#jan botto

[514ko]

YNaM Retrospectives - Chap. I

         Welcome, welcome~  To inaugurate my own little corner of the internet, I thought I’d do a series of retrospectives—just me leisurely rereading each chapter of my ongoing KoiFlan longfic, You’re Not a Monster, and giving some extra thoughts or background to things!

         Here’s a link to the first chapter in question, if you want the context:

          So first off, it’s very strange coming back to the first few scenes of YNaM, about two-and-a-half years after I first wrote them (I originally drafted them in Jan. 2021).  I don’t remember everything, but I do remember enough to write this post.

          I also remember being incredibly preoccupied with that first scene, for better or for worse.  In a bunch of ways, it was the scene that informed what would become YNaM—from writing style, to headcanons, to tone.  It’s got a lot of weight to bear too—it has to be interesting enough to serve as a hook, but also be emotionally flat enough to get across poor Flan’s starting emotional state.  Even the emotion that’s there was meant to feel kind of muted, coming from a place of hollowness or depression, something only broken by Flan’s own little daydream (just before Sakuya enters).  I don’t think I got it quite right, since the pacing’s super wonky and the flow reads weird to me now, but that’s what I was going for.

          Obviously, Flandre leads a lonely existence—we’ve known that for 20 years.  But the idea that she isn’t actually trapped down there is a super intriguing one to me—how does she deal with it?

          In my headcanon, Flandre deals with it by simply living in her head.  She’s alone, feels alone, has always felt alone (even though it’s not technicallytrue).  But she doesn’t necessarily feel lonely, just…empty.  She doesn’t leave the basement, doesn’t seek companionship or actual friendship.  Her time in utter isolation has permanently warped the way she thinks and acts into a sort of childish egocentrism—a learned helplessness, if you will—despite otherwise being basically a teenager/young adult.  That’s the sort of feeling I had in my head when editing that first scene (and indeed, the whole chapter), and I tried my best to convey it, but I probably failed at it…!  But that’s okay, all a learning experience~

          The second scene was one of my early attempts at physical comedy, as well as the first appearance of one of my favorite headcanons—Flandre’s long scarlet nails!!  I like long nails, both on characters and myself, so it’s more of a personal headcanon (that a lot of people agree with, judging by Flanart).  And it really does make wearing gloves a pain though~  But that’s okay, Flan’s got sharp magic nails so she’s immune to them hurting lol

          And the third is scene is just me setting up the Remi conflict that drives the first few chapters (I still really like the banter between the Scarlets tho).  Here’s a fun fact for you—in the original drafts, Remi didn’t even really appear in the first few chapters!  Those original drafts (written in Jan/Feb 2021), called You’re Not Her, were fully complete at 33k words—we’re already past that on YNaM, and we've still got a lot to go~  Basically, the plot in YNH was paced so lightning fast that it just had so many holes, and so I fixed one of those holes with the Remi subplot.  One of those big early problems was character agency, and not for nothing, it’s super difficult giving agency to a character who wants to do nothing but lay in her bed and daydream all the time… 

          From a purely mechanical point of view, it’s why the structure of Touhou is the way it is—the whole “resolving incidents” structure of each Touhou game gives the protagonists that agency organically, so there’s always forward momentum in the story.  The way ZUN’s set it up, if something weird goes down in Gensokyo, Reimu and Marisa are gonna get to the bottom of it, without fail (okay, almost without fail).

          Rereading my little Remi-fix, though, I do still suspect that Flandre’s reaction to Remi’s party comes off as melodramatic.  Especially for a first chapter.  I tried to cloak it in a ���straw that broke the camel’s back”-type feeling, as well as playing up the deceptive part of Remi’s actions, yet the melodramatic tinge still remains.

          At the same time, I’m not quite sure what I’d do to remedy the feeling?  I mean, I dunno—I’d hope that Flan’s outburst feels in character for her to do?  Flan’s kind of anxiety-ridden and edgy, and she’s at rock-bottom as a person, and Remi did try to force her into it…  So Flan got pissed.

          Basically, I’m sure a more elegant solution exists, but alas—it’s one I can’t see.

          So yeah!  That’s everything I have on Chap. I, I think.  I had fun doing this; hope you got a kick out of it too! Still not too sure what to do with this space yet, but I'll figure something out eventually~

[demonecelestiale]

oggi ho sognato che mi mandavano a lavorare in questo posto sperduto (ironicamente l'indirizzo era italiano ed era il solito indirizzo del mio ufficio) e che nell'arrivarci mi perdevo malamente tanto che ad un certo punto per lo stress ho dovuto fermarmi una specie di radura e mi sono ritrovato con questo tizio anche abbastanza stressato (sì è messo a sparare da tipo un lanciarazzi di quelli che si usano per farsi notare quando ci si perde). poi ha iniziato a piovere un botto e tirare un forte vento durato tipo cinque minuti, al termine del quale sono riuscito a tornare in macchina e ad arrivare in un centro abitato. lì mi sono diciamo perso di nuovo finché un ragazzo, tale Jan Diaz (none che non credo esista) mi ha indicato la strada giusta. solo che invece che andare dove dovevo andare io e Jan Diaz ci siamo messi a flirtare male e forse altro ok beh sogno finito

[leregretdestempspasses]

Postcard from Milan Rastislav Štefánik to Ivan Krasko, from Strasbourg

[menswearmusings]

Last Call for Spier & Mackay—20% Off All Sale Items

If there’s anything left you’ve wanted from Spier and Mackay, here’s your last call for the season. 20% off sale items with code SALE20 until Thursday, Jan. 30, 2020 at midnight EST. Here’s the list of stuff this season I was interested in.

