#jay buddy that is such a red flag you gotta get the fuck away from him right now
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creative-clawmarks · 4 months ago
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"I want to devour you whole, but I don't want to get rid of that delicious taste. I want to be able to savor your smell, your taste. You are more than just a meal to me, you are all I want to drink."
COUGHS THIS AT YOU. It was like 4am when writing this so its really bad but use it however u want!!
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What could you have possibly expected to find?
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KO-FI
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smidgen-of-hotboy · 9 months ago
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Jay's Thoughts: Extended Cut
Every time you use the phrase “way down” a part of me gets so excited
OH OH OH- okokok. Nyx i think was the one to point it out in your post yesterday with the sneak peek, smth about Eurydice dying in some versions because she was bit by a rattlesnake and drawing the parallels of that to the feeling in Juno’s stomach and yeahhhhhhh. YEAHHHHHHHH- kisses kisses kisses ya’ll are so smart Also the mental image you’ve created in my head of juno walking “shirt soaked through with sweat”- like, he’s miserable buttttt…. Also… beating myself back so i don’t say something i later regret
THE RUSH I’M GETTING RN IS THE SAME AS THE RUSH I GOT LISTENING TO THE CLEAN BREAK PART 2 FOR THE FIRST TIME OOOOUUUGHGHGGHHGHGH- THIS COULD ONLY BE MADE BETTER IF JUNO MENTIONED THE SMELL 
“...and a wall around his heart. [stopSTOPPPP-] His overalls were covered in muc and brick dust, [lack of care for his appearance which is very important usually to Nureyev] his glasses were broken, and his eyes looked hollow and weary. [MY HEART!!] But, gods, he might as well have had a gilded halo around his head for the way Juno wanted to fall down at his feet weeping and praying.” [IDOLISM SPOTTED!! DEIFICATION SPOTTED!! ANGEL NUREYEV SPOTTED!! MUSE! WORSHIP! RELIGIOUS IMAGERY! GAHHH- this has everything in it that I want and love and its only the beginning….]
“Blesses Saint Peter of the Workers.” OH WE DOING THIS HUH ZEPH??!! OKAY! OKAY THEN- Saint Peter is an actual Saint, he holds the keys to the gates of heaven and is referenced in the song “Sixteen Tons”. A different Saint Peter is accounted as “the wonderworker” for his acts of wonder working in 920 (organizing famine relief and ransom for captives and treating the ill). The Wonderworker was called a Thaumaturgy, someone who performs miracles (which, actually fits the narrative Kabert have built for Nureyev and the Dokana group…)
Oh boy, nothing can go wrong now that Juno has found him! I STAND CORRECTED HE ISN’T RESPONDING TO HIS NAME! AAAAAGGGGHHHHH-
OH THE RATTLESNAKE IS STILL HERE
“Nothing. Just that steady Hadestown rhythm of breathe, strike, lift. Breathe. Strike. Lift.” So even Juno can hear it…
“He wasn’t alive now. The poorly sutured gash in his neck was evidence enough of that.” I’m crying. I’m actually crying. I’m coming down from my high writing that Angel of Brahma thing and now this and I’m crying. 
“Juno was nearly crying now [NO SHIT JUNO HERE I GOT YOU BABE, I GOT YOU BABY GIRL, I’LL CRY ENOUGH FOR BOTH OF US], scared and desperate, the world going blurry through the tears stuck in his lashes. The rattlesnake hidden in his stomach was letting out another steady hiss, it’s teeth bared in warning once more.” [Rattlesnakes hissing and rattling their tail is indeed a warning sign. This is all a big red flag Juno. You gotta run while you can.]
“I’m here to take you home.” THIS ISN’T FUCKING FAIR-
“And then something strangely extraordinary happened. Peter blinked. And it was like a miracle.” NOT FUCKING FAIR- Buddy is rioting back home. She is pissed, beyond pissed, and IT’S NOT FAIR! NONE OF IT IS FUCKING FAIR!! AGGG- I got something good to share after this, something real good. 
“And a grin more blinding than the sun snuck on to his face, chasing away the despair and melancholy.” I feel like there’s a line you wrote before that is similar to this… I might just be thinking though of how you describe Juno’s singing and his song.
“He looked at Juno, wonder and surprise and love in his eyes, and mouthed a single word. Juno!” OHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH- I’m dry heaving this is too fucking sweet.
