#ive had the basic idea for this comic in particular like since i posted my au intro

[neolxzr]

i know it wasn't just a dream

(au info: here)

[kate-embershield]

✨Jorvik Riding Academy ✨

PT1

Firstly, i did not expect to get that much attention on my first Jorvik Academy post, so thank you all SO MUCH!!

Second, I want to go more in depth about the Academy. So, in no particular order, i'm going to be going over some of the things people in the reblogs said...

@bridge-to-jorvik Thank you!

And yes, the idea for the Academy is to combine a lot of the current mechanics into one big hub of sorts. More rescue foals, and hopefully with time, sso could introduce foals from different breeds, big shire foals the size of the player, knobby knee'd akhal-teke's, just plenty of new baby's with different builds.

Perhaps with its proximity to Jorvik city, new furniture stores could be opened up, with a wide array off different aesthetics and decor to choose from that players could customise their dorms/homes with.

@samanthawd i'm pretty sure if enough players pitched in a dollar, we could buy a small island.

The idea is definitely that the Academy is a place where even those who aren't students are welcome. In regards to daily's, most of the 'classroom' quests are just general horse facts, learning about Jorvik and its history, the myths and legends surrounding the magical horses. Just general information to make the world feel more full, and even then , there would be alternate daily's where you could 'teach' a class instead of learn.

@toruq i'm absolutely not freaking out because I LOVE your art!!!

I unfortunately haven't had the chance to play the other games, nor read much of the comics, but I was vaguely aware of Star Academy and Jorvik high, just not there names. The academy itself was based off the idea of Star Academy.

Now while I did call it an Academy, it's more of a prestigious title, it would very much be a uni/college of sorts. The idea is that its a higher education program that is open to equestrians globally, resulting in many different disciplines would be taught and practiced.

@froggistain Your reply is a little long to fit, so i've condensed it a bit.

Why not make it an updated Jorvik stables? Since Jorvik stables is already a place cemented in cannon, I didn't want to intrude too much on the existing lore of Jarlaheim and the stables, hence why I placed it in an unreleased area. I wholeheartedly agree that the area could be expanded on and utilised more, and an early concept of Jorvik Academy had it as such, but again, Jarlaheim and the stables are already so familiar to the playerbase.

Factions within the Academy, and respective tack sets. Yes, much like the wild horses, each discipline would have reputation and faction specific tack that would be obtainable through leveling up. The idea of certain sets contributing to certain skills is amazing!

Course building, difficulty and club riding. The idea of players being able to build different courses and tracks is amazing! And with how large the Academy is, even if a club is using one of the arenas, there would still be plenty of room for other players to move about around the grounds. And I love the idea of including a difficulty rating, the entire idea behind the Academy is to teach people the basics of horsemanship without the need to go to a barn or riding school.

Thank you so much to everyone who commented!! I love seeing people enjoy my silly little overzealous ideas!

I've also sketched up some more tack ideas. The first one is more specifically a Parade set, because I love the idea of, much like the Pride parade, once a week/month, students and teachers would ride around central Jorvik, maybe to a town in the planes, maybe to the city. There could be carriages, flags flown, just a big parade that players could ride in or watch.

Again, the classic viridian, but to show how the tacks could look in other colours, i've included pink and purple, with matching riders clothes.

Ive also designed a more regal/armoured set, originally this one was catered towards a magical horse, but i think it could be really fun to branch out with the tack designs in the game. We already have horned bridals, so this was ultimately an extension of those.

The viridian and Gold of the Academy, but with a bit of a vampire/Halloween vibe in the silver and red, and a more muted autumnal pallet in the green and bronze.

And...

✨ spooky horse time✨

I had a lot of fun designing this one, especially since its halloween , and with the new magic horses coming out, I love seeing SSE branch out with additional things on there models, such as the horns and antlers.

Kelpie here was incredibly fun to design, especially with all of the reeds and water-plants hanging from them, and I would love to see some of the unique horses get Quests or chance encounters, it would add so much more to there lore, and the entire lore of the island.

[unlimitedtrees]

the earliest build i have from my very first game, 'Mr. Waffle Lover'

wat da freak ... im about to make Three posts in a row ?? impossible... so Hi. in case u havent seen my Last Big Post, one of my first projects was a game called 'Mr. Waffle Lover'. it started in early 2014 until late 2017 and it went through Tons of wildly different iterations. and also, if u read da last post youd know i lost nearly All of those builds of the game.

Despite losing like, 3 years of my own history, ive managed to find a few builds from multiple iterations of my game, with this one being the earliest iteration i have. this is the Third iteration of the game's development.. and there isnt a whole lot to say about it. it is a Very Basic, Very Primitive platformer made by an 11 year old. this build in particular has only Two levels . i Think more were made at some point, but it's hard to remember. at one point, i made a ""mobile version demo"" of the game for the tablet i had at the time (the game did not work on it), and thats the version u see in the video i posted. For Some Reason, i decided to strip any other level that may have existed in the game and just made it a demo even though i was the Only Person who could play the game.. so i dont have much from this iteration. i Do have an Earlier build that i put on github, but there isnt a whole lot of differences to this demo version.

Anyways, i think, for the rest of this post, imma go a little in depth about the Origins of this game and what it was actually Supposed to be .. click the Read Me thingy if u Dare !!!

So, it all started in 2013 . i was a Bored little creature who liked to draw things and was Deep into Minecraft for the Xbox 360. and one day i created a little comic with a character called 'Mr. Waffle Lover'.. And He Looked Like This:

That's Right , my very first OC is Just a skin from one of the minecraft xbox 360 edition skin packs. this was the skin i played as a lot back then, and 'Mr. Waffle Lover' was my self insert in the comic. why is he called 'Mr. Waffle Lover' you may ask? because i liked to eat waffles a lot. that became his main character trait. Eventually, when the game became A Thing, i would slowly change his design from just a copy of a minecraft skin, first giving him heterochromia and Gloves which spawned TNT, then later giving him a yellow shirt to match with his love for waffles, and then i just make him a Girl (but That is a story for Another Day . .. )

Anyways , on my birthday in 2014 i got a windows 8 laptop, and then in october i learned about construct 2 and decided i Needed to make a video game. ever since i was a fetus ive always wanted to make a video game,, with one of the earliest ideas for a game i remember having is when i was like 5 and wanted to make 'New Sonic the Hedgehog Wii' (a copy of New Super Mario Bros. Wii but featuring multiple colored Sonics).

ANYWAYS , one of the first video games i ever made was Mr. Waffle Lover......... Well Actually, Technically that is not true, as a few months before i tried using some Random in-browser game program that i dont remember the name of to make something called the 'Egg Game'... but it never went anywhere beyond me putting a stock Egg image into the program and then giving up.

my initial inspiration for making a game about the Mr. Waffle Lover character was when i played a game called 'Ms. Splosion Man' on the xbox 360. i thought the game play was interesting but i got stuck at one of the puzzles so i was like 'I Want to make this game but Better and with MY character !'. And So, i thought of the idea of Waffle Lover having Gloves that spawn TNT that he uses to jump high like in Ms. Splosion Man....... but i never got to actually implement it until the 'mid 2015' build that i posted earlier... and i removed it entirely afterwards and just made the game a Basic 2D Platformer for awhile.

so yea. this game was supposed to be just a simple 2d platformer featuring my sort of self insert OC based off a minecraft skin. there wasnt really much to it conceptually... just wanted to make a video game! that's all my ideas were at the time.. the only "Story" this game has is 'Waffle Lover gets his Waffles stolen by some Scientist People and he needs to Stop Them !!!!'. the game eventually got some sort of story over time... but for now all u need to know is that this game is A Game that I Wanted To Make. it doesnt get purer than that.

with the first iteration of my game being my first game Ever, i had No Idea how to do things. all of the small sprites were stretched out to fit the HD screen resolution, making everything blurry. the gameplay was Very Basic and the levels were simple. the HUD didnt even stay centered on the screen... instead it used the 'pin behavior' to be pinned on the player object (which did not work and the HUD would move around the object). And the worst aspect of it was that i did Not know how to make layouts in construct 2 use other event sheets or Objects from other layouts..... meaning every layout (meaning every level) uses Completely Different programming And objects .... Not Only That , but i only had the Trial version of construct 2 at that time.... so i could only use 100 'events'... meaning i could only put So Much code in the game before i reached the limit (and with every level using its own separate events for everything, i ran out of events Pretty Quickly and couldnt make any more levels.

I So Desperately Wish i could show that first iteration of the game with you. it was Very Weird and Bad but it was so Lovely. to say the least.. it was quite the learning experience ! I can Vividly remember me making the very first layout in the game,, with it just being the Waffle Lover sprite moving around a white background and a bunch of badly placed collision objects. it was a Sight to Behold . But Sadly... when i decided to completely redo the game, i deleted the whole project file for it, and its pretty much Lost forever now. the only remains are some random sprites from it i still have... other than that there Was a trailer i made for it once and i Think i released a demo for it once... but both of those are Long gone now.

anyways. for the second iteration of the game i decided to make it an ""HD"" version of the game, using higher resolution sprites and a 3d animated version of Waffle Lover.... However this 3d version is Actually just a minecraft skin of him made in Mine-imator, an Old 3D animating software Exclusively made for making minecraft animations. So , the game had a bunch of bad tilesets and a badly animated prerendered sprite of a minecraft skin for its player character. i dont remember much from that point of the game's development other than it did not last very long and it looked Funny. i dont even think it got past one level... as i struggled with making high resolution art (i only had ms paint and construct 2's built in image editor, so, yea). i Think everything from that era of the game's development is Gone, HOWEVER i THINK i might have the files for the Mine-imator animations Somewhere... maybe. i Think i saw the files on my old laptop for some mine-imator project but i was unable to open them and i dont know if i saved them anywhere so. Idk.

and now, this leads us to the Third iteration of the game... which is the one i showed in this post. as you can see in the video, i finally figured out how to make pixel art look not blurry. i also figured out how to make different layouts use the same event sheets. i even figured out how to make a HUD... incredible ! other than all of that, there's not much to say about it. it's just not as silly looking as the earlier iterations were... and its not really Fun to play. its not even all that janky.. its just basic. i worked on it for awhile, but then i gave up on it and moved onto the mid 2015 iteration.. and the rest of the game's history is a story for Another Time..

if there's anything i can say about this old game.. it's that you can Definitely see how much ive grown since then. whoever is reading this, i Really hope this is not your first introduction to my work.... cus my stuff nowadays is Insane compared to this... a lot has happened in the like, 8 years since ive started game development. and i have so much stories i want to share,,, i hope i can keep sharing those stories with you. oh and also, if you Really have never heard of my work before... um.... Play UNITRES Dreams on Newgrounds dot com. LOL!!!!!!

