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#jeez this just ended up being a recap of the story huh
elaeomyxa · 5 years
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pen emoji (i don’t feel like finding it) abt any of your ocs
(Thank you for sending this even though I've literally never mentioned any of them dkalhfhafskghd)
Ok so Sasha
Her whole gist is she finds Nix in the middle of a fight with a Nightmare in a forest, and ends up saving him. She brings him back to her house because she has the best judgment on what to do with unconscious people who are bleeding out after fighting a monster you never knew existed (/s). She, obviously, begins panicking about having his dead body in her tub until said dead body pulls her out of it, perfectly fine.
She, understandably is like "what the fuck" and Nix, being a Master of Human Emotion is like "oh I'm not human haha wanna come work with me?"
(In reality it's more along the lines of "hey ain't it weird how you can see those dream creatures? Also since you're not associated with us we'll have to wipe your memory of this whole event if you don't join ¯\_(ツ)_/¯")
She ends up joining them, shenanigans ensue, she makes a bunch of friends with her mission group, she gets kidnapped after making a deal with a demon, the whole shebang
Basically what the company (Somn inc., "where dreams come true!") is is just a bunch of people who enter the mindscapes of those plagued by dream creatures to help them sleep peacefully
Most employees are not human, and humans are actually looked down upon because they often have less dream abilities, or none at all.
The company has a whole thing about never showing identities, something about how imagination holds a lot of power with those who have stronger dream abilities can will things into existence, but only if they actually know someone's true form (kinda death note logic)
So they use codenames and never reveal their species
So they go through training, and on their first real mission, Sasha gets badly hurt, and her identity is revealed.
If you remember what I said earlier, humans aren't the most accepted group in this company, or really overall over the groups of sentient folk
So she ends up more or less ostracized by the group, with them talking about how her being human led to her getting hurt, and even saying she should leave if she knew what was best for her.
So now let's backtrack for a sec
Ever since her seventeenth birthday, she's been having strange dreams
She'd find herself in a field of purple flowers, under an endless sky
Ever since she joined the company, she's been seeing a figure on the horizon
Each night she finds herself closer and closer, yet never able to reach it
Now back to when she's just been outed as human
She goes to sleep that night to find the figure right next to her, offering to make her a deal
The figure says that they can make her more powerful, or worthy or whatever
Sasha accepts, and oops! The figure takes control of her body and runs off to the dream realm, a void between mindscapes filled with Nightmares
So Sasha goes missing, and the group is like "oh shit"
They end up going around where Sasha lives, setting up missing person posters and the likes, going door to door, where they meet enfys
I know this is just about one oc and that I'm making it about the whole story so here's some quick background on enfys
E is sort of a conspiracy theorist, e's real paranoid
So naturally when e find out eir friend (and long time crush) has gotten some weird part time job that she often comes back from beat up, e's real suspicious
So the whole time while Sasha was out learning dream stuff, enfys has been worrying eir ass off about her and trying to figure out what's happening
So when the crew comes to eir house with news that Sasha has mysteriously disappeared, refusing to give any more information other than vague answers, e's real suspicious
E ends up interrogating them and they spill the beans, so e ends up joining the search party for her, despite not being able to see dream creatures
So the crew goes on a quest, each having to deal with their complicated backgrounds in order to get in the right state of mind to enter the dream realm
So what's Sasha been doing the whole time? Well, the demon from her dreams (Zea) has been gathering an army of Nightmares to fight the leader of Somn inc
Throughout this she's basically trapped in a place separate from her mindscape, her consciousness, which is more or less the control room for the body
She's been trying to talk Zea down, and learns that her whole vendetta against Somn inc. is because the leader's careless for his workers lead to her father dying on a mission, and ever since she's been trying to gain power to take him down
So Sasha's like "wait you're telling me this corporation who more or less blackmailed me, a seventeen year old into working for them under dangerous situations, is bad? Wack."
So by the time the crew comes back and they have a Big Fight in the dream void area thing Sasha's like "okay everyone can't we just chill and take down a corrupt CEO together?"
The crew, having not been there for Zea's somewhat redemption are naturally like "okay what the fuck" and decide to try and get Zea out of control of Sasha's body
This ends up killing Zea and Sasha
They're all sad and stuff blah blah blah the end
...
Not really though
The story picks up with Sasha and Zea stuck in a void
Sasha's like "you know what? Fuck this."
And Zea's like "bruh I've been working my whole life can't I just give up now?"
And Sasha's like "this whole situation has led to us having to do this together, you got me into this so I'm gonna drag you out if the afterlife with me"
And so Sasha, through sheer willpower (which makes sense because ghosts are formed from the dead refusing to be dead) yoinks them outta the afterlife as ghosts
So. Backtracking again, remember enfys?
Turns out their paranoia kinda stems from them being a spirit medium and being able to see what no one else can, yadda yadda yadda
So enfys has kinda cut emself off from the group, blaming them (but secretly emself too) for Sasha's death
E's like mourning and stuff when e sees Sasha's ghost and is like "what the fuck"
Then e sees Sasha brought Zea's ghost and is like "What The Fuck"
So it's a whole thing where e tries to prove Sasha still Kinda being there to the group
The think e's making it up, or having grief-driven delusions
So enfys goes to Sasha's mom and holds a spirit channeling session or something
So Sasha's mom often has to be away on work trips due to being a single mom, so she's real guilt filled for not spending more time with her
So her mom ends up talking about Sasha's father- who she's never mentioned before- and it turns out he's not human
A demon to be specific, who had to leave her because his job was too dangerous
Huh
So Zea's like "hold up. Describe him."
Enfys is like "what are you doing?"
And Zea's like "shut up, describe him."
Turns out Sasha and Zea share a dad
I don't have the whole thing planned out but the group reunites and they end up taking down the corrupt company, the Nightmares, as it turns out, aren't really that bad and used to have a peaceful symbiotic relationship with humans, they end up returning to how it was, all that jazz, enfys ends up dating a ghost
So now stuff about Sasha in general!
She's a trans gal
She and enfys have been childhood friends, and she's actually been crushing on em for a while
She's latina
At the beginning she's actually kinda naive, which leads to the whole "making a deal with a random demon" thing, and by the end she's still trusting, but not to a fault
She's actually really resourceful, and can talk her way out of many situations
She's just. Neat.
She's also kinda the backbone of the whole team
She's really a lot more useful than she gives herself credit for
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Somebody to love (PART 1/2): Richard Alonso Munoz x fem!reader
Summary: Whilst your neighbour, Richard, is in love with love, you are a little more commitment averse. When he performs a small act of kindness though, your feelings start to unravel, and you wonder if you may have found somebody to love - right next-door all along.
Richard is a sweet, gentle man, and so I hoped to create a sweet, gentle story. I hope you enjoy spending some time in it!
I HAVE POSTED THIS IN TWO PARTS, ONLY BECAUSE OF LENGTH. WHILST YOU COULD PROBABLY(?) READ EITHER PART AS A STANDLONE THEY ARE MEANT TO WORK TOGETHER.
Genre / tropes: pining, friends to lovers (sort of - neighbours to lovers), getting together, domesticity, fluff, smut, nothing bad happens, ends happily, quite a slow burn for a one-shot, I guess?
Author’s note: This is part of my friends to lovers event, prompt requested by @foxilayde who I adore and you should too. Prompt was: he does something utterly mundane which shows how well he knows you, and your feelings hit you. I took some liberties with the prompt, and there is zero pressure to read this - IT WAS SUPPOSED TO BE A BLURB! :P More of these requests in pinned post!
Warnings/ Ratings:
PART ONE (Mature, 18+ ONLY): swearing; sexual themes (erotic poetry, thirsty internal monologue, sexual tension); food themes inc. mentions/consumption; family mentions - reader has nieces but they need not be biological; brief mentions of the prison system - Richard is a Corrections Officer; exceedingly brief mention of the Holocaust in context of a non-fiction book Richard is reading (I believe this is a canon read but may be wrong); loneliness (theme, not too angsty); self-esteem issues if you squint.
PART TWO: (Explicit, 18+ ONLY): swearing; explicit sex, including - oral m + f receiving; unprotected vaginal sex; creampie; f squirting (first time doing so); well-endowed man, ahem.
Word count: 10k for part 1, 9k for part 2.
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You had been thinking about the small gesture all day. You had been distracted all the way through your shift, and then all through dinner with a friend.
Richard -your neighbour to the right- had turned-up at your door that morning, before setting off on his way to work. His visit had been unexpected, and you had opened the door in a fluster, seeing him greet you with a characteristically soft smile - just visible from beneath the thick brush of his bold, impressive moustache.
He had held them out to you - in between his index and middle finger. A small book of postage stamps.
You had simply looked at him in confusion for a moment.
“For your letters,” he had stated, in his soft-spoken voice. “You said last night you didn’t have any stamps, and I found these in my drawer, so...”
It was true. You had said that. Had forgotten you’d said it. Had barely registered running into him, since it wasn’t anything out of the ordinary.
Your routine overlapped minimally with Richard’s -though more so since his new role in the letter room had him working days exclusively- but sometimes, you would meet serendipitously, as neighbours tend to do. Last night, in the liminal space between your work day ending and your home life beginning, you had stopped to chat with him, and -you remembered now- had made some offhand comment about needing some stamps.
The topic of letters had come up; naturally, given his new position. It caused you to mention having written some letters to your nieces -packaged up with little illustrated portraits you’d gotten commissioned for their new bedrooms. Letters which you hadn’t gotten around to posting.
And so, here Richard was. On your doorstep. With stamps.
It was a little thing. So little, it didn’t even register at the time. In fact, you had bundled him off your porch with a quick, cursory “Thanks, Richard!”, prioritising finishing your morning scramble and making it out of the door on time.
It didn’t register in the moment, no; but you were noticing it now, alright.
“-so, this morning,” you explain to your friend opposite you in the pizza parlour, as she absent-mindedly dips her crusts in some hot sauce, “there he is on my doorstep, and he’d brought me some stamps.”
Your friend, Jaz, dips her chin and slowly raises her perfectly shaped eyebrows, her glossed lips curling in an amused, incredulous smile. “So, let me get this straight. He brought you some... stamps, which he already had, from his house next door,” she recaps, her smile inching wider by the second, “and now you want to fuck him?!”. Her eyebrows knit together in faux concern and she clamps a hand over yours where it rests on the table. “Sweetie, we need to talk. How low is your bar these days? Exactly how dick-starved are you?”
Ordinarily you’d be more than game for the light fun she pokes at you. Would even have a smart riposte ready. This time, though, you simply huff, your jaw twitching in minor irritation at how flippant she is being. So, shaking your head gently, you pull your hand away from hers, folding your jacket around yourself, suddenly feeling exceedingly self-conscious.
“Never mind. I’m obviously not telling it right. And, wait - hold up- who in the hell said I wanted to...” you look around the parlour, voice dropping to an indignant whisper as if anyone around you would hear or care about your hypothetical sexploits “...fuck him?” Your tone is defensive, and you shift to take a masking nibble on your straw, slurping the dregs of your soda and bouncing your leg nervously under the table.
Your friend merely raises an eyebrow, with a healthy -and not entirely unfounded- scepticism, and so, you try to rein your protestations in, lest you get slammed with a “methinks you doth protest too much”.
“Okay, okay,” Jaz concedes, holding up her hands and leaning back in her chair. “All I’m saying is, it seems like you have a hard-on for him all of a sudden. You’ve lived by him for years and you’ve never noticed the guy! It’s just stamps, baby cakes. It’s just your paunchy, kindly neighbour, who gets milkshake stuck in his moustache.”
At least he’s not afraid to make a mess of himself when he’s slurping, you think idly, your eyebrow ticking up - the thought leading you in a very particular direction and sending a sudden scorching heat to your cheeks. Also - paunchy? I like a beautiful soft tummy to rest my head on, thank you very much.
Yeesh. You are not okay. Still, before you go full feral, you shrug your shoulders in partial concession, widening your eyes in innocence. “Uh huh. Sure. Yeah.” 
“Seriously?” Jaz continues, shaking her head in good-natured disbelief - blatantly seeing right through you. “Are stamps your love language now, or what the fuck?”
