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julio-viernes · 27 days ago
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Amazing Blondel fue un trío inglés formado por los multiinstrumentistas John David Gladwin, Terence Alan Wincott y Edward Baird que unía folk con música antigua cuyo momento de apogeo tuvo lugar entre 1970 y 1976. Su música fue definida como "folk progresivo" o "folk rock medieval", pero en realidad era más una actualización de la música renacentista.
Es un grupo que conozco poco, sólo tengo su tercer LP "Fantasia Lindum", que me parece un portento del denominado "folk preciosista" o chamber folk. La cara A la cubre un único tema, el titular "Fantasia Lindum", que es el tributo musical de la banda a la ciudad de Lincoln, a la campiña de Lincolnshire y a la catedral medieval de Lincoln. Un ambicioso y largo tema compuesto por canciones y piezas instrumentales que presentan temas musicales recurrentes.
Amazing Blondel tocaron en este disco el laúd, contrabajo, tiorba, flauta dulce, piano, crumhorn, clavicémbalo, armonio, glockenspiel, dulcimer y la guitarra en un álbum producido por Paul Samwell-Smith, ex bajista de The Yardbirds.
El álbum concluye con la atrevida "Siege of Yaddlethorpe", pieza instrumental de "gaitas y tambores" que incluye los crumhorns de Wincott y una aparición especial de Jim Capaldi (Traffic) tañendo marciales tambores de guerra.
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fatehbaz · 5 years ago
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Some sources, for anon who asked about Oceanian/Polynesian folklore and astronomy-related environmental knowledge:
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Alencar, Victor Aves. “Sky Observation and Mythology: Paths to an Astronomical Culture.” Proceedings of the International Astronomical Union Volume 5 Issue S260, 207-212.
Alpers, Antony. Legends of the South Sea: The World of the Polynesians seen through their Myths and Legends, Poetry and Art. New York: Thomas Y. Crowell Company, 1970. 
Edwards, Edmundo. “Astronomically-aligned Religious Structures on Raiatea and Raivavae and the Matariki Festival of 1770 on Easter Island.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).’
Filihia, Meredith. “Shamanism in Tonga: An Assessment.” The Journal of Polynesian Society 117:4 (2008).
Finney, Ben. “Myth, Experiment, and the Reinvention of Polynesian Voyaging.” American Anthropologist 93:2 (1991).
Gladwin, Thomas. East is a Big Bird: Navigation and Logic on Puluwat Atoll. Cambridge, Massachusetts: Harvard University Press, 1970
Goto, Akira. “Archaeoastronomy and ethnoastronomy in the Ryuku Islands: A preliminary report.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).
Grimble, Arthur. “Gilbertese Astronomy and Astronomical Observations.” Journal of the Polynesian Society 40 (1931). 
Grimble, Arthur. Migrations, Myth and Magic from the Gilbert Islands. London: Routledge, 1972.
Groube, L.M. “Tonga, Lapita Pottery, and Polynesian Origins.” Journal of Polynesian Society 80:3 (1971).
Gunson, Niel. “A Note on Oceanic Shamanism.” Journal of the Polynesian Society 119:2 (2010). 
Hamacher, Duane W. and Ray P. Norris. “‘Bridging the Gap’ through Australian Cultural Astronomy.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).
Kahn, Miriam. “Tahiti: The Ripples of Myth on the Shores of the Imagination.” In History and Anthropology 11:4 (2003).
Kalakaua, His Hawaiian Majesty King David. “Hina: The Helen of Hawaii.” In The Legends and Myths of Hawaii. Edited by R.M. Daggett. Honolulu: Mutual Publishing, 1997.
Lessa, William A. “Origins.” In More Tales from Ulithi Atoll: A Content Analysis. Edited by William A. Lessa. Berkely: University of California Press, 1980.
Lewis, David. “A Return Voyage between Puluwat and Saipan using Micronesia Navigational Techniques.” Journal of Polynesian Sociology 80:4 (1971).
Lewis, David. “Voyaging Stars: Aspects of Polynesian and Micronesian Astronomy.” Philosophical Transactions of the Royal Society of London: Series A, Mathematical and Physical Sciences 276:1257 (1974).