That is All i want to talk about for today i think. I Think. hope my posts are comprehensible to u ! Oh , And Before i forget , the build of the game in the video i posted is in the ProjectWaffle google doc archive ... and the Earliest Build i have is on github. check it out If U Wish !

[eievuiisms]

ok so im finally just gonna infodump about that dhmis au i just randomly started posting like a week ago almost, which ive just referred to as the dollhouse au. anyway infodumping under the cut lmao

so as i mentioned in the og comic for it, it was kinda inspired by ‘inside a mind’s theory abt the dhmis webseries but likeeee mostly for the aspect of red guy being the main focus + having some level of responsibility irt the situation, but anyway i mention this since its the basis of this au more or less

so the trio were all humans once, & were all connected in some sort of way. i havent determined the extent of their relationships but they def knew each other, and werent like borderline strangers. in my mind, red & duck were coworkers + friends (and potentially working on getting to be more than that, but never got there) and red & yellow had a familial, brotherly type of relationship (ive tossed around the possibility of them being maybe step-brothers or smth like that, idk like i said i havent determined the extent so take that w/ a grain of salt)

(also fyi yellow’s an adult & is younger than both red & duck by a somewhat significant amount, but he’s def just a neurodivergent adult man. theres not any plot significance, i just figured i’d say lol)

now these 3 definitely all have struggles in their lives, some of which have been reflected in the show (red’s inability to connect with others ‘like him,’ duck not actually liking being alone, yellow having a poor relationship w/ his dad, etc etc). their lives arent exactly horrible but its far from sunshine & daisies

(ive kinna debated the idea that maybe a significant event happened that negatively affected red in particular but idk i dont think i wanna make it melodramatic so lets just leave it as ‘their lives arent Perfect’ for now lol)

so at some point, red comes across an antique shop that’s never been there before, one that holds all of the puppet props as well as the dollhouse from the TV series, which red is given with the claim that it ‘belongs to him’ (& yes, the person that gives it to him is lesley). so red is just kinda like ‘ok ig’ & takes this totally normal dollhouse that won’t cause him problems in the future home w/ him. what could possibly go wrong

anyway i figure some time passes after he obtains the dollhouse but basically to make a short story shorter, he - & the other 2 - wind up getting trapped inside the dollhouse as puppets, so theyre stuck in there & then in the normal world theyre obvs labelled as missing. while they’re trapped in this dollhouse, they dont remember anything from their prev life - they do not remember being human, and they do not remember knowing each other as closely as they once did.

so before proceeding, i will say that in this au, both the webseries & the TV series occur in the timeline, & they do indeed occur one after the other, so the webseries is ‘season 1′ & the TV series is ‘season 2′ (& i think i will be referring to them as such throughout the rest of this dump bc its easier than specifying ‘webseries’ & ‘TV series’ each time lol)

so during s1, red guy is in ‘control’ - in the absolute loosest terms, bc obviously these puppets cant control SHIT, but all i mean by 'control’ is that their surroundings are reflective of a certain individual. in the case of s1, it is red. because of this, the trio is a little more self-aware (as red particularly was in s1), and they remember each incident that happens between episodes. obviously, things go downhill reaallllyyyy badly because red doesnt have a grip on anything, so we get some pretty nasty incidents. additionally, the world all around looks more realistic & uncanny while red has the reins

eventually, red accidentally leaves following dhmis 4, and this leads to him going into a version of the real world (obvs not the actual real world. whatever forces that have put him & his friends there aint done with him yet), which, as we all know, eventually leads to him pulling the plug on the world. now, he did this with the expectation that he & the other 2 would finally be free. but no, all it did was take the control out of his hands and put it into the hands of someone else

enter s2, i’m actually going to go ahead & say that ‘transport’ is the first thing that happens chronologically. so here we have red coming freshly out of s1′s events which were clearly traumatizing, and who also expected to be free of this hell puppet world only to find himself right back in the thick of it, so yeah, he’s a little on edge and stir crazy and wants to be free. but here’s the real kicker: none of them fully remember the events of s1. yellow & duck certainly dont, & red only has hints of feelings remaining from it, enough to make him frustrated, but not enough to remember the gory details. this is meant to be the hint that the ‘control’ has switched hands, since as i mentioned previously, they could remember what happened between incidents under red’s control. by the end of ‘transport’ whenever yellow reacts to hearing lesley’s voice, that’s the reveal in this au that yellow’s the next person to be ‘in control’

ways in s2 that show that yellow’s now control: things are definitely a lot softer, while still having their darker moments (compare this to yellow’s brain friends & how cute they were, then how that eventually went downhill) + the trio only have vague recollections of previous events (yellow evidently has some memory problems according to ‘friendship’), among other things. but basically, just judging on how the show treats yellow in s2, its reasonable enough to say in this au that he’s the next one in control of the dollhouse after red, who was evidently seen as an inappropriate fit

anyway thats about all i got atm lol, ive just been rotating this au in my brain for a while so i figured its abt time i like. actually write out most of the details gkjfhgjk. especially bc ppl seemed to like the lil drawings ive done for it, so < 3

[firerwolf]

So to start out I’ll explain why this is formatted like this. So Tumblr did that thing it does where it shows you a post from a tag you follow and the post was for the “Sarah Palmer” tag. This tag has some negative things about Palmer and I asked the person to not tag posts that are negative about a character with that character. Basic etiquette for others in a fandom. Well that person didn’t want to see them as being negative about Palmer and when I again asked them to remove the tag they called me “annoyingly persistent” and blocked me.  But at this point I had things I actually wanted to say about the post and the attitude they had toward content of game series that I took a screen shot so I’ll be posting that and then replying. Their name is removed because what I have to say is more about the attitude that they present than them.

So I want to start with the fact that it is ridiculous to only consider a character in the window of a single game. That’s simply not how characters are developed in a large series like Halo. Saying that you can’t be asked or referenced to other material beside one singular game is like saying that you’ll only consider a character and who they are in season one when someone is trying to point you to an episode in season 4 that gives you more understanding. Not all of a story is in one media and it’s really crazy to consider official media of a series as less because it’s a different form of media. I’ll get more to that in the second point I want to make but the idea that because a series started as a game, which it should be noted was released with Fall of Reach so it was always also a book, is to ignore that that is official media. The books and comics are a part of the story that is being told. And particularly with the EU media around the time of Halo 4 it was even more intertwined. Like Escalation is a literal continuation of Spartan Ops. To say you won’t reference any of the comics is to ignore that that is half of the story of Spartan Ops. It reeks more of elitism to not take all media into account. It reads as though the comics and books are considered less than the games even though they’re all canon. This is a fault in plenty of fandoms where official books or comics are released and people seem to feel they’re above them because they aren’t a video game. If media is official it is equal to the games when it comes to examining characters.

Now on to my second point which is the place that stories told in comics and books have in large series like Halo. Comics and books are able to tell stories that would make for shitty games. The first entire fourth of Fall of Reach is the story of the start of the Spartan IIs, their training days, and their first mission. That would be a shitty game, but make for an amazing book. The point of media that is more text base and detail oriented and not combat involved. The first arc of Escalation is great but it’s also a lot of dialogue and not a lot of combat so it would make for a shit game. It made for a good comic. Same thing goes for Initiation, a lot of events in First Strike, New Blood, Ghost of Onyx, and most other books or comics in the series. There are also what usually people point to for context of things in the game because their format also allows for more depth of characters and more being in the head of characters which allows for more context for characters or their actions. That is the thing that written words have above medias like games where narration is less common or motivations are less explained. This is best shown by considering Destiny. Destiny has a in game story but it also has lore which fill in gaps, explains past events, and adds depth to some characters that gives their attitudes during the game some context, because games aren’t made as just games any more. To pretend they are is to be suck a decade in the past.

The final point that I want to make is about the way they compare Kat and Palmer. First, Palmer shouldn’t be compared to Kat, she’s not a second-in-command, she’s the leader of all the Spartans on Infinity. She should be compared to Carter or John, leaders of their soldiers. But comparing Palmer to Kat this person actually brought up a sort of problem with how people view Palmer. See the descriptors of cocky or emotional could both be used for Kat, and she’s far from professional. It’s also completely false to say that Palmer doesn’t command the respect of her soldiers when in Spartan Ops they absolutely all show her respect. So the comparison as anything negative really falls flat as Kat is all the things that they claim are negatives about Palmer. The only difference between them is that Palmer is in command, above other soldiers, while Kat didn‘t have authority. She was always able to be over ruled by Carter but no Spartan can over rule Palmer and as happened in Spartan Ops Lasky can’t even always over rule her. She is a woman with agency and without the safety net of not being the top dog. The fact that it’s a negative when it comes to Palmer but those same attributes aren’t negative in Kat speaks more to an ingrained sexism about women in power that I think people often don’t realize they have. Because she’s the top Spartan she’s held to a higher standard while those same negatives are ignored in characters that are lower on the totem poll. If you compare her to John or Carter her “flaws” are actually positives. The reality is that Carter and John both have their own flaws but Palmer’s are able to be more open and shown because she is the final evolution of the Spartans. Carter and John are both more serious and more reserved but they were both Spartans since they were kids, and Palmer was a normal person, then ODST, before she became a Spartan. All of the Spartan IVs are more human than those that came before them and that makes them these more openly human characters. Because yeah, Palmer can be cocky, she has pride in her Spartans and she’s a former ODST which are known for being cocky in personal interactions. Palmer can be emotional, she’s a ground soldier unable to take action to get things done and only able to give orders and watch as her soldiers die. She cares about her Spartans so she shows frustration at losses. It should be noted the person who made the post cited a “emotional outburst” which I could only figure they meant that one singular event where she punched the table after the Prometheans took Palmer away but not only was that only one time but it was a reasonable reaction. Palmer spent like three episodes trying to enforce to others that Halsey was a threat, she then betrays them to have the ship invaded, soldiers killed, and nearly killed her Captain and friend and then even when they’re finally beating them back Jul steals Halsey and her anger is by far the one most believable event in that entire game. She warned people about Halsey, they ignored her, and they’d lost all their gains and the lives of soldiers because no one listened to her. A small sign of anger was one of the one few good moments from that entire game.

