#julian morris gifs

[anthonysperkins]

I wanna tell everyone I know I love you I wanna touch the scars And break the chains that hold you But I won’t start Til the sun dips down

Julian Morris and Landon Ross MGMT - Dancing In Babylon (feat. Christine and the Queens)

[henrypratt]

[wicked-ever-after]

Julian Morris

By clicking THE SOURCE LINK BELOW you will find 032 gifs of JULIAN MORRIS in Pretty Little Liars 01x01 for roleplaying purposes. They were made from scratch by me so please like and/or reblog this post if using, or give any form of credit.

[amth-reblogs]

adelaide kane x julian morris

[camyfilms]

LITTLE WOMEN 2017

My wedding? Oh no, Laurie. There should always be at least one old maid in the family, and I’ve made up my mind that it’s going to be me.

[thecrackshipdiaries]

Elle Fanning and Julian Morris

[seizethenightagain2]

The tenderness 😘

Then the passion 💜

Superb series that makes me cry everytime I watch A must see 👍👍

[leasden]

une future famille

[sororityrows-blog]

Sorority Row (2009)

Claire Wen, Charlene "Chugs" Bradley, Jessica Pierson, Mickey Donaldson, Kyle Tyson, Andy Richards and Ellie Morris at graduation day at college.

[anthonysperkins]

Two ships in the night Quietly signaling from the bow Don’t you miss feeling like You could run away And nobody had to know? When our time is up Call the captain tell him to let me off

Landon Ross and Julian Morris MGMT - Dancing In Babylon (feat. Christine and the Queens)

[henrypratt]

[tanyaschampagne]

5 details from the funeral scene that I think about too much

dissecting the funeral scene in The Gilded Age and why it told us more about Anne and Patrick’s family life than any other moment in season 1

I’ve been rewatching the first four episodes like a maniac waiting for season 2 to come along, and recently I’ve noticed a few too many little details that normal (speak: sane) people may have not caught onto that I thought were worth pointing out.

1. The children.

The funeral scene is the only one where we see the Morris children in the entirety of the show. Anne mentions the kids towards the end of episode 3, saying that “Will is upstairs” and “Louise is on her way” moments before Patrick takes his life. Patrick then proceeds to praise them and their family life, and what good children Anne has managed to raise (all to her getting suspicious that something must be wrong - which in itself is a big enough implication to dissect in a different post). Up until the opening scene of episode 4 we don’t know how old the children are, only the blood-stained picture in Patrick’s room, right before the credits roll at the end of episode 3 gives us a hint that Louise is the older sibling, that’s all.

Then, we see them at the funeral. And I have so much respect for whatever those two extras (never found out their names, but shout-out to those two!!) did playing those kids for a few seconds. Will is clearly in shock, completely dissociating (considering he was the one who was upstairs to find Patrick dead on the floor before Anne could rush up the stairs… yeah…). Like, that child is going THROUGH IT.

I fully love the little attention to making them seem grown-up but clearly they aren’t. Will with the cane and hat, looking like he cosplayed as an adult (especially with all the other men around him wearing similar attire). Louise has the same hairstyle and stance as Anne and you can just see this little girl trying to be like her mother. It’s so headcanon but this moment truly proves that Anne was completely idolised as this unbreakable force in Louise’s life, that this child is even trying to keep it together after her father died, and it’s just so gut-wrenching because Anne clearly can’t keep it together.

2. White carnation.

It’s a short frame, barely recognisable. But the only flower laid at Patrick’s grave is the one Anne puts on top of the coffin. White carnation. While carnations are a pretty traditional flower for funerals, white carnations in particular convey deep sorrow. As they’re usually linked to innocence and purity, as well as loyal love, they were used to mourn children gone too soon; to mourn those gone under circumstances that were not in their hands. The fact that Anne chose white carnation, rather than red carnation (which is the traditional pick for a widow as it symbolises passionate and admirable love), shows just how much she was convinced that Patrick’s untimely death was not his fault nor an act tainting his name. And her silence paired with the white carnation is the perfect counterpart to the later rather loud comment by a family member on how he doesn’t even deserve a grave to begin with.

3. The Fanes and their relation to the family.

When the camera pans higher above the crowd, we see the other people that attended the funeral. Right next to Anne and the children are two other couples, the rest of the family is opposite them, with the grave separating the two sides.

With the back and forth between the funeral scene and the scene at the town hall of George and the aldermen looking at the blueprints which takes place simultaneously, it adds meaning that Charles Fane, an alderman himself, skipped the meeting to attend his friend’s funeral. (We’re gonna overlook how quickly Charles threw Patrick’s legacy under the bus after finding himself in a similarly tough financial situation).