Lewis, David H. We, the Navigators: The Ancient Art of Landfinding in the Pacific. London: Angus and Robertson, 1972.
Makemson, Maud Worcester. The Morning Star Rises: An Account of Polynesian Astronomy. New Haven: Yale University Press, 1941.
Malnic, Jutta with John Kasaipwalova. Kula: Myth and Magic in the Trobriand Islands. Wahroonga, NSW: Cowrie Books, 1998.
Nunn, Patrick D. “Fished Up or Thrown Down: The Geography of Pacific Island Origin Myths.” Annals of the Association of American Geographers 93:2 (2003).
Nunn, Patrick D. “On the Convergence of Myth and Reality: Example from the Pacific Islands.” The Geographical Journal 167:2 (2001).
Oliver, Douglas L. Ancient Tahitian Society: Social Relations. Honolulu: University of Hawaii Press, 1974.
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myrecordcollections · 8 years ago
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Amazing Blondel
Inspiration
@ 1974 UK Pressing
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One of England's more unusual rock outfits of the 1970s, Amazing Blondel were a trio whose members played instruments dating from medieval to Elizabethan times, and songs styled to those periods. The group consisted of three musicians from Scunthorpe, England: John David Gladwin (lute, oboe, cittern, double bass), Terry Wincott (pipe organ, harmonium, cittern, recorders, flute, crumhorn, tabor pipe, ocarina, guitar), and Edward Baird (guitar, guitern, percussion). Gladwin and Wincott had been born in Scunthorpe and attended school together, where they crossed paths with Hampshire-born, Scunthorpe-raised Baird. Gladwin and Wincott had been in a couple of rock & roll bands in school together, and afterward formed a group called the Dimples. In 1966, they formed Gospel Garden, with Craig Austin, Steve Cox, and Jeff Tindall, who managed to leave behind a few demo tracks that reveal them as a pop-psychedelic outfit, and Gospel Garden evolved into Methuselah. This was a hard-rocking band with both a progressive bent and a folk bent, the latter attributes embodied in an acoustic interlude that Gladwin and Wincott used to play in the middle of the band's set.
Methuselah had managed the neat trick of getting signed to a U.S. label (Elektra Records) without a recording contract in their native England, but they didn't last past the second of a three-album deal (and that second LP was not only never released, but disappeared without a trace, according to Wincott). Gladwin and Wincott wearied of Methuselah's high-wattage sound, and of playing shows where the instruments were so loud that it was impossible to hear themselves singing or what they were playing; they preferred the acoustic part of the group's sets, in which they'd briefly taken center stage, and since those acoustic performances had gone over well with audiences, the duo moved in that direction. At the time, there was the beginning of a rebirth of interest in medieval and Renaissance music taking place in the field of serious music, under the guidance of figures such as Roger Norrington and David Munrow -- folk musicians such as Bert Jansch and acts such as the Pentangle were also exploring some of this music in their own way, and even groups like the Rolling Stones had taken the plunge into Renaissance-inspired sounds on songs such as "Lady Jane." Gladwin and Wincott listened to some of the material emerging from the serious scholarly field and their folk and rock equivalents, but they also reached out to the faux medieval balladry recalled from television shows of the 1950s. They worked out a new repertory of songs that sounded a few hundred years out of date, and chose the name Blondel, at the suggestion of one listener, derived from the renowned court musician of King Richard I (Richard the Lionhearted), and later expanded it to Amazing Blondel.
In 1970, with help from several musicians, including legendary British guitarist Big Jim Sullivan and drummer Clem Cattini, they recorded a self-titled album credited to "The Amazing Blondel," which was released on the newly formed U.K. division of Bell Records (which later managed to lose the master tapes to the album). That album was closer to a mainstream rock recording than anything else the group ever released, with elements of psychedelia lurking about and even a blues influence evident in some of the material, though the three archaic-sounding numbers, "Saxon Lady," "Season of the Year," and "Shepherd's Song," pointed the way to their subsequent work. Baird joined Gladwin and Wincott to make a trio soon after the recording was finished, and their sound filled out nicely -- as a trio, they had a fuller musical palette, and Gladwin quickly emerged as the most prolific songwriter of the three. After opening for the band Free at a concert, the members of that group arranged for Amazing Blondel to meet and audition for Chris Blackwell of Island Records. Although Island had started out as a ska and reggae label, the company had lately moved into progressive rock in a serious way, with licensing deals involving the first releases of King Crimson and Emerson, Lake & Palmer, and Amazing Blondel came along at just the right time to get the offer of a contract from Blackwell, with a good-sized advance as well.
