#ive had these comics in my drafts for so long and kept not posting them bc they start on such an incomprehensible note

[ladybeug]

So a while ago I was talking to @anna-scribbles and @marimbles about adrien and gender (as you do), and as a part of that conversation we said... hey do you remember that jenna marbles video where she put rhinestones all over her face?

and then, tangentially... do you remember that one clown makeup vine?

hold on i'm going somewhere with this:

We got to where I was going. but i'm still driving:

[mrpenguinpants]

Alright, I finally read Reincarnation no Kaben

AFTER MONTHS (it’s probably been a month? My mind doesn’t keep track of the days) I FINALLY CAUGHT UP TO RNK. Ty to Okita anon for the recommendation (*￣3￣)╭💕💕💕 I absolutely loved it. 

After this I’ll start on the other recommendation you gave me. I kept a bit of a log of my reading journey under the read more tag. 

Major spoilers for literally everything in RNK up to ch 53 “Withdrawal”. 

Oh, and I’ll finish answering all my leftover asks and I SHOULD have a fic done by tomorrow. I was so ready to write and then I got up. Now I’m back to bed. 

I’m just gonna write this as a log since I read super super slow and I’m only on ch 7 at the start of writing this but I’m really liking it already. Though to be fair. I love everything okita anon recommends haha. I remember you saying you were simping over Kouu and I haven’t gotten to the part where he appears but I wanted to quickly google what he looked like to prepare myself and I see this:

Well. That’s reassuring. 

I was actually kinda surprised by how many western figures were in the manga since I know there are only like 7? Around 7 western figures that pop up in any anime/manga but seeing people like Albert Fish was kinda surprising but I really liked it. Also, at the end of certain chapters they write little bio’s on them so you get to know more about them was such a nice touch.  I also love that the tradition of making males -> females still stays strong even outside the fate universe hehe.

---

Literally, the next chapter I see him. AHHHHHHHHH. Well maybe not him but his eyeballs. 

This guy lowkey reminds me of the MC’s brother but it’s 99% because he has the same long ponytail. I wouldn’t be surprised if the brother was apart of the the Greats. Honestly, Ein reminds me of those really hard headed girls that are actually really kind on the inside but aren’t good at expressing themselves (maybe because that’s pretty much her character). I also like that Ein doesn’t like males but she’s hiding behind this guy. At least, I’m..99% sure this is Ein. 

I FUCKING KNEW IT. AS SOON AS I SAW HE GOT A THEIF TALENT I COULD FEEL THE SOLO LEVELING VIBES IN ME. HE CAN STEAL TALENTS I FUCKING KNEW IT!!! I’m surprised that Neumann didn’t say anything and  Haito seems to be aware of it.  

Edit: Ah okay, I understand a bit now but it almost seems like Haito is the only one aware of Toya’s second talent.

Edit 2: Okay, as much as I love power hungry MC’s I’m really glad they didn’t make Toya into that. I am such a softie for sympathetic and kind MC’s like these even though it’s been done so many times. I’m really glad this didn’t feel like a rehash. I mean, some points some of the stuff Toya says it does but it’s fine, I don’t mind that. I actually gave a crap about him since I usually prefer the side characters (I UNDERSTAND ANON, I CARE ABOUT KOUU SO MUCH AHHHHH) but HAITO?? AHHHHH. 

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I like that Izo always has the same hat in every adaptation he’s in lol. Istg, cats are always op. Schrodinger seems so strong and the parallel universes are my absolute shit. Sometimes I think, in one universe I did this and in this universe I’m not. Would I rather stay in this universe or be in the one where I am actually productive. Usually I pick the productive universe and actually work but sometimes I’m a bit of a slacker haha. I think this is my approach to a lot of things in life. But I digress, I don’t wanna get too deep into my life. 

