#ive been having a great (read: miserable (read: great)) time with it so far. we just hit 9s's doom spiral
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how units who have the scanner designation want to be kissed
(idea/request courtesy of @beagalltach)
#nier: automata#nier automata#nier:automata#2b9s#nier 2b#nier 9s#my art#traditional#traditional art#fanart#fineliner#brush pen#pda#kissing#been watching her play it recently after getting her into signalis heehee#ive been having a great (read: miserable (read: great)) time with it so far. we just hit 9s's doom spiral#also i did forget 2b's headband here it's fine though she left it on her nightstand or something
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tuesday again 1/2/2024
it’s quite satisfying how the year started on a monday
listening
first song of the year: how could it be anything other than Sabata. this is the theme from the titular Sabata, i meant to pick the theme from Return of Sabata but im not mad about it.
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reading
i read Tim Marchman’s Popping Tins newsletter (a newsletter about fish and seafood) less bc i enjoy locking Mack in the bathroom every time i want a tuna melt and more for the droll authorial voice. i have bought a tin of mackerel after reading some entries, and it was very good but much much richer than tuna.
What should I do with this can of krill meat?
after consulting the importer’s website:
This is accompanied by a photograph of the can featuring easily-discerned black eyes, which are nothing to be concerned about, according to the company that produces this can. The first question on its FAQ page is “What are the little black speckles in my can?” “No need to be concerned here!” the answer reads. “Your meat is not dirty, and you did not get a defected can. Our Antarctic Krill meat contains the most nutritious parts of the krill, which happen to include their eyes.
…
The risks here are clear: I could vomit when I open the can and see the nutritious black eyes staring at me; I could destroy the peace in my home by making it smell like sautéed and simmered krill; and/or I could ruin a perfectly delicious lunch by introducing nutritious eyes and hard bits of chitin.
i have no memory of how i found this newsletter.
i keep forgetting i have ten hoopla credits a month through my old library and i want to read more comics this year bc reading comics is fun. in the past in practice this means ive binged all ten credits over a weekend. this weekend i had time for exactly one.
The Riddler: Year One is an extremely direct tie-in to the movie and i think it’s neat they let the riddler’s actor paul dano go wild with his backstory and then turn it into a comic. it’s fun when actors get to do weird tie-in shit.
(non-sequential pages)
watching this forensic accountant’s brain crack and scramble like an egg as he struggles to really grasp the enormity of gotham corruption and why the city is such a dogshit miserable place to live in made me go “oh huh that was a pretty good writing decision in the movie”. not that the riddler was terribly stable to begin with but the despair and the unraveling were very effectively conveyed. this comic has a lot of fun with funky layouts (left) and an entire issue (right) is conspiracy board shit on top of accounting forms which is a neat artistic choice.
deeply depressing but an interesting new little window into the rpatz batman (god i hope we get more rpatz batman films) and fun to look at.
how i found this: trawling the popular comics page on hoopla
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watching
this is the seventh year of starting a new-to-me classic black and white movie around 1030/11 PM New Year’s Eve and i am annoyed i didn’t like the movie that started this year but, according to the data, it’s been fifty-fifty so far.
previous years have featured: sunset boulevard, yojimbo, the thin man, it happened one night, bringing up baby, the big sleep, and now roman holiday (1953, dir. Wyler).
this is the platonic ideal of a classic movie. it’s not sterile but it’s so… unobjectionable. wholesome (derogatory) even. not particularly what i was looking for in a movie but, much like the gelato and champagne that pop up, it was kind of a sweet nothing. i don’t think anyone eats any real food this whole movie?
this is never a movie that feels rushed. it is two hours of watching beautiful people traipse around a beautiful city in beautiful edith head costumes. i would not say there is a lot of tension for the first hour and a half. however, imo, it does land its ending and for that i can forgive it a great deal. this is another beautiful movie that is simply not for me.
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playing
have you ever wanted an open world rpg where you play as a shark? congrats, this was apparently free on epic a while back
youtube
Maneater has a tremendously fun prologue where you play as the soon-to-be-dead mother shark who is absolutely going to town on a crowded beach and destroying multiple spear-gun-wielding divers and multiple boats full of citizens exercising their second amendment rights. this prologue is an excellent choice by the game bc it locks the fun part (eating people) behind several hours of really grindy shit. i am not entertained by the grind of eating progressively larger muskellunge, avoiding alligators, and collecting license plates. the grind is EXCEPTIONALLY grindy, i put about three hours into it and have only gotten to level 5 (teen) and have only two mutations i can sink loot into (four types of loot gained from eating other fish. this is too many types imo). i am not anywhere near a recommended level to start fucking humans up. im also not super impressed with the open world aspects of it— there are not a lot of things to do, discover, or interact with in the first two areas.
this seems like a really fun game that clotheslined itself with a cripplingly slow upgrade cycle. im sure the mid and late game are hysterically fun, especially on stream. however i am not willing to put in the hours to get to the fun part when i could immediately be having fun in some other game.
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making
a lot of profoundly uninteresting cleaning. after not being able to figure out why my office (where Phil [no longer in heat. for now] lives) still reeks of piss even after stealing a blacklight from a friend and cleaning with a blacklight, it is of course bc she has been pissing in secret places i didn’t think she could get to. upside down smile emoji. both the girls got their monthly flea goop yesterday and were deeply unhappy about it.
most of my plants died in the move and i am finally tackling the survivors. fan favorite giant snake plant (not pictured, tidied up and inside) did make it and pull through but is not happy about it. now that i have baby basil and baby dill sprouting in the kitchen i do need to do something with the balcony so they have somewhere to grow up study and strong.
also slammed that silly little blondeyes NFT thing up on the archive
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Im so sick of everyone and everything I just want to scream and cry my eyes out
I had plans with my friend grup (6 people including me) to meet up today, go to the zoo and maybe grab drinks later
One person (E) said she couldnt go two months ago. Understandable i respect that. But we can still meet as 5.
The evening before the meet up 3 people say they cant go (J, P, R). R sais that hes feeling ill and going straight home. I understand R but feel sad nontheless. I cant reach the fifth person (M).
M has a birthday coming up and we pinched in to buy him beer. I was tasked with buying it. It would be ideal to give it to him that day.
Here comes the day of the meet up and M is still silent. E sais that shes free for a few hours and can go. So i go there with E its short but sweet.
Literaly why do I bother with them. I try to think of something fun to do as a group. Ive been trying to go out somewhere with them since may (or even december). Its not the first time that we have something planned and everyone quits right before. Am I the only one who cares? Am I asking for too much? Is one afternoon and maybe evening too much?
Im so sad and angry it was supposed to be a great day but instead im miserable like i havent been in a long time im disapointed beyond belief. Yes the time spent with E was fun i was happy then but now I feel like a fool.
Its the first friend group that ive organicaly fit in amd i dont feel like a stranger with them. But maybe i should reconsider? I really like them but they cant keep treating me like this.
I just feel idk of its the right word but betrayed I guess? I was on vacation in the moutains and came home especially to spent time with them and they failed to show.
Im just really confused and sad and angry about the whole thing. I understand they have their own obligations but a week ago everyone was willing to go
If youve read this far congrats i guess why do I even bother tying this bullshit
#please dont reblog this#i try not to get personal on my blog but this was too much for me#i cut my vacation short for these fuckers and all they did was shit on my effort#if someone even reads this and is willing to say something reasuring that would be welcome but dont feel obligated to
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I genuinely wish it were possible to scroll through the kyman tag for more than five minutes without encountering hate. Like, I hey people being uncomfortable with the ship and disliking it, but they don't have to go out of their way to be mean and tag their hate? I find it kind of funny when it's people like the guys who made the microceleb au who say the most demented vile shit on a daily basis (cool, it's south park) but are so childishly malicious and prudish about kyman? Like, this is south park tumblr, we are all in the circus together
i know right :( honestly... i dont wanna get into ship morality discourse, but my general thought on that is we've strayed far too far from a good ol 'this thing squicks me out, im gonna avoid it and focus on what i like' mentality. remember 'dont like, dont read' from the fanfic dot net days? we need that back. i have a handful of ships that make me very deeply uncomfortable - yknow what i do? i block the tag and i dont think about it ever bc its not worth my time. maybe if i run into smth ill complain in private, but im not gonna waste time policing other ppl's fandom experience when there's much more important stuff going on in the world. i think problematic ship discourse is one of the silliest, most chronically online things in the world. like you said - it's south park, greg. fandom is meant to be a fun hobby, and a lot of people have turned it into a miserable and extremely puritan lifestyle. curate ur fandom experience, keep it fun, dont dwell on negative bullshit . best advice i can give.
as for this microceleb au thing, i had to google it cuz i have no idea what the hell ur talkin abt fsdjkfd. i am so fantastically out of loop w the sp fandom - and thank g-d, honestly. im still fond of south park and cartman & kyman are still in my all-time fav characters + ships, but as a south park fandom veteran, lemme tell you - this is one of the most... bizarre fandoms ive been in, let's say that. i was gonna say worst, but that's simply not true, because there's a lot of really great talent and i have a tremendous amount of respect and fondness for a lot of rlly wonderful creative artists n writers ive had the pleasure of knowing. but there's like... a culture thats specific to the sp fandom, thats just a bit... rancid. my sp fixation seems to be recurrent, but if i ever come back im gonna tread the fandom carefully cuz its just very easy to get sucked into nonsense. but that being said, i havent been active in it for a few years now. might be totally different now. doesnt fully sound like it, though
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https://www.journals.uchicago.edu/doi/pdfplus/10.14318/hau2.2.007
IV
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Could it be possible to develop a general theory of interpretive labor? We’d probably have to begin by recognizing that there are two critical elements here that, while linked, need to be formally distinguished. The first is the process of imaginative identification as a form of knowledge, the fact that within relations of domination, it is generally the subordinates who are effectively relegated the work of understanding how the social relations in question really work. Anyone who has ever worked in a restaurant kitchen, for example, knows that if something goes terribly wrong and an angry boss appears to size things up, he is unlikely to carry out a detailed investigation, or even, to pay serious attention to the workers all scrambling to explain their version of what happened. He is much more likely to tell them all to shut up and arbitrarily impose a story that allows instant judgment: i.e., “you’re the new guy, you messed up—if you do it again, you’re fired.” It’s those who do not have the power to hire and fire who are left with the work of figuring out what actually did go wrong so as to make sure it doesn’t happen again. The same thing usually happens with ongoing relations: everyone knows that servants tend to know a great deal about their employers’ families, but the opposite almost never occurs. The second element is the resultant pattern of sympathetic identification. Curiously, it was Adam Smith, in his Theory of moral sentiments (1762), who first observed the phenomenon we now refer to as “compassion fatigue.” Human beings, he proposed, are normally inclined not only to imaginatively identify with their fellows, but as a result, to spontaneously feel one another’s joys and sorrows. The poor, however, are so consistently miserable that otherwise sympathetic observers face a tacit choice between being entirely overwhelmed, or simply blotting out their existence. The result is that while those on the bottom of a social ladder spend a great deal of time imagining the perspectives of, and genuinely caring about, those on the top, it almost never happens the other way around.
Whether one is dealing with masters and servants, men and women, employers and employees, rich and poor, structural inequality—what I’ve been calling structural violence—invariably creates highly lopsided structures of the imagination. Since I think Smith was right to observe that imagination tends to bring with it sympathy, the result is that victims of structural violence tend to care about its beneficiaries far more than those beneficiaries care about them. This might well be, after the violence itself, the single most powerful force preserving such relations.
V
All this, I think, has some interesting theoretical implications.
Now, in contemporary industrialized democracies, the legitimate administration of violence is turned over to what is euphemistically referred to as “law enforcement”—particularly, to police officers, whose real role, as police sociologists have repeatedly emphasized (e.g., Bittner 1970, 1985; Waddington 1999; Neocleous 2000), has much less to do with enforcing criminal law than with the scientific application of physical force to aid in the resolution of administrative problems. Police are, essentially, bureaucrats with weapons. At the same time, they have significantly, over the last fifty years or so, become the almost obsessive objects of imaginative identification in popular culture. It has come to the point that it’s not at all unusual for a citizen in a contemporary industrialized democracy to spend several hours a day reading books, watching movies, or viewing TV shows that invite them to look at the world from a police point of view, and to vicariously participate in their exploits. If nothing else, all this throws an odd wrinkle in Weber’s dire prophecies about the iron cage: as it turns out, faceless bureaucracies do seem inclined to throw up charismatic heroes of a sort, in the form of an endless assortment of mythic detectives, spies, and police officers—all, significantly, figures whose job is to operate precisely where the bureaucratic structures for ordering information encounter, and appeal to, genuine physical violence.
Even more striking, I think, are the implications for the status of theory itself.
Bureaucratic knowledge is all about schematization. In practice, bureaucratic procedure invariably means ignoring all the subtleties of real social existence and reducing everything to preconceived mechanical or statistical formulae. Whether it’s a matter of forms, rules, statistics, or questionnaires, it is always a matter of simplification. Usually it’s not so different than the boss who walks into the kitchen to make arbitrary snap decisions as to what went wrong: in either case it is a matter of applying very simple preexisting templates to complex and often ambiguous situations. The result often leaves those forced to deal with bureaucratic administration with the impression that they are dealing with people who have, for some arbitrary reason, decided to put on a set of glasses that only allows them to see only two percent of what’s in front of them. But doesn’t something very similar happen in social theory? An ethnographic description, even a very good one, captures at best two percent of what’s happening in any particular Nuer feud or Balinese cockfight. A theoretical work will normally focus on only a tiny part of that, plucking perhaps one or two strands out of an endlessly complex fabric of human circumstance, and using them as the basis on which to make generalizations: say, about the dynamics of social conflict, the nature of performance, or the principle of hierarchy. I am not trying to say there’s anything wrong in this kind of theoretical reduction. To the contrary, I am convinced some such process is necessary if one wishes to say something dramatically new about the world.
…
As long as one remains within the domain of theory, then, I would argue that simplification can be a form of intelligence. The problems arise when the violence is no longer metaphorical. Here let me turn from imaginary cops to real ones. A former LAPD officer turned sociologist (Cooper 1991), observed that the overwhelming majority of those beaten by police turn out not to be guilty of any crime. “Cops don’t beat up burglars,” he observed. The reason, he explained, is simple: the one thing most guaranteed to evoke a violent reaction from police is to challenge their right to “define the situation.” If what I’ve been saying is true, then this is just what we’d expect. The police truncheon is precisely the point where the state’s bureaucratic imperative for imposing simple administrative schema, and its monopoly of coercive force, come together. It only makes sense then that bureaucratic violence should consist first and foremost of attacks on those who insist on alternative schemas or interpretations. …
If I had more time I would suggest why I feel this approach could suggest new ways to consider old problems. From a Marxian perspective, for example, one might note that my notion of “interpretive labor” that keeps social life running smoothly implies a fundamental distinction between the domain of social production (the production of persons and social relations) where the imaginative labor is relegated to those on the bottom, and a domain of commodity production where the imaginative aspects of work are relegated to those on the top. In either case, though, structures of inequality produce lopsided structures of the imagination. I would also propose that what we are used to calling “alienation” is largely the subjective experience of living inside such lopsided structures. This in turn has implications for any liberatory politics.[8] For present purposes, though, let me just draw attention to some of the implications for anthropology.
One is that many of the interpretive techniques we employ have, historically, served as weapons of the weak far more often than as instruments of power. In an essay in Writing culture, Renato Rosaldo (1986) made a famous argument that when Evans-Pritchard, annoyed that no one would speak to him, ended up gazing at a Nuer camp of Muot Dit “from the door of his tent,” he rendered it equivalent to a Foucauldian Panopticon. The logic seems to be that any knowledge gathered under unequal conditions serves a disciplinary function. To me, this is absurd. Bentham’s Panopticon was a prison. There were guards. Prisoners endured the gaze, and internalized its dictates, because if they tried to escape, or resist, they could be punished, even killed.[9] Absent the apparatus of coercion, such an observer is reduced to the equivalent of a neighborhood gossip, deprived even of the sanction of public opinion.
Underlying the analogy, I think, is the assumption that comprehensive knowledge of this sort is an inherent part of any imperial project. Even the briefest examination of the historical record though makes clear that empires tend to have little or no interest in documenting ethnographic material. They tend to be interested instead in questions of law and administration. For information on exotic marriage customs or mortuary ritual, one almost invariably has to fall back on travelers’ accounts—on the likes of Herodotus, Ibn Battuta, or Zhang Qian—that is, on descriptions of those lands which fell outside the jurisdiction of whatever state the traveler belonged to.[10]
Historical research reveals that the inhabitants of Muot Dit were, in fact, largely former follows of a prophet named Gwek who had been victims of RAF bombing and forced displacement the year before (Johnson 1979, 1982, 1994)—the whole affair being occasioned by fairly typical bureaucratic foolishness (basic misunderstandings about the nature of power in Nuer society, attempts to separate Nuer and Dinka populations that had been entangled for generations, and so forth). When Evans-Pritchard was there they were still subject to punitive raids from the British authorities. Evans-Pritchard was asked to go to Nuerland basically as a spy. At first he refused, then finally agreed; he later said because he “felt sorry for them.” He appears to have carefully avoided gathering the specific information the authorities were really after (mainly, about the prophets that they saw as leaders of resistance), while, at the same time, doing his best to use his more general insights into the workings of Nuer society to discourage some of their more idiotic abuses, as he put it, to “humanize” the authorities (Johnson 1982: 245). As an ethnographer, then, he ended up doing something very much like traditional women’s work: keeping the system from disaster by tactful interventions meant to protect the oblivious and self-important men in charge from the consequences of their blindness.
Would it have been better to have kept one’s hands clean? These strike me as questions of personal conscience. I suspect the greater moral dangers lie on an entirely different level. The question for me is whether our theoretical work is ultimately directed at undoing or dismantling some of the effects of these lopsided structures of imagination, or whether—as can so easily happen when even our best ideas come to be backed up by bureaucratically administered violence—we end up reinforcing them.
VI
Social theory itself could be seen as a kind of radical simplification, a form of calculated ignorance, meant to reveal patterns one could never otherwise be able to see. This is as true of this essay as of any other. If this essay has largely sidestepped the existing anthropological literature on bureaucracy, violence, or even ignorance,[11] it is not because I don’t believe this literature offers insight, but rather because I wanted to see what different insights could be gained by looking through a different lens—or, one might even say, a different set of blinders.
Still, some blinders have different effects than others. I began the essay as I did—about the paperwork surrounding my mother’s illness and death—to make a point. There are dead zones that riddle our lives, areas so devoid of any possibility of interpretive depth that they seem to repel any attempt to give them value or meaning. They are spaces, as I discovered, where interpretive labor no longer works. It’s hardly surprising that we don’t like to talk about them. They repel the imagination. But if we ignore them entirely, we risk becoming complicit in the very violence that creates them.
It is one thing to say that, when a master whips a slave, he is engaging in a form of meaningful, communicative action, conveying the need for unquestioning obedience, and at the same time trying to create a terrifying mythic image of absolute and arbitrary power. All of this is true. It is quite another to insist that is all that is happening, or all that we need to talk about. After all, if we do not go on to explore what “unquestioning” actually means—the master’s ability to remain completely unaware of the slave’s understanding of any situation, the slave’s inability to say anything even when she becomes aware of some dire practical flaw in the master’s reasoning, the forms of blindness… that result, the fact these oblige the slave to devote even more energy trying to understand and anticipate the master’s confused perceptions—are we not, in however small a way, doing the same work as the whip? …
… All of these forms of blindness ultimately stem from trying to navigate our way through situations made possible by structural violence. It will take enormous amount of work to begin to clear away these dead zones. But recognizing their existence is a necessary first step.
[8] I have explored some of these implications—concerning both alienation and liberatory politics—further in an essay called “Revolution in reverse” (Graeber 2011).
[9] In fact, the way the image of the panopticon has been adopted in the academy, as an argument against the primacy of violence in contemporary forms of power, might be considered a perfect example of how academics can become complicit in the process by which structures founded on violence can represent themselves as something else.
[10] It would be interesting to document the ebb and flow of ethnographic interest within different historical empires to see if there are any consistent patterns. As far as I’m aware, the first large empire that gathered systematic ethnographic, culinary, medical, and similar information from within the empire were the Mongols.
[11] There has been of late a minor boomlet in anthropological studies of ignorance (e.g., Gershon and Raj 2000; Scott 2000; Dilley 2010; High, Kelly, and Mair 2012), and some of the more recent examples even take some of the arguments of my original Malinowski lecture into consideration. But even here, one can observe at least a slight tug pulling in the opposite direction, as when High, Kelly, and Mair suggest, in their introduction, that while a political critique approach to the subject is not invalid, a distinctively “ethnographic approach” must mean seeing ignorance not in purely negative terms, as the absence of knowledge, but “as a substantive phenomenon with its own history” and therefore to understand its “productivity” (2012: 15–16). This of course sounds very much like Foucault on power. Ethnography abhors a vacuum. But vacuums do exist.