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recoloblog · 8 years ago
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Top 5 Albums of 2016: A sign of the times
2016 was one hell of a year. Full of shocks, pleasant surprises, and unbearable heartaches. In terms of music, we lost so much talent and wisdom in Prince, George Micheal, David Bowie and Phife Dawg, The latter hit me the hardest as he was an artist I genuinely grew up on. The funky diabetic was the glue that held Tribe together. His lyricism and wit meant his verses were always memorable and full of quotables.
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He complemented Q-tip’s laid-back style with a more fierce and punchy delivery. I was caught off guard when it was announced that A Tribe Called Quest were releasing an album. I feared it was going to be another disjointed posthumously released album that lacks cohesion, but I was taken aback by how effortless it seemed. It was like they never left. They tapped into and captured what was happening in today's world with Q-tip and Ali Shaheed staying true to the sound that has garnered them so many fans over the years. "We The People" is a summation of the America that Trump has left behind in the wake of his recent election. The album as a whole is very much rooted in today's world and the issues that affect us. It serves as a wake-up call to everyone that the world needs to wake up and address its issues before it's too late.  It was exactly what was needed at the time.
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That was a common them for albums released in 2016. The timing was always just right. Solange released  A Seat at the Table at a time where African Americans were being slaughtered what seemed every day by the police and their deaths were broadcast across social media like the latest trending meme. It made many question what is a black life really worth? Locally Gladwin Matsheke and the homies at Marvin.co.za were starting a movement of their own, #WeComingForEverything. It’s about taking back what's yours and leaving your mark on society. Claim your seat at the table because this shit is For Us and By Us. Stop apologising for who you are. It was uncanny the way Solange tapped into all those thoughts and feelings. 
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Like Pretoria Girls High’s oppression of African hair and the bravery of those young women fighting back for their right to wear their hair naturally. "Don’t Touch My Hair" captured their rage in a beautiful and soulful way. The whole album is full of angst, doubt, and anger but Solange remains composed throughout. The narratives from Master P, Tina Knowles, and Matthew Knowles are powerful and comforting as they recall tales from their past struggles and how they found strength and grounding in who they are and where they come from. It’s a reminder of the strength we yield as black men and women.
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The year started off with a bang with Anderson Paak dropping “Malibu.” It was an album that was a slow burn in that as the year drew on the more people caught on to the wave. It had everything from soul to uptempo rhythms, even an ode to fake titties. A song for every moment. "Season/Carry Me" is a recollection of the struggles he endured growing up and finding his way, looking to his Mom for guidance and serenity. "Come Down," produced by the mighty Hi-Tek, is a groovy throwback jam reminiscent of an old block party. “Your Heart Don’t Stand a Chance” is Anderson Paak at his best. His singing/rapping style is unique and raw, the lyrics are encapsulating and the beat is a classic head nodder. Not many people knew him at the beginning of 2016 but going into the new year I' sure he's amassed a few die-hard fans.
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Speaking of die-hard fans few are more worthy of the term than J Cole’s fan base. When he announced he was releasing an album they all went crazy. I’m sure one or two were ready to dub it an instant classic. Such is the climate we live in that we don’t give music the necessary time to breathe and settle in. We all want to be a part of the hype. After my first listen to 4 Your Eyez Only I was unsure of how I felt about it, to be honest. 2014 Forrest Hills Drive was a watershed moment for J Cole as a major label artist. He returned to what his core fans loved about his mixtapes, particularly Friday Night Lights and to a lesser extent The Warm Up. Forrest Hills Drive was easy to listen to, whereas 4 Your Eyes Only demanded your full engagement. He was telling a story. At first, it seems like his story as he speaks of love and entering fatherhood but then the last track flips everything on its head. As a whole the album was solid but the context provided by the title track, “4 Your Eyes Only” puts everything in perspective and elevates the entire project. Musically from a production standpoint, I feel this is Cole at his best. The incorporation of live instrumentation (look up Theo Croker by the way he’s dope) really took it to another level. You can see the impact fatherhood is starting to have on him through his maturity and how he views the world. He’s always been a blue collar hero and a humanist but now he’s really embracing it with a fearlessness that is rare in today’s rap artist. A song like "False Prophets," though it didn’t make the album, demonstrates this as he calls out the False Idols of Hip Hop. As a man and a father he is not just sitting back and letting it happen he’s using his voice to put a lens on certain topics and for that, he gets my utmost respect.
