#iv. ( &. gedeon ) : god is telling you &. i there is death for all of us | Explore Tumblr posts and blogs

thegeekerynj · 4 years ago

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All Death Metal Review (And nothing from Sweden!)

Death Metal: Trinity Crisis One Shot

Writer: Scott Snyder Artist: Francis Manapul

‘And who are YOU supposed to be? I’ve faced enough Dark Knights that no Batman scares me anymore!

Ha! Then it’s a good thing I’m not a Batman! I’m his MOTHER!’

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Sweet Christmas! That took me by surprise!

Harley kissing Jonah Hex, that was really sweet, and gods awful creepy, and kinda gross, after the exchange, and some thought…

This is it, Gentle Readers… the Beginning of the End of the Beginning of… Oh, crap, now I’m lost… This is where the story starts rockin’!

The Gang’s all together, and the Black Lantern Bat has determined what they need to do.

The plan? Split up, naturally. That AL-ways works…

When we left them in DM #3, the Lanterns are protecting the Home Base, and taking out the Crisis Energy Antennae on the Earths left in the known Universes, The Flashes are off and running through the Speed Force, trying to find Metron, and stay ahead of the Bathattan who Laughs, while the Trinity (Superman / Antilife, Black Lantern Batman and Warden Wonder Woman) along with Swamp Thing, Harley, Hex and Jarro, head for Castle Bat, to gain access to the Crisis Earths, where the Crisis Energy is being harvested for Perpetua.

**WHEW!**

Getting into the Castle involves getting past an army of Dark Knights… and we have a bunch of real winners here!

Bat Monday - Salomon Grundy in Bat ears, I could have busted a gut laughing, until I thought about what kind of weapon a zombie with Batman’s training could be, and shivered…

Kull, the daughter of Batman and Wonder Woman, corrupted by the Dark Universe…

Ark, the living embodiment of Arkham, with all of the knowledge and abilities of ALL her worst inmates…

Chiroptor, the amalgam of Batman and Chemo (Great Elder Gods!!)…

And the Pearl, Martha Wayne, in the equivalent of HellBat Armor, complete with her iconic pearl necklace.

This is a real mindscrew for Batman, and the panels depict it, most intently.

One nice thing about Scott Snyder… he is consistent about tying up loose ends. Once we are in Castle Bat, we find out what happened to Barbatos, the Big Bad from Dark Nights: Metal. Not that we were actually wondering, since we got Perpetual, and the Batman Who Laughs, but, like I said, it ties up the package nicely.

Then, we are introduced to the character I have been most happily waiting for… the Robin King, and his Utility Belt of Death!

Gentle Readers, this is the story we have been waiting for, the chapter which tells us what the Heroes Plan of Action is, and where the story has been going, for over 40 years. You see, the opening page of this book tells us where this story began… with Marv Wolfman and George Perez, and Crisis on Infinite Earths!

Not to spoil too much, but Crisis, Infinite Crisis, and Final Crisis, ]well… they have all played a part in getting us to this story. It seems, the “Crisis Energy’ has fed Perpetua while she was trapped within the Source Wall, and, now, she wants it all, so she can recreate the Universes in her image.

Great job, if you can get it…

I can’t say enough good things about this story and artwork, as Snyder and Manapul have put together a really tight, hard hitting bottle / lead story, bringing us to the next step in the saga…

Jeebus on a popsicle stick, I hope no one lets me down… that will hurt!

Out of 5🌶 🌶🌶🌶🌶.5

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Death Metal: Multiverse’s End #1

Writer: James Tynion IV Artist: Juan Gedeon

‘Mr. Rabbit?

Yes, Young Lady?

Thank you for saving me.

What a kind thing to say! It was so scary out there, and you stayed so brave. I don’t think I could have done it without your courage.

You’re really, really soft.

I use a special carrot shampoo.

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Once upon a time, about a million, bazillion years ago in cranky fat man years, somewhere around 1982, Roy Thomas and Scott Shaw! brought Earth-C into the DC Multiverse, the earth of anthropomorphic animals… yes, they brought Super-Hero Cartoon Animals to the Super Hero Universe.

Our introduction to this Earth was Rodney Rabbit, a comics writing and drawing hare, who created the Just’a Lotta Animals comic by day, and was Captain Carrot, a Superman-esque rabbit, who got his powers from super charged carrots, when danger struck.

But, I digress… because I got really excited!