#repost of someone else’s content#theory#Graeber#dead zones of the imagination#anthropology#police violence#oppression#academia#slavery#abuse
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july 4th
hi again.
i was planning on writing more. the whole point of this was to get my feelings out everyday to cope but its been awhile.
again, if youre not me reading this. good luck.
so my ex broke up with me right? so much happened that i didnt know about. im tired of talking about it really since its been such a hot topic (my ex and i work together too and share a lot of the same friends) thats the cherry on top lol.
he has a new girlfriend. they started dating the day he left.
ouch.
another ouch?
im her manager at work
looking at it now. this is all one giant hilarious cluster fuck LOL.
im not going to go into details of the messy stuff since its a dead horse at this point.
do i seem happier?
i actually tried killing myself.
not because of him though. hes a loser with nothing going for him so that would be a waste. i did it because of all the emotions after what happened. i didnt have enough time to find somewhere to live. i couldnt bring my cat with me if i moved with my parents far away. i felt like the whole world was against me and i didnt do anything to deserve it. and it wasnt going to get better. i talked about being in a hole and trying to climb out in my last post. this hole extended 1000 ft in the ground and there was no sign of light. i had no sign of light in me. i didnt eat for a week. i drank everyday. i couldnt sleep. why me? what did i do wrong? is this my karma for being me?
so i really did it.
obviously it didnt work lol. im still here. i spent 6 days in the hospital. one in the ER and 5 in the BHU. i was diagnosed with an eating disorder, major depressive disorder and psychosis. i got help for my drinking too. whoo
this sounds cringy. but i feel reborn. i didnt mention in my last post but i have BPD (boarderline personality disorder). ive been diagnosed for about 10 years. most of those spent unmedicated and out of therapy so i was really rawdogging life LOL. if you know anything about BPD its probably the worst thing to deal with. thankfully im self aware so i havent ruined my life but fuck man everyone else ruins it for me.
im in extensive therapy. im on like what... 4 medications?? and i just feel like life is great. ewwww so cringe LOL. but seriously. it is. i dont think ive ever felt so normal in my life. my anxiety is gone. paranoia is gone. my head feels so light now im not bogged down. idk its just so nice. i smile at work now. i smile when i see my friends that i never knew i had. i just know how great life can be.
but then theres this.
schadenfreude
its a german word for basically feeling happy off of someone elses misery.
thats how i feel towards my ex
i know i know its fucked up. but what he did to me isnt?
i never said i was a good person LOL.
i love i just LOVE hearing about how miserable he looks and how happy i look. i revel in it. i cherish in it. i frolic in a field of flowers in it LOL.
okay. we get it. but seriously. i knew karma would come. thats why i learned to stay silent. yes i did lash out and have a mental breakdown wouldnt we all? but he lost friends over this. people think hes fucked up. that in itself makes me feel better. ya know schadenfreude. i do wish he could be a better person but i dont wish him the best. him feeling like this is good. he’ll learn from it. he’ll learn he cant always get away with being an asshole. karma will continue to come his way and she wont hold back.
ill try to write more now that im happy.
xx
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tough decisions — j.oleksiak
a/n: finally another pcos fic, this is based around my symptoms with it, hopefully it’s relatable to most of you!!
warnings: pcos, anxiety, surgery and mentions of covid
“Hey, babe, I should be there in ten.” Jamie answered cheerfully, assuming you were calling to see how far out he was. “I’m sorry, J.” You mumbled, hiding back a groan at the pain tightening in your lower stomach. “I just don’t feel good tonight, could we reschedule?” You asked, letting out a small wince as you leaned against the counter. “Of course, are you ok? You sound hurt.” The concern in his voice only made you feel worse, you managed to hum in response, “oh.” He mumbled into the phone, clearly picking up your message.
You two had been dating for a little over six months, and now that he thought of it, he couldn’t recall a single time when you were on your period and miserable like this. “Did you want me to come over? I can bring you dinner?” He offered, waiting hopefully for your response, “actually that would be great.” You sighed, wanting nothing more than to take a hot shower and hope the cramps got better once you ate. “I’ll unlock the door for you, I’m going to take a shower.” You told him, adding a soft goodbye and an I love you, he repeated the sentiment, a frown etched onto his face as he stopped to get dinner.
You had just slipped on some loose fitting clothes when you heard Jamie walk in the front door of your apartment, “Y/N?” He called out, smiling when you rounded the corner in a shirt of his that you had stolen “accidentally”. He held a bouquet of flowers in front of him along with a takeout bag from your favorite restaurant, “hi pretty girl.” He murmured when you pouted at him, “I love you.” You sighed, burying your face in his chest, “I love you too.” He chuckled lightly, kissing the top of your head. “Wanna eat something? It’ll make you feel better.” He offered, getting a huff in response, he took it as a yes and walked with you wrapped up in his arms to the table. “It hurts.” You explained with a hiss as you sat down in the chair, reaching for your food, he knew it took a lot for you to admit you were in pain, “is it always this bad?” He asked with furrowed brows, taking a bite of his food as you nibbled on yours, suddenly feeling nauseous and worried eating would make it worse. “When I get it, yeah.” You told him, going on to explain the issues you struggled with, the missed cycles, heavy cycles, cramps, all of it. If you could tell him you love him, you can tell him this.
He nodded as you spoke, absorbing the information you spit out, “m’sorry baby.” He sighed, not liking having to watch you like this. You shrugged, finally forcing some of your food down, some relief coming over you as you had something in your stomach. He didn’t push you any further as he saw the look in your eyes, the way you got quiet, he cleaned up the table, leaving you with your plate as you continued to take bites here and there. “I’m going to go change.” He kissed the top of your head before walking down the hall to your room where he knew he had a pair of sweatpants stashed away.
Well he was in there, he quickly googled what you had told him, pcos was on repeat in his mind so he wouldn’t forget it as he typed it into his phone, he read as much as he could, being sure not to be gone suspiciously long.
He got the gist of it, irregularities, heavier cramps, bleeding, mood swings, particularly sad ones.
Infertility. He pushed that one to the back of his mind, he wanted kids with you and while it was early to say that, he knew you two would figure it out when the time came.
When Jamie came out you were nearly half asleep at the kitchen table, your eyes were heavy and when you looked at him he could see the blankness in them. “You can go home, Jamie, I’m probably just going to go lay down.” You sighed, standing up and clearing your spot. “No, I wanna stay with you.” He answered instantly, giving you a soft smile as spun to face him. “Really?” You couldn’t help but grin, catching him off guard, “of course.” He rolled his eyes with a smile, out stretching his arms for you. “Good, sometimes I’m scared to be alone when it hurts so much.” You whispered up to him, pecking his lips when he leaned down to you. “You know you can call me whenever, even if I’m on a roadie. I’d call you back as soon as I saw it.” He explained to you as you pulled him along towards your bedroom, you nodded as a cramp started up.
“Come here.” He demanded gently, flopping down on the bed and pulling you with him, he adjusted you so you were laying on top of him. He lightly began massaging your lower back, feeling you relax into him. “That feels good.” You hummed, blindly running a hand through his hair, knowing he loved when you did that. He smiled, pressing a kiss to your cheek.
“J?” You asked after a while, he’d stopped rubbing your back once you didn’t feel the pain anymore, “yeah?” He shifted slightly, careful not to move you too much. He turned his head to meet your eyes where you were resting on his shoulder. “I left out one thing about it.” You sighed, shuffling yourself to be sitting up more, your boyfriend nodded, although he already knew what you were going to say, he wanted to let you say it. He rested his hand in your lap for you to play with. “Go ahead baby.” He assured you, when you met his soft caring eyes you couldn’t help but get emotional. “It’s super common for pcos to cause infertility and I know we’re not there yet but you deserve to know now, and if–“ you stopped to breathe and the tears started flowing. He rushed to sit up with you, “there’s no ifs, I’m here for the long haul, ok?” He assured you, cupping your face to keep you looking at him. “I already knew that baby, I looked it up while you were eating.” He added, frowning when you cried harder. “You looked it up?” You sniffled, “that’s so sweet!” You groaned, hugging him tightly. He sighed into your hair, “I think you need some sleep.” He laughed, feeling you nod against him.
“Goodnight baby.” He pressed a kiss to your forehead as he laid down with you, relishing in the small smile on your lips as you finally felt at ease for the night.
***
Time had passed, and you both fell into a routine, eventually moving in together once you hit the one year mark. And that was already some time ago.
But over the last few months you both had noticed a change in your symptoms and decided to schedule an appointment with your doctor.
***
Jamie got out of his truck the second he got your text that said you were coming out, due to covid protocols put in place, he was unable to come in with you for your appointment, which made you even more on edge than you thought it would. You figured you’d done it plenty of times before, but knowing that he couldn’t come inside was terrifying.
He watched the doors of the medical center with concern as he rubbed the back of his neck, when he saw you walk out, eyes darting to find him as you shoved your mask into your purse, tears already pricking the corner of your eyes. He stepped forward, taking his weight off the side of his truck as you spotted him, “hey, hey, Y/N.” Jamie mumbled as you wrapped your arms around him in a shaky hug. He felt his heart clench as you cried into his shirt, “baby, talk to me.” He spoke gently, pushing you back enough to meet your eyes. “Surgery.” You squeaked out, you both knew it was a possible outcome, having done the watch and wait method for over a year. He listened intently as you recited nearly everything word for word that the doctor had said.
***
That was three months ago, a simple surgery that plenty of people have and it goes smoothly, turned into a three month process, between the pre op, and the scheduling, and the ultrasounds.
But now, now it was finally time for you to go in, and you were terrified and calm all at once. You weren’t scared for the anesthesia, or for the actual removal of the cysts, you were worried that something would go wrong and they’d have to remove your entire ovary, granted that would still leave you with one, but that didn’t make it any less disheartening.
The doctors had come and made their rounds, each one going over everything with you, over the statistics and the possible complications, only furthering your anxiety. When your gynecologist came in, dressed in her scrubs and ready to have you wheeled off to the operating room, she could see the way you were panicking and squeezing Jamie’s hand tightly. “I know she’s going to be put to sleep, but is there something she can have to take the edge off?” Jamie asked as you looked over with a pleading face. “Yes, of course.” She came over and rested a hand on your shoulder, “you’re going to do great.” She assured you, giving Jamie a reassuring smile as well. The second she left the room you burst into tears, “no baby.” He gave you a soft smile, pulling his mask down to kiss your forehead, “it’s going to be ok, no matter what happens. You’re so tough.” He wiped under your eyes, looking over as the anesthesiologist came in, along with a nurse, “I’m going to give you something to take the edge off, you should feel it pretty quickly alright?” He explained, waiting until you agreed to connect it to your IV.
Jamie watched as you took a couple of deep breaths before looking at him with a much calmer face, he held in a chuckle, “you feeling it baby?” He asked you, giving you one last hand squeeze, you nodded lazily. “Yeah.” You answered, already feeling sleepy, he couldn’t help but smile at how girlish it was making you act, “alright, I love you.” He reminded you with one more kiss to the forehead as they popped the brakes off the bed, “I love you.” You repeated as you stared up at the ceiling, he could tell you had a kind of blank face under your mask. He was just glad to see you not freaking out, as he felt the anxiety transfer to him as they rolled you away, leaving him in the empty room to wait for you.
It felt like an eternity to him, as he knew the surgery was only supposed to take thirty or so minutes, but he also knew they wouldn’t tell him anything until you were already waking up in recovery.
That was nearly three hours later, and he literally jumped to his feet when the doctor came in. She assured him everything went as good as she expected, it was just more difficult to get too, nothing went wrong and you were coming out any moment. He thanked her repeatedly as he felt his heart rate settle, after staring at a wall for so long, he turned to Google and that only worsened his anxiety on why it was taking so long.
When they finally brought you in, you still hadn’t seen the doctor because you had been so out of it, so you instantly looked at him with wide eyes, more awake now. “You did good, baby, don’t worry.” He assured you, standing beside the bed once they locked it in place, the nurse smiled as she charted everything on the computer beside you. “Are you Jamie?” She asked with a giggle, making your face heat up under your mask, “yes.” He answered, not tearing his eyes off you as he could see the puffiness in them from your breakdown earlier. He laced his hand with yours, rubbing it reassuringly as you sighed in relief. “She was asking for you before she could even keep her eyes open.” The nurse told him, earning a soft chuckle from his mouth. “Sounds like her.” He hummed in agreement, tuning into the nurses words as she started telling you what you needed to do before they would let you go, both of them surprised when you did them instantly, the doctor signing off on your release as you seemed more than fit to go home in the care of Jamie.
He was more than attentive to your every need, almost to the point where you got annoyed, but you knew he meant well so you let him do whatever he thought you needed.
You were extremely grateful to have him here with you, knowing that just because you’d gotten it fixed this one time, doesn’t mean it won’t come back. He didn’t let you think like that for long as he brought you back to the present with a gentle kiss to your temple as you leaned on his chest. “S’proud of you.” He mumbled, even though you didn’t do anything, he knew it took a lot for you to make the decision to do this. You didn’t have to answer as you curled further into him, a silent thank you for everything.
taglist: @boqvistsbabe @tortito @2manytabsopen @heybarzy @barzysreputation @yzas-stuff @iwantahockeyhimbo
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AN UNUSUAL YEAR (Part V/V)
Summary: After having little to no interest on girls for five years, Fred suddenly feels the need to nag the shit out of a certain witch, completely oblivious to the reason behind it.
Pairing: Fred Weasley x Slytherin!Reader
Genre: fluff (+ enemies to lovers)
Tags:
An unusual year: @natural-hearts @manuosorioh @lumos-solemn @westyywifee @whiskeyn-rain @warlock--protection @gossip-girl-ecr @fandomscombine @birdy944 @28cnn
Permanent taglist: @elia-the-bibliophile @randomparanoid @karlthecat15722 @thebutchersdaughtersblog
Warnings: a little angst, a little snogging 👀
A/N: maybe a bit longer than I expected but it's alright. Also I might write an addition to this story, not sure tho. I hope y'all enjoyed reading this story as much as I did writing it <3
Part I
Part II
Part III
Part IV
Rogue-durin-16 masterlist
"Y/n! Come sit with us?" George waved at me from the Gryffindor table as I entered the Great Hall, prompting me to sit across him and Angelina, and besides Fred. "Where's Mathilda?" He asked as I got closer, leaving my books on the wooden surface.
"She's feeling unwell." As I sat down, I noticed George's arm around Angelina and I couldn't help the knowing grin that tugged the corner of my lips. "The date exchange at the Ball turned out well, huh?"
"I could say the same about you." He wiggled his brows at me with the same grin I had.
I felt a sudden rush of panic going through my body. My eyes traveled to the boy by my side, who was oddly quiet, and I found him already peeking at me.
"Meaning?" I decided to play dumb, taking a bite of my golden slice of toast whilst ignoring the intending gazes of the couple in front of me.
"You two were having a great time last night." Angelina jumped in, leaning over her table. "Didn't see you coming back, Fred." She added, redirecting her eyes to the ginger.
"I did." His brother laughed. "I daresay you two had an intense night." I felt my cheeks reddening, not finding enough strength to meet George's look. "It was about time, really."
I was startled by Fred abruptly standing up. "See you in class." The curt reply he offered before fleeing shocked all of us; specially his brother, who, with a polite apology, left me and Angelina to go after his twin.
"I feel like I shouldn't ask." She spoke quietly.
"I don't have an answer."
I feared she would see through me. I hadn't lied, but my gut told me whatever happened had to do with the change of demeanor he had at the end of our night out.
I wouldn't say it out loud but a part of me began to worry.
The worry stayed throughout that entire week, guilt joining it at some point. Fred's attendance in Charms, Astronomy and Potions had decreased; I had only see him attend once to Astronomy. The only thing he did was play with his quill and, whenever he thought I didn't notice, stare at me.
Ironically enough, we started spending most of the time together; after the winter break, George had incorporated both Mathilda and me to their friend group, which, in different circumstances, would have been great.
Alicia Spinnet gained special interest on my best friend; Lee Jordan would joke about Slytherins and Gryffindors getting together, and Angelina— well, she seemed happier now that she could hang out with all her friends at the same time.
Fred was miserable. Everyone could see it, yet they did their best to cover it up.
George would overcompensate his brother's attitude by being louder and paying extra attention to me, but it worsened the situation.
I wanted to ask Fred what was wrong, but then again we weren't even good friends, so was it really my place to ask?
~~~~~~~~~~~~
George had proposed a trip to Hogsmade a couple of days ago and we all agreed on going, but the day came and Fred wasn't there.
His brother alleged he had a terrible headache and had chosen to stay in bed. We all saw through his excuse, and once more no one said a word.
It was that night that George came to look for me.
"—well then, go get her!" His shouts got into the common room when a second year entered..
"What's this about?" I inquired, coming out to the hallway to see the ginger about to throw hands at my prefect.
"I need you." He stated, quickly losing interest on whatever the prefect had to say. I only nodded and motioned him to move with me far from the Slytherin door. "You have to speak to Fred now." He almost pleaded, a frown of worry forming on his face.
"Sure— wait, now?" I stared at him in confusion.
"Sorry, I know it's late" his apology didn't mean he would ask me to do it in the morning instead.
I let out a sigh before inquiring, "Where's he?"
"The Astronomy tower, I believe." He replied.
"Alright," I said more to myself. "I'll go grab my jacket." He murmured another apology and a thank you before heading off to his House.
~~~~~~~~~~~~
I came to a halt at the top of the stairs when I saw him sat against the wall, his knees pulled to his chest with his arms around them, and his face buried between them."Hey there, stranger."
He raised his head, letting his eyes and nose be seen."Who gave me away?"
"George."
"Tosser" he muttered, taking his gaze to the levitating bundle of newspaper on fire that was probably keeping him somewhat warm up there.
"Is it that bad to see me now?" I took a couple of careful steps towards the boy.
"It's always that bad to see you."
"Odd for you to say that," I let myself slide down the wall to sit by his side with my legs stretched out. "given how much you stare."
"Touché." He replied, the ghost of a smile breaking through his depressed demeanor. "What are you doing here?"
"What's wrong?"
"I asked first."
"I asked second." He raised his brows at me and it was my turn to avert my eyes from him. "I'm... Worried. About you."
When I shivered due to the wind flowing through the tower, he scooted closer and moved the little fire with his wand for it to be in the middle.
"You're all dejected and sulky," I explained. "You barely attend to our classes together, and if you do, you don't pay attention." I felt him shift uncomfortable by my side. "I'm... I'm gonna regret this— I miss you being a bloody nuisance."
"I knew you loved it." His teasing, though it was meant to be funny, sounded almost painful.
"now, what's wrong?" He shrugged, his chin resting over his forearms. "Listen, if you're not gonna tell me, it's fine, but at least tell George."
"Are you thick?" The bitterness in his tone took me aback. "Y/n, I fancy you." He hid his face between his arms. "quite a lot, actually." He added in a mumble.
"I figured that at the ball, you know?" This time it was me who scooted closer. "Tell me that's not the reason behind this."
"Would you like me to lie?" He questioned, shame slipping out with his voice. "I'm a very good liar you wouldn't even question it." He took a deep breath before looking back up, stretching one of his legs and leaning against the wall. "At the ball, I tried to start something." He began, fidgeting with his hands. "I... This never happened to me, so I wasn't- I didn't know what I was doing, but I thought I was making it clear." He tucked a strand of hair behind his ear. "But when I left you—"
"You know I fancy you too, right?" I tilted my head, searching for his eyes. "As in, more than a one time thing."
"That I didn't know." I felt a pang of guilt, realizing that unconsciously I had played a big part on this.
FRED'S P. O. V.
We stayed in silence.
It wasn't an unsettling silence, but the air weighed over us due to the tension floating on it; I needed to defuse it, otherwise it would crush me.
My heart hammered against my chest while I extended my arm to hold her hand on mine.
It's not meant to be nerve-wracking, I thought to myself as I pulled her hand away from her lap; we had already made clear we fancied each other.
The moment she put her head on my shoulder, the tension completely dissipated. I didn't notice the sigh that left my lungs when it happened.
"Didn't put you, Fred Weasley, in the I'm-a-bundle-of-nerves-with-girls category."
"Oh, shut it." I threw my head back, laughing for the first time in a couple of weeks.
"Never." She gave my hand a squeeze and I allowed my cheek to rest over her crown. "You could, of course, find a way to shut me up."
It wasn't her words that cracked me up, but the suggestive tone she used, which took me back to that night in the Duelling Room when I accidentally let slip my feelings for her for the first time.
I raised my head from hers. "Beg your pardon?" I played the fool, trying to hide the ghost of a smile when she shoot me a wide-eyed look. "What are you insinuating, woman?"
"Do you really wanna start the teasing now?" She gave me a warning glare.
"You've just said you missed it." I couldn't hold back the chuckle.
"I knew I was gonna regret it." She groaned, throwing her head back. My eyes, finally on her, traveled to her now exposed neck and collarbone. Though they weren't visible, I could see the trail of kisses I had left there just a few weeks ago. "Stop staring and kiss me."
It didn't take anything else for me to throw the levitating burning paper away and tug her closer by her hand.
The moment our mouths met, I slipped my hand away from Y/n's so I could led her thighs to straddle my legs.