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Someone who didn’t get enough credit for his album, again due to timing was Schoolboy Q. Blank Face LP was a great album but it came out the same week as another black man was gunned down by the police in America causing it to slip by the wayside. But those who gave it a listen to know it was arguably his best album and possibly the best Hip-Hop album of the year. There was no Kendrick Lamar feature to draw bandwagon TDE fans along, this was an album for SchoolBoy fans and fans of LA Hip-Hop as a whole. It’s dark and gritty, with only one crossover radio single “Overtime” featuring Miguel and Justine Skye. The intro “Torch” sets the tone perfectly. The first real voice you hear is Anderson Paak as he proclaims, “I trade the noise for a piece of divine,” before Schoolboy announces “This that fuck the blogs” while painting a morbid picture of life in LA as a guitar wails in the background. He then lets you know “this is the realest shit he ever wrote,” and after you hear the album in full, it probably is. Blank Face LP tells a story but unlike 4 Your Eyez Only this is more of a scene setter. He immerses you into LA as he saw it growing up and the struggle that continues. “Lord Have Mercy” is a cry for help for the souls claimed by LA’s infamous gang culture. Other standout tracks for me are "Ride Out" feat Vince Staples, "By Any Means", "John Muir"  "Neva Change" with SZA and "Black Thoughts." "Black Thoughts" is Q like we’ve never really heard him before. He displays a level of consciousness very few people knew he even had. Again like J Cole’s album you really need to engage with it to appreciate it. Don’t just skim through it.
Those are my Top 5 albums for 2016, in no particular order. There were many other albums I thoroughly enjoyed. Dvsn had the best album of anyone on the OVO roster with a smooth 90s RnB vibe on "Sept 5". Chance the Rapper stole the show with "Coloring Book" and his verse on "Ultralight Beam". Here's my list of other honorable mentions for last year. Can’t wait to hear what 2017 brings our ears.
NxWorries (Anderson Paak & Knxwledge) - Yes Lawd Blood Orange - Freetown Sound Kaytranada - 99.9% Mac Miller - The Divine Feminine Elaquent - Worst Case Scenario Rihanna - Anti PARTYNEXTDOOR - PND3 Kendrick Lamar - Untitled/Unmastered Common - Black America Again
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curemax-blog · 5 years ago
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New Post has been published on https://curemax.co/xyz/
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12/10/2019 MAMC Membership List – 2018 Organization Cemetery Cemeterian Address Contact # Adrian, City Of Oakwood Denny Vescelius 333 E. Siena Heights Dr.  Adrian, MI. 49221 517-264-4840 Albion, City Of Riverside Larry Maynard 112 W. Cass St.  Albion, MI.  49224 517-204-8971 Harry Longon E – Mail :   Ann Arbor, City Of Fairview Dena Waddell P.O. Box 8647   Ann Arbor, MI 48107 734-794-6520 E – Mail : [email protected] Arcadia Township Arcadia T.C. Sharna Smith 4900 Spencer St.  Lum, MI. 48412 810-724-6565 E – Mail : [email protected] Auburn Hills, City Of Aaron Webster Laura Pierce 1827 N. Squirrel Rd.    Auburn Hills, MI 48326 248-370-9402 E – Mail : [email protected] Auburn Hills, City Of Aaron Webster Kristine Klassen 1827 N. Squirrel Rd.    Auburn Hills, MI 48326 248-370-9402 E – Mail : [email protected] Augusta Charter Township Stoney Creek Carol Zimnie 8021 Talladay Rd.  