#julian morris gifs

[supfag]

JULIAN MORRIS 🚿 MAN IN AN ORANGE SHIRT (1.02)

[anthonysperkins]

I wanna tell everyone I know I love you I wanna touch the scars And break the chains that hold you But I won’t start Til the sun dips down

Julian Morris and Landon Ross MGMT - Dancing In Babylon (feat. Christine and the Queens)

[henrypratt]

[watchinghallmark]

[thecrackshipdiaries]

Elle Fanning and Julian Morris

[wicked-ever-after]

Julian Morris

By clicking THE SOURCE LINK BELOW you will find 032 gifs of JULIAN MORRIS in Pretty Little Liars 01x01 for roleplaying purposes. They were made from scratch by me so please like and/or reblog this post if using, or give any form of credit.

[amth-reblogs]

adelaide kane x julian morris

[camyfilms]

LITTLE WOMEN 2017

My wedding? Oh no, Laurie. There should always be at least one old maid in the family, and I’ve made up my mind that it’s going to be me.

[anthonysperkins]

Two ships in the night Quietly signaling from the bow Don’t you miss feeling like You could run away And nobody had to know? When our time is up Call the captain tell him to let me off

Landon Ross and Julian Morris MGMT - Dancing In Babylon (feat. Christine and the Queens)

[henrypratt]

[leasden]

une future famille

[bigkimsprettyboyblog]

The perfect ass of

Julian Morris

JULIAN MORRIS in ‘A Royal Queens Christmas’ (2021)

[sororityrows-blog]

Sorority Row (2009)

Claire Wen, Charlene "Chugs" Bradley, Jessica Pierson, Mickey Donaldson, Kyle Tyson, Andy Richards and Ellie Morris at graduation day at college.

[tanyaschampagne]

5 details from the funeral scene that I think about too much

dissecting the funeral scene in The Gilded Age and why it told us more about Anne and Patrick’s family life than any other moment in season 1

I’ve been rewatching the first four episodes like a maniac waiting for season 2 to come along, and recently I’ve noticed a few too many little details that normal (speak: sane) people may have not caught onto that I thought were worth pointing out.

1. The children.

The funeral scene is the only one where we see the Morris children in the entirety of the show. Anne mentions the kids towards the end of episode 3, saying that “Will is upstairs” and “Louise is on her way” moments before Patrick takes his life. Patrick then proceeds to praise them and their family life, and what good children Anne has managed to raise (all to her getting suspicious that something must be wrong - which in itself is a big enough implication to dissect in a different post). Up until the opening scene of episode 4 we don’t know how old the children are, only the blood-stained picture in Patrick’s room, right before the credits roll at the end of episode 3 gives us a hint that Louise is the older sibling, that’s all.

Then, we see them at the funeral. And I have so much respect for whatever those two extras (never found out their names, but shout-out to those two!!) did playing those kids for a few seconds. Will is clearly in shock, completely dissociating (considering he was the one who was upstairs to find Patrick dead on the floor before Anne could rush up the stairs… yeah…). Like, that child is going THROUGH IT.

I fully love the little attention to making them seem grown-up but clearly they aren’t. Will with the cane and hat, looking like he cosplayed as an adult (especially with all the other men around him wearing similar attire). Louise has the same hairstyle and stance as Anne and you can just see this little girl trying to be like her mother. It’s so headcanon but this moment truly proves that Anne was completely idolised as this unbreakable force in Louise’s life, that this child is even trying to keep it together after her father died, and it’s just so gut-wrenching because Anne clearly can’t keep it together.

2. White carnation.

It’s a short frame, barely recognisable. But the only flower laid at Patrick’s grave is the one Anne puts on top of the coffin. White carnation. While carnations are a pretty traditional flower for funerals, white carnations in particular convey deep sorrow. As they’re usually linked to innocence and purity, as well as loyal love, they were used to mourn children gone too soon; to mourn those gone under circumstances that were not in their hands. The fact that Anne chose white carnation, rather than red carnation (which is the traditional pick for a widow as it symbolises passionate and admirable love), shows just how much she was convinced that Patrick’s untimely death was not his fault nor an act tainting his name. And her silence paired with the white carnation is the perfect counterpart to the later rather loud comment by a family member on how he doesn’t even deserve a grave to begin with.

