#juan ew

[jeffrrandell]

Look at the bandits dawwggg they're going to jail...

Gay bandits

[oshsaysstuff]

what the frick... (style test?? and oc x canon..)

yeha......

ALSO IM EXACTLY 400 FOLLOWERS THAT SO AW3SOME THANKS GUYS! 😄

[absencesrepetees]

namor mckenzie in the avengers #53 (james aaron/juan frigeri, 2022) + resurrection of magneto #2 (al ewing/luciano vecchio, 2024)

[farsight-the-char]

Bif interactions from Immortal Thor issue 19, Ewing's vision brought forth by Juan Ferreyra

[rael-rider]

Concept art for The Last Annihilation by Juan M. Frigeri.

[dirtyriver]

Sneak peek at Immortal Thor #19, written by Al Ewing, cover by Alex Ross, interior art by... 19 artists?!

Yup, totally looks like the kind of stuff Al Ewing would do:

"While Thor is away gathering resources to deal with the looming threat of Utgard, IMMORTAL THOR #19 spotlights different characters from Thor's legendary mythos in single-page stories, each drawn by a different artist. The stories will be connected by the mysterious viewpoint of a significant hero from Thor's past who's set to return in next week's IMMORTAL THOR #17."

"This is not the story of the Immortal Thor! The All-Father had a journey to make to a far star – and so, for a time, the Golden Realm was left to rule itself. Yet even in the absence of the King, the story continued – and each Asgardian had their own drama to play out. These are the TALES OF ASGARD… "

Steve Skroce

Jan Bazaldua

Juan Ferreyra

Lee Garbett

Ivan Reis

Humberto Ramos

Luciano Vecchio

[buttersfan16]

I think this is actually really good

[canvas-madness-txc]

Days 10-29

@eddtober

[geekcavepodcast]

Marvel Comics Reveals "Venom War" Issues and Tie-Ins for August 2024

The Venom War is about to kick off with both Eddie and Dylan Brock vying to be the sole Venom host and past and present symbiote characters will be forced to pick a side. The Venom War has been building with Al Ewing's laying the groundwork in the current Venom run, but the war will spill out into it's own comic and tie-in comics / issues.

August will see the release of:

Venom War #1 (of 5) from Al Ewing and Iban Coello (on sale August 7, 2024) in which father and son Eddie Brock and Dylan Brock are both determined to be the one true Venom.

Venom #36 from Torunn Gronbekk and Cafu (on sale August 14, 2024) sees an older Dylan Brock - Old Man Venom - time travelling in order to guarantee the correct victor in the Venom War, with his first jump taking him into Spider-Man's history.

Venom War: Spider-Man #1 (of 4) from Collin Kelly, Jackson Lanzing, and Greg Land (on sale August 14, 2024) puts Spider-Man back in the black suit. After all, Peter Parker was Venom's first host and maybe he is the best choice.

Venom War: Carnage #1 (of 3) from Torunn Gronbekk and Pere Pérez (on sale August 21, 2024) has Carnage rallying his own troops. His own plans may even involve that little "deadly-to-symbiotes weapon he discovered in CARNAGE #8."

Venom War: Venomous #1 (of 3) from Erica Schultz and Luciano Vecchio (on sale August 21, 2024) has Black Widow picking a side in the Venom War. Black Widow is looking into those "horrific experiments Alchemax has been running based on their symbiote program… but she isn’t the only one! Natasha’s old teammate from her Secret Avengers days, now known as Agent Anti-Venom, is also on the case!"

Venom War: Zombiotes #1 (of 3) from Cavan Scott and Juan José Ryp (on sale August 28, 2024) follows a new strain of symbiote that can reanimate the dead and change the living with just a bite. "That’s right—zombie symbiotes making symbiote zombies!"

(Images via Marvel Comics - David Baldeón's Cover of Venom War #1, Cafu's Cover of Venom #36, Greg Land's Cover of Venom War: Spider-Man #1, Salvador Larroca's Variant Cover of Venom War: Carnage #1, Leirix's Cover of Venom War: Venomous #1, and Juan Ferreyra's Cover of Venom War: Zombiotes #1)

[graphicpolicy]

Preview: Venom #34

Venom #34 preview. The CAPTIVE is loose! #comics #comicbooks #bloodhunt

[keycomicbooks]

Ultimate Universe Spider-Man Free Comic Book Day #1 (2024) Ryan Stegman & J. P. Mayer Cover, Al Ewing, Zeb Wells & Deniz Camp Writers, Iban Coello & Juan Frigeri Artists, Debut of Ultimate Human Torch, Jim Hammond