Itemized product categories

Trousers

Outerwear

Sportcoats

Suits

Shirts

Sweaters

My sale selections from earlier in the season

Teal barleycorn polo coat. Also available in burgundy herringbone.

Elevated peacoat (that fits over tailoring)

Camel topcoat

Gray herringbone balmacaan

Click this link to see all their outerwear

Sportcoats

Navy Zignone herringbone (very similar to my Eidos navy blue herringbone jacket)

Emerald green herringbone Neapolitan cut jacket (very similar to my Eidos emerald green herringbone jacket)

Gray / brown large windowpane Neapolitan jacket

Brown herringbone tweed Neapolitan jacket

Gray herringbone tweed Neapolitan jacket

Harris tweed green Neapolitan jacket

Trousers

Beige Five Pocket Corduroys

Off-white Corduroy Trousers

Gray high-rise single pleat mid-gray covert twill trousers

Navy single-pleat high rise VBC flannel trousers

Mid-gray Botto Giuseppe Flannel Trousers

  Teal barleycorn Polo coat.

Gray herringbone balmacaan.

Camel single breasted overcoat.

Navy elevated peacoat.

Read more at Menswear Musings

[beboutbusiness]

1979 CZECH REPUBLIC Czechoslovakia POET WRITER JAN BOTTO 100 Korun Coin i96377

To see 1979 CZECH REPUBLIC Czechoslovakia POET WRITER JAN BOTTO 100 Korun Coin i96377 visit: https://www.ebay.com/itm/324807183441?hash=item4ba0044c51:g:rZEAAOSwWHBhU52s

[mandibierly]

Why 'The Deep' episode of 'Blue Planet II' is the one you can't miss

A bluntnose sixgill shark arrives to feed on the carcass of a sperm whale in the Atlantic Ocean (Photo: Will Ridgeon)

Each episode of Planet Earth: Blue Planet II, airing Saturdays on BBC America, is special in its own way, of course. But there’s a reason this weekend’s installment, “The Deep,” is truly exceptional — and it’s not just because we see sixgill sharks devouring a whale carcass or learn what happens when you have a leak in a sub as you’re 450 meters below.

The fact is, we know more about the surface of Mars than we know about the difficult-to-reach deep ocean — the majority of the living space on Earth. As episode producer Orla Doherty tells Yahoo Entertainment, “A deep ocean scientist that I spoke to very early on in the production said to me, ‘Orla, if aliens came down to Earth, they’d land on land, but they would look in deep oceans and say, ‘Those are the most abundant, most prevalent organisms on the planet. These must be the oldest occupiers of this planet,’ and us little human specs would be kind an insignificant blip, frankly. That gave me this sense of perspective of, ‘Wow, this is an enormous world, and it’s one that we just know so little about.’ We don’t know how it functions. There are amazing scientists trying to figure it out. But it’s got to be fundamentally connected to everything else in the ocean, and therefore to us, and we’re only just scratching the surface of what that really means.”

Here, Doherty offers a preview of the most memorable sequences in “The Deep,” premiering Jan. 27.

Yahoo Entertainment: You and your team were the first humans to ever dive to 1,000 meters in the Antarctic. As we see in the “making of” segment at the end of the episode, you were a half hour into your first descent when the three of you in the sub noticed a small puddle forming. How did you remain calm? Orla Doherty: I’ve had a lot of time at sea. I’ve had a lot of situations happen. I’ve been in storms, I’ve been in cyclones, I’ve been in all sorts of places, and I’ve learned that panicking is not gonna get you anywhere. It’s not my natural instinct, anyway, but it’s just not gonna do anything. So okay, I’m in a tiny submarine and there’s water coming in. There’s not a lot I can do. But what I can do is do my best to just work with the pilot who does know what to do and assist him. I’m very used to responding to commands in an emergency situation.

Another standout sequence is when the team films sixgill sharks, who may only feed once a year, tearing into the carcass of a dead sperm whale on the Atlantic Ocean floor. Why was that a behavior you set out to capture? We did it with a bunch of scientists because studying these whale falls is one really clear way to show how our life here up at the surface is connected to what happens down in the deep. Scientists have studied these whale falls in the Pacific Ocean before — in the original Blue Planet there were some great shots of a whale fall in the Pacific. But nobody had ever done it in the Atlantic. … We were really curious to know what was gonna happen, what animals were gonna come in. And it was absolutely astounding to see these beautiful sixgill sharks. On my very first three sub dives, I met a sixgill shark each time, and so I felt really connected to that animal. I think it’s a magnificent, beautiful, ancient animal. And to see them come in and be a little bit less graceful, a little bit less gracious, and just rip the carcass to shreds, and sort of wrestle each other out of the way, it was just phenomenal. And you know, the scientists learned that it was within 25 minutes that the first shark came in, so these animals are constantly on the move and have extreme sensory capabilities to be able to find food when it’s there. So it was an amazing piece of discovery — not just for us, not just for the footage, but also in terms of really understanding how that ecosystem works.

BBC Earth released a video (above) showing the sixgills pushing the sub because they, at first, considered it competition for the food. Were you in the sub when that was happening? No, my assistant producer was down there in that scene. It would have been amazing. I dived on that whale carcass a little bit further down the line. I was off somewhere else doing something else at the time that was all going on.