The more notable thing however, is the fact that Aurora and Charles are standing right next to Patrick’s immediate family - Anne and the children - implying their connection to the family was closer than simply friendship. They would be standing farther away… if they weren’t tied to Anne and the children, e.g. by being the kids’ godparents. This theory would explain not only why they’re standing where they’re standing but also why later, while everybody else quite literally turns their back on Anne and the children during the departure, Aurora and Charles take the carriage right behind theirs, walking with them. It also explains why Charles was willing to aid Patrick if his debt hadn’t been that big of a financial ruin, and (without the queercoding etc) why Aurora’s betrayal is such a devastating revelation to Anne.

4. Aurora being the only one to look at Anne, and the only one to follow her.

Just as I mentioned, Aurora and Charles are the only ones to walk behind the Morrises after the funeral. The small crowd dissolves in all directions but throughout the whole scene nobody looks at Anne or acknowledges her grief. Quite the contrary: from the distant side of the family, a ginger woman spends the only dialogue of the scene shittalking Patrick and how he didn’t deserve to be buried in consecrated ground (which earns her quite the deathglare from Aurora). (quick psa: I DO believe that the woman is supposed to be Anne’s “unbearable aunt Susan” from episode 2, which Patrick mentions as they walk up the stairs to the Russell House, right after Anne makes the Dido reference).

I'll let the GIFs speak for themselves - cause the cinematography is insanely heavy with implications of loyalty and support.

also, Aurora looking at Anne, then looking at Charles, then initiating them following Anne and the children?? (I am madly sobbing)

5. Anne losing her balance.

The entire scene, Anne spends in devastation, don’t get me wrong. But it’s quiet devastation. She doesn’t say a word, you don’t see her cry, you barely see her face as the veil covers all her features. She doesn’t turn to lean on anybody, she doesn’t sob or embrace her children. Even though she’s grieving, she’s very much still the poised woman of high society, and it shows. Until, right at the end of the scene, she walks over to the carriage with the children and finally let’s go. As she’s about to get into the carriage, she loses her balance, ever so slightly, and a gloved hand comes to her help, steadying her. Without a word, she tries to overplay it, gets in, and lowers her head. Her children sit across from her.

totally not gonna put the little not-so fun fact here that this was the final filming day of the entirety of the first season and that katie and kelli wrapped together - totally not gonna do that and add to the devastation that this was the last scene they filmed together before katie was written out of the show

[just-joy-for-you]

              take my hand

                            show me what it means to be

                                              l o v e d

[mynerdcorneroftheworld]

Cole uses nonmagical legal means to manipulate the sisters in giving him ownership of the manor and access to the Nexus. Paige is arrested, P3 fails a health inspection and Phoebe is replaced by a shape-shifter.

      5x11      The Importance of Being Phoebe

[comiiical]

Like for a starter from Stephen. It's saturday, so I have in mind soft but intimate and touchy stuff, so nothing will likely be non romantic unless the situation befits it, or your muses do not meet. you must comment which FC/Verse you want of him (I will high light the loudest verses too in case you need help deciding):, you also need to specify who you want it for, because that's the only way I can make a decent starter

Mainverse: Thomas Doherty, Oliver Stark, Robbie Amell, Ian Bohen, Tom Ellis, Henry Cavill, Stephen Amell, Karl Urban, Josh Duhamel, Richard Madden

TVD verse: Thomas Doherty  (first vampire turned by Kol back in the 10th century times)

TW verse: Thomas Doherty (raised by Prue and Andy)

Spider(witch)verse: Elias Kacavas, Nick Robinson, Aaron Taylor Johnson, Colin O'Donoghue, Julian Morris, Ben Barnes

Another Love: Henry Golding 

Brewing Magic: Drew Ray Tanner (more attuned to TVD universe)

Second Chance: Chris Evans, Casey Deidrick, Rudy Pankow (raised by Prue and his father, Brendan Rowe, follows the same elements as his brother’s Rowe verse but with the original Rowe character)

Tempus fugit: Froy Gutierrez, Peter Gadiot

[losinqminds]