A quiet moan escaped my lips when she rolled her hips against mines; my hands automatically traveled up from her thighs to her waist, pulling her flush against me.
The temperature in the high, cold tower had shot up all from sudden. Just as we were about to start discarding clothes, quick steps were heard climbing up the stairs.
"Fuck!" She whisper-shouted, practically pushing me away as she got up. "Move, move, move!" As she helped me up and we ran to hide, it dawned on me that we were way past curfew. That got me moving.
We waited for Filch to get to the top of the tower before running down as fast as we could.
"No time for goodbyes!" she warned as we rushed through the vast hallways with Filch after us. "See you tomorrow—"
Before she could sprint downstairs to the dungeons, I grabbed her hand and pulled her into a side hall.
"You won't make it to the dungeons." I stated between pants, glancing at the path we had taken. I wasn't able to see the caretaker yet, but his pants could be heard. "Take the other stairs I'll distract him."
"You'll get grounded." She observed, her breathing as heavy as mine, if not more.
"Worth it." I curtly reply, feeling the corners of my lips twisting up.
"You know?" She pushed herself off the wall she had leaned against to catch her breath. "Sometimes you're really sweet."
"Quick!" I tugged on her hand, seeing Filch finally turn the corner. "Gimme a good luck kiss!"
She pulled me down and kissed my lips briefly before taking off in the other direction. I had to tell myself to shake off that stupid smile and run.
~~~~~~~~~~~~
READER'S P. O. V.
The next morning I eagerly made my way to the Great Hall with two goals; having breakfast, of course, and checking if Fred had made it to his House without getting caught.
I soon spotted the group, this time sitting on the Slytherin table.
Soon his eyes found me too, and without saying a word to anyone, he got up and jogged to meet me halfway.
"Did you make it?" I asked, standing way too close to him and therefore attracting some nosey looks.
"By a whisker." He responded, taking a look around before looking back at me. "I was wondering if you'd like to go for a drink after class." I raised my eyebrows at him with a smirk. "We can use a passage to get to Hogsmade."
"Are you asking me on a proper date, Weasley?" I teased with my hands on my hips. "How cute."
He avoided eye contact, deciding to take another look around instead. "I swear if you tease me right now—"
"I'm free after four." I cut him off. "Now if you excuse me, I'm hungry." I passed him by, playfully bumping his shoulder, and made my way to our friends.
I didn't get far before his hands spun me around and cupped my cheeks, giving me a surprisingly deep kiss. "Are you gonna kill me?" He murmured, his lips still ghosting over mines.
"Oh, you know me so well." I replied, feeling my face heating up. We couldn't help but laugh when whistles and hollers came from behind me. "I might kill them too." I added, making fall into a fit of laughter as we pulled away in order to walk to where our friends sat. "I wanna have breakfast in peace." I warned them, sitting down with Fred by my side.
Everyone was giving looks at each other and trying to hold back the giggles, so I knew a comment was coming, but not from whom.
I could instantly tell I wasn't the only one shocked by the speaker. "But you just had him for breakfast." My best friend responded, faking confusion.
"I was just thinking about that!" Lee yelled, a bit too excited.
"Mathilda Foxglove—" I began, everyone cracking up.
"You are doomed." Fred finished, shoving a toast into his mouth to stop his laughter.
"It was worth it." She stated between giggles.
Fred gave me a side look with a half smile and I thanked Merlin no one could see the boy's fingers interlaced with mines under the table.
#fred weasley imagine#fred weasley x reader#fred weasley x y/n#fred weasley x slytherin!reader#fred weasley#fred x you#fred x slytherin reader#fred x y/n#fred and goerge weasley#fred and george#harry potter and the triwizard tournament#harry potter#harry potter fanfiction#harry potter imagine#triwizard tournament#triwizard au#goblet of fire#fred weasley fanfics#fred weasley fluff#fred weasley smut#fred smut
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Eugénie Grandet and Sansa Stark
Art credit: 1) Chinese Book Cover for "Eugénie Grandet" by Margarita Winkler; 2) Lady Sansa by Batata-Tasha
She pulled a chair close to the hearth, took down one of her favorite books, and lost herself in the stories of Florian and Jonquil, of Lady Shella and the Rainbow Knight, of valiant Prince Aemon and his doomed love for his brother's queen.
—A Game of Thrones - Sansa IV
Channeling my inner Sansa Stark in order to avoid the terrible reality of late, I lost myself in some of the French, Spanish and Russian classics. Eugenié Grandet (1833) by Honoré de Balzac was one of them.
Eugenié Grandet is a book that Sansa Stark would love:
They were beautiful songs, but terribly sad. —A Clash of Kings - Sansa VI
Eugénie (23) and Sansa (13) are kind, generous, eager to please and extremely romantic girls.
Although they are both dutiful daughters, they have a strained relationship with their fathers and at some point they defy them out of love.
The main different between Eugénie and Sansa, aside their age, is their education. While Eugénie is a provincial girl from Saumur with almost zero formal education, Sansa, a northern girl, comes from high nobility and has been educated to be the perfect lady and queen.
Eugénie and Sansa aren't exactly the same, but while reading Balzac's novel it's very difficult not to find them similar. Even Eugénie's house in Saumur resembles Winterfell and the North, the same way Eugénie's walnut tree from her garden resembles the Heart Tree from Winterfell's godswood.
I'm sure that GRRM knows about Honoré del Balzac, however I have no certainty if he has read Eugénie Grandet. But I would not be surprised to know that he did read the novel, and in that case I would even suspect that Eugénie inspired him, even a little, while creating Sansa.
It could all be just a coincidence, of course.
FAIR WARNING : EUGÉNIE GRANDET SPOILERS
Saumur / The North & Winterfell
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step.
Such elements of sadness formed the physiognomy, as it were, of a dwelling-house in Saumur which stands at the end of the steep street leading to the chateau in the upper part of the town. This street—now little frequented, hot in summer, cold in winter, dark in certain sections—is remarkable for the resonance of its little pebbly pavement, always clean and dry, for the narrowness of its tortuous road-way, for the peaceful stillness of its houses, which belong to the Old town and are over-topped by the ramparts. Houses three centuries old are still solid, though built of wood, and their divers aspects add to the originality which commends this portion of Saumur to the attention of artists and antiquaries.
(...) The whole history of France is there.
(...) The house in Saumur, without sun, without warmth, always in shadow, melancholy, is an image of her life.
—Eugénie Grandet
* * *
The vast and frigid realm of the Kings of Winter, the Starks of Winterfell, is generally considered the first and oldest of the Seven Kingdoms, in that it has endured, unconquered, for the longest. The vagaries of geography and history set the North apart from their southron neighbors.
It is often said that the North is as large as the other six kingdoms put together, but the truth is somewhat less grand: the North, as ruled today by House Stark of Winterfell, comprises little more than a third of the realm. Beginning at the southern edge of the Neck, the domains of the Starks extend as far north as the New Gift (itself part of their realm until King Jaehaerys I convinced Winterfell to cede those lands to the Night's Watch). Within the North are great forests, windswept plains, hills and valleys, rocky shores, and snow-crowned mountains. The North is a cold land—much of it rising moorlands and high plains giving way to mountains in its northern reaches—and this makes it far less fertile than the reaches of the south. Snow has been known to fall there even in summer, and it is deadly in winter.
—The World of Ice and Fire - The North
Robert snorted. "Bogs and forests and fields, and scarcely a decent inn north of the Neck. I've never seen such a vast emptiness. Where are all your people?"
—A Game of Thrones - Eddard I
The rising sun sent fingers of light through the pale white mists of dawn. A wide plain spread out beneath them, bare and brown, its flatness here and there relieved by long, low hummocks. Ned pointed them out to his king. "The barrows of the First Men."
Robert frowned. "Have we ridden onto a graveyard?"
"There are barrows everywhere in the north, Your Grace," Ned told him. "This land is old."
—A Game of Thrones - Eddard II
Sewing and Embroidery
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
By the window nearest to the door stood a straw chair, whose legs were raised on castors to lift its occupant, Madame Grandet, to a height from which she could see the passers-by. A work-table of stained cherry-wood filled up the embrasure, and the little armchair of Eugenie Grandet stood beside it. In this spot the lives had flowed peacefully onward for fifteen years, in a round of constant work from the month of April to the month of November. On the first day of the latter month they took their winter station by the chimney.
(...) Mother and daughter took charge of the family linen, and spent their days so conscientiously upon a labor properly that of working-women, that if Eugenie wished to embroider a collar for her mother she was forced to take the time from sleep, and deceive her father to obtain the necessary light. For a long time the miser had given out the tallow candle to his daughter and la Grande Nanon just as he gave out every morning the bread and other necessaries for the daily consumption.
(...) In short,—if it is possible to sum up the effect this elegant being produced upon an ignorant young girl perpetually employed in darning stockings or in mending her father’s clothes.
(...) "and your cousin (...) who will spend her life in darning towels.”
(...) Her treasuries were not the millions whose revenues were rolling up; they were Charles’s dressing-case, the portraits hanging above her bed, the jewels recovered from her father and proudly spread upon a bed of wool in a drawer of the oaken cabinet, the thimble of her aunt, used for a while by her mother, which she wore religiously as she worked at a piece of embroidery,—a Penelope’s web, begun for the sole purpose of putting upon her finger that gold so rich in memories.
—Eugénie Grandet
* * *
Sansa's needlework was exquisite. Everyone said so. "Sansa's work is as pretty as she is," Septa Mordane told their lady mother once. "She has such fine, delicate hands."
—A Game of Thrones - Arya I
Underestimated
"We will try to relieve the monotony of your visit here. If you stay all the time with Monsieur Grandet, good heavens! what will become of you? Your uncle is a sordid miser who thinks of nothing but his vines; your aunt is a pious soul who can’t put two ideas together; and your cousin is a little fool, without education, perfectly common, no fortune, who will spend her life in darning towels.”
(...) “Not at all, monsieur l’abbe. This young man cannot fail to see that Eugenie is a little fool,—a girl without the least freshness. Did you notice her to-night? She was as yellow as a quince.”
—Eugénie Grandet
* * *
"I … I had not thought, my lord." "Your Grace," he said sharply. "You truly are a stupid girl, aren't you? My mother says so."
—A Game of Thrones - Sansa VI
The king studied her a moment. "Perhaps you're not so stupid as Mother says." He raised his voice. "Did you hear my lady, Dontos? From this day on, you're my new fool. You can sleep with Moon Boy and dress in motley."
—A Clash of Kings - Sansa I
. . . ah, you're still a stupid little bird, aren't you? Singing all the songs they taught you . . .
—A Clash of Kings - Sansa II
Sansa reddened. Any fool would have realized that no woman would be happy about being called "the Queen of Thorns." Maybe I truly am as stupid as Cersei Lannister says.
—A Storm of Swords - Sansa I
The woman that calls Eugénie a "little fool" is Madame des Grassins, who despite underestimating Mademoiselle Grandet, wants her to marry her son Adolphe.
In a similar way, Cersei Lannister underestimates Sansa, believing her unworthy of her beloved son Joffrey.
Romantics
They were able to examine Charles at their leisure without fearing to displease the master of the house. Grandet was absorbed in the long letter which he held in his hand; and to read it he had taken the only candle upon the card-table, paying no heed to his guests or their pleasure. Eugenie, to whom such a type of perfection, whether of dress or of person, was absolutely unknown, thought she beheld in her cousin a being descended from seraphic spheres. She inhaled with delight the fragrance wafted from the graceful curls of that brilliant head. She would have liked to touch the soft kid of the delicate gloves. She envied Charles his small hands, his complexion, the freshness and refinement of his features. In short,—if it is possible to sum up the effect this elegant being produced upon an ignorant young girl perpetually employed in darning stockings or in mending her father’s clothes, and whose life flowed on beneath these unclean rafters, seeing none but occasional passers along the silent street,—this vision of her cousin roused in her soul an emotion of delicate desire like that inspired in a young man by the fanciful pictures of women drawn by Westall for the English “Keepsakes,” and that engraved by the Findens with so clever a tool that we fear, as we breathe upon the paper, that the celestial apparitions may be wafted away. Charles drew from his pocket a handkerchief embroidered by the great lady now travelling in Scotland. As Eugenie saw this pretty piece of work, done in the vacant hours which were lost to love, she looked at her cousin to see if it were possible that he meant to make use of it. The manners of the young man, his gestures, the way in which he took up his eye-glass, his affected superciliousness, his contemptuous glance at the coffer which had just given so much pleasure to the rich heiress, and which he evidently regarded as without value, or even as ridiculous,—all these things, which shocked the Cruchots and the des Grassins, pleased Eugenie so deeply that before she slept she dreamed long dreams of her phoenix cousin.
(...) In the pure and monotonous life of young girls there comes a delicious hour when the sun sheds its rays into their soul, when the flowers express their thoughts, when the throbbings of the heart send upward to the brain their fertilizing warmth and melt all thoughts into a vague desire,—day of innocent melancholy and of dulcet joys! When babes begin to see, they smile; when a young girl first perceives the sentiment of nature, she smiles as she smiled when an infant. If light is the first love of life, is not love a light to the heart? The moment to see within the veil of earthly things had come for Eugenie. —Eugénie Grandet * * * All she wanted was for things to be nice and pretty, the way they were in the songs.
(...) It was a great honor to ride with the queen, and besides, Prince Joffrey might be there. Her betrothed. Just thinking it made her feel a strange fluttering inside, even though they were not to marry for years and years. Sansa did not really know Joffrey yet, but she was already in love with him. He was all she ever dreamt her prince should be, tall and handsome and strong, with hair like gold. She treasured every chance to spend time with him, few as they were.
(...) He took her by the arm and led her away from the wheelhouse, and Sansa's spirits took flight. A whole day with her prince! She gazed at Joffrey worshipfully. He was so gallant, she thought. The way he had rescued her from Ser Ilyn and the Hound, why, it was almost like the songs, like the time Serwyn of the Mirror Shield saved the Princess Daeryssa from the giants, or Prince Aemon the Dragonknight championing Queen Naerys's honor against evil Ser Morgil's slanders.
The touch of Joffrey's hand on her sleeve made her heart beat faster. "
—A Game of Thrones - Sansa I Sansa rode to the Hand's tourney with Septa Mordane and Jeyne Poole, in a litter with curtains of yellow silk so fine she could see right through them. They turned the whole world gold. Beyond the city walls, a hundred pavilions had been raised beside the river, and the common folk came out in the thousands to watch the games. The splendor of it all took Sansa's breath away; the shining armor, the great chargers caparisoned in silver and gold, the shouts of the crowd, the banners snapping in the wind … and the knights themselves, the knights most of all. "It is better than the songs," she whispered when they found the places that her father had promised her, among the high lords and ladies. Sansa was dressed beautifully that day, in a green gown that brought out the auburn of her hair, and she knew they were looking at her and smiling. They watched the heroes of a hundred songs ride forth, each more fabulous than the last.
—A Game of Thrones - Sansa II
She loved King’s Landing; the pagaentry of the court, the high lords and ladies in their velvets and silks and gemstones, the great city with all its people. The tournament had been the most magical time of her whole life, and there was so much she had not seen yet, harvest feasts and masked balls and mummer shows. She could not bear the thought of losing it all.
[…] They were going to take it all away; the tournaments and the court and her prince, everything, they were going to send her back to the bleak grey walls of Winterfell and lock her up forever. Her life was over before it had begun.
—A Game of Thrones - Sansa III
Eugénie and her deep infatuation with her Parisian cousin Charles Grandet, reminds me a lot of Marianne Dashwood and John Willoughby from Jane Austen's Sense and Sensibility.
Charles was a prince in Eugénie's eyes, with all his dandy manners and Parisian refinement. Charles was the South and the pretty songs for Eugénie, the same way Prince Joffrey and even Ser Loras were the South and the pretty songs for Sansa.
Dressing well as a weapon
An early riser, like all provincial girls, she was up betimes and said her prayers, and then began the business of dressing,—a business which henceforth was to have a meaning. First she brushed and smoothed her chestnut hair and twisted its heavy masses to the top of her head with the utmost care, preventing the loose tresses from straying, and giving to her head a symmetry which heightened the timid candor of her face; for the simplicity of these accessories accorded well with the innocent sincerity of its lines. As she washed her hands again and again in the cold water which hardened and reddened the skin, she looked at her handsome round arms and asked herself what her cousin did to make his hands so softly white, his nails so delicately curved. She put on new stockings and her prettiest shoes. She laced her corset straight, without skipping a single eyelet. And then, wishing for the first time in her life to appear to advantage, she felt the joy of having a new gown, well made, which rendered her attractive. —Eugénie Grandet * * * "Do remind her to dress nicely today. The grey velvet, perhaps. We are all invited to ride with the queen and Princess Myrcella in the royal wheelhouse, and we must look our best." Sansa already looked her best. She had brushed out her long auburn hair until it shone, and picked her nicest blue silks. —A Game of Thrones - Sansa I Sansa was dressed beautifully that day, in a green gown that brought out the auburn of her hair, and she knew they were looking at her and smiling. —A Game of Thrones - Sansa II "I will need hot water for my bath, please," she told them, "and perfume, and some powder to hide this bruise." The right side of her face was swollen and beginning to ache, but she knew Joffrey would want her to be beautiful. —A Game of Thrones - Sansa VI Knowing that Joffrey would require her to attend the tourney in his honor, Sansa had taken special care with her face and clothes. She wore a gown of pale purple silk and a moonstone hair net that had been a gift from Joffrey. The gown had long sleeves to hide the bruises on her arms. Those were Joffrey's gifts as well. —A Clash of Kings - Sansa I I have to look pretty, Joff likes me to look pretty, he's always liked me in this gown, this color. She smoothed the cloth down. The fabric was tight across her chest. —A Clash of Kings - Sansa III
Here, while Eugénie uses the business of dressing to try to impress and gain the affections of her cousin Charles, Sansa uses the same resource as a shield against Joffrey's ill temper and to cover the bruises left on her skin by Joffrey's ill temper.
Complimenting someone's name
“Is anything the matter, my cousin?” he said. “Hush!” said Madame Grandet to Eugenie, who was about to answer; “you know, my daughter, that your father charged us not to speak to monsieur—” “Say Charles,” said young Grandet. “Ah! you are called Charles? What a beautiful name!” cried Eugenie. —Eugénie Grandet * * * "I don't even know your name." "Gilly, he called me. For the gillyflower." "That's pretty." He remembered Sansa telling him once that he should say that whenever a lady told him her name. He could not help the girl, but perhaps the courtesy would please her. "Is it Craster who frightens you, Gilly?" —A Clash of Kings - Jon III "I . . . I could call myself after my mother . . ." "Catelyn? A bit too obvious . . . but after my mother, that would serve. Alayne. Do you like it?" "Alayne is pretty." Sansa hoped she would remember. —A Storm of Swords - Sansa VI
Kissing Cousins
“My dear cousin—” “Hush, hush! my cousin, not so loud; we must not wake others. See,” she said, opening her purse, “here are the savings of a poor girl who wants nothing. Charles, accept them! This morning I was ignorant of the value of money; you have taught it to me. It is but a means, after all. A cousin is almost a brother; you can surely borrow the purse of your sister.” —Eugénie Grandet
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
When the two lovers were alone in the garden, Charles said to Eugenie, drawing her down on the old bench beneath the walnut-tree,— “I did right to trust Alphonse; he has done famously. He has managed my affairs with prudence and good faith. I now owe nothing in Paris. All my things have been sold; and he tells me that he has taken the advice of an old sea-captain and spent three thousand francs on a commercial outfit of European curiosities which will be sure to be in demand in the Indies. He has sent my trunks to Nantes, where a ship is loading for San Domingo. In five days, Eugenie, we must bid each other farewell—perhaps forever, at least for years. My outfit and ten thousand francs, which two of my friends send me, are a very small beginning. I cannot look to return for many years. My dear cousin, do not weight your life in the scales with mine; I may perish; some good marriage may be offered to you—” “Do you love me?” she said. “Oh, yes! indeed, yes!” he answered, with a depth of tone that revealed an equal depth of feeling. “I shall wait, Charles—Good heavens! there is my father at his window,” she said, repulsing her cousin, who leaned forward to kiss her. She ran quickly under the archway. Charles followed her. When she saw him, she retreated to the foot of the staircase and opened the swing-door; then, scarcely knowing where she was going, Eugenie reached the corner near Nanon’s den, in the darkest end of the passage. There Charles caught her hand and drew her to his heart. Passing his arm about her waist, he made her lean gently upon him. Eugenie no longer resisted; she received and gave the purest, the sweetest, and yet, withal, the most unreserved of kisses. “Dear Eugenie, a cousin is better than a brother, for he can marry you,” said Charles.