I can sorta sympathize with the sinners. At least the ripper guy to say the least. I love love love unhinged characters that just want to basically destroy the world or at least have fun. But then you find out- wait they are actually sympathetic oh no. That’s how I felt about Djoser in “im the great priest imhotep” (please...i beg...someone read this...I’m so starved). 

As much as character development and rooting for the hero is cool and all, I just want to simp for the crazy “let’s burn the world to the ground” kinda character. I’m also so glad Toya doesn’t automatically become evil and try and steal everyone’s talents because he does seem like a good person and I really don’t see him suddenly switching fields so when he saved (I don’t remember names I’m sorry), the undead solider it was really nice. Proves that he still has his humanity and isn’t strictly relying on the branch of sin. 

It makes sense that he wants to steal talents since he never had one (and it was kinda out of left field when he killed Vlad and we just never addressed that ever again haha) but to see him actually consider his actions and if he actually want’s to steal his teammates talents feels right to me. Poor guy doesn’t seem to have a lot of friends so this is the first time he’s ever seemed to have companionship, aside from Haito, so I really hope he doesn’t attempt to steal their talents. I think I’m thinking of the slime? That time I got reincarnated as a slime manga/anime. Where he’s the pokemon catcher of skills. I thought that was where it was going. 

But I do kinda like how selfish Haito and Toya’s talent stealing relationship is (I mean, later it develops but my first draft of writing this I wasn’t there yet). I’m not sure if selfish or like self-gratitude/pride is the right word but it’s kind of a breath of fresh air. Rather than Haito trying to contain or “help” Toya’s inferiority she’s actually encouraging it and using her own talent for her own...acknowledgement? Er, yeah let’s go with that. 

---

This. This interaction. I love this. Like, genuinely love this. We need more of this. Two people from opposite sides finding some common ground and their fight to the death is less about morals or whose on whose side but for themselves. I love that. This is actually some wholesome stuff. 

Edit: AHHHHH CATCH MY UGLY CRYING IN THE BACK BECAUSE ALL THE “SINNERS” ARE ACTUALLY AHHHHHHHHHHHHHHHHHHHHHHHH. IM DEAD. YOU’VE KILLED ME. 

---

I KNEW IT! YOU CAN NEVER TRUST THESE KIND OF PEOPLE!! I’m going to slap the whiteboard on this but if I see any “goofy” character I’m immediately sus of them. 

As much as I hate that Hitler is getting drawn as a small child I really like this. I know the whole, oh I killed your friends but I’m letting you go because you express humanity but I’m gonna finish my death with a sympathetic line, can be annoying to people but idk I really liked this. 

Honestly this and the undead soldiers death hit me hard ngl. This manga might not have my favourite art style during some points compared to like main stream manga but it has some really beautiful scenes. 

BOOM CALLED IT, though it’s pretty obvious lol. 

THE PONY TAIL NEVER LIES AND HES DA VINCI IT MAKES SENSE NOW

He looks so cute lol. I like that Seiya has the talent of being talented in everything while Toya has the talent to steal other talents. Seiya can probably only cap his power by his own physical/mental abilities with Toya can pull a solo leveling and go further beyond. Thinking of it like jack of trades vs master of none type deals. Though, I might be thinking too hard on this. I like that this man is actually humble but I really wish there was a tiny bit more to him since we only get this one interaction/backstory but the manga isn’t completed yet. I really hope we get to know about Seiya more;; like how he became da vinci or etc. 

Everytime I see Neumann I look at that comic sans type and it kills me on the inside. But I love that her eyes are 01 just, mwah perfection. These little details that aren’t that big but it’s soooo nice. I also ahem, unhinged character heart be still. It’s really nice reading manga in bursts because you can see the art progression and damn does she look good. 

tiny fang appreciation post. 

ngl i’M HARD SIMPING FOR THIS MAN. It’s the pony tail, I have such a thing for guys with long hair (and this is why genshin broke me) but man the art really picked up here. 