Describing hugs and embraces will never not strike me in the gut. So precious, sacred, vulnerable… THE SMELL! Or at least it’s A Smell. Either way I called it I’m complete. And the fact that Juno felt whole again with Nureyev. Like- he was halved when he lost Ben. He was so lost and desperate and lonely, and losing Nureyev reopened that wound, but now that he has Nureyev back in his arms (no matter how temporary) he feels whole again. Speaking levels.
Zeph I am raising my hand in the air for a big ass high five, low five, mid five- all the hand slaps right now. I LOVE getting to incorporate sign language into my writing, it’s a lot of fun. In some of my earlier attempts, I wrote American Sign up as if it were Glossed, and now a couple of years later I’ve turned to treating it like spoken dialogue. It is a very real experience for someone who is not a native signer to have to switch my brain from English to Sign and struggle to do so so quickly. I am very used to asking people to SIGN SLOW PLEASE LEARNING Makes me curious though why Juno knows sign…
Juno hastily explaining “Jet’s a psychopomp whatever that means” = Juno explaining what the fuck the Ruby7 is
“And then when I got to the wall… I just. I sang.” Something something- original mythos, Orpheus sang to Cerberus and subdued the dog with his sad song. He sang to Charon and got free passage across the Styx because he was that sad. This imagery though is reminding me of that one Adventure Time episode where Magic Man steals Finn, Jake, Princess Bubblegum, BMO, and Marceline’s stuff. And the only way to get it back is to sing a true song from the heart. 
This Juno is very close to S2 Canon Juno. Destructive and hasn’t learned his lesson yet. And now he sort of is but… not really… He called your name before he went. Guess you didn’t hear it….
“Soft like a magnolia petal in early spring with the kind of tenderness and care that only a very deep-rooted love can produce.” MAGNOLIA PETAL??? Language of flowers meaning NOBILITY… hmmm… Rex Glass alias is King Glass… Slip Jackson is King of Hadestown… hmmm….
“growing through the cracks of Nureyev’s walls” LIKE TEH WALLS TO HADESTOWN OOUGGGHH!
And Juno babe- love the optimism. Love the “My name is Juno Steel, and I always get my man” type attitude you’ve brought with you, but that won’t work! Try Again! :D
“You’re not from around here, are you?” OH NO OH SHIT RUN JUNO STEEL, RUN!!
Anndddd Nureyev’s blue screened, he’s hit flight or fight and he chose FREEZE!
“And who the hell are you?” he sounds like a literal child in my head rn lol
“An old friend of Petyas’. [OH SHIT OH SHIT OH SHIT ITS THE SLIPPY BOY-] And the man who owns this city. You can call me Slip. You’d best be going, though. This city doesn’t take kindly to strays.” [OHHHHH!!]
Juno Steel, “I always get my man” = Juno Steel, “I’m not leaving without him”
“He hasn’t told you, has he?” I can hear how fucking smug he is rn
“a sick feeling beginning to snake back into his gut. ‘Tell me what, Peter?’” FUCK FUCK FUCK FUCK ABORT- ABORTT!! RUN NUREYE!!!!
“I told you I own this city, and that includes the people in it. My darling Petya [OH OH OH THIS MAKES ME WANNA BITE HIM, HIT HIM, FIGHT HIM- NO ONE OWNS PETER NUREYEV- NO ONE!!! Smth smth “everyone who’s called me Pete wants to be my parent”] I was initially going to keep him from having to work out here, but since he decided he would rather keep company with my workers than me, [yeahhhh- i wonder why.] I decided to let him do some of the work himself,’ Slip shrugged, walking forward and resting a hand on Peter’s shoulder.” [the jarring gap between Slip calling him Petya, calling him My Darling Petya, and Juno still thinking of him as Peter… it’s fucking with my head in the best way.]
“It isn’t true… it can’t be true. Tell me it isn’t true.” my brain says this is a reference to “Is it True?” and i’m getting sense of a rebellion? Of the workers turning on Slip and demanding that he give Peter and Juno a chance? Hmmmm? I have hope. I believe. 