Now I’m going to cover this last bit on it’s own because this part actually annoyed me greatly. If you read that post above you might have noticed a particular part that seemed confusing as it being considered part of her “portrayal”. The part where they claim an aspect of her character is that she is “sexualized by other Spartans”. The only time in all of Halo 4 and Spartan Ops that any sort of comment or sexual thing was made about Palmer was DeMarco’s first encounter where he makes a pass at Palmer and she shuts him down. DeMarco shuts up, right away stops any of that and never again is any sexual or even physical comment made about Palmer for the entire series. Not even in the comics, Halo 5, of Halo Assault is anything sexual ever said about her. Note that this also isn’t an aspect of Palmers portrayal. She doesn’t make a sexual comment about herself, it’s a part of who DeMarco is but to blame Palmer for his comment is blaming her for his actions as though being hit on is a personality trait for women. This is plain sexism to consider this a ding against Palmer in any way. If anything that scene was at the start to shut down any idea that because she was a woman that she was going to be sexualized at all in the series.

Well that’s all I wanted to rant about for the day. Remember not to tag characters if you’re going to post negative things about them. It’s simply not necessary. People in the tags want positive posts about that character.

[xseedgames]

2017 End-of-the-Year Q&A Extravaganza Blog! #1

It’s time for our first 2017 End-of-the-Year Q&A Extravaganza! We’ve got a bunch of these we’ll be posting over the holiday break, so please look forward to them. Now, let’s roll right in!

We have answers from: 

Ken Berry, Executive Vice President / Team Leader John Wheeler, Assistant Localization Manager Nick Colucci, Localization Editor Liz Rita, QA Tester Brittany Avery, Localization Producer Thomas Lipschultz, Localization Producer

Question: Has selling your games on PC worked out for you so far? I know supporting the PC platform is a relatively recent choice for XSEED. - @Nate_Nyo

Ken: Being on PC has been great for us as it allows us to reach anyone anywhere in the world regardless of region or console. We were probably one of the earlier adopters in terms of bringing content from Japan to PC as we first published Ys: The Oath in Felghana on Steam almost 6 years ago in early 2012.

Brittany: I love working on PC. The work involved is greater than working on console, but I feel like it's a bigger learning experience, too. For console, the developers normally handle the graphics after we translate them, and they do all the programming and such. For PC, everything falls on us. I wasn't that experienced with Photoshop in the beginning, but I think I've gotten a lot better with it over the years. We can also receive updates instantly, and since I talk with our PC programmer through Skype, it's easier to suss out our exact needs and think of ideas to improve the game or bring it to modern standards.

Question: What non-XSEED games do you praise the localization for? - @KlausRealta

Brittany: Final Fantasy XII. I love everything about Final Fantasy XII's writing. I'm also a big fan of the personality in the Ace Attorney localizations. I'm still playing Yakuza 0, but you can feel the passion of the localization team in the writing. There are some projects where you can tell the editing was phoned in, and then there are games where it's obvious it was a labor of love. All of these games have a color I aspire to.

Tom: Probably going to be a popular answer, and not an especially surprising one, but I've got to give props to Lost Odyssey. It's hard to deny the timeless quality and absolutely masterful English writing that went into basically every line of that game's massive script, with the many short stories being of particular note. That game really does represent an inspirational high bar that I think most everyone else in the industry will forever strive to reach in their own works.

For a more unexpected answer, I've also got to give mad props to Sega for their work on Monster World IV. As a Sega Genesis game released digitally in English for the very first time less than a decade ago, I guess I was kind of expecting a fairly basic "throwaway" translation -- but instead, the game boasts a full-on professional grade localization that's easily up to all modern standards, brimming with charm and personality. It's really nice to see a legitimate retro game being given that kind of care and attention in the modern era, and it makes it very easy for me to recommend (as does the fact that the game is actually quite fun, and is sure to be enjoyed by anyone who's played through all the Shantae titles and really wants to try something else along similar lines).

John: I played Okami on PS3 earlier this year (before the remake was announced), and I was awed by how skillfully the team handled text that is chock full of localization challenges like quirky nicknames, references to Japanese fairy tales, and regional dialects. I was especially amused to see a reference to "kibi dango," the dumplings Momotaro uses to bribe his companions in that famous story. We dealt with the same cultural reference with STORY OF SEASONS: Trio of Towns.

Nick: My go-to response is always Vagrant Story, because it’s the game I credit with getting me really interested in a career in localization. Before that point, I had enjoyed games for their story and characters, but hadn’t realized just how much the specific word choices and tone contributed to a reader’s perception of a story as a whole. The gents behind VS’s localization would go on to be industry luminaries, with Rich Amtower now calling shots in Nintendo’s Treehouse department and Alex Smith being synonymous with the highly regarded prose of Yasumi Matsuno’s games – including the cool and underappreciated Crimson Shroud for 3DS, and Final Fantasy XII, which as anyone who’s played it can tell you is a stellar localization. Having spent a lot of time with FFXII’s “The Zodiac Age” remaster this year, the care and attention to detail put into the localization still blows me away. The unique speech style of the Bhujerbans (with...Sri Lankan inflections, if memory serves correctly) sticks with me, because I knew that I myself would never have been able to pull off something like that so deftly. I guess you could say Vagrant Story started a lineage of games that’s always given me something to aspire to as an editor.

Final Fantasy XIV, which I’ve been playing this year, also has a very good localization, especially considering the reams of text that go into an MMO of its size and scope. Michael-Christopher Koji Fox and his team have done a bang-up job giving life and personality to the land of Eorzea, and I’ve enjoyed seeing how the localization has changed in subtle ways as time has gone on. The initial “A Realm Reborn” localization sort of cranks the “regional flavor” up to 11 with heavy dialects and vernacular, but in subsequent expansions, they kind of eased up on that and have found a good mix between grounded localization and the kind of flourishes that work well in high-fantasy settings.

 And, while I haven’t played it in a number of years, I remember Dragon Quest VIII having a really great localization, too, with ol’ Yangus still living large in my memories. Tales of the Abyss was fantastic as well, and both DQVIII and Abyss delivered some really brilliant dub work that showed me how much richer one could make characterization when the writing and the acting really harmonized. I still consider Tales of the Abyss my general favorite game dub to date. The casting is perfect, with not a bad role among them. I also want to give mad props to Ni no Kuni’s Mr. Drippy, just as a perfect storm of great localization decisions. Tidy, mun!

Question: How hard is it to turn in game signs and words to English for Japanese? Is it as simple as going in and editing text? Or as hard as creating a whole new texture for the model? - @KesanovaSSB4

Tom: We refer to this as "graphic text" -- meaning, literally, text contained within graphic images. How it's handled differs from project to project, but the short answer is, yeah, it involves creating a whole new texture for the model. Sometimes, this is handled by the developer: they'll just send us a list of all the graphic text images that exist in-game and what each image says, we'll send that list back to them with translations, and they'll use those translations to create new graphic images on our behalf. For other games, however (particularly PC titles we're more or less spearheading), we'll have to do the graphic edits ourselves. When the original PSDs or what-not exist for the sign images, this is generally pretty easy -- but as you might expect, those aren't always available to us, meaning we'll sometimes have to go to a bit more trouble to get this done.

John: The best practice is to review graphic text very early in the localization process because it takes effort to fix and can throw a wrench in schedules if issues are discovered too late. On occasion, it is too difficult to change ubiquitous textures, especially those that might also appear in animation. This was the case with "NewTube" in SENRAN KAGURA Peach Beach Splash, which the localization team wanted to change to "NyuuTube" to make the wordplay clearer to series fans.

Question: With the Steam marketplace becoming increasingly saturated and being seen as a greater risk to publish on in recent times, what does XSEED plan on doing in order to remain prominent and relevant in the PC gaming space? - @myumute

Ken: It is indeed getting harder and harder to stand out as hundreds of new titles are releasing on Steam each month. We are working our way towards simultaneous release across all platforms to help leverage some of the coverage from the console version to get more attention to the PC release, so hopefully that's something we can accomplish soon. For PC-exclusive releases it continues to be a challenge, but at least they have a long tail and even if it's not an immediate success at launch we know it can continue to produce sales for years to come.

Question: What was your favorite film that you saw in 2017, and why? - @Crippeh

John: I'm way behind on movies this year (haven't seen Disaster Artist, Phantom Thread, or Get Out, for example), but recently I've enjoyed both Star Wars and Lady Bird. I expect I'll watch my favorite film from 2017 sometime in 2018.

Ken: Wind River. Mainly because of Jeremy Renner's performance and how many quotable lines he had.

Liz: Get Out for horror mindblowing amazingness, Spider-Man Homecoming for genuinely fun comic book movie, and The Shape of Water for Guillermo del Toro. Guillermo del Toro should always be a category.

That’s it! Stay turned for blog #2 later this week. Here’s a preview of the kinds of questions we’ll be answering:

Question: Have you ever considered selling the music CDs for your licenses stateside? - @LimitTimeGamer Question: If possible, would you please consider researching and localizing classic Korean-made PC xRPGs? - @DragEnRegalia Question: Do you have any interest in pursuing the localization of any of the large, beautiful Chinese RPGs that have been hitting Steam? Or are you focused exclusively on Japanese titles? - @TheDanaAddams Question: What inspired you all to do this kind of work in the first place? Also, what’s the story behind the company name XSEED? How did you all come up with it? - @TBlock_02 Question: What was everyone's favorite game(s) to work on this year? - @ArtistofLegacy Question: What's everyone's favorite song from the Falcom games you've released so far? - @Crippeh

[aion-rsa]

What DC’s Infinite Frontier Means for Batman and Joker

https://ift.tt/2OD8pfS

James Tynion IV has been writing Batman in some form or another for his entire career. He began his time at DC Comics by writing backup stories for Scott Snyder and Greg Capullo’s Batman during the New 52 era, fleshing out the history of the villainous Court of Owls before landing his first owl-centric series titled Talon. Tynion was one of the lead writers on Batman Eternal and Batman & Robin Eternal, two weekly series that mainlined years of Batman continuity back into the New 52. And following the Rebirth reset, he got a long run with the Bat family on Detective Comics. 

With all that time on the Bat-books, it’s a little surprising to see the deluge of ideas still pouring out of the writer now that he’s got the flagship title all to himself. Tynion took over after Tom King’s 85-issue mega run, and proceeded to pit Batman against an entire city of clowns in “Joker War” after stripping the Dark Knight of his greatest superpower: his money. Tynion returns to the Dark Knight for the Infinite Frontier era, the post-Dark Nights: Death Metal status quo that has an energy to match Tynion’s voluminous idea output.