I didn’t get into it but OKITA ANON I GET IT. KOUU??? AHHHH. WHY DID YOU HAVE TO DIE??? As much as his whole “war” was a bit questionable in the beginning and tbh I still don’t really get it I like that he knows he’s not the same as the other Greats but still tries to help the other “sinners” in a way only he knows. That’s why Seiya was so important;; I get that he wanted them to have a fun death and to be understood but idk, the whole war idea and having them kill each other (especially the Hitler fights because I understand the others since they reached some kind of acknowledgement) but nonetheless, what a great guy.

Nightingale gives me mad masaki vibes from chainsawman. I hate them and I can’t wait for you to fail, but the inner part of my is cheering for you because unhinged characters are my shit. I feel really bad for Neumann, I had suspicions she wasn’t actually like that since it’s sooo out of left field but I’m really glad the manga seems to know what it’s doing. I really wish we got more Kouu interactions with everyone tho. 

NOW THIS. THIS IS SOME WHOLESOME STUFF. I WANT THIS. I REALLY WANT SPIN-OFF OF REALLY SAD ANIME/MANGA/STORIES WHERE ALL THE DEAD PEOPLE HANG OUT. That’s how I’m feeling about JJK and the scroll segments or BSD WAN that just came out. IT’S SO WHOLESOME TO SEE EVERYONE NOT TRYING TO KILL EACH OTHER. 

UGLY SOBBING IN THE CLUBBB AND KOUU AND CHARLOTTE AHHHH. I hate how this is phrased but the respect I have for Hitler?? YOU HAVE ANY IDEA HOW HARD THAT IS TO TYPE?? Kitazuka is cool tho, I really like him. Some god given talent. I’m hard simping over him but I really hope we get to know more about him later. 

Getting smug mona vibes, I love this. 

AHHH IVE NEVER FELT THIS UPSET OVER AN APPLEEEE. I’M ACTUALLY UPSET. IF HE DIES IM ACTUALLY GOING TO CRY MY HEART OUT. 

THE FAMOUS SLAP 

I’M SORRY WHA- SLENDERMAN?

Oh..wow. Okay, be still my heart. When I first saw her I thought she was really pretty but now I’m absolutely smitten. God damn, can I please have some more crumbs on these characters before they die;; 

AHHH SAME GIRL FUCKING SAME????? I adore these small panels and translator notes. It’s a real breather after the sad 3am hours talk these characters go through. 

Yagyuu. Jesus christ. WHY ARE ALL THE DEATH SCENES IN THIS MANGA ACTUALLY SO PRETTY AND STABS ME IN THE HEART??? that’s it. goodbye. im fucking out. im actually so upset rn. WHAT HAVE YOU DONE TO ME? 

---

In conclusion, and I should probably re-read what the characters say and not go off on memory because I’m about to get really deep. I really like how they phrased why they wanted to stop the branch of sin. That there are people just like Toya and Haito who, if they never found the branch of sin, could still probably lead respectable and okay lives. That there was a “them” in another universe that didn’t go down that road and that they want to be in the same universe as “them”. I know this sounds really confusing if you haven’t read the manga but going back to what I said about the parallel universe stuff. 

There was a universe where Toya and Haito didn’t rely on the branch of sin, that even without their talents from becoming a returner, they could still live a happy life given their own personalities and attitudes. It was kinda moving since in the beginning, Toya wanted a talent so badly and now that he has one. He’s realizing that wait, I don’t need a past life talent in order to live. Honestly, I hard relate to that because I totally agree with him. If you have a talent you can probably live a very happy and comfortable life that other factors wouldn’t matter if you just have that incredible talent. Thinking of it as a painter or artist, if you had actual god-given talent you wouldn’t need to worry about other factors since people would naturally seek that talent. So you end up comparing yourself to others and setting that limit on yourself. 

