#itv life of crime

[dianetastesmetal]

Gotta be one of the best yelling scenes of Con. Thought I'd share with y'all!

[morsesnotes]

I'm to retire. D.C.I. Thursday's with Carshall. Now I hear Strange is to be seconded to Kidlington. Yes, sir. What of your own future? Well, I suppose I'm undecided sir.

[probablyasocialecologist]

Israeli president Isaac Herzog insisted that “an entire nation” was to blame for Hamas’s actions, and that the idea of “civilians not being aware, not involved” was “absolutely not true”. While Rageh Omar reported on this for ITV News, it did not make the BBC or the New York Times or Sky News. Nor did it make most anglophone outlets. Ariel Kallner, in a now-deleted tweet, called for another Nakba on the Palestinians, repeating the crime of 1948 in which 700,000 Palestinians were ethnically cleansed. “Right now, one goal: Nakba!” He exhorted. “A Nakba that will overshadow the Nakba of 48.” This was picked up by Associated Press but missed by most anglophone broadcasters and press. When Tally Gotliv, a Knesset member for Likud, called for a nuclear strike on Gaza – “Jericho Missile! … Doomsday weapon!” ­– and for “crushing and flattening Gaza … Without mercy! Without mercy!”, this also went curiously unnoticed. Again, when an anonymous Israeli defence official briefed Israeli broadcasters that Gaza would become “a city of tents” where “there will be no buildings”, it was largely ignored. When Sara Netanyahu’s advisor, Tzipi Navon, said that it would not be enough to “flatten Gaza”, and that Palestinians suspected of involvement in the Hamas attack should have their nails pulled out, their genitals removed and their tongues and eyes saved for last “so we can enjoy his screams”, “so he can see us smiling”, that too was curiously overlooked. The studied obtuseness of Western media includes carefully ignoring the most severe warnings about what is about to be done by Israel to Gaza. On Friday 13th, Israel ordered residents in the north of Gaza to “evacuate” to the south within 24 hours on pain of being bombed. Former Israeli ambassador Danny Ayalon suggested with a cynical smirk that they could go to the Sinai desert and live in “tent cities”. The Biden administration appears determined to enable this to happen, lobbying Egypt to take the refugee population. The language of evacuation, widely used by newspapers, was euphemistic. Over a million Gazans had just been given a death threat. They were being told at gunpoint to flee in an unrealistic amount of time, on just two roads that they were assured were safe from bombardment, only for a convoy fleeing south to be bombed, killing seventy people. They had no reason to believe they could ever return to their homes or that their homes would even exist. Here was the second Nakba that Ariel Kallner shouted for. A UN press release warned of “mass ethnic cleansing”, that would repeat the Nakba of 1948 “yet on a larger scale”. Two days after that warning, only the Independent among British newspapers had covered it. One honourable exception to the general omerta on explaining what the “expulsion” order means is the BBC’s Victoria Derbyshire who, interviewing former Israeli ambassador Mark Regev, quoted former UN head of humanitarian affairs Jan Egeland, saying: “The Israeli order for civilians to move from north to south is impossible and illegal. It amounts to forcible transfers and a war crime.” No anglophone newspaper, of course, mentions the word “genocide” in this context, though that is the term used by both Palestinians and Jewish groups opposed to Israel’s war, and is clearly what is implied by Israeli statements and actions. As Mustafa Bhargouti told CNN’s Christiane Amanpour, Israel is inflicting the triumvirate of “siege and collective punishment”, “genocide” through bombardment, and “ethnic cleansing”. The Israeli historian of the Holocaust, Raz Segal, describes Israel’s indiscriminate war on Gazan civilians and its assault on the conditions for life for the whole community, as “a textbook case of genocide” unfolding in front of us. For the press and the majority of pundits, the problem cannot be named. At most, liberal dissent attains to the insight that vengeance is not justice, as though what Israel is now threatening is merely reactive rather than programmatic.

[scotianostra]

Happy Birthday to the actor Tony Curran born 13th December 1969 in Glasgow.

Tony took to acting while still in his teens, he recalls the days in the Scottish Youth Theatre with Gerard Butler. Young Anthony Curran went on to attend the Royal Scottish Academy of Music and Drama before gaining notoriety with a prominent role on the BBC series This Life. He would go on to make a name for himself in movies with a sci-fi/fantasy bent, like The 13th Warrior, Blade II, The League of Extraordinary Gentlemen, Beowulf, of his small screen credits, our old favourite Taggart returns after not appearing on Kenneth Cranham’s CV yesterday!

Curran has made a name for himself in over the Atlantic in a number of US shows which include, Numb3rs, Medium, 24, Sons of Anarchy and Elementary. His most notable appearances over here have been in the ITV series Ultimate Force, Dr Who, as Vincent van Gogh , and more recently in the E4/Netflix original series Crazyhead.

