#ive also got a piece of art (that was the reason i realized the associations in the first place) in the works!!
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I' ve been thinking a lot about Jimmy's deaths as the canary and even though the curse is "broken" I've been thinking about their context in Martyn's watcher lore. Specifically, the poem about the canary curse.
I don't know if this is intentional or not, but it fully could be since the episode with the poem came out after Jimmy's final death in Limited Life. I'm also aware this isn't the whole poem. Regardless, I find it interesting nonetheless how each of these parts of the poem seems to correlate with a time Jimmy has been "the canary".
Canary Call: Nothing too leading about this one, and no direct correlation to the way he died he was shot by an arrow in a battlefield. But Jimmy's death in third life, the first game, signifies the beginning of something worse. It's being set in stone that his call is the canary call.
First to Fall: This is the one that I realized was correlated and made me think about the rest of it. Jimmy dies by falling off of Mumbo's bunker-- specifically, by Grian's hand. I don't know if who pushed him can be considered relevant but I do want to explore the implications of the curse continuing by the hand of the only Watcher in the game, and whether those events are correlated.
Forever Caged: Two associations can be made with this line. One, the twist of this game: the fact that you're tied to someone else. You're stuck with them by the game's design, much like the canary is stuck in its cage until it's sent to its death (when the soultie/soulbound is over). You can also associate this one to Jimmy's death, trapped under a tree being trapped by an enderman, unable to do anything but cry for help.
In Different Walls: A bit of a reach, but one could consider "different walls" to be a different functionality to deaths than they're all used to. New game, new rules to play by, and the feeling of freedom by being allowed to die more often, only to have that stripped away when you realize death is inevitable and what you thought was a slightly more forgiving twist was actually the thing to doom you.
It's fitting that the curse is broken after Limited Life, even though there's no way that part of it could have been intentional. And again, these might have been purposeful associations from Martyn, but they're fun to dive into either way.
#ive also got a piece of art (that was the reason i realized the associations in the first place) in the works!!#inthelittlewood#eyes and ears#jimmy solidarity#watchers and listeners#eyes and ears au#grian#mumbo jumbo#solidaritygaming#pixxl rambles#martyn inthelittlewood#trafficblr#the life series#traffic smp
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The thing about the toothpaste flag (that shitty recolor of the lesbian flag) that some mostly white gay men are claiming as their own, is white gay men act like they're the most creative and innovative people in the world and then pull shit like that, always on the backs of wlw, trans women, and gay moc.
(Almost?) all the actually innovative and amazing things coming from "gay culture" (quote marks because there’s no UNIVERSAL gay culture; race, ethnicity and location change things) either comes from gays of color, or actually comes from trans women (also often trans woc at that, especially Black ones), and tbh many times also Jewish gays and trans women regardless of their race.
Then there's how much these white (and often gentile) gay men straight up steal the creative efforts of wlw or demand that the creative efforts by us include THEM, as if they ever did the same for us and as if we ever demanded the same from them. Such as the dudes who DEMAND angrily that things created by wlw MUST include them too. Like, these dudes demand from independent online wlw artists (such as my friend @orquidia) to draw mlm content when they're artists who've expressed, time and time again, that they make SAPPHIC art. Like, my friend Iv is bi, drawing m/f romance art is more personally relevant to them than content about only dudes lol.
But no, we must ALWAYS cater to them. When have they catered to us, though? Imagine if we went around behaving the same way.
The male entitlement is so bad that when wlw started making fucking moodboards for fun FOR OURSELVES dudes were ENRAGED that WE weren't making moodboards for THEM as if it was so fucking hard to just fucking copy our ideas themselves as they always do. But no, WE somehow were responsible that there weren’t fucking moodboards for them! Because they still see women as owing our labor to them! Incredible.
Same with shit like when the reclamation of "sapphic" became more popular and they were like QUICK, WE NEED OUR VERSION OF THAT and made up "achillean" which makes no fucking sense since it lacks the historical value of "sapphic" and Achilles wasn't even a real person. "Sapphic" was originally used to medicalize and brutalize wlw. WE didn't make up "sapphic", cishets made it up to insult and marginalize us and we reclaimed it centuries after it stopped being commonly used in that way. Not to mention, Sappho was an actual real fucking person. "Achillean" is literally QUICK, WE NEED A NEW SLUR THAT MIRRORS THE GIRLS'.