P.O. Box 100   Whitaker, MI 48190 734-461-6117 Kimberly Gonczy E – Mail : [email protected] Banks Township Ellsworth Donna Heeres P.O. Box 68  Ellsworth, MI. 49729 231-588-6126 E – Mail : [email protected] Belding, City Of River Ridge Ernie Thomas 120 South Pleasant St. Belding, MI. 48809 616-260-2319 E – Mail : [email protected] Belvidere Township Hillcrest Sheila Smith P.O. Box 144   Six Lakes, MI. 48886 989-365-3783 E – Mail : [email protected] Big Prairie Township Big Prairie T.C. Judy Maike 5160 Croton Hardy Dr.  Newaygo, MI. 49337 231-652-7390 E – Mail : [email protected] Bingham Township Bingham T.C. Kathy Morio 7171 S. Center Hwy.   Traverse City, MI 49684 231-922-6767 E – Mail : [email protected] Birmingham, City Of Greenwood George Stern 1090 Westwood Dr.    Birmingham, MI. 48009 248-258-1924 E – Mail : [email protected] Boston Township Saranac Mary Lamphere P.O. 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State St.  St. Ingnace, MI 49781 906-643-8545 E – Mail : [email protected] St. Joseph, City Of Riverview Greg Grothous 700 Broad Street   St. Joseph, MI. 49085 269-983-6325 E – Mail : [email protected] St. Louis, City Of Oak Grove Mari Anne Ryder 300 N. Mill  St. Louis, MI. 48880 989-681-2137 E – Mail : [email protected] Summit Township Summit T. C. Mary Samuels 4560 W. Anthony Rd.  Ludington, MI. 49431 231-690-7167 E – Mail : [email protected] Thornapple Township Thornapple T.C. Cindy Willshire 200 E. Main St.  P.O. Box 459  Middleville, MI. 49333 269-795-7202 E – Mail : [email protected] Three Rivers, City Of Riverside Rick Clements 1015 S. Lincoln  Ave.  Three Rivers, MI. 49093 269-506-3960 E – Mail : [email protected] Tobacco Township Dale Roshelle Brubaker 5119 S. M-18  Beaverton, MI. 48612 989-435-4525 Waterford Charter Crescent Hills Mary Bellehumeur 5240 Civic Center Dr.    Waterford, MI 48329 231-618-7437 Township E – Mail : [email protected] Wayland Township Elmwood Ann McInerney P.O. Box 1  Bradley MI 49311 269-792-6394 E – Mail : [email protected] Wayne, City of Glenwood Ed Queen 35200 Forest Ave.  Wayne, MI 48184 734-721-8600 E – Mail : [email protected] West Branch, City of Brookside John Dantzer 121 N. Fouth Street  West Branch, MI 48661   989-345-0050 E – Mail : [email protected] Wheatfield Township Cabot Violet Lentz 1945 Meeck Rd.  Williamston, MI. 48895 517-655-2483 E – Mail : [email protected] Williams Charter Township Pine Grove Doug Behmlander 1080 W. Midland Rd. Auburn, MI. 48611 989-662-4408 E – Mail : [email protected] NOTE: Municipalities In Red Are New Members In 2018 Municipalities Highlighted In Green Are Board Members
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fatehbaz · 6 years ago
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Some of these sources might be useful for anyone interested in indigenous Polynesian and Micronesian ethnobotany, folklore, and astronomy:
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Abbott, Isabella A. “Polynesian Uses of Seaweed.” In Islands, Plants, and Polynesians: An Introduction to Polynesian Ethnobotany. Edited by Paul Alan Cox and Sandra Anne Bannack. Portland, Oregon: Dioscorides Press, 1991.
Alencar, Victor Aves. “Sky Observation and Mythology: Paths to an Astronomical Culture.” Proceedings of the International Astronomical Union Volume 5 Issue S260, 207-212.
Allen, Melinda S. “Coastal Morphogenesis, Climatic Trends, and Cook Islands Prehistory.” In Cultural Ecology in the Pacific Islands. Edited by Patrick V. Kirch and Terry L. Hunt. New Haven: Yale University Press, 1997.
