#jay jo icons

[pfpanimes]

⌕ wind breaker webtoon - jay jo.

like or reblog if you save/use. 🤍

[jayjosabi]

[kogallery]

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤenhypen ♡ &team

ㅤㅤㅤㅤㅤㅤ៹ dark moon boys icons ✦

psd cr ©colour-source

[i2ji]

ʾʿ      ◍⃘        JAY JO ICONS        🍫     。   〢 

[woolydemon]

every once in a while I come up with a drawing idea that's like "oh my god that's so funny but I think I'll be crossing a line if I post that--"

[shintaru]

Signature scent | cologne WB characters wear pt.1

pt.2, pt.3, pt.4

m.list ♡ taglist Dom Kang ~

Acqua Di Gio Giorgio Armani

Fragrance Family:

Woody Aromatic Aquatic

Key Notes:

Marine Notes, Green Mandarin

Sage, Lavendin, Geranium

Vetiver, Patchouli

Fragrance Description: Acqua di Giò Eau de Parfum is a long-lasting cologne for men where marine notes blend with mandarin, sage, vetiver, and patchouli. This men’s fragrance is captured in a refillable bottle and is perfect for lovers of the classic Acqua di Giò olfaction who seek something more intense and long-lasting.

About the Fragrance: Giorgio Armani Acqua di Giò Eau de Parfum is a men’s cologne for the future that is a statement of sustainability focusing on four key pillars: eco-conception of the cologne bottle, refill ability in all sizes, natural and sustainably sourced ingredients, and forest preservation programs in Guatemala.

I smelled this at Sephora it smells like “hot rich daddy that I’d like to fuck” Jay Jo ~

Acqua di Giò Profondo Fragrance Family

Fougere Aromatic Aquatic

Key Notes

Marine Notes

Cypress, Musk

Rosemary, Lavender

About the Fragrance: Profondo explores a different dimension of Acqua di Giò's origins: the deep sea. It has a long-lasting, mysterious trail. I smelled this one at Sephora unfortunately I don’t remember the exact smell but everything I smelled from this brand smelled so good! Minu ~

TOM FORD VANILLA SEXStyle: Warm, spicy, amber. Notes: Vanilla Tincture India, vanilla absolute, sandalwood essence.

Fragrance Description: Vanilla Tincture India, an ingredient created specifically for Vanilla Sex, exudes a soft sensuality. Vanilla reveals a pristine glamour, warmed by mysterious florals and bitter almond essence. A timeless sandalwood quality mingles with enticing tonka absolute and an exquisite Ultravanil™ molecule. 

About the Fragrance: Addictive by nature and glamorous by design, a captivating interplay of deep and bright vanilla notes stars in Vanilla Sex. It’s an unforgettable experience and an icon of sensual pleasure that’s far from innocent. 

Never smelled this one, but I love the scent of vanilla. Every Tom Ford cologne that I’ve smelly has always smelled good. I love vanilla, so I have a feeling Minu would smell like vanilla Vinny ~

it depends on which crew he is with. if he is with humming bird he would smell like a mix of Dom, Jay, and Minu’s cologne due to them sleeping over so much. Dom & (Jay acqu di go, minu vanilla sex) if it’s sabbath crew then he would smell like Wooin. Wooin ~

Dior Sauvage (it autocorrected to sausage at first, just thought y'all should know)

Fragrance Family

Citrus & Woods

Key Notes

Bergamot

Vanilla

Nutmeg

Fragrance Description: This cologne is a sensual composition of spicy Calabrian bergamot, nutmeg, and vanilla absolute for a smoky accent. Inspired by the magic hour of twilight in the desert.

About the Fragrance: "I didn't create Eau de Parfum Sauvage by working on power. Its signature is already very identifiable. It was not a matter of exaggerating or saturating the composition. I was striving more to enrich each of the dominant notes to give it a new color."—François Demachy, Dior Perfumer-Creator

I smelled this one at the mall it’s strong ASF but it smells good. You could smell it from a mile away no joke 😭😭 Joker ~

Like Vinny, Joker would smell like Wooin (Dior savage) I don’t see him buying cologne since he works to take care of his brothers but I feel Wooin refuses to go around with him smelling like sweat from fights or just like their shampoo and body wash so he would let him use his cologne.