Tony appeared in the 2018 Netflix film Outlaw King about Robert the Bruce and the Wars of Scottish Independence, where he played the part of Aonghus Óg of Islay, ( Angus Macdonald) chief of Clann Domhnaill. Back over in the states he has recently been in Ray Donovan, which is a great series series and few episodes of the CBS show SEAL Team. He also turned up in the mini series, Your Honor, which also stars the excellent US actor Brian Cranston of Breaking Bad fame, it’s great hearing Scottish accents in US shows, don’t you think?

Tony is another guy I follow on twitter, the guy has a heart of gold, I remember he tweeted “Me and my lass woke up this morning temperatures dropping compelled to help our homeless, loaded up some blankets pillows clothes, sweaters jackets, I’m sure we all have stuff we can donate, it all helps.” He was then out on the streets handing them out to the homeless, Tony was involved in a charity weekender with all funds raised going to St Mary’s & St Alphonsus and the great community work they do. He has in the past played charity football matches in Glasgow.

In the past couple of years Tony has been playing Despero in the Super Hero series The Flash, Tony has also appeared in the US movie, Two Deaths of Henry Baker where he plays a town Sheriff, this year he appeared in the US crime series The Calling, the show has some good reviews on IMDB with a 7.1/10 rating, and in an episode of the US show For All Mankind

Last year Tony appeared in a homegrown project. The two part “series”, Mayflies is set in a Scotland and Manchester in the 80′s Martin Compston co-stars along with new Shetland star Ashley Jensen, it is on BBC1 on December 28th. The show is based on a novel by Scottish author Andrew O'Hagan's book of the same name. It tells the story of Jimmy (Compston) and Tully (Curran) who ignite an “unforgettable friendship” defined by music, films and their shared rebellious spirit in a small Scottish town in the 1980s. if you haven't seen it, please look it up, and keep the hankies close by.

In the past couple of years Tony has appeared in a couple of US series, an unexpected second season of Your Honor and Secret Invasion.

On fame Tony commented;

"I've been lucky. I don't for a minute take for granted the good fortune I have had. You don't like to get ideas above your station, especially a boy from the south side of Glasgow."

[pepaldi]

This interview originally appeared in Radio Times magazine.

As Peter Capaldi talks about his new Apple TV+ drama Criminal Record – "a stylish crime drama with a contemporary edge and a noir-ish element", to quote his own description – he makes no effort to disguise his fondness for Elaine Collins, his fellow executive producer on the eight-part series, sitting beside him.

Friendly, funny and stylish in equal measure, she is just as affectionate towards him… which is rather lovely, as they have been married since 1991 and have a 30-year-old daughter.

In 2021, he sweetly pinpointed "September 12th 1985, under a street lamp in Glasgow with Elaine" as the greatest kiss of his life. It was their very first, soon after they met as actors in a touring theatre production.

They co-starred in the 1992 romantic comedy Soft Top Hard Shoulder, and teamed up again in Franz Kafka’s It’s a Wonderful Life, the 1995 Oscar-winning short film he wrote and directed. As Capaldi clutched his Academy Award he told Hollywood’s assembled royalty: “Elaine Collins was the real creative dynamo behind all this."

Since then, she has become a powerhouse in British television, bringing Vera to ITV and Shetland to the BBC, long-running successes both.

Meanwhile, Capaldi’s own profile has risen ever higher, with his award-laden portrayal of The Thick of It’s fabulously foul-mouthed political enforcer Malcolm Tucker, and of course his three-year stint as the 12th incarnation of Doctor Who. In 2022, when BAFTA Scotland gave him its Outstanding Contribution gong, he concluded his acceptance speech with a direct address to Collins.

"My darling wife Elaine," he said, "it’s your strength, kindness, wisdom and love that’s enabled me to have this career. You’ve always been there through all the ups and downs, and that you chose to share your life with me is the greatest luck of all."

And now here they are, working as executive producers together for the first time and talking to RT. "It was great," beams Capaldi. "Elaine’s the boss, obviously. She’s the person who really drove this show, pulled it all together and had the vision for it, while having to do the day-to-day business mechanics of keeping it rolling. I was just a sounding board."

Collins tuts at once, exclaiming, "You’re too modest. He was fantastic. We genuinely had a great time and it was amazing to have that support system at work and at home. Of course you bring it home – you’re living and breathing a show while you’re making it – but that was genuinely great. He’s always a support system for me. Hand on heart, we’re best friends."

Sitting listening close by, one of Criminal Record’s supporting actors, Tom Moutchi, smiles at the two of them indulgently. "Awww," he teases, "soooo cute." Capaldi and Collins crease up, as Capaldi agrees that "cute" isn’t a word usually linked with him.

"A journalist asked me the other day, 'Why do you scowl all the time?'" he recounts. "I said to him 'I’m not!' and he said 'Your face is a scowl.'"

"He’s cute to me," declares Collins firmly, although it must be said the role he plays in Criminal Record scores low on the cute-o-meter.

The whole thing at Radio Times.

[bestofsophieturner]

Sophie Turner talking about the real Joan Hannington

Sophie Turner may be known for her star-turning role as Sansa Stark in Game of Thrones, but playing former criminal Joan Hannington in ITV's true crime drama about her life proved to be the biggest "thrill of [her] career".