But that’s okay, it’s completely natural and I’m not saying it’s horrible if you do this. Fuck, I do this all the time. I’m not saying the manga is changing my life but it’s kind of refreshing that it get’s talked about since other adaptations of this just make the character super OP. I understand wanting to have that incredible talent, fuck who doesn’t? but you don’t need it in order to live earnestly in the bigger picture sense. Not everything you do has to be productive and honestly, learning to be okay with having fun is nice. Just being okay with who you are right now, even if it isn’t perfect in your eyes, you still have time to build upon yourself and your own talents but doing it for yourself. 

But I probably missed the point and I’m going way to deep haha. But I really enjoyed reading this and thank you once again to okita anon for the recommendation^^ I always love everything you send me and I’ll start reading the next one. If anyone else has any recommendations let me know! 

[nathanielwharton]

My 2019 in Pop Culture

Same plan here as usual. I discovered this as a draft from back in January that I hadn’t found images for yet. Posting it now, without edits.

Top Forty Things From 2019

45. A Town Called Panic: Agricultural Fair I made a last minute dash into the city to see this at the New York International Children's Film Festival screening (I ducked in, huffing and puffing, as the lights went down), but I was so glad I did. I love these shorts, and this one was an absolutely bonkers, madcap wonder.

44. "Gotham City Guys" from The Lego Movie 2: The Second Part I enjoyed the second Lego Movie pretty well, but I loved this song.

43. Finding Drago This is an Australian podcast about the search for the author of Drago: On Mountains We Stand, a book about Ivan Drago from Rocky IV. It was a delight.

42. Crawl I had a pretty good time with a bunch of horror movies this year. Scary Stories to Tell in the Dark made some good use of 3D realizations of Stephen Gammell's potent artwork. Ready or Not was a good cat-and-mouse with a fun ending to see with an audience. Happy Death Day 2U kept the comic frisson of the original, pushing it further into nutty science fiction, while slipping in some real emotion. But the one that probably gave me the most thrills was Crawl. An expertly nasty little piece of work, it efficiently keeps turning the screws up the the very end. Jesse and I remarked afterward that we basically alternated leaning forward with our hands on our faces and leaning back, bracing on the armrest, throughout the entire movie.

41. When They See Us Urgent and harrowing.

40. Mindhunter (Season 2) The rhythms of this show are so distinctive and engrossing. It's not exactly Zodiac: The Series, but it is fascinating in some similar ways and I hope they come back and make more of it.

39. Unbreakable Kimmy Schmidt (Season 4, Part 2) I might (okay, definitely) be underrating this final batch of one of my favorite shows on TV. Blame it on Netflix’s half-season strategy, and not on these episodes that were as overstuffed as ever with a breathtaking array of jokes delivered by a note perfect cast. I’ll miss if, but I'm grateful for those final moments. (The line "Your books make me feel safe” definitely made me tear up.)

38. They Shall Not Grow Old in 3D This documentary was fascinating as a look at the less-covered (at least in my lifetime) First World War, and it was AMAZING as a visual experience, watching 100 year-old documentary footage in such an immersive way. And the short documentary that followed my screening showing the process of making the film was worth the price of admission on its own.

37. Glass at the Shyamalanathon Few things can top the weird thrill of seeing the ending of Split before hearing even a hint about the ending (Jesse and I were audibly shocked and delighted, and then spent part of the credits explaining the reveal to the kids in front of us after they asked us about it). So I was pretty psyched for this one. I caught Glass at the end of a Shyamalanathon at the Alamo Drafthouse, where they showed Unbreakable, Split, and a preview screening of Glass, with a Q&A with Shyamalan himself. I had a GREAT time.

36. Amazing Grace I saw it with about 8-10 people in the theater, and folks were still witnessing with Amens and hallelujahs from the back of the auditorium. They were well warranted.

35. The Twilight Zone Revival I definitely preferred this to the last revival, and the hit-to-miss ratio felt pretty standard for an anthology show. Highlights for me were "Nightmare at 30,000 Feet," "Replay," and "A Traveler." Looking forward to the next batch of them.