So, we have teams on the 6 Earths, each Earth holding a tuning fork, focusing the psychic pain energy of the population to Perpetual, powering her attempts to recreate the Multiverse in her image. The Earths in play, Earth - 3 (Crime Syndicate), Earth - X (Nazi Earth), Earth - 29 (Bizarroworld), Earth - 43 (Blood League World) and Earth - 50 (Justice Lords Earth) are all worlds of pain and suffering.

Their energy is the right flavor for destroying, and creating.

The heroes, organized and led by the Green Lanterns of Sector 2814 (Hal Jordan, Guy Gardner, John Stewart, Kyle Rayner, Jessica Cruz, Simon Baz), are working to take down the Antennae before the energy can be fed to Perpetual to power her Cosmic Undoing.

So, teamed with the Lanterns, we have Hawkgirl, Kid Flash (Earth-22), President Superman (Earth-23), Wonder Woman (Earth-6) and Captain Carrot, all hellbent on stopping the respective Antennae.

The problem… Each Earth’s inhabitants have been laced into the antennae, to directly feed the psychic energy to it..since the energy is effectively terror, well, what better way to induce some? Of course, this isn’t the only problem to be contended with…

Leave it to James Tynion IV to come up with a way to make a villain creepier than the Batman Who Laughs… How, you ask? Well, take the true polar opposite of Batman, and make him realize HE IS what Giggles says he is, and you have an interesting new ballgame.

You see, while the Batman who Laughs is the Ultimate CORRUPTED Batman, Owlman is the Anthesis of Batman, the purest EVIL to the Batman’s GOOD. And he plans to make sure that he continues to be the True Opposite…

Gedeon’s artwork is rough, but considering the story being told, and the pain portrayed by the characters, it fits, perfectly. Some times, I see Joe Staton and Nic Cuti in these pages, a little cartoony, but that’s not a complaint… The story concentrates a bunch on Guy Gardner and Cap, so, it seems to fit (and the art is reminiscent of the ‘A Guy and his G’Nort’ storyline from 1991).

All in all, a very good story, and a fantastic use of a truly underused treasure.

Out of 5🌶 🌶🌶🌶🌶

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Speed Metal #1

Writer: Joshua Williamson Pencils: Eddy Barrow Inks: Eber Ferreira

‘Hey, Flash Family, Is it true a Flash has to die in every Crisis?!’

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And the levels of snark from the Darkest Knight have reached Epic Levels!

The first three pages of this issue give us a rehash of everything having to do with Wally West, since the beginning of the Rebirth Era, from Barry pulling Wally out of the Speed Force, to Barry and Batman finding the Comedian’s Smiley Face button embedded in the Batcave wall, to the events of Heroes in Crisis and Flash Forward.

The action picks up as Barry, Wally, Wallace and Jay leave the Batman’s Vault, in search of Metron’s Chair, with the Darkest Knight hot on their trails.

In the Speed Force.

With the Darkest Knight’s presence corrupting the Speed Force, Barry and Wally bickering the entire time, I’m reminded of why I hated the post Crisis Flash… Wally wasn’t mature enough to wear the mantle of Barry’s fame.

Sure, he had the speed, he was even faster than Barry, but he was still the same jealous little kid inside, the one who needed to be patted on the head, the one who couldn’t get on with the Titans, even though he was probably the most powerful of them.

He was just an immature kid, and here, Williamson dragged that all into the foreground once again.

All so Wally West, the King of the Redemption Arc, could have another Redemption Arc…

Sorry, that did me in.

The rest of the story is pretty good… the art is wonderful, the Jay / Barry / Wallace interplay is really kinda neat, and all the Black Flashes… well, I’m a sucker for Death icons, so a mass of Death Speedsters, well that’s fun with a CAPITAL F!

But, did we need another Wally gets to whine story?

Sorry, this wasn’t the finest arc of the Death Metal Saga.

Out of 5🌶 🌶🌶🌶

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Death Metal #4 ‘Shot In The Dark’

Writer: Scott ‘Scream King’ Snyder Artist: Greg ‘The Muscle’ Capullo Inks: Jonathan ‘Bloodied’ Glapion

“So, ever wonder why you never see A Harley Who Laughs’?’

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And, that Gentle Readers, is the crux of one of those puzzles about this series… Why don’t we ever see more twisted versions of the Villains who infest Earth Prime?