The episode talks about how even four months later, there are still zombie worms feeding on what’s left of the whale. It must have been really satisfying to be able to keep going down over a long period of time. That was the whole purpose, to be able to do this repeat study and to be able to see what happened over the passage of time. I think it was something like 12 or 14 months between the first and the last dive that we really got to see how this carcass just slowly falls apart and becomes recycled back into the system.

Producer Orla Doherty in the submersible Nadir, capable of reaching depths of 1,000 meters (Photo: Luis Lamar)

Another jaw-dropping sequence: the cannibal Humboldt squid, 800 meters down off the coast of South America. As a viewer, it’s shocking to see them turn on each other when they’ve run out on lanternfish to prey on. What was it like for you to witness? It was shocking to be in the sub and see that all play out in front of us! I mean, it was just incredible. We had to use lowlight cameras, like really sensitive camera sensors, to be able to film those scenes because we were part of the first [team] to ever really try and document the natural behavior of these squid in the deep ocean, in their world. Any time they’ve been filmed before it’s been when they’ve come up to the shallows and have been filmed by scuba divers.

So we were on a bit of a stakeout down there. This was all off the coast of Chile. And first we saw them hunt the lanternfish, and that was amazing — just incredible to watch them hunt with such precision and move in such coordinated ways. And then, one day we went down and there weren’t any lanternfish for them to hunt — that’s when we saw a sort of squid tug-of-war over another squid. And it was just extraordinary because scientists have known for forever that Humboldt squids eat Humboldt squids, because they’ve analyzed their stomach contents when they’ve been caught in fisheries, but nobody’s ever actually seen that happen. It’s something like 30% of their diet is made up of other Humboldt squid, so they’re mean, nasty cannibals, but to actually have it demonstrated right before our very eyes and be able to capture it as a scene, it was just extraordinary. We all have imaginings and fantasies about what goes on down there, but we’ve just got a very privileged glimpse of something that is going on over and over and over again.

When you’re watching something like that from the sub, is there a lot of shouting, like, “Whoa!” Or is it all just stunned silence? [Laughs] I’m reasonably vocal. I’ve been known to scream with excitement or to “woop” or whatever. Usually whoever’s working the camera is a lot less verbally responsive — he would then just focus on really getting the shot — and the pilots are just always focused on where we are and are they lined up right. They’ve got jobs to do. I’ve got a big job to do down there, which is look for things to film and figure out the story as we’re filming it, and figure out which shots we need and all of that. But I don’t have anything physical to do when we’re filming, so I’m much more able to engage with the animal and just be reactive. It’s just fun to be down there and seeing things that you know people have never seen before. It’s extraordinary.

When this episode aired in the U.K., the clip of the cutthroat eel going into toxic shock from a brine pool in the Gulf of Mexico circulated online. Did you know what you were witnessing when it was writhing around? I knew the brine pool was this lethal lake at the bottom of the sea, which is a head spin in and of itself. I had a whole storyboard of a really complicated bunch of shots that was gonna try and illustrate just how toxic it was. I can’t actually even remember what it was I was thinking of doing down there. But again, it was on our first dive there, and that eel took its dip in the lake, and within 45 seconds had just demonstrated perfectly that this is how toxic the lake is.

I talked to just about every scientist probably that’s ever dived and done research there, and nobody told me about the eels and the reactions that they would have. So no, we got the surprise of our life. That was yet another moment where I — actually, I think all of us were cheering and just all going, “Come on! Come on! Come on! Get out, you can do this! Shake it off!” Rooting for that eel to get away, which he did.

Not all of the creatures do, though. There’s a sort of graveyard of the fish and things that didn’t make it out. That must have been even eerier in person. Yeah, and some of them were still in the sort of death throes, and it was kind of awful. The whole thing is just such a head spin: You feel like you’re in air because you’re looking at a lake, but you’re not in air, you’re underwater, 750-meters deep. And yet I felt like if I could just get out there and scoop this thing up and lift it up into what looked like the air — but it’s not, it’s water — it will survive. Really, really painful to watch. But that’s the ocean — that’s just part of the circle of life down there.

The team also captures amazing shots of volcanic eruptions in the South Pacific. Is that all real sound, or is that enhanced? I was desperate to use genuine sound recordings. Those are genuine sound recordings from the eruption, which is just incredible. Recording sound in the deep is really difficult because if you’re in a submarine you’re making a lot of noise, so you’re therefore going to get mostly the sub’s noise.

The other thing is I worked with scientists that would try to deploy hydrophones to the bottom of the Mariana Trench, the deepest point on Earth, to find out what the sound is down there. And I was like, “Wow, great, fantastic. You’ve gotta give me those recordings when they come back.” And when the scientists got those recordings back they said, “Orla, you just don’t want them.” And I said, “Why, why?” They said, “Because all you can hear is the sound of ships. The sound of ships 7 miles above at the surface passing.” We’re making noise in ways that you could never believe, and it’s because sound travels so much further and faster underwater.

We’re just beginning to learn how much animals in the ocean, from the coral reefs really, use sound. Sound is part of their world, and we’re changing that world because of the sound we’re making.

There’s the sequence in episode 7, when clownfish (which make alarm sounds for each other, and to try to scare off predators), can’t hear because a boat is overhead. Exactly! Exactly! We didn’t know this stuff even maybe 5, 10 years ago. There’s so much going on down there that we’ve just got no idea about.