34. One Cut of the Dead A twisty, surprising one-shot zombie thriller that reveals itself to be something much different (and much more charming) than you'd expect.

33. Star Trek: Discovery - Pike sees his future This season of Discovery had a number of really strong elements (and I'm super intrigued to see what they do with that setup for the third season), but the part that probably most moved me was in episodes 12, "Through the Valley of Shadows." Captain Pike (a wonderful performance all season by Anson Mount; definitely looking forward to that spin-off) is given a vision of his eventual fate, which we know from the original series, in which he is severely disabled in an accident. He is told that if he takes the time crystal from the Klingon temple to help save the day in the season's storyline that he cannot change this fate and is essentially dooming himself. And he gives the most moving, Starfleety performance in choosing the greater good over himself.

32. Genndy Tartakovsky's Primal This was a visceral, thrilling surprise. I caught the first four episodes as a screening at the Alamo and it knocked my socks off. The final episode of this initial run was also really rad. Pure animation.

31. Under the Silver Lake Seeing this one at a late night screening felt just right, as it creates such a bewitching, hallucinatory spell. As someone who enjoyed reading about conspiracy as a youth and recognizes but (hopefully!) avoided indulging the kind of solipsism on display in Garfield's character, I was pretty into this movie.

30. Missing Link This Laika joint was an easy lay-up for me (an adventurer helping Bigfoot to find a lost civilization of yeti? sold.) and it did the trick.

29. Frozen II It's not as clean a narrative as the original, and Kristoff's storyline is too sitcommy, but this still packed a lot of emotional punch for me, and I love that it's a huge Disney animated movie that interrogates colonialism and the way that our history can obscure misdeeds and trauma.

28. The Righteous Gemstones Another acridly funny and tonally daring series from the McBride/Hill/Green team. Loved this first season, and certainly excited to see where they want to take it next.

27. A Series of Unfortunate Events (Season 3) This show continued to be a really marvelous adaptation of the books and the adaptation of the final story (and the elements they included from the ancillary Snicket books) really landed wonderfully. I really wish Netflix had already announced the same team was doing an adaptation series of the All the Wrong Questions books (with Warburton somehow still involved as Lemony Snicket).

26. Klaus & Noelle Two streaming services served up two new Christmas movies this year, and I dug them both. Noelle doesn't quite pull of the same magic trick as Elf, but I found it charming and the cast (and the fact that it is set, in part, in Arizona) went a long way to endearing it to me. And Klaus was a gorgeously animated, very enjoyable surprise. Odds are decent that I pop both of them on again at some point next holiday season.

25. Deadwood: The Movie A bit of bittersweet nostalgia, a post-script, and an elegy. Just the right balance of warm and melancholy. And while the movie definitely didn't give us the Al Swearengen I expected, I was so moved by his story (and McShane's performance).

24. The Marvelous Mrs. Maisel (Season 3) The obvious surface pleasures of this show (the costumes and set design, the snaky sinuous camera work, the charming and charismatic performances, the rat-a-tat dialogue) continued apace, while the storytelling continued to strike a really enjoyable balance between joyful wish-fulfillment and (semi-)realistic period exploration.

