#jeon sung-sik

[insiderzx]

Jeon Sung-Sik (Jo Hee-Bong) - Tunnel

[movienized-com]

Our Blooming Youth

Our Blooming Youth (Serie 2023) #ParkHyungsik #SonheeJeon #PyoYeJin #JongSeokYun #TaesunLee #HeoWonSeo Mehr auf:

Serie / 청춘월담 Jahr: 2023 Genre: Drama / History / Mystery Hauptrollen: Park Hyung-sik, So-nee Jeon, Pyo Ye-Jin, Jong-Seok Yun, Tae-sun Lee, Heo Won-Seo, da-Eun Jung, Im Han Bin, Jo Sung-ha, Jong-Hyuk Lee, Soo-Hyun Hong, Dae-chul Choi, Kim Gi-du, Min-ji Lee, Jeong Woong-in … Serienbeschreibung: Eine Geschichte über einen Prinzen, der ein Buch mit Geistergeschichten erhält, die verschiedene Arten…

[kwavecl]

Los 59th Baeksang Arts Awards anuncia a los nominados para las categorías de cine y televisión.

¡Los 59th Baeksang Arts Awards han anunciado sus nominados para las categorías de cine y televisión!

Los candidatos fueron elegidos entre dramas, programas y películas que se emitieron o se estrenaron entre el 1 de abril de 2022 y el 31 de marzo de 2023. Sin embargo, las obras que se estrenaron durante el período de proyección del año pasado también se incluyeron en el grupo de este año. Se encuestó a 60 expertos de la industria antes de las nominaciones finales. Además, las producciones que se excluyeron el año pasado porque se estrenaron durante el período de proyección también se incluyeron en el grupo de este año.

Echa un vistazo a los candidatos finales de la televisión y el cine del año pasado a continuación:

Mejor Drama

JTBC “My Liberation Notes” Netflix “The Glory” tvN “Our Blues” ENA “Extraordinary Attorney Woo” tvN “Little Women”

Mejor Variety Show

tvN “Earth Arcade” Psick University “Psick Show” Netflix “Physical: 100” TVING “EXchange 2” Coupang Play “SNL Korea 3”

Mejor Show Educativo

wavve “National Office of Investigation” (literal title) Netflix “In the Name of God: A Holy Betrayal” EBS “Your Literacy Skills+” (literal title) MBC Gyeongnam “Adult Kim Jang Ha” (literal title) KBS “Hidden Earth: 3 Billion Years on the Korean Peninsula”

Mejor Actor

Son Suk Ku – JTBC “My Liberation Notes” Lee Byung Hun – tvN “Our Blues” Lee Sung Min – JTBC “Reborn Rich” Jung Kyung Ho – tvN “Crash Course in Romance” Choi Min Sik – Disney+ “Casino”

Mejor Actriz

Kim Ji Won – JTBC “My Liberation Notes” Kim Hye Soo – tvN “Under the Queen’s Umbrella” Park Eun Bin – ENA “Extraordinary Attorney Woo” Song Hye Kyo – Netflix “The Glory” Suzy – Coupang Play “Anna”

Mejor Actor de Reparto

Kang Ki Young – ENA “Extraordinary Attorney Woo” Kim Do Hyun – JTBC “Reborn Rich” Kim Jun Han – Coupang Play “Anna” Park Sung Hoon – Netflix “The Glory” Jo Woo Jin – Netflix “Narco-Saints”

Mejor Actriz de Reparto

Kim Shin Rok – JTBC “Reborn Rich” Yeom Hye Ran – Netflix “The Glory” Lee El – JTBC “My Liberation Notes” Lim Ji Yeon – Netflix “The Glory” Jung Eun Chae – Coupang Play “Anna”

Mejor Nuevo Actor

Kim Gun Woo – Netflix “The Glory” Kim Min Ho – ENA “New Recruit” Moon Sang Min – tvN “Under the Queen’s Umbrella” Joo Jong Hyuk – ENA “Extraordinary Attorney Woo” Hong Kyung – wavve “Weak Hero Class 1”

Mejor Nueva Actriz

Kim Hieora – Netflix “The Glory” Noh Yoon Seo – tvN “Crash Course in Romance” Lee Kyung Sung – JTBC “My Liberation Notes” Joo Hyun Young – ENA “Exaordinary Attorney Woo” Ha Yun Kyung – ENA “Extraordinary Attorney Woo”

Mejor Entertainer Masculino

Kian84 Kim Kyung Wook Kim Jong Kook Jun Hyun Moo Hwang Jae Sung

Mejor Entertainer Femenina

Kim Min Kyung Park Se Mi Lee Soo Ji Lee Eun Ji Joo Hyun Young

Mejor Película

“Next Sohee” “The Night Owl” “Hansan: Rising Dragon” “Hunt” “Decision to Leave”

Mejor Actor

Ma Dong Seok – “The Roundup” Ryu Jun Yeol – “The Night Owl” Park Hae Il – “Decision to Leave” Song Kang Ho – “Broker” Jung Woo Sung – “Hunt”

Mejor Actriz

Bae Doo Na – “Next Sohee” Yang Mal Bok – “The Apartment With Two Women” Yum Jung Ah – “Life Is Beautiful” Jeon Do Yeon – “Kill Boksoon” Tang Wei – “Decision to Leave”

Mejor Actor de Reparto

Kang Ki Young – “The Point Men” Kim Sung Cheol – “The Night Owl” Park Ji Hwan – “The Roundup” Byun Yo Han – “Hansan: Rising Dragon” Im Siwan – “Emergency Declaration”

Mejor Actriz de Reparto

Park Se Wan – “6/45” Bae Doo Na – “Broker” Ahn Eun Jin – “The Night Owl” Yum Jung Ah – “Alienoid” Lee Yeon – “Kill Boksoon”

Mejor Nuevo Actor

Noh Jae Won –”Missing Yoon” Jinyoung – “Christmas Carol” Byun Woo Seok – “20th Century Girl” Seo In Guk – “Project Wolf Hunting” Ong Seong Wu – “Life Is Beautiful”

Mejor Nueva Actriz

Go Yoon Jung – “Hunt” Kim Si Eun – “Next Sohee” Kim Hye Yoon – “The Girl On a Bulldozer” IU – “Broker” Ha Yun Kyung – “Gyeong Ah’s Daughter”

La ceremonia está programada para el 28 de abril en Paradise City en Incheon a partir de las 5:30 p.m. KST. El programa se transmitirá en vivo por televisión a través de JTBC, JTBC2 y JTBC4, y también se transmitirá en vivo a través de TikTok.

Fuente: soompi.com

[piapiatoss]

Rekomendasi Drakor Terbaik Tahun Ini

Dari Romansa Hingga Thriller

Industri drama Korea (drakor) terus berkembang pesat dengan menghadirkan beragam cerita yang mampu memikat hati penonton di seluruh dunia. Tahun ini, beberapa drakor berhasil mencuri perhatian dengan alur cerita yang menarik dan penampilan para aktor yang memukau. Dari genre romansa yang manis hingga thriller yang menegangkan, berikut adalah rekomendasi drakor terbaik tahun ini yang wajib Anda tonton.

1. "Crash Course in Romance"

Genre: Romansa, Komedi Sinopsis: Drama ini mengisahkan tentang seorang mantan atlet nasional yang kini menjalankan toko banchan dan seorang guru matematika yang populer di akademi. Pertemuan mereka membawa kisah cinta yang hangat dan penuh dengan momen-momen lucu. Diperankan oleh Jeon Do-yeon dan Jung Kyung-ho, drakor ini menawarkan romansa yang manis dan humor yang segar.

2. "Big Bet"

Genre: Thriller, Kriminal Sinopsis: Drama ini mengikuti perjalanan seorang pria yang memulai bisnis kasino ilegal di Korea Selatan dan berakhir dengan menjadi penguasa dunia perjudian internasional. Dengan akting memukau dari Choi Min-sik, Son Suk-ku, dan Lee Dong-hwi, "Big Bet" menampilkan cerita yang penuh intrik dan ketegangan.

3. "Twenty-Five Twenty-One"

Genre: Romansa, Coming of Age Sinopsis: Mengisahkan tentang perjalanan hidup dan cinta seorang atlet anggar dan jurnalis muda yang bertemu saat mereka berusia 22 dan 18 tahun. Dengan latar belakang tahun 1990-an, drama ini membawa penonton pada nostalgia masa muda dan pencarian jati diri. Kim Tae-ri dan Nam Joo-hyuk memberikan penampilan yang memikat dalam drama ini.

4. "Little Women"

Genre: Drama, Misteri Sinopsis: Adaptasi modern dari novel klasik karya Louisa May Alcott, "Little Women" versi drakor ini menceritakan kisah tiga saudara perempuan yang berjuang melalui kehidupan di Seoul modern. Drama ini menggabungkan elemen misteri dengan drama keluarga yang emosional, dibintangi oleh Kim Go-eun, Nam Ji-hyun, dan Park Ji-hu.

5. "Reborn Rich"

Genre: Fantasi, Thriller Sinopsis: Drama ini mengisahkan tentang seorang pria yang bekerja sebagai sekretaris di sebuah konglomerat besar yang dibunuh oleh keluarga majikannya, namun terlahir kembali sebagai anggota keluarga tersebut. Dengan tujuan balas dendam, ia memanfaatkan pengetahuannya dari kehidupan sebelumnya. Song Joong-ki dan Lee Sung-min memberikan penampilan yang memukau dalam drama ini yang penuh dengan plot twist.