(  jessica alexander,  cis woman,  she/her  )   —    just  announced,  LENNON  HARLOW  has  been  cast  as  EMMA GILBERT  in  the  upcoming  H2O: JUST ADD WATER  reboot.  the  twenty five  year  old  is  trending  as  people  are  debating  if  the   coming home to the echo of an empty house devoid of memories, her trailer always stocked with sour gummies as a guilty pleasure, paint stained overalls as a stark contrast to shimmering gowns on the red carpet, head filled to the brim with movie anecdotes and trivia  that  they  are  known  for  is  enough  to  make  them  as  good  as  original.  a  quick  google  search  shows  that  their  fans  call  them  conscientious,  but  internet  trolls  think  they’re  more  aloof.  i  guess  their  newest  interview  for  variety  where  they  talk  about  the odd coincidence of continuously being cast for characters with the name emma  will  let  people  to  know  them  better. 

statistics.

name : lennon corinne harlow. nickname : doesn't have any. age : twenty five. birthday : 13 september 1998. zodiac sign : virgo. gender : cis woman. sexual orientation : biromantic demisexual. place of birth : los angeles, california. current residence : los angeles, california. traits : conscientious, aloof, reliable, creative, reserved, hardworking, perfectionist, diligent, cautious, trustworthy, indulgent, serene. likes : her cat ringo, getting her hands dirty, clouded spring days, the colour blue, crossing something off your to do list, taking a long bath, waking up early, being at home, herbal teas, the smell of fresh laundry, putting the first brush stroke on a canvas, comfortable silences. dislikes : unexpected loud noises, when things don't go according to plan, people who are rude, her own birthday, driving, being late, the cold.

background.

— her  earliest  childhood  memories  were  of  lights,  camera  and  action.  not  much  of  a  surprise,  as  the  daughter  of  one  of  hollywood's  it  couples.  her  father  was  the  successful  director  julian  harlow  and  her  mother  australian  movie  star  and it girl emilia  morris.  lennon  was  supposed  to  be  the  sum  of  both  their  parts,  and  a  star  in  the  making  from  the  moment  she  was  born. — stability  was  a  rarity in her childhood.  she  was  raised  on  movie  sets,  with  her  legs  dangling  from  her  father's  director  chair  as  she  watched  him  work  his  magic.  but  she  also  fell  asleep  alone  inside  of  lifeless  hotel  rooms,  was  homeschooled  by  a  new  teacher  in  every  new  city  they  visited  and  when  asked,  would  have  told  you  her  best  friend  was  joan  from  craft  service  who  would  sneak  her  snacks  between  takes. — her  own  experiences  were  nothing  like  she  movies  she  ended up making.  she  had  her  very  first  kiss  on  screen,  and  the  only  prom  dress  she  ever  wore  was  on  set.  you  could  almost  say  her  childhood  was  the  dichotomy  of  living  a  sheltered  life,  but  right  in  front  of  flashing  cameras. — knowing  only  a  world  which  was  mature  and  professional,  that  was  who  she  soon  grew  into.  she  has  never  been  described  as  anything  other  than  a  pleasure  to  work  with,  and  receives  praise  for  being  great  at  her  craft.  undoubtedly  because  it  is  all  she  knows. — living  life  caught  up  in  the  industry  has  given  her  quite  a  skewed  image  of  friendship,  and  relationships.  friends  was  often  synonymous  with  coworkers.  and  her  public  relations  agents  buried  their  noses  into  every  relationship  she  had.  everything  felt  transactional.  not  in  a  way  where  she  aimed  to  profit,  but  in  a  way  where  everything  was  carefully  curated  to  be  mutually  beneficial. — as  a  stark  contrast  to  her  pristine  image  among  colleagues,  her  public  persona  is  cast  in  a  dark  shadow.  professional  gets  translated  into  unapproachable,  and  talented  becomes  arrogant.  and there isn't a way to show them any different. she  is  quite  detached  from  the  fans,  her  social  media  accounts  perfectly  curated  and  showing  not  a  single  hair  out  of  place.  her  interviews  are  bright  smiles, with vetted questions  and  practiced  answers. — now  realization  has  settled  in  of  just  how  little  she  knows  herself. and how utterly alone she feels in a world where she's surrounded by thousands.  she  grew  up  under  the  scrutiny  of  not  just  herself  and  those  close  to  her,  but  the  entire  world and it has made her withdraw rather than face things head on.  and  for  someone  who  has  done  so  much  in  her  life,  she  lacks  any kind of life  experience. maybe she is looking to feel something, seek out something that feels genuine and open herself up to new experiences even when stepping outside her limited comfort zone gives her the chills. — her  decision  to  audition  for  emma  gilbert  was  the  first  step  in  tearing  herself  away  from  that  state  of  oblivion.  doing  the  show  became  a  passion  project,  and  stood  in  stark  contrast  to  the  countless  of  auditions  she  attempted  for  blatant  oscar  bait.  she  keeps  her  fingers  crossed  it  will  help  her  figure  out  what  it  was  she  wanted  out  of  her  career,  first  of  all. connect more to her audience, and those around her.  and  maybe  figure out more about  herself  too in the process.