Alpers, Antony. Legends of the South Sea: The World of the Polynesians seen through their Myths and Legends, Poetry and Art. New York: Thomas Y. Crowell Company, 1970.
Anderson, Atholl. “Epilogue: Changing Archaeological Perspectives upon Historical Ecology in the Pacific Islands.” Pacific Science 63:4 (2009).
Aswani, Shankar and Michael W. Graves. “The Tongan Maritime Expansion: A Case in the Evolutionary Ecology of Social Complexity.” Asian Perspectives 37:2 (1998).
Aveni, Anthony. People and the Sky (Our Ancestors and the Cosmos). New York: Thames and Hudson Inc., 2008.
Bannack, Sandra Anne. “Plants and Polynesian Voyaging.” In Islands, Plants, and Polynesians: An Introduction to Polynesian Ethnobotany, edited by Paul Alan Cox and Sandra Anne Bannack. Portland, Oregon: Dioscordes Press, 1991.
Beckwith, Martha. Hawaiian Mythology. Honolulu: University of Hawaii Press, 1977.
Black, Sharon, Thomas Wright and Lynnette Erickson. “Polynesian Folklore: An Alternative to Plastic Toys.” Children’s Literature in Education 32:2 (2001).
Buck, Peter H. Vikings of the Sunrise. New York: Stokes, 1938.
Burley, David V. “Archaeological Demography and Population Growth in the Kingdom of Tonga: 950 BC to the Historical Era.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.
Connell, John. “Island Dreaming: The Contemplation of Polynesian Paradise.” Journal of Historical Geography 29:4 (2003).
Coppett, Daniel and Andre Iteanu. Cosmos and Society in Oceania (Explorations in Antrhopology). Oxford: Berg Publishers, 1995.
Couper, Alastair. Sailors and Traders: A Maritime History of the Pacific Peoples. Honolulu: University of Hawaii Press, 2009.
Crawford, Peter. Nomads of the Wind: A Natural History of Polynesia. London: BBC Books, 1993.
Cunningham, Sean P. “A Story of Yams, Worms, and Change from Ancestral Polynesia.” The Journal of Island and Coastal Archaeology 7:2 (2012).
D’Arcy, Paul. The People of the Sea: Environment, Identity, and History in Oceania. Honolulu: University of Hawaii Press, 2006.
Despland, Michel. “Two Ways of Articulating Outsider’s Knowledge of Polynesian Culture and Religion: Melville’s Typee and Mardi.” Method and Theory in the Study of Religion 16:2 (2004).
Devall, Bill and George Sessions. Deep Ecology: Living as if Nature Mattered. Layton, Utah: Gibbs Smith, 1985.
Edwards, Edmundo. “Astronomically-aligned Religious Structures on Raiatea and Raivavae and the Matariki Festival of 1770 on Easter Island.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).
Eliade, Mircea. “Nostalgia for Paradise.” In The Inner Journey: Myth, Psyche, and Spirit (PARABOLA Anthology Series). Edited by Martha Heyneman. Series Editor: Ravi Ravindra. Sandpoint, Idaho: Morning Light Press, 2008.
Filihia, Meredith. “Shamanism in Tonga: An Assessment.” The Journal of Polynesian Society 117:4 (2008).
Finney, Ben. “Myth, Experiment, and the Reinvention of Polynesian Voyaging.” American Anthropologist 93:2 (1991).
Gladwin, Thomas. East is a Big Bird: Navigation and Logic on Puluwat Atoll. Cambridge, Massachusetts: Harvard University Press, 1970.
Glavin, Terry. The Last Great Sea: A Voyage through the Human and Natural History of the North Pacific Ocean. Vancouver, British Columbia: Greystone Books, 2000.
Gooley, Tristan. The Natural Navigator: The Rediscovered Art of Letting Nature Be Your Guide. New York: The Experiment, 2012.
Goto, Akira. “Archaeoastronomy and ethnoastronomy in the Ryuku Islands: A preliminary report.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).
Grimble, Arthur. “Gilbertese Astronomy and Astronomical Observations.” Journal of the Polynesian Society 40 (1931).