The Robin King (this is the character who rates SECOND on my memorable Characters list, especially with his own One-Shot—— Who’s First?? Time, Gentle Ones in time…) puts the explanation out there, and it is very simple.

And worth the read… But, I digress.

So, Issue 4 picks up with Sergeant Rock describing what has been happening on Earth - Prime, and we finally get to see who has been carrying him around… AMBUSH BUG! Yes, the character that made the Fourth Wall more transparent than an open Anderson window has been carrying Rock around as his own personal narrator…

Which, if you know the Bug, is a joke unto itself.

So, here we go, the ride is picking up steam, and we are now following 6, count’em SIX, separate story lines. A guy could get whiplash, or Bullwhip or some other third rate character… But, I digress.

We have the Trinity storyline, the SpeedMetal storyline, Multiverse’s End, and the Lantern Storyline from the last issue, the Justice League / Legion of Doom story… am I forgetting anything?

Oh, and of course, the Robin King.

Where to start with this… I guess the simplest place to start is the artwork.

Greg Capullo’s pencils are absolutely wonderful. For anybody who it's to watch the process of drawing I want to watch so he's got a really wonderful touch I recommend Greg Capullo’s Instagram site. As he's drawing pages for these books, he posts the pencils as he finishes pieces of the process . Normally, he has six or seven photo panels showing exactly what he's been doing. In man cases, this involves crowd scenes, with extensive detail. His work is beautiful, it’s easy to see why he is such a sought after talent.

Jonathan Glapion’s inks on Capullo’s pencils are comparable to Austin on Byrne, and Janson over Miller, Janson over Colan… Enhancing, and not hiding the intricate detail rendered in the pencils, adding that last flash of lightning to bring it all together. The balance struck between them is almost organic, a constant growth between the two, bringing them to levels bordering on the true Classic Art teams of the last 50 years.

I do not make these comparisons lightly

Now, to the story. Scott Snyder is powering a roller coaster with a rocket sled. The coordination between the different aspects of these stories is both intricate and daring. With all the different aspects of this story spinning like plates on sticks, Snyder juggles the plot lines, and what is left to him by the myriad of writers as Emmet Kelly did in the heyday of Ringling Brothers.

His deft touch, and subtle influences are balanced by lace covered sledgehammer blows, leaving the reader reeling, and wanting so very much more.

Scott Snyder, much like Tom Taylor, has pulled out all the stops, cut the brake lines, kicked out the jams, insert favorite euphemism for creating a high speed, non-stop mad ride to Hell!

And, much to my wallet’s chagrin, I am very happy about it.

Now, as it crosses to other books, and other writers pick up the reins, I am sure Snyder will still be the whip hand driving the story, not allowing some of these writers to go too far astray (unless it’s Tom King… then, well Woo Hoooo!)

I can’t say enough good things about this story, or the team creating it. I’m beginning t feel a little biased, but, what the heck.

Out of 5🌶 🌶🌶🌶🌶.5

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Death Metal: Robin King #1 ‘The Robin Who Would Be King’

Writer: Peter J. Tomasi Artist: Riley Rossmo

‘Aw! Come on, this is the fun part!

Get up and let’s FIGHT!’

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Games, within games, within games…

So, the Batman who Laughs wasn’t infallible.

And the Robin King is going to be the bigger threat to the Darkest Knight than any combination of the Trinity, Flashes or their cohorts.

At least, that’s my takeaway from this issue.

We continue the story of the Robin King, as started in the Tales of the Dark Universe one shot. Bruce has grown up, and grown into his sociopathy, and genius. He has used the family fortune to get all the training necessary, and to accumulate all the tools, to begin his reign as the true Evil Overlord of Gotham.

Utilizing his accumulated weapons, he has taken out Commissioner Gordon, Firestorm, Animal Man, Adam Strange Blue Beetle (Ted Kord), and the Red Tornado, all in truly spectacular and extraordinarily grisly fashion.

While the Black Hole Implosion for Firestorm was a particularly well thought out death, I think, so far, the ‘Mortal Coil’ Death, for the Red Tornado was the most imaginative… making his powers totally uncontrollable, while moving him closer to his ultimate dream, to be a real person, before his form totally destroys itself from the stresses of his own speed.

Marvelous! Fantastic! Gross!

Enter the Batman who Laughs, with the proposition to make the Robin King special, one of his own…

But, he’s a Robin, so, off to the Groblin Pit he goes!

