye Xian, in which a young girl named Ye Xian is granted one wish from some magical fishbones, which she uses to create a gown in the hopes of finding a husband. Like Rhodopis' tale, a monarch comes in possession of the shoe (this time, the shoes have a gold fish-scale pattern) and goes on a quest to find the woman whose tiny feet will fit the shoe. Ye Xian's beauty convinces the king to marry her, and the mean stepmother is crushed by stones in her cave home.

Illustration for fairy tale Cinderella. Artist: Rackham, from 1939

The European version of the story originated in the 17th century In total, more than 500 versions of the Cinderella story have been found just in Europe, and the Cinderella we know best comes from there (France, specifically).

The first version of Cinderella that bears a significant similarity to the most famous version emerged in the 17th century, when a story called /Cenerentola /was published in a collection of Italian short stories. /Cenerentola/ has all the ingredients of the modern-day tale - the wicked stepmother and stepsisters, the magic, and the missing slipper - but it's darker and just a bit more magical.

In the story, a woman named Zezolla escapes the king, who wants to marry her, at two separate celebrations - before he finally catches her at the third one and prevents her from leaving.

**Instead of a story of requited love, /Cenerentola/ is a story of forced marriage and six very wicked stepsisters.

Sixty years later, the Italian tale got a French twist and became the story we know. In /Cendrillon, /Charles Perrault - a French writer credited with inventing the fairy tale - cast the form that Cinderella would take for the next 400 years. He introduced the glass slipper, the pumpkin, and the fairy godmother (minus the bibbidi bobbidi boo). This is the version Disney later adapted into its animated classic.

Circa 1830: Cinderella, having tried on the glass slipper, produces its fellow. Etching by George Cruikshank as an illustration for Grimm's "Aschenputtel." (Photo by Hulton Archive/Getty Images)

The Brothers Grimm had a, well, grimmer take on the tale The Brothers Grimm also collected the tale in their famous fairy tale compendium. That story, called /Aschenputtel /(/Cinderella/ in the English translations), appeared more than 100 years after Perrault's version in the 19th century. Aschenputtel is a much darker tale. Cinderella's wishes come not from a fairy godmother but from a tree growing on her mother's grave. Her father, instead of being absent as in Perrault's tale, is willfully ignorant of his daughter's suffering. In the Grimm version, the heroine's slippers are made of gold (not glass), and when the Prince comes to test the stepsisters' feet for size, one of them cuts off her own toes to try and make the shoe fit. In the end, Cinderella marries the prince, her stepsisters serve as her bridesmaids, and doves peck their eyes out during the ceremony. It is, needless to say, a beautiful tale for children.

Did /Cinderella/ invent the Wicked Stepmother trope?

In a word, no.

Many fairy tales that have their roots in the 17th century, including /Snow White /and /Hansel and Gretel, /feature evil stepmothers who seek to ruin the protagonist's lives. In all of these stories, the stepmother's main enemy is the stepdaughter - a living, breathing reminder of her husband's first marriage.

But plots don't just emerge out of nowhere. Most are pulled from real-life scenarios or at least real-life feelings. As Dr. Wednesday Martin, author of the book /StepMonster/, wrote for Psychology Today, "Stepmothers are frequently singled out for very bad treatment indeed by stepchildren who pick up on their mother's anger and resentment and become her proxy in their father's household."

And this is no new problem. Stepmothers, historically, were a very common occurrence not because of divorce and remarriage but because so many women died during childbirth. This meant the new wife (and her children) were in direct competition with the first wife's child not just for love, but also for the inheritance that would decide which station of society they belonged in after the husband's death. Thus, the idea became an overused trope.

This also points to what /Cinderella/ is really about - money. Cinderella/ is a story about class warfare At its core, /Cinderella/ is about how dependent women once were on men to determine their place in the world.

Cinderella begins the story as the daughter of a wealthy man. She is an upper-middle-class girl with good prospects who could potentially marry into an upper-class family with even more prospects. But once her mother dies and her father remarries, her position in the family shifts, and her marriage is no longer the primary focus of the family.

"He would improve her position in society, and thus improve her life"

This is common in many other stories that employ this same theory. Consider /Pretty in Pink, My Fair Lady, Pride and Prejudice, /and /Pretty Woman/, to name a few stories in which a man's attractiveness is greatly enhanced by having a lot of money. Sometimes, the love affair is between an upper-class woman and a working-class boy. Think /Titanic /or/Aladdin. /

The original /Cinderella, /written by Perrault, is even more blatantly about social class because its true moral is that by being nice and beautiful, a woman can earn herself a better life. Thus, /Cinderella/ as Disney retold it in 1950, is the true embodiment of what that time period thought of as women achieving the American Dream — not through work, but through marriage.

Disney chose to adapt /Cinderella/, instead of /Aschenputtel/. The former needed help to get anything done and had very little freedom, while Aschenputtel does many things of her own free will. Or, put another way, Cinderella has to be home at midnight. That's just when Aschenputtel decides to leave.

This post originally appeared on Vox and was published March 15, 2015.

#Cinderella #Cenerentola #Cendrillon #fairy tale #Fairy Tales

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