(...) After the kiss taken in the passage, the hours fled for Eugenie with frightful rapidity. Sometimes she thought of following her cousin. Those who have known that most endearing of all passions,—the one whose duration is each day shortened by time, by age, by mortal illness, by human chances and fatalities,—they will understand the poor girl’s tortures. She wept as she walked in the garden, now so narrow to her, as indeed the court, the house, the town all seemed. She launched in thought upon the wide expanse of the ocean he was about to traverse. At last the eve of his departure came. That morning, in the absence of Grandet and of Nanon, the precious case which contained the two portraits was solemnly installed in the only drawer of the old cabinet which could be locked, where the now empty velvet purse was lying. This deposit was not made without a goodly number of tears and kisses. When Eugenie placed the key within her bosom she had no courage to forbid the kiss with which Charles sealed the act.
“It shall never leave that place, my friend,” she said.
“Then my heart will be always there.”
“Ah! Charles, it is not right,” she said, as though she blamed him.
“Are we not married?” he said. “I have thy promise,—then take mine.”
“Thine; I am thine forever!” they each said, repeating the words twice over.
No promise made upon this earth was ever purer. The innocent sincerity of Eugenie had sanctified for a moment the young man’s love.
—Eugénie Grandet * * * How would you like to marry your cousin, the Lord Robert?" —A Storm of Swords - Sansa VI Before she could summon the servants, however, Sweetrobin threw his skinny arms around her and kissed her. It was a little boy's kiss, and clumsy. Everything Robert Arryn did was clumsy. If I close my eyes I can pretend he is the Knight of Flowers. Ser Loras had given Sansa Stark a red rose once, but he had never kissed her . . . and no Tyrell would ever kiss Alayne Stone. Pretty as she was, she had been born on the wrong side of the blanket. —A Feast for Crows - Alayne II "I don't want you to marry him, Alayne. I am the Lord of the Eyrie, and I forbid it." He sounded as if he were about to cry. "You should marry me instead. We could sleep in the same bed every night, and you could read me stories." (...) She put a finger to his lips. "I know what you want, but it cannot be. I am no fit wife for you. I am bastard born." "I don't care. I love you best of anyone. " (...) "You must have a proper wife, a trueborn maid of noble birth." "No. I want to marry you, Alayne." Once your lady mother intended that very thing, but I was trueborn then, and noble. (...) "The Lord of the Eyrie can do as he likes. Can't I still love you, even if I have to marry her? —The Winds of Winter - Alayne I
Eugénie and her cousin Charles's brief romance is nothing like any of Sansa's experiences with suitors, but it reminds me a bit of Sansa and her little cousin Robert Arryn interactions.
Despite looking at his provincial relatives with disdain at first, after knowing about the financial disgrace and death of his father, Charles gets use to the humble and monotonous life of Saumur and especially gets fond of Eugénie's kindness and generosity.
In a similar way, despite the violent events from Sansa's snow castle chapter in A Storm of Swords, after the the death of his mother Lysa, Sweetrobin clings to Sansa/Alayne as a mother figure and later love interest.
Charles is nothing like Sweetrobin though, he is more similar to men like Harrold Hardyng and John Willoughby from Jane Austen's Sense and Sensibility.
At the end, similar to John Willoughby's actions, Charles Grandet chooses to marry a girl he doesn't love to re-gain his high status in Parisian society and a nobility title, unbeknownst that Eugénie had become extremely rich, richer than him and his new bride combined.
Harrold Hardyng is not Sansa's cousin but Robert Arryn's cousin and heir. Harry consented the betrothal to Alayne only to gain the political support from Petyr Baelish.
And while cousin Charles's kisses mean love's kisses to Eugénie, cousin Robert's unrequited kisses remind Sansa of another forced and unrequited kisses from the past that left only trauma and fear in her.
But despite all her awful experiences from unworthy suitors, Sansa still longs to know kisses of love, and she associates those with Snow and she happens to has a cousin named Snow. More about this later.
You will know it some day / You may learn that one day
It was a death worthy of her life,—a Christian death; and is not that sublime? In the month of October, 1822, her virtues, her angelic patience, her love for her daughter, seemed to find special expression; and then she passed away without a murmur. Lamb without spot, she went to heaven, regretting only the sweet companion of her cold and dreary life, for whom her last glance seemed to prophesy a destiny of sorrows. She shrank from leaving her ewe-lamb, white as herself, alone in the midst of a selfish world that sought to strip her of her fleece and grasp her treasures. “My child,” she said as she expired, “there is no happiness except in heaven; you will know it some day.” (...) Terrible and utter disaster! The ship went down, leaving not a spar, not a plank, on a vast ocean of hope! Some women when they see themselves abandoned will try to tear their lover from the arms of a rival, they will kill her, and rush to the ends of the earth,—to the scaffold, to their tomb. That, no doubt, is fine; the motive of the crime is a great passion, which awes even human justice. Other women bow their heads and suffer in silence; they go their way dying, resigned, weeping, forgiving, praying, and recollecting, till they draw their last breath. This is love,—true love, the love of angels, the proud love which lives upon its anguish and dies of it. Such was Eugenie’s love after she had read that dreadful letter. She raised her eyes to heaven, thinking of the last words uttered by her dying mother, who, with the prescience of death, had looked into the future with clear and penetrating eyes: Eugenie, remembering that prophetic death, that prophetic life, measured with one glance her own destiny. Nothing was left for her; she could only unfold her wings, stretch upward to the skies, and live in prayer until the day of her deliverance. “My mother was right,” she said, weeping. “Suffer—and die!” —Eugénie Grandet * * * "Life is not a song, sweetling. You may learn that one day to your sorrow." —A Game of Thrones - Sansa III "Life is not a song, sweetling," he'd told her. "You may learn that one day to your sorrow." —A Game of Thrones - Sansa VI The moment came back to her vividly. "You told me that life was not a song. That I would learn that one day, to my sorrow." —A Storm of Swords - Sansa V
This is a parallel but also a contrast between Eugénie and Sansa.
Eugénie's mother wasn't happy with her husband. Monsieur Felix Grandet was an awful husband and father. His only love was gold. That's why at her hour of death, Madame Grandet envisions a destiny of sorrows for her daughter, knowing well that not only the Cruchots and des Grassins coveted Eugénie's inheritance, but it was her own father, Monsieur Grandet, the most dangerous threat to Eugénie's welfare.
On the other hand, Catelyn Stark, Sansa's mother, was very happy with Eddard Stark. Ned was a good husband but a terrible father. Being aware of her good luck in her marriage, Catelyn said this to his firstborn son Robb: "We're all just songs in the end. If we are lucky." —A Storm of Swords - Catelyn V.
Catelyn's words of hope to her son contrast to Petyr Baelish's words of sorrow to Sansa, not only because the bad omen, but because he is an active player in the sorrows that await Sansa and her family.
Strained relationship with their fathers
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
On the morrow Grandet, in pursuance of a custom he had begun since Eugenie’s imprisonment, took a certain number of turns up and down the little garden; he had chosen the hour when Eugenie brushed and arranged her hair. When the old man reached the walnut-tree he hid behind its trunk and remained for a few moments watching his daughter’s movements, hesitating, perhaps, between the course to which the obstinacy of his character impelled him and his natural desire to embrace his child. Sometimes he sat down on the rotten old bench where Charles and Eugenie had vowed eternal love; and then she, too, looked at her father secretly in the mirror before which she stood. If he rose and continued his walk, she sat down obligingly at the window and looked at the angle of the wall where the pale flowers hung, where the Venus-hair grew from the crevices with the bindweed and the sedum,—a white or yellow stone-crop very abundant in the vineyards of Saumur and at Tours. Maitre Cruchot came early, and found the old wine-grower sitting in the fine June weather on the little bench, his back against the division wall of the garden, engaged in watching his daughter. —Eugénie Grandet * * *
He had only to look at Sansa's face to feel the rage twisting inside him once again. The last fortnight of their journey had been a misery. Sansa blamed Arya and told her that it should have been Nymeria who died. And Arya was lost after she heard what had happened to her butcher's boy. Sansa cried herself to sleep, Arya brooded silently all day long, and Eddard Stark dreamed of a frozen hell reserved for the Starks of Winterfell.
—A Game of Thrones - Eddard IV
Monsieur Felix Grandet and Lord Eddard Stark were awful fathers to Eugénie and Sansa. They both used their daughters for their own business but they never tried to understand the girls. They both could only watch them from apart not knowing how to approach them.
The severity of Père Grandet and Lord father Stark towards their daughters made Eugénie and Sansa defy them for the first time when they fell in love with Charles and Joffrey.
Ned was not the awful person that Monsieur Grandet was, though. Despite all his flaws as Sansa's father, he gave his own life in order to save Sansa from the same fate.
Melancholic Beauty
When his daughter came down the winding street, accompanied by Nanon, on her way to Mass or Vespers, the inhabitants ran to the windows and examined with intense curiosity the bearing of the rich heiress and her countenance, which bore the impress of angelic gentleness and melancholy. (...) “Mademoiselle, the best way to stop such rumors is to procure your liberty,” answered the old notary respectfully, struck with the beauty which seclusion, melancholy, and love had stamped upon her face. —Eugénie Grandet * * * Their litter had been sitting in the sun, and it was very warm inside the curtains. As they lurched into motion, Tyrion reclined on an elbow while Sansa sat staring at her hands. She is just as comely as the Tyrell girl. Her hair was a rich autumn auburn, her eyes a deep Tully blue. Grief had given her a haunted, vulnerable look; if anything, it had only made her more beautiful. —A Storm of Swords - Tyrion VIII
Although it is a bit morbid to find beauty in someone's grief and misery, this image of our heroines being graceful while in disgrace got my attention.
This regard of Eugénie and Sansa comes from two men that wanted to reach them and gain their favor. Monsieur Cruchot, the notary, wanted Eugénie to marry his nephew, President Cruchot de Bonfons, while Tyrion Lannister, already married to Sansa, wishes to get her affections despite their forced marriage.
This is the point of view of two men that wanted to play the hero of a damsel in distress, but they are not the heroes that those fair maids wished for.
Love's kisses / Lover's kisses
Her imprisonment and the condemnation of her father were as nothing to her. Had she not a map of the world, the little bench, the garden, the angle of the wall? Did she not taste upon her lips the honey that love’s kisses left there? She was ignorant for a time that the town talked about her, just as Grandet himself was ignorant of it. Pious and pure in heart before God, her conscience and her love helped her to suffer patiently the wrath and vengeance of her father. —Eugénie Grandet A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same. Her boots tore ankle-deep holes into the smooth white surface of the snow, yet made no sound. Sansa drifted past frosted shrubs and thin dark trees, and wondered if she were still dreaming. Drifting snowflakes brushed her face as light as lover's kisses, and melted on her cheeks. At the center of the garden, beside the statue of the weeping woman that lay broken and half-buried on the ground, she turned her face up to the sky and closed her eyes. She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams. —A Storm of Swords - Sansa VII
While Eugénie's love to Charles gives her strength and dignify her in her tribulations, Sansa, in front of a beautiful winter scenery, feels soiled by her southern experiences. She feels that she doesn't belong in that pure, innocent world, as white as Snow.
Yet Sansa, defying her supposed maculated fate, embraces the beauty of the falling Snow that reminds her of home, and compared the sensation of the snowflakes brushing her face to lover's kisses.
The calling of the Snow at dawn was too powerful for Sansa to resist it. It was like the Snow telling her, you are wrong, you belong with me, let me kiss you to prove it.
"Jon Snow?" she blurted out, surprised.
"Snow? Yes, it would be Snow, I suppose."
She had not thought of Jon in ages. He was only her half brother, but still . . . with Robb and Bran and Rickon dead, Jon Snow was the only brother that remained to her. I am a bastard too now, just like him. Oh, it would be so sweet, to see him once again. But of course that could never be. Alayne Stone had no brothers, baseborn or otherwise.
—A Feast for Crows - Alayne II
No one will ever marry me for love
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
Only six individuals had a right of entrance to Monsieur Grandet’s house. The most important of the first three was a nephew of Monsieur Cruchot. Since his appointment as president of the Civil courts of Saumur this young man had added the name of Bonfons to that of Cruchot. He now signed himself C. de Bonfons. Any litigant so ill-advised as to call him Monsieur Cruchot would soon be made to feel his folly in court. The magistrate protected those who called him Monsieur le president, but he favored with gracious smiles those who addressed him as Monsieur de Bonfons. Monsieur le president was thirty-three years old, and possessed the estate of Bonfons (Boni Fontis), worth seven thousand francs a year; he expected to inherit the property of his uncle the notary and that of another uncle, the Abbe Cruchot, a dignitary of the chapter of Saint-Martin de Tours, both of whom were thought to be very rich. These three Cruchots, backed by a goodly number of cousins, and allied to twenty families in the town, formed a party, like the Medici in Florence; like the Medici, the Cruchots had their Pazzi.
Madame des Grassins, mother of a son twenty-three years of age, came assiduously to play cards with Madame Grandet, hoping to marry her dear Adolphe to Mademoiselle Eugenie. Monsieur des Grassins, the banker, vigorously promoted the schemes of his wife by means of secret services constantly rendered to the old miser, and always arrived in time upon the field of battle. The three des Grassins likewise had their adherents, their cousins, their faithful allies. On the Cruchot side the abbe, the Talleyrand of the family, well backed-up by his brother the notary, sharply contested every inch of ground with his female adversary, and tried to obtain the rich heiress for his nephew the president.
This secret warfare between the Cruchots and des Grassins, the prize thereof being the hand in marriage of Eugenie Grandet, kept the various social circles of Saumur in violent agitation. Would Mademoiselle Grandet marry Monsieur le president or Monsieur Adolphe des Grassins?
(...) “If I had a man for myself I’d—I’d follow him to hell, yes, I’d exterminate myself for him; but I’ve none. I shall die and never know what life is. Would you believe, mamz’elle, that old Cornoiller (a good fellow all the same) is always round my petticoats for the sake of my money,—just for all the world like the rats who come smelling after the master’s cheese and paying court to you? I see it all; I’ve got a shrewd eye, though I am as big as a steeple. Well, mamz’elle, it pleases me, but it isn’t love.”
(...) She (Eugénie's mother) shrank from leaving her ewe-lamb, white as herself, alone in the midst of a selfish world that sought to strip her of her fleece and grasp her treasures.
(...) (Eugénie) Madame de Bonfons (sometimes ironically spoken of as mademoiselle) inspires for the most part reverential respect: and yet that noble heart, beating only with tenderest emotions, has been, from first to last, subjected to the calculations of human selfishness; money has cast its frigid influence upon that hallowed life and taught distrust of feelings to a woman who is all feeling.
—Eugénie Grandet
* * *
“If Lyanna had lived, we should have been brothers, bound by blood as well as affection. Well, it is not too late. I have a son. You have a daughter. My Joff and your Sansa shall join our houses, as Lyanna and I might once have done.”
—A Game of Thrones - Eddard I
A pity Ned Stark had taken his daughters south; elsewise Theon could have tightened his grip on Winterfell by marrying one of them. Sansa was a pretty little thing too, and by now likely even ripe for bedding. But she was a thousand leagues away, in the clutches of the Lannisters. A shame.
—A Clash of Kings - Theon IV
It came to her suddenly that she had stood in this very spot before, on the day Lord Eddard Stark had lost his head. That was not supposed to happen. Joff was supposed to spare his life and send him to the Wall. Stark’s eldest son would have followed him as Lord of Winterfell, but Sansa would have stayed at court, a hostage. Varys and Littlefinger had worked out the terms, and Ned Stark had swallowed his precious honor and confessed his treason to save his daughter’s empty little head. I would have made Sansa a good marriage. A Lannister marriage. Not Joff, of course, but Lancel might have suited, or one of his younger brothers. Petyr Baelish had offered to wed the girl himself, she recalled, but of course that was impossible; he was much too lowborn. If Joff had only done as he was told, Winterfell would never have gone to war, and Father would have dealt with Robert’s brothers.
—A Dance with Dragons - Cersei II
“I will be safe in Highgarden. Willas will keep me safe.” “But he does not know you,” Dontos insisted, “and he will not love you. Jonquil, Jonquil, open your sweet eyes, these Tyrells care nothing for you. It’s your claim they mean to wed.” “My claim?” She was lost for a moment. “Sweetling,” he told her, “you are heir to Winterfell.”
—A Storm of Swords - Sansa II
“Yes. You are a ward of the crown. The king stands in your father’s place, since your brother is an attainted traitor. That means he has every right to dispose of your hand. You are to marry my brother Tyrion.”
—A Storm of Swords - Sansa III
“The girl’s happiness is not my purpose, nor should it be yours. Our alliances in the south may be as solid as Casterly Rock, but there remains the north to win, and the key to the north is Sansa Stark.” […] “She must marry a Lannister, and soon.” “The man who weds Sansa Stark can claim Winterfell in her name,” his uncle Kevan put in.
—A Storm of Swords - Tyrion III
“How would you like to marry your cousin, the Lord Robert?” The thought made Sansa weary. All she knew of Robert Arryn was that he was a little boy, and sickly. It is not me she wants her son to marry, it is my claim. No one will ever marry me for love. But lying came easy to her now. “I … can scarcely wait to meet him, my lady. But he is still a child, is he not?”
—A Storm of Swords - Sansa VI
As you can see, Monsieur Grandet's banker des Grassins wished Eugénie to marry his son Adolphe, while his lawyer Monsieur Cruchot wished Eugénie to marry his nephew President Cruchot de Bonfons. Both, the Cruchots and des Grassins, coveted Eugénie's inheritance.
In a similar way, the Lannisters, the Tyrells, Theon Greyjoy, Petyr Baelish, Harrold Hardyng, and even Lysa Tully in the name of his son Robert Arryn, coveted Sansa's claim to the North and Winterfell, with all the lands, money, armies and political power that come with the name Stark.
So, when I read these lines, 188 years after Balzac wrote them:
(...) and yet that noble heart, beating only with tenderest emotions, has been, from first to last, subjected to the calculations of human selfishness; money has cast its frigid influence upon that hallowed life and taught distrust of feelings to a woman who is all feeling.
I couldn't help but think about Sansa Stark and one of the saddest quotes from the ASOIAF series:
It is not me she wants her son to marry, it is my claim. No one will ever marry me for love.
Walnut Tree / Heart Tree
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
When the two lovers were alone in the garden, Charles said to Eugenie, drawing her down on the old bench beneath the walnut-tree,— (...) I cannot look to return for many years. My dear cousin, do not weight your life in the scales with mine; I may perish; some good marriage may be offered to you—”
“Do you love me?” she said.
“Oh, yes! indeed, yes!” he answered, with a depth of tone that revealed an equal depth of feeling.
“I shall wait, Charles—Good heavens! there is my father at his window,” she said, repulsing her cousin, who leaned forward to kiss her.
(...) When Eugenie placed the key within her bosom she had no courage to forbid the kiss with which Charles sealed the act.
“It shall never leave that place, my friend,” she said.
“Then my heart will be always there.”
“Ah! Charles, it is not right,” she said, as though she blamed him.
“Are we not married?” he said. “I have thy promise,—then take mine.”
“Thine; I am thine forever!” they each said, repeating the words twice over.
(...) In the mornings she sat pensive beneath the walnut-tree, on the worm-eaten bench covered with gray lichens, where they had said to each other so many precious things, so many trifles, where they had built the pretty castles of their future home. She thought of the future now as she looked upward to the bit of sky which was all the high walls suffered her to see; then she turned her eyes to the angle where the sun crept on, and to the roof above the room in which he had slept. Hers was the solitary love, the persistent love, which glides into every thought and becomes the substance, or, as our fathers might have said, the tissue of life.
(...) Sometimes he sat down on the rotten old bench where Charles and Eugenie had vowed eternal love; and then she, too, looked at her father secretly in the mirror before which she stood.
(...) At the beginning of August in the same year, Eugenie was sitting on the little wooden bench where her cousin had sworn to love her eternally, and where she usually breakfasted if the weather were fine. The poor girl was happy, for the moment, in the fresh and joyous summer air, letting her memory recall the great and the little events of her love and the catastrophes which had followed it.
—Eugénie Grandet
As you can see, Eugénie's walnut tree is the heart of her house in Saumur. In the old wooden bench beneath that immense tree, the cousin lovers Eugénie and Charles Grandet exchanged vows of eternal love. As Charles said later, beneath that walnut tree they got married.
Eugénie sat in that same wooden bench for years, remembering and waiting for her lover. Charles, on the other hand, forget his promises of eternal love, broke those vows and married another woman.
In a similar way, the weirwood trees are called heart trees, the weirwood from Winterfell's godswood is called the Heart of Winterfell, and godswoods are a sacred places for praying and meditation, under the weirwood tress lovers kiss and make promises, and heroes vows to protect the realms of men:
At the center of the grove an ancient weirwood brooded over a small pool where the waters were black and cold. “The heart tree,” Ned called it. The weirwood’s bark was white as bone, its leaves dark red, like a thousand bloodstained hands. A face had been carved in the trunk of the great tree, its features long and melancholy, the deep-cut eyes red with dried sap and strangely watchful. They were old, those eyes; older than Winterfell itself. They had seen Brandon the Builder set the first stone, if the tales were true; they had watched the castle’s granite walls rise around them. It was said that the children of the forest had carved the faces in the trees during the dawn centuries before the coming of the First Men across the narrow sea.