Grimble, Arthur. Migrations, Myth and Magic from the Gilbert Islands. London: Routledge, 1972.
Groube, L.M. “Tonga, Lapita Pottery, and Polynesian Origins.” Journal of Polynesian Society 80:3 (1971).
Gunson, Niel. “A Note on Oceanic Shamanism.” Journal of the Polynesian Society 119:2 (2010).
Gunson, Niel. “Understanding Polynesian Traditional History.” The Journal of Pacific History 28:2 (1993).
Hamacher, Duane W. and Ray P. Norris. “‘Bridging the Gap’ through Australian Cultural Astronomy.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).
Hames, Raymond. “The Ecologically Noble Savage Debate.” Annual Review of Anthropology 36 (2007).
Heyerdahl, Thor. Early Man and the Ocean (A Search for the Beginnings of Navigation and Seaborne Civilizations). Garden City, NY: Doubleday & Company, 1979.
Irwin, Geoffrey. The Prehistoric Exploration and Colonisation of the Pacific. Cambridge: Cambridge University Press, 1996.
Kahn, Miriam. “Tahiti: The Ripples of Myth on the Shores of the Imagination.” In History and Anthropology 11:4 (2003).
Kalakaua, His Hawaiian Majesty King David. “Hina: The Helen of Hawaii.” In The Legends and Myths of Hawaii. Edited by R.M. Daggett. Honolulu: Mutual Publishing, 1997.
Kelley, David H. and Eugene F. Milone. Exploring Ancient Skies: A Survey of Ancient and Cultural Astronomy. New York: Springer New York, 2011.
Kirch, Patrick V. “Changing Landscapes and Sociopolitcal Evolution in Mangaia, Central Polynesia.” In Historical Ecology in the Pacific Islands. Edited by Patrick V. Kirch and Terry L. Hunt. New Haven: Yale University Press, 1997.
Kirch, Patrick V. The Evolution of the Polynesian Chiefdoms. Cambridge: Cambridge University Press, 1984.
Kirch, Patrick V. “’Like Shoals of Fish’: Archaeology and Population in Pre-Contact Hawaii.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.
Kirch, Patrick V. “Solstice observations in Mangareva, French Polynesia.” Archeoastronomy: the Journal of Astronomy in Culture 18 (2004).
Kirch, Patrick V. “Temple Sites in Kahi Kinui, Maui, Hawaiian Islands: Their Orientations Decoded.” Antiquity 78:299 (2004).
Kirch, Patrick V. and Jean-Louis Rallu. “Long-term Demographic Evolution in the Pacific Islands.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.
Ladefoged, Thegn N. and Michael W. Graves. “Modelling Agricultural Development and Demography in Kohala, Hawaii.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.
Lessa, William A. “Origins.” In More Tales from Ulithi Atoll: A Content Analysis. Edited by William A. Lessa. Berkely: University of California Press, 1980.
Lewis, David. “A Return Voyage between Puluwat and Saipan using Micronesia Navigational Techniques.” Journal of Polynesian Sociology 80:4 (1971).
Lewis, David. “Voyaging Stars: Aspects of Polynesian and Micronesian Astronomy.” Philosophical Transactions of the Royal Society of London: Series A, Mathematical and Physical Sciences 276:1257 (1974).
Lewis, David H. We, the Navigators: The Ancient Art of Landfinding in the Pacific. London: Angus and Robertson, 1972.
Luomala, Katharine. Ethnobotany of the Gilbert Islands. Honolulu: Bernice P. Bishop Museum, 1953.
Magli, Giulio. Mysteries and Discoveries of Archaeoastronomy (From Giza to Easter Island). New York: Copernicus Books, 2009.
Makemson, Maud Worcester. The Morning Star Rises: An Account of Polynesian Astronomy. New Haven: Yale University Press, 1941.
Malnic, Jutta with John Kasaipwalova. Kula: Myth and Magic in the Trobriand Islands. Wahroonga, NSW: Cowrie Books, 1998.
Mawyer, Alexander. “The Oceanic Drift in Polynesian Linguistics.” Language and Communication 28:4 (2008).