3. The Fanes and their relation to the family.

When the camera pans higher above the crowd, we see the other people that attended the funeral. Right next to Anne and the children are two other couples, the rest of the family is opposite them, with the grave separating the two sides.

With the back and forth between the funeral scene and the scene at the town hall of George and the aldermen looking at the blueprints which takes place simultaneously, it adds meaning that Charles Fane, an alderman himself, skipped the meeting to attend his friend’s funeral. (We’re gonna overlook how quickly Charles threw Patrick’s legacy under the bus after finding himself in a similarly tough financial situation).

The more notable thing however, is the fact that Aurora and Charles are standing right next to Patrick’s immediate family - Anne and the children - implying their connection to the family was closer than simply friendship. They would be standing farther away… if they weren’t tied to Anne and the children, e.g. by being the kids’ godparents. This theory would explain not only why they’re standing where they’re standing but also why later, while everybody else quite literally turns their back on Anne and the children during the departure, Aurora and Charles take the carriage right behind theirs, walking with them. It also explains why Charles was willing to aid Patrick if his debt hadn’t been that big of a financial ruin, and (without the queercoding etc) why Aurora’s betrayal is such a devastating revelation to Anne.

4. Aurora being the only one to look at Anne, and the only one to follow her.

Just as I mentioned, Aurora and Charles are the only ones to walk behind the Morrises after the funeral. The small crowd dissolves in all directions but throughout the whole scene nobody looks at Anne or acknowledges her grief. Quite the contrary: from the distant side of the family, a ginger woman spends the only dialogue of the scene shittalking Patrick and how he didn’t deserve to be buried in consecrated ground (which earns her quite the deathglare from Aurora). (quick psa: I DO believe that the woman is supposed to be Anne’s “unbearable aunt Susan” from episode 2, which Patrick mentions as they walk up the stairs to the Russell House, right after Anne makes the Dido reference).

I'll let the GIFs speak for themselves - cause the cinematography is insanely heavy with implications of loyalty and support.

also, Aurora looking at Anne, then looking at Charles, then initiating them following Anne and the children?? (I am madly sobbing)

5. Anne losing her balance.

The entire scene, Anne spends in devastation, don’t get me wrong. But it’s quiet devastation. She doesn’t say a word, you don’t see her cry, you barely see her face as the veil covers all her features. She doesn’t turn to lean on anybody, she doesn’t sob or embrace her children. Even though she’s grieving, she’s very much still the poised woman of high society, and it shows. Until, right at the end of the scene, she walks over to the carriage with the children and finally let’s go. As she’s about to get into the carriage, she loses her balance, ever so slightly, and a gloved hand comes to her help, steadying her. Without a word, she tries to overplay it, gets in, and lowers her head. Her children sit across from her.

totally not gonna put the little not-so fun fact here that this was the final filming day of the entirety of the first season and that katie and kelli wrapped together - totally not gonna do that and add to the devastation that this was the last scene they filmed together before katie was written out of the show

[just-joy-for-you]

              take my hand

                            show me what it means to be

                                              l o v e d

[comiiical]

Like for a starter from Stephen. It's saturday, so I have in mind soft but intimate and touchy stuff, so nothing will likely be non romantic unless the situation befits it, or your muses do not meet. you must comment which FC/Verse you want of him (I will high light the loudest verses too in case you need help deciding):, you also need to specify who you want it for, because that's the only way I can make a decent starter

Mainverse: Thomas Doherty, Oliver Stark, Robbie Amell, Ian Bohen, Tom Ellis, Henry Cavill, Stephen Amell, Karl Urban, Josh Duhamel, Richard Madden

TVD verse: Thomas Doherty  (first vampire turned by Kol back in the 10th century times)

TW verse: Thomas Doherty (raised by Prue and Andy)

Spider(witch)verse: Elias Kacavas, Nick Robinson, Aaron Taylor Johnson, Colin O'Donoghue, Julian Morris, Ben Barnes

Another Love: Henry Golding 

Brewing Magic: Drew Ray Tanner (more attuned to TVD universe)

Second Chance: Chris Evans, Casey Deidrick, Rudy Pankow (raised by Prue and his father, Brendan Rowe, follows the same elements as his brother’s Rowe verse but with the original Rowe character)

Tempus fugit: Froy Gutierrez, Peter Gadiot