—A Game of Thrones - Catelyn I
The sun was sinking below the trees when they reached their destination, a small clearing in the deep of the wood where nine weirwoods grew in a rough circle. Jon drew in a breath, and he saw Sam Tarly staring. Even in the wolfswood, you never found more than two or three of the white trees growing together; a grove of nine was unheard of. The forest floor was carpeted with fallen leaves, bloodred on top, black rot beneath. The wide smooth trunks were bone pale, and nine faces stared inward. The dried sap that crusted in the eyes was red and hard as ruby. Bowen Marsh commanded them to leave their horses outside the circle. "This is a sacred place, we will not defile it."
When they entered the grove, Samwell Tarly turned slowly looking at each face in turn. No two were quite alike. "They're watching us," he whispered. "The old gods."
"Yes." Jon knelt, and Sam knelt beside him.
They said the words together, as the last light faded in the west and grey day became black night.
"Hear my words, and bear witness to my vow," they recited, their voices filling the twilit grove. "Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come."
The woods fell silent. "You knelt as boys," Bowen Marsh intoned solemnly. "Rise now as men of the Night's Watch."
—A Game of Thrones - Jon VI
Robb bid farewell to his young queen thrice. Once in the godswood before the heart tree, in sight of gods and men. The second time beneath the portcullis, where Jeyne sent him forth with a long embrace and a longer kiss. And finally an hour beyond the Tumblestone, when the girl came galloping up on a well-lathered horse to plead with her young king to take her along.
—A Storm of Swords - Catelyn V
In contrast to Eugénie, who fervently clung to her walnut tree that became the symbol of her vows of eternal love to Charles, since Sansa left Winterfell, she only found godswoods without a weirwood tree:
The night the bird had come from Winterfell, Eddard Stark had taken the girls to the castle godswood, an acre of elm and alder and black cottonwood overlooking the river. The heart tree there was a great oak, its ancient limbs overgrown with smokeberry vines; they knelt before it to offer their thanksgiving, as if it had been a weirwood. Sansa drifted to sleep as the moon rose, Arya several hours later, curling up in the grass under Ned’s cloak. All through the dark hours he kept his vigil alone. When dawn broke over the city, the dark red blooms of dragon’s breath surrounded the girls where they lay. “I dreamed of Bran,” Sansa had whispered to him. “I saw him smiling.”
—A Game of Thrones - Eddard V
She awoke all at once, every nerve atingle. For a moment she did not remember where she was. She had dreamt that she was little, still sharing a bedchamber with her sister Arya. But it was her maid she heard tossing in sleep, not her sister, and this was not Winterfell, but the Eyrie. And I am Alayne Stone, a bastard girl. The room was cold and black, though she was warm beneath the blankets. Dawn had not yet come. Sometimes she dreamed of Ser Ilyn Payne and woke with her heart thumping, but this dream had not been like that. Home. It was a dream of home. The Eyrie was no home. […] When Sansa opened her eyes again, she was on her knees. She did not remember falling. It seemed to her that the sky was a lighter shade of grey. Dawn, she thought. Another day. Another new day. It was the old days she hungered for. Prayed for. But who could she pray to? The garden had been meant for a godswood once, she knew, but the soil was too thin and stony for a weirwood to take root. A godswood without gods, as empty as me.
—A Storm of Swords - Sansa VII
Even the gods were silent. The Eyrie boasted a sept, but no septon; a godswood, but no heart tree. No prayers are answered here, she often thought, though some days she felt so lonely she had to try. Only the wind answered her, sighing endlessly around the seven slim white towers and rattling the Moon Door every time it gusted. It will be even worse in winter, she knew. In winter this will be a cold white prison.
—A Feast for Crows - Alayne II
But despite the absence of a weirwood tree, those empty godswoods became a metaphor of Sansa herself, lost in the south and longing to come back home:
A godswood without gods, as empty as me.
—A Storm of Swords - Sansa VII
But Sansa Stark has started her journey back home, she is going back North to take back her heart:
But when Brienne asked about Sansa, she said, “I’ll tell you what I told Lord Tywin. That girl was always praying. She’d go to sept and light her candles like a proper lady, but near every night she went off to the godswood. She’s gone back north, she has. That’s where her gods are.”
—A Feast for Crows - Brienne II
A veil of courtesy / Courtesy is a lady's armor
She appeared in the evening at the hour when the usual company began to arrive. Never was the old hall so full as on this occasion. The news of Charles’s return and his foolish treachery had spread through the whole town. But however watchful the curiosity of the visitors might be, it was left unsatisfied. Eugenie, who expected scrutiny, allowed none of the cruel emotions that wrung her soul to appear on the calm surface of her face. She was able to show a smiling front in answer to all who tried to testify their interest by mournful looks or melancholy speeches. She hid her misery behind a veil of courtesy.
—Eugénie Grandet
What was it that Septa Mordane used to tell her? A lady's armor is courtesy, that was it. She donned her armor and said, "I'm sorry my lady mother took you captive, my lord."
—A Clash of Kings - Sansa I
Courtesy is a lady's armor. You must not offend them, be careful what you say.
—A Storm of Swords - Sansa I
"Courtesy is a lady's armor," Sansa said. Her septa had always told her that.
—A Storm of Swords - Sansa III
A lady's armor is her courtesy. Alayne could feel the blood rushing to her face. No tears, she prayed. Please, please, I must not cry.
—The Winds of Winter - Alayne I
Agency, richness, power... And loneliness
At the end, life gives Eugénie her revenge, especially against the people that always coveted her vast wealth.
Eugénie was at last free, independent, rich and powerful, but she was very lonely. Her only comfort was the company and loyalty of la Grand Nanon:
Eugenie Grandet was now alone in the world in that gray house, with none but Nanon to whom she could turn with the certainty of being heard and understood,—Nanon the sole being who loved her for herself and with whom she could speak of her sorrows. La Grande Nanon was a providence for Eugenie. She was not a servant, but a humble friend.
—Eugénie Grandet
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
La Grand Nanon was often compared to a loyal dog and she was in charge of the wolf-dog that protected the old Grandet House in Saumur.
Nanon did everything. She cooked, she made the lye, she washed the linen in the Loire and brought it home on her shoulders; she got up early, she went to bed late; she prepared the food of the vine-dressers during the harvest, kept watch upon the market-people, protected the property of her master like a faithful dog, and even, full of blind confidence, obeyed without a murmur his most absurd exactions.
(...) Like a watch-dog, she slept with one ear open, and took her rest with a mind alert.
(...) Nanon went to bolt the outer door; then she closed the hall and let loose a wolf-dog, whose bark was so strangled that he seemed to have laryngitis. This animal, noted for his ferocity, recognized no one but Nanon; the two untutored children of the fields understood each other.
—Eugénie Grandet
La Grand Nanon and the wolf-dog remind me of the Stark children's direwolves, of course. Loyal companions and protectors until the very end.
After the deaths of Monsieur et Madame Grandet, only Nanon remains to Eugénie. Then, thanks to the new financial independence of Mademoiselle Grandet, La Grand Nanon became rich as well, and she even got married to her old suitor Antoine Cornoiller.
Illustration by René ben Sussan for Eugénie Grandet by Honoré de Balzac - Heritage Press, 1961.
The day on which Maitre Cruchot handed in to his client a clear and exact schedule of the whole inheritance, Eugenie remained alone with Nanon, sitting beside the fireplace in the vacant hall, where all was now a memory, from the chair on castors which her mother had sat in, to the glass from which her cousin drank. “Nanon, we are alone—” “Yes, mademoiselle; and if I knew where he was, the darling, I’d go on foot to find him.” “The ocean is between us,” she said. While the poor heiress wept in company of an old servant, in that cold dark house, which was to her the universe, the whole province rang, from Nantes to Orleans, with the seventeen millions of Mademoiselle Grandet. Among her first acts she had settled an annuity of twelve hundred francs on Nanon, who, already possessed of six hundred more, became a rich and enviable match. In less than a month that good soul passed from single to wedded life under the protection of Antoine Cornoiller, who was appointed keeper of all Mademoiselle Grandet’s estates. Madame Cornoiller possessed one striking advantage over her contemporaries. Although she was fifty-nine years of age, she did not look more than forty. Her strong features had resisted the ravages of time. Thanks to the healthy customs of her semi-conventual life, she laughed at old age from the vantage-ground of a rosy skin and an iron constitution. Perhaps she never looked as well in her life as she did on her marriage-day. She had all the benefits of her ugliness, and was big and fat and strong, with a look of happiness on her indestructible features which made a good many people envy Cornoiller.
Eugénie became so rich that she was considered a Queen and the sovereign of her own court:
It seemed unlikely that Mademoiselle Grandet would marry during the period of her mourning. Her genuine piety was well known. Consequently the Cruchots, whose policy was sagely guided by the old abbe, contented themselves for the time being with surrounding the great heiress and paying her the most affectionate attentions. Every evening the hall was filled with a party of devoted Cruchotines, who sang the praises of its mistress in every key. She had her doctor in ordinary, her grand almoner, her chamberlain, her first lady of honor, her prime minister; above all, her chancellor, a chancellor who would fain have said much to her. If the heiress had wished for a train-bearer, one would instantly have been found. She was a queen, obsequiously flattered. Flattery never emanates from noble souls; it is the gift of little minds, who thus still further belittle themselves to worm their way into the vital being of the persons around whom they crawl. Flattery means self-interest. So the people who, night after night, assembled in Mademoiselle Grandet’s house (they called her Mademoiselle de Froidfond) outdid each other in expressions of admiration. This concert of praise, never before bestowed upon Eugenie, made her blush under its novelty; but insensibly her ear became habituated to the sound, and however coarse the compliments might be, she soon was so accustomed to hear her beauty lauded that if any new-comer had seemed to think her plain, she would have felt the reproach far more than she might have done eight years earlier. She ended at last by loving the incense, which she secretly laid at the feet of her idol. By degrees she grew accustomed to be treated as a sovereign and to see her court pressing around her every evening. Monsieur de Bonfons was the hero of the little circle, where his wit, his person, his education, his amiability, were perpetually praised. One or another would remark that in seven years he had largely increased his fortune, that Bonfons brought in at least ten thousand francs a year, and was surrounded, like the other possessions of the Cruchots, by the vast domains of the heiress.
Later, after knowing about Charles's betrayal, Eugénie chooses to marry President Cruchot de Bonfons under certain conditions. It was a sham marriage, only in name, but never consummated:
(...) “Monsieur le cure,” said Eugenie with a noble composure, inspired by the thought she was about to express, “would it be a sin to remain a virgin after marriage?” (...) “Monsieur le president,” said Eugenie in a voice of some emotion when they were left alone, “I know what pleases you in me. Swear to leave me free during my whole life, to claim none of the rights which marriage will give you over me, and my hand is yours. Oh!” she added, seeing him about to kneel at her feet, “I have more to say. I must not deceive you. In my heart I cherish one inextinguishable feeling. Friendship is the only sentiment which I can give to a husband. I wish neither to affront him nor to violate the laws of my own heart. —Eugénie Grandet
And even when President Cruchot de Bonfons was waiting to Eugénie's early death, he was the one that died and made his widow even richer by adding the Cruchot's fortune to the already vast Grandet's fortune:
Nevertheless, Monsieur de Bonfons (he had finally abolished his patronymic of Cruchot) did not realize any of his ambitious ideas. He died eight days after his election as deputy of Saumur. God, who sees all and never strikes amiss, punished him, no doubt, for his sordid calculations and the legal cleverness with which, accurante Cruchot, he had drawn up his marriage contract, in which husband and wife gave to each other, “in case they should have no children, their entire property of every kind, landed or otherwise, without exception or reservation, dispensing even with the formality of an inventory; provided that said omission of said inventory shall not injure their heirs and assigns, it being understood that this deed of gift is, etc., etc.” This clause of the contract will explain the profound respect which monsieur le president always testified for the wishes, and above all, for the solitude of Madame de Bonfons. (...) Endowed with the delicate perception which a solitary soul acquires through constant meditation, through the exquisite clear-sightedness with which a mind aloof from life fastens on all that falls within its sphere, Eugenie, taught by suffering and by her later education to divine thought, knew well that the president desired her death that he might step into possession of their immense fortune, augmented by the property of his uncle the notary and his uncle the abbe, whom it had lately pleased God to call to himself. The poor solitary pitied the president. Providence avenged her for the calculations and the indifference of a husband who respected the hopeless passion on which she spent her life because it was his surest safeguard. To give life to a child would give death to his hopes,—the hopes of selfishness, the joys of ambition, which the president cherished as he looked into the future. —Eugénie Grandet
But Eugénie's vast riches were an empty victory for her. The avarice of her father marked her life.
Due to the frugal life style imposed by Monsieur Grandet, Eugénie was never attached to money and gold like her father was:
In spite of her vast wealth, she lives as the poor Eugenie Grandet once lived. The fire is never lighted on her hearth until the day when her father allowed it to be lighted in the hall, and it is put out in conformity with the rules which governed her youthful years. She dresses as her mother dressed. The house in Saumur, without sun, without warmth, always in shadow, melancholy, is an image of her life. She carefully accumulates her income, and might seem parsimonious did she not disarm criticism by a noble employment of her wealth. Pious and charitable institutions, a hospital for old age, Christian schools for children, a public library richly endowed, bear testimony against the charge of avarice which some persons lay at her door. The churches of Saumur owe much of their embellishment to her. Madame de Bonfons (sometimes ironically spoken of as mademoiselle) inspires for the most part reverential respect: and yet that noble heart, beating only with tenderest emotions, has been, from first to last, subjected to the calculations of human selfishness; money has cast its frigid influence upon that hallowed life and taught distrust of feelings to a woman who is all feeling.
“I have none but you to love me,” she says to Nanon.
The hand of this woman stanches the secret wounds in many families. She goes on her way to heaven attended by a train of benefactions. The grandeur of her soul redeems the narrowness of her education and the petty habits of her early life.
Such is the history of Eugenie Grandet, who is in the world but not of it; who, created to be supremely a wife and mother, has neither husband nor children nor family.
—Eugénie Grandet
Eugénie was meant to be a wife and a mother, she wanted to love and be loved, but life only gave her sorrows and riches.
This sad ending reminds me a bit of Show Sansa's ending. She was a Queen of an independent Kingdom, but she didn't get any of her siblings with her at Winterfell.
But, unlike Eugénie that only knew the likes of Charles Grandet, the Cruchots and the des Grassins, and even if Sansa doesn't know it yet, there is someone who despite being offered Sansa's claim, had chosen her over Winterfell and the North and the name Stark:
“By right Winterfell should go to my sister Sansa.”
—A Dance with Dragons - Jon I
Jon said, “Winterfell belongs to my sister Sansa.”
—A Dance with Dragons - Jon IV
Unlike Tyrion, Willas, Theon, Littlefinger or even little Robert, who pursued Sansa’s claim over her, Jon Snow chose Sansa over her claim. Among all the high lords interested in becoming the Lord of Winterfell by marrying Sansa Stark, the bastard Jon Snow refused to despoil his sister Sansa of her rights, even if her claim is the one thing he has wanted as much as he had ever wanted anything.
Jon Snow is not some fancy suitor from the South like Charles Grandet was to Eugénie, like John Willoughby was to Marianne Dashwood, like Joffrey, Loras and even Harry were/are for Sansa/Alayne. Jon Snow has Stark blood, he was raised by Ned Stark, he worships the old gods, and he knows very well that you can't make false promises in front of a weirwood tree:
Jon said, “My lord father believed no man could tell a lie in front of a heart tree. The old gods know when men are lying.”
—A Clash of Kings - Jon II
So, there is hope.
The end.
[This post is very personal and was written during somehow convulsed times. So, if you have come this far, thanks for reading.]
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Hey! I absolutely love your "the lovers that went wrong" fic - ive been back to reread it several times now because i think its such a good idea and I love the relationship with TK and his mum - if only the show could give us something as good as that! - I was wondering- only if you were interested, could you write something from Carlos' pov with his parents? maybe they can see that TK is more than a friend and they talk to Carlos about him and TK and why he's feeling insecure? if not np :)
thank you so much anon, that’s so sweet of you!! i love this prompt, too - god knows the show probably won’t show us carlos’s pov. it was my pleasure to write it.
a note on the spanish - technically, i do speak spanish but it’s still very much a word in progress, so if any spanish-speakers want to correct me then please do
ao3 | 1.6k | 2.04 spoilers
Carlos can feel TK's eyes burning holes into the side of his head, but he doesn’t look around. He doesn’t want to see the confusion and hurt he knows TK must be feeling - and if that makes him a coward, then so be it. His parents’ gazes are flicking between them, so Carlos distracts his mom by pulling her into a hug, grateful for the brief opportunity to hide his face.
Behind them, his dad is shaking TK’s hand, and Carlos’s entire brain is screaming wrongwrongwrong. This isn’t supposed to be happening. Not like this. Not yet.
He’s not ready.
His mom pulls away and Carlos forces a smile back on his face. They stand in an uncomfortable silence for a few moments, Carlos feeling like he’s being scrutinised.
Then, TK speaks. “It was great to meet you, Mr Reyes, Mrs Reyes,” he says, “but I should go. I told my dad I’d meet him and I’ll be late if I don’t leave.”
The lie rolls off his tongue, smoother than Carlos’s had, and Carlos dares a glance over. What he sees is so much worse than he imagined; to any other person, TK looks the picture of innocence, smiling kindly, eyes wide and bright.
But Carlos knows him. He can see the tense set of TK’s shoulders, the way he’s subtly put more distance between them, the hurt hidden deep in his eyes. He feels sick with guilt, but there’s nothing he can do to fix it. Not here.
“I’ll drive you,” he offers, but TK firmly waves him off.
“No,” he says, jaw clenching minutely. “My dad’s place isn’t too far; I can walk.”
“But -”
“It’s fine.”
Their eyes meet, and Carlos is suddenly hit with the force of what he’s done. Everything he’s been so scared of - TK deciding they’re not working, running away, Carlos getting his heart broken - all of that might happen now after all.
And it’ll all be Carlos’s fault.
TK’s hand lands on his shoulder. “I’ll see you around, Carlos,” he mutters, and then he’s gone, striding back the way they came and taking half of Carlos’s heart with him.
“Is everything okay, mijo?” his mom asks, as Carlos keeps staring after TK even though he can’t see him anymore.
Carlos doesn’t have an answer to that - the casual way they parted cut deeper than he’d ever thought possible, and he doesn’t know if it was just TK keeping up the act or his way of hurting Carlos the way he’d been hurt. Carlos wants to believe it’s the first one, but his less charitable side can’t help but wonder.
He can’t tell any of this to his mom, though, so he braces himself and turns back around, smiling. “Yeah, of course,” he says, surprised by how steady his voice is. “What are you guys doing here? I wasn’t expecting to see you.”
“Clearly,” his dad remarks, faintly amused, but before Carlos can figure that out, his mom is taking his arm and dragging him along with her.
“I was planning on making my chiles rellenos tonight, but your father forgot the chiles when he went shopping the other day.” She sends a reproachful look behind her, but the effect is offset by her fond smile. “You know they do the best ones here, so out we came. And here you are.”
“Here I am,” Carlos agrees through gritted teeth. He tries to extricate himself from her grip. “Look, mami, I don’t want to keep you. I’ll go, and you can -”
She stops suddenly, planting her hands on her hips. “I don’t see my only son for weeks, and the second we run into him, he wants to escape?” she demands. “No. You’re coming home with us, and you can help me with the food.”
“It’s hardly been weeks, mami,” he says weakly, knowing he’s already lost this argument. When Andrea Reyes makes up her mind, nothing can sway her.
“Psshh, details.” She waves her hand dismissively and takes his arm again, leaving Carlos no choice but to follow her to their car. He directs a wordless plea for help back at his dad, but he just holds his hands up, shaking his head.
“Your mother’s right, you know,” he says. “We barely see you these days. Give us the afternoon, at least.”
Which is how Carlos ends up in his mother’s kitchen, silently helping her prepare chiles rellenos and trying not to wallow in his grief over TK.
He fails miserably - miserable being the operative word.
His mom is being suspiciously silent, and if Carlos had any energy left, he would call her out on it. He knows they’re going to end up having a discussion at some point, but he’s in no mood to provoke it. Easier just to let her initiate it herself.
“That boy at the market,” she starts eventually, far too casually for Carlos’s liking. “What was his name again?”
“TK.”
She hums. “You’ve never mentioned him before.”
He sighs heavily. “We’re friends, mami,” he reminds her wearily, the lie coming easier this time, which is something he really doesn’t want to read in to.
“I never suggested otherwise,” she says. “He seemed nice.”
“He is.”
She sighs, clearly fed up with his reticence, and sets her knife down. “¿Qué pasa, mijo?” she asks, turning to face him.
“Nada, mami, no pasa nada,” he insists, though he’s not entirely sure why he’s still bothering to lie.
“Don’t pull that shit with me, Carlos Reyes,” she says sharply, startling him. “Soy tu madre; te conozco. Now, I’ll ask again - what’s going on?”
He meets her gaze, seeing only warmth and concern there, and it nearly breaks him. “It’s difficult to explain.”
