#jefleejohnson
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theroots-blog Ā· 7 years ago
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VIA @QUESTLOVE 15 years ago today #ElectricCircus scared most of yā€™all. Both @TheRoots & @Common were in this tandem package of underground hip hop cats allowed to play in reindeer games. Our previous offerings #ThingsFallApart (us) & #LikeWaterForChocolate (him) opened doors weā€™d NEVER thought would let us in. Itā€™s almost crazy that we both decided to make departure albums at the same time too. The question was who was gonna ā€œout crazyā€ the other. From how I saw it if we had made #ThingsFallApartSomeMo in 2002 there would have been no surprises and by then ā€œthat soundā€ (neo soul/whatever you call it) was to me played out. Not to mention you hear how Slllooowwww thhhiiinnnggss sooound on #TheRootsComeAlive? I wanted energetic material that made our live show EXCITING hence the rebellious angle #Phrenology took. These albums are practically identical twins. #JefLeeJohnson spent 40 mins on #JimiWasARockStar in studio B, then 10 mins later we running his axes to Studio A to give The Roots the same magic on our 11 min #Water. I believe the first song we made for this album @VikterDuplaix liked so much he convinced Rash (Common) to let him have it and Rash can do a verse if he likes (šŸ˜±šŸ˜±šŸ˜±šŸ˜±šŸ˜±) man I was mad Rash agreed. That song was my baby. The next night I think we had the skeleton of #HeavenSomewhere done & seconds later came #BetweenYouAndMeAndLiberation because @JamesPoyser didnā€™t have a full kit set up in his studio I remember making a ā€œsnareā€ drum out of a stack of cymbals on a chair (I was too lazy tonget mine from the hallway and I didnā€™t think rash would take something so radical sounding. turns out he did. I have limited space here so Iā€™ll briefly share my fav story: The week we spent at @officialpaisleypark. @Prince (on tour) he was now in big brother mode & less ā€œour idolā€ he gave us run of the studio & let us use whatever we wanted. (we as in Dilla/Pino/Poyser/Me) weā€™d send him parts to play (#Star69 is Dilla James & Prince on Keys me on drum programming Pino on bass) most important he let us play w his covered up Oberheim synths & the Linn Drum (see the interlude AFTER 69) so magical man. So much magic
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