She’s not wrong. It is very… sudden. You’ve never felt that way about Richard before. But is it so preposterous to think you might begin to?
“Jeez! Who said anything about love?!” You swirl your straw in your cup, concentrating on puncturing the remaining bubbles and ignoring your friend’s peals of bemused laughter. “Look, okay? I guess you’re right, Jaz. Maybe I’m just dick-starved,” you suggest, a smile finally claiming your lips. “It has been… a little while. And the last encounter was not very... inspiring.” You wiggle your eyebrows at her and your shared laughter mingles in the space between you. Still, you’re more than a little keen to deflect, and you bounce your foot more furiously under the table in your haste to change the subject. “I just thought it was sweet of him, that’s all, but… forget it, okay? Tell me everything about your hot date with Jackson.”
As soon as the invitation is given, Jaz jumps on it. And, as you listen to her spill the tea on her latest hook-ups with her fancy man, you try really hard to focus - but you can’t help that your thoughts keep wandering time and again to a certain man. A man with the kindest, most soulful cola-coloured eyes. Your neighbour to the right.  
You’re unsure why, but you feel a little bent out of shape - a little annoyed, even- that Jaz was so quick to dismiss Richard. Particularly that she had seemed to miss the whole meaning behind his small gesture. He was listening to you. He was thinking about you. And, as you dwell further on it, you realise that maybe -just maybe- you want the kind of guy who brings you stamps, goddammit.
Shit - maybe Jaz wasn’t too far off when she said stamps were your love language after all.
And, true, maybe you hadn’t paid the faintest bit of romantic attention to Richard -for the most part- in the years you’d lived side-by-side with him... but maybe it was time to start. Maybe, in fact, it was well overdue.
***
Granted, it hadn’t struck you right away how sweet Richard’s gesture was, but as soon as it had, you started to notice everything. To remember everything.
You remembered how he pushed a flyer through your door one evening, just in case you might be interested in the latest art exhibit going on at the local rec centre. You recalled how he had duct-taped the handle of your garbage can back together after it spectacularly broke one morning, causing your trash to spill over the sidewalk. It hadn’t seemed like a huge thing at the time, but now, as you imagine him painstakingly unfurling the roll and passing it around and around the broken piece, entirely on his own steam, it takes on a new meaning.
You have begun to notice - really notice- how he always smiles and stops to chat to you, his face lighting up as if he is genuinely pleased to see you. You have begun to notice everything he has done for you, over the years, a deluge of kindness flooding your heart. Details -little things- which seemed insignificant at the time, but which weigh heavier than gold now that you reflect on them.
And, most of all, you have noticed him.
Richard.
You have noticed his positivity. That bounce he gets in his step when he’s enthusiastic about something (which is always). The way his expressive, long-lashed eyes reveal everything he’s feeling whenever he talks or listens - his emotions and his compassionate heart pinned firmly on his sleeve, as prominent as his Corrections Officer badge. You notice how handsome he is; a fact which has inexplicably passed you by for the longest time. Perhaps, because of how understated he is? Not cocky and assured and alpha like the guys you’re usually drawn to.
Tonight, though, most of all, you are noticing that he’s not home, as you sit on your front porch steps, entirely locked out of your own house. You know for a fact that a couple of neighbours have spotted you there - you’ve observed pairs of curtains twitching- and yet no-one has come to your aid so far, mean bastards. You know, in contrast, that Richard would help anyone who needed it, without hesitation. And, it’s fair to say that sitting here, waiting for him to return and help you out, is certainly providing you plenty of opportunity to dwell on thoughts of him. In fact, you can’t wait for him to get home; not only because you wish for relief from the elements, no. But because the thought of seeing him actually excites you. You are looking forward to it.
Finally, thankfully, after the evening chill has long begun to bite at your extremities, you see Richard approaching. He whistles a jaunty tune as he comes up his drive, happy as usual. From his silhouette, you note that he’s dressed in a short-sleeved shirt and his usual ill-fitting jeans, his keys already jangling in his hand, and he stops abruptly when he sees you sat out front as though his feet are glued to the floor.
You can just about make out the smile which tugs at his lips, moments before his words do. He always seems happy to see you, and, on this occasion, you echo that feeling too, more so than ever. “Locked out?” he calls, and at the sound of his voice you stand, hopefully, clasping your purse on your shoulder, your own feet glued to the floor too.
“Yeah,” you call, throwing your voice over to him. “Waiting for the locksmith.”
You grip the strap of your purse a little tighter, as Richard takes a few steps closer, a polite but cautious smile lighting his face. “Want to wait inside?”
“Hell yes,” you gush with a relieved exhale of breath, gratefully trotting around to meet him on his porch where the security light bathes him in a halo of orange. “You’re a babe. Thank you, Richard.” You allow your eyes to gently rove over him as you approach. He’s wearing a turquoise bowling shirt, you realise. A bowling shirt with “Alonso Muñoz” stitched in an adorable flourish of red embroidery above the left shirt pocket. What’s more, he looks cute as all hell in it too. You seem to recall he’s in a casual league with some buddies.
“It’s no trouble,” he says with a warm, disarming smile, deep, pleasing creases radiating from around his eyes – and, even though you aren’t usually one to be lost for words, it is all you can do to smile back at him vacantly, clutching your purse strap tight enough that your knuckles strain.
Richard pauses too, seemingly taking a moment to remember the keys bunched and readied in his hand - as though your presence has pushed all other thoughts out of his head. “You must be cold. Let’s get you warmed up,” he says finally, snapping himself out of his stupor.
Yes please.
And so, with a bashful flutter of his long lashes as you shuffle even closer to him, Richard opens the door and guides you inside, hover-handing his palm at the small of your back.
He smiles widely as he is welcomed by his little fur ball, Lady, the white dog yipping and wagging and jumping up at his shins. Richard stoops to bundle her into his arms, the animal rasping its tongue over his shapely jaw, which he raises as he squirms away from the wet, eager kisses.
“Aw, you’re so precious, Lady,” you baby-talk, reaching out to apply fond scritches to the mop of her head. “I forget how cute you are, little bean!”
Richard chuckles with mirth, seemingly warmed by your sweet interaction with his pupper, and only when Lady gets restless in his arms does he set about plopping her down and refilling her food bowl.
“Please, make yourself at home,” Richard offers, before he briefly excuses himself, dipping away into another room and signalling he’ll be right back.
With Richard gone and Lady chowing down on her dried food, you take the opportunity to glance around the place, surprised by how at home you do feel, already, even though you’ve never set foot in here before. You’ve been in his yard before; for example, when he’s hosted block barbeques, or, when the summer sun has withered from your yard, you’ve sometimes shimmied your deck chair to be side by side with his as you languished together in the remaining patch of sun. But you’ve never been inside his home. Now that you are, you drink in the details of him, eager for any new information you can glean, and scanning over the books and paintings and photographs with particular interest. You smile as your eyes fall upon Lady’s bed, filled with a procession of carefully arranged stuffed animals and chew toys.  You are warmed by the painting of a beachy, mountain-edged, palm-fronded sunset, propped against the ‘sill.
You note that his place is homely and well-tended, and you also can’t help but notice that the place signals a rather solitary existence. One plate and one fork drying on the dish rack. A perfectly placed easy chair -for one- in front of the TV, the small couch to its side covered with stacks of books and papers, as if it has been a while since he entertained a guest. In fact, you would take a seat -make yourself at home- but you don’t want to intrude on His Seat, and nor do you wish to disturb his personal papers to clear the couch.
As you ponder this, Richard re-enters, extending a soft, flannel shirt towards you. “Here. In case you’re cold.”
You smile your thanks to him (grinning like a dumbass, actually) and you gratefully slip the garment over your shoulders, feeling instantly warmed. As you wrap it around yourself, you get a waft of fresh-scented detergent. You would never have guessed that you’d be able to recognise any particular Richard-y scent, but as the shirt’s pleasant odour engulfs you, you realise it is infinitely familiar. That it is wildly comforting.
You watch, a brief moment of awkwardness as Richard self-consciously combs his fingers through his thick moustache; sweeps a hand over his already immaculate, plastered-down curls. He looks so... neat. Controlled. Restrained. It crosses your mind that you’d like to mess him up a bit, see him come undone - of course, if he wanted.
Then, noticing your seating predicament, Richard surges over to gather up the strewn piles of mess, shifting them on to the coffee table instead. “Here, take a seat,” he indicates. “Sorry for the mess- I emptied the bureau looking for the stamps. Please. Every time I think to put it back I get distracted.”
His comment is nonchalant, but for the second time since he arrived home, you are at a loss for words, and you can only stare at him as you sink your ass down, gratefully, on to the now emptied couch. He’d gone to that effort for you? And now he’s apologising right to your face for the mess of it?
“That was kind of you, Richard,” you state, finding words again, and he shuffles nervously from shoe to shoe in response. You note that his brown skin grows increasingly flushed, with a deepening undertone of crimson as his eyes skim cautiously over you. “And thank you for letting me hang here. Promise I’ll be out of your hair soon. The locksmith should only be...” You suck in air through your teeth as you un-pocket your cell and glance at the time. “Yikes. Another hour. I’m so sorry to get in the way.”
His moustache twitches with a shy smile, his hand rubbing the back of his neck as he looks at you from beneath his lashes, his eyes all big and pretty. He certainly doesn’t look put-out, at least. “Not at all - it’s… really nice to have you here,” Richard insists, polite and sincere as ever. You are the one to feel bashful now, and you tug his shirt more firmly around your shoulders for comfort, the act serving to further fluster you and entrance him, it seems. He seems frozen to the spot again, and meanwhile, you’re now feeling overly warmed.
He looks a little lost, for a moment, as though it’s been so long since he had a visitor that he doesn’t quite know what to do with you. In the next second though, his practiced hospitality kicks in, his warm and affable nature shining through as he determines a course of action. “Have you eaten? I could fix you some dinner.”
You are hungry, you think, your tongue darting out along your bottom lip at the thought of food. Well, if he’s going to feed you, you’re not letting him do all the work -you decide- so you tentatively rise from your seat, clapping your palms together, signifying action. “Only if I can help you?”
“O- okay. Yeah. Thank you,” he nods; then, he comes to stand with his hands on his hips, thumbs to the front, causing his soft, rounded belly to protrude exaggeratedly from under his shirt. You’re not sure why that sends a very subtle flare of heat down between your legs, but it does all the same.
Meanwhile, oblivious to your thirsty inner monologue, Richard looks at you reservedly, until you smile and cross together to the humble kitchen, where, with another bashful flutter of his lashes he begins grabbing out utensils and ingredients. All the while, he moves seamlessly around you, so careful never to touch or to invade your personal space. The pronounced and careful lack of contact makes you realise, however -as he skims his body so close yet so far from yours in the compact space- that maybe you desperately want him to touch you. That you wouldn’t mind if his hand brushed your back, or lower. That maybe having him envelop his arms around you would feel as warm and comforting as his shirt – or even more so. That even, perhaps, if he pressed you from behind into the counter, his soft stomach leading, followed by his wide hips pinning you in place, his moustache grazing up the column of your neck, that you wouldn’t mind at all. In fact, the thought of his touch, and even the mere potential of it, fills you with an excited buzz deep in your belly. A thrill that you haven’t felt for a long time – at least, not quite like this.
Right now, though, you set these thoughts aside to focus on the task at hand. You move around each other a little awkwardly, but thankfully, the conversation flows far more easily than your bodies. Richard’s shy and gentle, but he’s friendly. Inquisitive and interesting, and he keeps you chatting. And, so, you converse and cook together, until the resulting, homely odours waft into your nose, keeping your mind firmly on your much more literal hunger; at least, for the most part.
When the steaming food is plated up, Richard invites you to take a seat on the couch and you oblige, watching him fondly and with interest as he produces various condiments, a bottle of Mr. Chimi’s Churri sauce taking pride of place on the surface in front of you. You add a healthy dollop.
“Mmm, this is so good, thank you,” you say approvingly when he invites you to dig in, eagerly wolfing down forkfuls.