“Try me.”
Carlos bites his lip, deciding how best to break the news to her. He’s still not ready, not really, but he’s made his bed. Time to lie in it.
“I’ve met someone,” he hedges, trusting her to fill in the blank of TK’s name. “I’ve known him for a while, but we’ve only been seeing each other for the last four months.”
There’s a brief silence, then, “Why did you not tell us?” she asks, her tone gentle, not at all accusatory. “Is it not serious?”
He hesitates, swallowing past the lump in his throat. “I don’t know,” he admits, half-whispering. “I don’t… He… I…”
Carlos shakes his head, giving up on speech. He doesn’t protest when his mom reaches up to draw him into an embrace, resting his head on her shoulder.
“I’m scared, mami,” he chokes out, squeezing his eyes shut and letting the tears fall. His mom holds him tight, rubbing comforting circles on his back as he shakes in her arms.
They stay like that for a while, until she moves her hands to his shoulders and eases him away from her. “Why are you scared?” she asks. Her eyes narrow. “He’s not hurting you, is he?”
Carlos recoils at the thought. “No,” he says, the words bursting out of him in a half-shout. “He would never.”
“Then, what is it?”
He hesitates again, the thought of telling her everything suddenly very daunting. She clearly notices, as she reaches around him to push the half-prepared food away. Carlos’s eyes widen at that; his mom never stops cooking once she’s started. She smiles ruefully, then leads him over to the couch, pulling both of them down onto it.
“Tell me.”
And Carlos does. He doesn’t divulge all of their long, complicated history, but he tells her enough for her to understand. He talks about TK’s reluctance to start anything, his own determination to try anyway. He talks about those days after TK got shot, and the solar storm, and that night under the stars when they finally agreed to give them a shot.
He talks about his fears that it’s all just a fantasy, that any day now the rose-tinted glasses are going to come off and TK is going to realise that he’s made a mistake, and Carlos will be left behind again. And he talks about his guilt for even thinking it, the way he wants so badly to believe that this is it.
Because, for him at least, Carlos is fairly sure that it is. He just wishes (hopes) the same is true for TK.
When he’s done talking, he glances hesitantly over at his mom. She’s watching him with a small smile on her face, her hand gently squeezing his knee.
“Oh, Carlos,” she says, shaking her head. “You’re in deep, aren’t you?”
He grimaces and nods. “I’ve ruined it all,” he says. “I hurt him, and now he’s never going to trust me again.”
“Oh, no you don’t,” she admonishes. He frowns up at her, only to meet a spectacular frown of her own. “You’re going to go to him, right now, and explain everything like you’ve just done for me. He’ll listen, and if he doesn’t then clearly he’s not good enough for you.”
“He’s good enough, mami,” he says, cracking a small smile. “I don’t know where he is, though; he was lying when he said he had to meet his dad.”
“Then you’re going to go home and wait,” she says, matter-of-fact. “If half of what you’ve said is true, he’s going to want to talk just as much as you do.”
Carlos doubts that, but he supposes it’s as good a plan as any. He could call TK, but he doesn’t want to rush him. Better to let him decide when he wants to talk to Carlos - Carlos had been the one to hurt him, after all.
He leans into his mom’s side, smiling at her. “Thank you, mami.”
She kisses his temple. “Te quiero, my son. Now, go. If this boy is as good as you say, I’ll never forgive you for letting him go, let alone him.”
Carlos laughs, then gets to his feet and leaves his parents’ house, filled with a sudden determination to fix this.
He doesn’t think he could live with himself if he didn’t at least try.
#911 lone star#911 lone star fic#tarlos#tarlos fic#911 lone star spoilers#lone star#carlos reyes#tk strand#tk x carlos#911ls#fanfiction#my fanfiction#writing#my writing#userjillian#userkimmy#tuserpaige#anonymous
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If By Chance Pt. 2 // E.D
Part 1
Summary: It’s been 2 years since she’d last seen him, what would happen if by chance they were to meet once more?
Sorry for being gone for so long! Ive been super busy and just haven’t had any time to write. I’ll hopefully post a bit more regularly this year! I love you all mwah!!🥰
4:35pm, Great.
It was the first time she would be seeing Gray in what felt like eternity and she was already late, Classic Rory. In her defence, he had agreed to pick her up but a meeting running over later than expected meant she was left to fend for herself. The fact that she didn’t know her way around LA yet paired along with her general lack of time management left her here, outside of the adorable, little cafe Gray had sent her the address for.
She felt the explosion of butterflies erupt within her stomach at the sight of his car and pulled in next to it. She took a moment to compose her thoughts that seemed to be racing along with her heart. Taking a final deep breath, she climbed out from her car and made a start towards the cafe door.
From the very moment she laid her eyes on his tall figure, nothing could of slowed the pace she ran towards him. She called out his name and as he glanced up from his phone, the widest smile took over his face. Opening up his arms just in time, he caught her in his warm embrace. It felt good to be home.
“I missed you so much.” He sighed contently, spinning her around one more time before placing her body back firmly on the ground.
“Missed you more Grapeson.” She replied with a smirk.
“Wow... that’s gotta be a record, we’ve been together what? One whole minute and you’ve already said it.” He rolled his eyes, coaxing a giggle from Rory.
“I said we were bringing it back my love and i meant it!” She grinned smugly up at him before grabbing his hand and leading them into the coffee shop. As the little bell chimed, they were greeted by an older woman who beamed their way.
“Hello Grayson! Your usual i assume? And what can i get for you sweetheart?” She asked with a warm smile.
“Ill go get us a table, i know the best seats.” Grayson told her before wondering off to a far corner in the store.
“Ill get a hot chocolate please.” She replied graciously with a shy smile and the woman was quick to get started on the order.
“I’m Genevieve by the way but you my dear, can call me Gen! You know Grayson never mentioned he had a girlfriend, you’re absolutely gorgeous.” She began to make small talk as she poured Grayson’s coffee into its cup. Rory choked on air at gen’s words, gaping at her in shock.
“Were- were not together, just good friends.” She said with a deep blush.
“Oh my bad! You two would make a beautiful couple if i might say.”
Rory couldn’t help but smile at Gen’s bluntness, she loved her already. After some more casual conversation, Rory said her thank you to Gen and headed off toward the table Grayson had saved, gently placing their drinks on the tabletop before sliding into the booth seat. These seats in particular looked out onto a beautiful landscape and Rory couldn’t help but let out a sigh of relief as she sank lower into the leather of the seat, this day couldn’t have gone any better. Nothing had changed between her and gray and she couldn’t be more thankful.
The two sat and talked for hours as the sun began to set on the city that awaited them just outside of the window. They filled each other in on everything and anything they could think of, from childhood memories to the launch of wakeheart. It was inevitable really, that they would eventually end up on the topic of a certain twin brother. No matter how much Rory had tried to change the subject, he always found a way back into the conversation, she knew shed have to face the music someday anyway, may as well bite the bullet sooner rather than later.
“He misses you, you know? He may be an absolute idiot and too damn stubborn to ever admit it but i know that he does. He still reads through your old messages and looks at old photos. He still checks your socials every now and then, I’ve seen him.”
Rory sighed with a small shake of her head.
“Gray, he dropped me remember? No one told him he had to do that, he got a girlfriend and she became more important. That’s life i guess and I’ve dealt with that knowledge for years now. He prioritised her over me and that’s on him.” She let her gaze drift from his face to the window beside her, now littered with stray raindrops from the light drizzle that had began.
She allowed herself to breathe deeply, basking in the feelings that a crisp fall breeze always managed to stir within her. God, did she love autumn. Nothing could compare to the sight of the leaves changing to colours of fire and passion before her very eyes. Along with the colder weather came rainy days, and with rainy days? Time she could spend huddled up in front of a window reading whatever book she’d chosen for that week. Everyone who has ever known Rory, would know full well she would would be half way through that book within the space of a few hours.
Something about the rain had always enticed her, she felt a strange comfort within the damp weather that left most people feeling miserable. She thrived in it, wanting nothing more than to cozy up in fluffy socks and warm layers of clothes and watch droplets race along the panes of the nearest window.
“Penny for your thoughts?”
Slightly startled from his sudden appearance, she beckoned her breathing to calm down to a steady pace once again. She allowed her eyes to trail up his tall frame, soaking him in as much as she could. There stood Ethan in all his glory along with a piping hot mug of her favourite, hot chocolate. Rory was never much of a coffee drinker, always having a sweet tooth and preferring the chocolatey taste to the bitterness a cup of coffee would leave in her mouth for hours. Besides, no one likes coffee breath. She allowed her gaze to retreat back to its fixed spot, staring out into the forest that lined the perimeter of the Dolan’s backyard.
“Then I hate to break it to you E but you’ll be short of quite a few pennies by the time you’ve heard all of the thoughts that are running around my mind right now.”
She allowed a defeated sigh to slip past her lips, filling the silence that had fallen between the two. It was true, her mind had been all over the place ever since the moment the twins had told her of their plan to pursue a career in Los Angeles. She felt like her world was collapsing in on her and in a way, it was. Her whole life as she knew it consisted of Ethan and Grayson Dolan, she had spent practically everyday with the pair for as long as she could remember and she wasn’t sure if she was ready for that chapter of her life to be over.
“A hot chocolate instead? Please Rory, talk to me. I know this is going to be a big change for you, but it is for me and Grayson too yeah? Were all going to be feeling the same emotions in the next few weeks, we have to be there for each other and I can’t do that if you wont open up to me.”
Sliding down opposite her small frame on the cold hardwood floor of his childhood home, Ethan couldn’t help but become overwhelmed by his emotions. This had been his home for many years, it contained so many memories. These very walls had been witness to the life of the three best friends and the idea of leaving this part of his life behind, leaving his best friend behind? It tore Ethan to pieces but he was also optimistic for this exciting new chapter. He tried to remain positive and think of the new adventures they will get to have in the city of angels. The memories he can make with the ones he holds closest.
“Everything is changing E. I don’t think I’m ready to move on from this, I don’t want to be left behind again. I’m going to be so alone here, you guys are the only real friends I have. I don’t want to lose you, or Grayson.”
A stray tear made it’s way down her cheek as the rain continued outside. She looked up to meet the eyes of her best friend, the boy she’d always love. His hand reached out for hers and clasped it tightly in his own. She saw a flash of hope flash across his beautiful brown eyes that she adored so much.
“You could come with us you know? There’s a spare room in the apartment and you know I...we would love to have you there with us. We could go on so many adventures and explore California and we could-“
“E, as wonderful as that sounds, you know my mom would never let me just drop everything and go. What about school? College? You know what she expects of me. I really wish it was that simple.”
In that moment, Rory swore she saw a small piece of Ethan’s heart break away before her very eyes. She forced her tears back, choking slightly from the lack of air that seemed to be escaping her lungs. Why did this have to be so hard? Ethan paused for what felt like eternity before speaking once more.
“I’m going to miss you so much my little lion, so fucking much.”
He outstretched his arms, his warm embrace calling her name. She crawled over to him, closing the small gap that was between them. She clung to his torso as he stroked his fingers through her hair soothingly.
“Nothing is going to change between us Rory, absolutely nothing.”
“Why don’t you come back to our place? I’m not ready to say goodbye yet anyway and I know he’d love to see you. Please, just for a little while?” Gray’s words snapped her back from her reminiscing. He looked into her eyes with such hope, she just couldn’t say no to him.
“God damn those puppy eyes” she cursed under her breath, causing a smirk from Grayson who sat opposite her with a triumphant look on his face.
“I better not regret this Dolan.”
Tags: @rhyrhy462 @evergreendolan @dolansficsandpics @fangdolan @livexdolan @blindedbythelightt @baby-grayson @prettyboydolan @delightfuldolan @sosweetgrethan @episkygrant @resilientdolan @pineappledols @vinylhazza @hydrograyson @velvetdolan @baby-turtles @szadolans @cutestdolans @brockdolan @mercurygrant @abstractstardiva @guiltydols @blazedgraysons @blackpinkdolan @vintagedolan @babeygray @babey-gray @dolanpornhub @onlyyyariii @voidmalfoy @glossydols @graysonsdolansbabygirl @spideysimpossiblegirl @lovingdolans @bubsdolan @iknowyouthinkimbulletproof @dolansbeanies @graydolan12 @dolantissue @thecharlietomygillespie @dolandolll @boujeeethan @softethan @risedols @evreths @everydaydolan
#dolan twins#ethan dolan#grayson dolan#if by chance#grayson bailey dolan#dolan twins fanfic#grayson dolan angst#ethan dolan fluff#ethan grant dolan#ethan dolan angst#ethan dolan smut#ethan dolan fanfiction#ethan dolan fic#ethan dolan fanfic#ethan dolan imagine#grayson dolan fanfic#grayson dolan imagine#grayson dolan smut#grayson dolan fanfiction#dolan twins concept#dolan twins fic#dolan twins fluff#dolan twins imagine
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hey i just wanna say the long posts genuinely make my day. also can you talk more about gordon freeman character because the way you write him makes me quake in my gay little boots
i would love to talk about gordon freeman. thank u for the opportunity
the first thing i need to communicate about gordon is that this dude sucks. and i say this in the fondest way possible. he is a bitch from the moment he drops into the world until the moment he goes out. if you dont believe me, give it another watch! gordons mouthy and rude for no real reason, at least so far as “being a regular dude on his way into work” goes, and this dude goes around calling his coworkers names with zero provocation. (of course, we all know that the reason is because its a funny guy improv stream that borrows a bit from freemans mind, but im talkin from a character sense.)
but my argument isnt just that gordon freeman sucks. its that he sucks in a very specific way that i find insanely endearing. i love this dude. i love to hate him. hes awful in a very mundane sense - weve all known a guy like this, at least if youve spent too much time online - and its cathartic to watch him suffer because of it.
gordons a smart guy. as written, hes gotta be - hes a recent MIT grad, on his way to work at a top-secret research facility to do weird shit with crystals and theoretical physics. but the thing about smart guys is that theyre often......selectively intelligent. we can see this in the way that he has a hard time navigating his surroundings, and needs the science crew to guide him through it and keep him alive.
this is one of those things that is a natural consequence of somebody going through the game for the first time, but that i am interpreting as “gordon is kind of stupid sometimes”. its uncharitable but its not like he doesnt deserve it. he likes to boss around the crew as if he knows what hes doing, when he often very much does not, and is fond of demeaning their intelligence. hes real bad about this with tommy in particular, treating him like hes a kid whos playing at being a scientist when tommy is actually a decade older than him. all i am saying is that gordon ought to stay humble. hes awful cocky when he perceives himself as better than others.
which, i think, tracks with how cocky he gets when he gives up on the whole “well-meaning citizen” thing and just unloads bullets into people. he puts up a front of being a Nice Guy, you know, just some dude caught in a bad situation who doesnt like seeing his companions obliterate every NPC they come across, but that doesnt stop him from cackling like a fucking madman and mowing down aliens (and soldiers) every once in awhile. when he stops seeing himself as helpless and starts seeing himself as the one in control, the gloves come off. he gets mean. and i think thats very sexy of him
this, among other things, is why i am insistent that gordon freeman is a control freak. he desperately wants to be in control of the situation at all times, shepherding around the science crew primarily by bitching at them, but its of limited success. its futile. sisyphean. tommy, coomer, bubby, and benrey exist almost to torment him with exactly the thing that would make him suffer the most: a gaggle of people running around causing problems for him, but he cant go anywhere without them b/c hes reliant on them to make it out alive.
its perpetual suffering, and its cathartic to watch. and funny, too. and if youre a little weirdo like me, its very, very enjoyable. how twisted up he gets when nobodys listening to him! how sweaty and frazzled he must look. its cute, and it also makes me want to reach through the screen and shake him and tell him to just be a little nicer. he wants control but he doesnt know how to attain it, he doesnt know how to play nice like a real leader. i think its a neat contrast to gordon freeman as we know him in HL2, where he literally is the leader of the resistance and has to live up to it. this is gordon freeman but if he was moe through helplessness.
“helpless” is, i think, a great way to describe him. a core bit of imagery in half life is this sense of railroadedness and helplessness, with gordon freeman being put into play like a chess piece and having no choice but to move forward. and this iteration of gordon leans into that by being totally dependent on the science crew in order to make progress and Not Die. and hes also subject to the whims of benrey, local eldritch weirdo who has basically made it his life mission to fuck with gordon.
gordons anxieties dont help with that. if he wasnt so fun to stress out and fuck with, the science crew probably wouldnt do it so much! too bad for him that they like fucking with him so much that he was driven into a panic attack (multiple times, even, depending on your interpretation). hes got that real neurotic mindset. always worrying about shit that could go wrong, and attempting to exert control over his surroundings in an effort to control the anxiety.
IMO the real way to nail the Neurotic Gordon Freeman Experience is to combine the ever-present anxiety with his pervasive sense of self-loathing. he openly states that he has no friends and nobody seems to like him, and to that, i really gotta say, i wonder why. he doesnt really seem to factor in that hes kind of a bitch, and has way too high an estimation of his own intelligence relative to everybody elses. its really one of the worst ways to be: aware that people dont like you, but unaware of exactly why. if he was like, 10% nicer, he probably wouldnt have had half as many issues getting through black mesa, but also, its funny to see him squawking his way through the game. so, you know.
its stuff like that that makes me headcanon him as a dude with low self-esteem in general. convinced that hes not likable, not attractive, out of his element......impostor syndrome, except that theres some truth to it. this is a guy who truly does not realize how good he has it: he really is just an average shitty dude, and yet, somehow, benrey took a shine to him. some poor motherfucker out there actually likes him and wants to suck his dick. thats dedication
also, i keep bringing up “repression” when i talk about gordon. and hopefully, what ive been talking about helps explain why. he has a strong desire to be a regular dude, not just murdering his way through black mesa, but if hes pushed hard enough he leans into it. gets bossy. picks up a cigar off a dead soldier and takes a long drag, before smacking forzen around with a pistol and ordering him around. gordon freeman is a regular, kind of anxious guy who likes competitive swimming and streaming on justin.tv and making anime references, and he is also a guy who takes a filthy pleasure in making a trained soldier his bitch. and i didnt make up any of this shit - this is purestrain canon, baby. this is a guy with problems
to me, this screams the kind of guy who represses a lot of shit b/c he doesnt feel like its morally decent. you run into this guy a lot online: the wokeboy, the online leftist, the guy who spends too much time on social media websites. (like reddit. i think he would actively use reddit and he would never get any appreciable amount of karma but he never stops posting. its sisyphean! cathartic.) from the way he talks about “bootboys”, i think it tracks. he knows about imperialism, he knows about feminism, but at the end of the day hes your average american white dude who struggles with internalizing it.
a lot of those dudes struggle with sex and gender issues. (dont we all.) when youre trying to be a Good Person(tm), you spend a lot of time thinking about your own relationship to sex and kink and all that shit. and i maintain that a too-online dude who buries a lot of his control freak tendencies would also try to bury a lot of weird sexual shit in an attempt to seem Normal and Well-Adjusted and not like a little freak. i justify this by the sheer number of times gordon blurts out weird sex shit as a joke. there are only two outcomes to making that many piss jokes: either youre secretly a piss guy, or you lathe-of-heaven yourself into becoming one. i will stand by this
ive talked a lot about why this dude sucks. now, let me talk to you about what makes gordon so much fun to write. first things first: hes funny! a subjective evaluation, yeah, but both in- and out-of-character, hes aiming to be funny. and being the straight man to everybody else plays into that whole “helplessness” thing.
secondly: underneath it all, there is a good dude under there. gordon worries when his companions get hurt, he tries to clean them off and patch them up, and hes got his lil leftist heart in the right place. you could even read a lot of his bossy, bitchy demeanor as him wanting to make sure everyone gets out okay and doesnt hurt themselves. when it comes to animals and anti-imperialist sentiment, gordons a pretty good guy.
hes the kind of guy who would probably see a dog on the street and get excited and play with it, but would get really prickly about the correct way to put dishes in the dishwasher. control freak tendencies.
finally, subjecting such a miserable, tormented guy to even more psychological anguish is really, really fun. you feel a little bad for him, but he kind of deserves it. so many problems he goes through are purely of his own making, and if gordon would just relax and quit trying to hard to maintain control - of himself, of the people around him - and own up to having Problems and Issues, he would be a happier guy. but thats why its fun to bend him until he breaks. being a little control freak myself, putting gordon freeman thru psychosexual torment is cathartic.
when it comes to writing his thought processes, the fact that he is canonically some kind of psychotic (yes, i am boldly claiming this. suck me) and i am also canonically some kind of psychotic makes it easier to write what i think his thought processes are. i just give him my brain issues of “getting lost in thought” and “overthinking fucking everything”. a touch of paranoia helps. even if i dont explicitly label him as schizophrenic please know that i am writing him as a paranoid little nutcase at all times because, uh, you write what you know.
paranoid. anxious. of the mindset that everyones out to get him (which isnt helpful when everyone is out to get him). repressed and deeply Not Normal but trying so very fucking hard to be normal and well-adjusted. a control freak with sadistic tendencies who also really, really likes getting bullied by his best frenemy. a hapless little nerd who sounds really cute when his voice starts to break from nerves. and, most importantly, a dumb jock. do not ever forget this.
thats gordon freeman, babey. hope that helps
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FIST FIGHTING WITH FIRE
chapter III
Pairing: Mason x f!Detective (Alice Santos)
Warnings: Book 3 demo SPOILERS!!! Cursing, some angst, mentions of sex, a guy being a creep™, I guess. Sorry if there are any mistakes!