The actor spoke of her admiration for her real-life counterpart at a press conference for the new drama, saying that she found the ex-thief to be a "magnetic woman" in person. ITV's new series is inspired by Hannington's memoir I Am What I Am, and recounts how she became the UK's most notorious jewel thief in the 1980s alongside her quest to reunite with her daughter who she was forced to put into foster care.

"It was amazing, it was the thrill of my career," Turner said at the event. "To be able to play someone like Joan, who's so multifaceted and is so funny, but [has] gone through so much trauma — she's so ambitious, and she's all these things, 'mother, lover, liar, thief' but there really is so much to her.

"She really is so much in one person, and I just felt it would be the biggest treat to be able to play her, and it's just remarkable that it's all a true story... inspired by."

"We actually didn't meet until really quite close to filming started. I kind of had an idea of what I was doing with the character, I pretty much had it because there's so much in Joan's book and it's so written in her own voice. I kind of soaked that up, I read it about 9-10 times, so really the last piece of the puzzle was meeting Joan.

"The minute Joan walks into a room she is the the star of that room, she's the diamond. It was her mannerisms that I hadn't quite got, and it was just the essence of her that I was missing.

"And when I finally met her I saw this magnetic woman and I really, truly understood why Boisie [Hannington's husband, played by Frank Dillane in the series], why so many people, were drawn to her the way she was drawn to her jewels."

[kellyvela]

Joan advert is all out in UK with many people saying they saw the teaser/poser everywhere and some saying they are effed up about it, so it does looks like ITV is going all over in the promo

Yes, anon!

It was a lovely surprise that they held an event to launch the show:

And there was a Q&A with the press after watching a screening, hence all the articles about the show the next day, specially from Digital Spy:

There were a couple of days of press junkets as well. Sophie will be on Good Morning Britain next week:

British Vogue posted an exclusive piece with Joan's hair and make-up artist Nic Collins:

And next they will post an exclusive piece with Joan's Costume Designer Richard Cooke in the next days.

And I suspect there was a new event/screening today, because some of the crew posted about it:

So, yes! Yayyy for ITV and the late but vast promotion!

[andrew-buchan-fansite]

First look at Andrew's comedy horror Passenger!

Synopsis: Riya (Wunmi Mosaku) arrived in the quiet town of Chadder Vale five years ago and has since been searching for something, anything that will make her feel alive again. Then one night local girl Katie Wells (Rowan Robinson) mysteriously disappears. The town barely has time to register her absence before she reappears the next day, apparently safe and sound. The townsfolk ask few questions and normal life resumes. But for Riya, a relative outsider to the Chadder Vale way of life, none of this sits right. As a series of strange happenings and increasingly shocking crimes start unfolding within the town, the resident’s resort to short-sighted theories and blame outside influences such as the fracking site and its manager Jim Bracknell (David Threlfall). As things become stranger, Riya fights hard to convince the villagers that all is not as it seems. But what are they so afraid of?

Passenger, created by Andrew Buchan, lands on ITVX and Britbox in March, and will also air on ITV 1.

[tellywoodtrash]

My dad's been in hospital since last one month, we went through literal hell n only now things are looking a bit better TT, thus I thought of you sis..how are and how's your cat doing??any new fav itv drama?or are you still in love with Thai bls(as an AO3 reader I TOTALLY understand you)??I watched only one Pak drama named 'rah-e-junoon' recently only cause of The beautiful Danish Taimoor😍 it's not bad specially he with his love n obsession makes me wana SIGHHHHH😩😩😩 dreamily..also HAVE YOU SEEN JUNAID KHAN IN 'MAHARAJ' (not the Sethupati one) MOVIE??his n Sarvari's reels are everywhere and they are so Wattpad coded... reminding me of those period couples in novels😍😍 he's so dreamy..6'2" tall, nerdy, kinda awkward and has this soft boy vibes going on and did I tell you he kinda looks like Henry Cavill??and Rami Malek??😩😩 life hell ho jaye par tharak na jaye🤤 now tell me how everything is going on your end✨

Hi Darling,

I hope your dad is feeling better, and you are taking care of yourself too, friend! (Caretaker burnout is reallllllll and I am sending you all the strength and healing vibes 🤗🤗🤗)

ITV seems to be a closed chapter for me; the rapidly progressing degeneration of that genre is just notttttt inspiring any confidence (or interest.) The wholeass industry needs a major major shakeup. Same with Bollywood, nothing's really pulling me anymore. Laapataa Ladies (which I still haven't watched yet) is LITERALLY THE ONLY MOVIE calling my name in all of the 2024 releases. Junaid seems like a promising nepo kid; the Cavill vibes are definitely there. Let's hope that he picks good scripts and doesn't fall down the usual wormhole.

Things that I have been watching and enjoying in the past few weeks:

The Acolyte: I literally know/care nothing about the Star Wars universe, but Manny Jacinto. Enough said. I need to rewatch coz god his character has me going awooooooooga like a fuckin' cartoon wolf. I am obsessed.