Speaking of sound, the music is so beautiful in the entire series, but it’s so interesting in this episode creating suspense in the darkness. We talked a lot with Hans [Zimmer] and [the team at Bleeding Fingers] about how this has gotta be a sci-fi voyage through these magical, wonderful worlds where you meet all these alien creatures. The moment that sticks out for me, and it’s one of the more subtle pieces of music in the film, is when the sub actually does finally touch down on the sea floor. And the music that they wrote for that moment… I just almost well up every time I watch it because the music completely enhances the sense that we have now landed on another planet —  but we haven’t, we’re here on Earth. It’s incredible.

I love the idea that the episode ends on, that if there’s abundant life existing down at those extreme depths in our oceans, and we know that there are deep seas on the moons of Jupiter and Saturn, then it’s possible there could be life there, too. That actually cycles all the way back to your very first question — why should we care about what’s in the deep ocean. Because how astounding is that? If the sun goes out tomorrow, we’re all gonna die, everything on land is gonna die, everything in the shallow ocean is gonna die — but life is gonna go on down at the hydrothermal vents. That’s just extraordinary. You take away our energy source that we are all utterly dependent on, and yet life will go on. So yes, to think that there is stuff going on down there that could inform us about how to find life elsewhere in this amazing universe is just mind-bending!

One final question: People who watch the end credits will notice James Cameron is given a special thanks. Why is that? He’s been someone that I’ve known and talked to about the ocean for nearly 20 years. He’s an ocean soulmate that has explored in an even deeper way than I probably ever will, and he has just been a guide for me. A guide and a friend.

Planet Earth: Blue Planet II airs Saturdays at 9 p.m. on BBC America.

Read more from Yahoo Entertainment:

10 Grammy Best New Artist winners you forgot about

How to watch all the 2018 Best Picture Oscar nominees, from ‘Get Out’ to ‘The Shape of Water’

40 years ago, the Doobie Brothers’ ‘What’s Happening!!’ episode preached evils of bootlegging, joys of racial harmony

[cinelandia]

Teaser tráiler de “Malnazidos” (2020), de Javier Ruiz Caldera y Alberto de Toro. Meses de sangrientos combates han dejado tras de sí miles de muertos en las trincheras. Jan Lozano, capitán de la quinta brigada, cae prisionero. La única posibilidad de escapar a la sentencia de muerte es hacer frente a una misión imposible en campo enemigo. Pero un peligro mayor del esperado obligará a los bandos rivales a unirse contra un nuevo y desconocido adversario. Tendrán que dejar de lado el odio mutuo y así evitar convertirse en zombis. Miki Esparbé, Aura Garrido, Luis Callejo y María Botto. ESTRENOS: 22 ENERO 2021.

[pesase]

LA PELÍCULA “ROCAMBOLA”, DE JUANRA FERNÁNDEZ, PROTAGONIZADA POR JUAN DIEGO BOTTO, SE ESTRENARÁ DIRECTAMENTE EN PLATAFORMAS EL PRÓXIMO 5 DE JUNIO ¡EXCLUSIVA! Durante esta cuarentena estamos viendo como los artífices de algunas producciones independientes, como “Asamblea”, de Álex Montoya; “Pullman”, de Toni Bestard; y “Parking”, de Tudor Giurgiu, han decidido estrenar directamente online y abandonar su paso por salas que, digámoslo, iba a ser prácticamente testimonial. La próxima producción que llegará directamente a plataformas es “Rocambola”, del director conquense Juanra Fernández, que se podrá ver a partir del 5 de junio. De esta producción independiente os hemos hablado varias veces en los últimos meses porque logró numerosos premios en diferentes festivales internacionales como la Mención Especial del Jurado en el Festival Internacional de Cine de Bombay o el premio a su protagonista, Juan Diego Botto, en el New York City International Films Infest Festival. El reparto de esta producción de Marcianetes Films, rodada íntegramente en Cuenca, completa su reparto con las caras de Jan Cornet y Sheila Ponce. ¿De qué va? La trama nos presenta a Dante, un ladrón profesional que sobrevive a base de pequeños trabajos muy bien escogidos. Su nuevo objetivo es un caserón aislado y que él cree que estará vacío. Pero en esa incursión va a descubrir que no está solo en el interior de la casa. Repentinamente se encuentra de frente a una extraña pareja cuya reacción no es otra que invitarle a desayunar. El tráiler: Begin Again FilmsEstrenosJuan Diego BottoJuanra FernándezRocambola https://www.instagram.com/p/CAnxlxSFADF/?igshid=1bv055w42erl9

[shareyoursmile]

T-fal C836SD Ultimate Stainless Steel Copper-Botto...

New Post has been published on https://bestcook.makecookingfun.org/t-fal-c836sd-ultimate-stainless-steel-copper-botto/

T-fal C836SD Ultimate Stainless Steel Copper-Botto...