There's a reason most of the dudes using it are white. This obsession modern and usually younger AND WHITE gay and bi dudes have with being a perfect "male reflection" of lesbians and bi women is soooooo white gender binary.
You don't have to be! You can and SHOULD develop your own cultural elements independent from us, or if you’re gonna create things that have relation to us, it should be an organic result of you BEING IN COMMUNITY WITH US, like femme/butch was (which regarding its use in the ballroom scene, happened in Black and Latine LGBT communities, which isn’t surprising as LGBT poc tend to be less stupidly separatist).
But so many of you refuse to even consider us wlw as Actually Gay, even those of us who're lesbians (by the way, you shouldn't do it to bi women either), let alone to consider us as a valuable and important part of your communities. If you bitches thought of us as Actually Gay you wouldn’t constantly accuse wlw who so much as accidentally glance upon mlm media, of fetishizing you EVEN WHEN IT COMES TO LESBIANS LIKE COME ON, WE DON’T WANT YOU (let me repeat, still not ok and still stupid regarding bi women, they can and do relate to gay content in general because they’re a type of gay woman!).
You go so far to not consider us Actually Gay that you act like we face no violence, like corrective rape is "just" because we're women and has nothing to do with homophobia and thus it doesn't count as homophobic violence so wlw are still “privileged”, as if misogyny wasn't an INTENSIFIER of homophobia. Don’t get me started on how you all act regarding ~representation~, or, ykw? I will start.
You all act like there's more wlw representation in media than mlm representation when 1) that's verifyingly false, and ours mostly happens in fucking cartoons only, 2) the wlw rep in mainstream media is MOSTLY CREATED BY WLW OURSELVES after fighting for DECADES for our content to not be censored, both as creators and as fans. And you act like it's a privilege? We fought so hard to get scraps, and that’s a privilege to you. You disregard even our most defanged activism and believe we were gifted wlw rep because society loves us THAT MUCH in your eyes! We didn’t FIGHT for it, it was handed to us on a silver plate.
Did you see how much we campaigned for Harley Quinn (questionable a show as it is) to get a 3rd season just so we could actually see Harley and Ivy be an established couple, after the comics 100% erased their relationship, and you call that we got it PRIVILEGED? HQ is one of DC’s most successful pieces of media and according to the creators themselves it’s actually very fucking cheap to make, and it was still not certain that we were going to get a 3rd fucking season when, had it been a show just as profitable with a straight main couple you KNOW that would’ve been a given.
Even you boys' "analysis" of why we get to see wlw in cartoons is so stupid and exemplifies how much you refuse to understand our realities and struggles. It almost only happens in cartoons because love between women is never taken seriously and neither is animation, as it’s associated with kids.
You think we get it in animation because straight men get horny for us (which, by the way, they don’t when our love and lust are portrayed in a SERIOUS humane way, only when it’s a performance for men), when it happens in media that's mostly aimed at KIDS. Korrasami and HQ are the only examples I can think of that weren’t intended for a super young audience, but you fix your mouths saying it’s because we’re sexy to straight men. Do you REALLY think it happens in mostly children’s media because of our sexualization by men? Do you realize that would mean we’re being shown to children as a sexual product? Don’t be stupid. Other than Harlivy in HQ, none of them are shown doing more than kissing and holding hands.
If it were true that we get wlw in cartoons because of our fetishization by straight men, it would also mean that our fetishization IS A PRIVILEGE, because it'd be getting us humane and complex representation. Do you hear yourselves? Our fetishization gets us RAPED AND BATTERED. Gee, for people who got so passionate about being fetishized only after wlw talking about our own fetishization that also has way more dire material repercussions than annoying fujoshis started to get traction you sure do seem to think that when fetishization happens to YOU it’s a crime against humanity but when it happens to wlw it’s a fucking privilege.
Only reason we've gotten that representation is, again, because we've campaigned for DECADES to get ANYTHING, and some of us made the work of basically infiltrating the creative field and made + pushed for our content to be published/released with tooth and nail. It wasn't GIVEN to us, we FOUGHT for it.
Anyway, back to how white gay men (often the gentile ones) constantly take from us (gays of color, wlw, trans women, Jewish gays) but then turn around and think they’re the pinnacle of culture; I'd just fucking like it if you could at least treat us with basic respect and recognize our amazing creativity if you're gonna steal our creative labor constantly, OR if you refuse to do that, THEN MAKE YOUR OWN FFS.
Pick ONE struggle!