We had a chance to talk with him about a new year of Batman stories, his next big arc, and the surprising Joker solo book spinning out of “Joker War.”

This interview has been lightly edited for clarity.

Den of Geek: When we last talked to you, you were just getting Punchline into the wind and just getting cracking on Joker War. Now we’ve got Joker getting his own series, you’ve got Batman past the big 100th issue milestone. You’re the boss now, right? 

James Tynion IV: :laughs: Right. And to be honest, when I came onto the title, the company had certain things that they were looking to accomplish with the Batman title. So I had a list of things that I needed to accomplish in the book, which is honestly part of why I leaned into creating so many new characters, especially once I got [artist] Jorge Jimenez as a creative partner. It was because those were the elements that I had the most control over. And in doing it because the company had where they wanted Batman to end at, where they wanted Joker then. 

But then as things started to change and it started to look like I was going to be staying on the title for the long haul, they started asking me “totally blue sky, what would you do next year if you had total carte blanche to do whatever you want?” And I said “I want to do a Scarecrow story.” 

There’s a Scarecrow story that has been in my head since I was working on the [Batman] Eternals, since I was working on Detective Comics. It’s changed a lot since then, but there there are some core pieces that I’ve wanted to explore in a big Batman story for years. And now taking everything I’ve learned from my first year on Batman, taking everything I’ve learned from working with Jorge Jimenez, and also just looking at the state of the industry and the state of DC Comics in particular, I wanted to try some new stuff. I wanted to see what was possible and sort of test the limits of how far we can push the Batman mythology and still have it feel like a Batman book. And that is what we’re up to next year, and I’m really really excited about it.

Scarecrow as a character has always been a great, classic Batman villain. But he’s also got some mission overlap. He’s creepy and scary like the Joker is. He’s a brilliant scientist like Hugo Strange. What makes Jonathan Crane stand out as different and important and worth examining to you?

Well, I think there’s a really interesting parallel between Dr. Crane and Batman, which is the fact that Batman, by putting on the costume, is trying to instill fear in people. That is part of the core mission of him trying to put on that costume. It’s the belief that criminals are a superstitious and cowardly lot and if he makes himself into something that seems inhuman and frightening, criminals are going to be scared out of their mind. In a weird way, it’s a psychological experiment on criminals that Batman is waging war with. 

With Jonathan Crane, with Scarecrow, he is someone whose entire modus operandi is trying to unlock all of the secrets of fear and doing it with the amorality of a classic mad scientist. He doesn’t care how many people get hurt around him, but he’s genuinely fascinated in scientific terms. He thinks he is unlocking some of the truths of human nature and he’s willing to use the entire city as the testing grounds for that. But in a weird way, so is Batman. And that’s why the name of the big arc is “Cowardly Lot.” 

Post-Joker War, you’re taking [the Joker] outside of Gotham, right? Where are you most excited to send him and why?

Honestly, there are a bunch of exciting places. I like showing him in places where it’s tonally incongruous for him to be. Like, I like Joker in the sun. It’s just the most bizarre thing possible with his pasty white skin, just him out on a beach laying with some sunglasses is really, really wild. 

But tonally, what I was really excited to explore is the idea of what is the whole secret criminal underworld that spans across the globe? How do people like the Joker stay off of Batman’s radar for years at a time sometimes before they reemerge to cause their latest havoc? And what are the support systems that hide these people away and all of that. 

One thing that I tapped into was a little bit of real life history, with the ratlines out of Europe at the end of the second World War, where a bunch of Nazis basically snuck into South America and changed their names and identities. And a lot of those similar systems are how organized crime evade the authorities and set down roots in places where you can’t be extradited. 

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Joker, in particular, he is someone who appears to be a part of that world, because he is part of organized crime. He is the Clown Prince of Crime. But at the same time, he is such a chaotic element that he cannot…he walks into those systems, and those systems think they can control and contain him, but they can’t. And so a lot of those players who have been burned by him before are just as eager to take the Joker down as the heroes of the world. So that’s some of the core pieces that we’re trying to unpack here. 

The element of the Joker that I’m most excited about is the fact that Joker does not necessarily make a great protagonist, because he’s someone you can’t really get into the internal life of. So emotionally the real protagonist of the Joker series is going to be Jim Gordon, who is one of my all time favorite characters, and the character I’ve been missing writing the most while getting to make my mark on the Batman mythology. So getting to put him up front and center with all of his very personal enmity towards the Joker, that is really exciting. And it also gives the book its tone. I keep referring to Joker as a horror noir book. This is this is me trying to do something that feels a bit more like a work of crime fiction, with the horror knob dialed up to 11. I honestly think the first issue is one of the best things I’ve written for DC.

Joker is going to function more like a kind of Jason Voorhees, right? He’s a horror movie villain rather than the focus of the story?

He is. Everything in the book happens because of the Joker, and the Joker is in every single issue of the book. But it is about the people who are pursuing the Joker, and the Joker playing with the people who are pursuing. He is both the Hannibal Lecter and the Buffalo Bill of the book. There is still a Will Graham, Jim Gordon is the Will Graham/Clarice that he’s playing with along the way.

You are obviously a very well established horror guy, but the artists on your horror books generally have a certain art style to them. Something Is Killing The Children [Tynion and Werther Dell’Edera’s horror comic about exactly what it says on the label] and Department of Truth [Tynion’s book with Martin Simmonds about conspiracy theories that become real], they don’t look like your typical superhero books. Guillem March has a vastly different art style to what Martin Simmonds and Werther Dell’Edera are doing on the other books. Has Guillem’s art style changed your approach to the horror in Joker at all? Or has your horror brought something different out of Guillem’s art?

One of my first books for DC comic was a title called Talon back in 2014, and Guillem March was the artist. I had been a fan of Guillem’s work, but I started realizing how good he was at the horror moments. Because he has this style that, I think you can see a lot of Joe Kubert. In his line work, it has a kind of Gothic edge to it. I’ve always loved writing some really scary moments for him. And I tried to tap into that, again with Batman…I think that his work on [Joker] so far is my favorite stuff he’s done in all the time that we’ve worked together, which has been pretty much my entire career. 

Who’s your definitive Joker? When you’re dragging in a script, what Joker stories do you go back to to try and catch his voice again?

Oh, boy, that’s a really good question. One of the north stars just because of how closely I’ve worked with him, and for how long, is the Scott Snyder Joker. I think Scott got into the Joker’s head more than almost any other writer in the modern era. There’s a certain element of the Joker as the devil who just knows how to hit every single emotional pressure point on your body to make you afraid and to pick you apart. And the idea of him being almost ever present and in this solitary, terrifying way. So there’s an element of that, that I always bring in. 

But I’m never going to be able to shake the Mark Hamill voice from my head. There is an element of Joker when he’s at his most performative and he’s always performing to an audience, [but] it depends who the audience is. Sometimes the audience is Batman, but his voice changes a little when he’s talking to other villains and those are the stories that I’ve always loved. When I was doing my Legion of Doom one shots during Scott Snyder’s Justice League run, writing him as a foil for Lex Luthor was incredibly fun. Even going all the way back when I was doing the backup stories in the New 52, writing a Joker up against Two Face or up against Penguin or up against Riddler. He has a very different dynamic with all of them that is a little more playful because he’s not trying to kill them. He’s just trying to mess with them. So that Joker gets a little more Mark Hamill where he is a bit more of the clown. 

But honestly, my favorite Joker story ever is Batman Beyond: Return of the Joker. I think it captures all of the sides of him. It’s him at his most performative, but you also see the deep hatred and also the incredible intelligence of the character, which is the thing that makes him so dangerous. The Joker would not be effective if he wasn’t as smart as Batman. The scary thing is he’s always playing a larger game. And it’s a larger game that does not necessarily follow a logic, but he can follow every step of it.

So we’ve got Jim [Gordon] in the Joker book. I’ve also read Barbara [Gordon], Bluebird, Punchline, [canonical best Batgirl] Cass [Cain], and Stephanie Brown are all showing up there.

Yeah, in the Joker book, there are also going to be backup stories continuing from the Punchline one-shot that I co-wrote back in November of last year, and continuing the story of Leslie Tompkins and Bluebird investigating Punchline’s past while she’s on trial for her crimes committed during the Joker War event. That story is going to continue there. 

Barbara Gordon is going to play a key role in that book, especially her relationship with Jim Gordon. Joker looms large in both of their pasts but also in both of their recent pasts. In the Joker War tie-in issues, we saw the death of James Gordon Jr. and that’s going to be one of the key things that sets the story in motion here. So, there is both a loss in their family instigated by the Joker that sets the Gordon family on this journey. 

The Gordon family is a very central force in the book, and tied very closely into that is the new arrangement in which we have Barbara Gordon working a bit more [behind the scenes, but] has not fully given up the Batgirl costume. But she is working more and more as Oracle again. And because she’s behind the computer, she is using Cassandra Cain and Stephanie Brown as her agents in the field, as her Batgirls. And so we are playing and building out that whole dynamic. 

A lot of people are very happy with that.

I’m very happy about it. :laughs: And we have big plans for all of the Batgirl characters in the line that will become more and more clear as the year goes on.

Is everything pointing back towards each other? You’ve got the big Scarecrow story in Batman, you’ve got all of the toys that you’ve brought into the Bat-family hanging around with Clownhunter and with Ghostmaker. But it sounds like they’re kind of eventually going to converge again.

Oh, absolutely. You can’t have two parallel threads going if you don’t plan to have them intersect. And honestly, one of the big things that I am most excited about this next era is how closely together all of the writers are working. There are certain things you can only pull off in a connected superhero universe. And especially like in the era right now, there is an incredible opportunity at DC which is, we have Black Label and books in the YA space and all of that. There are more straight up the middle, back to basics Batman stories being told that are more in the classic mold. And then there is stuff written for all ages audiences with the Bat family characters. So it frees the main line books to go a little further, where we don’t need to reset everything to the status quo, we can kind of push the status quo a little bit and change it 

The guiding idea that I’ve been going back to over and over is we’re further down the timeline than we’ve ever been before. If you look at Batman The Animated Series as a kind of core archetypal peak Batman moment where you have Batman, you have Bat Signal in the sky, you have Jim Gordon on the roof of the GCPD, you have a Tobin at his side, he’s in Wayne Manor, and Alfred’s in the Batcave. That is the era of peak Batman. And then you see at the end of the spectrum, you have stories like The Dark Knight Returns and Batman Beyond. We’re now at the midpoint of those two points. And that’s really exciting to me. Because you get to play with a Batman who’s a little worried that he used to be more effective than he is. Because when he first came on the scene, he cleaned up crime, he was all that, he made it for a better city, but then everything started pushing back even harder. And the city started becoming a more dangerous thing. 