“Executives? Would you mind showing this young man here what we do with trespassers?” OH FUCK- not even a “young lady” but a “young man” OH FUCK- Slip’s boutta catch some hands“Suddenly, two large, identical men dressed in brown coats appeared behind Juno. Before he could say a word or move in defense, there was movement, a sharp pain radiating through his skull, and then Juno Steel knew no more.” Huh. huh. HUH! HUH?! WHAT?! He can’t be dead- he can’t be! …right? Mmm- S1 reference on the horizon maybe? Reference to Juno being thrown in Miasma’s tomb? OR SEASON 4 REFERENCE TO PALOMINE CORRECTIONS??? HMMM!!! I’m excited for whatever is to come :)
SONG FOR A CAGED LOVEBIRD: PART 13
this took. a while!! life has been busy recently lol. i feel it is important to note that this part 13 also cashed in at 1,666 words. this was not intentional, but uh. definitely has got some evil undertones.
reading some of the stuff peter says might get a lil confusing- just remember he is signing all of this!! i didn't want to write the word "signed" three million times and sign language is literally a language, just not a spoken one, so i used "said" instead
I SUMMON THEE TPP CREW: @smidgen-of-hotboy @ceaseless-watchers-special-girl @urjover @one-joe-spoopy @waters-and-the-wilde @demonic-panini @the-private-eye
Way down deep in the pit of Juno’s stomach, a scaly rattlesnake of dread curled up and bared its fangs.
His muscles ached and his shirt was soaked through with sweat, and every few steps came with a cough from the horrible, black-dust air. He’d been searching the walls for hours now, looking for any sign of the tall, knife-thin figure that had sliced his world in half from the moment he walked into it. 
He’d seen a lot of workers. It took a lot of effort for him to not cringe at the sight of them. A hundred thousand faces, laying brick and chipping away at stone, each one looking as bone-tired and hopeless as the next. Some even looked vaguely familiar, distorted into someone he recognized through the dream-like haze in the air. But he hadn’t found anything of Peter Nureyev yet.
The rattlesnake shivered out a tense hiss. He was beginning to question everything. Had Rita remembered what had happened correctly? Maybe he’d missed him somewhere? Was Peter even here?
And suddenly all of Juno’s fear melted away.
There he was. A lone figure against the harsh lava glow of the factories behind him.
Just like he had the first time, he looked tired and disheveled, dirt on his face and a wall around his heart. His overalls were covered in mud and brick dust, his glasses were broken, and his eyes looked hollow and weary. But, gods, he might as well have had a gilded halo around his head for the way Juno wanted to fall down at his feet weeping and praying.
Blessed Saint Peter of the Workers.
Juno broke into a sprint.
“Nureyev?! Nureyev!!”
There was no answer. Peter just kept hacking away at the rock with his pickaxe, head bowed to the ground.
Juno scrambled up the rickety wooden ramp to the top of the wall as the rattlesnake slithered back into his gut. Peter barely noticed him. “Nureyev. Nureyev, please. Peter, please look at me!”
Nothing. Just that steady Hadestown rhythm of breathe, strike, lift. Breathe. Strike. Lift.
Juno grabbed him by the shoulders and spun him around. Peter’s eyes were completely empty, like the work here had sucked every last ounce of life out of him. Flashes of memory sped by in Juno’s mind. 
Peter laughing. Peter working out logic problems with Buddy. Peter telling stories with Rita. Peter fixing up the bar with Jet. Peter looking at him in wonder. Peter being alive.
He wasn’t alive now. The poorly sutured gash in his neck was evidence enough of that.
Juno was nearly crying now, scared and desperate, the world going blurry through the tears stuck in his lashes. The rattlesnake hidden in his stomach was letting out another steady hiss, it’s teeth bared in warning once more.
“Peter, please, you gotta remember me,” Juno whispered, pulling Peter’s head down to his. “I’m here to take you home.”
And then something strangely extraordinary happened.
Peter blinked. And it was like a miracle.
The hollowness cleared from his eyes in an instant. He squinted slightly through the dim light and broken glasses, and then recognition sparked in his eyes, and a grin more blinding than the sun snuck onto his face, chasing away the despair and melancholy. He looked at Juno, wonder and surprise and love in his eyes, and mouthed a single word.
Juno!
And then they were in each other's arms, holding each other like it was the only thing in the world that existed. Juno realized he was fully crying now, and Peter was crying too. His fist was clenched in Peter’s shirt that smelled like coal dust and sweat and fear but he didn’t care. He didn’t care. All that mattered was that they were here now, and they were holding each other, and he felt whole again. And it was like the world released a breath it barely knew it was holding back.
They stayed like that for a long time, crying and hugging and gently rocking back and forth, until both of them could breathe normally, like the sheer fact of the other’s presence could fix every problem they had ever known.
Juno pulled away from the hug first and kissed Peter hard. “You absolute DUMBASS. What the hell were you thinking, Nureyev? Getting yourself tangled up in the underworld?”
Peter made a slightly sour face and began signing something at Juno, too fast for him to understand.