Dedicated to @cozyunderworld @samuelseowife @inosukehana @ankita607

[theantonian]

The Antonian Reading List

Mark Antony: A Life by Patricia Southern (Highly recommended!)

Mark Antony: A Biography by Eleanor Goltz Huzar (Highly recommended!)

The Life and Times of Marc Antony by Arthur Weigall (Recommended)

Marc Antony: His Life and Times by Allan Roberts (Recommended)

Marc Antony by Mary Kittredge

Antony & Cleopatra by Patricia Southern

Antony & Cleopatra by Adrian Goldsworthy (By far the most negative book on Antony by a modern historian, the Cleopatra portion is better)

Mark Antony: A Plain Blunt Man by Paolo de Ruggiero (Recommended)

Mark Antony and Popular Culture: Masculinity and the Construction of an Icon by Rachael Kelly

Mark Antony's Heroes: How the Third Gallica Legion Saved an Apostle and Created an Emperor by Stephen Dando-Collins

A Noble Ruin: Mark Antony, Civil War and the Collapse of the Roman Republic by W. Jeffrey Tatum (Highly recommend!)

Mark Antony & Cleopatra: Cleopatra's Proxy War to Conquer Rome & Restore the Empire of the Greeks by Martin Armstrong

Actium and Augustus: The Politics and Emotions of Civil War by Robert Alan Gurval

The Roman Revolution by Ronald Syme (Recommended)

Octavian, Antony and Cleopatra by W. W. Tarn

Fulvia: Playing for Power at the End of the Roman Republic by Celia E. Schultz

Cleopatra: Last Queen of Egypt by Joyce Tyldesley (Highly Recommended!)

Cleopatra by Michael Grant (Highly Recommanded!)

Cleopatra: A Life by Stacy Schiff (Highly Recommended!)

Cleopatra - A Biography by D. Roller

Cleopatra and Antony by Diana Preston

Cleopatra by Alberto Angela (Recommended)

Cleopatra by Jacob Abbott

Cleopatra the Great by Joann Fletcher

Cleopatra and Egypt by Sally-Ann Ashton

Cleopatra and Rome by Diana E. E. Kleiner

Cleopatra Her History Her Myth by Francine Prose

Cleopatra Histories, Dreams, and Distortions by Lucy Hughes Hallett (Recommended)

Cleopatra’s Daughter Egyptian Princess by Jane Draycott

The Storm Before the Storm by Mike Duncan

SPQR: A History of Ancient Rome by Mary Beard (Good for beginners)

The Last Assassin: The Hunt for the Killers of Julius Caesar by Peter Stothard

Robicon by Tom Holland

Alesia 52 BC: The final struggle for Gaul (Campaign) by Nic Fields

Actium 31 BC: Downfall of Antony and Cleopatra (Campaign) by Si Sheppard

Pharsalus 48 BC: Caesar and Pompey – Clash of the Titans (Campaign) by Si Sheppard

Philippi 42 BC: The death of the Roman Republic (Campaign) by Si Sheppard

Mutina 43 BC: Mark Antony's struggle for survival (Campaign) by Nic Fields

The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium by Barry Strauss

The Battle of Actium 31 BC: War for the World by Lee Fratantuono

Rome and Parthia: Empires at War: Ventidius, Antony and the Second Romano-Parthian War, 40–20 BC by Gareth C Sampson

Rivalling Rome: Parthian Coins and Culture by Vesta Curtis

Classical sources:

Plutarch’s Lives

Cicero: Philippics, Ad Brutum, Ad Familiares

Appian, The Civil Wars

Dio Cassius, The Roman History

Suetonius, The Twelve Caesars

Flavius Josephus, The Jewish War

Livy, The Early History of Rome

Tacitus, Annals and Histories

Friction:

The Tragedy of Julius Caesar by William Shakespeare

The Tragedy of Antony and Cleopatra by Willian Shakespeare

All For Love or The World Well Lost by John Dryden

The Siren and the Roman – A Tragedy by Lucyl

Caesar and Cleopatra by George Berbard Shaw

Cleopatra (play) by Sardou

Antony by Allan Massie

I, Claudius by Robert Graves

I, Cleopatra by William Bostock

Cleopatra by H. Rider Haggard

Cleopatra by Georg Ebers

Kleopatra (Vol I & II) by Karen Essex

Last Days with Cleopatra by Jack Lindsay

The Memoirs of Cleopatra by Margaret George

When We Were Gods by Colin Falconer

The Masters of Rome series by Colleen McCullough

Caesar's Soldier: Mark Antony Book I by Alex Gough (Ongoing series)