Word count: ~1.8k
Summary: A week after that scene on Haley’s Bakery, Mason deals with the aftermath of his words... Or has he been dealing with it since the very moment he said them?
Read on ao3
chapter I ⭐ chapter II ⭐ chapter IV ⭐ chapter V
☾ 一一一一一一一一一 ☽
Outside the bar
"Can we just… not do this?" Alice spoke into the phone, her free hand running through her red hair and messing the waves she had carefully done that evening. A sigh from the other end of the line indicated her mother's reluctance to let it go.
"You seemed to be perfectly integrated with the Unit some days ago, and this week you made up a meeting with the Captain just to avoid coming to the warehouse."
Alice cringed, not her finest moment. "Look, I'm with them now, having a drink together. We're fine. Everything's fine."
"Does this have anything to do with what's been going on with Mason?"
Hearing his name made the detective snap. "Wait, is this you being a mother or being a boss?" She spat, venom on her every word. "Because you've barely gained the right to meddle in my life as either of those things."
The silence was deafening, and Alice's heartbeat kept getting faster and faster. "You weren't there when Bobby broke my heart, you don't have to be here now." Her voice cracked as she finished the sentence and she had to clear her throat.
"Is that what happened? Mason broke your heart?" Tears threatened to spill out of her green eyes at the genuine concern on Rebecca's voice.
"No, he didn't." She answered with a whisper, rebuilding her carefully placed walls.
"Are you sure?"
"Yes, I am. I have to go, they are waiting for me."
"Alice, wait, tell me -"
She finished the call and stared at the phone's screen for a few seconds, taking calming breaths and trying to swallow the tears. The Unit would pick up on any change in her mood so she better calm down fast.
"Detective Santos. That looked intense."
She turned around quickly, finding the bearded man they were discussing inside before her mother called. Alice cleared her throat and offered a wobbling smile. "Kinda. Mr Rogers, wasn't it?"
"Please, call me Owen." He said, a wolfish smile on his lips as he offered his hand to her. Alice couldn't help but think of all the times the smirks Mason threw her way had seemed wolfish to her, and how different the chill she felt going down her spine was to the one she was feeling now.
Still, she was the detective of this town, so she shook his hand as professionally as she could. He took advantage of the situation to pull her slightly towards him, making her stumble on her heels and gaining a frown from her.
"I couldn't exactly walk up to you inside, surrounded by those guys. Popular, aren't you?"
Alice pulled her hand away and took a step backwards, creating some distance. "Those are my friends. And I would carefully think about what you say next if I were you, because so far you're doing a terrible job at flirting with me."
Owen blinked, slightly taken aback by her brashness, but recovering quickly and assuming she was challenging him. He didn't know he had picked the worst moment to annoy the detective, who usually was rather friendly and generous with her smiles. But the night had been a whirlwind of emotions and she was feeling irritated, miserable and ready to either go home and curl into the bed or get back inside and get shit faced drunk. Definitely not in the mood to deal with this man.
"I'm just saying you've probably let some of them get a taste." His grin widened, eyes travelling down her body. "Thought maybe I could be next. I'm sure I could teach you a couple of things… or maybe you could show me what you can do."
She opened her mouth to reply when a low growl interrupted her, making Owen turn around and allowing Alice to see Mason standing there, fists clenched and eyes narrowed, lips curled in a snarl. He looked dangerous, even more so than he usually did, and Alice tried to look at him from a stranger's eyes. Everything in his body and expression was screaming 'predator'. It would be the kind of situation where your body asks you to run even if you aren't sure about why you should be running. You just know you should. But she didn't feel fear, his anger was not directed towards her. She felt a thrill going through her body at his presence, forgetting her bruised heart for a moment.
"What the fuck did you just say to her?" The words were still growled as he stepped forward, and Owen took a step backwards, nearly colliding with the detective, who moved aside and around him. Mason reached out a hand to her, not moving his stormy gaze from the bearded man. Not even thinking, she slipped her hand into his and he gently moved her closer until she was tucked against his side. The detective had expected Mason to push her behind him, not keeping her by his side. She felt both of their bodies relaxing slightly at the touch, as if being close to each other was the only thing they needed in the world.
Owen looked at them with slight fear in his eyes. He could swear he had seen a glimpse of inhumanly big fangs when the long-haired man snarled. Mason's hand rested on her waist and her manicured one grabbed his shirt, his dark hair falling down his face and getting mixed with her red locks, tickling her cheek. He looked at him as if he was about to rip him apart, and the look on the detective's face let him know she would very much allow it… maybe even help him.
"Look," he croaked, "I didn't know she was with you. No harm done, okay?"
But his words didn't have the desired reaction. Another growl, and his snarl widened. It was taking all his self control not to pounce on this guy, but he knew he shouldn't. "So it was okay to be a creep to her when you didn't know? But suddenly a bad idea now you know she's my girl?"
Mason didn't miss the way her heart leaped inside her chest at his words and a pang of satisfaction almost made him shudder. If he hadn't been so fucking angry at the man standing before them he would have probably gotten goosebumps at the way she subtly pressed herself closer before speaking.
"You gotta learn how to treat women like human beings, you fucking dirtbag. If I see you creeping on anyone of this town I'll have you arrested for harassment."
The man nodded enthusiastically as he took another step backwards. Mason rolled his eyes with a huff.
"One of us is gonna kick your ass if you don't get lost. Now."
That was enough, and in a few seconds they were left alone in the street. Mason relished on her closeness, the scent of her honey scented shampoo tickling his nose, the warmth of her body expanding through their clothes and seeming to reach inside him. But she cleared her throat and he lost it all. She took a step away from him and the hand that had been resting on her waist fell limp to his side.
"Thank you. It would have been awkward if the detective of the town punched a newcomer in the dick." She chuckled awkwardly. "So, you know, thank you."
"You already said that."
She met his eyes and his forced grin let her know he was trying to mess with her to lighten the mood.
"Right. We should, uh, go back." She moved to walk past him, but his long fingers curled around her forearm and she spinned around to meet his face, now suddenly serious. He opened his mouth and closed it, his brow furrowed as if what he was about to say was too difficult to say it out loud. His fingers loosened their grip and Alice thought he was going to let her go. Of course he was going to let her go. He wouldn't face the way he hurt her because that would mean he accepted they had something worth saving. Her eyes dropped to his grip, wanting to watch, forcing to accept, he was never going to make her stay.
But his fingers tightened with new force, and her gaze snapped back to his face.
Grey eyes, tempestuous with emotion, stared at her, moving wildly through her features before he finally found the words.
"Don't go."
Her breath caught on her throat at the thought that he wasn't just talking about going inside.
He feels those things, alright. You gotta be patient while he figures them out.
Felix's words echoed inside her mind. The seconds that went by seemed to last an eternity, before she nodded slowly. Mason's shoulders dropped as he exhaled, as if a great weight had been lifted off them.
"Okay, Mason."
Meanwhile, inside the bar
"Maybe one of us should have gone outside to mediate." Nate sighed, staring inside his glass of scotch. "Those two aren't exactly good at sharing how they feel."
"Who knows." Felix shrugged, a grin widening in his face. "Maybe they're already back at Allie's apartment."
"Why would they…? Oh." Nate realised, eyes widening.
"They say the bigger the fight, the best the make up sex gets." Felix wiggled his eyebrows. "If that's true, they're in for a hell of a night."
Nate cringed, very much wishing Felix hadn't put that image of his friends inside his brain. "Ugh. I just hope Mason finds a way to fix whatever he's done without hurting her anymore."
"She knew what she was getting into by getting involved with someone like Mason." Adam said matter of factly. "He doesn't really try to hide his brashness."
Nate nodded, Mason was all sharp edges and bluntness, while the detective was much softer, gentle. It was easy for someone like her to get cut while trying to hold on to someone like him. Maybe it was a matter of how many cuts and wounds she could resist before letting go. But he liked to believe that wouldn't happen - instead, her softness would envelope his sharpness, showing him a side of himself he didn't even know it existed. A small smile bloomed on Nate's face as the thought.
"I think they both have to learn how to be around each other now that their relationship is changing."
Adam shrugged, but Felix let out a dreamy sigh. "You're such a romantic, Natey. Mason would learn so much from you if he didn't get nauseous every time he thinks about love."
Nate chuckled. "You know, maybe that's about to change."
☾ 一一一一一一一一一 ☽
A/N: Let me know if you want to be tagged in the future! Thank you for reading, feedback is appreciated 😍
TAGLIST: @agentnatesewell @gloynporslen @sunchipz @agentmasonjars @msjpuddleduck @utterlyinevitable @kat-tia801 @oxjenayxo
#here it iiiisss#they needed a push ok#me: now kiss#twc#the wayhaven chronicles#twc m#detective alice santos#twc mason#agent m#agent mason#mason x mc#mason x detective#mason x alice#twc detective
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ooh ask day! are you working on any of your own writing at the moment? what excites you about it? is your writing similar to your prompts in any way? or do the prompts fulfill something else for you?
mainly im working on getting my first novel published, which you can read about HERE. otherwise, the sequel, an adult fiction project, and an urban fantasy type YA about a town called florida. in florida. Florida, florida.
Florida project, working title BORDERLINE, is the most in line with my general prompt vibe here. a little cosmic horror, bent reality, just generally odd.
I never write stuff based off the prompts, but I DO write prompts based off my own stuff, very occasionally. for me, writing prompts is like scales for a musician. keeps my brain well oiled.
*still taking asks, no requests please*
anyway, ive been working on Florida project a lot lately. have an excerpt:
Backpage:
Lin O’Leary was born and raised in the town of Florida, Florida, tucked away into a corner of the state’s forgotten coast. All the locals know Florida is a strange place, rumored to stand on a borderline, where the veil is thin and mysterious forces wander alongside the human population. The daughter of Irish and Mexican immigrants, Lin knows you can only find trouble if you go looking for it, and like the rest of Florida’s residents, lives comfortably alongside the supernatural. This is before Momoko Kasahara disappears into thin air, frightening the town of Florida into a new, ultra-cautious existence. Five years after Momo’s disappearance, Lin is seventeen, a highschool dropout now working at a convenience store, her once vibrant town still plagued by fear. The days drag by, mundane as they come in Florida, occasionally punctuated by unpleasant visits from Bo Kasahara, brother to Momo and full time asshole. Then, one fateful late shift, Lin sees the missing Kasahara twin standing in the aisles, gone as quickly as she appeared. Meanwhile, a stranger arrives from California, claiming to be a paranormal investigator hellbent on uncovering the mysteries of Florida, and suddenly Lin is faced with a choice. Be smart and keep her head down, or dive headlong into the strange mist that so often covers Florida, to rescue Momo Kasahara, and return her town to the way she remembers it.
1. 100% humidity feels like breathing underwater.
L I N
Florida ate Momoko Kasahara on the most miserable day of the year, and washed her down with a thunderstorm. A lot of other important things happened that day, but Momo’s disappearance overshadowed them all. Momo was the coolest girl in our class. She had shiny black hair that ran down to her waist. She liked to wear a different flavor of lip gloss every day of the week, and could sing in Japanese. I was on my way home from the beach when I saw the police cars in her driveway, and her twin brother sitting on the porch, painted purple in the twilight.
He shook his head, at me, slow, and all the sound seemed to drain out of the world. The flashing police lights distorted his face, as bright white clouds passed too quickly above us. The whole scene drove a stake of wrongness hard into my chest. Sometimes even now, I dream about it. Bo and I watching each other. The dead silence. The purple light. The too white clouds. And Momo, eaten. For the first time in my life, I was afraid of my own town.
My name is Lin O’leary. I live in Florida, Florida, a nothing sort of place crammed into an extra forgotten corner of the state’s already forgotten coast. Some days I can forget about Momo, and everything that happened in the hours before she vanished. Heff says I’m good at keeping my eyes closed, even when they’re open.
I really wish he were right.
2. Cloudy with a chance of hotdogs (haunted).
J U L I E N
I was standing in front of the worst building I had ever seen. Slab grey and full of sharp edges, additions had been slapped onto every side until it resembled an impossible puzzle piece. The front windows were crowded with signs for cold beer and hot food, but the glass itself was opaque. It was a convenience store from hell, a collection of stationary parts so nonsensical I was worried it might grow a few new alcoves if I blinked. Above the door, an unintelligible sign in complicated neon cursive flashed electric blue. There was a neon clock too, flickering wildly, just striking twelve.
I must have walked halfway across town, and as far I could tell this was the only place that sold food at all, let alone past three in the morning. Still, I couldn’t bring myself to go inside. My stomach was a mess, and haunted convenience store hot dogs could only make it worse. I fished my phone out of my pocket, but the little service I had was, like the midnight clock above me, barely clinging to existence, my map application nothing more than a collection of beige squares. There was no one around. The sky was intensely dark, a pitch black blanket of clouds. Water hung thick in the air, the night time street so quiet I could almost hear beads of sweat sliding down my already slick face. No, there was nothing for it. I needed directions.
The bell above the door made a strange, flat sound as I pressed inside. If the building was weird from the outside, that was nothing to its interior. The shelves, tall and numerous, had been arranged like maze walls. The overhead lights were blinding, stark white, and every other tile on the floor was mismatched. Some were squares of carpet. The only thing really visible from the entrance was the register, a fortress made of dark wood and surrounded by lottery advertisements. Behind the counter, a girl was reading something intently. As I got closer, I saw it was the back of a box of oatmeal.
“Hi,” I said, adjusting the duffel bag that had been crushing my left shoulder for an hour.
The girl nodded, but didn’t look up. She had thin black hair, pin straight and chin length. Her skin was a warm, golden brown. Her shirt said something in miniscule writing, but my glasses were a little foggy, so I would have had to practically press my face to her chest to read it, which didn’t seem like a great first impression.
“Can you help me? I’m looking for the Fahrenheit Motel. I think it’s supposed to be around here.”
Finally, she glanced at me.
“It’s just around the corner. See the glasses store across the street? Go straight past that and make the second left, you’ll run right into it.”
She pointed out the window, and I realized they were one way.
“Who built this place?” I asked.
She shrugged.
“We’ve had a lot of owners. Everyone adds something new.”
There was something off about her. Like we were talking, but mentally she was still
reading the box of oatmeal.
“I’m Julien,” I said, sticking out a hand. She raised her eyebrows before taking it.
“Lin,” she said, with another small nod.
Her face was round, but her features were knife sharp. I wondered what she looked like angry. Maybe that was a really weird thing to think.
Not wanting to ask for a second set of directions, I wandered around the store for thirty minutes before returning to the counter with a gallon of chocolate milk and a bag of seaweed flavored potato chips.
“I can’t believe you have these. I didn’t think you could find them outside of California.”
Instead of replying, Lin held up the chocolate milk.
“There’s no fridge in your room at the Fahrenheit. You know that right?”
“I was told on the phone… ” I started.
“There’s a fridge, but it’s in the lobby, communal. Kimmy’ll drink this.” She gave the milk a little shake before scanning it. “Just warning you.”
“Thanks,” I said, as she stuffed my things in a smiling shopping bag.
I paused on my way out.
“Goodnight,” I said, “Or, good morning I guess.”
Lin stared at me, then glanced at the box of oatmeal and back.
“Morning,” she said, with a sigh.
***
I followed Lin’s directions, and wound up at last in front of a long, low building sporting a vacancies sign. Even in low light I could see about a hundred sad looking plastic flamingos had been stuck all over the lawn, the bushes, even the gravel path that led to the front door. I had to pick my way around them on approach.
There was no one at the front desk. The reception area was lit only by the green blue light coming from an enormous fishtank that didn’t seem to have any fish in it. As I approached the counter, I noticed someone had left the key to my room out for me, next to a scrap of paper bearing the wifi password. I picked up the key, old and brass, then watched the fishtank for a second, before turning around and experiencing heart failure.
A very old woman with wiry black hair was standing there in her nightgown, arms crossed and frowning at me. She didn’t apologize for nearly sending me to my grave.
“I’m up. I can check you in properly,” she said, shuffling past me. “I’m Kimmy, but you can call me Miss Kimmy. You got ID?”
I dug it out of my wallet while she opened a dusty guest book.
“The reservation is for Julien True,” I said.
Miss Kimmy glanced at the ID I had just handed her.
“That’s not what this says.”
“I know. It’s a stage name,” I admitted, “everything else is correct.”
She raised an eyebrow to herself, but didn’t ask any more questions.
“Now listen,” she said finally, shutting the guest book with a snap. “I’ll be honest, there’s not much to do around here. There’s a bus runs to the state forest during the day, and the beach isn’t going anywhere. If you’re hungry that’s too bad for the most part, unless you feel like walking down to Morton’s.”
“Is that the weird looking building? One way windows?”
“That’s the one. Midnight Morton’s, never closes. This late at night you’ve got Lin at the counter, nice girl.”
I don’t know what I would have called Lin, but it probably wasn’t ‘nice girl’.
“Thanks,” I said, glancing around for the hallway that led to my room.
I bid Miss Kimmy goodnight and lugged my things to Room 7, at the very end of the dark hall. Inside was simple, but stunningly clean, which I had in no way expected. The bed had a sunken spot in the middle, and there were a lot of paintings of tropical fish on the walls. Home sweet home. I changed into pajamas, and took a huge swig of chocolate milk before glancing at my duffel, still full of equipment.
It could wait. I was exhausted, sweaty, and more alone than I had ever been in my entire life.
3. Welcome to my grocery store how may I assist you.
L I N
“I want to drop out of high school,” said Roach.
We were sprawled out on separate tartan sofas, both angled towards the ancient television. It was after midnight, and the only light in the room was coming from the nature channel.
“No you don’t,” I said. “You’re not even in high school.”
Roach was a weird little girl. Eleven years old, she wore oversized thrift store t-shirts, and big chunky glasses, and cut her own hair. I loved her the most in this world.
“Yeah, but when I get there, I want to drop out. You did.”
I sighed.
“You’re smarter than me. You have to finish school and work in a laboratory anywhere but here. Those are the rules.”
Roach crossed and uncrossed her skinny legs without arguing. I knew she just wanted to hear me say she was smart.
We continued to watch the nature channel in silence. A documentary on the arctic ocean was playing, which I found devastatingly boring, but Roach was clearly glued to. I could hear dad snoring upstairs, a pleasant sort of nightly white noise, and tuned out completely until Roach clapped an inch from my face.
“Jeez,” I started, pushing her hands away.
“You were way out there. It’s freaky.”
I had been practicing my zone out since I was Roach’s age. On my best day, I could have an entire conversation without hearing one word the other person said. Call it a life skill.
“You’re doing it again!” said Roach. “Don’t you have work soon?”
That snapped me out of it. I looked at my watch.
“Oh, yeah. Thank you.”
I rolled off the couch as Roach sat back down with a huff. The arctic documentary was ending, and she picked up the changer to scroll through a long list of similar recordings. Roach loved animals, all of them, even fish that ate your insides, and grubs, and parasitic worms. Especially parasitic worms.
“Don’t stay up too late okay?” I said, tugging gently on her massive ponytail. Roach got dad’s curly, reddish brown hair. I got mom’s.
“Mmhm.”
I glanced in the hall mirror to see if there was any food on my shirt. Then I stepped into the mosquito ridden, muggy Florida night, and headed to my shift.
***
You might be thinking: where does a seventeen year old high school dropout work after midnight? And the thrilling answer is: the grocery store, sort of.
You might be thinking: what?
But that’s Morton’s.
The sliding doors opened smoothly for me upon arrival, which was always a good omen. I straightened the newsstand and went to look for Barry.
My manager, a small, Dominican man who loved to party, was in the produce section with a woman I assumed was his latest girlfriend. He was chucking the moldiest vegetables into an open trashcan.
“Our fresh produce is a travesty,” I said. “When was the last time someone bought an eggplant here?”
“I’m thinking of moving the veg,” said Barry, “they don’t like the energy in this corner.”
Barry was constantly moving things around the small labyrinth that was Morton’s. At least once a month he would take an hour long stroll from shelf to shelf, while I wrote down what was going where. I made a new map of the store for every big move.
“What are you guys up to tonight?” I asked, as Barry followed me to the register, bag of moldy vegetables in hand.
“Dancing,” said his date, with an endearing round of jazz hands, as Barry broke into a stationary samba while he gave me a list of stuff to work on. He treated me to his own enthusiastic jazz hands, and a few notes of a Juan Luis Guerra song as he samba’d in the direction of the door. As it swung shut behind them, I let the intense silence of Morton's wash over me. The fluorescent lights hummed gently. The food sat well behaved in slightly crooked rows. I turned my brain down to its lowest setting, and consulted my list.
...