“Wait, wait, wait. Slow down a minute. It’s been a while since I had to interpret sign, babe. You’re gonna have to sign slower than that.”
Peter sighed dramatically and rolled his eyes, but planted a sweet kiss on Juno’s cheek before signing again, slower this time.
"How the hell did you get down here?"
“Jet led me. Apparently he used to work for Hadestown as a psychopomp or something. He wouldn’t go into it too much, though.”
"No, no, no," Peter said, snapping his fingers closed in slight frustration. "How did you get past the wall? No one gets in unless they come by train."
“Ah. Well, that’s interesting. There’s a backroad that I went down. And then when I got to the wall… I just. I sang. I asked it to let me in, said I needed to find you, and the stones just moved aside. I don’t know how.”
There was a pause. Peter was chewing on his lip now, looking at Juno with some emotion akin to reproach on his face. “What’s the matter, babe?”
"I called your name before I… left. And you never came for me."
Juno sucked in a pained breath through his teeth and looked at the rough-hewn ground. “You…. you did. I know.” 
Peter’s expression was rapidly approaching one that looked like it might burst into tears. "You knew? You heard me?"
“No, I didn’t know. Rita saw all of it. She…. she told me the story.” Juno sighed deeply, ran his hands over his face, and squatted down to the ground. “I’m so sorry, Nureyev. All of this is my fault. I should have been paying more attention to you, because you told me that you were hungry and I thought it would be fine, I just didn’t listen, and if I had listened, you wouldn’t be in this mess-”
Juno broke off as he felt Peter’s fingers under his chin, forcing him to look up. 
"Listen to me. This is not your fault," he said gently before giving Juno another kiss. His face had such a soft expression on it, soft like a magnolia petal in early spring with the kind of tenderness and care that only a very deep-rooted love can produce. 
Juno looked at that softness growing through the cracks of Nureyev’s walls and found himself falling in love with him all over again.
“It’s okay, though. I can fix this. I came to bring you home again. I can just sing the song again and the stones will let us back out- what’s the matter?”
Peter had begun shaking his head slowly. "Won’t work," he said, jaw clenched tight and face painted with varying shades of regret.
“What do you mean, it won’t work? It’ll work, I promise, Peter, I can get us out of-”
“You’re not from around here, are you?” 
A booming voice echoed across the wall in response, and Juno watched Nureyev go completely still, eyes wide and face stark white with fear and panic. Juno wasn’t sure who the man in the neat suit walking towards them was, but Peter’s reaction to his voice was enough to set Juno on edge in his defense.
He stood, back straight and eyes narrowed with as much confidence and menace as he could manage. “And who the hell are you?”
The man grinned, and something about his smile made Juno want to punch him. “An old friend of Petya’s. And the man who owns this city. You can call me Slip. You’d best be going, though. This city doesn’t take kindly to strays.”
Juno didn’t move a muscle. The man stared at him, eyes cold and clean and razor sharp.
“I said, you need to leave this city. Now.” 
“I’m not leaving without him.”
Nureyev stood then and turned to face the man, Slip, with a tension Juno had never seen in him before, and began shooting angry words in his direction. His hands were moving too fast for Juno to catch anything more than a few words: “alone,” “deal,” “my voice,” “take,” and “let him go”. Slip’s grin only widened.
“He hasn’t told you, has he?” he asked, leaning slightly to see Juno’s face.
Juno looked at Peter, a sick feeling beginning to snake back into his gut. “Tell me what, Peter?”
Peter looked at him painfully before staring wide-eyed at the ground and chewing on his lip.
The rattlesnake buzzed out a tremor of fear. “Peter, what did you do?”
“I told you I own this city, and that includes the people in it. My darling Petya here signed a contract for a job, and now he belongs to me. I was initially going to keep him from having to work out here, but since he decided he would rather keep company with my workers than me, I decided to let him do some of the work himself,” Slip shrugged, walking forward and resting a hand on Peter’s shoulder.
It was like the world was collapsing in on itself.
“It isn’t true,” Juno breathed, eyes widening. “It can’t be true. Tell me it isn’t true.”
Peter wouldn’t meet his eyes. He simply nodded and said nothing else.
The rattlesnake’s hiss crescendoed. Juno felt like he might throw up.
“Executives? Would you mind showing this young man here what we do with trespassers?” Slip called.
Suddenly, two large, identical men dressed in brown coats appeared behind Juno. Before he could say a word or move in defense, there was movement, a sharp pain radiating through his skull, and then Juno Steel knew no more.
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