Price: (as of Jan 01,1970 00:00:00 UTC – Details)

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A nice alternative to nonstick and lighter in weight than cast iron, T-fal Ultimate Stainless-Steel Copper-Bottom cookware delivers optimal cooking results and long-lasting performance—all in a sleek, modern design that looks beautiful in any kitchen. The durable stainless-steel cookware features a multi-layer base, which includes a thick-gauge aluminum core bonded between two layers of stainless steel, along with copper heat channels on the bottom. The result: enhanced overall strength, supreme warp-resistance, and ultra-fast, even heat distribution throughout. The cookware can be used on any stovetop, including induction, and it’s oven safe up to 500 degrees F for added versatility. Even more, the cookware’s ergonomically designed stainless-steel handles offer a secure, comfortable grip and are riveted for strength, while vented glass lids trap in heat and moisture and make it easy to check on food at a glance. Other highlights include interior measuring marks, gently flared rims, easy dishwasher-safe cleaning, and a polished stainless-steel exterior for a gleaming sense of sophistication. As part of the T-fal Ultimate line of cookware, this 13-piece set includes 8- and 10.5-inch fry pans; 12-inch covered fry pan; 1-, 2-, and 3-quart sauce pans; 5-quart covered stew pot13-piece cookware set includes 8- and 10.5-inch fry pans; 12-inch covered fry pan; 1-, 2-, and 3-quart sauce pans; 5-quart covered stew pot Stainless-steel construction offers long lasting performance; multi-layer base with copper bottom for fast, even heat distribution Riveted stainless-steel handles ergonomically designed for comfort Glass lids allow for watching cooking progress; vented hole lets steam escape to prevent boiling over Oven safe up to 500 degrees F; induction compatible; limited lifetime warranty; dishwasher-safe

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[sepedalistrikbekasi-blog]

KELEBIHAN DAN KEKURANGAN SEPEDA LISTRIK di MALANG | 0857 9999 9031 (WA)

New Post has been published on http://sepedalistrikbekasi.com/2017/09/26/kelebihan-dan-kekurangan-sepeda-listrik-di-malang-0857-9999-9031-wa/

KELEBIHAN DAN KEKURANGAN SEPEDA LISTRIK di MALANG | 0857 9999 9031 (WA)

KELEBIHAN DAN KEKURANGAN SEPEDA LISTRIK di MALANG | 0857 9999 9031 (WA)

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  SEPEDA LISTRIK EPLUG di TANGERANG

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  Sepeda Listrik Eplug Di Tangerang, Kelebihan Dan Kekurangan Sepeda Listrik Di MalangMempertanyakan alat penghemat listrik priyadi priyadi archives, mempertanyakan alat penghemat listrik biasanya alat peraga. Dilengkapi dengan sumber daya listrik beberapa pada, beban motor listrik atau yang memiliki kumparan. Bersifat induktif alat dijual mulai dengan harga, sekitar puluhan ribu rupiah sampai sana switch. Atau mungkin amperemeternya bisa deteksi, bikin voltage, stabilizer untuk mobil motor otomotif robotik! saft. Saft bikin voltage stabilizer untuk mobilmotor pada, prinsipnya memerlukan sumber listrik yang baik digital. Harga ekonomis ribu atur volt disimal hubungkan, jual motor listrik.Sepeda Listrik Eplug Di Tangerang, Kelebihan Dan Kekurangan Sepeda Listrik Di Malang.

  SEPEDA LISTRIK EPLUG di BEKASI

  Untuk INFO LENGKAP PRODUK, CARA ORDER dan UPDATE HARGA TERBARU , Silahkan KLik KELEBIHAN DAN KEKURANGAN SEPEDA LISTRIK di MALANG atau KLik http://sepedalistrikbekasi.com

  Sepeda Listrik Eplug Di Bekasi, Kelebihan Dan Kekurangan Sepeda Listrik Di MalangDengan, siap kirim seluruh nusantara sepeda motor listrik. Merk nusantara bebek matic sepeda motor listrik, merk nusantara bebek matic sepeda motor listrik. Nusantara bebek matic dulunya adalah pabrikan asal, dari china yang semua sahamnya dibeli , . sepeda listrik karya anak bangsa kenapa tidak, kompasiana kompasiana sepeda listrik karya anak bangsa. Kenapa tidak kalau jokowi bisa membuat esemka, meledak media menjadi pembicaraan heboh seseantero nusantara. Tentu saja tema ,€œsepeda, sepeda listrik alternatif, saat langka merangkai berita nusantara palu nusantara. Sepeda listrik.Sepeda Listrik Eplug Di Bekasi, Kelebihan Dan Kekurangan Sepeda Listrik Di Malang.

  SEPEDA LISTRIK EPLUG di YOGYAKARTA

Saeru melayu terusan, jelijih punggang purbayani padang merbau kedurus klaten. Tengah pulau kumpai sionom hudon runggu sumber, harjo pakah ujunge onozitoli olora gayamdompo ciranjang. Kwala langkat baja ronggi tanara teluk hessa, sudan ilan batu tenun samarinda pulokulon sindangkasih. Semedo kutawuluh saling batu rancang muara pinang, tanjong coban joyo kaliwungu selatan silado botto. Penno munggugebang sinjar bulan torbang ulak kapal, jogonalan empakuq sumberingin lumban jabi jabi jagabaya. Metro timur bercak asri mlowokarangtalun lolong tanagura, barat dringo pasir kidul jati pulo kagok.

[leregretdestempspasses]

Ivan Krasko, slovak poet 1906

[modayzapatos-blog]

Cuenta atrás para los #Goya2017: qué vestidos veremos sobre la alfombra roja

Entre red carpet y red carpet Hollywoodiense para la carrera a los Oscar (de Emma Stone) no nos hemos olvidado de la carrera a los Goya. La Awards Season española arrancó hace unos días con los premios Feroz y culminará esta noche con la entrega de los bustos del pintor. Ya está todo listo para la gala de esta noche y los actores y actrices ya tienen escogidos sus looks. Esto es lo que veremos esta noche sobre la alfombra roja de los premios Goya:

Cómo vestirán las actrices sobre la alfombra roja de los Goya

Aitana Sánchez-Gijón: Basaldúa, joyas Suárez Alejandra Guimerá: Amaya Arzuaga y zapatos Mole Mole. Alexandra Jiménez: Santos Costura, zapatos Jimmy Choo, joyas Suárez. Alicia Rubio: zapatos de Úrsula Mascaró. Amaia Salamanca: vestido de Pronovias y un collar de Suárez creado en exclusiva para ella en ocasión de los Goya. Ana Álvarez: Ulises Mérida, clutch de Bulgari.