Abbott Elementary: Giving B99-ish (but much more mellow.)

Modern Family: Just a rewatch (during my mealtimes)

Late Night with Seth Meyers/Last Week Tonight/The Daily Show for US election shitshow in palatable doses

Meet You at the Blossom: A chinese BL which is fulllllllllllly delivering on the toxic romance from the Tellywood of yore

This Love Doesn't Have Long Beans: A thai BL that is again, giving v Tellywood romcom vibes (Gul Khan types), with not one, BUT TWO WHOLE ENEMIES TO LOVERS couples. Noice.

Love Sea: Ridiculously high heat/good chemistry; one half of couple is the greenest fuckin flag in the history of human existence.

My Love Mix Up (Thailand): My cutest lil kuchupuchu babies. I wanna put them in my pocket and squishhhhhhhh them allllll like a goddamn stress ball. Wholesome wholesome lil show that makes me feel warm and sunshiney inside.

4 Minutes: No real idea what's really going on here with the time skips and background crimes and shit, plus this show feels like an anxiety attack in audiovisual form, BUT I'm here for Bible Wichapas giving me morally-grey himbo with hilarious (to me) gay panic.

So yeah...... That's what I've been up to! Hope you and yours keep well, lovely. <33333333 And yes, keep that tharak flag flying high!!!!!!!!

[brian-in-finance]

Photo: Patch Bell

Outlander and Karen Pirie star Lauren Lyle on her self-belief and taking the leap to pursue her dream

Nominated for two awards at the Scottish Baftas this evening, Lauren Lyle promises it will be a celebration no matter the outcome.

The Glasgow actress has grafted hard to enjoy a remarkable rise over recent years, headlined by her first leading role in Karen Pirie, the acclaimed St Andrews-set crime drama based on Val McDermid’s novels.

Next year is set to be the 30-year-old star’s biggest yet, with several leading roles in film and TV, including a second series of Karen Pirie, so now seems like a good time to pause and look back on her career so far.

“I moved to London at 19 and if I’d told myself then that I’d have my own TV show, had done one of the biggest shows in America (Outlander) and would be working all the time, I don’t think I would have believed it,” she smiled.

“I would have thought I’d needed to have done something terrible to have got here, but I just worked really hard. I’m working on a show called Toxic Town for Netflix, which has Rory Kinnear and Jodie Whittaker in it, and I asked both what their secret is. They said they didn’t know, they just keep working, and they’re testament to doing great work and not trying to be famous.

“Rory told me he always wanted to be known for being good, and I’m the same. I’m trying to pick good things and be in quality stuff, things that excite me and getting to work with good people.

“I came to London to audition for drama schools and came close but didn’t get in. I think I’d only been to London once before as a kid but didn’t remember it. I was so hungry for it, and being around other actors in this world was so thrilling and I knew this was what I wanted to do and the place to do it.”

Taking the plunge

Lauren moved into a shared house with four people she hadn’t previously met. She took on several jobs to pay the bills while trying to engineer a break, joining a theatre company and eager to learn.

Photo: Patch Bell

“It was a risk but I put my head down and grafted hard,” she said. “I think I’ve always had deluded confidence that I can do something. My mum is a school PE teacher and I was a gymnast and runner and I’ve always been competitive to win the race, but that’s not helpful at times because there isn’t a finishing line or right answer here; there’s lots of different ways to do this, so I’ve had to put those feelings aside at times.

“I had a big agent for about a year before I got a job, and then two came within two or three weeks of each other – Outlander and Broke, with Sean Bean – and my life changed. I did my tax return for that year and realised I’d done about six jobs – dog walker, flyering, receptionist, in Zara’s stock room for 18 months. Random stuff that I did for ages.

“It was bleak at times but I loved going to the theatre and seeing this life dangled in front of me. It was quite inspiring.”

Karen Pirie

Lauren’s recurring role as Marsali in Outlander was her break, while BBC thriller Vigil, where she played activist Jade, introduced her to a different audience. When Karen Pirie came along last year, she felt ready.

“I’m so proud to be part of the show. It was so well made, beautifully shot, and with a crew who were hungry to be there. It was my first lead and I had creative control around what she looked like and who she was,” Lauren explained.

“The director, Gareth Bryn, writer Emer Kenny – who also executive produced – and myself were constantly in conversation. We all had such a brilliant time, and it was a story that meant something and said something of young women.

“It was about a young woman trying to solve a crime about another young woman, so Karen knew what it’s like to be afraid to walk home alone at night, and how a young person can be underestimated in the workplace and how difficult it can be to prove themselves.”

Photo: ITV

Based on Val McDermid’s novel The Distant Echo – about the cold case investigation of a 19-year-old woman’s death which is reopened and given to DS Karen Pirie after a podcast cast doubt on the original investigation – it was a Sunday night hit for ITV last year.

“Val has been complimentary and incredibly supportive of me,” Lauren continued. “She had to sign off on me playing the character. I was worried if she would be happy with the Methil accent. She visited the set and I prepared myself, but she said I was very good.