As soon as Richard has plonked himself down in his chair and balanced his own plate on his lap, he flicks on the TV – likely, more out of habit than anything. A vibrant telenovela sparks to life in the background, a particularly melodramatic scene in full swing. You smile to yourself. You recognise the show - you’ve heard him talk about it too. Even get the impression he watches religiously.
Richard’s eyes fix on the screen for a moment, and he is visibly suckered-in by the unfolding plot, his food disappearing at an impressive rate as he scoops it up to his mouth while he watches. Still, he doesn’t forget you’re there. Quite the contrary.
“It’s so sad,” he explains for your benefit, between his mouthfuls of dinner, his eyes overflowing with warmth as he turns to you. “Carlos and Adela are so in love, but they can’t be together. She’s engaged to Luis. She has to stay with him to save the family home because she already signed some papers.”
You smile, Richard’s heartfelt summary filling you with warmth. He cares about people. It’s what he does. Apparently, he’s even invested in the fictional ones. You try hard to supress your good-natured amusement at quite how invested he is; however, when his gaze meets yours once again, flicking back and forth between you and the screen, he must catch a hint of it in your expression. “Sorry,” he flusters. “I can turn this off, if you like?” he offers gently, eyes apologetic.
“Are you kidding?” you respond, with a warm smile. You’re no stranger to becoming over-invested in fiction, you suppose, and besides - you like the prospect of sharing this with him. “Catch me up some more,” you encourage. “So, we’re rooting for Carlos?”
Richard smiles gratefully, nodding vigorously in response. You like seeing him like this. In his own element, his own environment, doing things he typically enjoys. It’s nice to see him living his best life, thriving on the drama of the trope-laden plot. “I hope Carlos crashes the wedding. Luis doesn’t deserve her.”
“Yikes. You’re brutal, Alonso Muñoz,” you tease, a musical laugh lilting out of you.
You chat back and forth, an amused smile twitching at the corner of your mouth for the duration, and although Richard seems somewhat entranced by the developing storyline, he seems even more invested in you. He makes sure to listen to you, even when you’re sure you must be talking over an important detail. He ensures he fills you in on any prior plot point you may need for context.
And, while his eyes do intermittently flick back toward the screen, your eyes, however, remain firmly fixed on him. On the singular swoop of his meticulously parted, grizzled curls. On his long lashes blinking, his deep eyes shining beneath them, glinting in tandem with the light from the screen. His warm, brown skin and the lines etched in it when he smiles cast with a bluish hue, flickering light and shadow ghosting over the contours of his strong nose and chin and his heavy brow. The soft, inviting rolls of his stomach as he relaxes into his chair, and the way his belly shakes when he laughs. Of course, his glorious moustache, positively flourishing on his upper lip. Last but not least, what most gets you though, are his eyes. Eyes as kind and expressive and open as this sweet man’s heart is.
You laugh alongside him, hoping he is enjoying the company as much as you are. You could get used to this, you think; used to him. Indeed, you have no idea how you have managed to overlook this man, beautiful inside and out, until now. You resolve though, that you won’t make that same mistake again.
Eventually, the credits roll, and you thank Richard once more for the food. He carries your plate over to the sink, insisting -when you offer- that the dishes can languish there for one night. And so, instead of rising, you pat the couch cushion beside you invitingly. His throat bobs around a hard swallow as he stands before you, his feet momentarily glued to the floor; yet again. When Richard finally musters movement and takes a seat next to you, he places himself as far away from you as he possibly can on the small two-seater; out of respect rather than repulsion, you are more than sure. However, the compact space affords him little chance to keep his distance, and his clothed thigh presses warm against your own. He doesn’t make any attempt to move away though, and, equally, nor do you.
“Thank you, Richard,” you say, your voice softer and far more breathy than you intended, now that he is so close to you.
He clears his throat self-consciously, before his eyes crease with a sincere smile. “It’s no trouble. Anytime.” He sounds like he means it too.
You lean back, settling yourself deeper into the worn and slightly lumpy couch cushions. His posture, meanwhile, is still alarmingly stiff beside you, his torso upright and his hands folded formally in his lap. If you had to hazard a guess, you’d say that, perhaps, you made him nervous.
“Richard, I don’t bite,” you soothe. “Sit back. Relax. It’s your home.”
He nods in concession, exhaling his tensely held breath. “Yes, Ma’am,” he sounds obediently. You don’t think you’ve ever had anyone call you Ma’am before; but you note that you don’t entirely mind it, out of Richard’s mouth. You maybe even… like it?
Anyway, outside of your increasingly feral internal monologue, Richard reaches over to flick on the soft, ambient lamp to his side -the room having grown thick with shadows- and then he is sinking back, resting his head against the couch cushions alongside you.
You turn your head and tilt your torso a little towards him. When Richard does the same, it evokes a sense of intimacy that you weren’t all the way prepared for; the rest of the room seems to disappear as you are both held in a close circle of oranged light, the TV nothing but a lulling, background hum now. “I mean it... I... I wanted to thank you properly. For the stamps.”
“It’s no trouble,” he repeats, his voice deep and resonant and close now, catching you off-guard. No trouble? Sure. Despite the fact he’d clearly emptied-out everything in his living room to find them. “Did you send your letters?” he enquires softly, his eyebrows jumping up a little.
You can’t supress the bittersweet smile which inches over your face as you respond. “I did, and I got the cutest video call from my nieces when their mail arrived.” That wouldn’t have happened. Not without him being so thoughtful. You’d have put it off and put it off. The letters would still be sat on your dresser.  
Richard’s eyes light, and he looks genuinely pleased for you, his face glowing. “I’m glad.” He smiles, revealing a flash of his cute, ever so slightly imperfect (and therefore entirely perfect) teeth. Finally beginning to relax again, his hands rest flat astride his sturdy thighs and his head lolls towards you. With his next words, his voice becomes even softer. “I can tell you miss them since they moved away. Portland, right? I, uh. I really hoped you would send those letters. I know how much they can mean to people.”
“Portland. Yeah. Wow, you remember that?” You have to admit that you are a little shocked. Richard listened to you. Really listened to you. And, not only that, but he clearly read between the lines, connecting the dots between each one of your ad hoc interactions in a way which you -apparently- had failed to do thus far.
Jaz would scoff at you right now, you know it, if she could see you becoming all shy and flustered for him.
And now you want to fuck him?
But it wasn’t only that he brought you the stamps, okay? It was why he did it. He did it, because he knew what it might mean for you. Because, evidently, not only did he notice that you were sad -about something you barely let yourself acknowledge, by the way- but he also cared enough to try to make you happy instead.
The realisation that he cares is an emotional thing, causing a slight lump to rise in your throat. It should probably make you happy, but in fact, it saddens you. It saddens you because -you realise now- you have taken for granted all this time how easy Richard is to talk to. Have taken for granted the way he has been privy to so many candid details about your life.
Richard has often been the first person you’ve spoken to when you arrived home -sometimes the only person- and you have never hesitated to share your good news and triumphs with him. Nor have you hesitated to vent, sharing the more difficult details of your bad days. You’ve taken for granted just how much of yourself you’ve cumulatively shared with him; in a way you don’t often share with anyone else. Richard has been an important part of your life all these years, without you truly realising it. Perhaps because your interactions with him have tended to exist in such a liminal, peculiar space in your day. Perhaps because you were too close to see the big picture, instead of this collection of valuable, little things.
You hug your arms around yourself. You can merely repeat it again. “Thank you. For real.”
“It’s just a little thing,” he dismisses, modestly, and you are very suddenly tired of him dismissing himself. You want him to know how appreciated he is. Embodying this, your hand darts out to grip his where it rests on his thigh, and Richard looks down at this small spectacle in mild shock; and yet, he doesn’t pull away from your touch.
“It’s not. It’s a lot of things, Richard. I want you to know I appreciate everything you do. It has... It has been a long time since anyone was so sweet to me.”
Feeling self-conscious suddenly, following your outburst of affection, you inch your hand away from his; retreating, and reining yourself back in. For a moment, Richard’s fingers twitch up from his pant leg as though they might chase yours; but then, his hand stills, settled on his thigh just as before.
Then, a crease appears at his brow. “None of your Adonises are sweet to you?”
Your nose crinkles in confusion. “My... Adonises?”
“The... your... gentlemen visitors.”
Your brow creases, as you try to detect whether there is any judgement or malice in his observation, but, knowing him, you are not inclined to think there is. Still, you feel there is more to uncover. He’s noticed your dates coming and going then? He thinks they’re… Adonises? He’s surprised they aren’t sweet to you?
Still, as soon as the words are out of his mouth, perhaps realising how they might be misinterpreted, that crimson undertone to his skin flares again, this time reaching all the way to the tips of his ears. He looks like he wants the couch to swallow him up, and you can’t help but feel for him. “I just meant...”
“-It’s okay,” you say, swooping in to rescue him before he can start helplessly blabbering. He keenly takes the invitation to stop, his mouth suddenly clamping shut, ready to listen. And you? You are ready to talk. The words seem to come so easily around him. “I guess... you’re right. I’ve been on some dates but they...” you sigh, furrowing your brow as you try to find the words. “That’s all fine. Most of the time it’s really fun. Or it was. But... lately...”
“Lately?” Richard encourages, when you don’t go on, his voice barely above a whisper as he hangs on your every word.
“Lately, I think… That maybe it would be nice to have somebody who doesn’t just come and go. To have… somebody to love, I guess?”
“Somebody to love,” Richard ponders, his expression becoming wistful. His head begins moving up and down ever so slowly, gradually building to a more adamant nod. He smiles, but his eyes don’t crease at the corners this time. “That really does sound nice.”
It shocks you, but seeing him even a little sad, like that, has your hands fisting in the material of your skirt, as you resist the urge to reach out for him and offer comfort. You want to cup his face in your hand and kiss him senseless, until his eyes glow once more, imbued with his characteristic positivity. You want to care for him and protect him and make him laugh and spend time with him and…
Fuck.
You want to love him, you realise, and the thought scares you down to your bones. It scares you enough that you sit forwards, breaking this most peculiar tension. Changing the topic. And, abrupt as it may be, at least it works.
“What are you reading?” you ask, shrugging his shirt from your shoulders as a hot, cloying flush creeps along your skin and up your neck, prickly enough that it feels like fingertips. As you imagine Richard’s fingers dancing the same path over your bare shoulder blade, slipping beneath the spaghetti strap of your top, peeling it down, you hurriedly pick up the first book you can put your hands on, turning it in your palms without taking in a word written on it.
Poor Richard. You must be giving the sweet man whiplash.
Still, he leans forward in his seat too, sombrely taking the book from your hands and gazing down at the cover.
“Ah. It’s a bleak topic,” he warns. A deep crease appears in his brow. “It’s Night, by Elie Wiesel – a survivor’s account of his experiences during the Holocaust.”
Your expression turns grave and pinched and you nod, listening carefully as Richard recounts some of the key details. Then, together, you continue to pore through the pile, tackling each book in turn. You listen intently to Richard recount the various synopses, passionate and precise and sensitive in his summaries. It seems he reads a lot of non-fiction. Heavy reading, with many titles about the prison system, and atrocities - often both. But, you understand why it’s important to him. You are grateful to understand how his empathetic nature begets yet more empathy, as he seeks to expand his knowledge of experiences and histories different to his own. 
At first sight, you think it’s seemingly at odds that such a positive man seeks out such dark accounts, but it makes sense to you, in a strange way. After all, he wants to understand how things can be better. He believes they can be. You don’t know anything more Richard-y than that.
Reaching for the next title, you find it is a little different to the rest. You are reluctant to segue too abruptly from such heavy topics, keen to give them the merit they deserve, but at the same time you are grateful for a little lightness as you pick-up what appears to be a slightly trashy romance novel. You smile fondly, connecting the dots between this and the telenovela plotlines that seem to grab his attention; the way he seems so in love with love. Again, you consider how the two sides of him -the more serious and seemingly more trivial - may seem at odds, but that actually, they each reveal what is at the core of him. He is interested in people. He’s invested.