6. "Alchemy of Souls"

Genre: Fantasi, Romansa Sinopsis: Drama ini menceritakan tentang dunia di mana para penyihir dapat memindahkan jiwa mereka ke tubuh orang lain. Seorang penyihir perempuan yang kuat terjebak dalam tubuh seorang pelayan buta dan harus beradaptasi dengan kehidupan barunya sambil mencari cara untuk kembali ke tubuh aslinya. Diperankan oleh Jung So-min dan Lee Jae-wook, "Alchemy of Souls" menawarkan kisah fantasi yang epik dan romantis.

7. "Our Blues"

Genre: Drama, Slice of Life Sinopsis: Drama ini menggambarkan kehidupan sehari-hari penduduk Pulau Jeju dengan fokus pada beberapa karakter yang berbeda. Setiap episode menceritakan kisah yang menyentuh tentang cinta, persahabatan, dan perjuangan hidup. Dengan pemain ansambel yang termasuk Lee Byung-hun, Shin Min-a, dan Kim Woo-bin, "Our Blues" memberikan narasi yang kaya dan emosional.

8. "My Liberation Notes"

Genre: Drama, Romansa Sinopsis: Drama ini mengikuti kisah tiga saudara kandung yang merasa terjebak dalam kehidupan monoton mereka di pedesaan. Masing-masing berusaha mencari kebahagiaan dan arti dalam hidup mereka, dengan fokus pada perjuangan pribadi dan pencarian jati diri. Dibintangi oleh Kim Ji-won, Lee Min-ki, dan Son Seok-koo, drama ini menghadirkan cerita yang mendalam dan menggugah.

9. "Ghost Doctor"

Genre: Medis, Fantasi Sinopsis: Mengisahkan tentang seorang ahli bedah jantung yang arogan yang terjebak dalam tubuh seorang dokter residen yang pemalu setelah kecelakaan. Bersama-sama, mereka harus belajar untuk bekerja sama dan memahami satu sama lain. Drama ini menggabungkan elemen medis dengan fantasi, dibintangi oleh Rain dan Kim Bum.

10. "Tomorrow"

Genre: Fantasi, Drama Sinopsis: Drama ini bercerita tentang seorang pria yang berada di ambang kematian dan bergabung dengan tim malaikat maut yang bertugas menyelamatkan orang-orang yang ingin mengakhiri hidup mereka. Dengan tema yang mendalam dan penuh harapan, drama ini mengajak penonton untuk merenungkan arti hidup dan kematian. Diperankan oleh Rowoon dan Kim Hee-sun, "Tomorrow" menawarkan cerita yang inspiratif dan emosional.

Tahun ini, drakor telah menghadirkan berbagai cerita yang menghibur dan menginspirasi. Dari romansa yang manis hingga thriller yang menegangkan, ada banyak pilihan untuk dinikmati. Setiap drama menawarkan sesuatu yang unik, baik itu dari segi cerita, karakter, atau visual, membuat pengalaman menonton menjadi lebih berkesan. Jadi, siapkan popcorn Anda dan nikmati rekomendasi drakor terbaik tahun ini!

[kimchislaphearts]

Dog Days Of Summer  (2023)

Genre: Youth, Drama

Plot: 

In the summer of 2002, South Korea hosts the World Cup and Yi Joon moves in with his aunt and uncle in Daegu. Yi Joon and his new classmates navigate friendship, family, and growing up over the hot summer. 

Cast & Crew:

Moon Woo Jin as Kim Yi Joon

Park Seo Kyung as Han Yeo Reum 

Supporting cast - Choi Hyun Jin, Kim Ji Sung, Jeong Hee Tae, Heo Dong Won, Kim Kwang Gyu, Kim Ji Won, Go Seong Bo, Lee Joo Won, Jung Yi Rang, Jeon Sok Chan

Director - Jang Min Sik

Screen Writer - Choi Yi Kyung

Music:  

The music felt pretty unobtrusive but on closer inspection the backing music was a mix of music of the time (2001-2002) mixed with some nice instrumentals. The featured music includes: 착각의 늪 -  박고테 프로 젝트, 떠나가라 - QOQ, Please Summer! - 인디고(Indigo),  비몽 - 코요태 (KOYOTE), and 백전무패 - 클릭비 (Click-B). 

Awards: Best Young Actor (Moon Woo Jin) - KBS Drama Awards 2023

Overall: 

This drama special tells the story of Kim Yi Joon, a 14 year old boy in the summer of 2002 who is moving from Anyang to Daegu to live with his aunt and uncle. At first he seems like your standard sullen teen but as the drama special goes on you peel back the layers and find out his story. 

As you watch the drama special you feel all of the hurt and pain piling up on this young boy and it’s quite heartbreaking. Watching him go through all the hardships wrung a surprising amount of tears from me. But he is resilient and it’s a wholesome and heartwarming coming of age story of finding your place in the world. 

Moon Woo Jin has been in a lot of productions since 2017, most recently Castaway Diva and The Atypical Family but this drama special is one of his first leading roles. He won the young actor award for his performance here and it's not surprising based on his performance. It was nice to see a cast of talented young people given a chance to shine. 

As well as Min Jun’s coming of age story, we get a glimpse of classmate Han Yeo Reum’s life. She also moved to Daegu in recent years and has adjusted to life there. At first she’s an adversary but when forced to work together and secrets are shared they form a bond. Like all her classmates she too is struggling through puberty and the hot hot Daegu summer.  

Korean dramas love the backdrop of their 2002 world cup to tell a story and I liked the way this drama special incorporated it into the story. Including footage from the various games and how it highlighted that Yi Joon was much more interested in basketball than soccer! 

Overall, I thought this was a well done drama special. I enjoyed the coming of age story set in the early 2000s. If you like youth dramas such as Racket Boys or coming of age stories in general this drama special is definitely worth a watch. 

Rating: 9/10

Watch it:  KOCOWA 

Trailer:  KBS World YouTube

[korelist]

EXRAORDINARY ATTORNEY WOO   //  KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb puanı : 9,1 Benim puanım: 9

Drama: Extraordinary Attorney Woo (English title) / Strange Lawyer Woo Young-Woo (literal title)

Hangul: 이상한 변호사 우영우

Director: Yu In-Sik

Writer: Moon Ji-Won

Date: 2022

Language: Korean

Country: South Korea

Cast: Park Eun-Bin, Kang Tae-Oh, Kang Ki-Young, Baek Ji-Won, Ha Yoon-Kyung, Joo Jong-Hyuk, Jin Kyung, Jeon Bae-Su, Joo Hyun-Young, Im Sung-Jae

 İzlediğimiz ağır dizilere inat, kaliteli ama soft bir diziydi. Konusu nedeni ile çok tereddütlerim vardı. Gereksiz duyar kasan, kasvetli ve duygu sömürüsü dolu bir dizi bekliyordum. Neyse ki çok yanlış bir yanılgıya düşmüşüm. Avukatlık bürosunda geçmesine rağmen son derece gündelik, gerçekçi konular ele alınıyordu.

Woo Young-Woo (Park Eun-Bin) babası tarafından büyütülen tuhaf bir çocuktur. İlk okul çağında rahatsızlığını fark eden babası onun üzerine titrer. En iyi şekilde yetiştirmeye çalışır. Babası Woo Gwang-Ho rolünde, dizilerde baba rolünde görmeyi sevdiğimiz bir oyuncu olan Jeon Bae-Su oynuyor. Anlayışlı, elinden geldiğince yetmeye çalışan bir baba olarak karşımızda. Kendi döneminin iyi avukatlarından biri olmasına rağmen, Woo için mesleğini bırakmış küçük bir lokanta açmıştır. Woo ise küçük yaşta babasının kitaplarıyla ilgilenmeye başladığı için kariyerini oraya doğru çizmiştir. Asperger Sendromlu olmasına rağmen üniversiteyi birincilikle bitirip Hanbada hukuk bürosunda işe girer.

Eğlenceli ve zeki kişiliği ile dikkatleri üzerine çeken Woo, aynı zamanda özel durumu nedeni ile ön yargılara da maruz kalır. Büro, ilk etapta onun altından kalkamayacağını düşündüğü için çaktırmadan basit davaları verir. Ancak Woo, yasal boşluklar ve ayrıntılar ile kimsenin göremediği detayları görebildiği için pratikte de insanların dikkatini çekmeyi başarır.

Aslında dizi otizme dikkat çekmeye çalışmak yerine, otizmli birinin hayatına kısa bir bakış atıyor. Günlük hayatı, insan ilişkileri, yaşadığı zor durumlar, rutinleri gibi kimsenin gözüne batmayan minik detayları anlatıyor. Dizideki karakterde yüksek sesten rahatsız olan biri, kendi düşüncelerini duyamadığı için etrafındaki seslerin çok olması ona rahatsızlık veriyor. Bu nedenle kalabalık yerlerde kulaklık takıyor. Küçüklüğünden beri balinalara takıntılı olan Woo, çoğunlukla kulaklıkla onların seslerini dinliyor. Bir odaya girerken parmakları ile beşe kadar sayıyor. İçinde ne olduğunu görmediği şeyler yemekten hoşlanmıyor. Bunun gibi ufak ufak bir sürü detay ile diziyi renklendirmişlerdi. Her bölüm ayrıca bakılan davalarla farklı sosyal mesajlarda veriliyordu. Ama bu benim en başta korktuğum gibi duyar kasma gibi değil de daha ziyada tatlı bir dille aktarılıyordu.