23. Adam Sandler & Eddie Murphy on SNL and in the movies The two biggest SNL alumni that had not been back to host (ever, in Sandler's case, or since he was still a cast member, in Murphy's) Adam Sandler and Eddie Murphy both returned too the show that had given them their start and pretty much lived up to decades of expectations. Sandler came back at the end of the 2018-2019 season and it was such a warm, funny homecoming that was really funny without just spending the time revisiting his old characters (the travel agent commercial he was in was one of the best sketches of the season and benefited hugely from his performance), and a genuinely touching tribute to Chris Farley. (And he capped his year with a fantastic, nerve-jangling performance in Uncut Gems, which was a Safdie special, exhausting and exhilarating in equal measure.) Then, following his really galvanizing lead performance in Dolemite is My Name, showing how hilarious and wonderful in a dramatic role he can still be, in the last episode before Christmas in the 2019-2020 season, Eddie Murphy returned to host, coming in with the enormous expectations that would accompany his return to the show at any time with the recent example of having seen it done so right. And they crushed it. His episode understandably featured more of the play-the-hits style of character reprisals, but they generally had clever ideas for using the characters (Mr. Robinson returned to a gentrified neighborhood, Buckwheat was a Masked Singer, and Gumby gave a hilarious Update rant) and, best of all, Murphy brought the necessary energy to make it all work. On top of that, he elevated the non-recurring stuff like a great Baking Championship sketch that he underplayed to perfection, or a North Pole newscast that he knocked out of the park. Both episodes were a joy.

22. Doctor Sleep I liked a lot of stuff in the book, but I think the movie improved on it! I love Mike Flanagan's style of horror story anyway, and it was a really good fit for Doctor Sleep. And the movie does a remarkable job of squaring itself with the Stephen King and Stanley Kubrick versions of The Shining, including a really moving appropriation of elements from the original book and potent movie imagery into a surprisingly touching combination.

21. Stranger Things 3 The run-up to this season was so much fun (special ice creams and store decorations at Baskin-Robbins, a whole Fun Fair set up at Coney Island), and then the season itself was a big summer blockbuster blast that Katie and I spent a whole day on.

20. The Lighthouse This one lingered! Two great performances, a beautiful visual scheme, and a bracing spiral into madness for a story.

19. Parasite Bong Joon-Ho with another what-genre-is-this masterpiece.

18. Watchmen on HBO This was so much richer and provocative than I expected. A compelling and mostly satisfying sequel to a book I didn't much demand a sequel to, it was one of the best shows I watched all year and honored the original by actually being about something.

17. The Farewell A warm and delicate story that really moved me, with a terrific performance by Awkwafina.

16. Jojo Rabbit I've been on Taika Waititi's wavelength since Boy, and this one worked for me as designed, which meant that I was delighted and then devastated.

15. Apollo 11 Like They Shall Never Grow Old, there was such power to seeing a new, vivid angle on major 20th century history.

14. GLOW (Season 3) This season, with it's Las Vegas setting and it stage-show status quo, created a bunch of new dynamics and fun developments (the Christmas Carol version of their show was a delight) while continuing to deepen the characters. Love this show.

13. Dumbo I am generally a Tim Burton guy, but I was surprised by how much I loved this movie. And every moment Michael Keaton was on screen was a great one.

12. Star Wars: The Rise of Skywalker This was a weird year for Star Wars, with Star Wars: Resistance coming to a satisfactory (but disappointing compared to the previous two animated series) ending and publishing having a handful of fun tie-ins to Galaxy's Edge and Rise of Skywalker, without anything particularly standing out. And all of it was capped off with The Rise of Skywalker, a film that definitely suffers from a bunch of competing storytelling interests. But the big moments that need to hit all pretty much hit for me and the final moments on Tatooine especially got to me.

11. The Irishman We went to see this movie during it's special engagement in a Broadway theater, which felt like an appropriate experience for such an epic. Surprisingly funny and, in the end, almost breathtakingly melancholy, this was a really special movie.

10. Lethal White Another cozy, gripping read. The mystery was less nasty/scary than the last one, but it was still pretty involving, and I certainly want to see what happens next for Strike and Robin.

9. Toy Story 4 This felt truly unnecessary (and even kind of unwelcome) when it was announced, but it turned out to be a genuinely worthy entry. It hits or improves on the expected Toy Story elements (the jokes hit and the characters are lots of fun, and it may be the most beautiful Toy Story, with stunning widescreen animation), and Woody's story builds to a surprising and very emotional climax. Once again, I'd be happy if this was where we left the characters, which is no small feat for a movie that has to push beyond the ending of Toy Story 3.