“And this book?” you ask tentatively, not even trying to stifle your smile as your eyes wander over the cover, two half-dressed people locked in an erotic, sordid embrace. You are especially keen to hear what he has to say about this one too.
“Well… Like you said. Somebody to love - right? Don’t we all need those kinds of stories?”
Your eyes glow with admiration. Whilst he’s not cocky or overly assured, no, you are coming to admire Richard’s quiet confidence in who he is and what he cares about. His integrity and his lack of embarrassment in the things he chooses to value. His delight and lack of shame in the things that he enjoys. He’s not afraid to be who he is. You think that’s wonderful.
Next, your eyes flick back to the final book on the pile, partly for completeness but also out of curiosity. You feel with each title you pick-up, you are learning something about him; and, frankly, you want to know everything there is to find out. You look at it with a start however, when you realise what the final book in the pile is.
It’s your book. It’s the anthology of poetry you’d self-published around a year ago, and sold at your local readings. You reach for it instantly, almost cradling it in your hands like a precious object. Not because it’s yours - not exactly- but because it’s his. His copy looks eminently different to the spares you still have boxed-up in your house, all fresh and crisp, spines unbroken. This one looks a little worn around the edges - well-thumbed, spine broken-in. Some of the pages are dog-eared, and various makeshift bookmarks are sticking out of it. You’ve never seen one of your publications looking so… beautiful. So treasured.
“You actually read this?” you ask, a little overwhelmed, your heart hammering, and tears spiking in your eyes.
“I read it often. I told you, I really like it!”
You stroke the cover with your palm. “Honestly? I thought you were just being polite.”
When you’d mentioned to him for the first time that you wrote poetry -specifically erotic poetry- and had invited him to the reading, Richard had looked, at first, as though he was ready to die of embarrassment. Regardless, he’d still come along - your only neighbour to have done so. You vaguely remember having spoken to him the day afterward about it, but when you think of the show itself, you can’t picture him there. Now, you desperately wrack your memory of the event, searching for him. Wishing you could recall him showing-up for you in such an important way. 
It had been such a blur, though. You’d had a lot of friends there. You’d had a date there, who, at the time, you’d thought was the be all and end all. Now, however, you curse yourself for overlooking Richard. You wish you could go back and root through the crowd for him. You wish you could bring him into the spotlight. Bring him into your arms. And yet, while you ponder all of this, Richard reaches for the book and gently lifts it from your hands, with a gentle hum. It practically falls open on one particular page.
“This one is my favourite,” he admits bashfully. “Salted Peach. I must have it almost memorised by now.” You turn to him, studying his face. His expressive eyes are full of a heat gentler and more nuanced than your words could ever hope to be, you think, as he pores over the page. Over your words.
“No way. Prove it, Alonso Muñoz,” you challenge, exhaling a laugh that is surprised and disbelieving and utterly delighted all at once.
You don’t expect him to take you up on it, but the man sets his face, both more determined and more playful than you think you have seen him so far, as he hands the book back to you. “Okay,” he smiles, softly. “I’ll give it a go.”
You hold your breath as his eyes flutter closed -so that you know he has zero chance of cheating- his long lashes fanning-out beautifully over his cheek. You take the chance to look over his handsome features, while he can’t interrupt your surreptitious study.
Then, he begins. His voice is hushed and unsure, yet the richness of it washes over you, right from the first line.
“Like salt kept on the lips,
To resist is to rust,” he begins, and your breath catches in your chest.
“Let me be an oiled thing under you, all fluid and opening smoothly
With keen, slick hinges.”
First, you are struck that he really does know it. That he really does remember it, almost word perfect. You exhale a breath in disbelief, your chest filling with butterflies.
“A ruined peach
Spilling nectar over your thumb,” he continues, and desire knots deep in your belly.
It’s not that the words are explicit – they aren’t. But something about the way he recites them -recounts your desire- makes them feel positively sinful, his voice quietly confident and subtly erotic as he recites your words. You don’t only hear the words, but you feel them, almost as if his thumb really has punctured you.
You are becoming slick already, feeling like a ruined, grateful fruit. You want to be his fruit, you think. His salted peach.
“You can be my stiffness
My joints
My... (my stone heart? Is that right?)” he interjects.
“It’s perfect,” you encourage, your voice trembling slightly, even as his grows ever more robust, and, as you bolster him, he sits a little taller in his seat, his posture proud and the new confidence reflected in his voice as he proceeds. As he grows, stiffer, taller, you become liquid, and you writhe your heat subtly against your seat. You press your thighs closer together.
Enraptured, you watch his lips and tongue move seamlessly around the words. The micro-expressions on his face, revealing how tenderly he wishes to portray them, every word imbued with care. With expression, and feeling.  
“(Got it...) My stone heart
And I, boneless;
Bodiless flesh.”
As he continues, you close your eyes too. You stop checking the words against the book and you let yourself feel them. You let them wash over you. You let his voice wash over you; to sink and curl into the pit of you. You squirm in place, and yet this shifting makes you all too aware of your stillness – this fixed position and distance from him, when surely you should be moving and surging and undulating on him? Surely you should be leaning in and hearing the deep yet gentle timbre of his words waft into the shell of your ear, or fanning over your skin?
Surely, he should be touching you?
Your heart is racing.
“Salt me, then.
Lick your lips and taste me; sweetly.”
You want to taste him. Be tasted.
“Only on your tongue, do I exist.
Only in your hand, do I perish.”
You want to exist and perish on his hand.  
“Do not keep me on your lips.
Oil me with your writhing”
You want to be swallowed by him. Oiled by him. Made slick.
“Or else I rust.”
You are rapt. His words -no, your words, spoken by him- melting you.
His voice. So rich, and so sensual, and you could swear, as you listen to him, that your words have never sounded so erotic. That you have never felt them as deeply as you do now, hearing them fall from his tongue and his lips. Hearing them flow from his heart, as he recites them in a way you’ve never heard them; an interpretation entirely unique to him.
In fact, listening to him, like this, lights a flame in the pit of you, a heat suffusing through you, warming everywhere. He warms you, even from this distance, and you can feel how much heat he has to give. And, on boy. You want to lap it up. Every. Last. Drop.
“I... I forgot the next part,” he adds, shyly, his confidence wavering, and you open your eyes, beginning to recite the rest for him.
“Oh, love,
I long to be a fluid thing;
Under you.”
It sounds… true. It feels right. It feels so right to say those words to him. So right that it knocks the air from out of you.
At the sound of your voice, you watch a soft, unfiltered smile appear on Richard’s face, his still-closed eyes creasing deliciously at the corners, his moustache animating with it.
“And yet you resist me; rust me,” you continue, voice full of fissures, and Richard’s eyes slowly peel open, pooling with heat. This time, unlike the other times his eyes have met yours, he holds your gaze - doesn’t drop his eyes from yours in a flurry of bashfulness and fluttered lashes. He holds your gaze and he holds you, in this moment. In this little circle of intimacy, his eyes glowing, all for you. Pooling with that heat, so nuanced and gentle, but every bit as hot as anything you’ve ever touched.
Your voice and your smile and your heart crack wide open as you continue.
“You are salt kept on my lips;”
You complete the last lines at the same time, eyes locked. 
“Always tempting.
I seize up.”
Of all the swimming emotions rising at that moment, gratitude balls in your heart most intensely, and yet again, it is all you can do to thrust it towards him, your humble offering.
“Thank you,” you say, for the nth time that evening, a smile of the purest joy still splitting your face. “That was really beautiful.”  
It’s hard to comprehend how moved you are by what just happened. You are shocked. Flattered. That someone appreciates your words, that they resonate at all, makes you feel so seen. That the person is Richard is more of a treasure than you can fathom, and it causes a flood of raw, reckless emotion, joyful tears brimming in your eyes.
In return, Richard’s eyes shine as he regards you, with an admiration so deep and yet prominent that you almost shrink back from it. “They’re your words,” he impresses, aiming, as ever, to shrink himself instead.
You shake your head. You won’t have that. “No, Richard - it’s the way you recited them. I swear you should do my next reading for me. You’re so…” You search desperately for the right words, and you can’t find ones any more fitting. “…So fucking beautiful.”
And you call yourself a poet?
Your eyes well up.
You feel entirely caught off guard and just a little silly that you are getting yourself upset in front of him, and yet Richard’s eyes narrow kindly as you try to scrub a stray tear away from your cheek. “Are you alright?” he asks, his voice soothing, and in the next breath he reaches out to touch you, his hand settling over the top of yours. The gesture is a little awkward, unsure, but only until his hand is in place. After that it simply feels... right. Perfect, in fact.
He strokes you, his thumb ghosting slowly, minutely over your pulse point, sending a delicious shiver along your spine. His eyes search yours, and you become thoroughly lost in the intensity of them. Lost in a way that you don’t ever wish to find yourself again. Lost in a way that turns everything on its head - has you finally feeling found.
“I loved hearing you read. It was so wonderful. You should definitely do another event,” Richard gushes. “I’m sure I could listen to you read from this all night.” With that, and the scenario it conjures, perhaps, he looks down at his hand on yours. Maybe growing self-conscious, or worried that he is overstepping; that he has lingered there too long. Suddenly, though, you don’t think any length of time could be too long for him to be touching you.
When your gaze drops to his lips, however, his moustache bristles, and he quickly snatches his hand back to his lap. “Have you written anything lately?” he asks hurriedly, scooping up the book again, his topic change giving off the same energy as yours did previously.
You wonder if he is imagining your fingers trailing over his bare flesh now too. You hope so. Oh how you hope.
At his question, though, you exhale a small laugh, pumping your eyebrows once as your face splits in a smile. You shake your head gently. “I haven’t been... it’s a while since I was, let’s say, properly inspired by an encounter,” you explain, looking down at your hands in your lap, missing his contact already. “I’m just... Hmmph. I don’t know. It’s just... missing something. Guess they don’t make Adonises like they used to,” you add flippantly, poking light fun, partly at yourself.
Contrary to your flippancy, Richard becomes more serious. A gulp trails down his throat, and he seems suddenly frozen in place; seized up. As if he needs you to oil him so that he doesn’t rust. “W-What are you missing?” he asks, his voice lower than you’ve heard it, slightly more grit to it. His chest visibly rising, breaths slightly quickened; just like yours.
You look into his deep, cola-coloured eyes.
You?
What are you missing? You’re not sure, but somehow you feel that whatever it is, Richard could give it to you in moments.
Still, you don’t answer. You can’t. Instead, you ask him a question in return. You ask him a question feeling that, somehow, in a roundabout way, both of your questions may arrive at precisely the same answer.
“Why that poem?” you question, softly, lifting your eyes to him. “Why is that one your favourite?”
“I... I think...” he swallows again, then he whets his plush lips with a flick of his pink tongue. “It’s about longing, isn’t it? About being... lonely? About... wanting... someone in particular.” He fixes his expressive eyes on a point on the table, unable to look at you, it seems, in that moment. Still, his words are telling enough alone, you think, even without you seeing that same sentiment mirrored in his eyes too.
Now, you have another question. “Do you ever... get lonely? Are you? Lonely?”
It’s not even an assumption about him, you vaguely realise. It’s a projection. A projection of how you feel, and how you never realised you felt. It’s a desperate plea for affinity. For that longing to be understood, finally.
You are the one who is rusted. Seized up.
However, as soon as the question is out of your mouth you wish you could retract it. Loneliness is a solitary thing, after all, and you have no business, you suppose, wading into anyone else’s.
“I’m so sorry, please don’t answer that,” you mutter quickly, your fingers darting out to ghost along his forearm in apology, your naturally tactile nature coming through.
He drops his gaze towards your fingers there, watching them skimming his warm skin and the soft, dark hairs on his arms. He doesn’t inch away. Instead, he lifts his eyes to you, and you know the answer before he says it aloud. You know the answer as his emotions are written clearly in his eyes. Worn on his sleeve, like his badge.
The weight of his loneliness crushes you as if it was your own.
“Me too,” you admit, nodding softly, and his mouth curls briefly into a small, sad smile as your fingers continue their slow inch across his skin.