Hence, his mistake, and possibly another chink in the boiler plate of his plans… since Bruce Wayne is NO Robin!

Peter Tomasi’s scripting for this issue is simply remarkable. The creep factor he brings to this iteration of Bruce Wayne is almost eviscerating. Reading this was painful to my eyes and psyche, feeling the levels of insanity drip off the page, and scratch across my mind like a little bird’s unnaturally sharp talons.

He really hit all the horror factors.

Then, there was the artwork for this story. Riley Rossmo’s artwork set the mood for this story. His shattered pencil / inks style, which can be distracting, was integral to telling this story. It allowed the Reader to view this story as if it were playing out in Bruce’s mind, its all the fracturing being how he is viewing the world.

For me, this story has been the highlight of the series… thus far. I am anticipating this, which is near the midpoint of things, is setting up the Wednesday Night Episode…so, -

Tune In, Gentle Readers!

Same Bat-Time

Same Bat Channel!

The Best Is Yet To Come!

Did I neglect there is a B-story, with Signal, Spoiler, Orphan and Red Robin taking on Quietus, the amalgam of Batman Ras’ al Ghul and Duke Thimas, from another Dark Universe, written by Tony Patrick and drawn by Daniel Sampere?

This story brings in a plot line for ‘What’s happening for the Other Bat-Family Elements’, as they try to find their way through Castle Bat’s myriad streets…

I am guessing we will start to see more of these stories.

I am completely fine with this, rather than having to recap things later…

Out of 5🌶 🌶🌶🌶🌶.5

#dark nights: death metal #DC comics #Batman Who Laughs #Scott Snyder #Greg Capullo

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pamphletstoinspire · 7 years ago

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THE PROPHECY OF JONAS - From The Latin Vulgate Bible

Chapter 1

INTRODUCTION.

Jonas prophesied in the reign of Jeroboam II, as we learn from 4 Kings xiv. 25., to whom also he foretold his success in restoring all the borders of Israel. He was of Geth-Opher, in the tribe of Zabulon, and consequently of Galilee; which confutes that assertion of the Pharisees, (John vii. 52.) that no prophet ever arose out of Galilee. He prophesied and prefigured in his own person the death and resurrection of Christ, and was the only one among the prophets who was sent to preach to the Gentiles. (Challoner) --- The most incredible mystery in our religion, and the vocation of the Gentiles, are thus insinuated. (Calmet) --- The latter shall be saved if they repent, like Ninive. (Worthington) --- [Thomas?] Paine's supposition, that this book was written by a pagan "to satirise the malignant character of a predicting priest," requires no refutation. (Haydock) (Watson)

Chapter 1

Jonas being sent to preach in Ninive, fleeth away by sea: a tempest riseth: of which he being found, by lot, to be the cause, is cast into the sea, which thereupon is calmed.

1 Now (Year of the World about 3197, Year before Christ 807) the word of the Lord came to Jonas, the son of Amathi, saying:

Notes & Commentary:

Ver. 1. No explanation given.

2 Arise, and go to Ninive, the great city, and preach in it: for the wickedness thereof is come up before me.

Ver. 2. Ninive, the capital city of the Assyrian empire. (Challoner) --- It was 150 stadia long and 90 broad, (Diod. ii.) on the western bank of the Tigris. (Pliny, [Natural History?] vi. 13.) --- Mosul, which some mistake for it, stands on the northern side. See Genesis x. 10. At the time when Jonas preached, Ninive would contain about 600,000, chap. iv. 11. They were people less favoured by God, (Acts xiv. 15.; Calmet) but not abandoned. (Theodoret) --- God took sufficient care of all his creatures, and foretold many things relating to foreign nations. (Calmet) --- Romans iii. 29. (Worthington) --- For the. Septuagint add, "cry of," Genesis iv., and xviii. (Haydock)

3 And Jonas rose up to flee into Tharsis from the face of the Lord, and he went down to Joppe, and found a ship going to Tharsis: and he paid the fare thereof, and went down into it, to go with them to Tharsis from the face of the Lord.