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i dont really have the highest hopes for making the goal i had for school odds are i fail a class, do poorly in another or two, and maybe get by decently in one of them i really regret doing online courses since it always goes back to “oh i missed that because it wasn’t posted,” “oh the professors don’t use the news alert system when new stuff is added with a concise explanation of what I need to do in that post blurb that’s 3500 words of bs,” “oh i didnt realize this awkward and uncomfortable ‘post your personal assignments here that are about yourself so a bunch of strangers can also read and criticize it’ was required,” “the syllabus is written out of order, it’s messy and has a bunch of color code usage that’s never explained and makes reading it harder and, oh, they want me to print it out too bad i dont have a fucking printer and looking at it makes me want to throw up since it’s literally just everything put up on a page and i just start panicking because its so much stuff and it immediately overwhelms me” i also fuckin hate the professors who’ll say like “if you’re here just to get a degree you’re in the wrong place” b/c it’s like college costs a lot of fuckin money and you can bet your ass the only reason im here is to get a degree so i can eventually have a job that lets me be financially stable. trying to say “oh it’s just for funtime education” is bullshit when it costs what it does and isn’t even accessible to everyone from the get-go. i could learn the exact same shit for free from a fucking library and the internet, and talk to people i know if i have questions about material. but that doesn’t give me the piece of paper i need. idk i wish there was more of a “oh i can go do this and be fine financially” rather than needing to spend years in a university because i really hate it. i *wish* i hadn’t fucked up before and been as suicidal and couldve got through it *before* its used as a “yea we can’t have you here cuz you dropped out in the past” *even when* it’s an associated school with the one i *did* drop out of and they told me they *would* re-accept me when i was healthier. no im not a great student. i get overwhelmed really easily, i stress out over everything too much, i break down if i miss one assignment. i dont do well on the shit i actually try really hard at. i dont participate in class because it’s a terrifying experience to be called a fucking “idiot” again by a professor (ty philosopher dickhead at uwgb im gonna fucking punch you if i ever see you) i *forget* about assignments a *lot* and *yes* that’s a *my* problem thing but it’s something so extremely difficult to work around without having someone telling me about it, or just having a visible schedule written down about what’s due on a front page that always pops up. which i mean yeah it’s extra work i guess for the professor to just copy paste some info that’d really help me out, and no i dont have this issue as much in a traditional school b/c i actually *go* to the classes to sit in and be reminded through that. and yea im probly gonna fail out unless the other university sighs and says “well she did try and it was online” and ngl i probably would be *fine* in a regular classroom oriented thing *now* it’s more organized and there’s a schedule i can keep to and get into and when i get *into* a schedule i stick to it 100% b/c i derive a sense of security, existence and safety from having schedules. but if i fail out and they dont sigh and say “okay” then im kinda fucked. i mean, i could probably attempt to get through another year there and maybe go to the actual school instead of the online bullshit and *maybe* then i’d actually meet the reqs. but idk if that offer is gonna stand after this year. and idk im just back to feeling really fucking hopeless and empty. i mean ive been feeling this way all this month. i feel like nothings fucking worth it because i feel like i just cant do it. and that ultimately im gonna end up fucked. and i *know* im 90% of the problem. i *know* my thinking of “what’s the point” is screwing me over. i *know* accidentally falling asleep an staying asleep for a whole day is a fucking issue. i *know* i shouldnt forget important shit i need to do. i *know* i should participate no matter how fucking uncomfortable and frightened it makes me. but it feels fucking *impossible* to work with 0 energy. it feels terrifying to be asked “write an introspective piece about yourself and reflect on the events of your life that made you who you are today” BECAUSE i dont talk about THAT STUFF to people I DONT KNOW i *BARELY* covered those topics in *therapy* because of how uncomfortable they make me. and I DONT need a bunch of strangers in a class knowing the shit that happened to me. and fuck i feel like the entire idea behind the writing assignment was “oh this’ll be fun haha” but it’s like... remembering *most of the shit hat directly impacted how i am today* is one of the most fucking difficult things for me to do, especially publicly. i *regret* online schooling. i didnt realize how much i dont work with it until i thought about it this year. i get overwhelmed. i get stressed. i get depressed. i get suicidal. i get hopeless. i feel useless. i didnt realize i *need* to actually *go* to a class because it helps with the isolation i put myself in. because i straight up actually understand shit when someone is actually explaining it to me and not just handing me a textbook and saying “read it that’s it that’s the entire class, but