Mary Temple Grandin adlı gerçek bir kişiden esinlenilerek yazılan Woo karakteri, tam anlamı ile kurudan oluşmuyor. Gerçekten var olan bir insandan referans alınmış. Karakterin yanı sıra konu olan davalarda gerçek avukatların hikayeleri ile şekillenip, yaşanmış olayları baz almışlar. Park Eun-Bin bu rolü 3 kere geri çevirdikten sonra kabul etmek zorunda kalmış. Yazar Moon Ji-Won ve yönetmen Yu In-Sik dizi çekimlerini 1-2 sene erteleme pahasına inatla oyuncuyu istedikleri için kabul etmekten başka çaresi kalmamış. Onlar bu rolü oynayabilecek çok oyuncu olmadığını söylerken, oyuncu ise rolün yüklendiği misyon nedeni ile kimseyi kırıp incitmek istememiş. Anlayacağınız aralarında tatlı tatlı cilveleşmişler.

Başarılı oyuncu Park Eun-Bin’e, Lee Jun-Ho rolü ile Kang Tae-Oh eşlik ediyor. İkilinin uyumu inanılmazdı. Son derece sempatik bir çift olmuşlardı. Küçük bir kadro ile çekilen dizinin bütün yan rolleri ayrıca başarılıydı. Büroda kıdemli avukat olarak hepsinin yönetici olan Jung Myeong-Seok rolündeki Kang Ki-Young ekstra enfesti. Daha önce de dediğim gibi bütün yan rolleri ona verseler ben razıyım. Sempatik, karizmatik, doğal ve başarılı. Ofiste Woo karakterine eşlik eden diğer bayan oyuncu ise Ha Yoon-Kyung idi. İkilinin arasında geçen diyaloglar pamuk şeker tadındaydı.

Günün sonunda kaliteli bir iş ortaya çıkartılmış. Arka planda devam eden karakter hikayeleri 2.sezon anlaşması nedeni ile yarıda kalsa da keyifli zaman geçirtiyor. Kang Tae-Oh’nun askere gitmesi nedeni ile 2.sezonun gelmesi uzunca bir zaman alacak gibi görünüyor. Yine de zaman ayırmaya değer bir dizi olmuş.

 OST:

Sun Woo Junga - Beyond My Dreams

Raven Melus

BAŞKA NELER VAR ?

FOTOĞRAFLAR

[imoim36news]

Những lúc này, hoàn cảnh tuyệt phẩm cổ trang Thanh thoa hành phiên bản Hàn (Our blooming youth) lên sóng đang được ngay cạnh. Như thế làm đến nhiều mối phim Hàn cảm nhận thấy nóng sắng rộng lúc nào hết. Tập phim tại đạo diễn Lee Jong Jae rứa trịch chiếm hữu dàn diễn viên cùng với sắc đẹp lung linh, vào đấy xứng đáng cẩn thận nhất đương nhiên là cặp đôi Park Hyung Sik và Jeon So sánh Nee.Qua nhiều khúc teaser, trailer phim gần giống loạt poster đang được tung ra, đường nét đẹp mắt thuộc trạng thái nhưng nhì diễn viên chiếm hữu đang làm nhiều người hâm mộ cần "xỉu up xỉu down". Thế vẫn còn sinh sống hậu ngôi trường và trên họp xuất hiện ra đôi mắt phim thì sao?Sinh sống hậu ngôi trường, Park Hyung Sik vẫn làm người hâm mộ mê mệt vì như thế thừa đẹp mắt trai - mối cung cấp: tvNJeon So sánh Nee là kẻ tiếp tục "nên duyên" cùng với Park Hyung Sik sinh sống Thanh thoa hành phiên bản Hàn - mối cung cấp: tvNNhị anh hùng Lee Hwan và Min Jae Yi hứa hứa sẽ khởi tạo nên một câu truyện tình tuyệt đẹp mắt vào Thanh thoa hành phiên bản Hàn - mối cung cấp: tvNPark Hyung Sik thuộc nhiều người diễn vào Thanh thoa hành phiên bản Hàn - mối cung cấp: tvNMột không khí sung sướng sinh sống buổi chụp poster phim - mối cung cấp: tvNHình hình ảnh trên cuộc họp xuất hiện ra đôi mắt phim - mối cung cấp: tvNDàn diễn viên Thanh thoa hành phiên bản Hàn chụp hình ảnh cùng với nhau - mối cung cấp: tvNCận cảnh sắc đẹp đẹp mắt như hoàng tử của Park Hyung Sik - mối cung cấp: tvNNói thêm về Thanh thoa hành phiên bản Hàn, nhì anh hùng... url nguồn : afamily.vn #Nhan #sắc #của #cặp #song #chủ yếu #Thanh #thoa #hành #phiên bản #Hàn #sao

[olvaheiner]

Beasts Clawing at Straws (2020)

[korelist]

FIGHT FOR MY WAY //  KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb puanı : 8,1 Benim puanım:  9

Drama: Fight for My Way (English title) / Fight, My Way (literal title)

Hangul: 쌈, 마이웨이

Director: Lee Na-Jeong

Writer: Im Sang-Choon

Producer: Moon Joon-Ha

Episodes: 16

Date: 2017

Language: Korean

Country: South Korea

Cast: Park Seo-Joon, Kim Ji-Won, Ahn Jae-Hong, Song Ha-Yoon, Jeon Bae-Su, Kwak Dong-Yeon, Choi Woo-Sik

2017 KBS Drama Awards - December 31, 2017

Excellent Actor (mini series) (Park Seo-Joon)

Excellent Actress (mini series) (Kim Ji-Won)

Best New Actor (Ahn Jae-Hong)

Best Supporting Actor (Kim Sung-Oh)

Netizen Award (Park Seo-Joon & Kim Ji-Won)

Best Drama OST

Best Couple Award (Park Seo-Joon & Kim Ji-Won)

2017 (10th) Korea Drama Awards - October 2, 2017

Excellent Actress (Song Ha-Yoon)

 Birinci bölüme 3 kere baştan başlayıp daha sonra izlemek için ötelediğim bir diziydi. İtaewon Class izledikten sonra bu dizide de Park Seo-Joon ‘un oynadığını öğrenince izlemek için nedenim olmuş oldu. Hatta oyuncunun o olduğuna çok zor ikna oldum diyebilirim. Gerçekten tipinden önce oyunculuğunu beğendiğim aktörler arasında bir numaraya yerleştirdim. Kısaca konusundan bahsedip yorumlara geçeyim. Çocukluktan beri arkadaş olan 4 kişinin hayallerinin peşinden koşma macerasını izliyoruz. “Slice of life” diyebileceğimiz tarzda bir konusu var. Aslında birinci bölüme 3 kez tekrar başlamamdaki neden de biraz bu durağanlıktan kaynaklanıyordu. 3.bölüme geldikten sonra dizi akmaya başlıyor.

Dizide hikayelerini anlatmaya lise yıllarından başlanıyor. İlerleyen bölümlerde dahada küçüklüklerine dair flashbackler de gösteriyorlar. Senaryo da ikinci kadın, ikindi adam hikayeleri olsa da sinir bozucu değillerdi. Gereğinden fazla uzatılmıyor. En kendine çeken tarafı ise genç yaşta büyük başarılar elde etmiş ütopik karakterler yerine, listede kurdukları hayallerin hiçbirini gerçekleştirememiş hayatın içinde bocalayan karakterler olmasıydı. Eskiden beri refleks olarak birbirlerini koruyup kollamaları izleyicide güzel duygular uyandırmayı başarıyordu.

Zengin, kariyer sahibi karakterler yerine daha normal hayatları görmek, dizinin içine çekilmeye yetiyordu. İlk bölümlerde Kwak Dong-Yeon’u namı diğer Vincenzo’nun brother’ını konuk oyuncu tadında görmek beni mutlu etti. Ayrıca hikayede kendi ayakları üstünde durabilen kadın karakterler görmek her zaman artı puan kazandırdığını söylemeliyim. Yan karakterler olsun, ana karakterler olsun hepsi güçlü bir resim çiziyordu.

Park Seo-Joon’un oyunculuğuna o kadar kaptırıyorsunuz ki, dizideki gizli özneler gözden kaçabiliyor. O nedenle bir tanesini belirtmekte fayda olduğunu düşünüyorum. Park Moo-Bin karakterini canlandıran Choi Woo-Sik. Hem sevimli, hem sempatik olmasının yanı sıra eğlenceli bir oyuncuydu. Tanıştığıma memnun oldum. Bir nevi ikinci adam olarak diziye girdi.