And now Bruce Wayne is no longer a billionaire. He’s still wealthy, still a millionaire, but now he can’t just buy up all of Gotham City and try to fix it. He’s having to re-approach what he’s doing, build his methods back from the ground up. He’s doing it with the Bat family. But this is not an all powerful Bat God who can solve any problem that’s put in front of him in 30 seconds. This is someone who has to do the grunt work, the detective work, and touch up on his training and push himself to new limits, despite the fact that he’s not as young as he used to be. And I think that that makes for exciting storytelling. 

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

I’m really excited. And seeing how the other writers in the line are tapping into the new elements of the status quo. The hope is creating an era of Batman comics that people come back to long into the future. I want people to look at this era and be like, “that’s my favorite era of Batman.”

The post What DC’s Infinite Frontier Means for Batman and Joker appeared first on Den of Geek.

from Den of Geek https://ift.tt/37CrQMB

[shatterstag]

hi there! im a beginner in 3d design so im very new to using rigs and such &i love your work, ive worked with other 3d software in the past but i recently downloaded 3ds max just because, what the heck. then! i saw the post about backgrounds and populating them! and i was just wondering, how to work with rigs (the cat armature?) specifically for artistic reference within a rendered background, you seem to be experienced and i cant find much on this, but if its too much to explain i understand.

HEY FRIEND I HOPE YOU END UP SEEING THIS!

I was actually intending to create a video tutorial series on how to use 3d models for illustration reference, but life and adhd and just plain forgetting has gotten in the way lol

I think it would be cool to maybe finally get around to doing this, and I considered doing a text write up, but I think there would be way too much information especially since a lot of 2d artists are completely new to big bizarre 3d programs

BUT A QUICK INFO RUN DOWN ON THIS POST, ABOUT USING 3D ARMATURES FOR ILLUSTRATION REFERENCE!

I used 3ds Max exclusively for 3d modeling, and ‘CAT’ rigs exclusively for reference

A 3d ‘rig’ is the term for the skeleton structure animators create when animating models. It’s a kind of armature that sits inside the model, and is used to control movement and deformation.

CAT stands for ‘Character Animation Toolkit’ and is a pretty simple and easy to use semi-automatic rig toolkit! CAT basically creates the skeleton structure for you automatically, and gives you infinite ways to customize it (with some skill and creativity).

Because its very quick to set up and edit (with some practice) its a PERFECT tool to use as drawing reference. CAT basically just creates a simple stickfigure for you to use, but its fully realistically poseable from the very get go. It’s not what it’s intended for, but I’ve discovered it REALLY helps me with poses and perspective.

Because each individual ‘bone’ of a CAT rig can be modeled and detailed, you can make simple stick figures, or complex realistic characters. From this.....

into this....

Coincidentally I had plans to package up a premade CAT reference rig in my tutorial pack idea. I still want to do that!

Talking about how to USE a CAT rig would take an entire video tutorial. Thankfully, you can find lots of tutorials for it online! Here’s one that I found just now that walks you through the basic process of getting a CAT rig going, even if their rig does turn out super wacky. You can find lots of other tutorials on youtube by searching ‘3ds max CAT rig’ - only the initial armature setup is relevant, you don’t have to worry about anything regarding actually ‘skinning’ the model and using the rig as a legit animation rig.

as to ‘specifically for artistic reference within a rendered background.‘ I assume you mean ‘how can I pose my rig in front of an already drawn background for reference?’ When I used my rig for comic backgrounds, I usually would just build an entire set, such as above, for perspective reference. But for your particular question - I would personally create a plane inside 3ds max, and then place a material on that place with the pre-drawn background in it. Then, you can position the new reference plane in the 3d space, and resize/rotate/adjust the reference rig to look like it matches the perspective in the drawing you have.

I hope that answers some of your questions!!

[comicteaparty]

March 11th-March 17th, 2019 CTP Archive

The archive for the Comic Tea Party week long chat that occurred from March 11th, 2019 to March 17th, 2019.  The chat focused on Raison d'Etre by Cloud Fourteen (Funari and Leigh).

Featured Comment:

Chat:

RebelVampire

COMIC TEA PARTY- WEEK LONG BOOK CLUB START!

Hello and welcome everyone to Comic Tea Party’s Week Long Book Club~! This week we’ll be focusing on Raison d’Etre by Cloud Fourteen (Funari & Leigh)~! (http://raisondetrecomic.com/)

You are free to read and comment about the comic all week at your own pace, so stop on by whenever it suits your schedule! Remember, though, that while we allow constructive criticism, our focus is to have fun and appreciate the comic. Below you will find four questions to get you started on the discussion. However, a new question will be posted and pinned everyday (between 12:01AM and 6AM PST), so keep checking back for more! You have until March 17th to tell us all your wonderful thoughts! With that established, let’s get going on the reading and the chatting!

QUESTION 1. What has been your favorite scene in the comic so far? What specifically did you like about it?

QUESTION 2. What do you believe are the nature and origin of Sachiko’s secret powers that make her Kregor’s target? What, if anything, might they have to do with Allie? What about the powers has supposedly killed Sachiko’s ancestors?

Funari (Raison d’Etre)

Yo! Funari here and I will make the time to check on messages this week when I can! Leigh and I will joint-answer through my name. I'll make sure to note when Leigh is answering :3 (ex. Leigh currently says "hello ") We can't wait to hear your thoughts!(edited)

RebelVampire

QUESTION 3. At the moment, who is your favorite character? What about that character earns them this favor?

QUESTION 4. Why do you think Yukina was so insistent on going to France after Sachiko and Koyomiko disappeared? In what ways has she or her life changed that might help or hurt her future goals? What is up with her new memory powers?

RebelVampire

1) im gonna name two cause i can and nobody can stop me. the first more serious one is the scene where kregor shows up for rie and then the fight rolls out. ive really come to appreciate how the event is laid out since things go from great to bad to whoops life changing catastrophe. its made especially sad just cause rie and sachiko were so close to kind of resolved their spat but whoops, no resolution for anybody. it was just a great scene that really upped the stakes and kind of changed the course of the path in a was that was refreshing and unexpected. the second scene im gonna pick is that small like 2 page scene where kregor is sick and elianne told him to rest. Like...legit did not expect that. As far as their relationship has been shown, it seemed angry and more boss/employee. But apparently Elianne cares a little bit about Kregor and i just love that. 3) right now its koneko. Cause Koneko's motivations and origin is a mystery i want to see delved into now. Koneko seems to be pulling lots of strings in the bg and this has really got me intrigued. And selfishly i just basically love a good mystery character who is definitely immensely more than they appear.(edited)

RebelVampire

2) So umm, going with Occam's razor on this theory. It seems most likely some ancestor of Sachiko got down with an umbrian probably. Some umbrian who was probably related to Elianne. Or maybe even Elianne cause who am i to judge how old Elianne is. I 100% think Allie is the manifestation of the powers and they're just all kind of shadow related. I just assume the ancestors were killed because theyre not the sort of powers the human body is supposed to be able to handle. 4) Honestly, I don't have good theories about the france choice. Although I do think that it might have been emotionally driven. Like people who suffer really horrific events usually don't want to be in places that remind them of it. So it makes sense Yukina would just want to gtfo of there. And France is at least semi familiar and has Cassandra. I think in terms of life change, I think shes just mostly matured more. So in essence is more fit to handle some of the emotional complications of what she needs to do. As for the memory powers, well, she is biologically Sachiko's daughter or so has been confirmed. And if Sachiko has weird powers that get her hunted, it stands to reason Yukina probably inherited something too. Something that might be muddling her normal Ascendant powers perhaps. But I definitely think she'll find a way to use it to help Sachiko and Koyomiko.

Funari (Raison d’Etre)

Koneko is a beloved character for sure. He is cute, he is cuddly (great for comfort!) He is...also apparently kinda good for saving lives!

And I had to look up what Occam's Razor was oop. But that's what Google is for! It IS a rather interesting take. We like to mix simple reasons within some complex ones to keep folks guessing. Is this one of the simple ones? We'll have to wait and see how it unfolds Though the "Elianne is litterally related to Sachiko" theory is one of the more popular ones even within the C14 server so you're not alone there!

Funari (Raison d’Etre)

One thing we can confirm, though, is that, yes...Yuki moved to France to get away from the bad reminders, the bad memories. Sadly it was just too much after the incident happened...The move wasn't an instant cure, either, but over time, it helped. She did meet a new girlfriend there!

snuffysam

One thing I'm curious about is when Allie first started appearing, how Sachiko reacted to her new powers, and so on. We haven't seen the shadow powers in any of the journal flashbacks in Part One, and we know Yukina's memory powers didn't start manifesting until recently, so maybe there's a connection there.

Alternatively, maybe Kregor REALLY goofed up that torture prison spell he used on Sachiko that one time and accidentally gave her some of Elianne's power.

Funari (Raison d’Etre)

Special 5 is a pretty fun read regarding that :3

http://www.raisondetrecomic.com/uastitle.html (for those that have read at least up to Ch 5, otherwise it's spoilers~)

Funari (Raison d’Etre)

The question hasn't been fully answered, but hints have happened for a bit, kinda leading to Part 2 (which will finally explain it...over time, heh)(edited)

Funari (Raison d’Etre)

A lot of the stuff since Chapter 5 has been with the help of Leigh. She's a really good writer that can put all these ideas together well while still keeping some things secret until "the time is right". I had a direction I wanted to go with this, but tended to get too wordy or expositiony at times. She helped reel that back a bit and organize it.

She's also good at working with what she's given even if it's not a lot, and boy, did I give her a hodge-podge of stuff from Part 1 lol But it's coming along nicely, I think~

She said she loves that @RebelVampire was surprised and enjoyed the sick!Kregor-Elianne interaction from Ch 6

Funari (Raison d’Etre)

If you guys don't mind, we would like to add our personal answers to Question #1~ For Leigh, it's a tie between two scenes in particular. One is Elianne's "I CAN'T LEAVE THIS PLACE!" scene in Chapter 6, especially the cats in the background as it's happening... and Nozomi's spectacular toss of Miko in Chapter 4 ("GET OUT")...especially when you consider how small Nozomi is (she's almost 5 feet tall exactly) As for me...it's kinda hard to pinpoint just one or two xD But I think I kinda like Special 3 in general. Especially for this page alone

RebelVampire

QUESTION 5. What has been your favorite illustration in the comic so far? What specifically about it do you like?