The Antonius Trilogy by Brook Allen

The Last Pharaoh series by Jay Penner

Throne of Isis by Juith Tarr

Hand of Isis by Jo Graham

Woman of Egypt by Kevin Methews

The Ides of Blood 01-06 (Comics)

Terror - Antonius En Cleopatra (Erotic yet pure love, Dutch comics)

Cleopatra - Geschiedenisstrip (Dutch comics)

Les Grands Personnages de l Histoire en Bandes Dessinees – Marc Antonie (French comics)

Les Grands Personnages de l Histoire en Bandes Dessinees – Cleopatre (French comics)

Les Grands Personnages de l Histoire en Bandes Dessinees – Julius Caesar (French comics)

Cléopâtre (French Manga)

 Ils Ont Fait L'histoire - Cléopâtre (French Graphic Novel)

[kaurwreck]

What characters/references do you hope to see in a possible Order of the clock tower arc of what do you think Agatha will be like? Based on the few appearances she has I think she’ll be a MoriDazaiFyodirSasaki type but you know.

Kafka Asagiri, by his own admission, draws inspiration for his characters from their namesakes' works and lives:

I draw inspiration not only from the author themselves, but also from their works. I like to look at particular scenes from those works of literature to then come up with the character [for my story]. For example, if we take Fyodor and look at this character, he is completely different [than the real-life author]. He has absolutely no similarities to Dostoevsky. I took inspiration from Dostoevsky's book, The Brothers Karamazov, in which there is a scene where Ivan has a conversation with the devil. I based Fyodor off of this.

I've noticed that his Western characters tend to resemble more closely their namesakes' works than their namesakes' lives. Which isn't to say the Japanese characters do not also borrow from the namesakes' works (they do, prolifically; I can cite the source material for much of Dazai's more iconic dialogue).

But in addition to Fyodor, who Asagiri acknowledged above more closely resembles a character than the author himself, Francis resembles Jay Gatsby; Louisa resembles Jo March; Steinbeck resembles Tom Joad; HP Lovecraft resembles Cthulu; Bram Stoker resembles Dracula— etc.

To some degree, the distinction isn't especially meaningful. Scott Fitzgerald, for example, clearly drew from himself and Zelda for Jay and Daisy, even using quotes from Zelda for some of Daisy's dialogue. Further, I'm sure my impression that the Japanese characters more closely resemble their authors might be related to the popularity of autobiographical fiction in modern Japan. And there are, of course, exceptions (such as Ranpo).

All of the above to say: I'm almost certain that most of Agatha Christie's personality is drawn from Judge Wargrave from And Then There Were None rather than the author herself, who preferred to project a more understated, self effacing presence. (Although, bsd!Agatha's title is a reference to Dame Agatha Christie's, and her reclusiveness could be modeled after irl!Agatha too.)

I'm not sure how familiar the fandom is with Wargrave; I studied And Then There Were None in middle school, but I don't know if it's still commonly taught or not. He's decisive, commanding, cold, calculating, and deeply sadistic. He acts as the narrative's detective, judge, jury, and executioner but only as a pretense for satisfying his own self-admitted lust to kill. He claims he only desires to murder the guilty, but he also appoints himself the moral arbiter of guilt and meters out suffering relative to the degree to which he's decided the others are guilty.

It's nakedly apparent that he is not interested in justice but in pageantry. He curates the setting and plays with the others like they're dolls, or more aptly, like he's a well-fed outdoor cat and they're the local bird population. In that sense, he isn't like any of the characters you mention above. He's a mastermind like them, sure, but he lacks Mori and Dazai's self awareness and insight, and Fyodor and Sasaki's ideological passion. There is nothing he seeks to protect, like Mori and Dazai, nor any institutions he seeks to destroy, like Fyodor. While he wants you to think he's avenging unpunished crimes like Sasaki, the justice he delivers is more arbitrary.

He just wants blood and artistry, but he also wants moral authority over those he deems beneath him even though he knows he isn't innocent. I think we've already seen that in bsd!Agatha. In Dead Apple, she sits in her ornate throne and, with serenity and pleasure, informs Ango that she will destroy Yokohama at dawn. She has her perfunctory justification (to stop the spread of Shibusawa's fog), but her eagerness, projected authority (over a foreign government, no less), imprecision (bombing the entire city rather than seeking to subdue or execute the perpetrating skill user), and method of execution (launching a convicted skill user to suicide bomb the city) speak to her bloodlust and sadism. When Shibusawa is killed and her attack is recalled, she openly pouts because she was looking forward to the destruction.

