#jumanmalouf

[redmaps]

Smooth pastel textures of the #wesanderson and #JumanMalouf Vienna themed Bar Luce at Fondazione Prada. #redmapmilan #vienna #kunsthistorischesmuseum #milan #italy maps #travel #design #vienna #austria (at Fondazione Prada) https://www.instagram.com/p/B6BXBmzADS-/?igshid=1gc7ffh86llzh

[affection-and-queries]

Introduction to exhibition catalog: "Spitzmaus Mummy in a Coffin and other Treasures” (Kunsthistorischen Museum, 2018) curated by Wes Anderson and Juman Malouf:

“While Juman Malouf and I can take no credit for the conception and creation of any of the works of art included in this exhibition, we do harbor the humble aspiration that the unconventional groupings and arrangement of the works on display may influence the study of art and antiquity in minor, even trivial, but nevertheless detectable ways for many future generations to come.

“Some of the links are more immediately apparent than others. We situate the seventeenth century emerald vessel in a confined space opposite the bright green costume from a 1978 production of Hedda Gabler in order to call attention to the molecular similarities between hexagonal crystal and Shantung silk; we place the painting of a seven-year-old falconer (Emperor Charles V) next to the portrait of a four-year-old dog owner (Emperor Ferdinand II) in order to emphasize the evolution of natural gesso; a box for the storage of Spanish powdered wigs goes next to a case for the storage of the crown of the king of Italy because both were so clearly shaped and formed by the introduction of the hinge. The list goes on.

“True: one of the Kunsthistorisches Museum’s most senior curators (educated, of course, at the University of Heidelberg) at first failed to detect some of the, we thought, more blatant connections; and, even after we pointed most of them out, still questions their curatorial validity in, arguably, all instances. But, should our experiment fail on these levels, we are, nevertheless, confident it will, at the very least, serve the purpose of ruling out certain hypotheses, thereby advancing the methods of art history through the scientific process of trial-and-error. (In this case, error.)

“Our hope, however, is we will shed some light into corners that had previously been too dim for comfortable viewing.“

[traceymhawk]

#illustration #bookillustration #bookcoverdesign #jumanmalouf

[amirshariat]

One of the many often overlooked artworks, Franz Xaver Messerschmidt, from the Kunsthistorisches Museum Vienna collection selected by Wes Anderson and Juman Malouf for “Spitzmaus...” #wesanderson #vienna #jumanmalouf #jaspersharp #kunsthistorischesmuseumwien #spitzmaus #franzxavermesserschmidt (at Kunsthistorisches Museum Vienna) https://www.instagram.com/p/Bp0LZsBldES/?utm_source=ig_tumblr_share&igshid=1e1e1mmmczngy

[arsenicmedia]

Just finished The Trilogy of Two by Juman Malouf and starting Hex by Thomas Olde Heuvelt. #thetrilogyoftwo #jumanmalouf #hex #thomasoldeheuvelt #booksimreading #youngadultfiction #horrorfiction #books #readingisfun #instagood

[barkframeworks]

We recently framed a series of drawings by artist and writer Juman Malouf, from her debut novel "The Trilogy of Two." The maple frames, sprayed white, allowed Malouf's intricate pencil drawings to take center stage at the @drawingcenter, where Malouf and friends celebrated the book last month. For more on "The Trilogy of Two," visit www.jumanmalouf.com Photo courtesy of Juman Malouf. #jumanmalouf #thetrilogyoftwo #drawings #worksonpaper #customframing #stemframes #spraywhite #artistsframes #thedrawingcenter #mapleframes #FramedByBark (at The Drawing Center)

[arsenicmedia]

Starting The Trilogy of Two by Juman Malouf today. She is known for her beautiful work with Wes Anderson. This is her first novel. #thetrilogyoftwo #jumanmalouf #scottgoergens #currentlyreading #bookstagram #youngadultfiction #illustrations #whatimreading