8. Disney+ (The Mandalorian, The Imagineering Story, Forky Asks a Question, etc) I was still working full time at school and working on my master's degree this fall, so it's not like I really needed a new streaming service to spend time on. But this was such a fun thing to explore. The Mandalorian immediately became appointment television for us (if that whole first episode hadn’t have done it, the final scene would have). But so was The Imagineering Story (one of the best showbiz documentaries I've seen) and Forky Asks a Question ("What? No!" definitely entered our daily lexicon).

7. Once Upon a Time...In Hollywood I loved it for the hang out (I want to watch Cliff Booth and Rick Dalton watch episodes of TV shows together!). I loved it for the incredible tension of the Spahn Ranch sequence. I loved it for the wry wistfulness of the neon sign sequence. I loved it.

6. Knives Out Such a thoroughly great time. I love Rian Johnson's movies in general, but this might be my favorite since Brick.

5. Us I'm reasonably receptive to the "bigger and more rococo" sophomore film, so I was ready to respond to this movie. But it still really knocked me out. I love it for all of the great surface pleasures (scary "monster" design, tense scare sequences, incredible dual performances by Lupita Nyong'o) and I loved it for the chewy thematic ideas it teases at. Peele is two-for-two, in my book.

4. Little Women I was only familiar with this story in a vague sense (like, I am sure I knew one of the sisters died in the book, but I didn't know which one going in). But I LOVED this movie.

3. Avengers: Endgame For this big, climactic year of the Marvel Cinematic Universe, I had made note to include the Skrull reaction shots in Captain Marvel (Talos and the milkshake being the top of the heap), and Spider-Man: Far From Home was as consistently delightful as it's Spidey predecessor, but it's hard to think of a collective audience experience that was more fun than Avengers: Endgame. It basically played out as a series of huge payoffs and shocking moments for about three hours, and between the laughs and cheers and audible sobs, it really ran the full audience-reaction gamut. Hard to imagine another movie building up this kind of steam for a big finale again, and it was pretty special to see on opening night.

2. The Dark Crystal: Age of Resistance I was pretty excited for this show. The original movie is dear to me, I'd heard really cool, encouraging stuff about the show, and the trailers were pretty gorgeous. And the show exceeded all of my hopes for it. It was funny and exciting. It developed the mythology of Thra in cool, intriguing ways. It was absolutely dazzling to look at. It jockeyed for position with the number 1 spot on this list. I adored it.

1. Godzilla: King of the Monsters I loved this. I wrote about it at SportsAlcohol.com. I saw it five or six times in theaters. A full meal for my imagination.

Top Twenty-Five Things I'm Excited About in 2020

Godzilla vs Kong No question, I'm spectacularly excited to see this one. I loved all three of the previous films leading up to it, and the status quo hinted at in the credits of King of the Monsters suggests some directions that I really hope to see explored further.

Animaniacs revival & Looney Tunes Cartoons Here's hoping that this is finally the year we get to see the new Looney Tunes they've been cooking up (seems like HBO Max will be a good place to put them...) and while it feels like a while since there's been new word on the Animaniacs revival that's due on Hulu, maybe that'll show up this year too. Looking forward to whatever Warner Bros. animation we can get.

Bill & Ted Face the Music One of the few decades-later sequels that I've actively been wanting to happen. I'm so glad this finally happened, and I can't wait to see what it will look like. I love the title. I love the details they've shared so far. And I'm glad to have an excuse to watch the previous two movies in the run-up to this one.

West Side Story Spielberg finally doing his movie musical! And it's a great musical! With a script adapted by Tony Kushner, no less. Sign me up.

Muppets Now I don't know enough about the format of this show to know how excited to be yet (they're generally good at improvising, but the notion of ad-libbed shorts doesn't sound quite like the Muppet Show revival I'd really like to see on Disney+). Still, new Muppets!