Quite frankly, I'm not convinced Agatha would make a compelling primary antagonist. She doesn't have any interest in Yokohama absent the opportunity to enact mass murder from a distance, and only if there's some national security justification, however superficial. She's modeled after a mastermind, but her position is too high, and her sights too macro to make use of Judge Wargrave's detailed pageantry.

The One Order may be enough to coax her attention, but again, her attention is too impersonal, and her sadism is too broad for the relationship-based conflicts on which bsd is built. She will not engage directly if she does engage, but by proxy. It's interesting to watch Fyodor and Dazai play their hybrid 4D chess-Go game because of their chemistry and understanding of themselves through the other. Agatha will not descend from her literal and figurative tower to meet them on any meaningful interpersonal level; Judge Wargrave certainly doesn't. Instead, she works best as a specter over Yokohama; an existential threat from a more powerful foreign power.

There are more than a few reasons to involve her more in the plot, but not on her own; there would need to be another, more intimate antagonist for bsd's structure to work. That said, I would love a secondary conflict based on foreign policy and statecraft; I thrive there, and I've been so hungry for more information about the bsd universe's distribution of powers and interests. Maybe a foreign conflict will erupt and new characters who can match Agatha's level of state power will be introduced because of the One Order; or Ango's treason; or the sudden global spread of vampirism that crippled several national governments; or the leggy calamity that was just extrajudicially released from imprisonment by a 10 y/o to whom he's now loyal; or the internationally notorious political assassin Mori is hiding in his basement; or the prior collapse of Standard Island; or Chuuya's mass murder of MANY foreign military guards in Meursault ft. his feral poses for the camera; or the destruction of what seems to be the most prominent if not only prison equipped to contain skill users given they transported Russian and Japanese nationals to its location off the coast of France; or the assassination of the general of the one world army the United Nations just formed and now can't dissolve; or that said general was assassinated within, like, a day of his appointment by someone who should not be under public scrutiny given he previously assassinated multiple Japanese leaders; or any number of recent canon events.

So, there's certainly fertile ground for a higher level conflict, and Agatha might work if set against other, similarly positioned state actors, but I'm not sure how interested in or equipped Asagiri is to write political intrigue. Or where the international community and Mushitaro should even begin re: addressing what just happened.

Notwithstanding any of the above, I do hope bsd!Agatha has a much younger trophy husband just like her namesake.

[thestupidhelmet]

In response to this post:

that70sshowgoldencouple

Oh we would have SO much fun! 💛

We’d have to keep Kurtwood Smith and Debra Jo Rupp as executive producers tho! Heard they gave lots of input on Red and Kitty and from what I’ve seen, it shows! They know their characters well 😊 imagine getting to collaborate with them on a story for Red/Kitty 😳 I don’t know if I’d be able to speak!

Of course KS and DJR would be EPs. That wouldn’t change. ❤️

But we’d prep you so that you could speak to them (I say as if us being in charge of T9S is actually going to be a thing 😂).

einsteinsugly

What would you change Leia's name to, out of curiosity? And would JH's kid still be named Jay (short for James, perhaps)? Would you push the show into the early 00s, so it makes character sense too?? What would T9S be called, then?

I'd be totally excited for such a verse, that is actually canon. *Coughs loudly* Like mine...

Because it is That ‘90s Show, I’d have to work within that fixed (i.e. unchangeable) framework. I probably would go a bit meta in the first episode and have the characters reference how time moves differently in Point Place (i.e. Point Place Time™).

Eric: It did take me over five years to turn eighteen after I turned seventeen.

Donna: And we once had three Christmases in one year.

Jackie: And I graduated two years after you two did, which makes no sense since I was only a year behind you in school, and I wasn’t held back.

Eric: Time works differently in this town, and you can take the Kid out of Point Place, but not Point Place out of the Kid. And that explains how all of us have children who are fourteen and fifteen!

Jackie: You’re still going with the Kid? I thought you dropped that after everyone made fun of you for it.

Eric: I look exactly the same as I did sixteen years ago. I learned to stop questioning certain things.