Konuya dönecek olursam; Ko Dong-Man(Park Seo-Joon), lise yıllarda tekvando sporu ile ilgilenen başarılı bir öğrencidir. Bir turnuva sırasında sakat kardeşi için şike mevzusuna karışır ve bilinçli bir şekilde yenilir. Bu olaydan sonra kendisine bu durumu yediremediği için tekvandoyu bırakır. Onun adına; olmak istediği kişi ve olması gereken kişi arasında kendi ile yaşadığı mücadeleye tanık oluyoruz. Choi Ae-Ra(Kim Ji-Won)’nın ise lise yıllarında tek hayali spiker olmaktır. Ancak büyüyüp hayatın içinde kaybolmuştur. Hayatını devam ettirebilmek için geçici işlerde çalışmış, hayali olan mikrofonu ise bir mağazada resepsiyonda kullanabilmektedir. Baek Seol-Hee (Song Ha-Yoon), lisede hayali evlenip anne olmak olan bu kızımız ise, bir şirkette yoğun saatler mesai harcayan bir çalışan olmuştur. Yükselme hırsları olmayan kendi halinde bir kızdır. Choi Ae-Ra’nın yakın arkadaşıdır. Aynı zamanda Ko Dong-Man’ın yakın arkadaşı olan Kim Joo-Man (Ahn Jae-Hong) uzun zamandır sevgilidirler. Kim Joo-Man (Ahn Jae-Hong) ise Seol-Hee ile aynı şirkette yönetim kadrosunda çalışandır. Şirkette sürekli üstleri tarafından kullanılan, yükselmek için her türlü muameleye göz yuman bu arkadaşımız, hayatta bir şeylere adım atmak için pozisyonunun düzelmesini beklemektedir.

Aslında izlerken beni rahatsız eden bir şey olmadı. Gereksiz duygusallıklar, hırslar, tripler, yanlış anlamalar yani olumsuz hiçbir şey yoktu. Oyuncular ve oyunculuklarda çok yerinde ve dozundaydı. Kimse dizi içerisinde olmasaydı keşke demedim. Kim Ji-Won’u “Descendants of the sun” dizisinde sert asker rolü ile hatırlıyorum. O da Park Seo-Joon gibi bambaşka bir karakter ve oyunculuk ile bizi şaşırtmayı başardı. Başrol dörtlüsünün enerjileri öyle yüksekti ki, her biri parıl parıl parlıyordu.

Başrolün sürekli kazandığı, en başarılı olduğu, en güzel, en zengin olduğu bir yapım olmadığından izlerken ne olacağını kestiremiyorsunuz. Hayatta her an her şey olabilir tadında bir ilerleyiş var. Örneğin dövüş sahnelerinde başrolün kazanacağının hiçbir garantisini vermiyorlar. Tabi ki kurgu bir hikaye olması nedeni ile normalde başımıza gelmeyecek güzelliklerin gerçekleşmesine de şahit olmuyor değilsiniz. Dizinin belgesel olmasını bir yerde engellemeleri gerekiyor, o yüzden kabul edilebilir güzelliklerdi.

Günün sonunda toparlayacak olursak, Kore dizilerinin genelinde ilk 3 bölümü atlatmak diye bir kavram var. Bu dizi de hayattan bir kesit anlatmasından dolayı bir iki bölümden sonra açılıyor. Güzel zaman geçirtiyor. Tavsiye eder miyim, evet ederim.

 OST:

BTOB - Ambiguous

Raven Melus

BAŞKA NELER VAR ?

FOTOĞRAFLAR

[olivierdemangeon]

  Un sac rempli d’argent est le cœur de préoccupation de plusieurs personnes dont les destins vont se croiser et finalement s’opposer…

    “Jipuragirado Jabgo Sipeun Jibseungdeul” (지푸라기라도 잡고 싶은 짐승들), ou “Beasts Clawing at Straws” pour la distribution internationale, est un thriller criminel sud- coréen datant de 2020, écrit et réalisé par Kim Yong-hoon, qui signe ici son premier long-métrage. Les acteurs principaux sont Jeon Do-yeon, qu’on a pu voir dans “Memories of the Sword” (2015), Jung Woo-sung, qu’on a pu voir dans “Illang: The Wolf Brigade” (2018), Youn Yuh-jung, qu’on a pu voir dans “Hindsight” (2011), Bae Seong-woo, qu’on a pu voir dans “The Swindlers” (2017), Shin Hyun-bin, qu’on a pu voir dans “Confidential Assignment” (2017), Jung Man-sik, qu’on a pu voir dans “The Battleship Island” (2017), Jin Kyung, qu’on a pu voir dans “Perfect Proposal” (2015), et Jung Ga-ram qu’on a pu voir dans “Jo Pil-ho: The Dawning Rage” (2019). Ce métrage est basé sur un roman du même nom écrit par Keisuke Sone Le film est paru le 19 février 2020 en Corée.

La structure narrative de “Beasts Clawing at Straws” est fracturée en différentes séquences où nous suivons un personnage différent. Au bout d’un moment, on prend conscience que les séquences ne se suivent pas forcément dans le temps, ce qui n’est en rien dérangeant pour la compréhension du récit. On débute avec Joong-man (Bae Seong-woo), un restaurateur qui a fait faillite et qui a trouvé un boulot d’employé de service dans un bain privé, chargé de l’accueil des clients et de l’entretien des lieux. Son épouse s’occupe de la mère de ce dernier, une vieille femme singulièrement acariâtre et incontinente. Un beau jour, Joong-man trouve un sac Louis Vuitton bourré d’argent dans l’un des casiers de l’établissement. Discrètement, il le cache dans la réserve avec d’autres sacs oubliés par la clientèle. L’histoire change alors de point de vue, introduisant différents personnages, dont le développement explique le cheminement de ce sac Vuitton qui passe de main en main. Le final viendra montrer qui de l’ensemble des différents protagonistes emportera définitivement le magot.

“Beasts Clawing at Straws” vacille en permanence entre différents genres. On retrouve des éléments de thriller où le devenir de ce sac qui change régulièrement de propriétaire est au centre des tensions. Le récit est profondément criminel avec des meurtres, parfois sanglants, une constante dans le cinéma coréen, mais également de la manipulation, de la duperie et de l’hypocrisie. L’ensemble est saupoudré d’une bonne dose d’humour noir. La mise en scène proposée par Kim Yong-hoon est juste délicieuse qui installe un rythme tel que le spectateur n’a pas le temps de se remettre d’une scène, d’un drame, d’un personnage qui passe à la trappe, qu’il est déjà plongé dans l’étape d’après. Le tout est accentué par la qualité très relevée de l’ensemble de la distribution et de la musique qui accompagne le film, tout en incorporant des éléments d’ironie funeste telle que l’anecdote sur les cigarettes Lucky Strike de Tae-young (Jung Woo-sung), l’agent des douanes.

Chacun des personnages principaux a sa propre histoire et fait graviter un certain nombre de personnages secondaires autour de lui. Certains de ces personnages secondaires deviennent des personnages principaux dans la séquence qui suit. Mi-ran (Shin Hyun-bin) est une femme battue par son mari. La situation financière du couple l’oblige à travailler comme hôtesse dans un bar-club privé. Elle profite du fait qu’un de ses clients tombe amoureux d’elle pour l’influencer de manière à ce qu’il tue son époux afin de toucher son assurance-vie. Mais l’opération tourne au fiasco. Elle va alors se confier à sa patronne, Yeon-hee (Jeon Do-yeon). À son tour cette dernière va manipuler Mi-ran. À chaque étape, le sac Vuitton est remis en jeu. Dans son ensemble, le récit est fractionné, les différents personnages et les chronologies sont finalement tous connectés et le puzzle se positionne tout seul devant les yeux du spectateur.

Les valeurs de production sont tout à fait excellentes pour ce “Beasts Clawing at Straws” avec une superbe photographie signée Kim Tae-sung. Le cinéaste livre un ensemble de visuels très différents avec des décors variés, maisons de riches et de pauvres, salon d’hôtesses, bain public, rues sombres et étroites, endroits isolés, forêt, restaurant à l’abandon, etc. Il y a des scènes d’action, de la violence à la Coréenne et quelques effusions de sang, sans que cela n’apparaisse comme fondamentalement choquant. La bande originale orchestrée par Nene Kang est très agréable, accompagnant malicieusement les passages les plus dramatiques, les plus tendus, mais aussi les plus drôles. Enfin, le montage délivré par Han Mi-yeon est pleinement responsable de la qualité de la narration du film. C’est très maîtrisé.

En conclusion, “Beasts Clawing at Straws” est un très bon thriller policier aux allures de film noir. L’histoire est originale et acidulée, l’intrigue est captivante et le développement est singulier, voire étonnant. Le rythme est soutenu, le récit est fluide et la narration fait le yo-yo dans une chronologie proche. La photographie est superbe, la bande musicale est agréable et le montage est exemplaire. La distribution offre de magnifiques prestations, maîtrisées, drôles, énergiques pour une mise en scène de grande qualité. L’ensemble est délicieux à regarder et s’avère être l’un des films les plus divertissants qu’on ait pu voir dans cette première moitié d’année…

      Retrouvez-nous sur notre groupe de discussion Facebook !

    BEASTS CLAWING AT STRAWS (2020) ★★★★✭ Un sac rempli d'argent est le cœur de préoccupation de plusieurs personnes dont les destins vont se croiser et finalement s'opposer...

[sarangkstars]

Short Kdramas/Drama Special/Web Drama

Part 2

These short kdramas fit in nicely when my drama capacity is challenging. Since some of you may experience a similar drama challenge, I thought I'd share these kdramas with you.