— maybe  as  some  fun  facts  about  her.  she  is  an  avid  but  amateur  painter.  she  does  paint  canvases  most  of  the  time.  but  also  has  a  knack  for  home  improvements,  knows  how  to  work  a  drill  and  can't  stop  herself  from  turning  her  entire  house  upside  down  at  least  once  every  few  weeks.  slept  on  the  couch  for  a  whole  month  while  she  painted  a  giant  mural  on  her  bedroom  wall.  she  has  a  cat  named  ringo,  part  time  menace  and  full  time  artiste.  would  strut  all  over  her  canvases  as  she  laid  them  out  to  dry  and  ever  since,  the  cat  paw  has  become  a  signature  of  sorts. has the odd coincidence of being cast as emma's consistently. once is nothing, twice is a coincidence, three times is a pattern. also a huge movie buff. she's got a head full of anecdotes, film quotes and movie trivia. in part because she grew up so closely around it, but also because it's what she genuinely loves. take her with you on your pub quiz team js.

post credits.

FILMS. — 2011: super 8 as alice dainard — 2017: lady bird as christine "lady bird" mcpherson — 2019: little women as amy march — 2019: once upon a time in hollywood as flowerchild — 2020: emma as emma woodhouse TV SHOWS. — 2020 to present: bridgerton as francesca bridgerton — 2022: stranger things as chrissy cunningham — 2024 to present: h2o: just add water as emma gilbert GAMES. — 2022: the quarry as emma mountebank

wanted connections.

because  i  am  woefully  unprepared  for  this  part  and  lennon  is  a  brand  new  character,  i'll  be  focusing  on  plotting  any  type  of  connections  (positive  or  negative,  and  platonic  or  romantic)  in  direct  messages.  through  brainstorming,  i  will  throw  some  suggestions  at  you  based  on  how  i  think  lennon  would  mesh  with  your  muse(s).  below  there  will  still  be  a  list  of  specific  wanted  connections  i  am  looking  for,  which  i'll  continue  to  update  throughout.  if  this  is  something  you're  interested  in,  please  do  let  me  know  and  i  would  love  to  chat  more  about  it!

— role model: maybe  this  muse  could've  worked  with  her  father  when  lennon  was  just  a  kid.  she  would  have  tagged  along  to  the  film  set,  and  watched  them  perform  and  likely  learned  so  much  from  them  (implicitly).  maybe  they  are  somewhat  of  a  mentor  figure  to  her  now,  maybe  they  were  somewhat  of  a  friend  and  reuniting  now,  maybe  they  never  noticed  her  and  she's  looking  up  to  them  to  this  day. — (fr)enemies: maybe  they  think  she  is  stuck  up,  or  a  bore.  maybe  she  thinks  they  are  quick  too  judge.  they  can't  stand  each  other  but  under  the  guise  of  being  professionals,  they  have  to  make  everyone  believe  that's  not  the  case.  bonus  points  for  an  enemies  with  benefits  scenario  where  they  are  sneaking  around  the  backs  of  everyone  else.  more  bonus  points,  them  causing  an  absolute  pr  nightmare that she'll never live down  when  they  get  into  a public  fight. — childhood friend: maybe  someone  she's  known  since  she  was  a  kid,  and  who  contrary  to  most  sees  right  through  the  cold  facade.  maybe  they  have  always  been  friends  and  they  are  one  of  the  people  she's  always  comfortable  around.  maybe  they've  lost  touch  and  they  are  reconnecting  now.  maybe  they  had  a  falling  out  but  they  have  been  one  of  the  most  genuine  connections  she's  had. — good / bad influence: opening  herself  up  to  new  experiences,  would  make  it  easy  for  her  to  fall  into  the  hands  of  someone  willing  to  help  with  that.  maybe  your  muse  can  (aladdin  vc)  show  her  the  world.  with  good  or  bad  intentions. — first kiss: the  two  of  them  were  cast  together  as  young  teens,  and  lennon  had  her  very  first  kiss  with  this  person.  right  in  front  of  the  cameras.  maybe  it  turned  incredibly  awkward  between  them  and  it's  still  something  she  doesn't  dare  mention?  maybe  it  gave  her  an  awfully  unrequited  crush  on  them?  maybe  they  still  laugh  about  how  they  bumped  heads  together  at  least  three  times  during  takes?