---

Eric and Donna’s daughter would not be named Leia. I have a few ideas. One, she would have a name that could be shortened to a gender neutral nickname, which both Donna and Eric think is cool -- and Red and Kitty don’t get. Red and Kitty call her by her full first name while her new friends call her by her shortened one.

Or to continue the tradition of the kids calling each other by their last names, she’d be called Forman anyway. So she’d be named after a feminist icon (Donna’s wish), and Eric chooses her middle name (with the stipulation from Donna that it’s not a Star Wars or comic book name).

Jackie and Hyde’s son (or daughter) would not be named Jay. They would struggle with the naming because their ideas are incompatible. Then they’d be doing something together that’s unrelated to the baby-naming, and the right name would hit them at the same time -- and they’d shout the name at the same time, excited. And it would be a very sweet moment between them, yet again proving how similar they truly are deep down.

---

Because the show is set in 1995, Kurt Cobain’s death would be a reference point for these kids. It was a major traumatic event for teens in ‘94. Maybe one of the kids in particular, for whom Nirvana and Kurt is an emotional touchstone (maybe J/H’s son), would still be dealing with the grief to some degree.

There could be a clash of musical tastes among the kids. The ‘90s had quite a few distinct and significant music scenes going on. I think these kids would be more at odds here than the ones in That ‘70s Show. Jackie’s musical taste was the only real outlier.

---

Sexuality and gender identity would be explored in my version of That ‘90s Show. As I wrote in a previous post, “[w]riting within the limits of how people understood these things in the mid-'90s doesn’t mean writing the show as if those limits are the actual boundary to people’s sexuality and gender identity.”

---

Ultimately, everything would arise from character. Character would drive the plot, which would affect character development, which would affect the plot, etc. The conflicts would be organic to who the characters are, not forced on the characters -- which would mean making them behave OOC so that those conflicts could happen. The jokes, too, would arise from who the characters actually are instead of writing the characters’ behavior to (or for) the joke.

---

All of the above is about writing That ‘90s Show. Not a spinoff that takes place at a more realistic time period for the T7S characters to have had kids. Nor for a future!fic.

[jayhoshow]

Deepak Tijori Reflects on His Journey: From "Jo Jeeta Wohi Sikandar" to Personal Tributes

Deepak Tijori looks back on his remarkable film career, sharing insights from his iconic role in "Jo Jeeta Wohi Sikandar" to his personal tributes. His reflections offer a glimpse into the highs and lows of his cinematic journey, celebrating the milestones that shaped his legacy. For more information, visit https://jay-ho.com/deepak-tijori-reflects-on-his-film-journey-from-jo-jeeta-wohi-sikandar-to-personal-tributes/

[pfpanimes]

⌕ wind breaker webtoon - jay jo.

like or reblog if you save/use. 🤍

[dankusner]

“Que Sera, Sera”

TODAY IN HISTORY

On this day in 2019, Hollywood icon Doris Day died at 97.

The American singer and actress released over 600 songs in her lifetime and was featured in dozens of movies.

Doris Day’s Biggest Hit Is a Song She Could Have Done Without

“Que Sera, Sera” is synonomous with the actress and singer who died on Monday at age 97, though she was never a fan of the tune she called ‘a kiddie song’

Hollywood icon Doris Day starred in dozens of movies and released more than 600 songs in her lifetime.

But the box office star, known for her singular voice, never came around to the hit that might have been most associated with her career, “Whatever Will Be, Will Be (Que Sera, Sera).”

In fact, Day, who died at age 97 on Monday, May 13, never wanted to sing the song in the first place.

As it turned out, almost everyone involved with the tune was a bit reluctant to make it.

Here’s what happened.

Doris Day was cast in Alfred Hitchcock’s 1956 film The Man Who Knew Too Much alongside Jimmy Stewart.

Hitchcock did not originally want Day in the film, but to get Stewart onboard, he had to agree to also hire Day and give her a song in the film penned by the famed songwriting duo Jay Livingston and Ray Evans, the writers behind such classics as “Silver Bells” and “Mona Lisa.”

Hitchcock agreed.

His instructions to the songwriters were vague:

“I don’t know what kind of song I want,” he said. “But Jimmy Stewart is a roving ambassador and it would be nice if the song had some foreign words in the title. Also, in the picture, I have it set up so that Doris sings to their little boy.”