oh, write an informed paper structured off what you read and if you dont understand the material well go fuck yourself i guess.” and in actually *going* there to a physical room it becomes easier to do things like homework and assignments *because i can walk over to the library*. what *really* shit on my previous school ability was like i was overwhelmed (we *just* moved to a *completely* different state and environment, i *just* had a series of panic attacks in italy b/c i thought i could handle it on my own) and the first school didn’t have a/c and it was fucking 101 outside every day and i dont do well in heat, and by that, i mean i hyperventilate, i get dizzy, i get lightheaded, i get emotional and frightened and stressed and cant sleep. the professor who asked if we read the chapter (I DID) and then pointed at me to explain what i read (I DIDNT FUCKING UNDERSTAND IT), and when i finished he just laughed and told me to sit down and pretty much called me an idiot in front of everyone and i started crying. (i also got a 0 so i failed the reading since he didnt believe i read it). at *that* school there were no therapy or counseling or offers like that. the art building made me cry and feel unsafe (i couldnt control it), having to walk *all* the way back to my dorm building at 12AM b/c that’s when my one class ended was *terrifying* then in a different school it was just i had a class that made me physically uncomfortable to be in. i *hated* being in the freshman course for feminism so much. not b/c i hate the material, but i felt so “other” and uncomfortable b/c im a trans woman being asked about my male perspective on shit and i just. i remember leaving because i just felt upset and depressed and i couldn’t get over the really bad dysphoria i kept having in that class (the professor there was the reason i went to counseling on campus, she’s the one who referred me to it in the first place). on top of that, the dorm i was told id be getting was a fucking lie. i was supposed to have one or 0 roommates. i got 5 roommates. beds didn’t fit me b/c of my height (i slept with the back of my feet on an iron bar). the food was straight fucking garbage. one of my roommates just randomly touched me all the time. hugged me, put arms around my neck, *kissed my cheek*. another was always drunk and loud. another talked about making bombs incessantly. one of them seemed actually concerned about me and he came in once or twice when i was face down on my bed just not moving b/c of therapy sessions and talked to me once or twice to make sure i was still alive. friday mornings in winter id be up at 5AM, trying to get ready without waking any of the 5 other people, then walk outside with no access to breakfast/coffee/anything (b/c too early) to get to a class across and off the campus i had to walk to (and when snow was present my feet were numb b/c of all the water that got into my shoes). and then there was the legit getting 4 hours of sleep if that a week. eating basically nothing. extremely suicidal and getting to the point where i was having days where i legitimately could not discern what was real and wasn’t. and then i left ‘cuz my other option was to be hospitalized. from there its just been attempts at online schools. which i already tiraded about above. i mean fuck id be happy if i *could* just go work in retail and make a decent wage and not have to work every waking hour of my life to make it work. like. i *wish* i was lucky enough to be one of those “i had no degree but x really liked my resume” stories i always read about. i *wish* writing and publishing a book was considered and *was* a viable career option without needing to get really fucking lucky. im passionate about writing fiction, but in order to do that professionally, i need a 4 year degree from an institution. i can technically publish something, but if no one ever hears about it or cares, then it doesn’t become a job to have and it does little else. and then there’s also just a lot of irl shit i keep worrying about and dwelling on and nearly making some really fucked up or stupid decisions in the interim. and idk i just i wish i was one of those ppl who felt like they had a future and aren’t likely to die before age 25. or one of those people who just *does* something and it works out and they get to exist.
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babys breath, calla lily, lavender, love in a mist, daisy, sugarbush, sunflower, windflower, golden rod, lilac :)
baby’s breath: 5 things you associate yourself with
Hmmmmm vanilla scented things, giant hoodies, pastel colors, soft emotional songs, and sour candy
calla lily: are you more of a sunny day or a rainy evening?
R A I N I fucking love rainy days
lavender: what is something that you’ve always wanted to be/have/get but can never have?
Always wanted hm…..I don’t know if there’s something that ive ALWAYS wanted but cant have but as of like CURRENT wants and shit I guess just to be friends with Bangtan. I’d kill to just be friends with em
love in a mist: what is the latest dream that you remember?
I normally only remember bits and pieces of dreams and my last one I very specifically remember Jungkookie releasing a cover of one of the songs I really like, and I HIGHLY recommend you listen to (the guy is a small artist and his music is BEAUTIFUL) 크림 (KREAM) - 날개 but when I woke up I was convinced that he actually did do the cover for like a solid half hour then I realized that I was stupid lmao
daisy: what is your favorite flavor of cotton candy, ice cream, and juice?