Part 1 here

Check Out The Event

Ha Song Yi (Bang Min Ah) and Park Do Kyum (Kwon Hwa Woon) broke up after five years of dating. It wasn't what she wanted, but he is determined and doesn't intend to explain his reasons very well. Meanwhile, Song Yi ends up winning a promotion that the two signed up for together while they were dating, worth an all-expenses-paid trip to Jeju Island. Not to miss the opportunity, she asks Do Kyum to accompany her, and, surprisingly, he accepts.

This is a short drama, with only four episodes and wonderful cinematography. A melodrama with a touch of comedy. All this with the beautiful landscapes of Jeju in the background.

It tries to pass on an interesting message, especially with regard to communication in relationships.

You Drive me Crazy

Eun-Sung (Lee Yoo-Young) works as a French interpreter. She is friends with Rae-Wan (Kim Sun-Ho). They have been friends for 8 years, since they were both college students. One night they sleep together and their relationship is never the same again.

It is a short and amazing drama. In my opinion, what made this simple story so beautiful is the impeccable chemistry between the protagonists. I know it's a pretty beaten plot, friends/lovers, but what's different about this one is that the protagonist is very unpredictable and conquers in a unique way. It's really funny to watch their relationship develop. She really drives him crazy.

One of my favourite short stories.

Page Turner

It is a three-part KBS Drama Special starring Kim So-hyun, Ji Soo and Shin Jae-ha. It tells the story of a piano prodigy Yoon Yoo-seul who goes blind after a car accident, and struggles to get her life back together with the help of Jung Cha-sik, an aspiring pianist and Seo Jin-mok, her former rival who later becomes a supporter.

This one is so good too. Again, I feel like watching more episodes because we need more time with them. I wanted to know more about their dreams and their achievements. And that's the only cons of this drama.

Quick shout out for the mums. Yoo Seul’s mom (Ye Ji Won) and Cha Sik’s mom (Hwang Young Hee). I loved them.

The Taste of Curry

Another KBS Drama Special. The curry restaurant "Cat's Restaurant" is run by Yu-Mi (Jeon Hye-Bin). She doesn't have many customers and one day, the restaurant is vandalized. Yu-Mi knocks down a suspect with her groceries and he passes out. When he wakes up, the guy (Hyun Woo) is unable to remember his own name. Until he regains his memory, the man helps out at Yu-Mi's restaurant.

This drama is about finding mutual healing and is quite sweet and emotional. Hyun Woo is a very charming and talented actor who proves here that he definitely deserves a leading role of his own.

If We Were a Season

It tells the story of Hye Rim (Chae Soo Bin) and Gi Seok (Jang Dong Yoon) who was born on the same day and grew up together being close friends. Their friendship is genuine and it looks like it will lead into a deeper relationship but then, one day Dong Kyeong (Jung Jin Young) came to their school and shake Hye Rim's world.

At only an hour long, I think this show did a solid job of telling its story. A quick highlight for the positives: Hye Rim and Gi Seok are adorable together. The way they bicker and tease each other and how they care about each other. Jung Jin Young, as the destabilizer of this relationship looks great, with those perfect features and charming smile.

The ending is open-ended and bittersweet but leaves with the hope that there is more to come, that there will be a new beginning.

Individualist Ms. Ji Young

Yeong has lived her whole life as an individualist. One day, she meets a man who is a totally opposite version of her. He lives for other people. Then these two very different people fall in love.

This is a cute romance between two people of polar opposites who change for the better after they meet. Even though it's only a two hour Show, the development of the story is well accomplished and the characters are very well constructed.

Min Hyo Rin is talented and the role is perfect for her, while Gong Myung...is such a sweet puppy and I can't imagine another actor in the role.

The Hymn of Death

The Hymn of Death tells the true story of Yun Sim-deok (Shin Hye-sun), Korea's first professional soprano singer, and her romance with playwright Kim U-jin (Lee Jong-suk). There are six half-hour episodes.

I don't really like dramas with unhappy endings but knowing it was a true story and knowing I would get to see two actors I love, I thoroughly enjoyed this drama. And of course Shin Hye-sun and Lee Jong-suk were perfect.

Kiss Goblin

12 episodes of 15 min. Ban Sook (Bae In Hyuk) is a 160-year-old goblin who wants to become human above all else. But to do so he must assume human form and kiss 10 different women to acquire different emotions.

I mainly got into this show because I liked some gifs I saw and found Bae In Hyuk quite attractive as a goblin. Bansuk is unnatural at first but becomes warmer, sweeter and more dreamy from the sixth episode onwards and I really loved it.

One of my favourite tropes is the forced closeness by living under the same roof, so I was quite pleased when Bansuk started living in Yeon Ah's flat and found the hyper-awareness parts quite delicious.

One Sunny Day

This drama is 2 hours long and is about Kim Ji-ho (So Ji-sub), a heartbroken man who goes to Jeju Island for work and meets this girl (Kim Ji-won) several times. They both get robbed and have to sleep in the same guest house. While staying on Jeju Island, she heals his broken heart and they fall in love.

It's a very sweet story although simple and restrained but I loved this little drama mainly because it had my beloved So Ji Sub as the lead actor.

Plus it's a drama that shows the wonderful island of Jeju in a way I've never seen it before in any show.

You Are Closer Than I Think

On their wedding day, a bride leaves a text message to the groom and she goes on their honeymoon alone. The groom tries to find his bride and learns something about her that he never expected. My review here.

[mildwipes]

All of Us Are Dead (Netflix Series) - Reviews by Mild Wipes

If you're a fan of zombie cinematic pieces, you should make time to watch this series!

As part of my quest to become a cinematic reviewer, hereby I present you my review for All of Us Are Dead, the newcomer at the zombie section of South Korean series on Netflix!

Synopsis

Trapped students must escape their high school which has become ground zero for a zombie virus outbreak. (Netflix 2022)

Creator: Lee JQ, Chun Sung-Il, Kim Nam-Su

Starring: Park Ji-Hu, Yoon Chan-Young, Cho Yi-Hyun, Lomon, Yoo In-Soo, Lee You-Mi, Kim Byong-Chul, Lee Kyoo-Hyung, Jeon Bae-Soo

Episodes: 12

IMDb Ratings: 7.6/10

Average Tomatometer: 84%

Average Audience Score: 80%

Premier: January 28, 2022

*****

Fiuh... After a while, I finally finished this series!

Super excited to share my thoughts about this series, without further a do, let's get started!

⛔️ SPOILERS ALERT ⛔️

You've been warned, read at your own risk!

Actually, I wasn't a fan of the genre, at least, not long ago. But I did watch the legendary Train to Busan (2016) starred by Gong Yoo and Ma Dong Seok (now goes by the name Don Lee in Hollywood). It's hard to not think of the iconic 2016 zombie movie when watching a South Korean cinematic piece about zombies. But, All of Us Are Dead is different from Train to Busan, although I can see a bit of references from the movie being shown in this series. This series also feels waaaaaay longer and tiring than Train to Busan.

If you have watched another zombie themed drama like Happiness (2021) starred by Han Hyo Joo and Park Hyung Sik, you'll notice that the fighting sequences are quite similar, the zombies are both running very fast and super scary, super smart and super strong (I think I use the word "super" too much here, haha!). This series has many characters with different agenda, and that's what's really great about this series, nothing is more heartbreaking and nerve-wracking than watching people fighting for their lives while keeping up with what they believe in (rescuing people they love while betting on their lives altogether).

What really hooked me to stay watching and finish the series is the opening scenes (the scenes before the intro in several episodes, not all episodes have this), and definitely the ending scenes from each episode. They always made me question what happens next and click the next episode button (even when it's already 2am and I'm going to work by 9am!).

The most memorable opening scene for me is from episode 1 when the first zombie transformation resurfaced. It's a scene where Lee Jin Su (Lee Min Goo) turned into the first zombie of the series. It was midnight, under the rain at the rooftop of a church (because there is a cross sign, emphasized) which made it the most terrifying -yet ironic- bullying scenes I have ever watched on screen! There are several bullying scenes at the early episodes too and some of them are very gruesome, kinda made me wonder if there are actually people who would do horrible things like these out there. People who are capable to do these terrible things are super creepy, super real too.

The ending scene that made me go "WTF!" is from episode 2, when the students used a hose to climb onto broadcast room, and Lee Cheong San (Yoon Chan Young) seemed to fell off the building with some zombies. Part of me believed that he was literally dead, but part of me thought it is impossible since he is one of the main characters. Main characters rarely die in the early episodes (at that moment, I honestly wished nobody had died). Thank God, the series shed a light at the 3rd episode that Cheong San was alive! Even Su Hyeok (Park Solomon), who was left behind and separated from the group in episode 2, was alive too.