He sits in that sadness for a moment, and then, tentatively, as a thought flashes across his eyes, he brightens, just a little – looking mildly more hopeful. “Well,” he suggests, bravely. “Maybe we can… keep each other company?”
That really does sound nice.
Slowly, ever so slowly, Richard reaches out to fumble away the single tear ever so suddenly coursing down your face, swiping a line on your cheek with the pad of his thumb, and you don’t think you’ve ever felt anything so tender as his touch in that moment. It is yet another little thing; like the graze of a match head along its box. A little act, charged, with all this dangerous potential for a much larger, blazing thing to ignite.
You nod, the corners of your mouth trembling. “I would like that.” You would like that a lot.
Richard searches your eyes, and, ever so slowly - always slowly- as if you don’t wish to scare him away, you dare to hook your arm into his at the elbow, and you lower your head until it is resting on top of his shoulder.
“Is – Is this okay, Richard?” you ask in a small voice, pleading inwardly with the universe that he will say yes. That it is.
“This is... perfect,” he responds, even as he remains stiff against you, and, given his affirmation, you curl and scooch your body, shuffling a little closer to him. Bolstered too, with seeming new-found confidence, Richard raises him arm over you, and he nestles you safely against him where you can better feel his warmth. Where, with your knees drawing up on to his lap and your ear coming to rest on his chest, you can feel and hear the quickened thud of his racing heart as he holds you. His beautiful, kind, open heart.
Your mouth extends in a watery smile as you are held by him. He’s right. It’s a little thing, but it is perfect, isn’t it?
Still, again, although you should feel light, you feel heavy. With emotion. With longing. And so, you reach for another topic change. You reach for lightness. “Has anyone ever told you that you have an incredibly impressive moustache?” you enquire into his shirt, another solitary tear slipping over the bridge of your nose and wetting the flourish of red stitching.
Giving yourself whiplash now, you smile, as Richard’s chest shakes beneath you with gentle, easy laughter.
“Well, not everybody is a fan.”
“Who would actually dare?” you exclaim, as if thoroughly scandalised. “Fuck them, Richard. I like it. I like it a lot.”
His fingers trace shapes on your back. “Thank you.”
You are pleased to feel him gradually relax against you, his form melding with yours, his body becoming less stiff. Less rusted; more of a fluid thing.
“Do you… do you have a little moustache comb?”
Another chuckle. “I do,” he confirms, and you don’t know why on earth that detail settles it, but you think that he must certainly be the most perfect man on earth.
You go silent for a moment, but Richard prompts you gently - “No more questions for me?”- as if he was enjoying your mood-lightening segue. You are more than happy to oblige the sweet man by continuing, and you chew on your lip as you come up with something.
“Are you on Tinder?” A cheeky smile claims your mouth again - you’d kill to see his profile.
You’d think about the fact he’d probably never send unsolicited dick pics, but… then you’d be thinking about dick pics, and that’s one dangerous road towards Feral Town.
While you ponder this, Richard laughs again, but it’s a little self-deprecating this time. “No... I... I was for a while, but I...”
“What?”
He inhales and sighs his whole breath out again - a sad sound. His tone when he speaks is equally morose. “I’m… not sure people are looking for someone like me.”
At that, you abruptly sit up, narrowing your eyes and fixing a determined, earnest stare on him. You reach up, gingerly, moved to cup his cheek with your palm, his groomed sideburn and the plume of his moustache pleasantly rough under your fingers. You make sure he is looking you in the eyes. “Richard,” you contest, with every scrap of sincerity you can muster; and then some. “I think everybody must be looking for somebody like you.” 
His eyes are pierced by a peculiar emotion you haven’t seen there yet. At first it looks like pain, but then it levels off until his eyes are shining, with something resembling pride or gratitude. When a smile finally twitches his moustache, your gaze drops to his lips again, and you are no longer surprised by how easy it is to think about kissing him, desire unfurling in your belly at an alarming rate. A palpable, mutual longing eddies in the space between you.
You surprise yourself though, by dipping to press a sweet, chaste kiss into his cheek, rather than sinking towards his lips as you so wish to do. When you perform this gesture, his eyes flutter closed, and he lets out a soft, involuntary hum, the sound gathering in your very bones and setting up camp there. As you dip back from him, the edge of his moustache grazes your cheek, and you have to admit it’s sort of electrifying. You imagine how it would tickle if you were kissed by him. How it would tickle wherever you were kissed.
The lines of poetry, so to speak, are writing themselves in your mind, already. You haven’t felt this inspired in a long time, and yet, on this occasion, you want to wait. You don’t want to rush it - even though you’ve never felt the need to quell your desires on many occasions before. Life is short, after all – too short to waste. However, something tells you that Richard is the type of man you should savour. Something tells you, that you may have found somebody to love, and, you may not love often; but when you do, you love slow.
So, you pull away from Richard, and you note that his eyes have fluttered closed. When he opens them again, you know that this kiss on the cheek was the right thing to do. You see subtle tears shining in his eyes. Again, he looks pained -with first appearances- but these tears, on second examination you think, are joyful. His heart joyful yet heavy, exactly like yours. After all, when you are overwhelmed with joy all at once, with a flood of little, happy things, it can weigh you down, at first, if the measure of joy is not one which you are quite accustomed to. If you are not practised at carrying it.
At that point, contemplating joy, you are ripped cruelly from the moment, as, with the worst and best possible timing, your phone buzzes to life, vibrating against your hip until you reach to fish out the insistent device.
“The locksmith is here, Richard. I have to go.”
“Y- yeah. Okay,” he nods, despite the fact everything about him is conveying the opposite sentiment.
I don’t want to go.
“Thank you so much.” 
He nods again, and, wanting to leave him with a parting thought (or, not wanting to leave him at all, but needs must), you have the bright idea to pick up your book from the table, thumbing through it quickly to find the page you want. A poem called The Flood.
“Recommended bedtime reading,” you wink, thrusting the book towards his chest and standing, grabbing your purse and making your way towards the door. “I can give you back your shirt tomorrow, right?” you say cheekily. “Maybe after dinner?” 
Richard stands too, following you towards the door like he’s magnetised to you, Lady trotting along too, inquisitively, her little black nose snuffling at the air.
“A-after dinner?” he enquires, confused, as you sweep out in a little bit of a whirlwind.
“Yeah, Richard,” you smile coyly from beneath your lashes, injecting some flirtation into your tone. “I owe you dinner. To make it up to you.”
“You don’t need to make it up to...”
You arch an eyebrow at him, looking at him pointedly and smoothing your hand over his upper arm until he gets the gist. When your meaning dawns on him, he gets that adorable, excited little spring in his step. You revel in his bright toothy smile, striking and pearly from beneath the thick brush of his moustache. “I know a nice little pasta place. And there’s a great documentary playing at the Coolidge if you want to catch it?”
“Sure,” you agree, dipping forward to plant another lingering kiss on his cheek in the doorway, relishing the feel of that moustache all over again. “It’s a date.” 
Evidently flustered, and in no bad way, Richard fumbles for words and finds none, omitting a mere collection of stunted syllables and unfinished sounds in response.
You wink at him, and before swooping off, you add one final thing. “Feel free to consider the bedtime reading a preview, okay? If you’d like.”
The corner of his mouth ticks up in disbelief. You get the feeling he already knows exactly what that particular poem is about. “Yes, ma’am.” he nods, looking sweetly and longingly and adoringly after you as you sashay away.
“Goodnight, neighbour to the right.”
“Goodnight, neighbour to the left.”
You allow yourself one last long look at him before you retreat, an unstoppable smile splitting your face, and, seeing him stood in the doorway, smiling after you, only cements everything you have come to learn this evening.
From now on, neither of you will be lonely anymore. There will be no more longing. Instead, there will be a flood, you think.
THE END
PART TWO IS HERE
367 notes · View notes
makeste · 4 years
Text
BnHA Chapter 294: A Half-Assed Escape
Previously on BnHA: Mirio was all “SURPRISE I’M BACK THANKS TO OUR RESIDENT SEVEN-YEAR-OLD WHO RECENTLY EARNED HER BACHELOR’S OF BEING A TOTAL BADASS.” Kacchan was all, “you know what, Dabi’s been trending long enough, time to remind the fandom what a real G looks like,” and he blasted his little bleeding body back into the fray and was all “FROM HERE ON OUT CALL ME DYNAMIGHT!!” Mirio was all, “AHAHAHAHAHAHAHAHA... oh, you’re serious,” and Kacchan was all “!!”, and so that’s the story of how my son got murdered twice in one day. Meanwhile in the Todoroki Drama Zone, Deku was all “STOP MURDERING MY FRIEND” and Dabi was all “THAT’S NONE OF YOUR BUSINESS” and fandom had a whole big debate about Whether Or Not Dabi Trying To Murder Deku’s Friends And Mentors Is Any Of Deku’s Business, which went exactly how you think it went. Anyway, so then Deku yelled at Dabi, and Endeavor was all moved by his manly words and randomly went to go uppercut Machia in the chin. And, seeing as how the Momoserum finally chose that exact moment to kick in, Machia is now down for the count.
Today on BnHA: The Miriosquad handles the Nearly High End Noumus, freeing up Jeanist to jasphyxiate (okay that one doesn’t really work so well) the rest of the League. Compress is all “TIME FOR THIS MILD-MANNERED SIDE CHARACTER VILLAIN TO SHINE”, except that by “shine” what he actually means is “use his quirk to punch a literal hole right through his own ass to free himself.” The rest of the chapter is basically just a back and forth between him and Jeanist, with Jeanist trying to recapture him, and Compress repeatedly thwarting him by chopping more holes out of himself because HE’S FRESH OUT OF FUCKS, AND THE ONES AT THE STORE ARE ALL SOLD OUT, MOTHERFUCKERS. Anyway, so with Compress basically dying and all, Horikoshi is all “you know what that means”, and delivers a freshly-baked villain flashback revealing that Compress is a descendant of Harima Ouji, a.k.a. the Peerless Thief, a.k.a. some famous guy whom Gentle mentioned this one time for like two seconds back in the day. The chapter ends with Compress finally demasking himself and dumping Tomura back onto the ground, a.k.a. The Worst Possible Place For Tomura To Be. ( •﹏•)
WHY IS CRUST HERE YOU’RE SUPPOSED TO BE DEAD
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-- OH WAIT, SHIT. OH
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AIZAWAAAA you’re alive and receiving medical help thank GOD. HOW MANY EYES DO YOU HAVE. AND MIRKO!! HOW MANY LIMBS DO YOU HAVE, OMG
so is this Aizawa dreaming about Crust’s final moments, then?? jesus. with All Due Respect to Crust’s memory, does Aizawa not already have enough misplaced guilt on his conscience as it is?? “nope, we’re gonna keep piling it on. that’s all he is now. three limbs, an indeterminate number of eyes, sexy hair, and Guilt” well shit
motherfucker y’all really out here placing an oxygen mask on Gran Torino’s corpse. fucking shounen characters. each one comes with a lifetime warranty
DAMN YOU HORIKOSHI WHY DO YOU KEEP SHOWING THESE CLOSE-UPS OF HAWKS’S UNCONSCIOUS FACE ALL WHUMPED OUT AND EXHAUSTED. HOW MUCH MORE OF THIS ARE WE GOING TO GET. ARE YOU PLANNING ON KILLING ME WITH THE UPCOMING CONVALESCENCE ARC, BECAUSE IF SO, AT LEAST HAVE THE DECENCY TO TELL ME AHEAD OF TIME SO I CAN MAKE A WILL
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for a moment I considered going back and checking my previous recaps to count how many times I’ve already made a joke about Dabi’s fire incinerating Hawks’s wings but not touching so much as a hair on his five o’clock shadow, so that I could calculate whether or not I could possibly get away with making that same joke one more time. but then I realized I could just do it in this kind of roundabout way I’m doing right now instead. so there you have it
FFFFFFFMT LADY AND MIDNIGHT NOOOOO
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PLEASE BE ALIVE. PLEASE RESPECT THE SIGN ON THE FRONT OF THE BUILDING. THE ONE THAT SAYS “NO LADY CHARACTERS ALLOWED TO DIE”, WITH THE FINE PRINT AT THE BOTTOM “AT LEAST NOT UNTIL HORIKOSHI GIVES US LIKE TWENTY-SIX MORE OF THEM FIRST IF THAT’S THE WAY HE WANTS TO PLAY IT.” IT’S A GOOD SIGN, PLEASE RESPECT ITS WISHES!!
so anyway though, Jeanist is giving a speech about how god knows how many people all worked together to bring Machia down. and now RHA is getting in on those fabric puns too, I see. “A SINGLE STRAND MAY BE THIN BUT TOGETHER THEY FORM A STRONG ROPE” oh so you think you guys are funny eh? I’m a frayed knot
MEANWHILE EXCUSE ME BUT WHY ARE YOU FUCKING CRYING BLOOD, HOLY SHIT
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fffffff. so much for him taking over as the Number One once all this is over. so let’s just recap real quick, because Horikoshi has long since made it clear that one of his plot goals for this arc is to wipe out every single member of the Billboard Top Ten. so how we doin?