With foreign inspiration on their minds, the team wrote “Que Sera Sera” after watching the Ava Gardner film The Barefoot Contessa, where they noticed the inscription “Che Sera Sera,” or “Whatever Will Be, Will Be” on the fictional family's Italian villa.

Inspired by the phrase, the team changed it to Spanish (it also works in French), and wrote the composition (they had called it, simply, “Que Sera, Sera” before realizing another song by that name already existed).

Hitchcock declared the song perfect.

But Day was not as thrilled.

In 2012, she told Terry Gross at NPR’s Fresh Air that she did not understand why such an upbeat, lilting song would be in a movie about a kidnapped boy.

“I thought I'm not crazy about that,” she recollected. “Where are they going to put it? You know, for what? Is it when I put him in bed sometime and I sing that to him or something? I did that in another film. And I thought maybe that’s what it’s going to be. And I just, I didn't think it was a good song.”

Martin Chilton at The Telegraph reports that Day also called it “a kiddie song,” but her third husband, Martin Melcher, who was also her manager, convinced her to record it.

In the movie she does sing it as a lullaby.

Playing Jo McKenna, one-half of an American couple whose vacation turns tragic after their child, Hank, is taken, she and her husband (Stewart) must follow various clues to find him, ultimately realizing he’s being held at an embassy.

There, Jo performs the song in hopes that Hank will hear it and recognize his parents are near.

Her performance won the film the 1956 Academy Award for Best Original Song and the song reached the No. 2 slot on the Billboard charts.

Day reluctantly accepted the popularity the song garnered.

“So maybe it isn’t a favorite song of mine but people loved it. And kids loved it,” she told Gross. “And it was perfect for the film. So, you know, I can’t say that it’s a favorite song of mine and I think it’s fabulous but, boy, it sure did something. It came out and it was loved.”

The song became so associated with the star that it ultimately became the theme song for “The Doris Day Show,” a sitcom that aired between 1968 and 1973.

In her 1976 autobiography, Day revealed that she was contracted to do the sitcom by Melcher and hadn’t even been aware of the arrangement before his death in 1968.

She didn’t want to do a television show, much less one with that song as a theme.

Luckily for Day, she wasn’t called upon to sing "Que Sera, Sera" after that.

When the series ended, she retired from showbiz, moving to Carmel, California, where she dedicated herself to being an activist for animal rights and sang whatever songs she so chose.

[jayjosabi]

[kogallery]

ㅤㅤㅤㅤㅤㅤ៹ random icons ✦

psd. @yaheopp ៹

[mlobsters]

supernatural s15e13 destiny's child (w. brad buckner, eugenie ross-leming)

so was showing cas and the pizza man interlude just all part of pizza clips. not the pornducation of castiel the angel

all right, shakycam not good with the nausea (that's back for reasons unknown) so i guess tbc. ok, thank fuck, it was only one day. i had 5-6 days of nausea from presumed norovirus literally a week and a half ago and i Could Not Do That Again.

ok while simultaneously dying a little inside i couldn't help but smile at the song choice. i had completely forgotten who savage garden was, but i want you is iconic. it's so cute and fluffy, what a sweet bop. and having the captions i'm realizing i didn't understand a number of words in this song 😂 pullin for jay on the music for the rare win, but it was christopher lennertz and alexander borstein :p

SAM The Occultum? Occultum, that's, uh, Latin for "hidden." Where do we find it? BILLIE I don't know, it's hidden.

glad to see billie getting some punchier moments. not glad to see yet another new random super powerful whatever thing pulled out of nowhere :p

every time i hear danneel, all i can think is katie siegel. her face is sort of familiar and her voice is higher but i dunno, man.

SISTER JO An old friend of yours... Ruby. SAM Wait a second. Why would you give it to her?

ok... so we could have both wives in an episode? all righty. i was thinking like what, ruby made it out of wherever she was (do dead demons go to the empty too? i can't remember) but alas no, i guess this flashback is to the year or whatever she was in this vessel

SISTER JO Stashed. By her. In Hell.

of course

JACK I used to feel things. In my bones. It was glorious, and sometimes unbearable. But I felt them. Now, I understand joy or sadness, but... I know those things aren't in me. I understand why Sam and Dean were angered by what happened to Mary... CASTIEL By what you did to Mary.