“She messaged me on Twitter when the awards nominations were announced and congratulated me and said we would need to go for a drink. I’d love to have a drink with her – I’m sure she would have some great stories!”

Scottish Baftas

The drink will be flowing this evening at the Scottish Baftas in Glasgow where, in addition to Lauren’s two nominations, Karen Pirie is also in the fiction director and scripted television categories.

“The show came out too late for the 2022 awards, but it’s nice that we’ve since announced a second series. We have a big Karen Pirie table. My parents are coming – my dad has a new velvet jacket to go with his tartan troos – as is my boyfriend, who is South-African-Australian, but we’ve recently discovered he has lots of Scottish heritage, so he might wear a kilt, and my agent will be there, too.

“Everyone is dead excited and the whole team is there to celebrate.”

Lauren’s nomination in the Audience Award category sees her vying with Brian Cox, Lewis Capaldi, Tony Curran, Hamza Yassin and Meryl Williams.

“To be in a category with Brian, Lewis and the legend that is Meryl from The Traitors, I feel that’s the only time in my life this will happen. I’m tempted to say to Brian that if he ever needs me to play his granddaughter or daughter, I’m here. Someone should cast us all as a family.”

New projects

With a second series of Karen Pirie expected to start shooting early next year and a rumoured return for the final series of Outlander – “we may be talking, who knows” is all Lauren will say – 2024 will be another busy one for her.

She will follow up her first starring role in a movie, Mercy Falls, which was released earlier this month, with another two movies to be released next year – thriller Something In The Water and The Outrun, with Saoirse Ronan and Jack Lowden.

Photo: Robert Wilson / Starz

“We filmed Something In The Water in the Dominican Republic. It’s like Bridesmaids but a thriller. The Outrun was filmed on Orkney. Saoirse and Jack saw me in Vigil and asked if I’d be part of this film, which is the first from their production company.

“I had to get the Orkney accent just right. At the first read-through, Amy Liptrot, the writer of the book it’s based on, said it needed to be a bit less Shetland and a bit more Orkney, so I went away and made sure it was right.

“Everyone was so welcoming on Orkney. The beaches were ridiculous. I was stung by a weever fish, which apparently is an unusual thing to happen. My foot was on fire for a day.

“I’ve also been making Toxic Town, a new series for Netflix which is about the Corby poisonings, one of the UK’s biggest environmental scandals, which no-one really knows about. It’s about mothers in a David vs Goliath battle for justice, and I’m wearing lots of ‘90s and ‘00s power suits.

“As well as Jodie and Rory, it has people like Aimee Lou Wood from Sex Education, Joe Dempsie from Skins, Claudia Jessie from Bridgerton, Michael Socha from This Is England, and Robert Carlyle, who is the nicest man in the world.”

Shooting in Scotland

Despite living in London, Lauren finds many of her jobs are being shot in Scotland, which she’s happy to see.

“Nowhere looks like Scotland and a lot of productions are coming here for that reason,” she added. “It’s really cool to see it happening and it’s a testament to the quality of workers you get here.

“Plus, it gives me a free trip home to see my family.”

Photo: Stuart Wallace / Shutterstock

At last year’s Scottish Baftas, Dunkirk and The Gold actor Jack Lowden spoke glowingly about Lauren Lyle.

The pair have since become friends and colleagues, and Lauren is keen to support new talent coming through in Scotland just as Jack did with her.

Speaking about this evening’s Scottish Baftas, Lauren said: “Me and Jack were talking about how great it is to get a lot of Scots in a room to congratulate each other, all these people doing well from this proud place, on international stages representing our country, heritage and culture, which we’re so proud of.

“It’s a great opportunity to shake everyone’s hands and say ‘aren’t we an amazing team?’

“I want to know who the other young people are. We’d like to be able to speak to the younger Scottish actors and welcome them in. Jack did that with me – talking about me, being supportive and asking me to be part of his film. I don’t know if we’d met at the point he spoke about me at the Scottish Baftas. I was very flattered.

“He and Saoirse have been really cool and supportive, and I hope to do the same at some point. With season two of Karen Pirie coming, I message its writer, Emer Kenny, and tell her to keep an eye out for this guy and this girl.”

Remember… she will follow up her first starring role in a movie, Mercy Falls, which was released earlier this month, with another two movies to be released next year – thriller Something In The Water and The Outrun, with Saoirse Ronan and Jack Lowden. — The Sunday Post

[themattress]

Favorite Villains of Classic English Literature

Professor Moriarty - This villain is pure, beautiful simplicity: he's an alternate version of the hero with the morality removed. Both Holmes and Moriarty are quirky loners with genius IQs that thrive on challenging their intellects via loaning it out to others in some form of service. But Holmes has a conscience, a sense of right and wrong, which is why his service is that of a consulting detective, whereas Moriarty is a total sociopath whose service is that of a consulting criminal, meaning that he has an invisible hand in almost every crime that's carried out in London. Sir Arthur Conan Doyle gives an absolutely perfect description of him and how he operates as a villain: "He is the Napoleon of crime. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them. He does little himself. He only plans. But his agents are numerous and splendidly organized. Is there a crime to be done, a paper to be abstracted, we will say, a house to be rifled, a man to be removed--the word is passed to the Professor, the matter is organized and carried out. The agent may be caught. In that case money is found for his bail or his defense. But the central power which uses the agent is never caught--never so much as suspected."