Endeavor - was just figuratively eviscerated in front of the entire nation by his homicidal zombiepunk son. also burnt half to death and possibly down a lung. will almost certainly be forced to retire after this one way or the other
Hawks - lying prettily in a medical tent. wings status: gone. hair status: still perfect
Jeanist - WELL I THOUGHT HE WAS FINE BUT APPARENTLY HE’S OUT HERE DYING, JESUS CHRIST
Edgeshot - MIA, last seen fighting Re-Destro. I really want him to have kicked RD’s ass because fuck that guy, but realistically they probably fought to a draw at best
Mirko - alive but in critical condition and missing something like 1.5 limbs
Crust - dead, currently haunting Aizawa’s traumatized dreams. now he’s gonna be triggered the rest of his life by people giving him the thumbs up, THANKS A LOT
Kamui Woods - was set on fire which is His Weakness. thoughts and prayers
Wash - last seen floating hospital patients to safety as Tomura’s wave of decay descended towards him. probably dead ffff
Old Man Samurai - haven’t seen this fucker in a hot minute, who even knows where he’s wandered off to
Ryuukyuu - currently being treated for her wounds, looked pretty bad off. but it’s hard to tell how hurt she is since most of the injuries were acquired in her transformed state. SHE BETTER GET WELL SOON
anyways, so yeah. so much for the top ten. guess that’s another reason Horikoshi brought Mirio back now, huh
so there’s a big panel of everyone fighting the Noumu while Machia lies there all “blurgh.” good riddance my dude. it took like twenty chapters and a hundred people to stop this guy so I really fucking hope he stays down. you’ve had your fun
anyway so Jeanist is sending another steel thread towards Dabi! and he’s all “just a bit more!!” fklklj this is gonna go real well isn’t it
meanwhile Mirio’s fighting a Nearly High End with all of these weird rock formations jutting out of its skin. go on and kick his ass then, Mirio
“each of these guys is probably just as strong as the Noumu from Kyuushuu” hold on I thought Ujiko or Tomura or someone said that wasn’t the case? not that Mirio would know I suppose. anyways let’s just hope he’s wrong cuz if not these kids are probably screwed
kLSDKFHLSKHGLKLK OH MY GODDDD
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IIDA FUCKING TENYA YOU’RE A PEACH. THINKS THE NAME IS OUTRAGEOUS, CHECK. USES IT ANYWAY, CHECK. “JUST BECAUSE I DON’T UNDERSTAND DOESN’T MEAN I CAN’T BE SUPPORTIVE.” WHAT A CLASS ACT
AND KACCHAN IS RESPONDING WITH AS MUCH DIGNITY AS HE CAN MUSTER
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WOW, SON. IT’S ALMOST AS THOUGH YOU HAVE A HOLE IN YOUR TORSO, OR SOMETHING!! although listen up, real talk, the fact that Kacchan of all people can’t muster the energy to yell at someone questioning his ability to kick ass is HIGHKEY troubling and we may be in need of an intervention here soon :/
now Jeanist is finally turning his attention to the League! was... was it not already on the League. omg
ACTUAL SCREAMING AHHHHHH FUCK FUCKLK LK AHHLKHKFFFF
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hey so um. what the actual fucked up hell. my soul left my body. imagine if you saw the reflection of this panel on your bedroom window. you would never sleep again
OKAY RHA TRANSLATORS ARE YOU HAVING YOURSELF A LAUGH AGAIN
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THIS CANNOT BE WHAT HE’S ACTUALLY SAYING RIGHT. BUT IT’S RIGHT IN THAT UNCANNY VALLEY OF NOT BEING QUITE SURE, THOUGH... ( ゚д゚)
(ETA: just a next-day clarification here, apparently my sleep-deprived ADHD word-skipping brain completely skipped right over the “a” in that last panel, so what I read was, “and Shigaraki’s limp noodle.” so yeah, the moral of this story is always read the speech bubble carefully before you start making running jokes throughout the rest of your post, folks.)
oh wow he’s really freaking out lmao
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to be fair though, I’d argue that Dabi has gotten pre-tty close at this point :’) thrilled for him, really I am
but anyway, well then figure something out you big dramatic robot-armed fiend. didn’t you just say you could touch your own ass? can you not just Compress yourself to break free?? does it not work on you? or would you be stuck afterwards lol
(ETA: I was picturing him compressing his entire body at once, not just chunks of it. ghhhlkh.)
um
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holy shit Jeanist. are you stupidly trying to cut off their air, or are you going for more of a sleeper hold (jleeper hold??) thing instead. the latter would be way smarter and faster and probably safer as well just saying
but unless Spinner is just being super dramatic, it sure looks like he’s fucking strangling them djslkjlk. this will certainly cement his popularity among the villain stans. good thing you’re not running for office any time soon bud
anyway so I have no idea what these guys are trying to do now. what is this
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do you even have till the count of 5 at this rate. I mean
OH MY GOODNESS
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HE’S REALLY FUCKING DOING IT!! HE’S COMPRESSING HIS BUTT!! OMFG. TOMURA HIDE YOUR NOODLE!!!
WHAT THE FUCK
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DID YOU COMPRESS A PIECE OF YOUR OWN ASS. FUCKING WHAT. PUT THIS MAN’S PICTURE IN THE DICTIONARY NEXT TO THE WORD “LOYALTY”, HOLY CRAP
HOLY SHIT COMPRESS
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“HOLY SHIT DID THAT GUY JUST PUNCH A HOLE THROUGH HIS OWN ASS IN ORDER TO SAVE HIS VILLAIN PALS. FUCK IT, HE DESERVES TO ESCAPE”
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jeez, talk about... A HALF-ASSED ESCAPE ATTEMPT :D :D :D hahaha. but real talk though, Horikoshi has clearly never tried to leap twelve feet straight up in the air multiple times in succession with only half his glutes though. everyone, I regret to inform you that this panel right here on the left may be slightly unrealistic
also where the hell is he going to go?? did you pack a jetpack away in one of those little marbles sir. and what about Dabi?? and Skeptic too, I guess, but we don’t really care about Skeptic
(ETA: at this point I had to stop reading for about two hours because I had to go out and take care of something; that’s also why this is being posted later than usual lol. anyways so where were we.)
oh my lord
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the existence of a translator’s note here implies that the earlier line about Compress being able to reach Tomura’s junk was not, in fact, ad-libbed. hmm. hmmmmmmmm
anyway so now he’s grabbing Compress again because OF COURSE HE IS, so now we’re right back to square one! except now Tomura and Spinner are secured inside of little marbles, and presumably Compress is the only one who can release them
oh nevermind he’s just maiming himself again instead, SHEESH
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Skeptic a man is dying please have some goddamn respect
so, uh. is he gonna die, though??
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I really can’t tell wtf is going on here, this is the most confusing the art has been in a while. Horikoshi put all of his spoons into that creepyass close-up panel earlier, that bastard
OMG WHAT ARE YOU SERIOUS
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DON’T FUCKING TELL ME THE “COMPRESS IS RELATED TO THIS THIEF GUY FROM OLDEN TIMES” THEORY IS ACTUALLY TRUE WHAAAAAAT. OH SHIT
so apparently Harima was a Robin Hood type guy who stole from... heroes?? wtf. are heroes the 1% in this scenario. y’all didn’t have any Fortune 500 CEOs to steal from?
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THAT’S THE BLOOD THAT FLOWS THROUGH YOU, OH SHIT. and in a related oh shit, the fact that we are getting a Compress flashback now of all times doesn’t bode super well for him. ffff
MEANWHILE THE TODOROKIS ARE STILL TODOROKI-ING
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listen here boy if you touch one freaking hair on Shouto’s candy cane head I swear to god --
WHAT DID I FUCKING SAY!!!
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SHOUTO NOOOOOO. WTF YOU’RE LITERALLY THE ONE GUY WHOSE WEAKNESS IS ABSOLUTELY NOT SUPPOSED TO BE FIRE. DABI YOU SHIT, YOU BETTER WATCH YOURSELF!! I’M PRINTING OUT A COPY OF THAT COMPRESS PANEL!!! KEEP AN EYE OUT ON THAT BEDROOM WINDOW YOU PUNK!!!
SO NOW POOR SHOUTO IS UNCONSCIOUS AND FALLING!! SOMEONE SAVE HIM!! WHO CATCHES THE CATCHER
COMPRESS LITERALLY HOW ARE YOU STILL ALIVE RIGHT NOW, WHAT IS HAPPENING
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PLEASE DON’T CALL TOMURA LEADER OF THE “PLF” YOU KNOW I CAN’T TAKE IT SERIOUSLY WHEN YOU DO THAT. ARE YOU DYING. ARE YOU JUST A FUCKING HEAD NOW WTF
(ETA: “masks are removable, makeste” you know what it’s been a long day okay lmao. or I suppose Compress is really the one who is lmao.)
GASPPPPPP
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okay. okay. looooool okay then
WHY WERE YOU COVERING THIS SEXY MOP OF HAIR UNDER THAT HOOD YOU TOOL. IT WOULD HAVE LOOKED SO GOOD WITH THE TOP HAT. I’M SO MAD AT YOU RIGHT NOW
as if it wasn’t enough for him to demask himself, he also had to get all shirtless and then do this weird attempt at a sexypose too huh
hard to say exactly how much of his torso is currently missing, but safe to say that’s proooooooobably not good. :///// fuck
on the other hand, Kacchan also has a torso hole and he’s still flying around like he just drank a dozen red bulls, so
this man lost his ass and he’s still out here monologuing like it’s the last two minutes of The Prestige. one might say he is monologuing his ass off
so he let Spinner and Tomura free, but is Dabi still trapped in his marble?? wasn’t he all on fire and stuff?? hopefully he can still turn off his quirk in there because if not that’s a pretty fucked up way to die. somewhere out there Snatch’s ghost is all “YEAH I’LL SAY.” oh how the turntables
last but not least, sooooooo. Tomura. back on the ground. that’s. um. ...shiiiiiiiit
601 notes · View notes
sincerelyreidburke · 4 years
Text
got hitched
Quick ficlet for my Bencole people. Featuring domestic Quindo. Cross-posted to the ao3 cricket ficlet collection.
//
eight years after graduation | august
 Sebastián is completely unsuspecting, when the Snapchat comes in.
The house is quiet, and he and Quinn are in bed. He figures they’ll actually go to sleep soon, or at least soonish, but for now, they sit up against their pillows, with the light still on. It’s long past Violet’s bedtime; Quinn put her down at least an hour and a half ago, and after sitting out on the patio with him for a bit, Sebastián carried his husband to bed for little to no reason other than he just felt like carrying him.
He’s watching a Coyotes preseason weekly recap on his phone, and next to him, Quinn is knitting. His yarn is royal blue and bright red; he’s working on a scarf he keeps swearing he’s going to mail up to Remy to wear to games when his season starts. To celebrate his contract , Quinn said, when he told Sebastián what he’d be doing, all self-satisfied smiles. I think he could use something new in Montreal colors, don’t you?
His needles clack together every now and then, and the audio on Sebastián’s phone is low, but it’s not like Quinn would be bothered by that anyway, seeing as he took his hearing aids out for the night hours ago. Their house, Sebastián is happily aware, is a safe zone for Quinn, has been since the day they bought it to build their life in together.