The rest of the episodes felt repetitive for me, running away-trapped in a room-running away again-trapped again-running away for another time-trapped for the last time (maybe I was already tired of watching haha). But what's really good about this series is the dynamic between the students in the group, when you're that afraid and tired and hungry, it's hard to think straight. One of the best scenes to potray the emotions is when Lee Na Yeon (Lee You Mi) killed Han Gyeong Soo (Ham Sung Min) in episode 3 and then she was kicked out by other students by the end of it. There is also a scene where Yoon Gwi Nam (Yoo In Soo) killed the headmaster and Cheong San saw it in episode 5, which I think is a brilliant scene to describe how hideous Gwi Nam was as a human-being, thus made it a great foundation to make him one of the very few people who were not turning into zombie (are not biologically dead but are infected by the virus) because he had an incredible will to survive (the biology professor and the creator of this virus, Lee Byeong Chan (Kim Byung Chul) said that this virus is all about survival and willingness to survive). I gotta say that Gwi Nam's pursuit to kill Cheong San was brutal and deserved to be the highlight of this series.

It was a bit hard for me to predict which character will die and become zombie, everyone had their own spotlight and moment and I felt like everyone was the main character of their stories. Watching this, I was sympathetic to the pitiful characters like Min Eun Ji (Oh Hye Soo) and Kim Cheol Soo (Ahn Ji Ho) (the students who were bullied and trapped at the school rooftop when the outbreak started). I also sobbed when Nam So Ju (Jeon Bae Su), our most favorite appa of all time, died in episode 11, it's painful seeing so many people sacrificed their lives for the ones they truly loved (Cheong San was dead at last, as a hero, too).

However, the series did not forget to put a bit of comedy during Detective Song Jae Il (Lee Kyu Hyung) and Officer Jeon Ho Cheol (Park Jae Chul)'s trip to downtown Hyosan. Rather, a heartbreaking comedy, to be honest. At least, I could laugh a little while watching this saddening series.

One thing that I was questioning during the whole episodes was "Would Nam On Jo (Park Ji Hu) turn into a zombie? She was scratched by Kim Hyeon Ju (Jung Yi Seo) in the first episode, wasn't she?" Is it possible that On Jo was immuned to the virus, like Han Hyo Joo's character in Happiness? Or, did the virus only spread through bite?

Overall, All of Us Are Dead is a series with a genius motive, an ordinary professor going mad from seeing his son suffered, decided to create a virus to make his son unbeatable, which turned unexpectedly ugly. The series format gave the writers opportunities to explain many details about the virus (unlike #Alive which was too hard to peel because it was less than 2 hours), and the fans many theories to conspire (you should see how much hype this series gets on Twitter!)

Additionally, the plot is moving very slowly, it successfully made me felt as if I were part of the surviving group, thus everytime a zombie appeared I felt like running too (while I am on my bed, of course). Can't remember how many times I shouted "fast! don't die!" during the 12 episodes :)

There are more to this series which I can't write down, standing ovation to the great writing and casting! I can see some familiar faces like Kim Byung Chul (he played a prominent antagonist role in Guardian with Gong Yoo and Kim Go Eun), Jeon Bae Su (he was an appa in Mr. Queen and Fight for My Way, too!), Lee Kyu Hyung and Bae Hae Sun (both fought zombies in Happiness, then turned into zombies by the end of the series), Kim Jong Tae (had a role in Sisyphus with Park Shin Hye and The King: Eternal Monarch with Lee Min Ho), and super talented young actors and actresses which are gonna be the face of South Korean dramas!

Ending

Only half of the students from both surviving groups were left. They finally reached the quarantine camp and continued living their lives without their loved ones.

Personal Ratings

It's the complicated plot-lines and dynamic characters that made this series very worth to watch. I'm giving this series 8.5 out of 10.

Plot-Wise: UNPREDICTABLE! Multiple conflicts, different agendas.

Visual: GREAT ZOMBIE ACTING, super natural! The injuries are explicit and dreadful and disgusting. I especially love a particular scene when a thunderstorm stroke and all the zombies were going crazy from the sound. Though, the VFX for ensemble zombies are kinda rough.

Music: I hardly notice the music, but it doesn't lessen the tension I got while watching this series.

Would I recommend this series?

50/50

If you are a fan of zombie themed series/movies, this series is a must watch, but if you're easily disgusted and disturbed, you might need to prepare yourself.

[cbk-ed]

[file #220308] - by bkps megng

[name] 조병규 - Cho Byeong Kyu [DOB] 1996.04.23 [debut date] 2015.04.27 [blood type] A [MBTI] ENFP, INFP, INTJ (x)

2020.12.31, SBS Drama Awards 2020, Best Rookie Award winner (x) 2021.12.19, Asia Model Awards 2021, Rising Star Award winner (x)

(please inform me if any link doesn't work. thank you.)

상업영화 / commercial movies

2022, 죽어도 다시 한번 [전우석] (x) even if I die, I do once again [jeon woo seok] 

2021, 이 안에 외계인이 있다 [도건태] full.kr there is an alien here [do geon tae]

2019, 우상 [구요한] full.en cut.kr idol [goo yo han]

2019, 걸캅스 [강한솔, 막내 형사] full.en cut.kr girl cops [kang han sol, the youngest detective] 

2018, 소녀의 세계 [고우철] full.en cut.kr fantasy of the girls [go woo cheol] 

2016, 목숨 건 연애 [설록환] full.en cut.en life risking romance [sul rok hwan, young]

독립영화 / independent movies

2022, 스쿨 카스트 [?] (x) school cast [?]

2022, 밀레니얼 킬러 [정식] (x) millennial killer [jeong sik] 

2021, 김공주들 [병규] (x) killing kim gong joo [himself]

2021, 히키코모리는 안녕하십니까 [기우] (teaser.en) hikikomori, hello [ki woo] 

2020, 하드코어 로맨스 [김행남] serieson teaser.en hardcore romance [kim haeng nam] 

2020, 스페셜 엔딩 [전수원] serieson teaser.en special ending [jeon su won] 

2019, 나이트 버드 [?] (x) night birds [?] 

2017, 그럴 수 밖에 없었다 [성광] full.kr (x) I had no other choice [song kwang] 

2017, 김희선 [최동훈] serieson full.kr teaser kim hee sun [choi dong hoon] 

2017, 똑똑똑 [연우] (not found) knock, knock, knock [yeon woo]

2017, 잇챠 [병규] (not found) let's go [himself]

2016, 오늘 만난 슈팅스타 [무주] teaser.kr (x) shooting star [moo joo]

2016, 비밀 [박지수] purplay full.kr teaser.kr (x) secret [park ji soo]

2016, 아가페 [송태우] full.kr teaser.en (x) agape [song tae woo]

2016, 춘천행 [김태수] moviebloc (x) train to chuncheon [kim tae soo]

2016, 시네마 게임 썸 [상식] (not found) cinema game “some” [sang sik]

2016, 인터체인지 [이준석] full.kr interchange [lee jun seok]

2016, 학교전쟁 [병규] full.en trailer.kr school battle [himself]

(other)

2017, 빵셔틀의 반란 [중앙초 야구부 에이스] full.kr revolution of bread delivery boys  [the ace of joongang elementary school baseball team]

2017, 렛 미 아웃 [?] full.kr let me out [?]

TV 드라마 / tv dramas

TBA, 찌질의 역사 [서민기] (x) history of losers [seo min ki]

2020, 경이로운 소문 [소문] netflix full.en making the uncanny counter [so mun] 

2019, 스토브리그 [한재희] netflix full.en making hot stove league [han jae hee] 

2019, 아스달 연대기 [사트닉] 10-11-12-16.en cut.en arthdal chronicles [sateunik] 

2019, 사이코메트리 그녀석 [강성모] full.en cut.en making he is psychometric [kang seong mo, young] 

2018, 스카이캐슬 [차기준] full.en cut.en making SKY castle [cha ki joon, the 2nd twin] 

2018, 시간 [김복규] full.en time [kim bok gyu] 

2018, 라디오 로맨스 [고훈정] netflix full.en cut.kr radio romance [go hoon jung] 

2017, 돈꽃 [강필주] full.en cut.kr money flower [kang pil joo, young] 

2017, 란제리 소녀시대 [이봉수] full.en girls' generation 1979 [lee bong soo, jung hee's twin] 

2017, 청춘시대 2 [조충환] 3-5-7-8-14.en cut.kr age of youth 2 [jo chung hwan, ji won's junior] 

2017, 7일의 왕비 [백석희] full.en cut.kr queen for seven days [baek seok hee, young] 

2016, 더 케이투 [알바] netflix 08.en cut.kr the K2 [himself, the part-timer] 

2016, 뷰티풀 마인드 [계정수] full.en cut.kr beautiful mind [gye jeong su, jin sung's brother] 

2016, 그래, 그런거야 [환자] 28.en cut.en yeah, that's how it is [himself, the patient] 

2015, 라이더스: 내일을 잡아라 [김민중] 7-8-9-10.en riders: catch tomorrow [kim min joong] 

2015, 후아유: 학교 2015 [조병규] netflix full.en cut who are you: school 2015 [himself]

웹드라마 / web dramas

2018, 독고 리와인드 [김종일] full.en cut.en bts dokgo rewind [kim jong il]

2018, 음주가무 시즌2 [유감우] full.kr (archive) drink, sing and dance 2 [yoo gam woo] 

2017, 사이:비트윈 [조병규] full.en cut.kr between [himself] 

2017, 서울은 처음이라서 [조병규] full.kr my first time in seoul [himself] 

2017, 신감독의 슬기로운 사생활 [조병구] full.en the sensible life of director shin [cho byeong ku] 

2017, 사랑쓰다 [병규] full.en to write love [himself] 