Ver. 3. Tharsis. Which some take to be Tharsus of Cilicia, others to be Tartessus of Spain, others to be Carthage. (Challoner) --- Joppe, now Jaffa, (Menochius) a miserable seaport. (Haydock) --- It was formerly the best near Jerusalem, (2 Paralipomenon ii. 16.) though very dangerous. (Josephus, Jewish Wars iii. 15. or 29.) --- It is said to have been built before "the inundation" of the world, (Mela. i. 11.) and was famous for the adventure of Andromeda, rescued by Perseus from a sea monster. (Pliny, [Natural History?] v. 13.) (Calmet) --- Lord. He feared being accounted a false prophet, (Worthington) knowing how much God was inclined to shew mercy, (chap. iv. 2.) and being disheartened at the difficulty of the undertaking, like Moses and Gedeon. (Calmet) --- He might also think that if the Ninivites repented, it would be a reflection on the obstinacy of the Jews. (St. Gregory, Mor. vi. 13.) (St. Jerome)

4 But the Lord sent a great wind into the sea: and a great tempest was raised in the sea, and the ship was in danger to be broken.

Ver. 4. Broken. Seeing no natural cause of such a sudden tempest, they concluded (Worthington) that some on board must be guilty; as the sailors argued (Haydock) when the noted atheist, Diagoras, was in similar circumstances. (Calmet) --- They had recourse to lots, and the prophet consented by God's inspiration, (Worthington) though this is not written, (Haydock) and the lots were superstitious. (Menochius) --- The oriental writers add many things to this sufficiently marvellous account. (Lyranus; D'Herbelot.) (Calmet)

5 And the mariners were afraid, and the men cried to their god: and they cast forth the wares that were in the ship, into the sea, to lighten it of them: and Jonas went down into the inner part of the ship, and fell into a deep sleep.

Ver. 5. God. They were idolaters, ver. 6. --- Wares, which is commonly done in storms. (Calmet) --- This loss was in punishment of their sins; though they seem not devoid of some fear of God and man. (Haydock) --- Sleep. This is a lively image of the insensibility of sinners, fleeing from God, and threatened on every side with his judgments; and yet sleeping as if they were secure. (Challoner) --- Yet Jonas was sleeping through grief. (St. Jerome) (Matthew xxvi. 40.) (Calmet)

6 And the shipmaster came to him, and said to him: Why art thou fast asleep? rise up, call upon thy God, if so be that God will think of us, that we may not perish.

Ver. 6. No explanation given.

7 And they said every one to his fellow: Come, and let us cast lots, that we may know why this evil is upon us. And they cast lots, and the lot fell upon Jonas.

Ver. 7. No explanation given.

8 And they said to him: Tell us for what cause this evil is upon us, what is thy business? of what country art thou? and whither goest thou? or of what people art thou?

Ver. 8. No explanation given.

9 And he said to them: I am a Hebrew, and I fear the Lord, the God of heaven, who made both the sea and the dry land.

Ver. 9. Fear, and therefore fly from the face of the Lord, ver. 3, 10. (Haydock) --- He knew that God is every where, ver. 3., and Psalm cxxxiii. 8. (Calmet) --- Septuagint, "I worship." Fear is often taken in this sense. (Haydock)

10 And the men were greatly afraid, and they said to him: Why hast thou done this? (for the men knew that he fled from the face of the Lord: because he had told them.)

Ver. 10. No explanation given.

11 And they said to him: What shall we do to thee, that the sea may be calm to us? for the sea flowed and swelled.

Ver. 11. No explanation given.

12 And he said to them: Take me up, and cast me into the sea, and the sea shall be calm to you: for I know that for my sake this great tempest is upon you.

Ver. 12. Cast me. God intimates that he required this sacrifice. (Menochius)

13 And the men rowed hard to return to land, but they were not able: because the sea tossed and swelled upon them.

Ver. 13. Hard. They were unwilling to destroy the prophet, (Calmet) fearing to incur fresh guilt by thus treating one who had intrusted his life to them. (Josephus, Antiquities ix. 11.)

14 And they cried to the Lord, and said: We beseech thee, O Lord, let us not perish for this man's life, and lay not upon us innocent blood: for thou, O Lord, hast done as it pleased thee.

Ver. 14. Blood. We act thus by his direction, and through necessity.

15 And they took Jonas, and cast him into the sea, and the sea ceased from raging.

Ver. 15. No explanation given.

16 And the men feared the Lord exceedingly, and sacrificed victims to the Lord, and made vows.

Ver. 16. Lord. They were converted by this prodigy, and offered sacrifice immediately, or (Calmet) when they came to port. (Menochius) --- All know by the light of reason that sacrifice and vows are acceptable to the Lord. (Worthington)

#prophecy of jonas or jonah

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