#UltimateUniverseSpiderMan #FreeComicBookDay #1 (2024) #RyanStegman & #JPMayer Cover, #AlEwing, #ZebWells & #DenizCamp Writers, #IbanCoello & #JuanFrigeri Artists, Debut of #UltimateHumanTorch, #JimHammond "#UltimateUniverse #SpiderMan Free Comic Book Day 2024" Just weeks ahead of Amazing Spider-Man #50, get the first taste of the return of the Goblin! Plus, prepare for the next evolutionary step of the Ultimate Universe as a powerful new hero debuts! "Target: Peter Parker" and other stories.  https://rarecomicbooks.fashionablewebs.com/Ultimate%20Universe%20Spider-Man%20Free%20Comic%20Book%20Day%202024.html @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #RareComicBooks #KeyComicBooks #MCU #MarvelComics #MarvelUniverse #KeyComic #ComicBooks

[jeffrrandell]

Since 2016 and I'm still all alone here

[nfcomics]

VENOM (2021) no.33 • cover art • Juan Ferreyra [May 2024]

A BLOOD HUNT TIE-IN! As the earth is smothered in eternal night, VENOM unleashes their lethal justice on the hordes of bloodsucking vampires threatening the innocents of New York City. But there's one vampiric foe that thirsts not for blood—but for SYMBIOTES! Vampires aren't the only threat—the dead now rise!

LEE PRICE, one-time host to the Venom symbiote, has been ripped from his grave. And he's got a bone…or a brain to pick…with his old partner!

(w) Al Ewing • (a) Juan Ferreyra • (ca) Juan Ferreyra

[geekpopnews]

Confira os lançamentos da Panini do mês dezembro

Os novos lançamentos da editora Panini, para o mês de dezembro. Confira aqui: #OsVingadores #Deadpool #Panini

A editora Panini fecha o ano de 2023 com dois destaques da Marvel, que chegam às bancas e livrarias de todo o país este mês: Os Vingadores Vol 01/58 e Deadpool Vol 01. O quadrinho Vingadores Vol 01/58 inicia uma nova fase da equipe de heróis mais popular da última década, pelas mãos dos roteiristas Jed MacKay (Cavaleiro da Lua), Gerry Duggan (X-Men), Al Ewing (Imortal Hulk) e os artistas Carlos…

[why-i-love-comics]

Venom #34 - "Exsanguination" (2024)

written by Al Ewing art by Juan Ferreyra

[bimboficationblues]

one thing that I think typifies bad or ill-conceived comic book opinions: the idea of a character being "out of character." this is not a purely audience problem; by emphasizing historical continuity and the relationship between the texts, Big 2 Comics invite you to think about their characters as though they possess a contiguous identity through all or most of their appearances. this is most evident in Spider-Man where the 2007 decision to keep Peter Parker locked in perpetual stasis infuriated fans so bad that you can't talk about contemporary Spider-Man anywhere without people malding. (that was not the only factor behind said malding.)

but, my point is comic characters only really have the appearance of unity or identity; all the different incarnations of Batman over the years from different writers and artists are really just different characters wearing the same collection of symbols as skin, with different emphases and additions or subtractions, and it's how those symbols get combined and new elements are introduced - and how those speak to the reader - that makes or breaks a good Batman story. the paranoiac thug, the man with a plan for everything, the urban myth, the jetsetting detective, the incarnation of everlasting grief, the one that is George W. Bush, the one who takes a bunch of Joker juice and becomes The Debil, they're all real and what lands or doesn't will probably depend on other, higher aesthetic priorities, what the representation *says*.

another comic opinion: the idea of a "love letter to a character" or whatever is not an inherently virtuous trait of a comic. superhero characters are not like inherently interesting, they are interesting for like, their ability to mix genres in a dynamic way, and for what they say and represent about us, for the philosophies and irrationalities that they conjure in us. something like Waid and Samnee's Daredevil or Ewing and Bennett's Immortal Hulk or Morrison/Quitely on All-Star Superman, I think go beyond just expanding or exploring a mythos and touch on bigger and resonant emotional ideas (depression and optimism, the social meaning of rage, mortality and legacy and symbolic aspiration). I don't think every comic can or should be on that level, and there is respect to be found in stuff that isn't that, but just fixating on the character's in-universe features at the expense of their symbolic, resonant qualities, what they communicate to and about us, is a missed chance.

another comic opinion: over-fixation on writers. comics are a visual medium with a relatively low barrier to entry as reader or creator and this is what distinguishes them from other narrative mediums. one thing that the best of shonen manga excel at while Anglo-American comics flounder is their visuals. there are artists who are willing to play with the Anglo-American form but there's a lot who are just doing swagless versions of Jim Lee and Bryan Hitch.

it's very noticeable to me that the Absolute and Ultimate books that have been the most successful have been those that have really distinct visual styles, a lot of dynamism or expression, and really talented colorists working with top-notch artists (Marco Checchetto, Peach Momoko, Nick Dragotta, Hayden Sherman, and although he's very much in house style I really love the character expressions and vibrancy of Juan Frigeri's Ultimates - despite being understated it has a real energy to it).