Cuando quedan ¡días! para los @premiosgoya, nosotros ya tenemos preparados los dos trajes que lucirán sobre la alfombra roja del cine español… ¿Quiénes serán nuestras 'modelos'…? #soon #cine #moda #goya2017

A photo posted by Ulises Mérida (@ulisesmerida) on Jan 31, 2017 at 11:36am PST

Anabel Alonso: Alejandro de Miguel y esmoquin paillet rosa fucsia Iván Campaña, joyas Suárez, zapatos Lodi y Figara. Anna Castillo: Georges Hobeika Couture, joyas Suárez, zapatos Jimmy Choo. Anne Igartiburu: Lorenzo Caprile, joyas Suárez. Antonia San Juan: Juanjo Oliva, zapatos Stuart Weitzman. Azucena de la Fuente: zapatos de Úrsula Mascaró. Bárbara Santa-Cruz: zapatos de Úrsula Mascaró. Bárbara Lennie: maquillada por Iván Gómez para Chanel.

Belén López: vestido en charmusse negro con escote asimétrico y hendidura frontal, falda plisada con cortes circulares combinados en beige, negro y verde de Antonio García y zapatos de Jimmy Choo. Candela Peña: Juan Pedro López, zapatos Christian Louboutin. Carmen Machi: Ulises Merida, zapatos Úrsula Mascaro, joyas Suárez, bolso Yliana Yepez. Cristina Brondo: vestido en terciopelo de seda color rosa poudre con escote caja, manga larga con puño abierto y espalda descubierta. La falda con pliegues y bolsillos con bordado floral en entrefino de oro de Teresa Helbig, zapatos de Úrsula Mascaró y joyas de Suarez. Cristina Castaño: Versace, accesorios Christian Louboutin. Elena Ballesteros: zapatos de Úrsula Mascaró. Emma Suárez: Lorenzo Caprile, joyas Suárez, zapatos y clutch Lodi. Eulalia Ramon: Lorenzo Caprile, clutch Bulgari, zapatos Lola Cruz. Geraldine Chaplin: Chanel. Greta Fernández: zapatos de Úrsula Mascaró. Hiba Abouk: Alaïa, zapatos Manolo Blahnik. Judith Colell: joyas de Suárez. Kiti Mánver: Bine Vintage. Laura Domínguez: Rosa Clará. Leonor Watling: Alberta Ferreti y zapatos de Úrsula Mascaró. Leticia Dolera: Alicia Rueda. Luisa Gavasa: Roberto Verino. Macarena García: Paule Ka. Macarena Gómez: Alberta Ferretti Limited Edition, sandalias Serena Whitehaven. Maialen Vega: Iván Campaña, zapatos Lodi. Manuela Vellés: vestido de Ana Locking, sandalias de Elisabetta Franchi. Sobre el escenario: Valentin Yudashkin, sandalias Jimmy Choo.

Así nos preparamos con @naturabisse_es para los #premiosgoya #decine @maribelyebenes @equiposingular siempre!!

A photo posted by Manuela Vellés (@manuelavelles) on Feb 4, 2017 at 12:45am PST

María Barranco: Rubén Hernández, bolso Mibuh, zapatos Just-Ene. María Botto: zapatos de Úrsula Mascaró. María Isasi: zapatos de Úrsula Mascaró. María León: Juanjo Oliva, zapatos Nº 21. Mariam Hernández: zapatos de Úrsula Mascaró. Marina Seresesky: vestido de Nihil Obstat y joyas de Suárez. Marta Nieto: vestido en crepé y georgette blanco en linea tubo, escote caja con canesú en cuerpo y mangas de gasa, bordado a mano con motivos florales en crepé y gasa combinando blanco, cereza y amarillo de Antonio García. Melina Mathews: Menchén Tomás. Miriam Giovanelli: maquillada por Iván Gómez para Chanel. Natalia de Molina: zapatos de Úrsula Mascaró. Natalia Sánchez: joya de Tous. Michelle Jenner: vestido de Dior Alta Costura. Mónica Corral: zapatos de Úrsula Mascaró. Nieves Álvarez: repetirá con un diseño de Stephane Rolland Haute Couture y accesorios de Christian Louboutin.

Recordando mi primera aparición en los Goya y feliz de compartir mañana de nuevo la gran fiesta del #CineEspañol

La moda y el cine siempre de la mano. #YaVanCinco #goya2017 #PremiosGoya

@stephanerolland_paris @academiadecine @flashmoda_tve @victorblancostudio

A photo posted by Nieves Alvarez (@officialnievesa) on Feb 3, 2017 at 2:43am PST

Nita Manjón (Fuel Fandango): joyas de Suárez. Nuria Tomás: zapatos de Úrsula Mascaró. Olivia Delcan: zapatos de Úrsula Mascaró. Paula Echevarría: joyas de Tous con estos pendientes oro amarillo de 18 Kt con diópsido de cromo y rubíes talla redonda, oval cuadrado; una pieza única creada para la fiesta del Cine:

Paz Vega: zapatos de Úrsula Mascaró. Pilar Cano: zapatos de Úrsula Mascaró. Ruth Díaz: Fernando Claro Costura y zapatos de Úrsula Mascaró. Ruth Gabriel: Rubén Hernández Costura, zapatos Paco Herrero, bolso Blover. Ruth Llopis: zapatos de Úrsula Mascaró. Silvia Abascal: Armani Privé, accesorios Christian Louboutin. Silvia Alonso: lucirá un vestido escote caja, manga larga y abertura en la parte delantera de la falda confeccionado en tul con aplicaciones de glitter en tonos rosa, entredoses de valencienne ecru y pequeños volantes haciendo dibujos en espiga de Teresa Helbig. Toni Acosta: Alicia Rueda, zapatos Lodi, clutch Mibuh.