haha yes, no passive voice here. thank you, cas

JACK Yes. I see that I've caused them pain. And it's clear that things have changed. Especially with – with Dean. Will he ever forgive me? CASTIEL You know, Dean, he – he feels things more acutely than any human I've ever known. So it's possible he could work through this. One day, he may explode and let it all out and breathe deeply and move on.

what a weird thing to say. dean feels things more acutely than anyone else? how would you know? compared to who? lol

SAM Well, we have Rowena's notes for the spell so... DEAN Okay, "Samwitch."

did they take that from fandom? anyway, it's cute

???? speaking of weird interactions. dean obviously knew they banged, sam gave him those details over that naked writhing flashback in 4x09, so i guess the stinkface is because of cas's phrasing/mentioning it??

CASTIEL I think we need to ask Ruby. JACK Who's dead. CASTIEL Yeah. In the Empty. I need your assistance. JACK Uh, sure. Anything. CASTIEL I need you to kill me. Almost.

go me for remembering something. this sounds like an excellent plan. but also they can just pop down to hell no muss no fuss so why not make a phone call to ruby in the empty

fill up the flask of castiel grace, ok

JACK Cas, I-I may not have a soul, but, uh, I know killing you is wrong. What if I screw up? CASTIEL Well, then I'll be lost forever. But I think you'll do fine. Oh, um, you need to feed the spell bowl to keep the rift open for Sam and Dean, or they'll be lost forever. Let's do it. JACK Are you sure? CASTIEL Not at all. Give me one hour. Then bring me back.

no pressure! but i imagine having no soul means no anxiety, so, that's a win

i think i've seen some porn like this :p

jo making a deal with demons to kill sam and dean? ok. whatever

meg!! boo, not meg. but still very happy to see rachel miner

RUBY I'll help you on one condition. That you get me the Hell out of here.

uh huh

RUBY Why do they call this place the Empty? This place is full. It's full of sorrow and despair playing over and over again, of angels and demons dreaming about their regrets. Forever.

ok, well. that seems like a really shitty place to send angels? that presumably god was cool with? sorry you're dead, now spend eternity in misery. but i can't remember whatever nonsense there is about the empty's history or why angels and demons ended up there after dying

CASTIEL Oh. You made it back. DEAN Yeah. And so did you. You're an idiot, by the way.

don't be an ass, dean, you have done similar idiotic things on numerous occasions

DEAN It's a "place"? So you saw Ruby. CASTIEL And I got the location. Am I still an idiot? DEAN Well, yeah.

fetch the squirt bottle

having the au sam and dean cosplay this sam and dean in the case chuck checks in on them is the thinnest excuse to have this whole subplot but whatever :p

SAM Wait, your dad is... still around? DEAN And he "spoils" you? ALT!SAM Well, he did. We don't know where he is now. Uh, we all went through the rift together, but, uh, guess we got separated. ALT!DEAN Mm. To Dad. ALT!SAM Best guy ever.

you know i'm here for the john shade

aha, i had seen huntercorp and never connected the dots that it was a s15 thing. all making sense now :p and that au!john started it lol

all cozied up there. so what's the plan though, they surely can't stay alive on this earth?

goofy ass da vinci code shit :p like that requires so much particular timing....

could they not fucking drop the busty asian beauty thing. i'm fine with making the dean has porn on his laptop joke, but do casa erotica or whatever else and not the asian fetishization, please

this ugly ass highly fake looking set is the garden of eden, ok. contrasting with this...

s5e16 dark side of the moon

SAM This is heaven’s Garden? DEAN It’s-it’s nice… ish. I guess. JOSHUA You see what you want to here. For some it’s God’s throne room; for others it’s Eden. You two, I believe it’s the Cleveland Botanical Gardens. You came here on a field trip.

shaking my head.

JACK I was told this place might change me somehow. THE GIRL Perhaps. If you were the one meant to find it. You'll know soon enough.

i have lost the plot yet again

talking to the snake now too! okay!!

did he get his soul back?

completely nonsensical. just sending them off to brazil

got the interstellar-ish music again now that jack's feeling things. which consists of plonk plink plonk plink. completely not noteworthy except the first time i heard it, it reminded me of interstellar cornfield chase, even though it's really not that similar 🤪

pov you've got 3 dads, you're having a major emotional breakdown and no one thinks to give you a goddamned hug

[towascat]

@ jay_jo: #neverforgetthisday 🔥