A notification buzzes his phone, and the banner at the top tells him he has a Snapchat from Ben. Which isn’t weird, until it is— because what time is it in France right now? It has to be, like, kind of early in the morning, right? In what world is Ben up early on vacation?
He opens Snapchat to investigate. The Snap has been sent into a group chat, but not a new one; it’s one containing himself, Ben, and Quinn, and has to have existed since college even though it hasn’t been used in a short while.
He opens the Snap. It loads. As it loads, he wonders if this is a leftover message from Cole’s show last night. That was, after all, the whole reason Ben crossed the Atlantic Ocean for vacation in the first place. It’s Cole’s first tour outside the US, and Ben and Remy created this whole scheme for Ben to surprise him, which Remy was on board with because he will use literally any excuse to travel to Europe, especially France, and Sebastián has heard about this over several elaborate text exchanges, phone calls, Snapchats, et cetera—
The Snap loads.
Sebastián looks at it.
Wait. Wait . WHAT?
It expires before he can fully process, but he knows what he saw. He scrambles to replay it, leaning forward and off the pillow.
It’s a picture, a selfie, of Ben in bed with Cole wrapped up in his arm. They’re both, like, clothed and everything, and they look all soft and in love, but that’s not the main point of interest.
Because Ben is holding both of their hands up to the camera, and although Cole has had his black engagement ring for upwards of two years, Ben… is also wearing a ring. And Cole is holding a piece of paper. A certificate.
The caption Ben has typed reads: got hitched
Cole is holding a marriage certificate .
Sebastián screenshots the picture before it can disappear again, and then immediately starts tapping-slash-whacking Quinn in the thigh to get his attention. He’s gentle about it, but he still feels bad when Quinn startles and shoots daggers up at him. He drops his needles and signs. What’s wrong?
In lieu of signing a response, he turns the phone to Quinn, because it’s easier than attempting to convey via sign his current stream of consciousness (Ben got married is he kidding how did he just get married in the middle of Paris on a whim oh my God he is going to bust his ass so much but also he’s pissed because he wanted to go to his actual wedding and Ben Shaley Is Actually Fucking Married he can’t believe it like yeah he knew this was coming because he’s been engaged for two years but like— Rho got married !!!!!!!?!??!????!!?!).
Quinn studies the photo, then his eyes widen with realization. In a moment, he shifts from his complete bedtime serenity to animated, excited confusion. He looks up to Sebastián, then back to the phone, then up to him again, and signs, in quick and snappy motions, They eloped? , and then, immediately, Call Ben.
Sebastián nods, as Quinn lunges to the bedside table and grabs his hearing aids. He opens the phone app, and picks Ben out of his favorites, and as it rings, he just sits there vibrating. He can’t believe it. He actually can’t believe it. Ben just went and got married. Like— okay, that’s admittedly the most Ben way he could possibly think to get married, but— is this real life?
Ben picks up on the second ring, as Sebastián is putting the call on speaker. “Helloooooo!” His voice is singsong, like he knows exactly what he did. Which, like, obviously he knows what he did. But Sebastián is still shook —
“ Dude !” he cries, half-laughing, as Quinn leans back over to him and scoots closer on the mattress. “How could you just send that out of context?”
Ben laughs. “In my defense,” he remarks, his voice the picture of chill, “it really doesn’t require that much context, right?”
Quinn fiddles with his ears, and then he must get them turned on, because he chooses that exact moment to cry, “Benjamin Shaley.”
“Mini!” The joy in Ben's voice is indescribable. “I knew you’d bitch me out for this!”
“I cannot believe you,” Quinn says. “You did not elope last night.”
“Oh, but I did,” Ben remarks, every bit the wise-ass he’s always been, and he sounds so happy , and Sebastián is, like, so fucking happy for him right now—
“Rho— congratulations , holy shit,” he tells him. “Did you plan this?”
“No,” Ben laughs. “Not even a little. And I think that’s maybe the best part. Hold on.” There’s rustling and mumbling on his end for a second, and then a fourth voice enters the conversation.
“Good morning, guys.” Cole’s voice is super raspy, like he just woke up. Sebastián tries to do some quick math, but all he can determine about time zones is that it has to be early over there. “Sorry we didn’t tell you.”
“Cole, I can’t believe this,” Quinn says. “How could you let his chaos influence you?”
“Mm.” Cole pauses, contemplatively, and then yawns. “I’ll actually be letting his chaos influence me for the rest of my life, now.”
Quinn takes a deep, therapeutic breath. Sebastián wraps an arm around his shoulders. He has, many times, seen his husband get simultaneously pissed and excited; it’s a hilarious thing to witness. “I love you both,” Quinn says, in a slightly less sharp voice. “And I’m so very happy for you. But words cannot describe how much I wanted to actually attend your wedding.”
“We’re gonna have a party, Q,” Ben replies, like he was ready for this question. “When we get home. Well. Like. Not right when we get home. But we’re gonna start planning it when we get home.”
Quinn pauses, like he’s contemplating this, and in the silence, Cole adds, “It was a spur-of-the-moment decision.”
“Well, I’ll say,” Quinn says. Sebastián thumbs at his shoulder, to soothe the good-natured rage. “My goodness , you two. I should have known you’d get married some crazy way.”
“Tell us the story!” Sebastián adds, because he is extremely eager to know.
Cole lets out a soft laugh. “It’s not a long story,” he says.
“We were at dinner,” Ben explains. “Last night, after the show, with Remy. And Cole just… out of nowhere. He was like, we should get married.”
“ Cole Kolinsky ,” Quinn gasps. “Your mother is going to kill you.”
“She knows!” Cole cries. “She knows. I promise. She’s the only person who knew before you. Her and Remy.”
“Was Rem with you?” Sebastián asks.
“He was with us when we decided to do it,” Ben says. “But not at the town hall.”
“That little shit,” Sebastián cries. “Where is he now?”
“Out galavanting in the streets, I bet,” Ben mutters, and Cole laughs at him.
“I’m sure Remy is asleep,” Cole amends. “We were out so late last night.”
Quinn rubs his temple, leans into Sebastián’s embrace, and whispers, “I cannot believe you two.”
“Oh, you love us, Quinny,” Ben says. “Don’t even try to hide it.”
“Of course I do,” Quinn replies, in that tone so characteristic of him , where he’s firm and kind at the exact same time. “My goodness,” he says. “You’re entirely too much for me.”
Cole laughs again. “I promise, Quinn,” he says, “it’ll be a really good party.”
“Oh, it best be.” The grin on Quinn’s face is so cute, Sebastián could combust. “I have very high standards.”
“Ah, yes,” Ben says, in a posh accent, “nothing but the best for the esteemed Quinny Cooper—”
“ Ben ,” Cole mumbles, and Ben laughs so loud.
“I’m so—” The initial shock has sort of worn off, but Sebastián still feels like he’s processing several things at once. “I’m so happy for you guys, jeez ! Why are you awake so early, anyway? It’s your honeymoon morning!”
“I have to—” Cole breaks his sentence with a yawn, like talking about being up early is making him more tired. “I have to be on my tour bus at eight-thirty.”
“Oh, Cole ,” Quinn whispers. “That’s a real wrench in your morning, huh?”
“Is what it is,” Cole replies.
“Wait, so… what time is it now?” As soon as he mentioned the fact that it’s their honeymoon morning, it started occurring to Sebastián that he and Quinn are… keeping them on the phone. On their first morning as a married couple. He loves his friends to death, but nobody interrupted him and Quinn the morning after they got married. It was just the two of them; even Vi was at Mama’s house for a sleepover. The only thing they had to do was bask in that fresh joy.
“It’s seven,” Ben announces. “Seven-oh-nine.”
“Okay, so,” he says, “I’m gonna, like, hang up the phone now.”
“ Nanny ,” Ben says, with a snort. “We knew you’d want to talk.”
“Yeah, but we talked,” he replies, “and now I’m hanging up so you guys don’t have to, like, talk to us until Cole leaves.”
“Hm.” Ben pauses, and then, in his peak wise-ass tone, remarks, “What if I hang up first?”
“Oh, goodness , you two,” Quinn mumbles, into Sebastián’s shoulder, “don’t get into one of these arguments.”
“Bro, you hang up first.”
“No, you hang up first—”
5,000 miles away, in a hotel bed in Paris, Ben Kolinsky hangs up the phone. He rolls over in bed and grins at his husband. “How did I do?”
Next to him under the nice white sheets, Cole is the best thing he has ever seen. He laughs, with his hand over his face, before he reaches for him. When they meet in the middle of the mattress, Cole presses a kiss to his lips. “You are an idiot,” he whispers.
“Mmm.” Ben kisses him again, and Cole wraps around him, and he thinks there’s absolutely no way heaven could be any better than this. “That’s a title I’ll proudly own, but only with an amendment.”
Cole tangles his fingers in Ben’s hair, long and now sort of messy from sleep, but who gives one single fuck what their hair looks like when they just got married to the love of their life last night. “What’s the amendment?” he asks, between kisses.
“That I’m your idiot.”
“ Oh .” Cole laughs. His eyes wrinkle shut, and Ben is going to be gone on him for the rest of his days. “You’re definitely my idiot.”
“Perfect,” Ben says, and kisses him again, and he doesn’t need anything else.
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wheremytwinwatches · 4 years
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[Where My Twin Watches]: Full Metal Alchemist Brotherhood Episode 4
Tephi: Okay, guys, it's that episode. And, as I told Ranubis, I would like to speak for my discipline and say that we do not condone Tucker's actions. #not all biologists (You know what, it's really hard to try to be funny after reading this recap, so I'm going to stop.) Onwards with Brotherhood! Last time the Elric Brothers revealed a corrupt priest, and now they’re going to report to Colonel Roy Mustang. And learn about bio-alchemy, according to the last post-credits? Let’s get to it!
We get the Narrator recapping last episode, and he says the priest used alchemy and… ‘a’ Philosopher’s Stone? Wait wait wait, what? He had the real thing? ...that raises many questions, some of which I asked last time. I’ll just keep watching to see if I get some answers this go-around. Ok, never mind then. Should have waited a few more seconds until the Narrator said “revealed to be a fake.” Episode 04: “An Alchemist’s Anguish” Well that’s not an ominous title at all. Late at night in Central (is that the town’s name, or just the keep?) with a freaking-huge moon taking up most of the screen. A State Alchemist is walking along a street and good Leto man, what is going on with your mustache?! Hold on, have to take a screenshot.