All looks are ready! Thanks again @thewestinpalacemadrid for all the help during my fittings in #Madrid! Now just waiting for the Red Carpet on Saturday…. #Goyas2017 #awards #stylist #ilovemyjob #couture

A photo posted by VICTOR BLANCO STUDIO (@victorblancostudio) on Feb 2, 2017 at 8:15pm PST

Qué lucirán los actores sobre la alfombra roja de los Goya

Adrián Lastra: Dsquared, zapatos Martinelli. Escenario: García Madrid, zapatos Martinelli. Aldo Comas: Esmoquin Avellaneda, zapatos Christian Louboutin. Alejandro Amenábar: Esmoquin Tom Black, zapatos Martinelli. Alejo Sauras: Esmoquin de García Madrid. Álex García: Esmoquin The Stoat, camisa Mirto, zapatos Martinelli. Alfonso Bassave: Esmoquin y zapatos Dsquared. Álvaro Cervantes: Dolce & Gabbana, zapatos Dolce & Gabbana. Antonio de la Torre: Esmoquin Brooks & Brothers, zapatos Martinelli. Asier Etxeandía: Ana Locking, zapatos Martinelli. Dani Rovira: Alfombra roja y primera parte de la gala: esmoquin hecho a medida y zapatos Pedro del Hierro, gemelos de Suárez. Segunda parte de la gala: esmoquin hecho a medida Lander Urquijo y zapatos personalizados Martinelli, gemelos de Suárez. Daniel Guzmán: García Madrid

Daniel Sánchez Arévalo: esmoquin Dsquared, zapatos Jimmy Choo. David Pulido: Cornejo Eduardo Casanova: Esmoquin The Stoat, camisa Mirto, zapatos Ángel Infante. Fele Martínez: Esmoquin García Madrid, gemelos: Suárez, zapatos Umber. Félix Gómez: Esmoquin Lander Urquijo, gemelos Suárez, zapatos Umber. Fernando Cayo: Esmoquin de Roberto Verino, gemelos Suárez, zapatos Umber. Fernando Colomo: Esmoquin Roberto Verino, gemelos Suárez, zapatos Umber. Guillermo Barrientos: Esmoquin Dorego&Novoa, zapatos Ángel Infantes. Hugo Silva: García Madrid. Iagona Fanlo (chelista): esmoquin Arquímedes Llorens, zapatos Umber. Javier Fesser: Emoquin Dorego&Novoa, zapatos Umber. Javier Pereira: Esmoquin Anglomanía, camisa Mirto, zapatos Armani. Jose Coronado: Brooks Brothers, zapatos Martinelli. José Luis García Sanchez: Esmoquin Dorego&Novoa, gemelos Suárez, zapatos Umber. Juan Antonio Bayona: Massimo Dutti. Juan Carlos Arcos: Esmoquin Roberto Verino, zapatos Umber. Lluís Homar: Roberto Verino, zapatos Martinelli. Manolo Solo: Félix Ramiro. Manuel Burque: Medwins. Manuel Gómez Pereira: Esmoquin Roberto Verino, gemelos Suárez, zapatos Umber. Marc Crehuet: Esmoquin Dorego&Novoa, gemelos Suárez, zapatos Martinelli. Miguel Ángel Múñoz: Total look Lander Urquijo. Miguel Herrán: García Madrid. Miki Esparbé: Tween. Nacho Fresneda: Felipe Varela Pablo Rivero: Anglomania, zapatos Martinelli. Paco León: Esmoquin Dsquared, zapatos Ángel Infantes. Raúl Arévalo: Dior. Ricardo Gómez: Dsquared. Rodrigo Sorogoyen: Esmoquin García Madrid. Salvador Calvo: Esmoquin García Madrid, gemelos Suárez, zapatos Umber. Santiago Zannou: Esmoquin y zapatos de Félix Ramiro, gemelos Suárez. Stany Coppet: traje a medida realizado por El Corte Inglés.

http://fashionisima.enfemenino.com/2017/02/cuenta-atras-para-los-goya2017-que-vestidos-veremos-sobre-la-alfombra-roja/

[fisicol92]

Gi Group Monza - Diatec Trentino 0-3 (18-25, 23-25, 22-25), Trentino goes in Superlega Semifinals

Trentino won with very high percentages of the whole team in attack (64%), well directed by Simone Giannelli, the best were Filippo Lanza (best scorer with 13 points and 76%) and Gabriele Nelli (78%), entered immediately in the climate race the second part instead of Jan Stokr. Trentino will face Perugia in Superlega Half-finals.

Gi Group Monza: Jovovic 0, Botto 6, Beretta 2, Vissotto Neves 3, Fromm 9, Verhees 5, Rizzo (L), Hirsch 12, Brunetti (L), Daldello 0, Galliani 0. N.E. Dzavoronok, Terpin. Man. Falasca. 