QUESTION 6. Do you believe that Yukina will be able to save Sachiko and Koyomiko? How might the lessons from the journals help Yukina in this endeavor? Do you think she still has more insight to gleam from them?

Funari (Raison d’Etre)

Journal lessons, huh? > :D (SFW, just a little silly; a recent question answered)

AV-chan

Here's some of my inputs but I'll have to answer what I can still remember. In regards to Yuki's powers, I sense that it's either an evolved form of Sachiko's powers or branch type since Yuki does need to touch someone to activate it. Who knows what surprises we'll see I think I mentioned a fav scene before but I'll input another recent one that I liked... It's the specials where Miko was training to get buff again and Nozomi taunts her until she goes all out

That answer is really funny and cute @Funari (Raison d’Etre)

Funari (Raison d’Etre)

Oh yes. GET IN SHAPE!! (We hope to get the final part out soon but it has a good pause point atm!)

Funari (Raison d’Etre)

We're really enjoying the Yuki's powers theories by the way!

snuffysam

6) You know, I'm not sure Yukina will be the one to save Sachiko and Koyomiko. The animal buddies seem to be doing a decent job already, and I'm not sure they'll recruit some kid to help them. Though she could use her powers to restore their memories once they're rescued?

RebelVampire

that just makes me picture yukina slamming the door dramatically saying "I'm here to save you." and then everyone and the cats are just having tea saying nah we good.

Funari (Raison d’Etre)

Lmao

That's a pretty hilarious image xD

Funari (Raison d’Etre)

Aaand...a picture happened.

RebelVampire

omg thats great XDXDXDXD

Funari (Raison d’Etre)

Thank you

RebelVampire

QUESTION 7. Which characters do you enjoy seeing interact the most? What about their dynamic interests you?

QUESTION 8. Who exactly is Koyomiko’s pet cat and why did Elianne call him a renegade? Who is his white haired companion helping him? Why are they helping? How is Elianne a key to Shiva’s vengeance?

Funari (Raison d’Etre)

Leigh: CAT QUESTION! :D

RebelVampire

5) definitely this one from the climax before the time skip. http://raisondetrecomic.com/chfivep40.html I love the use of the silhouette cause it really contrasts well with the yellow. i also like the angle is from over kregor's shoulder so it kind of makes the sort of distance view that really forces you to be in awe of this immensely show of power. 6) I'm kind of in the same thinking as @snuffysam in that Yukina will help restore their memories while the cat folk do the heavy lifting. Cause they really have done the hard part of getting them away from Elianne, cause now Elianne's only retaliation is to send Kregor. and well...Kregor has the cant even do one job disease it seems since he only even got sachiko and koyomiko by complete accident. XD I do think the journals might help though. Maybe it'll be like the Butterfly Effect or Life is Strange where she accesses memories by reading them.

RebelVampire

7) Probably Nozomi and Koyomiko, even though its been a while since then. On the whole Nozomi interests me as a character cause she seems to have changed the most significantly from when she was a kid to when shes an adult. And its really interesting to see the effects that those around her have had on her and how those relationships have changed. 8) I feel like Koneko is like some guardian who broke with society to stand against Elianne specifically. Or that he was somehow related to the people who originally imprisoned Elianne. Which if it's that latter one, I assume the other companion not Shiva is part of the same group. Shiva maybe too in a way, but I feel Shiva is trying to strike at an old acquantaince of Elianne's, cause maybe Elianne's past deeds were bigger than just her. Like she fell in with the wrong crowd or something. But to summarize, I think theyre like some fringe group about protecting people from people like Elianne who are less touchable maybe. As for why helping, I think Koneko is actually just pretty selfish and wants to save Koyomiko no matter the cost.

Funari (Raison d’Etre)

Leigh: (re: question 8 with @RebelVampire ) that was the point with Nozomi actually! Glad to see the comment on her. She is definitely a complex character and will be shown more in upcoming parts

Nozomi has a lot of concept sketches plotted out and has been a big focus behind the scenes, heh~

Funari (Raison d’Etre)

And, while we can't spoil, we can confirm that the light-haired companion to Koneko is the Celestial version of what Koneko is (which has been mentioned as being some sort of Umbrian)

Very similar characteristics, yet they both have some tiny variations~

Which DOES make one wonder....if the butter-cat can shift into a human form, does that mean Koneko has one, too?

RebelVampire

yes O_O

there is not a doubt in my mind he can

well could

cause i believe its either he wont or he cant anymore

i am just waiting for the day its real and then you flood the world with all the human pics O_O

Funari (Raison d’Etre)

Hehehheheh

RebelVampire

actually tbf creators do a lot of what if pics so even if its not real there may be human pics someday

so you know what

my win regardless

XD

Funari (Raison d’Etre)

Leigh: It helps that you know he's going to be a handsome devil :p

RebelVampire

its true XD

Funari (Raison d’Etre)

Leigh: I mean, come on, look at him:

RebelVampire

QUESTION 9. What sorts of art or story details have you noticed in the way the comic is crafted that you think deserves attention?

QUESTION 10. What did Elianne do in the past that got her trapped and considered unwelcome in Umbria? What do you think she intends to do if she gets free? What’s in it for Kregor?

Funari (Raison d’Etre)

Oooh, the art questions are the most curious

RebelVampire

9) One detail I think deserves attention story wise is Koyomiko's changing use accent. I find it vastly interesting that she has it as a kid/teen, doesn't have it as an adult, and then suddenly has it again post memory loss. It's a real curiosity and makes you wonder if the loss of accent is actually a conscious effort on her part everything. But also I just enjoy the consistency in that since doing consistent changes in accent in this manner can be an easy thing to forget. Art wise, I love the details in Rie's design that always seem reminiscent of a fox. Like the pointy tooth or pointy ears. Like even her hairstyle somehow invokes that feeling of fox, and I love that. 10) I feel like Elianne was just power hungry and delved into forbidden stuff. Like not world take over domination. But more just was like didn't draw any lines of ethics and wanted power for the sake of power? Mostly this theory stems from she doesnt strike me as a world domination type. Since so far her goal consists of "id just like out of this cave plz and thank you." I think the first thing she'll do when she gets free is go to starbucks so she can savor ordering her own coffee. And then ya know, plot revenge against those who imprisoned her or get her powers back if she gets free sans powers. As for Kregor, IDK man. Maybe he just likes money or maybe he deserves employee of the year award for being the most loyal employee ever.

Funari (Raison d’Etre)

The little details: Miko's speech patterns

Funari (Raison d’Etre)

Sachiko's head movements as an adult (phone doesn't have spoiler tags) is another thing we made sure to note

€heshire777

You can do spoiler tags on mobile, just put || on both sides of it.

like so

Funari (Raison d’Etre)

Well just in case it doesn't work (have had update issues before), I managed to be vague anyway lol

RebelVampire

truly a beacon of inspiration to minions everywhere XD

QUESTION 11. What do you think are this particular comic’s strengths? What do you think makes this comic unique? Please elaborate.

QUESTION 12. How might Koyomiko and Elianne’s powers being opposite be significant to the story? Do you believe this gives Yukina an advantage in some way since she’s also an Ascendant?

Menchi

Finally found my way here, but I'll start by answering the two newest questions: 11. Frankly the strength of the comic so far has been continuing a story that feels unique compared to anything I have read before, juggling the feel of a slice of life story while building up to a big adventure. Also I'd like to throw in how surprising it was for plot to progress, the signs there for the story to go further but the bait and switch about how the story would progress was certainly amusing. :)

as for 12: I had not given it that much thought before now, perhaps in a "Only I can defeat you kind of way", though from the story so far that might be too obvious. ^^ but i could see Yukina being very effective at least in nulifying and protecting others from Elianne's abilities.

Funari (Raison d’Etre)

@Menchi - Leigh is to the one to compliment with that. She has done an amazing job with the storytelling and coherency. Inks have gotten much better thanks to her too!

Menchi

heh, you been a good team together ^^

Funari (Raison d’Etre)

Thanks. Means a lot. I had these ideas for a long time but she helped put it all nice and coherent~

Also the theories about Yuki (all of them)give us life

Menchi

Then begin the Yuki is the true bad guy theories xD

Funari (Raison d’Etre)

Ohhhhnoooo

Menchi

Yuki goes pure evil, Rie has to bring her back from the bring, cue feel good story of the year xD

Funari (Raison d’Etre)

YuRi shipper ;p

Menchi

i admit it :p

Menchi

1. Now thats a tricksy one, but I would say my favorite storyline is at the start of chapter 3, when (without spoiling too much in case people drop in) the certain parts of the story start to cross together much more, and their involvement together became much more apparent. That it wasn't just a story that was looking into the past.

2. I am still holding to the belief that her father is some kind of Umbrian, or perhaps something else altogether... that or her father played with forces he cannot comprehend. :P For the other parts of this question I am unsure, but I am very curious to see where they go with these plot threads.

snuffysam

we do know at least one dad that lied about being an umbrian

could very well be two

i think the most unique aspect of the comic is its story structure. the first part is technically told entirely from yuki's perspective, but she's finding out about the past through others' recollections. and they're also potentially unreliable narrators, as seen through the chapter where koyomiko and nozomi argue with each other over the story of their meeting. it really gets into those themes of memory that I hope will be explored further in part 2

Funari (Raison d’Etre)

Oh, Kazuo....He was definitely in some huge trouble...

I mean, can you imagine how that first secret came out based on what Nozomi said in that Interlude?

snuffysam

was caught sniffing a dog in the park

Funari (Raison d’Etre)

Kazuo: Oh, I love you Nozomi Nozomi: I love you, too. Let's get married. Kazuo: Okay! (few months later) Nozomi: Oh, Kazuo, I'm pregnant! Kazuo: Oh....Um, I guess it's about time I told you that I'm actually a kitsune. Nozomi: WAT

snuffysam

AND HE DIDN'T EVEN MENTION THAT HE WAS ROYALTY OR THAT HIS FIRSTBORN WOULD BE TAKEN AWAY AFTER GRADUATING HIGH SCHOOL

he's in the doghouse for sure

Funari (Raison d’Etre)

Hoooooo boy

Funari (Raison d’Etre)

Also a minor correction: Rie is the second kid Understandable to think it was 'firstborn' since that's how the trope usually goes but Hiroki is safe xD

snuffysam

ah yes that's true

Funari (Raison d’Etre)

Nozomi had Rie knowing full well at that point that her kids were going to be halflings but then THAT happened and he kept it a secret when he really shouldn't have!