McLuhan, T.C. The Way of the Earth: Encounters with Nature in Ancient and Contemporary Thought. New York: Simon and Schuster, 1994.
Mercer, P.M. “Oral Tradition in the Pacific: Problems of Interpretation.” The Journal of Pacific History 14:3 (1979).
Neves-Graca, Katja. “Elementary Methodological Tools for a Recursive Approach to Human-Environmental Relations.” In Person, Space and Memory in the Contemporary Pacific: Volume 1: Experiencing New Worlds. Edited by Jurg Wassmann and Katharina Stockhaus. Oxford: Bergham Books, 2007.
Nunn, Patrick D. “Fished Up or Thrown Down: The Geography of Pacific Island Origin Myths.” Annals of the Association of American Geographers 93:2 (2003).
Nunn, Patrick D. “On the Convergence of Myth and Reality: Example from the Pacific Islands.” The Geographical Journal 167:2 (2001).
Oliver, Douglas L. Ancient Tahitian Society: Social Relations. Honolulu: University of Hawaii Press, 1974.
Oliver, Douglas L. Oceania (The Native Cultures of Australia and the Pacific Islands). Honolulu: University of Hawaii Press, 1989.
Penprase, Bryan E. The Power of Stars (How Celestial Observations Have Shaped Civilization). London: Springer, 2011.
Poignant, Roslyn. “Polynesia.” In Oceanic Mythology: The Myths of Polynesia, Melanesia, Australia. Edited by Roslyn Poignant. London: Paul Hamlyn, 1967.
Ragone, Diane. “Ethnobotany of Breadfruit in Polynesia.” In Islands, Plants, and Polynesians: An Introduction to Polynesian Ethnobotany. Edited by Paul Alan Cox and Sandra Anne Bannack. Portland, Oregon: Dioscorides Press, 1991.
Rallu, Jean-Louis. “Pre- and Post-Contact Population in Island Polynesia: Can Projections Meet Retrodictions?” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.
Ryan, Anna. Where Land Meets Sea: Coastal Explorations of Landscape, Representation and Spatial Experience. Farnham, England: Ashgate Publishing Limited, 2012.
Sahlins, Marshall D. Social Stratification in Polynesia. Seattle: University of Washington Press, 1958.
Smith, W. Ramsay. Myths and Legends of the Australian Aborigines. Mineola, New York: Dover Publications, Inc., 2003.
Stone, Benjamin C. “The Role of Pandanus in the Culture of the Marshall Islands.” In Plants and the Migrations of Pacific Peoples: A Symposium. Edited by Jacques Barrau. Honolulu: Bishop Museum Press, 1963.
Strathern, Andrew and Pamela J. Stewart. “Actors and Actions in ‘Exotic’ Places.” In Person, Space and Memory in the Contemporary Pacific: Volume 1: Experiencing New World. Edited by Jurg Wassmann and Katharina Stockhaus. Oxford: Bergham Books, 2007.
Suggs, Robert C. The Island Civilizations of Polynesia. New York: The New American Library, 1960.
Titcomb, Margarex (with the collaboration of Mary Kawena Pukui). Dog and Man in the Ancient Pacific with Special Attention to Hawaii. Honolulu: Bernice P. Bishop Museum, 1969.
Tuljapurkar, Shirpad, Charlotte Lee and Michelle Figgs. “Demography and Food in Early Polynesia.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.
Williamson, Robert W. Religious and Cosmic Beliefs of Central Polynesia. London: Cambridge University Press, 1933.
Winduo, Steven Edmund. “Unwriting Oceania: The Repositioning of the Pacific Writer Scholars within a Folk Narrative Space.” New Literary History 31:3 (2000).
Whistler, Dr. W. Arthur. Polynesian Herbal Medicine. Lawai, Hawaii: National Tropical Botanical Garden, 1992.
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My first thesis was about Oceanian environmental knowledge. These are some of the better references I have come across. Two of the most authoritative researchers of early Polynesian knowledge are David Lewis (expert on wayfinding) and Patrick V. Kirch (expert on ethnobotany and land-use); they dominate most bibliographies on the subject. I also like the work of Patrick Nunn, who focuses more on Polynesian folklore.
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