2017, 음주가무 [유감우] full.kr (archive) drink, sing and dance [yoo gam woo]

2017, 식사 [존] (x) meal [john]

2016, LOVESTART [조병규] lovestart [himself]

2016, 로미오와 줄리엣 [김수로 프로젝트] romeo and juliet [kim su ro project]

2015, 갈매기 [뜨레쁠레프] (x) the seagull [treplev]

2014, 오셀로 [이아고] (x) othello [iago]

2013, 맹진사댁 경사 [미연] the sergeant of maengjin's house [miyeon]

2013, 햄릿 [햄릿] hamlet [hamlet]

2012, 올모스트 메인 [LENDALL] almost maine [lendall]

2016, 레미제라블 [마리우스] les misérables [marius]

2015, 《1994년 어느 늦은 밤》, 임형주 (full cut) one late night in 1994, lim hyung joo

2021.03.01, (02* at 0:54, 1:06, 2:06) 독립만세 [2회] hurrah for independence [ep.2] (*) all I could find is a 3-minute video with most of his scenes cutㅠㅠ

2021.02.13 ~ 2021.02.20, (80-81-82) 놀면 뭐하니? [80회~82회] how do you play? [ep.80~82]

2021.02.13, (147) 도레미 마켓 [147회] amazing saturday [ep.147]

2021.02.07, (00) 경이로운 귀환 the uncanny return 

2021.01.22, (01) 범인은 바로 너! 시즌3 [1회] - 특별출연 busted! 3 [ep.1] - special appearance

2021.01.09, (75 at 22:20) 놀면 뭐하니? [75회] how do you play? [ep.75]

2020.11.28, (257) 아는 형님 [257회] knowing bros [ep.257]

2020.03.15, (494) 런닝맨 [494회] running man [ep.494]

2020.02.12, (145 at 29:36) 본격연예 한밤 [145회] new late night e news [ep.145]

2020.01.31, (331) 나 혼자 산다 [331회] I live alone [ep.331]

2019.12.06, (323 at 00:50, 14:27) 나 혼자 산다 [323회] - 특별 출연 I live alone [ep.323] - special appearance 

2019.08.03 ~ 2020.05.30, (00) (my playlist) 자연스럽게 [1회~6회, 8회~12회, 20회, 26회, 36회~43회] naturally [ep.1~6, 8~12, 20, 26, 36~43] 

2019.05.17, (294) 나 혼자 산다 [294회] I live alone [ep.294] 

2019.03.26, (102 at 13:07) 본격연예 한밤 [102회] new late night e news [ep.102] 

2019.01.31 ~ 2019.02.07, (17-18) 해피투게더 시즌4 [17회~18회] happy together 4 [ep. 17~18]

[lycheesqueeze]

6 History Related KDramas You Need to Watch

I am a huge fan of historical Dramas. But I believe it is rather hard to find one that fits your watchlist. There are political dramas, romantic comedies and Dramas based on true Stories. Whether you like classic KDrama Plotlines or not so typically Stories I am sure you will find something on this list.

Please keep in mind that this list is only made in my opinion and from what I truly thought about these Dramas. If you have any recommendations for other dramas that fit in this list, please let me now!

*I only included the directors of the Dramas

- The Last Empress [황후의 품격] // 2018 by Joo Dong-Min

A Drama that plays in our period of time but can nonetheless be called a history drama. It displays how a monarchy would function in modern South Korea. The Story is about an unsuccessful and naive musical actress who marries the Emperor of the Korean Empire. Her character seems clumsy and featherbrained but being the main act in this drama her role is bond to change. This series starts of rather light and comedic however it'll change in later episodes as the Plot develops into an investigation storyline.

Main Actresses and Actors: Jang Na-Ra as Oh Sunny // Choi Jin-Hyuk as Na Wang-Sik // Shin Sung-Rok as Emperor Lee Hyuk

- The Tale of Nokdu [조선로코 - 녹두전] // 2019 by Kim Dong-Hwi

This Drama plays in the Joseon Dynasty and tells the story about Nokdu, a young man who wants to find the truth about his birth. On his way he disguises himself as a woman in order to enter a widow village where the answers to his questions lie. Given that this Story is a romantic comedy we also have our female lead character, a young woman living in a Kisaeng house next to the widow village. As the Plot develops, more and more interesting characters are introduced but the storyline lacks cliffhangers and overall interesting turning points. Nonetheless it's a light and fun to watch Drama.

Main Actresses and Actors: Jang Dong-Yoon as Jeon Nok-Du // Kim So-Hyun as Dong Dong-Joo // Kang Tae-Oh as Prince Neungyang

- My Country: The new Age [나의 나라] // 2019 by Kim Jin-Won

This is by far my favorite History Drama. The story revolves around two good friends but their different ranks in society leads them on two different paths. It's a story about a big revolution but it isn't the outcome that is important. This Plot has everything: Epic fighting scenes, an unbreakable friendship, an interesting plot with excellent cliffhangers and unpredictable turning points. All characters are unique and have their own plotlines which makes you even more anticipated to watch. The lead actors are well known figures and fit the two main characters perfectly.

Main Actresses and Actors: Yang Se-Jong as Seo Hwi // Woo Do-Hwan as Nam Sun-Ho // Kim Seol-Hyun as Han Hee-Jae

- Rookie Historian Goo Hae-Ryung [신입사관 구해령] // 2019 by Kang Il-Soo & Han Hyun-Hee

A romantic drama about a rookie historian and an abandoned prince who secretly works as an author of love novels. Although it doesn't start of very interesting the many small plotlines lining to an connected end make it worth to watch till the last episode. Fans of Astro will definitely have a joy watching this cute drama, with Cha Eun-Woo as the main lead and adorable clumsy prince. But also the historical background is rather interesting as we don't see this kind of topic often. After all it's more a romantic comedy than epic story but still entertaining to watch.

Main Actresses and Actress: Cha Eun-Woo as Yi Rim // Shin Se-Kyung as Goo Hae-Ryung // Park Ki-Woong as Prince Yi Jin

- The King: Eternal Monarch [더 킹: 영원의 군자] // 2020 by Baek Sang-Hoon, Jung Ji-Hyun & Yoo Je-Won

Another modern monarchy story taking place in two parallel worlds which gives this drama fantasy vibes. The drama tells the story of detective Jeong Tae-Eul and the Emperor Lee Gon who meet each other under very interesting circumstances. Because this story takes places in different times and worlds it comes across confusing in the beginning but the heartwarming characters and love story make up for this. This drama has beautiful cinematics and interesting plot twists not to mention great actors like Lee Min-Ho and Woo Do-Hwan. In the end it's a classic romantic love Drama and less a historical piece.

Main Actresses and Actress: Lee Min-Ho as Emperor Lee Gon // Kim Go-Eun as Jeong Tae-Eul & Luna // Woo Do-Hwan as Jo Yeong & Jo Eun-Sup

- Hymn of Death [사의 찬미] // 2018 by Park Soo-Jin

Hymne of Death is based on a true story and takes place in 1920, when Korea was under Japanese Occupation. The Drama tells the tragic love story of Soprano Yun Sim-Deok and playwright Kim Woo-Jin. Going as far as calling it the Korean Romeo and Juliet this short Story is full of dramatic plotting and beautiful poetic scenes. The historical part doesn't come to short and shows us Korea in periods of change but also the harsh reality of the Japanese invasion.

Main Actress and Actor: Shin Hye-Sun as Yun Sim-Deok // Lee Jong-Suk as Kim Woo-Jin

[la-critique-de-caro]

TUNNEL

Partie 2 : Divulgâchons et analysons.

1-Une équipe du passé et du futur

La série en proposant un voyage dans le temps va lier le passé avec le futur grâce au personnage principal, Park Gwang-ho.

En arrivant dans le futur, il va réussir à s'y intégrer en prenant l'identité d'un officier portant son nom qui devait prendre le poste. Il retrouvera alors son jeune collègue devenu chef de service, Jeon Sung-sik. Ils ne se reconnaissent pas tout de suite mais lorsque cela se fait, Sung-sik fera tout pour aider son ancien ami et supérieur. C'est un duo attachant et leurs scènes sont à la fois drôles et tendres. Leur relation est complexe due à un passé commun que personne n'est en mesure de comprendre ou de croire autour d'eux. La proximité entre les deux personnages troublent ceux qui les entourent et ils doivent faire en sorte de se comporter de la manière la plus naturelle possible. Sung-sik est un vrai soutien pour Gwang-ho qui doit affronter les épreuves du destin. C'est un homme qui a gagné en maturité avec le temps.

Un autre visage du passé survient alors sans qu'on y prête attention au départ. Park Gwang-ho va devoir faire équipe avec l'inspecteur Kim Sun-jae qui est froid et distant avec ses collègues. Les deux personnages ont des comportements très opposés. Park Gwang-ho est sanguin et émotif alors que Kim Sun-jae apparaît comme quelqu'un de plus impassible et réfléchi. Cela est une façade mais au fond, c'est un homme blessé par une histoire familiale complexe. Les deux se confrontent violemment au début de leur recontre. Comme chien et chat. Émotion contre froideur. Passé contre futur. Si l'émotion est un problème lorsqu'elle n'est pas contrôlée, la froideur est aussi problématique lorsqu'elle empêche de faire équipe avec les autres. Les deux apprendront beaucoup de l'autre. Sun-jae aura un impact positif sur Gwang-ho qui s'adoucira et ce dernier amènera son partenaire à s'ouvrir aux autres et à voir ses collègues comme des amis.