RebelVampire

QUESTION 13. What are you most looking forward to in the comic? Also, do you have any final thoughts to share overall?

QUESTION 14. What other changes do you believe the time skip has brought? In particular, what do you think has happened to Rie in regards to her decision about the NKP and her destiny to be her clan’s Inari?

RebelVampire

11) I think the comic's strength is its use of personal perspectives. Like whether its Yukina, Miko, Sachiko, or any other character, the comic does a really excellent job of switching to different perspectives at the right time to continue the story in emotionally compelling ways. It also makes the perspective changes worthwhile since each one youre always learning about each character on a more personal and intimate level that really helps connect you to them as the story ramps up. 12) I think it's gonna help when push comes to show since at the very least, yukina and koyomiko can probably defend themselves better against elianne compared to others. but other than that, im not seeing it have a big effect other than saving everyone's neck at the right time. 13) right now im just looking forward to seeing rie again and see what time skip rie looks like. and im just curious how everything worked out for her. also, human koneko. 14) I have an honest belief that Rie wants to stay in the NKP, but that shes struggling to get out of family obligations at the moment. And that she might have found a way, but it is tedious and drawn out. as for other changes in general, i feel like the NKP in general might have changed their policies a bit or something. at the very least, i hope they had a super big poster of Kregor that says "NKP's most wanted." which kregor brought to elianne to express his popularity.

Funari (Raison d’Etre)

Ascendants are an interesting bunch. We're slowly learning more about them in the recent pages. At least, via quick comparison-like comments between folks involving Cassandra and Yuki's dad vs. Yuki and Miko(edited)

As for Rie, well, she's been shown in her adult form in recent updates ;3

snuffysam

i feel like rie wants to stay in the nkp, but that goal may waver slightly after sitting through all of tomoko's lectures...

i think there might be a strained relation between the nkp and umbria going forward. because, like, kregor was caught and sent to the umbrian courts, right? and yet, he was able to get out and snatch miko & sachiko. so the policy of "let umbrians deal with umbrian criminals" has some holes in it.

at least from nkp's point of view

Funari (Raison d’Etre)

Hmm hhmmm

The lessons are important...but they sure are funny. Poor Rie xD

Funari (Raison d’Etre)

You know who is someone we want to show their reaction to what has happened since chapter 5? Rin. The founder of the Favreau-Tokyo Clanhouse, Sachiko's mom, Yuki's grandmother. She will appear soon once we're done with the hiatus but one wonders how she took it

Funari (Raison d’Etre)

Well, it's past midnight where I'm at and I figure the chat has quieted for the week, so with that, I'm gonna at least post this little thank-you doodle to those who stopped by this week before I forget. Thank you very much for the interesting questions and commentary!

snuffysam

thank you for being here and participating in the chat! it's always cool to see a creator at the tea party!

Funari (Raison d’Etre)

I try to whenever I can. I liked the week-long style better because I didn't have to make sure to take time off like I had to for the Thursday one xD This one I could jump in whenever I was available despite work in the way.

And Leigh was also here, at least in spirit. I just relayed her all the comments as they happened :3 She "answered" a few times, but for the most part, our reactions were too similar this time around to really do the separate comments

RebelVampire

COMIC TEA PARTY- WEEK LONG BOOK CLUB END!

Thank you everyone so much for reading and chatting about Raison d’Etre this week! Please also give a special thank you to Cloud Fourteen (Funari & Leigh) for volunteering the comic and creating it! If you liked Raison d’Etre, make sure to continue to support it via some of the links below!

Read and Comment: http://raisondetrecomic.com/

Cloud Fourteen (Funari & Leigh)’s Patreon: https://www.patreon.com/Funakounasoul#_=_

Cloud Fourteen (Funari & Leigh)’s Ko-Fi: https://ko-fi.com/A473RGN

Cloud Fourteen (Funari & Leigh)’s Twitter: https://twitter.com/c14comics

[nora-reads-homestuck]

"Fan" Album, old archived posts by Hussie, some videos, and two actual Fanworks!

(SkaiaMechanic) Another Fanfest Post! What Nora responded to here was actually done back in December. However, various parts were incomplete (for reasons you’ll see) so this just sat around in the Google Doc for months. It’s getting to a point where it’s just clogging up the shared document, so I’m posting what’s here and will make additional posts based on the rest of the content when/if she gets to them. Enjoy!

brrrrrrrrd submitted to nora-reads-homestuck:

Visual art has never really been my thing, and other people have been far better at sharing pre-Act 6 art than I could be, but I can submit a few things you may have missed.  They’re all somewhat dubiously labeled “fanwork” being that most of them made by either members of the music team or Hussie himself, but I don’t know of any better time to post them.  

———————————————————————————

Before we get into the meat of this post, there is one more “fan” album you are current on.  It came out just a week after Act 6 began and has no songs about anything from it.  It’s called Tomb of the Ancestors and is by Kalibration (aka Robert Blaker) who also wrote Upward Movement (Dave Owns), Skaian Flight, Play the Wind, and Ira Quod Angelus, among other things.  https://homestuckgaiden.bandcamp.com/album/tomb-of-the-ancestors-unofficial-album 

There’s nothing more recent than Nov. 17th, 2011 on that page.

(Past!Skaia) As a single person fan-album, it’s not necessary to review this, at least not now. If you were going to, I would suggest holding onto it for later, when the amount of music albums in the story dramatically drops off.

(Nora) I agree, and will hold off for now! Album reviews actually take me a while to get finished because I can only listen to things at certain times, and I want to save my steam for meatier posts right now.

———————————————————————————

Most of this stuff is stuff that has previously been deleted by Hussie or hidden by the original poster, so if that’s not kosher then feel free to skip down to the section below this one.  A little background:  Hussie at previous points in time had both a Formspring and a Tumblr on which he would talk about various things Homestuck, and other various things.  He also has a nasty habit of deleting old things, meaning a LOT of his old posts are gone and most of them only exist as archives.  Here’s some of that stuff, most which was posted before Act 6 or if it was posted during only very early on and not referencing events of Act 6.

To start things off, the origin story of Hussie’s horse painting.  This one actually still exists, but the images are broken:  https://web.archive.org/web/20140408053025/http://andrewhussie.blogspot.com/2009/01/need-for-steed.html

(Nora) I’ve seen this one before, but I read it again and I think I guffawed just as hard, if not harder. Hussie has quite the way with words… and homoeroticism.

Hussie’s infamous trip to Olive Garden: https://web.archive.org/web/20130312060633/http://mspandrew.tumblr.com/post/12963616983/land-of-souls-and-olives-a-conclusion-pasta-la-vista

Olive Garden part 2: https://web.archive.org/web/20130312060012/http://mspandrew.tumblr.com/post/13585722775/land-of-souls-and-olives-a-conclusion-plmfers-part

(Nora) Trix once suggested I audio react to these. Would that be a good idea?

(Past!Skaia) Nah, just read them through. It’s definitely worth a read, but nothing more than that. (Current!Skaia: As of 3/5/17, there’s no indication whether she’s gone through it or not. I’ll keep it in the GoogleDoc just in case though.)

The post-Cascade recap part 1, in which he talks about the the process of creating it and then the content of it.  Really great insight into his creation process:  http://web.archive.org/web/20111028175330/http://mspandrew.tumblr.com/post/11938555890/about-eoa5-part-1

Cascade recap part 2: http://web.archive.org/web/20111028222551/http://mspandrew.tumblr.com/post/11941710181/about-eoa5-part-2

Recap part 3: http://web.archive.org/web/20120801112223/http://mspandrew.tumblr.com/post/11960418585/about-eoa5-part-3

Recap part 4: http://web.archive.org/web/20111029142442/http://mspandrew.tumblr.com/post/11975241895/about-eoa5-part-4

There are more posts on his tumblr if you go to the archive and and mess around with the Wayback Machines captures, including a reddit AMA that for some reason only collected the questions from reddit and answered them on tumblr.  But that’s for a point much later in the comic.

(Nora) Huh! Fascinating read-through. I enjoyed him talking about the process in particular (he makes it seem deceptively simple, doesn’t he, considering the lion’s share of the comic was a completely solo project banged out at a nearly inhuman pace). It hadn’t occurred to me that [S] Descend was actually scored, as opposed to simply animated to existing music, which is a bit embarrassing since it is obviously a medley. I also like what he says when he clarifies Doc Scratch’s means and motive—it’s basically exactly what I’d surmised from reading all his conversations. That tricky, tricky bastard. I am however still mystified by the Horrorterrors, and neither does Hussie seem keen to provide a real explanation for their actions:

The dark gods helped chart their course through this spacetime maze to deliver them to this location, at this time. Take that for what you will

(Nora) Also… why the hell did I not ever realize that Lord English is literally a giant green space pimp??? He’s got the gold tooth, the horrible gaudy coat, the pimp cane cue stick peg leg…

First of all, [Jade] didn’t actually conjure the 4th wall out of thin air. Remember when Karkat told her to turn the wall off, and then draw it? He was asking her to captchalogue an undamaged copy using her Pictionary modus, for this exact purpose. The eventual getaway. So she had it on standby, waiting for the right time to use it.

(Nora) Ohhhhh. OHHHHHHHH. Wow, this whole plan was even more convoluted than I thought, and with the whole password system and all, it was already pretty damn convoluted.

What’s waiting for them on the other side, beside a big ugly coat? Recall the setup I had with the two 4th walls facing each other, separated by one yard. They will break through the wall on the right, traveling nearly the speed of light, and presumably, break through the wall on the left to enter another reality. If you were thorough during Seer: Descend, you might have caught this excerpt on a bookshelf. “Though we adore Him we shall never enjoy His beauteous Croak. We spill our blood on acres of black and white so they may cross the yellow yard. At last in Skaia’s reflection through broken glass He may find the pond in which He’s meant to squat.”

(Nora)You may recall that when I played through the minigame, upon coming across that excerpt I said the following:

(PastPast!Nora) ….’They’ may cross the ‘yellow yard’? This must be referring to Hussie’s aforementioned interference with the story. It’s pretty abstruse, but I feel like it’s telling me something that I’m going to come back and go ‘OHHHH’ over, when I’ve seen more of the story.

(Nora) Consider me motherfuckin’ OHHHH’ed.

However, speaking of AMAs, Hussie’s Formspring was essentially a year and a half long AMA and most if not all of the questions answered there have been compiled here:  http://irratio.org/andrew_hussie_formspring_archives.html

Most of the early questions are inane, but after a while (after he stops answering everything that comes across his message box) there’s some really great responses in there (and some really funny jokes.)  Only thing is, it is *LONG* and will take a really long time to get through.  It went on from late February of 2010 to early October of 2011, with the last responses being around the beginning of the pause during work on Cascade.