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Everything I Watched in 2020
We’ll start with movies. The number in parentheses is the year of release, asterisks denote a re-watch, and titles in bold are my favourite watches of the year. Here’s 2019’s list.
01 Little Women (19)
02 The Post (17)
03 Molly’s Game (17)
04 * Doctor No (62)
05 Groundhog Day (93)
06 *Star Trek IV - The Voyage Home (86)
07 Knives Out (19) My last theatre experience (sob)
08 Professor Marston and his Wonder Women (17)
09 Les Miserables (98)
10 Midsommar (19) I’m not sure how *good* it is, but it does stick in the ol’ brain
11 *Manhattan Murder Mystery (93)
12 Marriage Story (19)
13 Kramer vs Kramer (79)
14 Jojo Rabbit (19)
15 J’ai perdu mon corps (19) a cute animated film about a hand detached from its body!
16 1917 (19)
17 Married to the Mob (88)
18 Klaus (19)
19 Portrait of a Lady on Fire (19) If Little Women made me want to wear a scarf criss-crossed around my torso, this one made me want to wear a cloak
20 The Last Black Man in San Francisco (19)
21 *Lawrence of Arabia (62)
22 Gone With the Wind (39)
23 Kiss Me Deadly (55)
24 Dredd (12)
25 Heartburn (86) heard a bunch about this one in the Blank Check series on Nora Ephron, sadly after I’d watched it
26 The Long Shot (19)
27 Out of Africa (85)
28 King Kong (46)
29 *Johnny Mnemonic (95)
30 Knocked Up (07)
31 Collateral (04)
32 Bird on a Wire (90)
33 The Black Dahlia (05)
34 Long Time Running (17)
35 *Magic Mike (12)
36 Before the Devil Knows You’re Dead (07)
37 Cold War (18)
38 *Kramer Vs Kramer (79) yes I watched this a few months before! This was a pandemic friend group co-watch.
39 *Burn After Reading (08)
40 Last Holiday (50)
41 Fly Away Home (96)
42 *Moneyball (11) I’m sure I watch this every two years, at most??
43 Last Holiday (06) the Queen Latifah version of the 1950 movie above, lacking, of course, the brutal “poor people don’t deserve anything good” ending
44 *Safe (95)
45 Gimme Shelter (70)
46 The Daytrippers (96)
47 Experiment in Terror (62)
48 Tucker: The Man and His Dream (88)
49 My Brilliant Career (79) one of the salvations of 2020 was watching movies “with” friends. Our usual method was to video chat before the movie, sync our streaming services, and text-chat while the movie was on.
50 Divorce Italian Style (61)
51 *Gosford Park (01) another classic comfort watch, fuck I love a G. Park
52 Hopscotch (80)
53 Brief Encounter (45)
54 Hud (63)
55 Ocean’s 8 (18)
56 *Beverly Hills Cop (84)
57 Blow the Man Down (19)
58 Constantine (05)
59 The Report (19) maddening!! How are people so consistently terrible to one another!
60 Everyday People (04)
61 Anatomy of a Murder (58)
62 Spiderman: Homecoming (17)
63 *To Wong Foo, Thanks for Everything, Julie Newmar (95) Of the 90s drag road movies, Priscilla is more visually striking, but this has its moments.
64 Twin Peaks: Fire Walk with Me (92)
65 *The Truman Show (98)
66 Mona Lisa (86)
67 The Blob (58)
68 The Guard (11)
69 *Waiting for Guffman (96) RIP Fred Willard
70 Rocketman (19)
71 Outside In (18)
72 The Curious Case of Benjamin Button (08) how strange to see a movie that you have known the premise for, but no details of, for over a decade
73 *Star Trek: The Undiscovered Country (91)
74 The Reader (08)
75 Star Wars: The Rise of Skywalker (19) This was fine until it VERY MUCH WAS NOT FINE
76 The End of the Affair (99) you try to watch a fun little romp about infidelity during the Blitz, and Graham Greene can’t help but shoehorn in a friggin crisis of religious faith
77 Must Love Dogs (05) barely any dog content, where are the dogs at
78 The Rainmaker (97)
79 *Batman & Robin (97)
80 National Lampoon’s Vacation (83) Never seen any of the non-xmas Vacations, didn’t realize the children are totally different, not just actors but ages! Also, this one is blatantly racist!
81 *Mystic Pizza (88)
82 Funny Girl (68)
83 The Sons of Katie Elder (65)
84 *Knives Out (19) another re-watch within the same year!! How does this keep happening??
85 *Scott Pilgrim Vs The World (10) a real I-just-moved-away-from-Toronto nostalgia watch
86 Canadian Bacon (92) vividly recall this VHS at the video store, but I never saw it til 2020
87 *Blood Simple (85)
88 Brittany Runs a Marathon (19)
89 The Accidental Tourist (88)
90 August Osage County (13) MELO-DRAMA!!
91 Appaloosa (08)
92 The Firm (93) Feeling good about how many iconic 80s/90s video store stalwarts I watched in 2020
93 *Almost Famous (00)
94 Whisper of the Heart (95)
95 Da 5 Bloods (20)
96 Rain Man (88)
97 True Stories (86)
98 *Risky Business (83) It’s not about what you think it’s about! It never was!
99 *The Big Chill (83)
100 The Way We Were (73)
101 Safety Last (23) It’s getting so that I might have to add the first two digits to my dates...not that I watch THAT many movies from the 1920s...
102 Phantasm (79)
103 The Burrowers (08)
104 New Jack City (91)
105 The Vanishing (88)
106 Sisters (72)
107 Puberty Blues (81) Little Aussie cinema theme, here
108 Elevator to the Gallows (58)
109 Les Diaboliques (55)
110 House (77) haha WHAT no really W H A T
111 Death Line (72)
112 Cranes are Flying (57)
113 Holes (03)
114 *Lady Vengeance (05)
115 Long Weekend (78)
116 Body Double (84)
117 The Crazies (73) I love that Romero shows the utter confusion that would no doubt reign in the case of any kind of disaster. Things fall apart.
118 Waterlilies (07)
119 *You’re Next (11)
120 Event Horizon (97)
121 Venom (18) I liked it, guys, way more than most superhero fare. Has a real sense of place and the place ISN’T New York!
122 Under the Silver Lake (18) RIP Night Call
123 *Blade Runner (82)
124 *The Birds (62) interesting to see now that I’ve read the story it came from
125 *28 Days Later (02) hits REAL FUCKIN’ DIFFERENT in a pandemic
126 Life is Sweet (90)
127 *So I Married an Axe Murderer (93) find me a more 90s movie, I dare you (it’s not possible)
128 Guess Who’s Coming to Dinner (67)
129 The Pelican Brief (93) 90s thrillers continue!
130 Dick Johnston is Dead (20)
131 The Bridges of Madison County (95)
132 Earth Girls are Easy (88) Geena Davis and Jeff Goldblum are so hot in this movie, no wonder they got married
133 Better Watch Out (16)
134 Drowning Mona (00) trying for something like the Coen bros and not getting there
135 Au Revoir Les Enfants (87)
136 *Chasing Amy (97) Affleck is the least alluring movie lead...ever? I also think I gave Joey Lauren Adams’ character short shrift in my memory of the movie. It’s not good, but she’s more complicated than I recalled.
137 Blackkklansman (18)
138 Being Frank (19)
139 Kiki’s Delivery Service (89)
140 Uncle Frank (20) why so many FRANKS
141 *National Lampoon’s Christmas Vacation (89) watching with pals (virtually) made it so much more fun than the usual yearly watch!
142 Half Baked (98) another, more secret Toronto nostalgia pic - RC Harris water filtration plant as a prison!
143 We’re the Millers (13)
144 All is Bright (13)
145 Defending Your Life (91)
146 Christmas Chronicles (18) I maintain that most new xmas movies are terrible, particularly now that Netflix churns them out like eggnog every year.
147 Spiderman: Into the Spider-Verse (18)
148 Reindeer Games (00) what did I say about Affleck??!? WHAT DID I SAY
149 Palm Springs (20)
150 Happiest Season (20)
151 *Metropolitan (90) it’s definitely a Christmas movie
152 Black Christmas (74)
THEATRE:HOME - 2:150 (thanks pandemic)
I usually separate out docs and fiction, but I watched almost no documentaries this year (with the exception of Dick Johnston). Reality is real enough.
TV Series
01 - BoJack Horseman (final season) - Pretty damned poignant finish to the show, replete with actual consequences for our reformed bad boy protagonist (which is more than you can say for most antiheroes of Peak TV).
02 - *Hello Ladies - I enjoy the pure awkwardness of seeing Stephen Merchant try to perform being a Regular Person, but ultimately this show tips him too far towards a nasty, Ricky Gervais-lite sort of persona. Perhaps he was always best as a cameo appearance, or lip synching with wild eyes while Chrissy Teigen giggles?
03 - Olive Kittredge - a rough watch by times. I read the book as well, later in the year. Frances Mcdormand was the best, possibly the only, casting option for the flinty lead. One episode tips into thriller territory, which is a shock.
04 - *The Wire S3, S4, S5 - lockdown culture! It was interesting to rewatch this, then a few months later go through an enormous, culture-level reappraisal of cop-centred narratives.
05 - Forever - a Maya Rudolph/Fred Armisen joint that coasts on the charm of its leads. The premise is OK, but I wasn’t left wanting any more at the end.
06 - *Catastrophe - a rewatch when my partner decided he wanted to see it, too!
07 - Red Oak - resolutely “OK” steaming dramedy, relied heavily on some pretty obvious cues to get across its 1980s setting.
08 - Little Fires Everywhere - gulped this one down while in 14-day isolation, delicious! Every 90s suburban mom had that SUV, but not all of them had the requisite **secrets**
09 - The Great - fun historical comedy/drama! Costumes: lush. Actors: amusing. Race-blind casting: refreshing!
10 - The Crown S4 - this is the season everyone lost their everloving shit for, since it’s finally recent enough history that a fair chunk of the viewing audience is liable to recall it happening.
11 - Ted Lasso - we resisted this one for a while (thought I did enjoy the ad campaign for NBC sports (!!) that it was based on). My view is that its best point was the comfort that the men on the show have (or develop, throughout the season) with the acknowledgement and sharing of their own feelings. Masculinity redux.
12 - Moonbase 8 - Goodnatured in a way that makes you certain they will be crushed.
13 - The Good Lord Bird - Ethan Hawke is really aging into the character actor we always hoped he would be!
14 - Hollywood - frothy wish-fulfillment alternate history. I think the show would have been improved immeasurably by skipping the final episode.
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the unfortunate case of nonchalance
PART IV - ACT OF MAKIN’ NOISE
summary: what goes up must come down.
words: 2,129
warnings: female reader, a gun fight
tags: @fairytale07 @jrenn10 @f4nboi @purplestarsr5 @ladyzombiielove @littlemiss3ma @minikate--24-05 @consultingdoctorwholock @dressed-up-just-like-z1ggy @ms-allenbrown @ikbenplant @dylpickles1267 @diaryofafan17 @specialagentlokitty @pageofultron @stanathanxoox @kittenlittle24
author’s note: part 4 of the cowboy!au series. this is a part of meg’s 11k challenge. the prompts are cowboy au and secret relationship trope.
part III | part V
March 2nd, 1889
Woke up to a strangely silent camp. Turns out, Anthony took Tim, Jimmy, and Eleanor out to town for the day.
What the four of them could do in a stifling town like this is beyond me. And I won’t lie, I have my worries about their conduct. Especially with how cross Anthony seems to have been this past week.
But there’s nothing I can do about it now. I have an appointment to keep at the bank, then perhaps another shooting lesson.
If those four are still somehow out of trouble by then, I’ll search for them. Though, I have my doubts.
-
The sun is hotter than normal today. It beats down on him like a pair of heavy fists, even if Jethro has his hat tilted in a way to keep his eyes covered. The town around him resumes their usual bustle - walking right past him without a second glance. Giving no indication that they even knew he was there.
Slowly, Jethro’s head cocks back to the doors of the bank. He keeps expecting you to walk out, smiling brightly, saying his name in that beautiful way that you do.
It doesn’t come, however. And Jethro is forced to stand and wait and think.
Mostly just think about how foolish he feels, right now. His eyes flicker down to his clothing, scowling at himself for trying to dress up a little. A pressed white shirt with pitch black slacks - about as finely-dressed as someone like him could be. It made sense this morning, when he rummaged through his chest. Though now, he thinks he regrets trying so hard.
It’s difficult not to when the memory of the kiss is still so fresh in his mind. Jethro was nearly convinced it was some kind of dream. So real, he almost asked Doctor Mallard if he had the fever.
But when he found his revolver missing from its sheathe, he knew it was no dream.
Even his lips were a fading memory of the kiss. Still seeming to tingle with the impression that your kiss bestowed on him. It’s aggravating, how easy you’re able to twist him up - but also exhilarating.
His thoughts are interrupted when he hears the doors open. Jethro’s head swivels around, and finally, it’s your face that he sees. And judging from the expression you wear, his efforts in looking like a decent man has paid off. He knows the look you wear when you’re flustered. Right now, it’s in abundance.
But the blissful moment of seeing your face is spoiled when you’re followed by an older man. He wears a stiff three-piece suit, a golden watch tucked into the pocket of his coat, and Jethro doesn’t like the way he looks at you.
You turn back to the older man, still smiling wide. “Father, this is Mr. Jethro Gibbs. Jethro Gibbs, this is my father.”
Your father? Great.
The older man approaches, so Jethro tries to straighten himself up. Tries to show that he wasn’t surprised by the sudden meeting, even if he was. Your father had always seemed like this far-off prospect that he didn’t need to worry about. A stuffy, rich businessman whom Jethro might have taken an interest in before all the trouble out west.
Perhaps this is simply a side effect of becoming so close to you.
Jethro deftly sticks out his hand with a single nod. “Sir,” he greets promptly.
He shakes it back; such a strong grip for a banking man. “You’re the man my daughter keeps talking about, huh?” Your father asks. And when Jethro glances over the man’s shoulder, your eyes avert. “Hmmm. Walk with me, Mr. Gibbs.”
Jethro falls into step with him, with you on his other side. He hadn’t noticed until now, but your father had some papers tucked into the crook of his arm. He pulled them out, reading over them for a few moments. Jethro couldn’t hide the perplexed look on his face, and as he glances at you behind the older man, you’re laughing silently.
Good to know you seem to be enjoying this.
“My daughter says you were there at the saloon when some miserable drunkard was bothering her. That you came to her aid.”
Jethro’s eyes instantly comes back down to your father - he still hadn’t looked up from his papers, but he was obviously expecting a response. “Yes, sir.”
He nods solemnly. “Well, then you have my deepest gratitude, sir. My daughter has a habit of,” the older man trails off to look sideways at you, “getting herself into certain situations. My prayers are that her future husband may be able to keep her home, where she belongs.”
Crotchety old bastard, Jethro thinks.
“Yes, sir,” he repeats.
Tucking the papers back into his arm, the older man suddenly stops and turns to Jethro. And when he holds out his hand, Jethro takes it again and shakes. “It was very nice meeting you, Mr. Gibbens. I’m a very busy man, but do help yourself to some items in the general store, on my tab. It’s the least I can do for how you’ve helped my daughter,” he says. And his tone is flat and professional and Jethro can’t even be surprised anymore when he simply nods to you and walks off.
Jethro watches him leave. When he’s out of earshot, Jethro turns to you with a raised eyebrow. “Mr. Gibbens?” He asks.
You burst out with laughter, stepping closer and laying a hand on his arm. A small, simple gesture that nearly makes his shiver. “He’s not so bad, once you get to know him. He’ll remember your name, soon enough.”
“That so?” Jethro questions. He leans in just a little, a half-smirk on his lips, and rejoicing in the fact that your eyes flicker down. “Maybe I don’t intend on speaking to him often enough for him to learn.”
“Well, it would be awful hard to marry me if you never speak to him.”
For the life of him, Jethro can find no snarky response to that. Your words are serious, he can tell. The hand you have settled on his arm tightens, and Jethro moves to cover it with one of his own. And suddenly, right there on the street, Jethro wants to kiss you again. Just as deep and breathtakingly beautiful as the first one was.
And he might have, had the shrill scream of a woman down the street not caught his attention.
Jethro’s head snaps up just in time he see the bright muzzle flash of a gunshot. The sharp, explosive sound snaps through the air, and instinctively, Jethro grips your hand with his. He quickly pulls you out of the street, toward the closest alley and behind the cover of a brick building. It all went so quickly, you scarcely know what’s going on.
And yet, you’re afraid. Jethro can feel you gripping the lapels of his coat.
“It’s alright. Just stay low,” he mumbles out while poking his head out to see.
People are running about in a panic. Some ducking into shops, others just scattering and hoping they aren’t hit by a bullet. But even in all the chaos, Jethro thinks he knows what’s going on.
“Was that a gunshot?” You breathe out.
“Yeah,” he answers. “Looks like it came from the bank.”
“But we were just in there!”
He knows that. Painfully so. Jethro’s about to grab your hand to pull you away. To find someplace safe to bunker down and wait until the law can get this all under control. But before Jethro turns away, he watches a man burst out of the front door of the bank. A mask covers his face, but his stature is shockingly familiar; it makes Jethro go cold. Another man follows him out, shouting words that he can’t make out, but the man’s voice is so painfully recognizable.
It can’t be his young Tim McGee, can it? Tim is not so foolish to rob a big city bank.
There’s a tug on his coat. “Jethro, we need to leave this place!”
He hears your frightened voice. And yet, his feet are rooted to the ground.
Because he sees the fair and blonde-haired Eleanor Bishop stumble out of the bank. Blood stains her nice white dress - the dress she saves for the most special occasions. And Jethro knows instantly that the blood is not hers, because the man leaning against Eleanor can barely walk. His broad stature and mess of dark Italian hair is unmistakable behind the mask - it’s Anthony. He’s been shot.
These were Jethro’s people robbing the bank.
He’s almost numb when he turns to look at you. And it doesn’t help that your eyes are wide in terror, knuckles white in their grip on his coat. But Jethro sighs, takes your hands in his, and gently tries to detach them. “Listen, I need to go. But I want you to run. Run as far as you can away from here, and don’t came back looking for me,” he says, quick and firm.
“Jethro, what-”
“I know those people. I’m with them. But right now, they need me.” Finally, he’s able to pull your hands off his coat, but he keeps holding them tight. Keeps his eyes locked on yours. “I’ll find you in a couple days, when everything dies down. But right now, you need to run away.”
Jethro brings your hands up, kisses them quickly, and then moves away. He knows you’re scared out of your mind - all the shooting lessons in the world hasn’t prepared you for something as real and chaotic as a bank heist. Maybe in a way, that’s his fault.
But as he leaves the alleyway, he sees you running the other direction out the corner of his eye.
Good. At least you’ll be safe.
Finally, Jethro pulls his pistol out of his coat pocket. He’s moving through the ever-thinning crowd of frantic people, trying to make his way over to his struggling gang. Again, he spots Eleanor struggling to drag Anthony to their hitched horses. So he breaks into a sprint - he knows the law will be here any second. And with Anthony hurt, it’ll be like shooting fish in a barrel.
“Eleanor!” He calls out. Her head whips around, and he catches a brief look at the shock on her face. But he ducks around to Anthony’s other side to help support his weight. And from here, Jethro can really see the blood. It’s all over the front of his clothes. Jethro can’t tell where the wound is, but he knows it’s gotta be bad.
Anthony lets out a low groan - no doubt feeling all the jostling around from being half-carried. But his eyes dart over to Jethro under his mask. “Boss? I didn’t think you’d show up to the party,” Anthony murmured, and then winced when Eleanor nearly tripped over his feet.
“Shut up, you dumbass,” Jethro grumbles. He arches his head up to look around - no sign of lawmen yet. “I told you not to hit the bank.”
Anthony’s labored breathing is harsh in his ear. “We needed a big score, boss.”
Jethro’s about to retort, but there’s more gunshots. When he raises his head again, Jethro’s spots nearly a dozen men on horseback coming right for them. Tim fires his rifle at them, and the first man who burst out of the bank turns back to the three of them. “Get Anthony back to camp! We’ll cover you!”
With a sinking pit in his belly, Jethro recognizes Jimmy Palmer’s voice. Anthony even roped him into this shitshow.
He’s scowling as he reaches Anthony’s horse. Him and Eleanor quickly push the Italian up on the back of it. And Anthony seems barely able to keep himself upright as Jethro pulls himself into the saddle. Bullets whizz past his head, but even still, he glances down to Eleanor. “You better be right behind me!” He shouts to her.
She’s firing off at the lawmen, but waves Jethro off quickly. “Go. Get him back to camp!”
He’s reluctant to leave them, but Jethro snaps the reins and rides out of town. Anthony leans against his back, no doubt soaking Jethro’s coat in his blood. But judging how limp he feels against him, Jethro’s figures he’s probably unconscious from blood loss. Or maybe the rough ride of the horse was too much for him. Either way, Doctor Mallard better be at camp.
But as he rides, try as he might to keep his focus on Anthony and his gang, Jethro can’t help but glance back to the retreating buildings of the town.
And he desperately hopes you got to safety.
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