Aye are there different flavors of cotton candy? I just like the blue cotton candy, and I normally eat vanilla and chocolate swirl ice cream, and I like most juices so I don’t know if I have a favorite? Orange, apple, grape are prob my favorite ones though.
sugarbush: do you have sweet tooth? if yes, what’s your favorite sweets? if no, why?
Kind of? Like I like chocolate and candy and icecream and such but a lot of things are way too sweet for me. I prefer sour candy over sweet and nothing is too sour but a lot of things are too sweet.
sunflower: would you like to be a fairy or a mermaid?
Shit…..I think id have to go fairy. I mean come on theyre so cute? Plus magic
windflower: list 5 of your favorite blogs and explain why i like them (I’ll tag my mutual on this list and link to those I am not mutuals with)
@bts-aegyo : Helene is an amazing person and she’s so sweet and I love her
swagasuga : memes and great art? sign me the fuck up
@midasauriferous : fucking great art and also somehow is following me for whatever reason and I am not worthy
pretentioustrashcan : m e m e s and also a great personality i’d love to be friends with them I live for their tags
shitminyoongisays : I live for their memes if you aren’t following them you got to its all brilliant (for all of their memes search “min yoongi probably” on their page)
golden rod: are you more of a baker or a cook?
Cook, i’m scared to put stuff in the oven cuz I’m scared I’m gonna burn myself lmao I’m really clumsy
lilac: would you rather sleep and be cozy or hang out with your friends?
tbh id rather sleep and be cozy, but it depends on the friend that wants to hang out I suppose
Thank you for asking
Cute Botanical Asks
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'Star Wars' and 'The Wizard of Oz': Back in 1977, People Couldn't Stop Comparing the Two
Luke Skywalker (Mark Hamill) on Tatooine at the beginning of ‘Star Wars’ (Photo: Getty Images)
Do you sense a disturbance in the Force? Maybe that’s because May 25 will be the 40th anniversary of the original Star Wars’ release in theaters in 1977. To celebrate this auspicious occasion, we’ll be posting Star Wars stories all month, including choice vintage interviews, original videos, and some of our favorite pieces from years past. Just keep coming back here all month to see what’s happening in our galaxy.
How would you describe Star Wars to someone who’s never seen it? It’s not unusual for actors on a press tour to compare their movie to other beloved films, in hopes of getting audiences into the theater. But when Star Wars — Episode IV: A New Hope was first released in 1977, there really hadn’t been another film like it. So when the actors were asked to describe the film in interviews, they found a comparison that might not occur to modern audiences: the 1939 musical fantasy The Wizard of Oz.
Dorothy (Judy Garland) in Kansas at the beginning of ‘The Wizard of Oz’ (Photo: Everett Collection)
“It’s sort of a combination comic book, fairy tale, Wizard of Oz — there are so many different elements in the movie,” star Mark Hamill told an Australian journalist at the time when asked to describe A New Hope.
Mark Hamill compares ‘Star Wars’ to ‘The Wizard of Oz’ in a 1977 interview:
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“Every scene is in some way reminiscent of a scene in a film that we all loved before,” Carrie Fisher told the BBC in response to the same question. “Like in High Noon, there’s a bar sequence, only this time it’s with monsters instead of Gary Cooper. And you’ve got The Wizard of Oz — we have a robot that looks sort of like the Tin Man.”
It wasn’t just the cast who made the association. Along with more obvious genre comparisons like the space serial Flash Gordon and 2001: A Space Odyssey, references to The Wizard of Oz come up over and over again in the earliest Star Wars reviews, including those printed by The New York Times, The Los Angeles Times, Time, The Guardian, and The Chicago Sun-Times. “Star Wars is a fairy tale, a fantasy, a legend, finding its roots in some of our most popular fictions,” wrote critic Roger Ebert. “The golden robot, lion-faced space pilot, and insecure little computer on wheels must have been suggested by the Tin Man, the Cowardly Lion, and the Scarecrow in The Wizard of Oz.”