(Past!Skaia) It truly is long. Kinda worth it though, and amusing to see Hussie’s actual trolling. 

(Nora) Hahahaha, Hussie is a troll and I love him.

Who do you think should be the next president of the United States?

dumb

(Nora) Welp, consider that one prophetic.

Once there is a reasonable number of strips, is there any chance of a Sweet Bro and Hella Jeff book with commentary by Dave Strider?

yeah

(Nora) That one too, I guess.

When do you think HS will be over?

ive been considering ending it on 8/26/10.

but who the hell knows if that’ll pan out.

(Nora) AHAHAHAHA. HAHAHAHA. AHAHA. HA.

(Nora) I’m going to leave it here for now, as there are SO MANY DAMN QUESTIONS and I really ought to finish my text post.

(Past!Skaia)Sounds good. Once you finish the post above I’ll set up a queue for your responses to the messages above.

(Current!Skaia) This was the main reason I held onto this post. It’s no telling when she’ll get back to this though, so I’m posting what I have. I’ll keep the link in the document, and if she ever does go back to read and comment more I’ll make some more posts!

———————————————————————————

Enough decidedly *not* fanworks, here’s some things you might possibly call fanworks!  If you can call things made by Bowman or Toby Fox fanworks.  And bonus actual fanworks!

(Current!Skaia) I have not shown Nora any of the below. I think…they’re not really necessary? Except Savior of the Slamming Jam, obviously, but that’s also in a submission she hasn’t gotten to yet. If enough people think she “needs” to see them I’ll pass it along but otherwise I’m just leaving it here.

A concert in someone’s front yard!  http://www.nospoiler.com/y/HRT758PTmpw

Toby Fox’s Homestuck Abridged!  [Removed for Giant Spoilers!]

An actual fanwork, Savior of the Slamming Jam! http://www.nospoiler.com/y/CKrO8kS8D6g

Chorale for Jaspers & Pony Chorale, Live! http://www.nospoiler.com/y/o0Z0oopPGpM

I’m a Member of the Midnight Crew, Live! http://www.nospoiler.com/y/xR5vN0ve4lY

How Do I Live, live! https://www.youtube.com/watch?v=nDSEXd4KyO8

Actual fanwork, Club’s Deuce’s Homework! http://www.nospoiler.com/y/dLo22lvynNg

And two shitpost videos by Bowman:

1) Cascade announcement (can’t no spoiler link to this one, but comments are disabled: https://www.youtube.com/watch?v=3o4NvBz8xac

2) “Toby Fox” is now on YouTube (can’t no spoiler link to this one either, unfortunately.  Still, comments disabled):  https://www.youtube.com/watch?list=WL&v=pA9uy3KdeEU

———————————————————————————

I don’t think I have anything else at this time that either definitely has spoilers or possibly does due to having come out squarely in 2012 or later.

[sasslightertm-a]

RULES

I. Mun and muse are separate entities. Please treat them as such.

II. Feel free to ask questions directed at my muse. Also, feel free to tag me in a starter or rp. I’m up for three-ways and/or group rps so long as the other partner(s) already agree(s).

 If it takes me over a week, drop a notice in my inbox. However, don’t flood my inbox just because we’re both online. Sometimes I only have muse for certain threads or I just might not feel up to RPing at the moment.

If it takes a while for me to respond, it will because of these reasons: (1) I do not have Internet access; (2) the thread is in my drafts and I am stuck on how to respond; (3) I missed the inbox ask or reply/Tumblr ate it; (4) I have a life away from Tumblr; or (5) I may need to take a break from role-playing so I can recharge and my muse can come with with ideas. It will not be because I am ignoring you or I don’t like you or your muse.

III. If you ask to RP, you write the starter.

IV. DO NOT REBLOG MY ROLEPLAYS IF YOU ARE NOT INVOLVED. Message me or go on Anon if you have a comment about a thread.

V. Personals, do not reblog my OOC posts (unless tagged 'Charmed' or 'Chris Halliwell'), headcanons, drabbles, and roleplays. Doing so once will result in a warning. If it happens again, you will be blocked.

Regarding NSFW content:

NSFW material (gore, violence, blood, etc.) may happen on this blog. However, please let me know if you want to smut with Chris before we add it in a thread. I tag NSFW and trigger warnings as such. I do use Read Mores for smut on this blog. I'm also perfectly fine with doing a fade-to-black.

I don’t have any triggers; however, threads with suicidal themes, self-harm, and sexual assault on my muse make me extremely uncomfortable. Please discuss it OOC first.

I will not RP smut with minors. (This should be pretty self-explanatory.) If you are a minor and want to RP smut with me, I will do a fade-to-black.

I am of age to RP smut, as is my muse; however, I play Chris as being grey-asexual. He does have a very low sex drive, but it's very rare that he wants to act on it. (That being said, he is fine with both men and women.)

God-modding

Basically, don't do it. If you want specifics, this includes:

Metagaming (using OOC information in an IC thread).

Killing off my muse

Forcing history on my muse

Forcing a ship

Speaking for my muse

Describing my muse’s thoughts or emotions

Doing an action for him

Forcing a situation upon him without giving me, the mun, a chance to respond.

Doing ANYTHING for my muse

Having your muse know mine when they’ve never interacted.

In short, you write your muse and let me write mine.

GUIDELINES

I. This blog is multi-verse, multi-ship, and selective.

II. I track the tag #twicebornwitchlighter.

III. Mun's FC is Sally McKnight (aka Thorn) from the Hex Girls as she appears in Scooby-Doo and the Witch's Ghost.

IV. On my writing style: I use sentences, paragraphs, one-liners, and gifs/icons/icon gifs. If you don’t use icons, gifs, or one-liners, that’s fine. I’m okay with just writing sentences/paragraphs. Basically, I tend to use everything and my style can be rather fluid as a result.

V. My portrayal of Chris is taken mainly from the TV series and is very heavily headcanon-based. I do not read the comics, but I do consider the tie-in novels to be canon to the TV series.

Interacting

I. If you come to me with an rp idea, I request that you write the starter. Please don’t ask me to write it. In addition, do NOT come into my inbox with "Hey, wanna rp?" or "Can we rp?" and not have an idea for what you want to roleplay.

II. I prefer to use the IM messaging system solely for OOC chatting and plotting. I won’t role-play or respond IC over the messaging system.

III. I will not tolerate hate directed at me or my partners. Anon hate will be deleted or responded to IC (if it is directed at my muse), and I am not responsible for my muse’s actions.

IV. I do not smut out of the gate, with a couple exceptions: (1) It has been plotted out with the other mun; (2)  it has reached that point in a thread where both muns feel it is appropriate.  

V. I do not roleplay with muses that have no bios or rules pages. I also do not roleplay with cartoon/anime muses (unless they have a faceclaim), self-inserts, YouTuber faceclaims, and Mary-Sues.

OCs / Crossovers / AUs

I. I am willing to crossover with the following fandoms: 

Buffy the Vampire Slayer 

Teen Wolf 

Shadowhunters/The Mortal Instruments  

Witches of East End 

The Vampire Diaries  

The Secret Circle 

Wizards of Waverly Place  

Ghost Whisperer

If I am not familiar with your fandom, I will not write with you.

II. On OCs: I am extremely wary and selective when it comes to playing with OCs. I won’t always say no, but I won’t always say yes either.

For OCs (and all potential partners), I check out the bio page, rules/guidelines, and read some posts to see if our writing styles will click and if your muse will be a good foil for mine. I’ve had a few bad experiences in the past with OCs, so please respect this. (This also goes for Phoebe and Cole's unborn son.)

I will not roleplay with OCs if

there is no about page

they are a next gen sibling to Chris (my Chris has zero right to regard your muse as his brother/sister/half-sibling/step-sibling)

their sole existence is to be in a romantic/sexual relationship with Chris (or it is part of your OC's backstory that they are in an established relationship with him when we have never interacted). I am not writing Chris solely so your muse can get laid by a pretty witch.

III. All that being said, I do love OCs and AU muses. Hit me up.

Shipping

I. I ship Chris with chemistry. That’s it. However, I do headcanon him as a demiromantic grey-asexual—he has a very low sex drive and will have sex if it is what his partner wants, but he rarely feels sexual attraction. It will also take a long time for him to fall in love with your muse.

II. Don’t assume relationships. Do not assume my muse is best friends with yours, knows who your muse is, that your muse is an acquaintance of or related to Chris, or that they are in a romantic/sexual relationship. The only time this is okay is if your muse is one of the Halliwells or a character Chris has met in-canon. (Even then, I am extremely selective when it comes to Halliwell muses.)

III. Related to the above, do NOT force a ship. If your muse makes sexual advances towards Chris and he shuts them down, do not have your muse continue to pursue him. It is okay if your muse falls in love with him, but he is under no obligation to return your muse’s affections. Also, PLEASE talk it out with me first if you want to ship your character with Chris—and keep in mind that I have every right to say “No” to a particular ship.

IV. I do not write incest or mpreg.

V. Again, I am not here solely to write smut. If that's all your muse wants Chris for, then it would be best if you found someone else.

VI.  All ships are independent of each other, so Chris is not cheating on anyone. That being said, the set ships I have for Chris are the following:

Chris/Bianca

Chris/Morgan

Chris/Mon-El

Chris/Jace

DISCLAIMER

I am not associated with The WB, Charmed, or Drew Fuller in any way, shape, or form. Nor do I own the character of Chris Halliwell. This is just a roleplay/ask blog for fun.

Most icons are from hunts done by charmedindiehelp (found here). I also make my own icons. Gifs and all the background images seen on this blog are my own. That being said, it's best not to take anything you see on this blog.

My version of Chris is TV and heavily-headcanon based. I do not take the comics as canon, nor will I accept the upcoming reboot as canon (if anything, it will be in an alternate universe from this blog). My anti-reboot tag can be found here.

MUN

Call me Jess. Timezone is MST, USA. I'm a 20+-year-old undergraduate student, so I will not be on Tumblr all the time. This is also not my only RP blog.

English is my first language. I know a little bit of Spanish and am an intermediate German speaker/writer (I've been learning German for 4+ years). Sometimes I may lapse into Standard German (code-switching is a problem for me, since I'm at the point where the languages are clashing in my head). If I do, forgive me and I'll provide a translation.

Mutuals can contact me on Skype.