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What, did you strap a boomerang to your face? How much mustache wax do you use to make those razor-sharp points? Really now, that’s just excessive. Ahem. Anyways, Mr. Mustache comes to a stop and grunts. He sees someone? [Scar] “You are Basque Grand, the Iron Blood Alchemist… correct?” Huh. So we’ve got a name for Mister Mustache, but given how we’ve never seen him before, and someone apparently named “Scar” is confronting him at night… taking all bets folks, how long is the Fresh Meat going to last? My money’s on him bowing out in under a minute. Waitaminute, I recognize you from the intro! Your sunglasses don’t fool me, you’re that guy with the white X scar on his face! Appropriate name, I guess. He says Alchemists who have turned against God shall be punished. Another Leto follower? So Basque recognizes him as a “bloodthirsty murderer” who’s been targeting State Alchemists lately… which implies that he’s faced multiple Alchemists, and is here to tell the tale. Uh, Basque? Buddy? You think you might want to call for some backup against someone who’s faced a bunch of… nah, nevermind. You go ahead and equip your engraved gauntlets, I’m sure you can handle it. Ooh, nice power! Punch the ground and summon a bunch of cannons. How effective is it? Not at all! Some chains! The same. Stick him in a vault? Maybe- oh come on dude. “That wasn’t so difficult”? You’re just asking for it now. Yup, grabbed by the face. “Now you perish.” And oh jeez that face-zapping was uncalled for… and right past the minute mark. Seriously, that “battle” went from timestamp 2:54 to 3:54. I think Scar’s credentials have been established. Hey, I know that voice! And THAT voice too! Good to see you guys again, Hughes and Armstrong! And… oh dear. Hughes warned Armstrong to be careful, that he could be the next target, and The Mighty Armstrong… just said “Understood.” No bravado, no boasting, just business. This is serious, isn’t it? Fuhrer Bradley/Fury arrives at the scene, and every Alchemist immediately salutes. Fury looks over the scene, and authorizes Hughes as the officer in charge of the case any additional personnel he needs to track down the traitor. The next day at Central, Riza’s doing paperwork and hands something to a Lieutenant Breda, and ooh a cast of unique characters sitting at a table? Breda gripes about the Colonel letting work pile up, asks for Havoc to help but the blond guy says he’s got enough already. Then [Falman] identifies some guy in the paperwork as a crooked State Alchemist that the Elrics exposed. Messing with a radio is a little guy with glasses, Master Sergeant… aw come on, really? *Sigh* Guess I have to give up on Fuhrer Fury, since we’ve got this little guy named Fuery now. Way to ruin the joke, dude. Anyways, Fuery’s saying he’ll probably have to replace the radio’s receiver… when a familiar white glove in a red sleeve reaches into frame and touches the radio, leaving it good as new. Man, Alchemy sure is handy. Good to see you guys! Now hurry up, the Colonel’s expecting you, and wipe that grimace off your face. Congrats on the Liore incident are in order, although Ed gripes that he didn’t do it for them. And the stone ended up being fake, but Cornello still got power from it. How does that work? Neither brother knows much about the field of bio-alchemy. Roy recommends they consult a specialist, pulls a file on The Sewing Life Alchemist, Shou Tucker, who’s done research into chimera transmutation. Well that’s nice of- for Leto’s sake Ed, stop ranting at your boss. He is your boss, remember? But Roy insists he’s trying to repay them for the Liore case, as “doing you a favor is better than being indebted to you.” Panning across the city now, Roy talking about how two years ago Tucker transmuted a chimera that could understand human speech, earning his certification as a State Alchemist. So it could talk? Huh, interesting. I assumed chimeras were brute-force creatures like the one Cornello used. But bio-alchemy can create communication-capable creatures? Not sure what to think about the ramifications- Oh what the hell. Concerns multiplied. “It only said one thing: ‘I want to die.’” And then it refused to eat until it got its wish. Um. Ok. I am now rather suspicious of bio-alchemy. Standard alchemy that we’ve seen has mostly been similar to basic magic or elemental control. But creating a communicative creature that wishes only for death? That sounds more like the thing a State Alchemist would be sent after to shut down, not say “Nice job, here’s a badge!” Alright, moving on. The Elrics and Roy are at a house now, Ed’s remarking on how big it is- Dog! Giant dog just glomped Ed, Al’s all worried about his big brother who’s stuck under a cheerful dog. Then the door opens? A little girl (Nina) tells her father there are people outside, he gently reminds her this was why she needed to keep the dog tied up. Heh. Inside, the camera’s panning over a bunch of dusty books and scrolls, and some very… used dishes in a sink. Tucker apologizes for the mess, ever since his wife… “ran out”? What’s the story there? Tucker fixes some tea, says that he’s pleased to meet Edward. And he’s more than happy to show his research. However, he does ask that if he’s showing some of his tricks, that Ed could show some as well. “It’s the code we live by - equivalent exchange.” EEC: 7 Outside, Nina’s playing with the dog, braids it a headband of flowers. Daw, that’s cute. Bit of a contrast with the inside, as it seems Ed’s told Tucker the story of their attempted Human Transmutation. Which begs the question, if Human Transmutation is taboo, what makes bio-alchemy different? In any case, Tucker lets the Elrics take a look at his laboratory- gah! Head in jar! Cerberus creature! Lots of other creepy stuff in jars! Guh, I’m not a big fan of biology, sorry. Tucker’s apologizing, saying he’s regarded as an authority on chimeras, but it hasn’t been going well that lately. What does that mean? They move on, reaching Tucker’s library and forget the creepy lab I wanna be there now. Look at all those books! The brothers dive into reading, and Roy says he’ll head back to work and have someone pick them up in the evening. But Ed doesn’t even hear Roy he’s so focused in the book. Tucker chuckles that they don’t even know they’re there anymore… Um, Tucker? What’s with the glasses push and grin? Like, you smiled in the lab at one point and I didn’t mention it, but now here’s a second smile and a glasses-push? Really getting some Bad Scientist vibes here. What’s going on? Uh, ok. Moving on, it’s later and Ed’s surrounded by piles of books now. Al’s over by a shelf with his own and- hey, it’s Nina! The little girl just poked her head around the aisle to look at the giant suit of armor, runs off when Al notices her. Then pokes her head back around to [Playful Music]. Ed breaks out his studies at hearing [childlike laughter], walks over to see Al giving Nina a piggyback ride. Daw. But of course Ed has to be a grump, yell at Al for playing horsie instead of- Dog! And Nina says Alexander wants to play too. Ed enters Dramatic Mode, saying that the dog’s bested him twice, but no more! And Ed races after the “mangy mutt”, while Nina just laughs. Late afternoon now, Havoc is telling the “chief” his ride has arrived. Ah, Havoc was sent to pick the brothers up. And looks like Ed wasn’t very successful against Alexander, he’s down for the count again. Havoc’s walking the boys out now, passes on a message to Tucker that “Assessment Day is coming soon”. What’s that? And why was Tucker so serious when he said that he knew? I’m guessing it’s like a checkup exam for SAs, to renew their certification. *Sigh* Look, Tucker? I’m getting a lot of mixed signals from you. First you made a creature that wished for death, but then you were a kind father, then you smirked and did a Glasses Push, then you made a dog pun, but now you’re all serious about “Assessment Day” and clutching the door handles? I’m not sure what I’m supposed to think about you. Nina asks what “Assessment Day” means, Tucker confirms SAs have to do a research report once a year to keep their certification. Last year Tucker didn’t get a very good evaluation, and unless he does something really impressive this year he won’t be a State Alchemist anymore. Nina proclaims that Tucker will do great, with how much he studies. But Tucker just [laughs nervously], says that he’ll try hard… ‘Or we’ll be left with nothing… again.’ Bad feelings keep gathering. Not sure what’s happening. [Sentimental Music] the next day, the Elrics are back and studying. Al’s talking with Nina about her mother, who left two years ago to live at her parents’ house. Why’d she leave? I mean, Tucker said she “ran off”, did they have an argument? Assuming about his studies or something, not sure why though. She was clearly with him long enough to have a child who I’m fairly certain is much older than two, so she would have been around for all the bio-alchemy. So what caused the split? Al remarks that it must be lonely, the two of them in a big house. But Nina’s happy with her daddy and Alexander. Although Tucker’s been studying in the lab all the time lately. Cramming for his exam? Ooh, flashback! Baby!Elric Brothers looking through a door - hey, I know that hair! That’s that blond ponytail guy from the intro, can’t see his face to confirm the beard but I recognize the ponytail! So he’s the absent Elric father? What’s his story? Ed just shut his book? Oh, good for you! He claims his shoulders are stiff, and when Al suggests he move around some Al goes and challenges Alexander again. Daw, props to you Ed, putting aside studies for Nina. That’s really nice of you. As [Goofy Happy Piano] music plays, Ed runs around with Nina chasing him on Alexander. But then he turns the tables, transmuting his arm into a sharp-toothed puppet (complete with the little spring of blond hair) as he chases them! Al serves as a slide for Nina, Alexander gets the drop on poor Ed again… lots of happiness and laughter outside. But inside… Tucker’s sitting at a table, head in his hands. What’s wrong? Why are you so worried about Assessment Day? You’ve done it before, right? And you’ve been studying like crazy. So what’s the problem? Back in Central, Hughes is wondering about Scar, why he’s targeting State Alchemists instead of easier targets like the military police. Armstrong thinks that the fact they’re State Alchemists is the reason he’s attacking them. But for what reason? Their pay, their status? Or failure to uphold their creed: “Alchemist, be thou for the people.” A concern that alchemists are supposed to be pillars of science and truth but are turning into weapons for the military. And there are many people who have not forgotten the role of State Alchemists in the Ishvalan Civil War. There’s Ishvale again, another mention of this mysterious conflict prior to the show. What’s the story there? It’s been mentioned so often I know it’s gotta come up soon, but right now I know next to nothing about it. What was the deal? An orderly interrupts the conversation, reports that a man with a large scar on his face was seen the night before at the train station. So he got away? Later that day, [Melancholy Music] at Tucker’s house, where he’s telling the Elrics about life before his State Alchemist certification. The family was poor, Mrs. Tucker couldn’t stand living like that, and we’ve got a picture of Tucker and the wife yelling at eachother while Nina cowers behind Alexander. Jeez. Tucker’s saying he can’t afford to fail the examination. Hmm, maybe you could ask the Elrics for help? I mean, they’re crazy-good at alchemy, I’m sure they could help with your studying. Or maybe take up Nina’s offer of her and Alexander growling at the test-givers until they say yes. Aw, Tucker just offered to play with Nina the next day. Yeah, there you go, spend some time with Nina, then study with the Elrics until you’re ready! The next day… it’s really cloudy. Why is it cloudy? Oh no. No no no. Do not do this to me, show. You do NOT make things go bad when they were so cute earlier. Do NOT do this. Ok, so what’s going to happen? Doorbell’s ringing, but no-one is answering. Al opened the door, called for Mr. Tucker, but nothing. Al and Ed are walking through the house, calling for Tucker and Nina, but nothing. And I mean nothing, there isn’t even any music playing right now. Door opens to to what no nonono nonononononononononono tucker is kneeling in front of something something with dog paws and long brown hair what did you do what the FUCK did you do “I did it boys. I finally did it.” A chimera that understand human speech. Ed. Al. What the hell are you both doing just standing there. Do you seriously not realize what’s going on. Do you realize where Nina Nina The thing is just repeating “That person… Ed… ward.” I don’t want to see this. “Big Brother Ed.” And the penny drops. Ed asks when Tucker first got his certification. He confirms it was two years ago. And his wife “left” two years ago too. Oh, don’t you act so surprised that Ed figured it out so quickly, you bastard! Ed, kick his teeth in! Did… did you really just say “this is how we progress” in regards to transmuting your dog and your own daughter to make this creature?! To maintain your fucking CERTIFICATION?! Human experimentation as a necessary process? For WHAT?! You’re comparing yourself to Edward, saying you’re the same? Far from it! He made a mistake trying to bring back a family member! You’ve used yours to get paid! Al just grabbed Ed’s arm, said that if he keeps the beating up that Tucker would die. I am really, really having a hard time seeing that as a bad thing right now. Oh. “Edward… no.” Not in front of his daughter. “Daddy, do you… hurt? Daddy?” I can’t. Al’s apologizing to… the chimera. Saying that with all their power, they can’t change Nina back. The chimera just asks if they can play. And Tucker just rants about how he “passed.” Riza and Roy are discussing the case. Ed and All are sitting on the steps outside of Central in the rain. Roy tells the Elrics that they are likely to see more cases like this in the future. And have to get their hands dirty. Then he asks if they’re going to shut down like this every time. Ed says that them being called dogs of the military, cursed as devils… it doesn’t matter, they’re still going to get their bodies back. They’re not devils. They’re not gods. They’re only human. They can’t… “even do anything to save one innocent little girl. So what good are we then?” … In a room, the chimera and Tucker are facing each other. Tucker is whining about how “no one’s capable of understanding me.” And then someone enters the room. It’s Scar. “You’re Shou Tucker, correct?” … … ...do it. But the chimera saw it. Scar walks towards the chimera. “God… hear me. Two human souls have just been returned to you. Please accept them into your loving arms. Please grant these poor, lost souls everlasting peace and salvation.” ...credits. “The rain pours down in East City. Still grief-stricken over the death of Nina, Ed and Al are attacked by the mysterious man, Scar. In a moment of crisis, Ed must make a desperate decision, while the life of his brother hangs in the balance. Next time, on Fullmetal Alchemist: Brotherhood-” Episode 05: Rain of Sorrows”
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