Favorite adaptations: Professor Moriarty (Ernest Torrence) in Sherlock Holmes (Fox, 1932), Professor Moriarty (Lionel Atwill) in Sherlock Holmes and the Secret Weapon (Universal, 1943), Professor Moriarty (Eric Porter) in Sherlock Holmes (Granada, 1984), Professor Ratigan (Vincent Price) in The Great Mouse Detective (Disney, 1986), Jim Moriarty (Andrew Scott) in Sherlock (BBC, 2010), Jamie Moriarty (Natalie Dormer) in Elementary (CBS, 2012), and William "Liam" James Moriarty (Soma Saito) in Moriarty the Patriot (Shueisha, 2016).

Captain Hook - If Professor Moriarty is a great complex presentation of a simple character, then Captain Hook is the opposite: a complex character who is presented simply. A ruthless pirate captain with a limb replaced by the object he derives his name from is the easiest thing in the world to understand, but there's much more to old James beneath that surface: a well-educated English gentleman depressed with the notion that he's squandered his life away but too far gone in his pride to turn back, constantly striving for "good form" even when his occupation doesn't allow for much of it, and obsessed with getting revenge on Peter Pan partly out of jealousy and partly to distract from the inevitability of the end result of what Pan did to him - namely, an ever-pursuing crocodile that will ultimately mark the end of his life when the clock it swallowed finally stops ticking. If Pan shows the problems with never growing up, then Hook shows the problems with losing your innocence when you grow up. For as over the top of a villainous character as he is, he's also a tragic, even relatable one.

Favorite adaptations: Captain Hook (Ernest Torrence) in Peter Pan (Paramount, 1924), Captain Hook (Hans Conreid) in Peter Pan (Disney, 1953), Captain Hook (Cyril Ritchard) in Peter Pan (Broadway, 1954), Captain Hook (Tim Curry) in Peter Pan and the Pirates (Fox, 1990), Captain Hook (Dustin Hoffman) in Hook (Amblin, 1991), Captain Hook (Jason Isaacs) in Peter Pan (Universal, 2003), "Jimmy" (Rhys Ifans) in Neverland (Syfy, 2011), Killian Jones (Colin O'Donoghue) in Once Upon a Time (ABC, 2012), Captain Hook (Stan Tucci) in Peter and Wendy (ITV, 2015) and Captain Hook (Jude Law) in Peter and Wendy (Disney, 2023).

And hey, wouldn't you know it! The same actor got the ball rolling in my favorite adaptations of both these characters! Clearly, the two of them were always destined to share this post.

[dianetastesmetal]

Incorrect Life of Crime quote #1

(May or may not make incorrect LoC quotes a thing)

[morsesnotes]

I found this interview from when Shaun Evans was promoting S3 of Endeavour in 2016 and thought it was one of the more interesting ones as he gets asked some different questions. I particularly liked seeing him talk a bit about his peers and how he views his career.

Shaun Evans talks Endeavour series three, Hollywood and whether he'd star in Doctor Who

As Morse returns, the star of the hit ITV drama reveals what's next for his career By David Brown - Radio Times

Falsely accused Endeavour Morse was last seen languishing in a prison cell after being framed for murder. But fans of the hit ITV drama needn't despair - Shaun Evans is back on the case for a third series beginning this evening. Here, the actor talks about life as the Oxford detective, why Morse has endured for four decades and what the future holds...

So what has brought you back to Endeavour for a third series? I didn't feel like we should have left it where we did last time. It would have been odd. As a viewer, I would have been dissatisfied to have left it there because you'd have only been telling half the story. Luckily enough, we had the opportunity to come back to do some more and I think the stories are really good - particularly the final one. It goes along at a lick. It's a bank heist but it's also a love story. And it's heartbreaking. I think it's great and it ends in a really satisfying way.

The character of Morse has now been around for 40 years - why has he endured? A good story well told will stand the test of time. And if you throw in an unusual character - someone who is in a world but not of that world - then that's intriguing.

The original series of Inspector Morse did episodes in Australia and Italy - would you like to do an overseas Endeavour? Well, they keep telling me that the character is going to Spain. But I can take myself to Malaga. I'm joking, but I'm being honest too. There is a Spanish idea, but I'd want it to be right. I don't want this job to be a jolly or something that we take for granted and phone in. There are so many variables to that kind of thing: would the locations be as good? Or the actors? Granted, it would be a laugh to go away with Roger Allam, but would it serve the show?

Does Endeavour Morse become more like you as the series goes on? I think that’s a danger, definitely. The more comfortable and confident you get with something, the easier it could be to be less diligent about creating a character. But then you’d be taking shortcuts that you might not have done three years ago. So I try not to be complacent about it. I want to be even more diligent than I was when I started. But I admit that it's a tricky one.