La série propose également une comparaison entre la manière dont les policiers enquêtent dans les années 80 et l'aide apportée par la technologie en 2016. On voit que les techniques ont beaucoup évolué et le personnage principal a du mal à comprendre comment les policiers actuels fonctionnent. Ce qui est intéressant, c'est que la série montre comment les méthodes du passé sont toujours aussi pertinentes tout en reconnaissant que la technologie permet de facilité le travail tant qu'elle vient appuyer une réflexion humaine. La relation Park Gwang-ho et Kim Sun-jae permet cette réflexion.

La série renforce le lien entre les deux hommes lorsque Park Gwang-ho découvre que Sun-jae est le fils d'une des femmes qui a été tuée trente ans plus tôt. Il l'a donc connu alors que ce n'était qu'un bébé et qu'il devait trouver le meurtrier de sa mère. Quand Sun-jae accepte la vérité, un lien indéfectible les reliera jusqu'au bout : dans le futur comme dans le passé.

Mention spéciale aux deux autres policiers qui aideront Park Gwang-ho à trouver les tueurs. Les deux autres membres de l'équipe sont surtout des personnages comiques qui apparaissent comme de bons compagnons. Pourtant, ils parviennent à la fin à nous donner envie que le personnage principal ne retourne pas dans le passé. L'équipe est attachante et c'est déchirant de les voir se séparer. Ils ne pourront plus travailler ensemble et ne partageront plus ces moments de beuveries. Les adieux sont difficiles et la série arrive vraiment à nous le faire ressentir.

La professeur Shin est un personnage qui comme Sun-jae a des difficultés pour se lier aux autres. Il m'a été difficile de l'apprécier au départ mais c'est réellement un personnage touchant quand on apprend ce qu'elle a dû traverser avec la mort de ses parents et le traumatisme laissé par celle de la mort de ses parents adoptifs. Ne pas exprimer d'émotions pour ne pas souffrir. Nous la voyons en apprendre plus sur elle à travers les nouvelles épreuves.

2-Le drame des familles

La série montre des familles torturées à cause des affaires qui sont traitées.

Park Gwang-ho souffre tout d'abord de ne pas réussir à trouver le coupable des premiers meurtres parce qu'il voit bien la détresse des familles qui attendent des réponses. Cela a un impact sur sa vie familiale. Il passe son temps au travail et finit par disparaître lorsqu'il est envoyé dans le futur. C'est à ce moment où le drame s'installe vraiment dans sa propre vie. Il va découvrir au fur et à mesure ce que son absence a détruit sa famille : sa femme l'a attendu et est morte tragiquement dans un accident de voiture, sa fille (qui se révélera être le Shin Jae-yi) a vécu une vie difficile et solitaire. Le poids de cette famille détruite par son absence va peser sur ses épaules. Trouver le coupable dans cette série revient à trouver un moyen de sauver sa famille. La détresse de Park Gwang-ho est alors déchirante surtout lorsque les échecs se succèdent.

Parlons plus ouvertement de la relation Gwang-ho et du professeur Shin. Le destin les réunit très tôt mais ce ne sera qu'à la fin où ils apprendront qui ils sont l'un pour l'autre. Au début, les deux personnages ne s'apprécient pas. Elle est froide et lui brut de décoffrage. Il ne lui fait pas de cadeau et se montre très critique et moralisateur envers elle. Ce qui apparaît tout d'abord comme assez déplacé puisqu'ils ne se connaissent pas. Mais il ne peut s'empêcher de vouloir prendre soin d'elle. Il se comporte avec elle comme un père avec sa fille. La série arrive à rendre ça assez naturelle bien que dans les faits elle soit plus âgée que lui lorsqu'ils se rencontrent. Il était évident qu'ils n'allaient pas tomber amoureux l'un de l'autre puisqu'il était déjà marié. Ce lien qui les relie est bien paternelle et c'est d'autant plus appréciable lorsqu'on regarde la série de nouveau.

Quand il comprend qu'il s'agit de sa fille, la culpabilité est d'autant plus forte. Ce que j'apprécie, c'est que la professeur ne fait aucun reproche à son père. Aucune colère ne survint, elle déverse cependant toute sa tristesse. Sa joie d'avoir enfin quelqu'un de sa famille à ses côtés va lui permettre de s'épanouir. Lorsque l'heure du départ arrive, sa douleur est d'autant plus compréhensible puisqu'elle perd son père alors qu'elle vient de le rencontrer.

Le point fort de la série pour moi c'est sa réflexion sur l'impact que les meurtres ont sur les familles des victimes. Nous voyons cela particulièrement avec la famille de Kim Sun-jae dont le père ne se remettra jamais vraiment de la mort de sa femme. Kim Sun-jae en voudra aussi à son père de lui avoir menti sur la mort de sa mère biologique et ce sont les différentes enquêtent qui vont lui faire comprendre que surmonter la perte d'un proche est difficile et qu'il pardonnera à son père. Sun-jae doit aussi apprendre à affronter sa douleur parce qu'il porte en lui la mort de sa mère et son désir de rentrer dans la police est lié à ce drame.

Une des enquêtes montre comment un père de famille en vient à tuer le meurtrier de son fils alors qu'il a passé des années à essayer de consoler en vain sa femme et de la convaincre de pardonner. Surmonter ce type de deuil est difficile et la série ne juge pas ceux qui ne parviennent pas à le faire. Elle met en lumière cette épreuve et permet de reconnaître que la famille des victimes sont aussi des victimes des tueurs. Beaucoup d'autres séries policières retracent la vie des victimes et les font survivre à travers des souvenirs. Ici, Tunnel se distingue puisque nous avons très peu de passage comme cela. C'est vraiment la famille des victimes qui est mise à l'honneur. Quand à la fin, les policiers font le tour des familles pour leur annoncer qu'ils ont arrêté le meurtrier de leur proche décédée trente ans auparavant, nous découvrons la blessure que ces crimes ont laissé en elles. La série montre différents cas, de ceux qui éprouvent du soulagement d'avoir enfin la vérité, ceux qui la reçoivent avant de mourir et ceux malheureusement qui sont décédés sans avoir pu apprendre la nouvelle. À chaque fois, la douleur est palpable et cette série aura réellement réussi à me déchirer le cœur.

C'est aussi une histoire de criminels bien évidemment. Nous en avons deux. Et tous les deux développent leurs pulsions meurtrières suite à un contexte familial complexe.

Celui des années 80 tue les femmes et les autres victimes parce qu'il voit en eux le pêché. Les explications qu'il donne à ces meurtres sont dérisoires comparées à leur gravité et à la douleur que cela aura causé. Il développe ses pulsions meurtrières à cause de sa mère qui se prostitue pour vivre. Il ne surmontera pas la honte malgré l'affection qu'il éprouve pour elle et se donne pour mission de nettoyer le monde des êtres sales. Le meurtrier est un proche de Sun-jae et ils découvrent tous les deux plus tard qu'ils sont liés l'un à l'autre de cette terrible manière. Sun-jae qui ne voulait faire confiance à personne apprend que son ami est le tueur en série qu'il recherchait tant. L'acteur qui joue Mok Jin-woo joue parfaitement son rôle en étant à la fois une sorte de figure parnelle et un terrible tueur en série sournois. (Petite anecdote amusante : l'acteur, Kim Min-sang, est le même qui joue M. Choi dans Rugal et le Dr Yoon dans Devilish Joy. C'est amusant de le retrouver constamment à jouer auprès de Choi Jin-hyuk ! )

Le meurtrier des années 2010 environ avait déjà des pulsions meurtrières en lui. Il sera inspiré par les meurtres du premier lorsqu'il aura été témoin de l'un d'eux. C'est finalement lorsque sa mère le fera enfermer en disant que c'est un monstre qu'il se mettra une fois libre à commettre des meurtres en série. Les mères ont joué un rôle important dans la fêlure portée par leur fils.

3-Le destin et le voyage temporel

Le petit défaut de la série est peut-être sur ce dernier point. Même si j'aime les histoires de destin, la notion n'est pas toujours très bien amenée ou utilisée. Au nom du destin, nous pouvons accepter toutes les rencontres qui constituent l'histoire même si cela nous semble improbable. Cependant le Park Gwang-ho du futur qui aurait été appelé ainsi par rapport au Park Gwang-ho du passé n'explique pas comment il pouvait déjà s'appeler ainsi dans le futur. Parler de destin ici est peut-être un peu facile. Mais je dois reconnaître que cette critique que je fais à la série repose sur un détail qui en réalité ne m'a pas trop dérangée.

J'étais plus embêtée de ne pas savoir ce que devenaient les personnages du futur puisque Gwang-ho a pu attraper le coupable dans le passé. Beaucoup de changements ont dû survenir et la série ne les aborde pas.

J'ai tout de même apprécié cette histoire qui mêle destin et voyage dans le temps. Cela a permis de voir une belle histoire d'amitié, de famille, d'amour mais aussi de porter une réflexion sur le destin des familles des victimes.

Tunnel sera vraiment une série qui m'aura marquée pour tout cela.