The French Dispatch Seems like this one should hit his year after a festival run. Really looking forward to getting a look at what he's cooked up this time.

Death on the Nile #thirtyBranaghPoirotmovies

Onward & Soul Two original Pixar movies in one year! Super excited about this. (Also pretty psyched for another original film from Disney Animation Studios in Raya and the Last Dragon.)

MCU at the Movies I glad to finally get that Black Widow movie this year, and I'm certainly interested to see The Eternals, which has a great cast and sounds like another new avenue to explore in the Marvel movie world.

MCU on Disney+ As excited as I am for the two theatrical Marvel movies this year, I'm also pretty into The Falcon & The Winter Soldier and WandaVision. Now that my beloved Captain America has effectively retired, I'm pretty excited to see what happens to his best friends as Sam Wilson becomes the new Cap. And the word on WandaVision (that it's going to be pretty weird), coupled with the hints that they are taking inspiration from Tom King's run on the Vision comic book, makes this one sound pretty special. The Mandalorian set a high bar for how exciting these Disney+ shows could be, so I'm looking forward to seeing what Marvel comes up with.

In the Heights Hamilton melted my brain five years ago, and the trailer for this movie adaptation of Lin-Manuel Miranda’s first Broadway musical is so wonderful. Can’t wait.

Jungle Cruise Mulan looks super cool, but I've got pretty high hopes for Jungle Cruise. Jaume Collet-Serra is responsible for some wild genre excellence and I'm hoping he was able to bring some of that cracked vision to a big Disney adventure movie with the Rock and Emily Blunt. Sounds good to me.

Tenet Certainly looking forward to seeing Nolan return with another big, original genre picture with a great cast.

Dune Denis Villeneuve's last two science fiction films were aces and he's assembled a great cast here, so I'm hoping he'll do something special with this book.

Ghostbusters: Afterlife For as bad a taste as the ghost-bros left me with in their furor over the pretty fun 2016 remake, I'm loath to admit that I'm really looking forward to this. I liked the trailer, I'm excited to see the original characters return, I really like the new cast members, and I'm looking forward to a story with a different setting and everything.

Last Night in SoHo I like all of Edgar Wright's movies, and this sounds like an interesting change-up for him.

Star Trek on CBS All Access First up this year we know we’re getting Star Trek: Picard, and I’m particularly excited because this is a Star Trek that will be reaching past everything we’ve already seen and showing us a story set in the galaxy after the destruction of Romulus and Spock’s trip back in time. It looks really cool, and it’s pretty exciting to see Patrick Stewart playing the role again. Beyond that, we should have Star Trek: Lower Decks, which sounds like it should be a lot of fun, and the third season of Star Trek: Discovery which, based on the ending of the last season, promises to also explore previously unseen corners of the Star Trek universe/timeline.

Penny Dreadful: City of Angels I loved the original Penny Dreadful, and I'm pretty into the milieu they've set this...sequel? revival? spiritual successor? Pretty cool cast, too.

F9 Still really enjoying these big, wild, nutty movies. And I know my #family will be excited to roll out and see this one together.

Cosmos: Possible Worlds I loved the last Cosmos revival, so I'm really looking forward to seeing what they've come up with for this one.

Over the Moon Netflix is supposed to have a new animated film directed by Glen Keane this year, so I'm looking forward to watching it.

The Witches I love the book (and the original film version, for the most part) and I'm always rooting for Robert Zemeckis to make another stellar entertainment. Hoping this is one!

My Favorite Thing is Monsters Volume 2 Maybe this year!

Halloween Kills I loved the 2018 Halloween sequel, so I'm fully down to see the next two installments, starting with this one.

No Time to Die Daniel Craig’s swan song as Bond, this one has had some pretty rad trailers and a very cool director. Hope he gets to go out on a great one!