Having a two-hour slot for a drama seems like a privilege these days - do you worry that viewers' attention spans could be too short to cope? I don’t worry about it at all. I feel like the work we’ve done so far has been very good. Some have been better than others - as would be the case. But I feel pleased with it. Now if audiences change and they feel that the episodes are too long, boring or complicated, then we’ll just stop. That’s OK. But I've seen some crime dramas that try to tell the story in an hour and, for me, it just doesn't work.You’re tyring to set up a killer, set up a world, solve it in an interesting or dynamic way and put in some character stuff as well. It’s nigh on impossible to do in an hour. I don’t think you can do it in a satisfying way. That’s my impression as an audience member.

Fans would be up in arms if you decided to stop Endeavour! No. I don't think that'd happen. It's just work. And they'd just fill it with something else. There'll be another brilliant show.

I think you'd make an ideal Doctor Who - would you like to play that role one day? I’ve never seen it! I think Matt Smith is a brilliant actor. And David Tennant also. But it just wasn’t my thing growing up and I feel like I’ve missed it now. I was in Moscow a few months ago and someone asked me about Doctor Who. And she thought I'd make a good Master. So if you’re offering me a part, then I’ll play the Master.

What about playing James Bond? Well, everyone wants to play James Bond, right? He always gets the girl at the end. And in the middle. And at the beginning, come to think of it. But I think that Daniel Craig would be a tough act to follow. He brings something really interesting to it.

Do you ever look at contemporaries like Benedict Cumberbatch and Eddie Redmayne and think, 'I'd like top billing in a Hollywood movie'? I know both those lads and I like them. But I never really think of my career like that. Of course, you want people to see your work, but I'm not interested in being the next so-and-so. It doesn't attract me. Mainly because it's short lived. It's better to keep working and do interesting stuff.

So being a big Hollywood star isn't all it's cracked up to be? I don't know. I suppose if you had enough clout to guarantee finance for a story you wanted to tell, then that would be a good thing. From a business point of view. But I don't spend my time being envious. There are so many variables in all that bollocks! When you desire fame or fortune - which are ephemeral things - you're building your house on sand, aren't you?

Do you have a dream project that you'd like to do? I'd love to do something about poets or photographers who have done interesting things and left an impression on their portion of the world. Someone like the American photographer Walker Evans. Or the French poet Arthur Rimbaud. 

So what's next for you? I'm purposefully having some time off. I've been busy and I'd like a bit of time to read some books and just study. I want to educate myself on writers, photography, filmmaking and poetry. I'm very lucky that I've now got enough money to have a bit of time to myself and study. I'm very lucky to be in that position.

[victorianwhitechapel]

The Long Shadow review – a shattering serial killer drama that breaks all the rules

A mighty cast including Katherine Kelly and Toby Jones tells the stories of the women murdered by Peter Sutcliffe. Finally, the focus is on the victims

By the end of the first two of the seven episodes of ITV’s new drama about the Yorkshire Ripper made available for review, Peter Sutcliffe has barely been glimpsed. This alone marks it out from the herd of serial killer dramas, let alone documentaries, of which every streaming platform has a full quota. The general rule is that, however much the makers stress that their creation will centre the victims instead of the perpetrator of the crimes, they somehow all end up in thrall to precisely that person. Even when there really are intentions otherwise, the perpetrator inevitably becomes the dramatic focus and the narrative engine.

The Long Shadow – so far, at least, which is already further than most – shatters the general rule. Written by George Kay (whose last outing was the very different, very fun Hijack starring Idris Elba) and directed by Lewis Arnold (Sherwood, Time, Des – the Dennis Nilsen drama starring David Tennant), it is based on Michael Bilton’s book Wicked Beyond Belief, plus additional research and with the consultation and blessing of the families.

More than any rendering of a notorious case that I can remember, the attention is on the women. Specifically, the living women. And, when they are gone, the people they leave behind. After Wilma McCann’s (Gemma Laurie) murder, and the investigation that will take five years to apprehend Sutcliffe despite the police interviewing him nine times, the focus moves to Emily Jackson (Katherine Kelly). The opening episodes concentrate on presenting her situation to us in the round, as dire financial straits drive the embattled wife and mother to sell sex and put her fatally in Sutcliffe’s sights.

The Long Shadow deals in details. It is not simply poverty that leads the Jacksons to extreme solutions, but the social pressures and the desire not to lose face in front of the neighbours are all carefully and accurately drawn. So too are the subtle prejudices that nudge Irene Richardson (Molly Vevers) out of the chance of a job as a nanny that might have saved her from becoming Sutcliffe’s third murder victim.

After her, there is Marcella Claxton (Jasmine Lee-Jones), who survives a hammer attack by the man who will soon be tagged “the Yorkshire Ripper” by the media, though the moniker – hated by the families – is barely used in The Long Shadow. She miscarries at four months as a result of the attack. Back home from hospital, we see her gently touching her terrible head wound, trying to see it in the mirror and gauge its extent, with the empty cot in the background – a moving evocation of the literal and metaphorical extent of trauma; how much we want to find its boundaries and how impossible it can be to do so.