Watch a fan mash-up of a ‘Wizard of Oz’ trailer soundtrack with footage from ‘Return of the Jedi:’
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There’s no doubt that The Wizard of Oz was one of many films that influenced George Lucas’s space opus, a far-reaching list that also includes the work of Akira Kurosawa, World War II dogfight movies, Metropolis, The Adventures of Robin Hood, and several classic Westerns. The MGM musical was also a touchstone for Lucas’ collaborators; concept designer Ralph McQuarrie, for example, told Making of Star Wars author J.W. Rinzler that the Emerald City helped inspire the look of Cloud City in The Empire Strikes Back. As for the thematic similarities between The Wizard of Oz and Star Wars, the list is substantial: Both are stories about a teenage dreamer raised on a farm by an aunt and uncle, who journeys to a strange land full of wondrous creatures; whose companions include a furry creature and a metal man; who must use his or her inner resources to defeat a black-robed dictator, and so forth. As the official Star Wars website has noted, Wizard of Oz parallels continue into the prequels, the series The Clone Wars, and The Force Awakens.
Luke with Chewbacca, Obi-Wan, and Han Solo aboard the Millennium Falcon in ‘Star Wars’ (Photo: Everett Collection)
But the connection between Star Wars and The Wizard of Oz goes deeper than similar plot points and villains with unusual taste in headgear. The reason Lucas’ fantasy evoked The Wizard of Oz for so many people is that both films created immersive, dazzling fantasy worlds that expanded audiences’ understanding of what was possible in a movie. Both films boasted special effects that were so unprecedented, viewers literally had no idea how they were made. Both played with genre conventions in unexpected and delightful ways: Star Wars was a Western in space with an orchestral soundtrack, while The Wizard of Oz was a children’s fairytale elevated by Broadway-style character songs and a unique story-within-a-story structure.
Fans who fell in love with Star Wars during its first theatrical run wouldn’t necessarily have seen The Wizard of Oz on the big screen (though Oz did return to theaters several times prior to the VHS era). However, they almost certainly grew up watching the classic movie, which was broadcast annually on network television from 1959 until 1991. And for many, Star Wars brought back that childlike wonder they experienced watching The Wizard of Oz as actual children, along with the giddy sense that the world onscreen was as real as the one they lived in.
Dorothy with the Scarecrow, Lion and Tin Man in ‘The Wizard of Oz’ (Photo: Getty Images)
Now, Star Wars stands beside The Wizard of Oz in the pantheon of films loved by moviegoers of all ages. And the world of Star Wars has become immersive in a way that The Wizard of Oz, for all its onscreen dazzle, never could: George Lucas’ vision of an ever-expanding story continues to be realized in sequels, prequels, merchandise, and other media, not to mention the future Star Wars theme parks that will enable fans to literally enter Luke Skywalker’s world.
Cloud City in ‘The Empire Strikes Back’ (Photo: Everett Collection)
In some ways, it’s surprising that The Wizard of Oz never expanded into a Star Wars-style mega-franchise, since the novel it’s adapted from had dozens of sequels. But despite many attempts over the decades to extend and re-invent the story — including 1985’s Return to Oz and 2013’s Oz: The Great and Powerful — no movie has managed to fully re-capture the magic of Judy Garland and her co-stars dancing down the yellow brick road. The 1939 film, with its famously disaster-filled production, was lightning in a bottle. The Force ultimately surpassed “there’s no place like home” in the popular imagination because George Lucas figured out how to bottle lightning.
The Emerald City in ‘The Wizard of Oz’ (Photo: Everett Collection)
Back in 1977, the cast and crew of Star Wars could only dream that their “little space movie,” as Carrie Fisher often called it, would resonate as powerfully for audiences as the place somewhere over the rainbow. It has done that and more — and when George Lucas opens his Museum of Narrative Art in Los Angeles, Wizard of Oz and Star Wars memorabilia will be displayed side by side.
Carrie Fisher Flashback: What She Told Us About That ‘Empire’ Kiss in 2015 (‘There Were No Tongues!’):
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Read more from Yahoo Movies:
How Carrie Fisher Helped Create the ‘Star Wars’ Legend
The ‘Star Wars’ Cantina Scene: The Out-of-This-World Story Behind the Galaxy’s Favorite Dive Bar
How the Famous ‘I Love You/I Know’ Scene From ‘The Empire Strikes Back’ Really Came Together
#_author:Gwynne Watkins#_uuid:92ae05cd-22fe-3004-9c27-5b39172fcd0c#behind the scenes#_revsp:wp.yahoo.movies.us#essay#the wizard of oz#star wars#george lucas#_lmsid:a0Vd000000AE7lXEAT#classic films
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