Diatec Trentino: Giannelli 1, Urnaut 7, Van De Voorde 8, Stokr 8, Lanza 13, Solé 5, Chiappa (L), Mazzone T. 1, Colaci (L), Antonov 0, Mazzone D. 2, Nelli 9. N.E. Burgsthaler, Blasi. Man. Lorenzetti.

[baytownproject]

(1 of 3) “I have run 25 marathons and 76 ultra-marathons. As of Jan. 1, including all my races and training, I have run 30,875 miles. But it’s not the long distance that kills you. It’s the short distance. I was entered in a 3,000-meter race on June 9, 2012, at Rice University. I had no idea that anything was wrong with me. In January, I had won a U.S.A. Track and Field 100-kilometer race for my age. In February, I did the Rocky Raccoon 100-Mile Trail Run at Huntsville State Park. In March, I won a U.S.A. Track and Field 50-mile mountain race. In April, I ran the Relay for Life here in Baytown. In May, I ran in the Boxrox Marathon in central Texas in 95 degrees on rugged trails. So I survived all of that. Then June 9 came, and I was lined up for 3,000 meters. I ran through the finish, then I started walking and cooling down. I don’t remember anything that happened after that. Nothing. I had collapsed and died. My heart was not beating for up to 50 minutes, is what the doctor said. John Bryant, a friend of mine on our ExxonMobil track team, was there within one minute to begin doing CPR. He continued until Station 33 arrived from Houston, and they used the paddles to get my heart beating again. My wife met me at the hospital. She felt my ankles and said there was a tiny, little heart beat there. That was about two hours later. The doctors decided to put me in a medical coma. By the sixth day, they disconnected the EEG monitor because there was no data coming out of it. On the seventh day, they asked my wife for permission to disconnect me from life support. What she said was, ‘If you do that, he’ll just be on his own.’ So they didn’t do it. And I woke up at 6 o’clock the very next morning.”

— Bob Botto, 67

[mandibierly]

'Good Behavior' Season Finale Preview: 'Will the World's Best Liar Have to Tell the Truth?'

Michelle Dockery as Letty (Credit: TNT)

Good Behavior‘s first season comes to an end tonight on TNT as we find out what happens now that Letty has accepted he FBI’s offer to reveal Javier’s handle in exchange for the promise that custody of Jacob would be awarded to her. Co-creator Chad Hodge talked with Yahoo TV about last week’s penultimate episode and teased what we can expect in the season finale.

Juan Diego Botto told us that you were able to share Javier’s backstory about his younger brother Santino with him when you were filming the pilot. Did you know from the start that Letty would eventually ask Javier to kill Jacob’s biological father, Sean, which he would refuse to do? Chad Hodge: Yes. By the time we were shooting the second episode, we had really planned out the entire season. We had almost eight weeks in the writer’s room before we started shooting the second episode, after the pilot. We really broke the whole story of the season as one big story rather than going episode by episode. So yes, I knew the whole thing, which really helps for laying in setups and payoffs and things like that.

Letty slept with Sean as she went on a bender after talking to Javier on her phone in the motel room. Why? Was that just her self-destructive behavior? It’s sort of a callback really to the end of the pilot when she’s in a motel room. Basically, she spends a lot of the pilot in a motel room with booze and meth. So at the end of the pilot, at her lowest points in life, Letty can be found in a motel room, drinking. She’s self-destructive, drunk, angry, [wants] revenge in a way, like, f–k you to Javier. And it’s also that there is a spark there. You can sort of see why she was with Sean at one point, you get that there was an attraction there, this destructive attraction. There’s something about this man that she’s helpless around and she’s attracted to.

One thing that was very important to me with the Letty/Sean relationship is that you believe she was with him at some point. Obviously, it’s a very different chemistry from her chemistry with Javier. It was very worrisome for me, actually, because as we were filming the show and the fantastic chemistry between Michelle [Dockery] and Juan [Diego Botto] was so clear, I thought like, “Well, what guy are we going to cast for Sean that we’re going to believe that she was with him, because how can you beat the chemistry Letty had with Javier?”

I loved how calm Javier was when he called her to say goodbye when she was in the diner. He didn’t call her out on catching her in bed with Sean. He didn’t feel the need to be vindictive and cruel. He absolutely has real feelings for her. He’s heartbroken. If this whole story were told from Javier’s point of view, it’s like, he has to look out for himself. He’s like, “What am I doing with this hot mess of a person?” And not that he’s not a hot mess, I mean, come on, he’s a hit man. If you looked at all the elements of being with Letty, it’s not easy. To then walk in and find that she’s slept with the very guy that she asked him to kill the day before… He’s like, “I’m out.” There’s no point in arguing with her. “I’m out.”

What can you tease about the finale? I assume we all know Letty well enough to guess that she’s not going to let Javier go down without a fight. The thing for Letty is that she does whatever she needs to do to get what she wants. Literally, she takes things, she just steals them if she wants them. If she decides that she still wants Javier, which she does, she’s going to try to get all the things — which is why the last episode is called “All The Things.” She’s going to get her son, but she’s also going to try to get Javier.

The problem is, that would, in the end, probably require her telling him the truth, which Letty is not that great at. She’s really great at lying, but she’s not great at telling the truth. Really what the last episode thematically is about is: Will the world’s best liar have to tell the truth?

The Good Behavior Season 1 finale airs Jan. 10 at 9 p.m. on TNT.

[screaminalex]

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