The police investigation weaves round the women’s stories, and although it hits many familiar beats, the quality of the writing and presence of the likes of Toby Jones, David Morrissey and Lee Ingleby as the various detectives in charge over the years means that this too is better done than usual. We have come to expect virulent misogyny and racism to be on show in dramas set in earlier decades and involving the police – or any other unwieldy, male-dominated institution – but The Long Shadow succeeds in embedding it more quietly but firmly. It is a way of life, a way of thinking rather than a succession of big instances (though it still has its moments, such as when the detectives’ hospital interview with Claxton turns into an interrogation, as their engineered politeness in front of a black woman begins to fail).

This all means that we better understand how the investigation went so wrong so many times, with even “the good guys” believing that the deaths of sex workers (and assuming that any woman near a known streetwalking area was one) were not worth much effort, or that any woman drunk and out after dark got what was coming to her. And it means we can better see its descendant attitudes now and how insidiously they still work against women. Big, sexist/racist set pieces or a clear divide between bad cops and the angelic few who have managed to transcend their eras allow us to believe that things are different now. The Long Shadow’s subtlety and care denies us such mistaken comfort.

The Long Shadow is on ITV and ITVX in the UK, and on Stan in Australia

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I hope one day they do the same with the Whitechapel Victims... RIP.

[maximumwobblerbanditdonut]

Rebus reboot in Glasgow!

ITV crime drama spotted filming reboot series in Glasgow (Image: Gordon Terris)

Richard Rankin was pictured on Byres Road today by our photographer Gordon Terris as production gets underway for the reboot of Rebus.

He was seen outside West End cafe Kember and Jones with film crews on Tuesday afternoon.

Based on the best-selling books by Ian Rankin, Rebus follows the central character, Detective Inspector John Rebus, as he solves various crimes in and around Edinburgh.

Outlander star Rankin will follow in the footsteps of John Hannah, Ken Stott Brian Cox, Ron Donachie and Charles Lawson to play a young Rebus.

The new series is said to be a "fresh and thrilling offering in the high-end crime genre" and follows 40-year-old Rebus as he finds himself at a psychological crossroads after an altercation with an infamous gangster.

The Scottish actor said: “I’m thrilled to be taking on the role of Rebus. I’m a big fan of the series and Sir Ian Rankin.

“I feel very lucky to be given the honour of bringing such an iconic Scottish character back to TV screens and will give all I have to do it justice.”

Sir Ian Rankin said: “Rebus has been a big part of my life for a long time now and to work with Gregory Burke to create a new story that sees him navigate life as a younger man in a contemporary (and ever-changing) Scotland has been a truly fascinating process.

"I’m very much looking forward to watching Richard bring the character to life – he’s the perfect fit for the role, and not just because we coincidentally share the same surname.”

[scotianostra]

Happy Birthday Scottish actor Alec Newman, born November 27th 1974 in Glasgow.

He may not be a household name, nor has he been in any real blockbuster films, but Alec Newman has quietly made a name for himself with roles in some very good dramas on both sides of the Atlantic.

Alec’s dad was in the Sandy, was in The Chris McClure Section, and since 1973 has been the lead singer and guitarist in Marmalade, Alec’s brother, John James Newman competed in the 2012 season of The Voice UK. Newman considered a life as a football player before breaking his leg playing for Wokingham Town as a youth.

He started out acting with National Youth Theatre aged 16, before enrolling in The London Academy of Music and Dramatic Art. Straight out of there he began cropping up in stage shows and impressing in guest appearances in TV shows like good old Taggart, of course, Heartbeat, Peak Practice and Dangerfield.

In the year 2000 he landed a leading part in Frank Herbert's Dune a three-part based on the novel of the same name, this got him noticed in the US and guest roles in shows there included, Angel, Star Trek Enterprise and Tru Calling, Flitting between stay at home and in the states he has continued to appear in some of the top shows, at home and abroad. Outlander fans might remember him as Joseph Wemyss in Down the Rabbit hole two years ago.

Alec is probably best known at home for playing Headmaster Michael Byrne in Waterloo Road when the series decanted to Scotland. Judge, John Deed, Spooks, Call the Midwife and Casualty at home, 24 Live Another Day, Victor Frankenstein, Shetland Rogue and The Bastard Executioner among many others, as well as stage roles has kept Newman busy in a career spanning around 25 years. Add to that he has voiced numerous commercials, audio books documentaries and Video games.

More recently Alec starred in four episodes of the ITV crime drama Unforgotten, and in the Scottish detective series Karen Pirie, based on the books by Val McDermid. Alec is next on the big screen in The Boys in the Boat directed by Hollywood A lister George Clooney.

Alec Newman married production co-ordinator Heather Stewart after meeting on the set of Waterloo Road. They married in Ayrshire in 2014 and have a daughter together. Newman is a huge football fan and has indulged a love for the outdoors, twice trekking in the Everest region of Nepal.